boss

Suspected Irish crime boss Daniel Kinahan has appeared before a Dublin court after being extradited from Dubai. The 49-year-old, who is one of the world’s most wanted men, was charged with directing a criminal organisation after being extradited from Dubai.

A TV boss has broken his silence on Ariana Grande quitting a hit drama show – after revealing her plan to step back from public life.

Ariana was originally annouced to be on series 13 of American Horror Story but she later exited the project to prioritise her Eternal Sunshine tour.

This comes at the same time she revealed she would be stepping back from fame at the end of her tour.

The AHS creator, Ryan Murphy, has now discussed her exit and told The Hollywood Reporter: “I love Ariana Grande. We’re great friends.

“I had an idea and I came to her and she, very immediately, said, ‘I’m not sure because I think I’m going on tour.

“I don’t think the tour had been announced, and she had obviously just finished the Wicked movie.”

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Ryan also revealed that he welcomed the star to appear in another season which she gladly accepted.

He added: “You have to be respectful. Who is busier than Ariana Grande? No one. She had told me at the time, ‘I have this album that’s dropping.’ It was really, truly a scheduling conflict.”

Ryan also revealed that Ariana is a big fan of horror and did Scream Queens for him and explained that he would always want to work with her.

He said: “I love her, and I support her. It was a very big swing, but I might bring that back for another season, per Ariana’s availability. I think the world of her.”

Last week, a rep for Ariana shocked fans by releasing a statement confirming she was stepping back from public life.

The announcement followed her pulling out of the starring role in a West End adaptation of Sunday In The Park With George, alongside her Wicked co-star Jonathan Bailey.

A representative had told People Magazine: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.”

However, Ariana has one last surprise in store for fans as she prepares to kick off her ten-date residency at the O2 Arena next weekend.

We were told the Thank U Next singer will film the London shows for a concert special, to be released at a later date.

It’s due to spark a bidding war with streaming giants battling it out for the rights.

Ariana’s last album, Eternal Sunshine, was born out of heartbreak and written as her marriage to American estate agent Dalton Gomez broke down.

Following the split from Wicked co-star Ethan in June after three years, Ariana has headed back to familiar ground and is dating her ex, dancer Ricky Alvarez.

FIFA executive Arsene Wenger backs decision to drop FIFA President Gianni Infantino’s World Cup sell-off plan.

FIFA executive Arsene Wenger has distanced himself from President Gianni Infantino’s failed plan to sell stakes in future World Cup profits to private investors and says it was “absolutely necessary” to drop the proposal.

Wenger’s statement on Tuesday on the controversy came after a preservation letter from UEFA, confirmed to Al Jazeera by European football’s governing body, was sent to FIFA, the world governing body.

Upon confirming the legal request was sent, UEFA said it would be making “no further comment at this stage”.

The Associated Press news agency, however, has reported that it has seen a letter from lawyers representing UEFA that has named Wenger, the French coaching great, among 18 executives whose data and communications should be retained as potential evidence.

“I was not involved in this strategic plan and first became aware of the project through media reports,” said Wenger, who was hired by Infantino in 2019 and is FIFA’s chief of global football development.

The statement by the former Arsenal coach did not name Infantino and comes after a weeklong furore across world football.

“The decision to withdraw the project was absolutely necessary and beyond question, because I firmly believe in an independent FIFA that serves our game with commitment, transparency, and integrity,” Wenger wrote.

Infantino withdrew his $20bn proposal early on Saturday after a furious backlash by global football officials and organisations, including UEFA warning of a boycott of all FIFA games and events.

The plan would have created a subsidiary, known as FIFA Forward Enterprise (FFE), to run the money-making parts of the nonprofit football body’s work, including organising tournaments like the World Cup and selling broadcasting and sponsorship rights and tickets.

It proposed raising $4.2bn from investors by selling stakes amounting to about 20 percent in FFE, based on an equity valuation of $20bn.

The “anchor investor” would have been Thrive Eternal, launched by Joshua Kushner, whose brother, Jared Kushner, is a son-in-law of United States President Donald Trump.

FIFA’s 211 member federations – already the essential owners of the governing body as a nonprofit association under Swiss law – were offered $20m each. The deadline to accept was September 19.

They also were promised a doubling of their FIFA funding for the four years through 2030 to $20m instead of the previously announced $10m.

Infantino shared details of the project to FIFA management just one week after the July 19 final of the financially successful World Cup in North America that drove FIFA’s revenues to $15bn for the 2023-2026 commercial cycle, almost double the income tied to the 2022 World Cup in Qatar.

Wenger said his FIFA duties were to “oversee the data analysis of the game, the FIFA online training centre, the development of youth education through 60 academies across 60 countries where they are most needed, and youth competitions around the world”.

The creator of “New Girl” has a dark, twisty new show about a … female serial killer?

Since the end of her breakout sitcom, Liz Meriwether has imbued her sharp and charming brand of funny in network comedies like “Single Parents” and “Bless This Mess.” But she’s steadily embraced darker tones in her work — first, with the Emmy-winning Elizabeth Holmes biodrama “The Dropout,” then with last year’s FX miniseries “Dying for Sex,” a delicate dance between laughter and sorrow in its exploration of a woman’s commitment to live her best sexual life following a terminal cancer diagnosis. “Furious,” though, may be her darkest project yet.

Loosely inspired by the 1987 neo-noir “Black Widow,” which starred Theresa Russell as a serial killer who marries and poisons wealthy men for their inheritances, and Debra Winger as the investigator obsessed with tracking her down, the Hulu crime drama deepens the cat-and-mouse dynamic. It follows an FBI rookie and her search for a female serial killer seeking vengeance against the men who abused her as a teenager. And still, it manages to find moments of levity. The first three episodes are currently streaming, with new episodes released every Monday until the finale Aug. 31.

“I’ve just been loving trying different things with my writing,” Meriwether told me during a recent video call. “When this came up, I was like, ‘Oh, wow, a crime thriller, a serial killer show.’ It was so different than what I’d done before. It’s like the shows that I love, so I was excited to try to write one, somewhat naively. It’s funny because I would always roll my eyes a little bit when drama writers thought they could write comedy and then I found myself in the flip side of that being like, ‘Oh, this is so hard.’”

Check out more of my conversation with Meriwether in Guest Spot. And yes, as a devoted “New Girl” re-watcher forever trying to retain my Youths! status, I asked about about the reboot discourse that’s become its own comedy.

Also in this week’s Screen Gab, our writers recommend the return of a detective comedy that has its schoolteacher-turned-self-taught P.I. on another wild adventure and a Spanish-language limited series that takes place during the 1986 World Cup. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Diarra Kilpatrick as Diarra Brickland and Shannon Wallace as Chris in Season2 of “Diarra From Detroit.”

