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HE is the nineties pop star who finally found his happily ever after.

But for Phats & Small singer Ben Ofoedu, the road to marital bliss was paved with a painful history of what he now describes as mental abuse and emasculation by former partner Vanessa Feltz. Something which friends of the Channel 5 presenter vehemently deny.

A year on from his lavish £100,000 Cumbrian wedding to aesthetics entrepreneur Vanessa Brown – affectionately dubbed Vanessa 2.0 by the man himself – the 53-year-old musician is practically glowing.

He is happier, healthier, and four stone lighter. But behind his beaming smile and the tales of his idyllic new life, there lies a darker, turbulent history that he is only just now ready to reveal to the world.

In a searingly honest new interview with The Sun, Ben has opened up about the toxic reality of his 17-year relationship with television and radio veteran Vanessa Feltz, making explosive allegations about the profound psychological toll of their high-profile romance.

While the collapse of his engagement to the Channel 5 presenter in 2023 was highly publicised following his admitted infidelity, Ben claims the public has only ever heard half the story. Now, after intense therapy and finding true love, he is shedding light on what really went on behind closed doors.

Through his recent charitable endeavours with his new bride, the singer has found himself reflecting heavily on his own past.

“We do a lot of charity stuff for victims of abuse, and you come across a lot of men in these situations,” Ben explains.

“Men who’ve been mentally abused, not so much physically. People think abuse means physical, but you can be abused mentally.

“Everything from emasculation to being told you’re not good enough. It’s like a self-fulfilling prophecy.”

When asked if this observation stems from his own personal experience with his famous ex-fiancée, Ben doesn’t flinch.

“Yeah, oh yeah, without a doubt,” he states firmly. “Emasculation, people referring to you as not being able to read, down-talking you, a constant barrage of insults. People don’t have to look too far to see where it came from.”

The trauma, he reveals, is deep-seated, creeping up on him over the course of almost two decades.

He recalls: “When I was out of it. When you’re in it, it’s so subtle, so gradual that you don’t quite see it happening, you don’t quite know. You question everything and ask, ‘Why did that happen? Why did I feel like that?’ When someone professional starts going through it with you, you can see the patterns and stuff like that. Yeah, I had therapy after that.”

Today, Ben refuses to even utter his ex’s name, a stark indicator of the deep freeze between the former couple.

“There is only one Vanessa,” he declares, referring lovingly to his new bride. “I don’t know that other lady. And I definitely don’t know her from the comments she’s said. I don’t know that lady anymore.”

He confirms that he has no contact with the 64-year-old broadcaster, nor does he have any desire to ever cross paths with her again.

He insists: “No, not at all, and I really wouldn’t want to. I’ve got nothing to do with her, I want nothing to do with her. People are in your life for a season, a reason, or a lifetime, and she was there for a season. It was a long season, but it was maybe a bit too long.”

The fallout from the split undeniably damaged his public reputation, painting him squarely as the villain of the piece.

But Ben is deeply critical of how his former flame handled the break-up.

“The truth is, I’m kind of a musician, and that’s kind of what it is, it’s only tied to her until something else happens and there’s a new story being written, it’s the past really, that’s what that is.

“I’ve not really much to say for her. I think she was completely classless the way she dealt with things, it’s not my sort of person, I don’t know her anymore, I don’t recognise her.”

Addressing the fallout and the damage to his reputation, Ben remains philosophical.

“Yes, completely. The great thing that happened was I got to know who my friends were,” he admits.

“I understand the general public doesn’t know me personally, but my wedding was a great testimony of the people who know me and the friends that I had, the people who really knew me. You reap what you sow; that’s all I can say. You reap what you sow. It doesn’t take a genius to see what’s going on.”

When pressed on the cheating scandal that ultimately torpedoed the relationship, Ben is defensive, taking a swipe at how his ex monetised the pain.

“Now about the infidelity, I never said that it was the way to do things,” he explains.

“For Vanessa, that was her story, and she used it and monetised it, and when it’s not working for her, she moved on to something else. I wouldn’t monetise a real relationship that had real problems. I think to tell the media that it’s over before you tell the person is not… I don’t know many situations that do that.”

When asked if his new wife worries about his history of being unfaithful, Ben is quick to shut down the narrative that he is a serial cheat.

He told me: “I don’t know if doing it once is a history, I don’t know if that constitutes a history of it. She made me look worse than I was, and it garnered a lot more attention. I don’t know if once is a history, that’s what I will say about that. There’s never been any conversation about that at all.”

He also casts doubt on whether his previous 16-year engagement was ever destined for the altar at all, bluntly suggesting the intention to actually tie the knot was not there “from the other side”.

He also has a brutal theory as to why his ex has failed to find lasting romance since their bitter split.

“I mean, I don’t know if I would want to be with a lady who’d want to discuss every single detail of their private life,” he said.

“I think how men saw me come out of that situation, they think, ‘No thanks, not for me’.”

But Ben is finally ready to reclaim his narrative. He is currently putting the finishing touches on his own autobiography, playfully titled Turnaround: Memoirs of an Ageing Boy Bander, which he hopes will hit the shelves this December.

“I’ve been writing it. I was going to put it out last year, but there were a few parts I missed out when I read through; I need to give the full context. Everything’s in the book; it’s about turnaround moments in my life, good and bad. That period of my life.”

“But it’s nice for people to see the actual context and how we got together and what happened behind closed doors, you’ve only heard her side of the story,” he adds, taking a thinly veiled swipe at his ex’s memoirs.

“I didn’t respond to anything she said in her book, and obviously it didn’t do very well, that’s the thing. I’m not doing it for that. I talk about my musical journey, it brings me up to the current day, and what a happy relationship can be like.”

He confirms no lawyers have had to get involved with his manuscript: “No, I won’t mention her name. She cleverly didn’t mention mine, she called me OHW [One Hit Wonder], but people will know.”

Asked if the book will definitely hit shelves this year, he says: “Aiming for December, but I don’t know. It’s not quite finished, I need to type two more chapters, making sure everything is real and really happened, making sure. We’re hoping for December, that’s what we’re pushing towards.”

The contrast between his turbulent past and his blissful present truly couldn’t be starker. Ben is buzzing with energy as he discusses his 30-year-old wife, Vanessa Brown.

The couple, who married after a whirlwind romance, are utterly inseparable.

“I found myself again, I am buzzing,” he says. “Every day is happy, we got together, and within six months we were married, when you know you know.”

He has strong advice for others when it comes to love, formed by the fire of his past mistakes.

“These long drawn-out engagements, unless you’ve got a couple of kids and are waiting to afford the wedding, I think they’re pointless,” he says.

“You’re engaged to be married, not to be engaged. I don’t think that works, and that’s just from experience. If you meet someone, within six months, you pretty much know whether you’ll get married or not. Don’t carry on the relationship more than six months if you’re not sure you want to spend the rest of your life with that person.”

He also revealed that the couple are actively trying for a baby.

“Hopefully, by the end of the year, that’s what we’re trying to do. If Vanessa fell pregnant late this year, that would be amazing news; that’s why we’re travelling and doing all the things couples do before they have kids.

“We want as many as God provides. I come from a big family, and I know what it’s like to have brothers and sisters. I always loved that growing up.”

For Ben Ofoedu, the dark days of his past are now firmly in the rearview mirror.

He insists that with Vanessa 2.0 by his side, a tell-all book on the way, and exciting baby plans for the couple, his life is now complete.

Representatives for Vanessa Feltz were contacted for comment.

TAKE this as your sign to grab your faves and book a brilliant spa break.

From Champneys, Tring to The Greenway Hotel & Spa, Cheltenham and a Fab find in Faversham – we’ve got you covered for rest and recuperation.

THE FRIENDS’ GET-TOGETHER – Champneys, Tring

Editor in chief Sinead McIntyre and pals found R&R in Hertfordshire.

THE PAD

Set in 170 acres of beautiful countryside, this stately home, once owned by the Rothschild family, gives immediate Downton Abbey vibes, thanks to the sweeping staircases, huge chandeliers and grand fireplaces that are home to roaring fires on cooler days.

As do the rooms, with their opulent floral curtains and plush carpets.

Much to our delight, on arrival we are upgraded to two deluxe suites – mine has a super-king-size bed, adjoining lounge and two bathrooms, as well as stunning views of the grounds.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

TEMPTED?

Tiny ‘Bali of Europe’ town with stunning beaches, €3 cocktails and £20 flights

There is no scrimping on the toiletries here either, with both Champneys and Elemis products, as well as soft white robes and slippers.

The standalone bath is the centrepiece of one bathroom, while the second has an invigorating rainforest shower.

The lounge is the perfect spot for a much-needed gossip, washed down with complimentary bubbles. Champneys, which celebrated its 100th birthday last year, also has more exercise classes than you can shake a stick at, from reformer Pilates to pickleball and HIIT, so we sign up for a legs, bums and tums class, followed by stretch and relax by candlelight.

There are also maps for walks in the extensive grounds and we enjoy a wholesome 45-minute stroll before dinner.

THE SPA

With its 25m pool, sauna, steam room, whirlpool and alfresco Jacuzzi, this is relaxation at its best – and that’s before you even book a treatment.

However, definitely do!

My 50-minute Upper Body Bliss massage, £105, using Elemis oils, was absolutely gorgeous and got rid of the tension I was holding in my shoulders after a stressful few months at work.

THE GRUB

There are so many delicious food options – stays are full-board, and breakfast and lunch are both buffets with tasty cereals, yoghurt, fresh fruit and bagels each morning and delicious meats, salads and pasta dishes come lunchtime.

But the evening menu is the star of the show.

We loved the pulled oyster mushroom taco and the crab and prawn summer rolls to start, while the sirloin steak with peppercorn sauce and the monkfish curry were both melt–in-the-mouth.

Make sure you leave room for the deconstructed honeycomb cheesecake for pudding, while the cheeseboard is also a winner.

OUT AND ABOUT

Forget it, you’re here to chill and chat.

BOOK IT

Full-board stays at Champneys, Tring, cost from £210 per person, per night (Champneys.com).

THE COUPLE’S ESCAPE – The Greenway Hotel & Spa, Cheltenham

Senior Assistant Editor Sarah Barns and husband Patrick cosied up in the Cotswolds.

THE PAD

Throw open the velvet drapes, take in the stunning views and relaaaax. Winner of four AA Red Stars, this gem, just 13 minutes’ drive from Gloucester train station, offers the perfect rural recharge.

The Elizabethan manor house blends historical charm with modern luxury, and although there are 21 newly refurbished bedrooms to choose from, our pick is the Manor Suite, where the bed is so large you can both starfish, the marble bathroom comes with a bath and walk-in rainfall shower, plus there’s a cosy living area.

THE SPA

Take a dip in the hydrotherapy pool and outdoor vitality pool, sweat it out in the sauna and steam room, and indulge in a TempleSpa treatment at the Elan spa, awarded five bubbles by the Good Spa Guide.

Hot stone massages, which use warm basalt stones (essentially giant black rocks) to harmonise energy points throughout the body, fixed our tense muscles and helped us instantly de-stress.

