artists

Dozens of Jewish artists are defending Mark Ruffalo after Paramount Skydance branded the actor’s criticisms about software company Oracle Corp. as “antisemitic tropes.”

Support for the actor comes as Paramount Chief Executive David Ellison has struggled to get its $111-billion Warner Bros. Discovery merger over the finish line amid considerable opposition.

Ruffalo has long been an irritant to Paramount as he is a leading figure in a high-profile Hollywood campaign to block the merger. In an Instagram post late last month, Ruffalo blasted Larry Ellison’s Texas-based software company Oracle for assisting with technology to help Israeli military efforts, including in Gaza — a conflict that Ruffalo and other progressive activists have opposed because of the killing of Palestinians.

In an open letter, signed by more than 150 filmmakers, academics, writers and even a few rabbis, the group denounced “the outrageous smear campaign against our respected colleague Mark Ruffalo.”

“Enough with the false and dangerous weaponization of charges of antisemitism against those who are brave enough to point out the obvious: that the assault on the Palestinian people and the assault on our liberties at home are deeply interconnected, and there is nothing antisemitic about recognizing that fact,” the group wrote.

Tuesday’s letter was signed by several high-profile filmmakers, including Joel Coen, Hannah Einbinder, Tony Kushner, Lisa Cholodenko, Ilana Glazer, Frances Fisher, Todd Haynes and Sarah Kunstler.

The group tied David Ellison’s merger ambitions to his billionaire father’s expansive network of businesses, which now include TikTok. Larry Ellison is personally guaranteeing the equity needed for Paramount to buy Warner Bros. Discovery, and the family will become controlling owners of the merged entity.

However, the Hollywood merger is stalled because of an antitrust lawsuit brought by California Atty. Gen. Rob Bonta and 11 other Democratic state attorneys general, including from New York, New Mexico, Colorado, Nevada and Oregon. Paramount agreed to pause the transaction until the court case can be decided.

A trial is set for March 2 in Oakland, but Paramount has been agitating for industry leaders and politicians to pressure Bonta to force a settlement that would allow the deal to go through.

“The proposed merger of Paramount and Warner Brothers Discovery is no mere combination of two huge multinational companies,” the group wrote in the letter. “Yes, it will destroy thousands upon thousands of livelihoods. Yes, it will further consolidate the oligarchic control of our media (witness the gutting of CBS News). Yes, it will strangle competition and creativity in film and television production and distribution.”

The group painted the Paramount-Warner Bros. merger as “part of a larger project of tech-driven domination, a project Larry Ellison and his partners have never been shy about trumpeting — and one they themselves have explicitly linked to their support for the ongoing depredations being visited on the people of Palestine and their silencing of critics of those horrors,” the group wrote.

Paramount declined to comment.

The merger fight has grown increasingly ugly in recent weeks after Paramount threatened to leave California if Bonta continued his court fight to unravel the deal. Paramount suggested it would pull up stakes from its Melrose Avenue film studio as soon as this fall.

Then, on Aug. 21, the company accused Ruffalo of injecting “antisemitic tropes” into the opposition campaign to thwart the industry-reshaping merger that would bring HBO, CBS News, CNN, TBS and the Warner Bros. and Paramount film and TV studios under the same roof.

Leaders of prominent Jewish organizations, including the Simon Wiesenthal Center and the Anti-Defamation League, came to Paramount’s defense, blasting the Emmy-winning actor known for playing the Hulk and roles in productions for HBO.

Ruffalo defended himself, saying he was not being antisemitic. He said he was speaking out against Oracle’s use of technology to assist Israel’s military in the war in Gaza, “what we now have come to see as a genocide, which was built on an apartheid system of oppression powered by Oracle,” Ruffalo wrote in his post.

Paramount leaders have branded some of the opposition to the deal as “antisemitic.”

“Pointing out the crucial connections between what is happening in Gaza and what is happening in Hollywood is the exact opposite of antisemitism,” the group wrote in the open letter. “It is, for us, the very essence of Jewish ethical duty.”

The letter cited recent polls that reflect a majority of “American Jews now agree that Israel is committing war crimes in Gaza; and four in ten even agree that these crimes amount to genocide,” the group wrote. “Do those attacking Mark Ruffalo as an antisemite seriously believe that all these American Jews are antisemites too?”

Bonta abruptly canceled settlement talks last week, but extended an olive branch to Paramount by saying he would be willing to meet with the company to discuss ways to address his antitrust concerns.

Meow Wolf is getting closer to unveiling its Los Angeles locale. When doors open — the company is targeting late 2026 — anticipate a walk-around, floor-to-ceiling experience that pays homage to the art of cinema with a sci-fi, psychedelic-like bent.