(BET / Paramount+)

“Diarra from Detroit” (Paramount+)

Diarra Kilpatrick (“Perry Mason”) created and stars in this smart, sparky mystery as a middle school teacher, also named Diarra, who turns self-described Black Nancy Drew when a man she was dating (Shannon Wallace as Chris) disappears. The new season, which sees the series folded into Paramount+ along with other BET+ series, finds them together again (retrospective spoiler alert: she rescues him at the end of Season 1), with issues — he’s got trauma to navigate, she’s sorting out her identity and desires — and mysteries still to solve, including the identity of the Chief, the city’s Mr. Big. The new season, which feels even more self-assured, picks up old themes of friends and family, as the search for a missing antique desk leads Diarra and friends and accomplices Aja (DomiNque Perry) and Tea (Bryan Terrell Clark) into fanciful new territory, including encounters with Black Freemasons and bikers, the history of Prohibition and a treasure hunt. Local food culture (Superman ice cream, coney dogs, Faygo) gets its due. The mix of suspense, romance and comedy is deft; small details keep the characters surprising and lifelike.— Robert Lloyd

Rafaella Lopez as Barbara, Ian Andrade as Salvador, Aldo Emiliano Navarro as Miguel, Damian Vergara as Tono and Regina Arroyo as Maria in “I’m Not Afraid.”

(Julieta Horak / Netflix)

“I’m Not Afraid” (No Tengo Miedo) (Netflix)

The dilapidated La Esmeralda coffee estate in Mexico’s Veracruz mountains is a lush, beautiful and spooky place — the perfect setting for a kidnap mystery. But in “I’m Not Afraid,” it’s also the wonderfully imperfect backdrop for a compelling tale about friendship and family bonds as seen through the eyes of a child. Set in 1986 during FIFA World Cup fever and a blight that’s ruined the region’s coffee crops, 10-year-old Miguel (played with depth and authenticity by Aldo Emiliano Navarro) first discovers boy captive Felipe (Yago Andreu) hidden and chained in and overgrown area that’s said to be haunted. He’s sure it’s the work of a witch spoken about in local folklore until it’s revealed his beloved parents may have something to do with the abduction. Poverty has driven them and the other families on the estate to make desperate choices. Adapted from Niccolò Ammaniti’s acclaimed novel by Ernesto Contreras (“The Secret of the River”), this six-episode series explores what happens when adults do desperate things in the hope of securing a better future for their children, but it’s the kids who end up saving the day. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Emmy Rossum as FBI agent Alice Black in “Furious.”

(Sarah Shatz / Disney)

“Furious” feels like a crime story for the Epstein age. The eight-episode psychological thriller stars Emmy Rossum as Alice Black, a troubled rookie FBI agent who left her job as an NYPD detective to escape a violent and traumatic relationship with a fellow cop. She gets enlisted to help track down a female serial killer, played by Lola Petticrew, whose targets are the wealthy men who exploited and trafficked her for sex. But the series isn’t as concerned with its ripped-from-the-headlines relevance. Over video call, creator Liz Meriwether discussed what she was interested in unpacking in TV’s latest addition to the crime drama genre and contributing to the red flag roles played by Jake Lacy. —Y.V.

The series is loosely based on the “Black Widow” film. But how much did current events, specifically stories surrounding Jeffrey Epstein and the powerful men in his orbit, inform what or how you wanted to explore here?

It really did start as a “Black Widow” adaptation. This female serial killer and this female FBI agent in this cat-and-mouse game that has this very weird third act, where they just end up hanging out together on a beach, being friends. I loved that part of it. In the midst of this very exciting female killer-female FBI agent crime movie, there was this story about two women connecting who don’t have anybody else really in their lives to connect with. I dug into that and quickly saw that if the serial killer was just a black widow like she is in the movie, that it wasn’t going to give me enough story for eight episodes. I did a lot of research about real-life female serial killers, which are pretty rare. Female serial killers are almost all victims of horrible violence at different times in their lives. That really got me going, OK, what does it mean if you’re a victim of violence and you start being perpetrator of violence? What are the things that we can forgive and understand, and what are the things that we can’t?

And yes, when I looked out into the wider world and current events and what I was thinking and feeling, I definitely scooped up a lot of a lot of stories that are out there. But it’s not the story of a specific predator. There’s a lot to choose from right now. It should feel relevant. It should have echoes of what’s going on out there. But I wanted the focus to be on these characters, not the men that did these acts.

The parallels between Alice and Catherine — what they each have survived and the different ways they deal with it — come into focus. What were you interested in exploring about the traumatic and lingering effects of abuse through these two women?

Initially, when we were casting Catherine, the question of age came up because all of my writer instincts were like, “Oh well, we need to have Catherine be very young and closer to when she was actually a victim of this predator.” But as I started thinking about it, I was like, I don’t think we’ve seen as many stories about the long-term effects of this violence. There’s no flashbacks in the show. I’m not interested in showing what was done to either one of them [Catherine and Alice]. I really was interested in the aftereffects.

I spoke to a social worker, a psychologist and a trafficking victim, which was one of the hardest conversations I’ve ever had, and also a beautiful conversation. Her name is Jay Benke, and she has an organization that helps people that have been trafficked. She made a really interesting point that stuck with me, which is that when these FBI agents and law enforcement officials build cases, they’re looking at putting the traffickers in jail; they’re not looking at what the people who have been trafficked need for their lives to heal. There’s also an amazing website that a lawyer pointed me to called thelifestory.org, which is videos from different people who’ve been trafficked telling their story — from their childhood, all the way through having been trafficked and then coming out — and it’s in the shape of a circle. Those two resources for me were incredible. On the Alice side of things, we tend to think of the experience of being a [domestic violence] victim as being much more cut and dry than it is for a lot of people. The victim’s relationship with violence and love is very complicated and violence and intimacy can become linked in their brain. It was something that I started to learn about in my research for “Dying for Sex” and continued on with “Furious.”

Lola Petticrew as Catherine in “Furious.”

(Sarah Shatz / Disney)

We see these very girly things, stickers and gemstones, that Catherine holds onto. It reminds us of her emotional or mental stasis.

I don’t know what Lola would say about this, but my thought about the character of Catherine was she was a bit trapped. The choice to go on the path of vengeance feels like a very active choice, but in some ways it’s really limited. It makes your whole life about what happened to you. I feel like Catherine’s story is about breaking out of that trap a little bit, almost trying to give her character a chance to to grow up in some ways. That was definitely a struggle for me going into this because I was like, how am I going to give a serial killer an emotional arc? Catherine is trapped and needs to put the pieces of her memory and her life together in order to move forward.

The thing I love in Episode 3 is the bag that Catherine puts on the bed. That was a big breakthrough for me for Catherine’s character in that her history is something that she’s had to piece together and hold on to, and there’s big gaps in her memory, so she holds on to these material objects in order to just feel like she’s a person. Then in looking at Alice’s character, we felt like she was the opposite in a lot of ways. She had run out of her life with Marshall and [did] not really bring that much. Her whole life is her job; her apartment is really bare.

I don’t mean to sound glib in regard to the subject matter, but you mentioned Marshall, played by Jake Lacy. Why has Jake cornered the market on playing toxic dudes who seem like nice guys?