The Rocks Of The Mediterranean 75-minute treatment costs from £119 per person.

THE GRUB

The Garden Room restaurant, run by talented head chef Abhijit Dasalkar, offers a brilliant value à la carte dinner.

Think treats like Cornish crab with lemon, yuzu gel and edible flowers – one of the prettiest plates I’ve ever seen – and beef wellington served perfectly pink.

Three courses cost £67.50 per person.

Opt for the veggie Full English come morning – it’s a winner.

OUT AND ABOUT

Hit Cheltenham, 15 minutes’ drive away, for indie shops, as well as faves like Jo Malone, Toast and Reiss, plus Regency architecture.

Hatchards bookshop gives Hogwarts library feels, and Society Coffee serves up excellent flat whites, £4, and scrumptious chocolate cruffins, £3.95 (Society-cafe.com).

A short walk from the hotel is the Leckhampton Loop, a four-and- a-half-mile amble in gorgeous Cotswolds scenery.

Some parts are hilly, so you’ll have earned your lamb roast, £25.95, and sticky toffee pudding, £8.95, at The Frogmill (Thefrogmill.co.uk).

BOOK IT

B&B for two costs from £97 per person, including 90 minutes of spa use (Thegreenwayhotelandspa.com).

A fab find in Faversham

You don’t need a swish spa hotel in this Kent town, says Contributing Picture Editor Ruth Greatrex.

Embracing the therapeutic heat of the Finnish barrel sauna, my friend Katie and I gaze out at the vivid green fields, our skin slathered with sea-salt scrub, fragrant with rose petals and uplifting orange oil.

Staff are poised to bring juices, kombucha, or even a cocktail at the ding of a bell, too.

Once suitably baked, we brave the chilly overhead water bucket, then plunge into the ice-cold barrel.

A restorative soak in the wood-fired hot tub later, we both emerge with baby-soft skin and feel thoroughly revived.

A 90-minute session costs from £18 per person (Seascrubsauna.co.uk).

This Sea Scrub Sauna sits on the site of Macknade, one of England’s best farm shops and a family-run spot where apples and hops have grown since 1847.

We grab lunch at the new street-food village, digging into miso cream mushrooms, £11, at Hop Shed Bar & Kitchen, washed down with zingy Faversham bacchus, £9 a glass, and finishing with brown butter popcorn ice cream, £4.15, from Bears Ice Cream, before checking out the amazing food hall (Macknade.com).

Family-owned country estate Mount Ephraim Gardens is 10 minutes’ drive away and offers rooms.

We play ladies of the manor, strolling through the pretty rose gardens and even spy the sea from the Sir Edwyn Suite, which has a freestanding bath.

Double rooms cost from £150 per night (Mountephraimgardens.co.uk).

Come morning, we’re tempted back to Macknade for pancakes with blood orange and rhubarb compote, £12.

Although there are HIIT and spin classes on offer, I go for a soothing hot-stone aromatherapy massage, from £35 for 30 minutes (@Serene_ massage_therapies).

You don’t need long here to rediscover your zen. . .

In Deborah Levy’s new novel “My Year in Paris With Gertrude Stein,” the celebrated British author turns her keen observational and critical eye toward Stein, a writer that Levy feels has been criminally redacted from the canon of modernist masters that emerged at the turn of the 20th century. “My Year in Paris With Gertrude Stein,” however, is anything but a dry-as-dust revisionist treatise.

Levy couches her thoughts on Stein’s life and work within the story of three women in contemporary Paris, including Levy’s fictive avatar as the narrator, grappling with her own notions of identity as she writes about Stein and her partner Alice B. Toklas. I spoke with Levy about Stein, Toklas and Picasso.

✍️ Author Chat

Have you always had an abiding interest in Gertrude Stein?

She has always been lurking there for a number of reasons. When I was studying modernist literature, I was pointed to all the usual suspects — T.S. Eliot, Ezra Pound, Beckett, Joyce. But no one ever pointed to Gertrude Stein. She was absent in Britain, anyway. I’m not sure it’s the same in America.

I feel like in America she certainly is not frequently cited among that pantheon of modernist writers that you just mentioned.

I thought her most commercial work, “The Autobiography of Alice B. Toklas,” was quite enchanting. But when you start to dig into her other writing, you find this mixture of very obtuse, very violent work, and some brilliant work.

You write in the book that you sometimes don’t understand Stein, but this doesn’t diminish your enjoyment of her work.

The thing about avant-garde writers is that they either crash or they triumph. For readers, it’s either someone popping a vein at the new and strange, or someone over-praising the work. And I thought, well I’m allowed to have mixed emotions about Stein’s writing. Sometimes she is totally brilliant, and sometimes less so.

Author Deborah Levy

(Sheila Burnett)

You also celebrate Stein and Toklas’ fierce individuality, which runs counter to the usual narratives about female authors during this time.

Well, female writers are supposed to suffer or commit suicide. And the glorious thing about Stein and Alice is that the art of living was very important to them. Travel, conversation, or driving around. This really appeals to me. You know, Stein would have a roast chicken leg in one hand and one hand on the steering wheel, with the dogs in the back.

I feel like Stein’s legacy as a writer has been occluded by her renown as a collector of the greatest modern art of the century, most notably Picasso before he became Picasso. She is remembered more for collecting others’ art than for her own art.

If you’re going to collect this bold, daring art of your own time, and you’re buying it cheap, because it’s being mocked, you have to know how to defend it. Stein wasn’t an art historian. She studied psychology with William James and then studied medicine at Johns Hopkins. Through her conversations with Picasso and others, she really began to acquire the apparatus to defend the work, and that fascinated me.

You write that Stein wanted to kill the 19th century with her work by dismantling and then reassembling language.

She was going to write through continuous present tense. She got rid of commas so she could hurtle through time and make her thoughts move forward. No question marks, because it was self-evident to her when someone was asking a question in her writing. She really was a pioneer.

Her prose reads like Beckett’s, decades before his novels were published.

The critic Roland Barthes wrote that all writing has some kind of behavior. A lot of avant-garde writing behaves like Stein, but she wasn’t imitating any other thing. She made something new for her century.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

Book jacket for “Marilyn and Her Books: The Literary Life of Marilyn Monroe” by Gail Crowther

(Los Angeles Times illustration; book jacket from Galley Books)

Marilyn Monroe was an avid reader who traveled with her treasured library of books wherever she lived. Yet, the stubborn image of Monroe as a literary dilettante remains. Now Gail Crowther has written “Marilyn and Her Books” which sets out to debunk that misconception of the screen legend. Crowther’s sharp account is both the story of Monroe’s library and “what we’ve projected upon Monroe when we’re asked to consider that she had one,” writes Mark Athitakis.

As Cuba struggles with a faltering economy and President Trump’s saber-rattling overtures, Ada Ferrer’s timely new memoir “Keeper of My Kin” “argues that the grand narratives of exile and revolution are, at their core, made up of private reckonings with irretrievable consequences,” writes Mariella Rudi.

When Eagle Rock’s Read Books was threatened with a massive rent hike from its landlord, co-owners Jeremy and Debbie Kaplan rallied the community around the fight for tenant’s rights and started an activist organization called Save North East Los Angeles Shops. “Commercial landlords [have] unbelievably unrealistic expectations of rent, and a small business can only sell a T-shirt or a hamburger or a service for what the market will bear,” neighborhood preservationist Aaron Peskin told Emily St. Martin.

Finally, Swan Huntley found a novel way to put off writing her next book: She hiked to every Erewhon store in Los Angeles.

📖 Bookstore Faves

A Good Used Book’s beautiful interior

(A Good Used Book)

Jenny Yang and Chris Capizzi started A Good Used Book in 2017 by selling secondhand titles at local flea markets and the Grand Central Market downtown. Seven years later, after a brief COVID blowback, the pair opened their own storefront in Historic Filipinotown. Now, A Good Used Book has blossomed into a vital community space featuring a vast selection of previously loved books across all genres. The store also hosts pop-up markets on the weekends, with more events scheduled in the coming year. I spoke with Capizzi about his store.

Who are your customers?

Our customer base is pretty broad. We’re selective about the books we carry, but we want anyone to be able to find themselves somewhere in the shop, whether you’re just getting back into reading or you’re the kind of person who already has strong opinions about translations. And we try not to take ourselves too seriously, so even though we may have critical theory, we also have “Choose Your Own Adventure.”

How do you pick inventory? Is there any emphasis on any particular genres that might be popular?

We definitely do the work to find books, but honestly a lot of the time the books seem to find us. In terms of what we carry, we focus mostly on classic, modern and contemporary fiction, but we love genre fiction too, like sci-fi, crime and horror. And a big part of what makes the store feel like us are our nonfiction and culture sections — humanities, sciences, film, music, fashion and design. Anything for that curious person who just wants to go a little deeper.

I know the store is about much more than books. Can you tell me about some of the other community events you guys organize?

During the week we’re all about the books. Every Sunday we host the Every Sunday Funday Market that features two food pop-ups out front, one savory and one sweet, and four or five local vendors and artists inside. We rotate vendors selling and making ceramics, jewelry, Japanese retro radios, soaps and candles, zines and prints, and even Persian perfumes. And we always have drinks going out of our vintage Coleman cooler, too. It’s a lot of things happening at once, but it adds up to a pretty easy, fun Sunday afternoon.

A Good Used Book is located at 307 Glendale Blvd., Los Angeles.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

In the age of Ozempic, the buzziest hardcovers are getting smaller — and slip right into your Baggu. At Book Soup in West Hollywood, the bestselling hardcover fiction display is marked with laminated cards that denote the book’s place in the top 10, with each one cut snugly into the popular hardcover frame of 6-by-9 inches. But lately, more of the books rising to the top wear the placard noticeably looser.

I should know, I work at Book Soup so I spend a lot of time staring at this display and can tell you, the answer to this problem is definitely to print out smaller cards cut to the little sister “trim size” of 5-by-8 inches — or 5½-by-8¼ to be specific.

While the New York Times bestsellers from 2025 skew in favor of the 6-by-9 trim, the popularity of 5-by-8 books appears to be on the rise. Current utilizers of the smaller cut include the buzzy Vanderbilt heir Belle Burden’s “Strangers,” George Saunders’ darkly humorous “Vigil” Lena Dunham’s millennial-tinged tell-all “Famesick” and the infamously tablet-sized “Transcription” from Ben Lerner.

1/5

“Strangers: A Memoir of Marriage” by Belle Burden  (The Dial Press)

2/5

“Famesick: A Memoir” by Lena Dunham  (Random House)

3/5

“Vigil: A Novel” by George Saunders  (Random House)

4/5

“Transcription: A Novel” by Ben Lerner  (Farrar, Straus and Giroux)

5/5

“Lost Lambs” by author Madeline Cash  (Farrar, Straus and Giroux)

Gretchen Achilles is the director of interior design at Farrar, Straus and Giroux. Achilles recently implemented the 5-by-8 cut for one of this year’s breakout hits, “Lost Lambs” by Madeline Cash. “It’s a tone,” she says. “Smaller trim sizes have an intimacy. … You want to echo what’s going on in the text as an experience for the reader.”