And to bring that vision to life, the Santa Fe, N.M.-based experiential art collective will be working with nearly 40 L.A. artists across multiple mediums. Expect more than a dozen sculptural and diorama artists to contribute, along with those who specialize in mixed media for interactive and video content. Local artists will also create a number of murals for the space, and a handful of artists have been chosen to curate their own life-size rooms in the venue at West L.A.’s Howard Hughes entertainment complex.

Artist Gabriela Ruiz will be contributing a major piece to Meow Wolf L.A.

(Jason Armond / Los Angeles Times)

While the bulk of a Meow Wolf exhibition is envisioned and designed by a core in-house team in Santa Fe, the company partners with dozens of local artists in each city to ensure a local flavor. Here in Los Angeles, the task of curating L.A. artists fell heavily to Han Santana-Sayles. As a SoCal native from a Mexican American family, Santana-Sayles has told me, “I would be dishonored” if the exhibit failed in its mission to capture the breadth of the L.A. population.

“It’s really important to make that intentional,” Santana-Sayles said. “I’m not just going out and saying, ‘They have art I like. I’m going to bring them in.’ It’s a combination. Yes, they’re an amazing artist, and they have a really important story for this region.”

Santana-Sayles worked closely with art curator AJ Girard as Meow Wolf’s local art liaison. Girard has spoken of being inspired by everything from L.A.’s emphasis on social media to commercialism to graffiti art.

“Social media and social capital is so relevant in our city,” Girard said. “How do we make fun of it in an avant-garde, punk, radical way? How do we poke holes at it?”

Artists tapped to create full-scale rooms at Meow Wolf L.A. include Gabriela Ruiz, who crafted an adorably vibrant, multicolored insect that will serve as a periscope, and collective Everything Is Terrible, who described their space as featuring a “cartoony, root vegetable floating alien god.”

Also look for contributions from Compton’s Charles E. Dickson, a renowned self-taught sculpture artist, whose public works can be found throughout the region, including at Metro’s Mariposa Station and outside the California African American Museum, and Jen Stark, whose geometric kaleidoscope art flirts with the natural and the synthetic. Stark’s “Chromatic Cascade” is a staple of downtown’s Art’s District.

Lauren YS (a.k.a Squidlicker) is also tapped to have a room at Meow Wolf L.A., known for hyper-vivid colors and surrealist mythology. The artist currently has a piece in “Mythical Creatures: The Stories We Carry” at the USC Pacific Asia Museum.

Downtown L.A. street artist S.C. Mero will be contributing a sculpture piece to Meow Wolf L.A.

(Kayla Bartkowski / Los Angeles Times)

Others with exhibiting rooms include Wayne White, album artist, surrealist and puppeteer, perhaps best known for his work as the main puppet-maker for the children’s show “Pee-wee’s Playhouse; Seth Bogart, known best as a local musician (Hunx and his Punx); upcycled fashion specialist Corinne Loperfido; cartooney psychedelic artist Killer Acid; and longtime Meow Wolf contributor Nick Toll.

Meow Wolf L.A. lists seven artists as contributing either video installations and games to the space, including artist/musician Vinyl Williams and musician/animator Hugo Shiboski with director/media artist Will Wharton. Animators Réka Bucsi, Agnus Oakes and Cadmiumcoffee, as well as digitial artist Blake Kathryn will also contribute. It was previously announced that local animation house Titmouse would be supplying media for Meow Wolf L.A.

Six artists are slated to paint murals for Meow Wolf L.A. Look for work from Bunnie Reiss, Ozzie Juarez, Greg Ito, Harlen Hue, Evelyn Tan and Devin Reynolds.

Finally, more than a dozen L.A. artists are listed as contributing either sculptures or dioramas to the exhibition. Those artists range from downtown L.A. street artist S.C. Mero to multidisciplinary artist Ruben Ulises to former Coachella Valley Music & Arts Festival contributor Sofia Enriquez.

Rounding out the list will be David Altmejd, Sharif Farrag, Joe Holliday, Nemo Gould, Alake Shilling, Elrod, Brooke Weston, Shrine, Hana Ward, Roberto Benavidez, Estevan Oriol, Wizard of Barge, Mike Chattem and Karla Ekaterine Canseco.

Meow Wolf helped define the modern immersive space. Since 2016, when the once-scrappy Meow Wolf opened Santa Fe’s “House of Eternal Return” exhibition, the company has welcomed about 10 million visitors across its four venues in locales such as Las Vegas, Denver, Houston and the Dallas suburbs.