I haven’t seen “All Her Fault” yet — it’s something that I really need to see. He’s extraordinary in the show [“Furious”], and I had a long conversation with him before he signed on. It’s a very tricky part to play. It was very important to me throughout the process that none of the characters were easily put into bad or good categories — hopefully, we’re constantly making the audience question their feelings and their judgments about people. There’s an incredible documentary called “A Better Man” that is impossible to find. I had to pay like $50 to rent it. It’s this couple that dated when they were in high school, and he was abusive toward her. She got out of the situation, and they’re coming back in their 30s, meeting again and talking about what happened. It’s an unbelievable documentary. I had Jake watch it because I really wanted him to think about Marshall as a human. He really contributed to that, and you can see it in his performance. He’s [Jake’s] a very nice guy.

You know I can’t let you go without mentioning this “New Girl” reboot — or at least the talk of it. It’s become a bit at this point — Lamorne Morris and Jake Johnson pointing fingers at each other. You posted a video on Instagram confessing to sending explicit messages that have caused some tension.

In some ways, I feel like the videos and the interviews and stuff is maybe better than a reboot. If we can see that as the reboot, maybe that would be good for everybody. [The video] came from me getting this question from journalists during the [“Furious”] junket, It was like Hour Eight of the junket, and my brain just disappeared, and I started talking like a stream of consciousness — like I don’t have any more stories to tell or something. And then I went home that night and texted the cast and I was like, “I really messed up the question.” It had been this running joke on our text threads about how they just constantly blame each other, but a lot of the times they blame me like I’m the one that’s like holding up the reboot. I find it so annoying, but then I like answered this question in a horrible way, and then I was like, “Oh, I am going to be the one who has to answer to this.”

If it does happen, it’s going to be a really dark “New Girl” reboot, given the tone of recent projects.

[Laughs] I don’t even know if fans would want what would come out of me at this point.

Last question: What have you’ve watched recently that you’re recommending to everyone?

I love “Taskmaster” [YouTube, Pluto TV]. It’s the thing that brings me joy when I need it and so I always recommend that to everybody — but with the caveat that you have to love British humor. If you love joy and British humor, I highly recommend “Taskmaster.” And Kumail [Nanjiani] was on this last season, which was like really fun.

I’m very behind. “Widow’s Bay” [Apple TV] is No. 1 on my list. I need to watch it. I love Katie [Dippold, the show’s creator] so much.

ICYMI

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Some victims of disgraced undertaker Robert Bush have not been refunded for fake funeral plans he sold them, a court has heard.

The 48-year-old defrauded 172 people over 11 years to the tune of £562,000, Hull Crown Court was told.

He previously admitted 67 offences in relation to his business, Legacy Independent Funeral Directors in Hull, including failing to bury and cremate people, theft from 12 charities, fraudulent trading in funeral plans, and fraud.

On the fourth day of his sentencing hearing, one woman said her parents, who paid £2,649 each for funeral plans, were not alive “to see the justice they deserved”. Another said she had not been refunded £5,000 for two policies.

This story contains details some might find distressing.

Wiping her eyes with a tissue, Maxine Hill told Mr Justice Hilliard the bank refused to refund the money fraudulently taken by Bush, whom Hill knew personally.

Bush visited both her parents, Margaret and John, in their own home and issued a handwritten receipt to her mother who paid him in cash.

The bank initially refunded the amount paid by Hill’s father but 90 days later, the bank took the money back saying “there was no evidence that he hadn’t received a product”, the court heard.

Both have since died – Margaret in May 2024 and John in June 2025.

IF YOU are heading away this summer, you might want to check whether you need to expect lengthy queues at your destination.

A major airline boss has called out the destinations you can expect to experience chaos this summer thanks to Europe’s new Entry/Exit System (EES).

According to easyJet boss Kenton Jarvis, the EU’s EES is “a bit of a mess”, highlighting the Canary Islands in particular, according to TTG Media.

Popular destinations in the Canary Islands include Gran Canaria, Fuerteventura, Tenerife, Lanzarote and La Palma.

He also highlighted that there are issues in Milan Linate Airport, including recently a number of passengers missed their flight due to long queues at border control.

There are some destinations that are handling the new system well though, such as the Greek islands.

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He added: “The EU had a very long time to prepare for something they have not prepared very well.”

Jarvis also explained that planes can only wait so long for passengers, before they need to leave without them.

This was the case in Milan, where the plane was held for an hour before eventually leaving.

If they had waited longer, they might have missed their slot for take-off or the crew would then go into working overtime.

He is now advising passengers to arrive at the airport earlier, to allow for the extra time to get through border control.

And Jarvis is also pushing for the grace period for EES to be extended into the winter.

If you are unable to get through border control due to queues, in time for your flight, easyJet will put you on another flight with the airline.

Jarvis added: “It should be a good thing when everyone has been registered because they will be able to use e-gates, but until then it is clunky.”

RYANAIR boss has warned Brits not to be late for their flight as planes will takeoff without them.

The news comes after reports of hour-long delays at border control as a result of the introduction of the EU’s new Entry/Exit system (EES).

Talking on The Telegraph’s podcast, Ryanair CEO Michael O’Leary said: “We will not wait for anybody.

“Our priority is to those passengers who are at the boarding gate when boarding starts. If you’re not at the boarding gate when we finish boarding, the plane is going without you.”

He further added that it is the responsibility of the traveller to leave enough time to get themselves through the airport on time.

It comes after reports of up to six-hour long queues at passport control and in some cases, passengers have missed flights as a result.

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At the beginning of June, 150 Ryanair passengers missed their flight from Toulouse to the UK due to the queues.

In another case, British passengers who were still in the airport queuing through passport control missed their Ryanair flight from Athens to London Luton.

One passenger told the BBC at the time that there had been a “mega queue” at Athens International Airport where hundreds of people were waiting at both security and passport control.

The plane took off without around 50 of its passengers.

However, Michael O’Leary said that planes cannot wait for anyone caught up in the chaos.

He added: “We’re not delaying our flights for people who are stuck in passport control queues.

“They have to show up at the airport earlier [and] be at the boarding gate, otherwise they’re not flying.”

Ryanair had previously called for EES to be delayed until September to save the summer holidays – but it has continued to go ahead.

With EES still in place, airlines are advising Brits to leave arrive three to four hours early for your flight to Europe this summer.

The ex-chief executive of Southern Water has been charged with three others over an alleged plan to manipulate water quality tests to avoid paying financial penalties of about £45m, it can now be reported.

Matthew Wright is accused of conspiring to defraud the Environment Agency (EA) and water regulator Ofwat between 2012 and 2017, along with Philip Barker, Clive Massey and Mark Gregory, who also worked at the firm.

Wright’s solicitor says he “denies all wrongdoing and has co-operated fully” with the EA’s investigation.

Southern Water said the charges related to “a historic set of failures” uncovered in an internal investigation. It said it was a “completely different” company to a decade ago.

The EA asked a judge to issue a summons against the four, charging them with the offence, last year, but Wright launched a legal challenge, dismissed by two senior judges on Wednesday.

Massey, Gregory and Barker did not appear at the hearing in London and were not represented.

According to court documents, the allegations include arranging for wastewater to be removed from facilities by tankers in order to create “no flow” results.

This had been “with a view to covering up pollution and deceiving those whose function is to protect the public from such harm”, prosecutors allege.

