Anger

South African President Cyril Ramaphosa has described violence against women as a “national shame” after the discovery of another woman’s body intensified public anger over the country’s persistent gender-based violence.

Eleven women’s bodies have been found in Ekurhuleni, a municipality east of Johannesburg, since July, prompting renewed fear and outrage after years of government promises to tackle violence against women.

Most of the victims were in their 20s or 30s. Some were found stripped and showing signs of sexual violence, according to authorities.

“There are women lying tonight in government mortuaries waiting to be identified, waiting for someone to claim them, waiting to be taken home and laid to rest,” Ramaphosa said in a televised address late on Tuesday.

“How can our hearts not be broken? How can we not be angry?”

He described violence against women as a source of “profound pain and national shame” and acknowledged growing anger among South African women.

Investigation Into the Killings

Ramaphosa said police had so far found no evidence that a serial killer was responsible for the 11 deaths. He stressed, however, that investigators were continuing to examine all possibilities.

Authorities have made arrests in connection with three of the killings, while investigations into the remaining deaths are continuing.

The president said none of the cases would be allowed to go cold, amid growing concerns over whether South Africa’s law enforcement agencies can adequately investigate violent crimes against women.

The latest deaths have revived criticism of the government’s efforts to tackle gender-based violence, despite repeated national campaigns and commitments aimed at reducing the problem.

South Africa’s Wider Crime Crisis

The killings are unfolding against a broader backdrop of severe violent crime in South Africa.

The country has one of the highest murder rates per capita in the world, while corruption, limited resources and weaknesses within the policing system have made it difficult to investigate and prosecute cases effectively.

Only about one in 10 murders is solved, highlighting the scale of the challenge facing investigators.

For communities in Ekurhuleni, the discovery of 11 women’s bodies has therefore become more than a series of individual criminal investigations. It has renewed questions about public safety, accountability and whether years of government commitments are translating into effective protection for women.

Ramaphosa’s remarks reflect the political pressure surrounding the issue as authorities face renewed demands to identify the victims, establish who was responsible for their deaths and prevent further violence.

With information from Reuters.

Why does anger seem to rule the world today? Pankaj Mishra traces our age of anger to the collision of Enlightenment promises of liberty and equality with empire, nationalism and capitalism. He asks what happens when those promises are broken – and when the Global South turns Western ideals back on the West itself.

In this episode: 

• Pankaj Mishra, Author, Age of Anger

Episode credits:

This episode was produced by Mohamed Hassan, Marcos Bartolomé and Sonia Bhagat. It was edited by Alexandra Locke. Our engagement producer is Adam Abou-Gad. Our sound designer is Alex Roldan. 

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In a way, the directors of Don’t Look Back In Anger have set themselves an impossible task.

The Oasis reunion shows of 2025 have created memories of a lifetime for hundreds of thousands of people. The incredible nights, or as some might say, biblical gigs, saw friends and loved ones grinning or crying tears of joy as they witnessed something they feared would never happen again.

With their film, creator Steven Knight and directors Dylan Southern and Will Lovelace are trying to bottle that up and recreate the greatest musical comeback ever seen in Britain on a flat screen. But then, this isn’t any old concert documentary.

It tells some of the story behind the Oasis tour and then it also allows you to relive some of those moments again. And just when you think it might be flagging a bit, they have a joint interview with Noel and Liam which is entertaining and also illustrates how their relationship has come full circle.

The tour rehearsal footage is dynamite, adding scenes of tension and comedy. As the band wait for Liam to arrive, Noel paces nervously and technicians look edgy.

Liam is then portrayed as some kind of gun slinging cowboy pushing open the saloon doors as he strides in. No sooner is he inside than the band are off and Liam is belting out the hits and attacking the microphone as if his life depends on it.

And then, almost as quickly as he stormed in, he picks up his black Adidas bag and leaves again, with the rest of the band almost in a stunned silence at this whirlwind they are working with.

Noel must have had doubts at this point about if the tour would go smoothly, but he admits despite some last minute drama he was wowed by Liam’s performance in Cardiff.

And for the majority of fans who weren’t at the Principality Stadium on July 4, 2025, the footage and sound used gives you a real taste of what that moment felt like when the Gallaghers walked back on stage holding hands – a moment that even took Noel by surprise.

It is an iconic moment, and they capture it brilliantly, leaving me close to tears as I recalled one of the greatest nights of my own life.

Lots of captivating footage is then given over to different gigs around the world and the filmmakers have found fans with poignant and interesting stories about why they love Oasis and are going to see the shows.

There’s also time for a touching tribute to their friend Mani from the Stone Roses and a section about Don’t Look Back In Anger taking on extra meaning after the 2017 Manchester bombing.

But the documentary really excited me again when it revealed Noel and Liam sat next to each other for a joint interview, the first time in two decades. It can’t compete with some of their old chats with Steve Lamacq on Radio 1 after an afternoon of cigarettes and alcohol, but Liam and Noel are older and wiser now.

However there are still some great lines and fun to be had. Liam jokes about his two hip operations and is glad he stays still rather than running around like Mick Jagger on stage.

Noel admits he would look stupid with a tambourine on his head but his brother makes it look the best thing ever. And then at the end there is the forgiveness and signs of a new chapter for the Gallagher brothers.

“The music brought us back together,” Liam says. Noel agrees things are “fixed” and admits for the first time in their lives they regularly text each other. The bond even goes way beyond them as their kids are now all great mates and enjoyed getting hammered at the Oasis gigs.

The Gallaghers are not looking back, but forwards, and the anger between them has gone. Rather than betray the Oasis memories I made or compete with them, I tried to let the songs wash over me as much as I could. The film allowed my mind to flash back to last summer, and hopefully it will for other fans too.

It is definitely worth going to the cinema to watch it too for the sound quality, as streaming it at home is unlikely to be the same.

As Oasis fans, all our dreams were made in the Summer of 2025, and this documentary is filled with reminders of that. It ensures those wonderful memories live forever on screen.

It’s also the perfect appetiser for when tickets go on sale shortly to do it all again in 2027.

* Oasis: Don’t Look Back In Anger opens in IMAX and UK Cinema on September 9.