body

A prominent shipping organisation has condemned the United States and Iran’s tit-for-tat capture of commercial ships and is calling for the immediate release of their crews.

In an interview with Al Jazeera, John Stawpert, marine director of the International Chamber of Shipping, said seafarers must be allowed to go about their business “freely and without persecution”.

Stawpert, whose organisation is the top trade association for merchant shipowners and operators worldwide, called the capture of the vessels an affront to freedom of navigation as enshrined in international law.

“All these people are doing is transporting trade. And really, we can’t have a situation where ships are being seized, ultimately for political ends, to prove a political point,” said Stawpert, whose organisation represents about 80 percent of the world’s merchant fleet.

“These are innocent farers and they should be allowed to go about their jobs without fear of, essentially, imprisonment.”

Stawpert said Iran’s stated wish to charge tolls in the Strait of Hormuz had no basis in international law and would set a dangerous precedent.

“If you can do it in the Strait of Hormuz, why can’t you do it in the Strait of Gibraltar, say, or the Straits of Malacca?” he asked.

Stawpert also said the US President Donald Trump’s naval blockade of Iranian ports had heaped further uncertainty on shipping companies already reeling from Iran’s effective closure of the strait.

“We don’t know what conditions are in place. We don’t know what the targeting criteria of Iran are really,” Stawpert said. “And so we then have another state coming in, effectively doing the same thing through the blockade of the straits”.

The US and Iranian militaries have each announced the capture of two commercial vessels over the past week as Washington and Tehran continue to face off in the strait and in waters beyond the Gulf.

The US defence department on Thursday said it had captured the Iran-linked Majestic X as it was transporting sanctioned oil in the Indian Ocean, days after announcing the interception of another ship, Tifani.

Iran’s Islamic Revolutionary Guard Corps on Wednesday said it seized the Panamanian-flagged MSC Francesca and the Greek-owned Epaminondas for “operating without the necessary permits and tampering with navigation systems”.

The Philippines’ Department of Migrant Workers on Wednesday confirmed 15 Filipino seafarers were on the two vessels.

Officials said they had been assured by Iranian authorities that all the crew were “unharmed” and “safe.”

Montenegro’s maritime minister, Filip Radulovic, said in an interview with the state broadcaster earlier this week that four Montenegrin crew on the MSC Francesca were “fine”.

There have been no official updates on the condition of the crews on the vessels captured by US forces.

“It seems they’re not being maltreated,” Stawpert said. “But even so, that’s not really the point. The point is they shouldn’t be in custody in the first place”.

Stawpert also expressed concern for the well-being of an estimated 20,000 seafarers who have been left stranded in the Gulf due to the effective closure of the strait.

“Their welfare is also a priority for us,” he said. “The psychological burden, I think, will be beginning to tell on them after seven weeks now of what’s, to all intents and purposes, house arrest”.

Stawpert called on both the US and Iran to respect freedom of navigation.

“Let’s resume freedom of navigation and respect the right to innocent passage as soon as we possibly can,” he said.

The blockage of the strait, which usually carries about one-fifth of global oil and natural gas supplies, has driven up fuel prices worldwide and forced many governments to start emergency energy-saving measures.

Traffic in the waterway remains a fraction of pre-war levels, with reports saying just five ships transited the strait in the last 24 hours.

Before the US and Israel launched their war against Iran on February 28, the strait saw a daily average of 129 transits, according to the United Nations Trade and Development.

In the first of several significant flashbacks in “Over Your Dead Body,” Samara Weaving’s unhappy Lisa complains to a friend about a hunting trip her equally miserable husband Dan (Jason Segel) is taking her on. “You know how much I hate guns,” Lisa fumes. “So dangerous.” Turns out, she’s actually telling two lies, which is par for the course for this twisty yet underwhelming dark comedy that views marriage as both a hyperviolent blood sport and a battle to the death.