In his legal challenge, Wright’s lawyers argued at the High Court in June that the EA did not have the power to issue the summons and it should be thrown out.

But the judges dismissed his claim and ruled restrictions previously preventing reporting of the legal challenge should be lifted.

Separate court listings showed the case against 60-year-old Wright, of Haslemere, Surrey; Barker, 57, of West Chiltington, West Sussex; Massey, 64, of Brandhill, Shropshire; and Gregory, 63, of Southampton, were scheduled to be heard at Medway Magistrates’ Court on 14 July.

The four are accused of conspiring between 2012 and 2017 to defraud those conducting the environmental and financial regulation duties of Southern Water, including the EA and Ofwat, by “the implementation of artificial no-flow events at wastewater treatment works”.

The EU’s Entry/Exit System (EES) has sparked massive airport queues across Europe – with people complaining that they’ve had to wait hours to enter countries after landing

Brits looking forward to a European getaway this summer have been issued a major travel warning by an airport boss after the EU implemented its new border system.

Officials implemented the new passport control system, named the Entry/Exit System (EES), on October 12 last year, requiring British citizens travelling to the Schengen area to register biometric details – including fingerprints and a photo – on arrival. The arrangements have caused massive pileup queues in airports across the area, and the system itself is reportedly plagued with bugs.

A boss at one of the busiest airports in the EU, located in one of the most visited cities on the continent, has warned that the system has nearly tripled the amount of time it is taking Brits to travel through passport control.

Ivan Bassato, the Chief Aviation Officer at Rome’s Fiumicino airport, told the BBC that large numbers of passengers are using the €12 million (£10.2 million) self-service “kiosks”. While recent updates to the system have “improved things significantly” with the e-gates, issues remain for UK nationals, who are now taking much longer to get through the border.

He said the average time has extended from seven to 20 minutes, and the process is still taking much longer than it would have before the EES rollout.

Mr Bassato said: “We are not at the point where you have the same quality of the process [as] before the EES.” The official added that the airport was “absolutely not okay with” waits lasting between one to two hours, urging: “I think that we need to fix urgently certain aspects of the system.”

The Foreign, Commonwealth and Development Office (FCDO) has previously warned Brits travelling into the Schengen area that they should be “prepared to wait” as the EES is implemented, especially if it is their first visit.

The Government’s portal advises: “On your first visit to the Schengen area, you may be asked to create a digital record at the port or airport on arrival. You may be asked to submit your fingerprints and have your photo taken at dedicated booths. You don’t need to provide any information before travelling to a Schengen area country.

“The checks may take slightly longer than previously, so be prepared to wait during busy times.” Brits travelling into Rome have encountered lengthening wait times lasting hours.

Speaking to the BBC, Carl, who had travelled to the Italian capital with his family, said he was bowled over by the amount of time it took to enter the country. He said: “It was two hours queuing, from getting off the plane to getting through with children. I knew it was going to be bad, but not as bad as that.”

One traveller entering from outside the EU said in a post on Reddit that, on entry to Fiumicino, they encountered a non-EU immigration line that wrapped through duty free.

They wrote: “Flight was at 11:15 today. Arrived at FCO at 8:45. Checking in and security was a breeze. Immigration line was extremely long for non-EU passports. Wrapped through duty free into the domestic terminal. The line finally moved enough that was I was on gate side of duty free at 9:30. Made it through immigration around 9:55.

“Worth noting that we had fast pass in security and priority check in for bags. Much more time needed if we didn’t.” The European Commission has insisted that disruption in EU airports is limited, and that member states would receive continued EES support.

Striker Haaland has scored seven goals during Norway’s historic run to the quarter-finals.

This is their first World Cup since 1998 – and the furthest they have gone.

It has turned into a summer to remember after wins over Iraq, Senegal, Ivory Coast and Brazil, with Haaland hitting form.

On Friday, the main focus of the last-eight tie was on Haaland and England captain Harry Kane, who has scored six times in five games at the tournament.

Asked if it would be a straight shootout between the prolific goalscoring pair to determine the outcome, Solbakken said “it’s Norway against England”.

“It’s not a secret that Kane is match-winner number one for England and Erling is match-winner number one for us,” he added.

“There’s no doubt that he [Haaland] is our biggest match-winner, but I think you underestimate some of the other players if you think that’s the whole theme.

“He also needs service but you can’t deny that he is a big, big match-winner for us.”

After battling past co-hosts Mexico 3-2 in the last 16, despite having defender Jarell Quansah sent off in the 54th minute at a hostile Azteca Stadium, Solbakken is a big admirer of England.

He said: “We need to compete and defend properly. We need to concentrate on the pitch and then we can be ourselves.

“Jude Bellingham and Kane score from great positions. I think the most impressive [England] game came when they were better than Mexico.

“Mexico created very few chances and I think [Thomas] Tuchel managed to get their best players in good position. And being match-winners like Bellingham, Kane – they have several options on the wings which means that if one doesn’t have the day, another comes in and then obviously does something good, then steady out in the middle of the park with Elliot Anderson and Declan Rice.”

Norway had 66.4% possession during the memorable win over Brazil.

Asked if he expected his side to have a similar amount against England, Solbakken added: “No I don’t.

“It’s getting hotter. We have trained very lightly. We’ve not done as much hard work [in training]. We have had technical sessions but in a lower tempo.

“It’s all about being fresh for tomorrow.”

McCulloch said: “If I were the secretary of state for energy security and net zero, I’d be looking closely at where’s my next source of energy security, and you’re standing on it.

“The wells are drilled, they’re hooked up. We’re just readying the systems. It will be ready for the 1st of October.

“Jackdaw will play a vital part of this winter’s gas supply,” he added, providing energy security, employment and taxation to the UK.

Environmentalists say Jackdaw will only produce 2% of the country’s annual gas demand during the lifetime of the field.

“It would be a huge betrayal of the British public for the UK government to approve new oil and gas fields at a time when ordinary people are suffering so much as a result of these record-breaking heatwaves,” said Tessa Khan, executive director of the campaign group, Uplift.

In response McCulloch said: “So we all watch the same news, and we see that.

“But what we’re saying is that Jackdaw should not take that on its shoulders, or it should take a very small portion of that.

“It’s a very, very small proportion of the total global emissions.”

Stranger Things favourites are back again as a father-daughter duo.

Stranger Things fans are getting hyped up over an unexpected Netflix reunion.

Netflix has confirmed that David Harbour and Millie Bobby Brown, who played Jim Hopper and Millie Bobby Brown in Stranger Things, are going to be working together again.

The iconic pair will be teaming up in an untitled father-daughter spy thriller, loosely inspired by author Paul Warner’s debut novel A Spy in the Blood.

What’s even more exciting is that this upcoming series will be created by none other than Jack Thorne, co-creator of Netflix’s Adolescence, as well as other hits like His Dark Materials and the Enola Holmes franchise.

Harbour and Brown will be returning to familiar territory in the new series as they will be portraying a dad and daughter, very much like the familial dynamic between Stranger Things’ Hopper and Eleven.