According to Achilles, FSG frequently implements the 5-by-8 trim size. She said that length is the No. 1 factor when deciding to employ it, followed by genre. She listed literary fiction, memoir, biography, and essay collections as the defining genres of the smaller size books.

Caroline Mason is a writer in New York whose debut novel “An Endless Cycle of Evenings” from Hyperion Avenue is slated for 2027; she runs the Instagram account @literarycrushes. Mason described a 5-by-8 hardcover as shorthand for a specific book she seeks out when she is in a bookstore because it often signals a character-driven novel. “It’s my favorite kind of book,” Mason says. She adds that it’s also Instagram-friendly.

“Holding the book up to take a photo of it is easier,” she says with a laugh. “Although I do sometimes still drop it.”

Dahlia de la Vega is an L.A.-based Bookstagrammer who runs the page @ofpagesandprint. According to De la Vega, she finds the shrunken books more approachable. “When I sit down to read a small hardcover, it almost feels like I’m reading a journal,” she says. “Whereas when I read a large hardcover, it almost feels like I need a journal to jot down notes about what’s happening.”

Ethan Mann, my colleague and a supervisor at Book Soup, told me he remembers the place he was both mentally and physically when he purchased a 5-by-8 hardcover copy of “The Parade” by Dave Eggers. (Right before the pandemic struck at CSUN campus store at Cal-State Northridge). “It’s easier to attach relevance to the specific feel of [the book] because it seems one of a kind,” he says.

Mann adds that hardcovers are sometimes a tough sell on the floor. They are often derided for their cost, and customers declare they will wait till the paperback comes out. But the smaller hardcover has the benefit of fitting into nearly any bag.

Esther Margolis is a publishing veteran and the founder of Newmarket Press. She says that the 5-by-8 hardcover is nothing new. According to Margolis, the smaller trim size was previously the industry standard for U.S.-based publishing houses, and any fluctuation is due to the evolution of printing technology.

“Unlike for mass-market paperbacks, hardcover books were shelved, so it didn’t matter that the books were different sizes,” Margolis says. “They didn’t have to fit into a pocket.”

The popularity of the 5-by-8 hardcover is, at the very least, indicative of a shift in what I witness consumers at Book Soup seeking out. With social media making it easier than ever to connect over the act of reading, or looking like you are reading, cover design and presentation — and how it cuts through the noise of the attention economy— is perhaps a factor too.

“A small hardback is like a Labubu,” my co-worker Mann says. “ The feeling in your hands isn’t just about books — it’s about all cute things. … We like small things we can control.”

The success of the publishing industry could never rest on the tiny shoulders of the small hardcover. It may not even represent any changes in production. But on the bestsellers display at your favorite local indie, it represents the small pleasure of palming a near-pocket-size book in your hands.

And, yes, maybe Instagrammability too.

Messinger is a writer in L.A. who runs the Substack adumbmessinger.

In 1951, not long after her breakthrough appearances in “All About Eve” and “The Asphalt Jungle,” Marilyn Monroe went to college: She enrolled in a pair of 10-week classes at UCLA’s adult-extension program, both covering literature. Looky-loos peeked through the windows. Some likely assumed a publicity stunt. But Monroe’s passion for books was sincere. An orphan who bounced around upward of a dozen foster homes and orphanages regretted that she’d never graduated high school, she moved often in her life but always made sure her books came wherever she went.

Gail Crowther’s “Marilyn and Her Books” is the story of that library, though more precisely it’s about what we’ve projected upon Monroe when we’re asked to consider that she had one. Our prevailing cultural reflex, then and now, is skepticism larded with misogyny. A famous 1955 photo of her sitting in a Long Island playground reading James Joyce’s “Ulysses” — one of 50 known photos of her reading — is routinely scoffed at whenever it’s posted online. (Crowther gathers up a sampling of misogynistic comments.)

But Crowther’s sleuthing determines that Joyce’s novel was a regular companion of hers, and she was particularly enchanted with Molly Bloom’s closing soliloquy. As an actor who had to be exceedingly smart to play dumb blondes, she used the shoot to make “a profound statement about her social positioning.”

Marilyn Monroe reads the book “To the Actor: On the Technique of Acting” by Michael Chekhov in a quiet moment at the Ambassador Hotel in New York.

(Ed Feingersh / Michael Ochs Archives / Getty Images)

Writing about Monroe’s reading habits demands a lot of speculation on the part of Crowther, who’s written engaging books on Dorothy Parker, Sylvia Plath and Anne Sexton. We know a lot about the star’s library — when she died in 1962, she owned more than 400 books, diligently cataloged and auctioned in 1999. There’s documented marginalia and scribblings that suggest a serious reader, and anecdotes about her reciting poems at parties, reading Proust on set, and expounding on Whitman, Dostoevsky and Tolstoy. She had strong opinions about Hemingway: “Those big tough guys are so sick, they aren’t even all that tough. … They always want to kill something to prove themselves.”

And Crowther literally has the receipts from Los Angeles and Beverly Hills stores like the Pickwick Book Shop, Martindale’s Book Store and Hunter’s Books, where she purchased titles that were practical (“How to Live With a Cat”), relatable (“Sister Carrie”) and weighty (a three-volume life of Sigmund Freud).

Her third husband, playwright Arthur Miller, suggests the purchases were largely a pose: In his memoir, he wrote that aside from some short stories and Colette’s “Cheri” she likely never read anything start to finish. It would be nice to know more, but as Crowther pointedly observes multiple times, journalists never thought to ask her about her reading. When the subject of literature came up, Monroe seemed compelled to play to ditzy expectations. After telling interviewers she wanted to play Grushenka in an adaptation of “The Brothers Karamazov,” they asked her if she could spell the character’s name. She demurred.

A clearer historical record might have blunted the sexist comments that have stalked her, and given Crowther an opportunity to do less guesswork. “Marilyn and Her Books” is scaffolded with 15 chapters, each dedicated to a question that usually can’t be answered in full: “Did Marilyn read all her books?” (probably not, who does?), “Did Marilyn suffer from imposter syndrome?” (probably, who doesn’t?). Some questions feel like attempts to pad the pages (“Are there any surprising omissions from Marilyn’s personal library?” “How did Marilyn’s reading compare to that of her contemporaries?”). The elegiac opening and closing chapters, in which Crowther imagines visiting Monroe’s home and scanning her shelves, also add to the feeling that too much is being extrapolated out of not enough information.

Curiously, the book also dwells little on Monroe’s own literary ambitions. Crowther shares a few scraps of despairing, Plathian verse, but almost entirely neglects her unfinished posthumous memoir, published in 1974 as “My Story.” Its relative shapelessness, along with its use of a ghostwriter, doesn’t bolster her literary credentials, but its existence points to Monroe’s ambition to have them.

And there’s plenty to say about the literary work that Monroe herself has inspired, including Joyce Carol Oates’ 2000 masterpiece, “Blonde,” or Sharon Olds’ poem “The Death of Marilyn Monroe,” in which a man who carted away her body is shocked into the reality of “a woman breathing, just an ordinary woman breathing.” Writers have afforded Monroe the grace and status in death that she was rarely afforded in life.

But the core question that drives the book, the subject of a central chapter, is valuable: “Why is Marilyn Monroe’s reading ability doubted?” Among other things, Crowther argues, Monroe suffered from a “poisonous cocktail of patriarchy, industry decisions, cultural stereotypes, social expectations, Marilyn’s unwitting complicity,” and more. Crowther keeps her focus narrowly on Monroe, but it doesn’t require a substantial mental leap to see how Monroe is just one example of a cover-model-worthy woman artist being told she’s a try-hard for demonstrating intelligence. (To pick just one example, the pop star Dua Lipa’s book club has a demonstrated high-literary bent, selecting Tommy Orange, Olga Tokarczuk and Percival Everett, which got her mocked as “an alien spaceship touching down in a medieval peasant village.”)

“Marilyn’s reading formed a concerted effort to overcome any inadequacies she perceived in herself,” Crowther writes. That, too, made her a lot like anybody who goes to books to satisfy gaps in our knowledge. We can do that in private, to avoid embarrassment. For Monroe, though, the effort was always public and always suspect — the culture was attuned to see any book in her hand as a prop. For most people, reading is an escape route. For Monroe it only led to one more cul-de-sac.

Athitakis is a writer in Phoenix and author of “The New Midwest.”

There’s nothing better than losing track of time while wandering around a city bursting with character before popping into cosy bookshops – and there’s only one UK city for it

A beautiful city brimming with cosy bookshops, including one that holds a Guinness World Record, offers the perfect escape for book lovers or those looking to explore the ‘city of dreaming spires’.

With the magnificent medieval architecture of Gothic spires and honey-colored stone, against grand libraries, cobbled streets and narrow lanes, a stroll around Oxford is enough to transport you to a scene from Hogwarts. And rightly so, as the historic city, renowned for its prestigious university, was used as a filming location for the Harry Potter franchise.

The historic Duke Humfrey’s Library, which dates back to 1487 and is part of the Bodleian Libraries, was portrayed as the Hogwarts Library in Harry Potter and the Philosopher’s Stone. Meanwhile, the vaulted ceiling of the Divinity School was used as the backdrop for the Hogwarts Infirmary.

READ MORE: Beautiful blue lagoon is one of the ‘best wild swimming’ spots as UK set to be hotter than IbizaREAD MORE: Small Cotswold town used as film set for Disney’s Rivals with independent shops and railway walk

But it was Christ Church College that provided numerous scenes for Harry Potter, with its staircase and hallways used to represent Hogwarts, and its Tudor great dining hall famously inspiring The Great Hall in the wizarding boarding school. New College also took centre stage with its ancient covered cloisters and courtyard, used to portray parts of Hogwarts.

UK’s best city for bookshops

Yet away from its famous movie links and breathtaking architecture that characterise the city, Oxford is an oasis for bibliophiles. The city has the optimal balance of world-famous literary heritage and a vibrant, modern vibe, so there really is something for everyone.

Thanks to its literary delights of more than 30 bookshops nestled among the historic streets, Oxford was named as the UK’s best city for bookshops by Time Out. The publication conducted a survey and found that 60 per cent of people said that Oxford’s book offerings were either ‘good’ or ‘amazing’, and it’s easy to see why.

The city is the birthplace of the well-known UK bookseller and library supplier, Blackwell’s, after it was founded in 1879. Its flagship store is situated on Broad Street in Oxford, and is a labyrinthine maze of shelves stacked with hundreds of thousands of titles.

Yet it’s the Norrington Room, nestled underground, that is perhaps the most impressive feature of this sprawling bookshop. Spanning 10,000 square feet and featuring over three miles of shelves stacked with more than 150,000 books, it is officially the largest single bookselling room and holds a Guinness World Record for this impressive accomplishment.