Based on Norwegian filmmaker Tommy Wirkola’s 2021 “The Trip,” “Over Your Dead Body” concerns a couple whose wedded bliss has faded along with their professional prospects. Dan directed a moderately successful sci-fi film several years ago but is now stuck shooting cheesy pop-up ads. Meanwhile, Lisa’s nascent acting career is flailing. As the movie begins, Dan conspicuously informs his production team that he and his wife are going hiking in the middle of nowhere — something, he insists, the risk-taking Lisa wants to do, despite how perilous that might be. What we soon realize is that he’s creating cover for his nefarious plan, which is to kill Lisa at his family’s forest cottage, making it look like she disappeared without a trace in the woods.

But director Jorma Taccone eventually reveals that it’s not just Dan who has murder on his mind. That first flashback rewinds to Lisa’s simultaneous scheming, claiming to those close to her that Dan longs to go hunting — when, in fact, she’s secretly brought a rifle so that the authorities will assume he accidentally shot himself. (Whatever fears she once harbored about firearms are, clearly, no longer an issue, if they ever were.) Dan is offended when he uncovers her plot: Why would she want to kill him? At least he’s justified, he believes, having caught Lisa in an affair with her scene partner.

More surprises are in store as Dan and Lisa engage in a deadly standoff in the cabin, only to discover that they’re not alone. Another flashback details how two convicted killers, Todd (Keith Jardine) and Pete (Timothy Olyphant), escaped from a local penitentiary with the help of Pete’s girlfriend, prison guard Allegra (Juliette Lewis), and are seeking refuge at the cottage. Suddenly, the feuding married couple must work together to stay alive.

One-third of the comedy troupe the Lonely Island, Taccone previously directed the big-screen adaptation of the “Saturday Night Live” sketch “MacGruber” and co-directed the endlessly rewatchable mockumentary “Popstar: Never Stop Never Stopping.” For “Over Your Dead Body,” he teams with producer David Leitch, whose 87North shingle specializes in R-rated action-comedies like “Nobody” and “Violent Night.” Taccone’s irreverent, slyly shocking style would seem a good match for a story in which the pain of romantic discontent is paired with myriad scenes in which a variety of weapons wreak grisly havoc, including lawnmowers, sports cars, gardening equipment and a sock with a pool ball in it.

But despite Segel and Weaver’s best efforts, they can’t make this bickering duo deliciously awful, the characters proving more grating than hilariously combustible. And when Pete and his cohorts arrive, they’re too broadly quirky to be either menacing or hysterical, although Olyphant’s long-suffering leader has some nice moments slowly processing how dumb Todd and Allegra are.

Other than one queasy homage to “Deliverance,” the film’s handling of the showdown between this drab married couple and the cartoonish criminals is rarely gripping. Instead, “Over Your Dead Body” delivers over-the-top fight sequences emphasizing grimaces and gross-out laughs. People aren’t simply shot in the head — the bullet transforms it into a gooey slab of meat. Fingers get sliced off, stakes are driven through hands and a foot is reduced to bloody tatters. Taccone handles all this with gleeful excessiveness but once you’ve seen one pulverized face, you’ve seen them all.

A droll irony is intended to unfold alongside the rising body count. Dan and Lisa embarked on this getaway to murder one another, but they’ll end up rekindling their love. To be sure, Segel and Weaving are much more winning once their characters start warming to one another. Still, the film feels like a missed opportunity for Weaving, who became a scream queen in the “Ready or Not” films. In those movies, as an unsuspecting bride thrust into a life-or-death situation, she appealingly balanced a convincing physical performance with an understated comedic streak, her beleaguered character enduring one absurdity after another.

Weaving finds herself in a somewhat similar role in “Over Your Dead Body” and this uneven action-comedy is anchored by her had-it-up-to-here performance, which provides a witty insight into marriage that the film otherwise ignores. It’s bad enough that Lisa has to deal with Dan’s insecurity — now she’s got to tangle with some dopey crooks? Women have to do everything in a relationship.

KIM Kardashian and Lewis Hamilton’s romantic beach pictures prove that they’ve hard launched a VERY different relationship.

Body language expert Judi James has revealed that Kim, 45, and Lewis, 41, appear to be the real deal with “genuine displays of intimacy”.