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In the freshly announced series, Harbour will be playing “disgraced FBI agent turned security expert Matt Wolfe” while actress Millie Bobby Brown is behind Rebecca, his estranged daughter and FBI agent.

However, Matt is drawn back into the world that he left behind when Rebecca “vanishes on a mission, forcing him back into a field that has evolved beyond him”.

While the spy thriller has been given a straight-to-series order by Netflix, there has been no word on when subscribers can expect the series just yet.

Netflix Head of Scripted Series, US and Canada Jinny Howe said: “We are delighted to bring this spy drama to life with an extraordinary group of talent we’ve been fortunate to collaborate with before.

“Jack Thorne’s ability to find the deeply human story inside a thriller is unmatched, and watching Millie Bobby Brown and David Harbour reunite — this time as estranged father and daughter on opposite sides of a crisis — is something audiences are going to love.”

Harbour hinted at the collaboration in an interview with Variety, teasing: “You’ll see more of me and Millie. 10 years wasn’t enough,” referring to their time together on Stranger Things.

“There is a special bond there. I love her, she loves me.”

Brown also praised her former Stranger Things co-star for bringing them back together, telling the Happy Sad Confused podcast this week: “Father-daughter is where we live, but Netflix will always be our home.

“The David Harbour project is sooner than expected, and it’s David’s idea, so kudos to him.”

Stranger Things is available to watch on Netflix.

Veteran broadcast journalist Katie Couric has leveled sharp criticism at CBS’ “60 Minutes,” detailing a culture of systemic sexism and marginalization she says she experienced during her tenure at the prestigious newsmagazine.

On this week’s episode of the “Call Her Daddy” podcast, Couric, 69, described incidents during her time at “60 Minutes” when her story ideas were reassigned to her male counterparts. She described the circumstances as “really tough situations.”

The Emmy-winning journalist said she suspected early on that Jeff Fager, the “60 Minutes” executive producer at the time, didn’t take a liking to her.

“I think maybe because he wasn’t really consulted about bringing me over,” said Couric. “I was sort of seen as somebody from a different network coming in and sort of muddying the waters. I hadn’t come up in the CBS system. So I don’t know, he just didn’t like me.”

Couric started her run at the newsmagazine as a correspondent and as an anchor at CBS News in 2006, after spending 15 years co-hosting NBC’s “Today” show. Her role at CBS made her the first female solo anchor of a national weeknight news broadcast. She stayed with the network for five years before taking on a new role as special correspondent for ABC News.

Fager remained at “60 Minutes” from 2004 to 2018. He also served as the chairman of CBS News. He was eventually fired for allegedly sending a “harsh” message to a CBS reporter. At the time, he was also facing accusations of ignoring inappropriate behavior at “60 Minutes.” He previously denied the claims. CBS could not be reached for comment.

Trouble first came to a head when Couric pitched a profile of the rising pop star Lady Gaga. Fager had initially turned down the idea until he decided to pursue the story a year later, as Gaga had gained more notoriety.

Couric said she had proposed a fresh angle on Gaga’s Catholic school upbringing, but when she arrived for the interview, she discovered her name had been replaced with Anderson Cooper’s. His interview with Gaga aired in February 2011.

“It made me crazy,” Couric said.

A similar situation occurred once again when Couric was set to interview then–Secretary of State Hillary Clinton. The confusion began when the State Department reached out to Couric, wondering why fellow correspondent Scott Pelley’s team was inquiring about Clinton.

“So I go to Jeff Fager, and I say, ‘I thought you wanted me to do Hillary. You told me explicitly that you wanted to assign that story to me,’” Couric said. “And he said, ‘Yeah, we decided to change things up.’”

Couric said she was frustrated with Fager, for repeatedly going “behind [her] back.”

“Like, without even the decency to call me and say, ‘Guess what? We decided to reassign the story, and this is why,’” she said. “Talk about getting gaslit. I mean to me, that is the definition of it.”

Couric isn’t the only former “60 Minutes” to call out sexism at the newsmagazine. Meredith Vieira, who worked as a correspondent in the late 1980s and early 1990s, said in 2018, that she’d experienced sexism at CBS.

In the last few months, “60 Minutes” has undergone a massive upheaval. Under CBS News editor-in-chief, Bari Weiss, several correspondents, including Scott Pelley, and the program’s top producers were fired. Anderson Cooper also recently resigned from his post at the newsmagazine. With the upcoming season slated to begin in September, the program is currently under pressure to replenish its ranks.

Published on
25/06/2026 – 11:59 GMT+2

Ferrari has announced that Enrico Galliera, its chief marketing and commercial officer of more than 16 years, will step down, handing one of the most sensitive jobs in the luxury car world to an outsider.

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His successor, Massimiliano Di Silvestre, the former head of BMW’s Italian business, takes over on 1 July and will report directly to CEO Benedetto Vigna.

Galliera’s exit comes barely a month after Ferrari pulled the covers off the Luce, its first fully electric model, which received a reception few at the company were happy about.

The car, whose edgeless styling was developed with LoveFrom, the design studio founded by former Apple design chief Jony Ive, broke sharply from Ferrari’s traditional look and drew swift ridicule from enthusiasts and investors alike.

The backlash was unusually public for a brand accustomed to adoration.

Ferrari’s shares fell more than 8% in a single session after the reveal, a sharp market verdict on one of the industry’s most valuable names.

Critics lined up to attack the design, among them the company’s own former chairman, Luca Cordero di Montezemolo, who warned that the brand was risking the destruction of a legend and went so far as to suggest the famous badge be removed from the car.

Italy’s deputy prime minister, Matteo Salvini, joined in, questioning the four-door model’s price, which starts at €550,000.

However, Ferrari has firmly rejected any link between the criticism and Galliera’s departure.

According to the company, he had decided to move on some time ago and agreed to remain in place through the Luce launch before pursuing what it described as a new chapter in his career.

Vigna praised his contribution and framed the change as part of the brand’s evolution rather than a reaction to it.

An outsider for an uncertain road

Whatever the motivation, the choice of replacement is telling.

Di Silvestre brings more than two decades of experience in the premium car market, having steered BMW Italy since 2019, and represents a rare move by Ferrari to recruit its commercial chief from a rival rather than promote from within.

He inherits the task of selling an electric Ferrari to a clientele that pays a heavy premium for exclusivity, at a moment when demand for high-performance EVs has cooled.

Ferrari maintains that interest in the Luce remains strong, though investors will not get a clearer picture until the company reports its second-quarter results on 30 July.

England head coach Thomas Tuchel has admitted he is not a fan of the controversial hydration breaks being used at the World Cup.

Tuchel, 52, was speaking before England’s second Group L game against Ghana in Boston on Wednesday (21:00 BST), where rain and cool temperatures are forecast.

England’s fans started the now customary jeering of the breaks when play was stopped in the first half of their opening game against Croatia in Dallas, despite the match being played under a roof in an air-conditioned arena.

The breaks will continue to be used in Boston irrespective of the weather, but Tuchel expressed his reservations about them and the impact they are having on games.