A wander around the store is a bookworm’s haven, welcoming a gentle calmness away from the busy streets outside, along with a friendly atmopshere, and of course, an abundance of enticing reads. Many have often described it as a tardis-like space, as it spans across multiple floors, with a welcoming café to enjoy a warming cuppa and sweet treat alongside a gripping thriller -it’s easy to spend hours in the historic yet cosy bookshop.

Independent bookshops

But that’s not the only notable offering for bibliophiles alike. Elsewhere, there’s the independent Bookstop and the Last Bookshop by Bill and Ben Books, with a focus on those preloved titles, alongside the little shop of Arcadia found on St Michael’s Street.

In Oxford’s iconic 250-year-old market, where small shops burst with eateries, vintage clothing and produce, there’s Gulp Fiction, which hosts book clubs, author events and jazz nights. St Philip’s Books, situated next door to the Alice in Wonderland shop, is another highlight in the city for those rare finds, while Daunt Books in Summertown is packed with titles suitable for all ages.

Yet it’s easy to lose track of time while exploring Oxford, especially as the city famously runs on its own time.

‘Oxford time’

Before the railway standardised British time back in the 19th century, cities would set clocks by the sun. Due to Oxford’s location, its natural solar time is five minutes and two seconds behind Greenwich Mean Time (GMT). In a long-standing tradition, it’s known as ‘Oxford time’, and today, many of its scheduled events and lectures begin five minutes past the hour.

Whether you’re an avid reader or simply want to explore the historic sites used as a film set and a place on its own time, a day trip or weekend escape to Oxford is absolutely worth it. Just be sure to set your watch five minutes and two seconds behind to experience it like a local!

Do you have a travel story to share? Email webtravel@reachplc.com

On a Tuesday evening in Eagle Rock, used-bookstore owners Jeremy and Debbie Kaplan were closing up for the day when a stranger rushed through the entrance. He tossed an envelope onto the counter, said something like: “Building’s been sold,” and slipped out.

Inside the envelope, the Kaplans found a 30-day notice: The shop’s $1,200 monthly rent would be increasing to $2,805 on April 1, they were required to decide whether they would accept the more than 133% price hike a month in advance, and they’d need to agree to a three- to five-year lease if so. The letter arrived Feb. 17, which meant the Kaplans had 11 days to accept the new landlord’s terms or leave.

“We couldn’t even consider it,” Jeremy Kaplan said. “It would be suicide.” The couple looked around the 680-square-foot shop. From the floor to ceiling, more than 20,000 books were crammed every which way into shelves they’d built and stained themselves nearly 20 years before. “My first reaction was panic,” he said. “How are we going to move out of this place?”

Their children had grown up at Read Books (pronounced like the color, as in: “These aren’t new books, they’re previously read books.”) The realization began to set in, Jeremy said, that they were being pushed out with intimidation tactics. “We started getting angry. So the next day, we started looking into our legal rights.”

After searching the internet, the Kaplans found California’s Senate Bill 1103, the Commercial Tenant Protection Act that passed last year. The law offers protections for “qualified commercial tenants” and requires landlords to give a 90-day notice for rent increases surpassing 10%.

When the Kaplans tried to contact the new property management company, Jeremy said, Systems Real Estate was evasive.

“It’s the one bill that protects commercial tenants, and it’s a fairly toothless bill because they don’t have to acknowledge it, unless you make them acknowledge it,” he said. The Kaplans, along with Sharon Kroner, whose neighboring vintage boutique Owl Talk is facing the same fate, wrote to Systems Real Estate, citing SB 1103. They had the letter certified and attached their rent checks for the next month.

In response, the 30-day notice was amended to 90 days. Systems Real Estate did not respond to a request from The Times for comment.

The Kaplans had more time to search for a new location, but Jeremy quickly saw a trend in Northeast Los Angeles. “Vacant spaces all over the place,” he said. “When we inquired, they were ludicrously expensive, most over $5 per square foot. The second thing we started noticing was small stores like ours going out of business or being priced out in the exact same way we were.”

Jeremy Kaplan stands inside his bookstore on the last day Read Books is open for business.

(Carlin Stiehl / For The Times)

Building a coalition

When Jeremy started posting about Read Books’ plight, the response was immediate and overwhelming. Many customers who reached out said they wanted to help — the bookstore had been in Eagle Rock for as long as they had.

“Not mere condolences but calls to action from people I barely knew,” he said. “Lawyers, journalists, activists, parents, children.”

Two days after the rent-increase notice was delivered, the Kaplans and their supporters were devising a plan to fight back — if not to save Read Books, then to save other small businesses.

Save North East Los Angeles Shops was born.

Chris Newman, an immigrant rights lawyer whose son learned to read with books bought at the Eagle Rock shop, told The Times he showed up to the group’s first official meeting with the intention of trying to save the bookstore.

“I was surprised to see so many people talking not just about the situation that Jeremy’s in, but an epidemic that small businesses are facing,” Newman said.

At one coalition meeting in April, Jeremy rushed in late.

He’d just come from an event where he’d been able to talk with Mayor Karen Bass about the plight small businesses are facing and asked about the possibility of imposing a commercial vacancy tax on property owners who leave storefronts vacant for extended periods.

Although sympathetic, the mayor shot him down pretty swiftly, Jeremy said, saying nobody in L.A. wants more taxes.

A representative for Bass told The Times that under her leadership, “the City is focused on cutting red tape, expanding support for local businesses, and advancing solutions that address the broader affordability crisis.”

Signs against rent increases are posted outside Read Books.

(Carlin Stiehl / For The Times)

The precedent

In March 2020, before the COVID-19 pandemic shut the world down, small businesses in San Francisco had been grappling with rising rents that increasingly led to empty storefronts. Then North Beach’s beloved corner gem, Caffe Sapore, got its notice. Like Eagle Rockers, San Franciscans were done merely lamenting the community’s loss. They started organizing.

Aaron Peskin, who at the time served on San Francisco’s Board of Supervisors, said that while there are a variety of factors contributing to the vacancy issue, impractical property owners were the most common thread.

“Commercial landlords had unbelievably unrealistic expectations of rent, and a small business can only sell a T-shirt or a hamburger or a service for what the market will bear, and none of them could swing the rent,” Peskin said.

That year he authored Proposition D, a commercial vacancy tax ordinance that applies to street-facing, ground-floor properties that sit vacant for more than 182 days a year. It passed with nearly 70% of the vote.

“I served on that Board of Supervisors for 17 years, and it’s one of my proudest pieces of public policy,” Peskin said. “In the years since it passed, it has been working and has really helped in the post-pandemic recovery in our neighborhood commercial corridors. It’s been a rare instant success story.”

Demonstrators march toward Eagle Rock City Hall carrying protest signs against rent hikes for small businesses.

(Carlin Stiehl / For The Times)

The landlords

The question as to why someone would purchase a commercial property, raise the rent so current tenants are displaced and prospective tenants look elsewhere, only to have a onetime community hub collecting cobwebs, has inspired myriad theories.

Peskin pointed to an impractical landlord mentality; an L.A. council member suspected landlords were after tax breaks; a professor of economics said that his sense is that there’s more going on and tax benefits are likely not the driving factor; and a commercial real estate expert said landlords are likely pricing tenants out so they can tear the buildings down.

The Times reached out to Dr. Ari Ucar, the new owner of the Eagle Rock Boulevard building, who did not respond.

Los Angeles City Councilmember Ysabel Jurado, a former tenant rights attorney, told The Times that landlords can benefit by claiming the vacancy as a loss on their taxes. “For landlords who own multiple commercial properties in a wide portfolio, a vacancy can be marked as a loss. In essence, when you file taxes and mark this as a loss, it reduces the total income generated. That’s the perverse incentive of having a vacancy.”

But a tax attorney in Los Angeles, Andrew Gradman, wasn’t convinced the tax incentive was enough to curb a landlord’s appetite for the passive income of steady rent payments. “You have to consider the most reasonable premise, which is that these landlords think they can get a better tenant, or they think that the lease would stand in the way of their getting some other better deal, in the form of, say, selling the whole building.”

A commercial real estate broker, Nick Quackenbos, said the likely motive for such a price hike is plans to scrape the building and build apartments in its place. He pointed to a recent landmark bill, State Senate Bill 79, which overrides local zoning laws to allow for taller, denser buildings near major transit stops. The bill will take effect statewide July 1, but L.A. plans to delay citywide upzoning until 2030 by carving out bespoke plans that target 55 single-family and low-density areas, allowing for 4-16 unit buildings up to four stories tall.

The 55 areas are mostly in Central L.A., West L.A., the Eastside and the San Fernando Valley. While Eagle Rock isn’t what L.A. city planners are designating an “opportunity hub” right now, Read Books is located a stone’s throw from the upcoming Colorado/Eagle Rock station, a stop on the North Hollywood to Pasadena BRT (Bus Rapid Transit) line slated to launch ahead of the 2028 Summer Olympics.

“The bill is allowing things to take place which could disfigure a city like Eagle Rock,” said Quackenbos. “I bet that’s what you’re going to find down the road: These places will become vacant, and suddenly there’s groundbreaking for a new apartment building going up.”

Jeremy Kaplan speaks to community members outside his store, Read Books, about the issues small business owners face.

(Carlin Stiehl / For The Times)

The rally

Read Books was set to close last weekend, and the Kaplans wanted to go out with a bang. In the shop’s front window was a single book: “The Rich and the Rest of Us: A Poverty Manifesto” by Tavis Smiley and Cornel West, surrounded by signs that read “Forced Out!,” “Shame on Greedy Landlords,” and “Our Family Loves Read Books.”

As Debbie sat at the register inside, helping a steady flow of the shop’s final patrons, protesters gathered behind the building, clutching homemade posters and waiting for Jeremy to speak. Choking up, he addressed the crowd.

Debbie Kaplan, who co-owns Read Books, hands a customer books.

(Carlin Stiehl / For The Times)

“Three months ago, when this all began, my initial action was to fight back, because fighting is my default setting. But I also felt … fear of insignificance, of disappearing, as if everything we built in the last 19 years, often working seven days a week, might soon be dismantled and forgotten. The support you’ve gifted us with these last few months has been a constant reminder that we’re all in this together.

“The real estate lobby is rich and powerful. They have more lobbyists than our representatives have staff, but we are building a coalition to fight them.

“What’s at stake? The soul of Los Angeles.”

Barnes & Noble was turning a page on the chain’s history of declining sales, but recent comments have stirred bad blood for the bookseller.

James Daunt, the chief executive credited with breathing new life into the retailer, is clarifying the store’s stance on stocking its shelves with AI-written books.

The controversy stems from Daunt’s Monday appearance on “Today” with Jenna Bush Hager. In a viral clip from the interview, Daunt said, “I have actually no problem selling any book, as long as it doesn’t masquerade or pretend to be something that it isn’t. So, as long as an AI-written book says it’s an AI-written book, then we will stock them.”

By Wednesday, thousands of calls to boycott the bookseller had flooded social media.

Kathlin Finn, a writer and former employee of the chain, posted on social media, writing, “Hey Barnes & Not Noble, I worked for you and have supported you, but your latest AI decision is extremely disappointing. I will not be shopping or promoting B&N unless you change your AI policy.”