The happy couple, who went official with their relationship in December, packed on the PDA during their getaway in Malibu.

The Skims founder looked in her element as she enjoyed a surf lesson with her beau.

TV personality Kim showed off her incredible figure in a skintight wetsuit and a black bikini top.

The F1 star wore a pair of black shorts and a matching T-shirt.

They were seen all over each other as they struggled to keep their hands off one another.

Judi has now revealed that the beach snaps illustrate just how much this famous couple are compatible, despite fears that they were a showmance.

Even though it’s early days, Judi believes that their is already a strong level of trust between the pair.

She exclusively told The Sun: “They might have been seen on a couple of chaste-looking dates where Lewis’s body language primarily spelled out ‘gentleman’ but these photos and the video look like the hard launch of a more tactile, sexual and romantic relationship between Kim and Lewis.

“Kim’s leading the plunge here, swimming ahead of Lewis as he seems to be struggling to catch up with her and touch her.

“When they are together in the ocean there are signs of an uninhibited and playful, mutually clinging relationship with Kim encircling Lewis with her arms and throwing her head back with an open-mouth laugh of sheer pleasure, with her relaxed neck-baring a sign of strong levels of trust in the relationship.”

The expert insisted that Kim appears to be in charge of the relationship but also seem to be rather like-minded and on the same page.

“Kim does look like the leader in the body language stages here, at one point she stands with her feet slightly splayed and her back arched as she performs a preening, confident pit-bare gesture as she squeezes the water out of her hair,” Judi shared.

“Lewis’s response is reciprocal as he shows his admiration by placing one hand out and onto the upper part of her bum.

“During a playful-looking moment Kim turns her torso in towards his, pressing it against his torso in an intimate pose as she places one hand on his waist and here he responds with one hand curved right around the shape of her bum.

“Kim and Lewis have dressed in coordinating swimwear here to signal they are a couple and their mirrored movements and poses at some points suggest a like-minded relationship too.”

Kim and Lewis packed on the PDA and were seen strolling along the beach and were pictured smiling and laughing together.

The lovebirds were then seen splashing about in the sea and were spotted with their arms wrapped around one another.

They appeared to be the real deal as they kept eye contact and smooched while riding the waves in the sea.

They were also seen showing off their surf skills during the sporty outing, with Kim jumping on top of the board, while Lewis kept an eye on her.

They seemed comfortable in each other’s presence as they clung to each other and rode the waves.

Last week, Kim sparked Kim rumours that she is moving in with Lewis as they went rug shopping in LA.

Lewis attempted to go incognito with black sunglasses and a baseball cap.

The two were seen heading back into a vehicle as they made their way home after the shopping trip.

Just last week, Kim made an 11,000-mile round-trip to spend 24 hours in London with Lewis.

She flew to the UK on her private jet to see her man in a bid to keep their long-distance romance alive.

She left Los Angeles last Monday and landed at Farnborough, Hants, at 4pm on the Tuesday before being chauffeured on a 90-minute journey to Lewis’s £18million home in Kensington, West London.

The couple stayed holed-up in his six-bedroom mansion while their security teams kept guard.

She then left on Wednesday afternoon, taking off from Oxford at 5.30pm to return to the US.

A source said: “Lewis and Kim are two of the busiest people in showbiz, but they are determined to do everything to see each other when they have any spare time.

“Kim spent Easter weekend with her family and then had a photoshoot in Los Angeles on Monday morning, then flew across the Atlantic to see Lewis.

“They didn’t have long together because she had commitments in the US to get back to, but it was quality time.”

Kim’s romance with Lewis became public knowledge after The Sun revealed she flew in from Los Angeles on her £100million private jet to spend an evening with him.

On January 31, the couple enjoyed a brief stay at the exclusive Estelle Manor in the Cotswolds, with insiders saying they had the spa to themselves, before enjoying a meal in a private room.

They made their public debut as a couple at the Super Bowl in February where they were spotted sitting together in a luxury suite.