“I think that it interrupts and changes the identity of a football match much more than I thought. I had hydration breaks before when it was really, really hot and needed, but they were shorter,” Tuchel said.

“They were shorter and they were just in a few matches. In the interests of fairness here, it is now done in every match for every team.

“It breaks the match almost in four quarters. And I think it changes the characteristic of the match more than I thought.”

Ole Gunnar Solskjaer and Gary O’Neil are among the leading candidates to become manager at Ipswich.

Former Manchester United boss Solskjaer is high on the Tractor Boys’ list to succeed Kieran McKenna at Portman Road.

Solskjaer took a break from management after leaving Manchester United in 2021 but was keen for a quick return following his exit from Besiktas last summer.

He was overlooked for a return to Old Trafford last season, in favour of Michael Carrick, with United feeling it would be better to avoid someone who had done the job before.

McKenna worked under Solksjaer – along with his assistant Martyn Pert – at Manchester United when the Norwegian led them to second in the Premier League in 2020-21.

BBC Sport reported Ipswich’s interest in O’Neil earlier this month and the Strasbourg boss has long been admired by the club’s hierarchy.

He played at Bristol City when current Ipswich chief executive Mark Ashton was CEO.

The French side had been confident of keeping the former Wolves head coach, who joined the club in January, but he remains a contender for the Tractor Boys.

The club are looking for a new head coach after McKenna stepped down last week, despite leading them back to the Premier League by finishing second in the Championship last season.

The 40-year-old took charge of the Tractor Boys in 2021 and guided them to three promotions in the past four seasons, two of which have taken the club into the top flight.

McKenna was linked with the Fulham job after Marco Silva’s departure, but quit to take a break from the game and spend more time with his family.

“I feel this is the right time for me to step aside,” he said.

“I do so with great pride at the incredible progress we have made and with huge hope and optimism for the future of the club.”

“I am the person who takes full responsibility and I will be accountable for my job and the future plan of Wolves,” said executive chairman Nathan Shi last month.

After the shock sacking of Rob Edwards last week, one which blindsided the manager and his staff along with many at Molineux, it is not just Shi who needs this change – which is a gamble – to work for Wolves.

Shi and owners Fosun led the change and after replacing Jeff Shi in December, he could find himself the focal point of supporters’ anger just like his predecessor.

If it fails, a fanbase who had started revolting over the past 18 months will look for full revolution against the owners.

Automatic promotion is the plan next season and Cesar Peixoto has to have Wolves in the title race in the Championship.

Even then, there is no harmony or patience with Fosun after what supporters see as a managed decline over the years of selling off the club’s best players and failing to replace them.

Wolves and the ownership deny that and they are expected to financially back Peixoto – just like they had planned to do with Edwards – to ensure they return to the Premier League at the first attempt.

The club wanted more experienced players, with knowledge of the English game, to help and also reflect the club and city better and Raul Jimenez’s return does just that.

So there is positivity, the mistakes of last summer’s window look to have been learned from.

But after Edwards’ dismissal – him and his staff finding out about a possible change on social media – and the unity presented, with words like “alignment” used over the past few months, the direction of Wolves remains hard to judge.

THE Ibiza Final boss has confirmed he’s SPLIT from his girlfriend amid reunion rumours as his viral fame ends the romance.

Newcastle lad Jack Kay’s life changed forever after he became an overnight viral sensation.

The 26-year-old was spotted boozing and grooving while holidaying on the Spanish island of Ibiza.

A clip of the former builder was viewed over 20 million times last August and fans became obsessed as they felt his distinctive look perfectly encapsulated the party isle’s clientele.

Jack became known for his bowel haircut, oversized chain, vest top and square shades and it wasn’t long before his girlfriend, Alisha Cook, decided to stake her claim.

But it has now been confirmed the pair have gone their separate ways.

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Jack told The Sun he was single and doesn’t see a Mrs Final Boss on the horizon for quite some time.

Although the Misfits boxer did hint that he could find the one over on the party isle.

He said: “I might do.

“But I haven’t found Mrs Ibiza Final Boss yet, but probably a couple of years for that.”

It seems Jack’s partying days are not yet behind him as he admitted he’ll be making his way back to Ibiza this summer.

His pals told us last year that his stunning ex Alisha drew a line under their relationship after she became sick of him living it up with the lads.

The debt collector, from Durham, was furious and pulled the plug before he jetted off.

However, it was then rumoured they’d reconciled but he was “skating on thin ice.”

When Alisha was approached for comment, she confessed she “loved him” and they were “back together.”

Jack spent weeks enjoying his sudden fame in Ibiza and it seems the pair couldn’t navigate him being in the spotlight.

Ahead of his Misfits boxing match on Saturday he admitted he won’t be returning to his day job as a builder.

Jack said there’s “definitely not” anything to miss from working in construction.

He added: “This life’s the easy life.”

The Ibiza Final Boss will face off against Manchester rapper Jordan McCann in the ring after two months of being sober.

Some people are still processing “Euphoria’s” evolution away from its roots as a gritty drama that explored highly mature and dark teenage experiences to, in its final season, a fever dream-esque look at adulthood that played like a full-blown neo-noir crime thriller. But another show’s creative transformation has taken the stage now.

The third season of AMC’s adaptation of Anne Rice’s “Interview With the Vampire” brings a reset to the captivating world of bloodsuckers. While the first two seasons adapt the original 1976 novel, relying heavily on the recollection of Louis de Pointe du Lac (Jacob Anderson) as he recounts his centuries-long life and romance with Lestat de Lioncourt (Sam Reid) to a journalist, the new season shifts narrative focus and perspective over to Lestat, who transforms into a charismatic frontman of a glam-rock band to publicly set the record straight. As such, the series has been retitled “The Vampire Lestat,” which is the name of Rice’s second novel. For this week’s Guest Spot, I spoke with showrunner Rolin Jones about the show’s rebranding and Reid’s commitment to the musical challenge.

Also in this week’s Screen Gab, TV critic Robert Lloyd steers us away from the usual streaming options to recommend a man’s video journal that documents his quest to travel the world by foot, while culture critic Mary McNamara suggests a new British comedy about codependent BFFs navigating the sort of tricky development that would end most friendships.

Speaking of endings to relationships, it was announced this week that “Doctor Who” showrunner Russell T Davies is exiting the series (again) seven months after Disney+ decided not to continue its partnership with the BBC to distribute the long-running sci-fi series. BBC also announced it will not air the show’s previously announced Christmas special this year. Lloyd, a longtime Whoverse follower, is a voice of calm through it all. He shares his thoughts on why the new questions swirling around the franchise don’t necessarily have to be cause for alarm — evolution is part of the show’s essence, he reminds us. Elsewhere in current events, if you’ve been curious (… sure, that’s the right word!) about the UFC Freedom 250 live event that will unfold in an oversize cage on the White House South Lawn in celebration of Trump’s 80th birthday and the country’s 250th anniversary — and will be streamed live on Paramount+ — check out our explainer about the controversy — and lawsuit — it has sparked.

Now if you’ll excuse me, I have another Matthew Rhys story to read so I can maintain my executive membership in the fan club. See you next week!