Author Cristin Bishara wrote, “As an author this [is] the most depressing news. I’ve been saying for a long time that this was coming. People told me I was overreacting. And I had a feeling it would start with a cute round table at the front of a B&N.”

Another social media user added, “The Barnes & Noble CEO saying they’ll stock AI generated books as long as they’re labeled and aren’t ‘ripping off somebody else’ is wild considering all generative AI is ripping off someone else.”

Daunt told The Times that the wave of backlash is based on misinterpretations of what he said, and that only a “highly edited version” of what the bookseller “actually said” had been aired.

In an emailed statement, he said the bookseller does not sell AI books, “as far as we are aware.” Barnes & Noble “demand[s] that publishers label any books that are AI generated,” and the chain takes “active measures to exclude all AI generated books.”

Daunt further stated that Barnes & Noble “will sell AI generated books if there is clear demand” and not “ban reputable books published by reputable publishers, even if AI generated, should these be published, labeled and there be clear evidence of customer demand.”

He also said that the retailer thinks it’s “very unlikely” that there will be customer demand for AI-generated books or that reputable publishers will publish them.

“The argument is nuanced, and perhaps over nuanced, but there are important principles that have to be balanced and I believe we do so as sensibly and thoughtfully as is possible,” he said. “Book banning is a clear and present danger, so we are very careful with demands to ban any books” while also remaining vigilant “not to sell AI generated books that masquerade to be by real authors.”

Last year, Daunt spoke with BBC on the issue of AI in publishing and bookselling and said that there’s a huge proliferation of AI-generated content, and “most of it is not books that we should be selling.” He told the broadcaster that, as a bookseller, the company sells what publishers publish and that he’d be surprised by efforts to put forth an “AI-generated piece of nonsense” but that, ultimately, the decision on reading material would lie with the reader.

“We don’t dictate, and we don’t dictate around politics or any other particular issues around books,” he said. “We leave it up to the reader to decide.”

In June 2025, more than 70 authors issued a call to action to big-five publishers Penguin Random House, HarperCollins, Simon & Schuster, Hachette Book Group, and Macmillan, asking the companies to pledge that they will never release books that were created by machines. Authors Lauren Groff, R.F. Kuang, Emma Straub and Emily Henry were among the petitioners.

“At its simplest level, our job as artists is to respond to the human experience. But the art we make is a commodity, and our world wants things quickly, cheaply, and on demand,” the letter read.

“We are rushing toward a future where our novels, our biographies, our poems and our memoirs — our records of the human experience — are ‘written’ by artificial intelligence models that, by definition, cannot know what it is to be human. To bleed, or starve, or love. …

“Every time a prompt is entered into AI, the language that bot uses to respond was created in part through the synthesis of art that we, the undersigned, have spent our careers crafting. Taken without our consent, without payment, without even the courtesy of acknowledgment.”

In March, Hachette pulled “Shy Girl” from publication after widespread allegations that the horror novel appeared to be AI-generated and was swiftly scrubbed from Amazon and the Hachette website. The book’s author, Mia Ballard, denied that she had relied on AI to pen the book but said an acquaintance she had hired to edit the novel used AI.

“Hachette remains committed to protecting original creative expression and storytelling,” a Hachette spokeswoman said, per the New York Times.

For more than 40 years, Barry Walters has been closely watching the dance floors of New York and San Francisco, chronicling the ways in which LGBTQ+ culture has influenced mainstream culture. As a writer for the Village Voice, the Advocate and Spin, among others, Walters became one of music journalism’s most eloquent and crucial voices, championing artists like the Pet Shop Boys and Madonna during their formative years.

Walters’ new book, “Mighty Real,” draws on his deep firsthand knowledge, offering a comprehensive history of LGBTQ+ music from 1969 to 2000. I recently spoke with Walters about Babs, Madge and Bowie.

✍️ Author Chat

In the book, you make a distinction between pre-Stonewall LGBTQ music and post-Stonewall LGBTQ music.

Gay culture before Stonewall really had to be hidden, or at least secretive. I think of Barbra Streisand as a quintessential pre-Stonewall figure. Judy Garland, as well. These women are tough, and even though they sing songs written by men, it’s not in a submissive way. They are singing like they are the champions, even when they are suffering through what men do to women through the torch songs they perform.

What can you say about the encoded nature of certain songs that spoke to gay culture in a way that flew under the radar of hetero listeners in the pre-Stonewall era?

The music that spoke to gay culture, by necessity, had to be encoded. “Secret Love” by Doris Day is a good example. It’s about struggling to have something that’s otherwise forbidden. Sinead O’Connor covered that song. There was a song I loved as a young child called “Have I The Right?” by the Honeycombs, which was written by two British gay men at a time when homosexuality was illegal in England. You know, have I the right to be with whomever I want to be with?

What, in your view, was the big bang of post-Stonewall LGBTQ music?

David Bowie to a large degree. Right around the time that “Hunky Dory” was being released in 1971, he told the Evening Standard newspaper that he was gay, flat out just said it. And it was such a strange thing to say that many people doubted his sincerity.

Barry Walters, a writer for the Village Voice, the Advocate and Spin, among others, wrote a new book about the history of LGBTQ+ music.

(Kelly Lawrence for Walters)

I remember seeing Bowie wearing that dress on the cover of “The Man Who Sold The World,” thinking that was the most transgressive act any rock star had ever committed.

And then he performed “Starman” on Top of the Pops in 1972 and he put his arm around his guitarist Mick Ronson, who also looked gorgeous. They were displaying a familiarity men aren’t supposed to have.

I thought I knew everything about pop music, but you have uncovered so many fascinating stories. Tell me about Olivia Records.

Olivia Records was an independent record label in the Bay Area owned and controlled by lesbians for female artists. This is years before punk or indie rock, when so many small labels cropped up. They pioneered so much. They would recruit fans in different cities to man the merchandise and to help get their records in stores. The idea of a merch table was something new at the time. They also created the forerunner of Burning Man. They would go find a farm somewhere and create an impromptu village, with food, sanitation and the rest.

You have given the most space in your book to Madonna, whom you have written about extensively over the years. Why is Madonna such a huge figure in the history of LGBTQ music?

Her art is so queer. I feel like she is one of us. She’s very much like Grace Jones, in that her sensibility is so aligned with gay culture. I related to Madonna on multiple levels. In the early ‘80s, I would see her around town, dancing at the same New York clubs I was frequenting, like Danceteria. She was steeped in gay culture, and then she brought all of this into the mainstream, and that was profound. I also feel like she was misunderstood in many ways. When straight men called her a slut, things like that. That is so far from the truth. She is such a complex artist. If you are making that claim, you don’t know anything about her.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Javier Pérez / For The Times)

Pulitzer prize winner Elizabeth Strout has a new novel called “The Things We Never Say,” and Julia M. Klein approves. “[Strout] reprises her familiar themes: the mysteries of human personality, the perils of solitude, the occasional possibility of grace … in deceptively simple, occasionally mannered prose that draws readers in and immerses them in her fictional worlds,” Klein writes.

They’re on a boat! Paula L. Woods climbed aboard a 130-foot yacht in Marina del Rey to soak in the vibes of the Yacht Girls Book Club. “I wanted conversations with like-minded women that were intellectual but fun,” club founder Aloni Ford told Woods. “And talking about books seemed to be the ideal way to achieve that.”

“PEN15” co-creator Anna Konkle has written a memoir called “The Sane One,” and Rachel Brodsky talked to her about it. “In some ways, ‘PEN15’ was a reaction to loving memoirs,” she tells Brodsky. “Raw memory has always been very exciting to me.”

Finally, our Times critics take the measure of this summer’s hottest beach reads.

📖 Bookstore Faves

Kinokuniya bookstores sell Japanese manga, stationery and literature.

(Courtesy of Kinokuniya)

When Kinokuniya opened its first L.A. shop in 1977, it was primarily to provide Japanese expats with imported books and magazines to read in their native tongue. Forty years later, the store has become a locus of Japanese printed matter for Angelenos eager to scoop up Japanese literature and manga in Japanese and English, as well an expansive selection of imported stationery products that, in L.A., can only be found in Kinokuniya’s three stores. I spoke with Sakura Yamaguchi, who manages two of Kinokuniya’s stores downtown (the third is in Mar Vista) about its many-splendored pleasures.

How did the store travel from Japan to Los Angeles?

Books Kinokuniya was founded by Moichi Tanabe in 1927. Located in the Shinjuku district of Tokyo in a two-story wooden building, the first Kinokuniya started with five employees, including Mr. Tanabe himself. In 1969, Kinokuniya opened its first overseas bookstore in San Francisco. The first Los Angeles store opened in 1977.

Who are your customers?

We first started as a store for Japanese customers, so we imported Japanese books and magazines and sold them, mainly. But in the past 10 years, Japanese manga/anime, stationery and literature has been quite popular in the U.S. Therefore our customers are a mix of Japanese-speaking customers and non-Japanese speakers who are interested in Japanese culture.

What percentage of your clientele buys Japanese–language products?

Forty percent Japanese-language products versus 60% English books.

What specific titles are selling for you right now?

“Witch Hat Atelier Grimoire Edition, Volume 1,” “JoJo’s Bizarre Adventure: Purple Smoke Distortion” and the “Strange Houses” series.

Are you seeing more young people turning to printed matter? It seems like there is an analog revival at the moment.

We have been trying to make exclusive editions that come with freebies to make the printed manga more attractive, but without that our English manga sales have been increasing and our main target for the manga is young people. There are many titles that are published exclusively in e-book format, but we frequently hear from customers asking when they will be released in print form. Also, recently there has been a growing number of cases where titles that were originally available only in digital format have later been published as physical books.

Kinokuniya at the Bloc in Los Angeles is located at 700 W 7th St.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

STEPPING through the floo network into the Ministry Of Magic, I feel like I’ve been transported straight on to the Harry Potter film set.

The attention to detail is next-level, even down to the sheer size of the building I’m standing in.

Surrounded by green subway tiles, ginormous gold ornate statues of magical creatures and hanging banners featuring some of Azkaban’s Most Wanted, the magic really has come alive.

So much so that, as a huge Potter fan, I find myself choking back tears.

Feeling Epic

My friends and I are at Epic Universe, which opened in Orlando last year.

After exploring 1920s Paris, Fantastic-Beasts-style, we head to Nintendo World to ride on Mario Kart: Bowser’s Challenge, where VR really does make me feel like I’ve been dropped into the game.

WAIL OF A TIME

I drove Irish Route 66 with deserted golden beaches and pirate-like islands

TEMPTED?

Tiny ‘Bali of Europe’ town with stunning beaches, €3 cocktails and £20 flights

Later, in the How To Train Your Dragon zone, Hiccup’s Wing Gliders is a super-fun coaster I want to ride again and again.

However, nothing quite hits the adrenalin high of Stardust Racers – a mega coaster in the park’s centre that reaches speeds of 62mph and heights of up to 133 feet, with spins and turns aplenty.