They have since been seen together in Paris, the US and for several other trips.

Proving they’re the real deal, the sports star recently met Kim’s children while they were out in Tokyo ahead of the Japanese Grand Prix.

The couple were  joined by three of her children -Saint, 10, Chicago, nine, and six-year-old Psalm – while they were on spring break.

“It’s more than just a casual connection. It takes a lot to capture Kim’s interest and she’s definitely intrigued,” an insider told People.

“He’s just an easygoing guy with great energy.

“Her family likes him and Kim’s very into him. They are both busy with their careers, but see each other as much as possible.”

Additionally, it said the applications, “through a wholly-owned and financed government club”, were part of an “aim of facilitating transfers of allegiance and enabling those athletes to represent Turkey at future international competitions, including the Los Angeles 2028 Olympic Games”.

It added: “Given the common features across the applications, the panel assessed them together and determined that such an approach is inconsistent with the core principles of the regulations.

“As a result of the decisions, the athletes are not eligible to represent Turkey in national representative competitions or other relevant international events.”

The other athletes were Catherine Relin Amanang’ole, Brian Kibor, Ronald Kwemoi and Nelvin Jepkemboi from Kenya, Jamaica’s Rajindra Campbell, Jaydon Hibbert and Wayne Pinnock plus Nigeria’s Favour Ofili and Russian Sophia Yakushina.

The 55-minute treatment promises to improve circulation and relax muscles, helping to plump the skin while lifting and firming, “giving it a more contoured appearance,” Kosha owner Anastasia Talan told me.

It starts with a short grounding meditation before a cleansing of the skin and a light scalp massage. It then transitions into a wonderfully relaxing neck, shoulder and face massage, with an emphasis on the face. (The actual “buccal massage” part comes later.) Talan said the overall treatment blends multiple types of massage, including European “contouring and lifting massage,” lymphatic drainage, acupressure and myofascial release as well as light stretching.

As she worked on my face, Talan applied pressure while stroking under my cheek bones, along my sinuses and up, down and around my cheeks and jaw area.

The “buccal massage” portion was about 15 minutes. It’s also called “intraoral massage” because it takes place inside of the mouth. Talan donned blue plastic gloves and then pulled my lips apart, massaging the inside of my cheeks, lips and around my jawbone and temporomandibular joint. Relieving tension there is helpful in aiding TMJ and other temporomandibular joint disorders. Another benefit, says Talan: clenching the jaw, a stress reaction, can enlarge the masseter muscles on the jaw, leading to the lower part of the face looking heavy. Relaxing those muscles could preserve slimness of the face.

But go for the sheer relaxation of it. Once the (admittedly awkward) intraoral massage part was over, Talan spent a few more minutes massaging the outside of my face and neck. The treatment was so dreamy, I nearly drooled while fighting off sleep.

Treatment name: The Buccal Facial

Price: 55 minutes, $195

JESS Impiazzi has revealed her devastating battle with lupus amid her pregnancy.

The Ex on the Beach star has opened up about the reality of having the condition as she loses her hair and suffers with skin rashes all over her body.

Lupus is an autoimmune disease that causes the body to attack its own healthy tissue.

It can lead to inflammation and even organ damage.

Opening up about her ordeal, Jess said: “These rashes were quickly appearing all over my body.

“If my joints swelling and having arthritis wasn’t bad enough, alongside other invisible symptoms, the visible ones were chipping away at my confidence.

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“Then on top of all that my hair started to fall out. I’d say I lost nearly 50-60% of my hair.

“The daily stress and anxiety of everything kept my lupus active and I’ve honestly never felt so lost and I didn’t know who I was anymore.”

She added: “I was taking steroids to keep my immune system from attacking me and trying different meds to find the ones that worked for me, I’d have the odd day where I felt OK, and pushed myself to try and keep up with commitments.

“But the truth was I was in pain, I was scared and didn’t know how to carry on like this.

“I had to find a new way of living and researched everything I could on lupus, I find some really interesting people online who had got their lupus in remission so I decided to try things out.