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

@AlexanderCampbellOfficial (YouTube)

In February 2023, Alexander Campbell, then 27, set out from Sydney to walk west around the world. Currently he is somewhere around Albania, having traversed, among other places, Bangladesh, Nepal, Pakistan, Kazakhstan, Turkey and Bulgaria. He’s been documenting his progress on camera all along the way, but it wasn’t until Day 938, in Georgia, that he began posting the longer, “uneventful” videos that make his channel such a singular, meditative, even hypnotic, form of vicarious travel. Walking alone to the sound of his own footsteps, through sun, rain, sleet, snow and dark of night, over mountains and deserts, through forests and fields, he becomes a character in a peripatetic, nearly one-man show. The occasionally encountered friendly local will warn him about wolves or bears or the hunters who might mistake him for one, though he meets more dogs than people. (He calls them all “Buddy,” warily.) Titles include “I Slept in a Barn Full of Stray Dogs,” “I Got Caught in a Snowstorm With Nowhere to Sleep” and “Something Was Out There in the Forest.”) — Robert Lloyd

Jemaine Clement, left, and Nicola Walker in “Alice and Steve.”

(Lara Cornell / Hulu)

“Alice and Steve” (Hulu, Disney+)

What would you do if your ex-turned-longtime bestie slept with your 26-year-old daughter? Well, Alice (“The Split’s” Nicola Walker) 100% loses her mind. Sure, during a drunken convo at a bar, she did tell Steve (“Flight of the Conchords’” Jemaine Clement) that he could have any woman he wanted, but she most certainly wasn’t talking about Izzy (Yali Topol Margalith). Having just returned home after breaking up with her boyfriend, Izzy decides that Steve, now bunking down on the sofa, is “strangely hot” enough for a little rebound sex and then a romantic relationship. And Steve, though initially regretful and more than a little shell-shocked, decides this is what he wants too. “I really like her,” he says by way of sheepish explanation. It leaves Alice no choice but to hilariously alternate between screaming and scheming as she tries to put a stop to the proceedings even at the expense of her marriage, her career, her friendship with Steve and her self-respect.

Clement’s sad-sack charm successfully boosts the leap of faith required to keep Steve from becoming an oblivious creep, but the show belongs to Walker. Her Alice becomes a blazing embodiment of the emotional maelstrom inside every woman who is expected to somehow put on a supportive, understanding face no matter how outrageous or impossible the situation. The laughs she elicits are exhalations of shock, recognition and relief. We can’t all ditch the high road for pure, luxurious fury, but it’s mighty fun to watch someone who does. — Mary McNamara

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sam Reid as Lestat De Lioncourt in “The Vampire Lestat.”

(Sophie Giraud / AMC)

If you thought posting cryptic digs about an ex on your social media accounts as a way to cope with unresolved emotions was petty, this TV vampire may have you beat. The wild new, music-infused season of “The Vampire Lestat” (formerly “Interview With the Vampire”) revolves around Lestat de Lioncourt (Reid) on an elaborate mission to tell his side of the story after his ex-lover, Louis de Pointe du Lac (Anderson) published a scandalous memoir — with the help of journalist — that detailed their turbulent romance. In his bid to control the narrative, Lestat becomes an immortal glam rocker who launches a music tour and enlists the same journalist — newly turned into a vampire — to direct and film a music documentary about his life. The result is a flamboyant seven-episode season that blends rock-opera style performances (the season will feature 20 original songs) with personal reflections from its flashy frontman. As it enters its second week of release on AMC and AMC+, creator and showrunner Rolin Jones spoke over video call recently to discuss the show’s creative pivot and more. — Y.V.

To kick off the new season, there was an immersive premiere concert event at the historic Beacon Theatre in New York City earlier this month. Was that a surreal experience? Did you feel like a music manager?

I have a hard time talking about the work — the selling of the work, all that kind of stuff. I want to finish my edit, and then I want to like disappear at the Arctic. I knew we were doing this and I knew that there were like fans from all over the world flying in for it — some who didn’t have tickets. I knew there were people who had worked on the show from Seasons 1, 2, and 3 who got on a plane, asked for a ticket, and made a pilgrimage there. I was really moved by it. It was about as good as these things can ever be. It felt really beautiful. It felt like Vampire Church. It was pretty cool. And Sam — “surprising” is not the word because I’ve worked with him for a long time — was way better than he should have been. It’s incredible.

In this TV landscape, taking a show and giving it a new title as it enters its third season is a daring move. The series moves focus to the second book in Rice’s oeuvre. And while it continues the story of these characters, at the same time, it feels like a new show. What made you nervous about carrying out that kind of creative transformation? And what was thrilling about it?

We could start with a thrilling part because the idea to be able to go to the people who worked really hard and say, “Hey, let’s rebuild it” — that’s exciting. That part’s cool. The executing part about it is where the terror begins because most worthwhile art — you can call TV art — invariably has to have risk and danger involved in it, otherwise you’re probably performing a magic trick. No offense to magicians. But you want something that when you turn off the TV, you’re not immediately forgetting. The more risk you do, in terms of form, in terms of all that, you want to be able to feel like you can pull it off because, otherwise, they [the audience] have nothing to grasp onto. [And they say,] “You just destroyed this thing we love, how dare you!” But generally speaking, everybody — from the top of the network down to the actors who are doing it — was down for it. Mostly because, if you listen to our fandom, I think they demand it. They’re out there on a limb telling everybody “it’s the greatest TV show, and blah blah blah” and you have to deliver that for them so that they can continually confidently bombard all their friends and neighbors and say, “Watch the show.” There’s nobody who didn’t give everything [to this season]. It was a real collective leap together.

Sam undergoes quite the transformation to make this rock star vampire persona believable. What struck you about how he approached embodying Lestat this season?

I gained 20 pounds in Toronto, and that’s because I kept stuffing my face with bread, and about every three or four times I would have this big sloth of butter on bread, I’d go, “Poor Sam” because I know Sam had not touched a piece of bread. Let’s start there — 0% body fat, the dimensions on the waist. The level of dedication. He was living and breathing every second about the role and about the demands of it — sing songs, and not only sing songs, but go learn to be a musician, and go train with people who have been doing it their whole life so you can fake it. I feel very confident saying this: Anybody who watches this season and Sam’s performance will feel like, at the end, they saw one of the 10 greatest performances in the history of our medium. I think he absolutely disappeared. James Gandolfini did not sing songs, Swearengen [the “Deadwood” character played by Ian McShane] did not sing songs. Mr. White [the “Breaking Bad character played by Bryan Cranston] did not sing songs. I’ll put him [Sam] up against all of them. He’s incredible.

What if he wants to go off and be a rock star now?

He could do it.

Jacob Anderson as Louis De Pointe Du Lac in Season 3 of “The Vampire Lestat.”

(Sophie Giraud / AMC)

You have a rock band posing as vampires fronted by an actual vampire who is the focus of a documentary being directed by a vampire passing as a human. And for all this to work, the band has to be good. What was the challenge of making this fictional band’s stardom believable — the charisma, the presence on stage, the discography? It’s a tall order, in addition to making a compelling TV show.