All this excitement leaves us needing a tipple, and the best place to take in the view of the park at night with a glass of pale rosé, £13, in hand, is Bar Helios at the top of the Helios Grand Hotel.

We’re staying a five-minute shuttle ride away at Terra Luna Resort, which also opened last year.

Designed in the colours of the solar system, my room features a spaceship-style window looking out on to Epic Universe.

Double rooms at Terra Luna start from £119 per night (Universalorlando.com).

Walt a ride

Orlando is, of course, also home to Walt Disney World, where each park brings its own adventure.

At Disney’s Animal Kingdom Theme Park, its new Zootopia: Better Zoogether! 4D film inside the Tree Of Life theatre entertains, and at EPCOT, I adore the thrills of “omnicoaster” Guardians Of The Galaxy: Cosmic Rewind, before sipping champers, £16, in the recreation of Paris and tucking into fish and chips, £10.75, in the park’s nod to England.

No trip would be complete without visiting Magic Kingdom, home to the Cinderella Castle, and we’re soon flying around on motorbike rollercoaster Tron Lightcycle.

The new night-time parade, Disney Starlight: Dream The Night Away, makes the already dazzling performance even more breathtaking, too (Disneyworld.co.uk).

Meanwhile, stepping into our villa at Villatel Orlando Resort brings back MTV Cribs vibes.

Located on International Drive, these sleek, modern, self-catering pads can sleep up to 26, and all have private pools – many even have cinema rooms.

There’s a large resort swimming pool, too, with water slides and a lazy river, which I sit beside, sipping frozen margaritas, £12.60, as I dive into a good book.

Stays at Villatel Orlando Resort cost from £48 per person per night (Villatel.com/villatel-orlando-resort).

That’s mall, folks!

One evening, we visit nearby entertainment complex Activate Orlando at Pointe Orlando, where teams face physical and mental challenges using interactive technology.

My favourite is one which involves dipping and dodging a network of lasers.

Hour-long sessions cost £22 per person (Playactivate.com/pointe-orlando).

It proves great fun and leaves us ravenous.

Luckily, Palm Tree Club Orlando close by offers a party atmosphere alongside delicious Lavender Hugo Spritzes, £12, rigatoni smothered in a vodka sauce, £14.80, and sides of charred broccolini, £9.60, which are a fitting reward for our energetic endeavours (@Palmtreecluborlando).

Orlando’s huge shopping malls are almost as famous as the theme parks, and as Fabulous’ Fashion Editor, it would be remiss of me not to visit one.

I pick The Mall At Millenia, home to designer boutiques and US faves Pottery Barn, Macy’s and Bloomingdale’s (Mallatmillenia.com).

Yet I still end up buying a pair of boots from H&M for £35!

The real souvenir of my trip, however, is the magic feeling this city gave me, theme parks and all.

We are living in an era of dissent, but what does that mean in 2026? According to writer Gal Beckerman, to be a dissident is as much a way of being as it is an act of resistance. In his new book “How to Be a Dissident,” Beckerman, a staff writer for the Atlantic, unpacks dissent as a kind of rough art. His book is both an instruction guide and a primer.

In nine short, potent chapters, Beckerman lays out the essential traits of an effective dissident — loyalty, recklessness and watchfulness, among them — to illustrate how communities of resistance are built from the ground up. I recently chatted with Beckerman about playwright and former president of the Czech Republic Václav Havel, President Trump and AI.

✍️ Author Chat

You have written three books that deal with dissent — political, cultural and societal. It’s clearly a big issue with you.

I don’t think of myself as an activist; I don’t approach these topics with an activist’s fervor. I’m genuinely curious about how change happens in society. All four of my grandparents survived the Holocaust, and I think the notion of a society that can change that quickly and turn on you was always very shocking and interesting to me.

In reading your book, it’s really inspiring and extraordinary to read about individuals putting their lives on the line to make change happen.

They genuinely fascinate me as these bizarre human beings who are able to act in ways that I find really mysterious. There’s a mystery as to how people’s minds actually change, and how society can change.

You write about making moral choices, and doing something bold because of some strongly held belief. This is not the same thing as joining the crowd, which can be the path of least resistance.

I had this feeling during the first few months of the current Trump term (and I share this sentiment with a lot of people) that we were just bowled over by the degree to which people in elite places were acquiescing to the exercise of executive power and being willing to bend the knee in ways that felt shocking to me. This prompted me to wonder, what would I do in that situation? Would I say “no” and not succumb to the will of executive power? Would any of us do so? It’s a question we all have to ask ourselves.

You cite Iris Murdoch’s notion of “radical humanism” as a key trait of effective dissent.

Radical humanists are attuned to the messy and wonderful ways that beings just are. They are defending those conditions for human beings to have a normal life, whether that means being able to listen to whatever music you like, or to wear your hair in a certain way, or to take care of a neighbor that is being ill-treated. Václav Havel called it the “pre-political” way of thinking and acting. And we saw this recently in Minnesota, with people standing up to ICE, regardless of what their political affiliations might be. Something pre-political was going on.

Another important factor you cite is civic mindedness, which feels like a difficult goal given how our communities have been dissolved by our screen addictions.

The communication tools that we use are dehumanizing in many ways because they don’t allow us to really see each other. Instead we preconceive each other and just scream a lot. And we know this at a gut level even as we continue to use them. That’s why I do think it takes an almost dissident sort of energy to insist on thinking in a different way and scrambling the assumptions that our modes of communication have foisted upon us.

What about AI? It feels as if there is a lot of resistance to accepting AI into our lives just because technology companies are investing billions of dollars to make it so. You are seeing communities protesting against the construction of data farms in their neighborhoods, for example.

The money behind the ideology pushing AI is about letting us feel that the only way to have an efficient life is through AI. And I feel like the 20th century taught us that there are lots of ideologies that come around to promise this sort of thing. And so we need to learn from that. I think there are a lot of overwhelming powers that try to flatten us. But we have to take that wonderful human element, that radical humanism, to say no, maybe there’s a way to do it better.

📰 The Week(s) in Books

Monica Lewinsky as a saint offering solace to the lovelorn and abandoned? Julia Langbein’s wild conceit works beautifully in her novel “Dear Monica Lewinsky,” according to Julia M. Klein, who calls the book “smart, poignant and involving.”

Among the casualties of the Vietnam War were the Appalachian communities whose male populations were decimated on the frontlines. This is the subject of Pamela Steele’s “taut, lyrical” novel “In the Fields of Fatherless Children,” a book that delves into the “poverty, racism, environmental degradation and despair suffered in the Appalachian ‘holler’ during the Vietnam era,” writes Meredith Maran.

The Times’ Deputy Entertainment and Arts Editor Nate Jackson sat down with the rapper, actor and K-Town native Jonnie Park to discuss his memoir, “Spit: A Life in Battles.”

Finally, Maddie Connors answers the question, “why are novels getting shorter?” Welcome to the age of the Adderall novel.

📖 Bookstore Faves

The inside of Mystery Pier Books

(Mystery Pier Books)

Established in 1998, Mystery Pier Books is L.A.’s prime destination for rare books and signed editions across a wide range of genres and forms, including Shakespeare folios and vintage sci-fi paperbacks. Located right alongside its Sunset Strip neighbor Book Soup, Mystery Pier was established by character actor Harvey Jason and his son Louis, who continue to run the store together. I chatted with Harvey about the treasures to be found in his store.

What is the market like for rare books right now?

Very strong, in fact. We just sold a beautiful edition of J.R.R. Tolkien’s “Lord of the Rings” trilogy to a private collector for $55,000. And that is actually a reasonable price for those books. We have a long list of serious collectors all over the world that contact us for books, customers that have been coming to us for years. We also sold a first edition of “The Adventures of Huckleberry Finn” for $17,500.

Why should one own a rare book?

It’s a good investment. People who collect rare books are book lovers, first and foremost. And they are smart enough to know that the books they love can increase in value year by year. First editions never depreciate. They always become more valuable over time.

I’m interested in journalism books. Do you have any Tom Wolfe or Hunter Thompson in your store?

Hunter Thompson came in here years ago and signed all of his books, so, yes, we have his books signed by him.

Do you see young people looking to get into collecting books?

Yes. A lot of recent college graduates are building collections. It’s very heartening to see that. You can come into our store and find nice editions for $100. The front room of our store contains the first editions but our other rooms will have landmark titles for far less money. This is really a pursuit for everybody, not just wealthy collectors.

This captivating period drama has had viewers binge-watching all ten episodes after just one week

A brand new period drama adaptation has arrived on BBC iPlayer, and viewers are already captivated.

The Lady Grace Mysteries is a collection of children’s detective fiction novels, originally penned by English author Patricia Finney, before Sara Volger and Jan Burchett later came aboard as co-authors.

Written in diary format, the story centres on Lady Grace Cavendish, a maid of honour to Queen Elizabeth I, who sets out to unravel a series of mysteries within the royal court.

The series comprises 12 books in total, with the earliest releases regarded as the most beloved titles. These include Assassin, Betrayal, and Conspiracy – published in 2004 and 2005. The final instalment, Loot, hit shelves in 2010.

Now, audiences can immerse themselves in the 16th-century royal court as the beloved books have been brought to life in a new BBC adaptation. The “vibrant” new drama breathes excitement, humour and intrigue into Queen Elizabeth I’s court, appealing to younger viewers, as well as older fans who grew up devouring the books, reports the Liverpool Echo.

“The series introduces 14-year-old Grace Cavendish, a spirited lady-in-waiting with a sharp mind, a strong sense of justice and one enormous secret: she is the Queen’s top secret teenage spy,” reads the official synopsis for the series.

“Moving through the glittering but treacherous world of the Tudor court, Grace must juggle her official duties with undercover missions as she tackles everything from stolen crowns and mysterious hauntings to political plots and deadly traitors hiding in plain sight (Claudia Winkleman not included).

“With picture perfect palaces, sweeping gardens, secret passageways and lavish royal celebrations, The Lady Grace Mysteries brings the Elizabethan Golden Age to the screen in a way that feels both authentic and fresh. Alongside her best friends, Ellie, a fearless scullery maid, and Masou, an ambitious young actor, Grace’s world is packed with daring escapades, heartfelt friendships and relatable teenage drama, just with more ruffs, royal balls and assassination attempts.”

Sarah Muller, Head of Commissioning 7+ at the BBC, commented: “The Lady Grace Mysteries is everything we love in co-viewing a series: it’s warm, funny and full of adventure, with a brilliant young heroine at its heart.

“It blends mystery, history and big emotional stories in a way that feels fresh and exciting for today’s audience, while giving parents and grandparents something richly nostalgic and visually spectacular to enjoy too. We’re so proud of this show and can’t wait for families to discover Grace’s world together.”

Evie Coles takes on the role of Grace, with Rebecca Scott portraying Queen Elizabeth I. The cast further features Carys John, Twinkle Jaiswal, Rafael Alessandro, Georgia Farrow, and Fintan Buckard. All ten episodes of The Lady Grace Mysteries dropped on BBC iPlayer earlier this month (April 20), with viewers already devouring the entire series in one sitting.