“One of those things was getting my nervous system regulated after many years of it not being.”

The star, 36, is expecting her first child with partner Sam Bird, 39, later this year, after a fertility journey.

Jess is due to give birth to her little one in May, after revealing her baby news at the beginning of the year.

The star has been dating her partner Sam since summer of 2024 after splitting from her footballer ex boyfriend, Jermaine Pennant.

NELLY Furtado has silenced body shamers in a curve-hugging strapless red gown, as she was honored with a Hall of Fame award.

The iconic singer, 47, has faced cruel comments about her figure since her return to the spotlight, but defied the haters to accept the coveted achievement.

Nelly looked stunning in her dress, as she was inducted into the Canadian Music Hall of Fame at the 2026 Juno Awards.

The stunning star oozed sex appeal in the incredible dress as she collected her gong.

The Grammy Award winning artist wore her brown locks tied back, and she accessorised with huge earrings.

Nelly beamed and threw her arms in the air as she walked on stage to be inducted into her native country’s Hall of Fame.

Addressing the audience, the thrilled star said: “Honestly, I’m just really proud to be Canadian. I live in Canada.

“I make my music in Canada.

“I work with Canadian musicians, songwriters, producers because I totally believe in the Canadian dream.

“Please believe it, too.”

It comes after Nelly revealed how she was retiring from performing, after 25 years in the spotlight.

Taking to Instagram last October, the Grammy winner made an emotional post expressing gratitude for her career but that she felt it was time for a change.

Addressing fans, Nelly said: “I have decided to step away from performance for the foreseeable future and pursue some other creative and personal endeavours that I feel would better suit this next phase of my life.

“I have enjoyed my career immensely, and I still love writing music as I have always seen it as a hobby I was lucky enough to make into a career.

“I’ll identify as a songwriter forever.”

Nelly shot to fame in 2000 with her debut album Whoa, Nelly!.

The record was a huge success and spawned the single I’m Like A Bird which went was played on radio stations around the world.

The star is also well known for her song Promiscuous as well as her collaboration with singer James Morrison on Broken Strings.

Another huge hit for Nelly was her chart topping song Maneater.

Victoria Pedretti was fresh out of Carnegie Mellon University’s School of Drama when she was cast in Mike Flanagan’s acclaimed 2018 horror series, “The Haunting of Hill House.”

In her breakout role as Nell Crain, the youngest and most sensitive of five adult siblings reckoning with wounds from a childhood summer spent in a cursed home, Pedretti became the undisputed heart of “Hill House,” anchoring the show with a spellbinding performance that christened her as a scream queen. Her subsequent appearances in “The Haunting of Bly Manor” and “You” were characterized by a similar dramatic intensity, solidifying her renown in the horror genre.

But in Pedretti’s new “Forbidden Fruits,” a horror-comedy directed by Meredith Alloway making her feature debut and produced by “Jennifer’s Body” screenwriter Diablo Cody, the actor shines in all-new soapy splendor.

Set in a Dallas shopping mall, “Forbidden Fruits” revolves around an elite clique of retail employees who run a witches’ coven out of the basement of their boho boutique Free Eden. Pedretti stars alongside Lili Reinhart, Lola Tung and Alexandra Shipp.

Victoria Pedretti in the movie “Forbidden Fruits.”

(Sabrina Lantos / Independent Film Company and Shudder)

Initially asked to look at both the roles of whimsigoth physics buff Fig and the bubbly yet emotionally complex Cherry, described by Alloway as a “Texas Brigitte Bardot,” Pedretti fell hard for the latter.

“She really popped off the page,” Pedretti, 31, says on a recent Zoom interview she takes while on a sandwich run in L.A. “I entered into this glorious flow state.”

“I can’t say I’ve had any experience quite like it, where I really didn’t spend a lot of time questioning myself,” the actor says. “She kind of took over.”

That confidence was perhaps the product of Pedretti performing in two stage plays before “Forbidden Fruits” — or maybe it was the nighttime filming schedule. Either way, Pedretti says she improvised constantly and always kept swinging until somebody said, “Cut.”