Anytime you have seen these things, following a band, there’s so many ways it can fall flat. You can do three or four of the things you need to do, and if one of them falls apart, you’re still stuck there, going, “Eh.” We all, who are working on it, love music. We’ve all been in clubs. The first thing we did was remove the stardom for budget reasons, but also for singular storytelling — he decided to do rock ’n’ roll in the year 2025. Some basic building blocks, we need songs. So with [composer and songwriter] Daniel Hart, we bring him into the [writers’] room because it’s not only writing songs, but writing the context about when and where he’s [Reid] singing them. He has to be aware of what we’re doing in the room. We also have to be able to pivot when he has pure inspiration; he can come in with something we’ve never talked about, and go “Boom!” And it’s OK, now what do we do with this song? And quite often this year we restructured episodes because the song was beating our episode. [We had to] hire actors who can play or musicians that can act — and that’s not everybody, so that shrinks that down. Make sure when you’re in the club, or whether you’re singing the song in rehearsal, let us uglify it, embrace the mistake, make it a little dirty. We have a song this year that has some of the most beautiful orchestrations, but because of where it landed in the season and what it talked about, we ended up going with the most stripped down, bare version of it. Don’t worry, you’ll get to hear these beautiful orchestrations [at some point]. [It’s also thinking about] how do you carve out the time you need to shoot it and the playback elements of it, and what sacrifices you have to make on other set pieces that you would normally put in is a lot. But everything from the beginning was with one thing in mind: Do not suck. How can we suck less? Let’s not suck. And we just kept going over and over again with that.

At the end of the first episode we see Lestat reunited with his undead mom, Gabriella, who he has, I think it’s fair to say, an oddly intimate relationship with —

Multifaceted.

And obviously the Louis-Lestat romance is far from being over. What are you interested in exploring within those two dynamics, in particular, moving forward since they’re so central to Lestat?

It becomes immediately about him going, “Let me try to explain this … I might have just repelled 80% of you.” I’m really interested in the viewers who are really off-put by it. I want to see where they’re at by the end of Episode 7, if they trust us. And see what they’re feeling. I guess [some people feel], “Oh, you’re not allowed to do this in the TV world unless you got f— dragons and s—, but all the things that you would have thought [that the network might say], “Don’t do this,” we didn’t really have a lot of those obstacles. There was a lot of trust. The thing with the Lestat character is like it’s probably harder to cuddle up to him like you could Louis. Louis is a Faustian tale; here it’s like a Faustian tale but Elton John’s at the center of it. There’s a series of questions like “Why do you keep doing this to yourself? Why do you keep get trapped into these things?” It’s like going on odyssey, or as Jacob called it, an idiocy, with a character that is exotic and eccentric and contradictory. For us going forward, as we wrote it, every time we fell into the something that felt well-made or cool on a twist or turn level, we found we were very suspicious of it, and we were trying to make alien TV as best we could. So, what do I want? It’s less about exploring those two dynamics, although they’re richly part of this fabric. It was, how can you take them on a magic carpet ride, a very difficult one? The idea is to actually have, by the end, every single person recognize that part of themselves in him. And how can you normalize him over seven episodes? How can you deliver that to an audience?

I know you’ve been super–busy, but what’s the last thing you watched that you found yourself recommending to everyone or something that you were obsessed with right now?

A TV show I’m watching, one that I’m enjoying right now, is “Widow’s Bay” [Apple TV]— that has been very enjoyable. It’s so much fun.

Matthew Rhys’ facial expressions are so good.

Oh, he’s great, and that show just really knows what it is, and is joyfully silly, and has a great atmosphere. It’s one of the most beautifully shot things I’ve seen in a while. I’m not finished yet.

OK, before I let you go, I hope we get a concert out in L.A. at some point.

Wouldn’t that be nice? Where would you put it up? Echoplex?

Maybe the Troubadour.

What about the Greek? That would be nice.

ICYMI

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THE Ibiza Final Boss piqued the interest of the masses after he was spotted boozing it up on the party isle last August.

While most Ibiza goers like to indulge in the lifestyle Jack Kay found viral fame for his trancelike dance moves and good old-fashioned bowl haircut.

He was spotted vibing in multiple clubs on the island last summer and fans became obsessed with how well summed up the clientele.

Jack, 26, who was seen donning a vest, shades, and a blingy chain, was famed for perfectly round trim, which became the subject of thousands of comments.

The former builder has now opened up on the hefty amount he’s insured his hair for – and it’s seven figures.

He claimed: “Obviously it’s my USP so I have been looking to get it insured and I’ve insured it for a million pound.”

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Celebs often get parts of their bodies insured if it’s a huge money maker for them.

While the Ibiza Final Boss’ life turned on its head over night, he told The Sun he’s not worried about “staying relevant.”

For influencers and viral internet stars overnight fame doesn’t usually last long with some desperate to stay in the spotlight.

But Jack, from Newcastle, would be “happy,” if it all ended tomorrow.

Jack said: “I’m not worried about staying relevant.

“I’ve signed a multi-fight deal, my agents got big things happening for us like end of this year starting next year as well. So I’m not worried about that.

“Even if it all ends tomorrow, which it won’t but if it was I’m happy with that I’ve made a killing do you know what I mean I’ve smashed it.”

He acknowledged that his time in the public eye won’t last forever but he’ll certainly be making the most of it two stepping across Ibiza this summer.

Jack added: “Listen nothing lasts forever does it so you’ve just gotta strike while the iron’s hot and make the most of it.”

Ahead of his first Misfits boxing match on Saturday he told us he’s spent two months clean and sober in preparation.

He said: “It’s been what, seven, eight weeks now. I’m itching for one [a drink]!”

Jack will return to the Spanish island – where it all began – later this year and he’s insisted he will be “well looked after,” by club owners.

“Places will offer free drinks, free tables, they offer me free hotels and stuff, yeah. That’s a bit of a privilege, being me now,” he admitted.

His stardom is not over yet as it was revealed earlier this year that he’ll be part of the cast for the upcoming season of Celebrity SAS.

Marco Silva has agreed to become Benfica’s new head coach as the Portuguese club formalised Jose Mourinho’s departure for Real Madrid.

Silva, 48, ended his five-year stint as Fulham boss a week ago when his contract at Craven Cottage expired.

Benfica said they had “reached an agreement” with Silva who is set to sign a contract until the end of the 2027-28 season which can be extended to 2028-29.

Fulham were Silva’s fourth English club after spells in charge of Hull City, Watford and Everton.

Mourinho’s exit from Estadio da Luz was also announced, with Benfica saying Real Madrid will pay them £13m (15m euros) in compensation to bring the 63-year-old back to the Bernabeu.

“The coach [Mourinho] has given his agreement to this hiring,” added a Benfica statement.

“Thus ended Jose Mourinho’s second spell as manager of Benfica’s professional football team.”

Mourinho took charge of Benfica in September and led them to third place in the Primeira Liga this season as they went through the league campaign unbeaten.

In his previous spell in charge of Real Madrid between 2010 and 2013, the Portuguese won La Liga, the Copa del Rey and the Spanish Super Cup.