Numerous fans have taken to social media to express their enthusiasm, with one user posting on X (formerly Twitter): “The Lady Grace Mysteries are heaps of fun.”

Another chimed in: “It’s actually a kids show but I’m liking the teenage spy at the Elizabethan court. Great fun with FAB costumes. Each character has their own colour scheme, Lady Grace in greens, the Queen in orange/gold, another in purple, one in blue. NICE!”

The official CBBC Instagram account also enthused: “If you like and miss Malory Towers… we’ve got you! Brand new series, with familiar faces… #TheLadyGraceMysteries is available right now.”

The Lady Grace Mysteries is available to stream on BBC iPlayer

THE beloved “Hogwarts Express” steam train could be heading for the buffers thanks to a bitter health and safety row.

The iconic service, made famous by the Harry Potter film series, is under threat after rules forced a major overhaul.

The iconic train, known as The Jacobite steam train, runs through Scotland’s stunning countryside between Fort William and Mallaig, crossing the famous Glenfinnan Viaduct.

But now the popular locomotive – which is enjoyed by around 70,000 passengers a year – is at a crossroads due to a long-running dispute over safety regulations and the resulting financial strain.  

Old-style carriages used in the films have effectively been banned because their doors don’t have central locking.

Operator West Coast Railways says being forced to swap them out has caused huge problems.

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Newer coaches are unpopular with tourists and far more expensive to run. They even require a diesel engine at the back just to power air conditioning.

The train, which should have started running this month, has yet to begin its 2026 season.

Bosses are now begging regulators at the Office of Rail and Road to allow the return of the original carriages.

James Shuttleworth of West Coast told The Telegraph: “I don’t know what we would do. We were losing money working like that and you don’t go into business to lose money.”

Local businesses are already feeling the pain, with trade slumping as visitors stay away.

Fears are now growing that unless a solution is found soon, the world-famous Hogwarts Express could run out of track for good.

Chinguetti, Mauritania – Bookkeeper Muhammad Gholam el-Habot gently pulled a pair of white gloves onto his slender hands and set about his routine in his high-ceilinged, cool library lined with steel bookshelves.

He opened a thick manuscript printed in Arabic. After leafing through its brown and frail pages, looking for damage, el-Habot closed the book with a satisfied thud, rubbed his fingers over the wrinkled leather cover, and carefully placed it in a white cardboard box.

“These books are very important to my family and me,” the librarian said, as the midday sunlight spilled in through open wooden doors. He spoke in Hassaniya Arabic, the dialect spoken in Mauritania, his voice low, his sentences halting and poetic. Fat flies buzzed around his long oval face as he worked.

“My relationship with them is like that of a father and his son,” he continued. “We must protect them until God takes the land and all the people who are on the land.”

The el-Habot family library is only one of a handful of its kind still operating in Chinguetti, a medieval fortress town or ksar in Mauritania’s northern Adrar region. Once a centre of commerce and Islamic learning between the 13th and 17th centuries, it is now largely abandoned as, over the decades, locals have sought opportunities in bigger cities.

Chinguetti is also at the mercy of a changing climate.

Mauritania, in northwest Africa, is 90 percent Sahara desert and has faced desertification for centuries. Now, human-induced climate change is an accelerant. Sand and flash storms occur more frequently, while extreme hot or cold seasons last longer than usual.

Those pressures are a “big deal” for precious books, said Andrew Bishop, a researcher at the University of Wyoming studying climate impacts on Saharan cultures.

“Extreme heat and less predictable rainfall patterns means that texts are increasingly damaged by water or heat, making many manuscripts beyond repair. More than that, the mud libraries themselves are not built for sudden rain and longer summer of over 40 degrees (Celsius, or 104 degrees Fahrenheit),” he told Al Jazeera.

Many of Chinguetti’s 4,500 residents now live in cement buildings outside the original confines of the abandoned ksar, built out of dry stone and red mudbrick. There are fears that the entire area, which is about 500 square kilometres (200 square miles) – about the size of Prague – is at risk of being buried by surrounding sand dunes in the long run, although there is not a clear timeline yet.

Islam’s ‘seventh holiest city’

El-Habot did not always want to be a bookkeeper.

But when his father grew sick in 2002, he took over the approximately 1,400 manuscripts out of obligation. It was an honour in his culture to be selected, he said.

It would be out of the question now, the 50-year-old librarian said. He imagines that his two sons would reject the duty, as many of their peers have left to explore economic opportunities in the capital city, Nouakchott, or elsewhere.

“This is something that we have to do; it is a family obligation,” el-Habot said, with a bewildered expression. “This is not even a question to be asked.”

The family manuscripts are sacred because they are rare. The bookkeeper’s ancestor, Sidi Mohamed Ould Habot, was one of about two dozen Chinguetti scholars who travelled around the Muslim world between the 18th and 19th centuries, from Egypt to Andalusia, in search of knowledge.

Between them, the scholars amassed a vast fortune of about 6,000 scripts. They covered almost every topic: Islamic jurisprudence, the hadith or teachings of the Prophet Muhammad, mathematics, medicine, and poetry. Some of the works came from the scholars themselves, including the older el-Habot, who wrote about the science of poems.

The books were stored in about 30 libraries in Chinguetti, open to people from all over the world.

At the time, the town was famous because of its location at the crossroads of trans-Saharan trade routes linking the Sahel and the Maghreb. Camel caravans guided by nomadic Berber traders transporting goods – mostly salt and gold – between northern Africa and the southern empires used the city as a way station, transforming it into a commercial hub.

Muslim pilgrims on their way to Mecca on foot or camel would gather in Chinguetti and prepare themselves spiritually and mentally for their long, difficult journey before heading on to Cairo. Islamic and scientific texts were exchanged, bought and sold in the town.

In West African lore, Chinguetti was referred to as Islam’s seventh holiest city. Others nicknamed it the “Sorbonne of the Sahara”, according to UNESCO.

Generation after generation managed the libraries. Over time, as the caravan trade declined due to new European sea routes, the old town emptied and several libraries closed.

“Chinguetti was the mother of all people,” el-Habot said, referring to the town’s old status as the main capital of the region. Indeed, the area now known as Mauritania was called “Bilad Shinqit” or Land of Chinguetti. In the local Soninke language, it translates to “spring of horses”.

“People had to go because they wanted to feed themselves, get education for their kids, and get better opportunities for themselves too,” el-Habot said, adding that there were no universities close by, and only a handful of primary and middle schools.

Some within his family have moved on, as well, the bookkeeper said. Those, like him, who stayed back, wanted to respect their ancestor’s three wishes.

“His wishes were that the library stay in Chinguetti, that it should be open to all seekers of knowledge, and that a male descendant of his who is religious and morally upright be the bookkeeper,” el-Habot explained. Not following those instructions, he said, could invite God’s anger.

Chinguetti’s decline is largely due to the lack of support for its traditional lifestyle, Bishop said. Annual rainfall in Mauritania has decreased by 35 percent since 1970, making it harder for herders to graze or for date palms to produce fruit.

In 1996, UNESCO granted Chinguetti and three other Mauritanian ksour World Heritage Status, cementing their rich legacy. The few people still living in the old town are allowed to renovate but only minimally, to keep its original stone architecture and the typical Moorish structuring where houses are lined up along narrow alleys that lead to a mosque with a square minaret.

Just outside Chinguetti are the excavated ruins of Abweir, a town of 25,000 believed to have been founded in 777 AD, and believed to be the “original” Chinguetti. Its residents moved from the settlement, locals believe, in 1264 – likely after a conflict. Over time, the area was completely swallowed by sand.

Saving the manuscripts

El-Habot’s job, while enjoyable much of the time, is also taxing, he admitted.

Preserving old books by reprinting or digitising the most worn-out manuscripts before they become unreadable is a costly process. He often needs chemicals to keep away book-eating insects and has to fund more suitable storage.

Then, there is the weather, which is out of his control. Mauritania swelters in the dry season between April and December, and is bitingly cold in the winter months that follow. Old pages are sensitive to both extremes and can become brittle, el-Habot said. Sometimes, when it is really hot, he places buckets of water around the library hall to spur humidity.

Flash floods, meanwhile, threaten water damage.

Visitors to the library usually pay a small fee, but tourist numbers dropped drastically across Mauritania in the mid-2000s, when armed groups attacked foreigners. The COVID-19 pandemic also reduced the flow of travellers.

Mauritania has since clamped down on violence. Tourists are slowly coming back, el-Habot said, and some of the locals who left have also returned.

In 2024, a $100,000 UNESCO restoration project provided air-conditioning units, computers and printers, as well as shelving units and storage boxes to 13 family libraries to stimulate the sector. But most libraries remain closed, their texts scattered among members. The lack of capacity of young people who are not as interested in preserving Chinguetti’s culture will continue to pose a challenge, Bishop said.

Back in the library, el-Habot continued working, his thin frame bent over his manuscripts. He opened one book and pointed excitedly at its pages: They depicted the moon in its luteal phases, and an eclipse. A third page showed the holy cities of Mecca and Madina.

“I have to protect this heritage,” el-Habot said in his low voice. “As mine, and also for all of humanity.”

WHAT do a former Tory councillor from Kent and a Wimbledon-supporting socialist have in common?

They are both sharing a beer with me on my “solos” group tour of Portugal.

And the three of us are talking over the day’s activities with a Trump fan from the east coast of America.

Luckily, politics is off the menu.

Very much on the menu, however, is sardines, salted cod and the country’s speciality egg yolk pastries. But more on them later.

We are part of a 26-strong group on a dash around the southwestern-most territory of Europe, which is packed with old-world charm.

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Our adventure, organised by solo tour specialist Just You, starts in Porto, where the steep hills that rise up from the River Douro are dotted higgledy-piggledy with colourful houses.

Author JK Rowling lived among the granite streets here before she was famous — and it is said the city’s gothic architecture, along with the traditional robes of its university students, inspired her world of Harry Potter.

At least one establishment, bookshop Livraria Lello, cashes in on the fact, charging entrance fees to see its elaborate interior and upstairs cafe where Rowling would drink her coffee.

Talking of elaborate, it doesn’t get much more so than the “Gold Church”, real name the Church of St Francis.

Designated a Unesco World Heritage site, its interior is dripping with carved wood covered in gold leaf, with the precious metal having been shipped over from Portugal’s former colony of Brazil.

It’s certainly dazzling, as is a trip down the Douro River to the vineyards, which supply grapes for that most Porto of products . . . port.

Can you get more Portuguese? Well, actually, my guide informs me that, historically, it was mostly grown here by the British.

The two countries have long been allies, with many Englishmen living in Portugal in the 1600s.

Back home in those days, the English liked wine but were always at war with the pesky French, meaning booze cruises across the Channel were often a no-no.

Instead, they turned to north Portugal and the Douro Valley to grow their own.

It will come as no surprise then that many of the port brands bear English names.

These include Taylor’s, Cockburn’s and Sandeman, and you can see lots of them emblazoned on the wine cellars that fill the hills of the city of Gaia, which is just across the narrow river from Porto.