The result: Pedretti in Alloway’s instant cult classic is a laugh-out-loud-funny unending well of charm, packing humor into even her most routine dialogue. In her best quotable moments, she seamlessly infuses her sometimes shrill timbre with a dash of Southern drawl. One of her most iconic facial expressions in the film is already circulating as a reaction meme online.

“I was enjoying being in this character so much, I just wouldn’t stop,” Pedretti says, adding that Alloway, who was sensitive to cast members’ interpretations of their roles, supported experimentation.

Alloway praises the Philadelphia-born Pedretti for nailing Cherry’s comedic moments yet also grounding the character in a traumatic backstory — a balancing act the director knew she was capable of after watching “Hill House.”

“I saw her in that show and I was like, ‘Who is that?’” Alloway says. “She is magnificent and so raw. I didn’t feel like I was watching someone acting. I was worried for her.”

After later watching Pedretti nail her role in “You” as Love Quinn, a wealthy, charismatic chef who hides a psychopathic nature, Alloway was convinced of her star power.

Victoria Pedretti in the movie “You.”

(John P. Fleenor / Netflix)

Cody was most familiar with Pedretti’s performance in “You,” pegging the actor as an “intense brunet” that didn’t square at first with her interpretation of Cherry as an Anna Nicole Smith type.

“Then I see the movie and I’m like, oh my God, she has that fragility,” Cody recalls. “She has that humor. She has that sexuality. She has all of it.

“Victoria brought all of those layers and I’m really blown away by her,” the Oscar-winning “Juno” screenwriter adds.

Cody says she wasn’t surprised that the film drew such talent. From the moment Alloway and Lily Houghton, who wrote the play “Forbidden Fruits” is based on and cowrote the film’s screenplay, brought the material to Cody and her producing partner Mason Novick, she became obsessed.

“It feels spiritually like a film that I would want to be part of my body of work,” Cody says. She remembers being especially delighted by the echoes of “Jennifer’s Body” present in Alloway and Houghton’s screenplay.

“Jennifer’s Body” was widely considered a box-office flop and critical failure upon its release in 2009 — grossing only $31 million worldwide against a $16-million budget — but in recent years has enjoyed a reappraisal as a stealth-feminist essential, reclaimed by superfans.

“I don’t think that the world was ready for these kinds of themes,” Cody says of the movie’s ideas, including the cost of toxic femininity, the nuances of female friendship and the pervasiveness of the male gaze.

When it came to promoting “Jennifer’s Body,” the producer adds, “there was a huge emphasis on trying to market it to straight men, based on Megan [Fox] being attractive, and that was not at all the point of the film, so that was frustrating.” Conversely, “Forbidden Fruits” speaks intimately to the female experience and “doesn’t attempt to pander to any other demographic.”

“The current zeitgeist is a great place for a movie like this,” she says. “This movie is for the girls, gays and theys, as they say.”

Alloway, a trained actor who worked as a film journalist before moving into directing, was struck with a similar feeling when she first discovered Houghton’s play, right around the time she was consuming copious media about women criminals, such as Tori Telfer’s 2017 book “Lady Killers: Deadly Women Throughout History.”

“I was so entrenched in why women commit acts of crime,” Alloway said, adding that she was disappointed to find that revenge films on the subject still often revolved around men.

Picking up Houghton’s script, the director recalls feeling relieved. “Oh, this is just about women,” she says, her face brightening. “This is about women friendships, women being pitted against each other.”

In an early meeting with Houghton, Alloway told the playwright she’d like to bring a genre lens to “turn up the dial on the emotions that you feel reading the play and make them accessible to people who haven’t had these experiences — or validate people who have.”

Outside of the opportunity to work with so many other young women, Pedretti said she was drawn to “Forbidden Fruits” because of its use of style and tone.

“It asks a lot of people to try to step into a world like this one,” the actor says of the unabashedly histrionic screenplay. “And as nerve-racking as it may be to take that big swing, you gotta take the big swing.”