By the way, white port (yes, that’s a thing) is tipped to be the next big thing in the cocktail market.

After time in Porto, Gaia and the Douro Valley, day four of my eight-day trip sees the group begin to wind south to capital Lisbon, but not before stops at Aveiro, Coimbra and Obidos.

Let’s take them one by one. Aveiro is marketed as the “Venice of Portugal”. OK, it has some canals, but a trip on a large, electric gondola just doesn’t feel as romantic.

A fellow traveller did remark on its Art Deco beauty, though.

Coimbra could maybe be the Oxford of Portugal, boasting the country’s oldest university, which dates back to 1290. Bats live in its library to eat book-destroying bugs.

A guided tour of the city, which was once the capital, will take you into the grand university building, which sits among former church schools in a street that was the widest in Europe until the 1800s.

You will also likely hear the story of Don Pedro and Donna Ines. I heard it twice and am still a little hazy on the details.

Based on truth, it is Portugal’s Romeo And Juliet tale, which involves the 14th-century prince Pedro digging up the five-year-dead corpse of his mistress Ines.

He then crowned her queen and made his courtiers kiss her hand. The things we do for love.

The walled city of Obidos continues with the historic buildings. Perched on a hilltop, the medieval settlement is completely enclosed by its fortifications. And its small size makes its stunning streets very manageable to navigate.

While there, it’s worth trying its cherry liqueur, called ginjinha, which is served in chocolate cups that you can eat afterwards.

The final days of the tour were spent in Lisbon, a city built on seven hills.

This may make exploring its small streets a challenge, but you can always hop on and off the quaint yellow trams.

The downtown area and main squares are flat enough and filled with impressive buildings despite the earthquake that devastated the area in 1755. A couple of miles out from the centre lies the Belem district.

Its Belem Tower is a small, picturesque fort which marks the transition from tall forts (for shooting arrows) to horizontal ones (for hosting canons).

And it does this by combining both aspects of those designs as it juts prettily into the Tagus river.

Thirty minutes drive from the capital lies Sintra, another Unesco World Heritage Site. With its microclimate making it cooler and wetter than Lisbon, it stays green all year round.

It also plays host to colourful palaces where past royalty would spend their summers hunting.

I’m sure they feasted well, too. And I didn’t do badly on that front, either.
The Portuguese say they have 365 different recipes for cod (one for each day of the year).

It is often dried and salted, which they call bacalhau. I had bacalhau covered with onions and accompanied by wafer-thin fried potatoes.

Another national delicacy is pastel de nata, an egg custard tart pastry, often dusted with cinnamon.

Grabbing one with a coffee will only set you back a couple of euros for both the treat and the drink.

It’s the sort of thing you can do to while away the hours with new-found friends from the group of initial strangers on the tour.

Which, arguably, is the key factor of the holiday’s success. Do you like your travel companions? Are you cut out for solo travel?

Cards on the table, this was my first solos tour. I met people I liked and no one I disliked. Ages ranged from 40 to 95, though 85 per cent were retired.

Lots I spoke to had been using solo tour companies for many, many years.

For some it was their first time.

If you haven’t tried it before, all I can say is: You might like it, you might love it.

But you only live once (unless you’re Donna Ines) . . . and Portugal is well worth a visit.

JANE Fallon has given her fans a health update after having her second surgery following her cancer diagnosis.

The author, 65, who is the partner of Ricky Gervais, told fans earlier this month that she was suffering with breast cancer, despite having no symptoms before the diagnosis.

Posting a sweet pic alongside her cat Pickles on Instagram, Jane wrote: “Little update. So, my 2nd surgery went well.

“They got the clear margin they need on the original excision, which is great. 

“They did hit a new little patch of precancerous cells on the other side of the new bit they took out but, thankfully, everyone agrees more surgery would be overkill. 

“A huge % of pre cancer doesn’t develop into cancer. 

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“I saw the oncologist today & we’ve agreed the risks of radiation outweigh the benefits in my case.

“Which leaves Tamoxifen (or similar) or wait and see (my preferred option). 

“I’m very nervous about going the drug route, because I know the side effects can be hideous, but I’m taking all the info on board & luckily there’s no pressure to make a quick decision.

“So, all good & I’m just looking forward to getting back to normal.”

Jane’s followers flocked to support her, including author Jojo Moyes who wrote: “Well done for getting through another surgery.

“Wishing you some reassuring news very soon x”

A fan added: “Happy to hear the update and it sounds very positive … yes take your time to decide , & so all the research … as of course you will x”

Another said: “That’s such uplifting news , so pleased your doing well. onwards and upwards x And cats will always upstage.”

This comes just days after Jane slammed a fake obituary that was published online after she was revealed she had cancer.

She said: “I’ve taken the post about the obituary down, because I don’t want people to think I’m upset by it. I’m not. P***ed off yes.

“But more, I just want people to know that any photos you see of me in hospital, looking sad or with tubes sticking out of me are 100% fake – AI generated.”

Following her recent procedure, Jane told her followers she was feeling “remarkably fine” and in good spirits.

She assured people she wold update them once she had the medical all clear.

“Then 8-10 days wait for confirmation that they’ve got it all & the margins are clear (small % chance of more surgery if not),” Jane wrote.

She has been resting up at home with the support of cat Pickles.

When Jane announced her diagnosis, Jane asked fans not to “panic” and said her prognosis was “excellent”.

She has been with comedian Ricky for more than 40 years after meeting back in 1982.

Jane is the author of 14 bestselling books and has penned titles such as Getting Rid of Matthew, Got You Back, Queen Bee, Worst Idea Ever, and Faking Friends. 

THEY were once ‘like brothers’, touring the world together and dealing with global superstardom after being propelled into the spotlight aged just 16.

But now in their early 30s, Niall Horan and Harry Styles are “worlds apart” and living “vastly different lives”. Here, an insider tells us why the relationship has soured between the pair, and how the rest of One Direction are keeping their distance.

Fans first noticed cracks between the pair last month when Niall, 32, made barbed remarks about the cost of fame on an American podcast just days after Harry, also 32, said he found his superstardom “deeply isolating”.

Speaking on the Zach Sang show earlier this month, Niall cheerfully revealed how delighted he is to be living a “completely normal life” in London, travelling on the tube, walking his dog and going for beers with his mates in local boozers.

When asked if he minds being stopped by fans, the Irish singer remarked: “You cannot have your f***ing cake and eat it”.

Fans were quick to point out that the comment came shortly after Harry spoke about the cost of superstardom – and wondered if it was a dig in his direction.

Speaking to Runners’ World magazine for their May cover, Harry said that he found fame ‘deeply isolating’ and felt the need to withdraw from public life to protect himself.

As part of this, he moved to Italy, because it allows him to ‘live a quiet life’ and ‘reset’.

But the differing attitudes toward fame are part of reason why the pair are no longer close.

A source tells us: “The boys used to be like brothers, they were the best of friends and used to joke about what life would be like when they were old men and still hanging out together.

“Now they are about a million miles from that. They have gone their separate ways and are all living such different lives. 

“Niall is a real homebody; he loves being at their place in London with Mia and the dog, or with his family in Ireland. He’s not a kid anymore; he feels settled now, while Harry still jets all over the world and never seems to stay in one place for long.

“The pair of them hardly have anything in common now, and while Niall would never come straight out and criticise Harry, some things he says definitely make Niall’s eyes roll.”

While the Irish singer songwriter, who is worth £52 million, is completely at ease with being recognised when he’s out and about, scared Styles recently admitted all the unwanted attention left him wanting to become a recluse.

Speaking to US media, Niall claims he can live carefree in London. He says his life with long-term girlfriend Amelia Woolley – known as Mia – is not built around his work schedule and fame.

He added that he’s never minded being mobbed by One Direction’s devoted army of fans: “I don’t ever want it to be like, poor me. That was just the way it was – there were a lot of people around. 

“I just get out and do it, and people are going to come up to you and say hello. And that’s fine. 

“I used to be nearly afraid of that. I love it now. I basically live a completely normal life, really, apart from the fact that if I walk in somewhere, someone’s going to come up and say hello, that’s fine. 

“I walk the dog every day and go on the tube and go into town and go for beers. There’s nothing special.

“It’s a great thing. It’s something that when you were younger, you yearned for.

“We all want that normalcy in effect. You cannot have your f****ing cake and eat it, though, either. 

“I want to be out there doing my thing and getting up on stage. It’s the best f***ing thing in the world.”

This latest spat between the pop legends comes after we revealed Zayn Malik punched Louis Tomlinson in the face during a vicious row, cutting his head and leaving him concussed.

The former pals’ bruising clash came as they filmed a three-part road trip for a nostalgic Netflix documentary about the band, which has since been scrapped.

It emerged that Zayn had made a scathing remark about Louis’ mum, Johannah Deakin, who died of leukaemia in 2016.

Despite the frenzy of worldwide adulation, Niall says that down-to-earth fashion buyer Mia, 28, from Birmingham, keeps his feet firmly planted on the ground.

He went on: “You can sit at home and go like, it’s hard for me to do these things.

“But at times, it being uncomfortable or something can be a reason why you don’t do them. Or you can choose for that to not be a reason and you can do them anyway.

“When you shut out a lot of the things that are assumed can be negative, you also just unconsciously shut out a ton of positive things.

“We live a completely normal life outside of this.

“It’s like someone’s pressed pause on a stopwatch, and then when it clicked back in, I was just this different person. It’s really cool. It happened gradually, but when I think about it in hindsight, it felt like just night and day.

I basically live a completely normal life, if someone’s going to come up and say hello, that’s fine

Niall Horan

“My life just went from being all encompassing to having this good divide.

“I love it. I like having the balance. It’s pretty cool.

“I’ve gotten very good at. When I’m at home, I’m completely at home. I’m not doing anything. I just want to be at home.

“But I like going to work now and then being at home, I like it that way.

“Hopefully, I can keep doing that because it’s a nice little balance I’ve got going on. And it takes time to get to that.

“Amelia’s got her own life. She’s been doing her thing, and everything can’t be just surrounding me.

“It’s already weird enough that she used to fly to Amsterdam to come in on a five o’clock flight on a Friday. It can’t be like that all the time. 

“Bringing her into that is a really cool thing. And she feels that sense of pride and looks at the fans and sees the way they’re thinking and things like that. 

“It’s such a cool thing for her if I play her a song; she’s never had that before. It’s not like people were coming home in the evening from work and going, ‘Hey, I wrote you a song today.’

“That’s a new thing for her, too. The whole thing is a shock to the system, but our life is just not all about that.”

Niall previously dated Hailee Steinfeld and Ellie Goulding – resulting in Ed Sheeran writing the hit track Don’t about an apparent love triangle between the trio.

But Harry, who rented a mansion outside Rome and ran marathons using pseudonyms, feels very differently.

He explained recently: “A large part of the last couple of years has just been about, honestly, learning to like myself away from having so much of my value baked into whether other people are enjoying me or not.

“Learning that fears and feelings aren’t facts, and you can have a feeling about yourself and taking the time to be able to see what that is and see where that comes from.”