“She has that fragility,” says producer Diablo Cody of Pedretti. “She has that humor. She has that sexuality. She has all of it.”

(Evelyn Freja / For The Times)

And swing she does: Pedretti plays up Cherry’s emotional volatility, giving her a full-bodied form of expression. The actor even did her own onscreen makeup (as did Reinhart) and collaborated heavily with costume designer Sarah Millman on Cherry’s wardrobe and styling. Plus, she performed her first topless scene — in a sequence that doesn’t involve men or even sex.

“I’m really proud of the way we use nudity to show a certain kind of unspoken comfortability among women,” she continues. “I remember always getting such a thrill at the comfort level of a girl being like, ‘We’re going to the bathroom together,’ and to me, that is that moment.”

It’s a perfect example of a scene that doesn’t try to speak to anyone except those it’s specifically written for, and one that you only get with women at the helm of a production.

Reflecting on the agency she had to shape Cherry, Pedretti says she is more inspired to explore directorial projects of her own.

“I am so interested in protecting these spaces to be positive, creative experiences for everyone involved,” she says.

Whenever Pedretti does make her feature debut behind the camera (she’s already made a short or two), perhaps Cody will pick up the phone.

THIS is the moment Justin Timberlake is put in cuffs as the body cam footage of his arrest for drink driving is released.

The pop star, 45, was arrested in Sag Harbor, New York, in June 2024 after he failed to stop at a stop sign and could not stay in his lane.

Shortly after leaving The American Hotel following a night out with friends, the singer was pulled over while traveling southbound on Madison Street, a public highway in the Hamptons village.

Cops, often stationed nearby, noticed Justin swerving on the road and blowing through a stop sign.

They later smelled alcohol on his breath and noted that he was unsteady on his feet and also had slowed speech and glassy eyes.

The body cam footage of his arrest was released on Friday after the star’s legal team reportedly tried to previously prevent its release.

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In the video, an officer can be seen shining a flashlight in Timberlake’s face at the roadside before the star performs poorly on sobriety tests.

He is asked to walk in a straight line but has difficulty with the instructions, appearing confused.

Timberlake tells them: “Guys, I’m just following my friends back to my house. I’m not doing anything.”

While attempting the sobriety test, he stumbles before apologising and saying ” I’m a little nervous”.

When asked to do the next test, the officers are forced to explain multiple times before Timberlake says “sorry, my heart is racing” while clutching his chest.

Looking unsteady on his feet, the singer is then heard saying: “By the way, these are like, really hard tests.”

After failing the roadside tests, an officer is then seen asking Timberlake “turn around for me please”.

Saying nothing and looking resigned, he slowly turns before he’s put in handcuffs.

A friend appears and is shocked when police tell her Justin is going with them, saying: “You’re arresting Justin Timberlake? Stop it. What?”

She pleads with the officers to speak with him and give him his phone before she takes his car home.

She begs: “Can you guys please do me a favour because you loved Bye Bye Bye or Sexy Back, do me one favour. This is insane.”

At the end of the footage, the 10-time Grammy winner can be seen in the back of a cop car behind bars.

He was taken into custody that night and arraigned in Sag Harbor Village Justice Court the following morning.

He was released without bail on his recognizance and was also charged with one count of DWI due to his refusal of the breathalyzer, according to Justin’s lawyer.

Timberlake’s lawyers previously sued the Village of Sag Harbor to prevent the release as it showed him “in an accutely vulnerable state”, reports CBS.

It was later agreed it would be released with redactions.

That September, Timberblake reached a plea deal to bring the case to an end.

The judge sentenced Justin to a $500 fine with a $260 surcharge, and 25 hours of community service at the nonprofit of his choosing.

After the sentencing, Justin said: “Even if you’ve had one drink, don’t get behind the wheel of a car.

“There are so many alternatives. You can call a friend [or] take an Uber.”

He added: “This is a mistake that I made, but I’m hoping that whoever is watching and listening right now can learn from this mistake. I know that I certainly have.”

During the proceedings the star remained standing throughout and gave a statement in which he expressed remorse for his actions.