American

The United States has imposed visa bans on five Europeans, including a former European Union commissioner, accusing them of pressuring tech firms to censor and suppress “American viewpoints they oppose”.

In a statement on Tuesday, US Secretary of State Marco Rubio characterised the individuals as “radical activists” who had “advanced censorship crackdowns” by foreign states against “American speakers and American companies”.

“For far too long, ideologues in Europe have led organized efforts to coerce American platforms to punish American viewpoints they oppose,” he said on X.

“The Trump Administration will no longer tolerate these egregious acts of extraterritorial censorship,” he added.

The most prominent target was Thierry Breton, who served as the European commissioner for the internal market from 2019-2024.

Sarah Rogers, the undersecretary for public diplomacy, described the French businessman as the “mastermind” of the EU’s Digital Services Act (DSA), a landmark law intended to combat ​hateful speech, misinformation and disinformation on online platforms.

Rogers also accused Breton of using the DSA to threaten Elon Musk, the owner of X and a close ally of US President Donald Trump, ahead of an interview Musk conducted with Trump during last year’s presidential campaign.

‘Witch hunt’

Breton responded to the visa ban in a post on X, slamming it as a “witch hunt” and comparing the situation with the US’s McCarthy era, when officials were chased out of government for alleged ties to communism.

“To our American friends: Censorship isn’t where you think it is,” he added.

The others named by Rogers are: Imran Ahmed, chief executive of the Centre for Countering Digital Hate; Josephine Ballon and Anna-Lena von Hodenberg, leaders of HateAid, a German organisation, and Clare Melford, who runs the Global Disinformation Index (GDI).

French Minister for Europe and Foreign Affairs Jean-Noel Barrot “strongly” condemned the visa restrictions, stating that the EU “cannot let the rules governing their digital space be imposed by others upon them”. He stressed that the DSA was “democratically adopted in Europe” and that “it has absolutely no extraterritorial reach and in no way affects the United States”.

Ballon and von Holdenberg of HateAid described the visa bans as an attempt to obstruct the enforcement of European law on US corporations operating in Europe.

“We will not be ‌intimidated by a government that uses accusations of censorship to silence those who stand ⁠up for human rights and freedom of expression,” they said in a statement.

A spokesperson for the GDI also called the US action “immoral, unlawful, and un-American”, as well as “an authoritarian attack on free speech and an egregious act of government censorship”.

The punitive measures follow the Trump administration’s publishing of a National Security Strategy, which accused European leaders of censoring free speech and suppressing opposition to immigration policies that it said risk “civilisational erasure” for the continent.

The DSA in particular has emerged as a flashpoint in US-EU relations, with US conservatives decrying it as a weapon of censorship against right-wing thought in Europe and beyond, an accusation Brussels denies.

The legislation requires major platforms to explain content-moderation decisions, provide transparency for users and grant researchers access to study issues such as children’s exposure to dangerous content.

Tensions escalated further this month after the EU fined Musk’s X for violating DSA rules on transparency in advertising and its methods for ensuring users were verified and actual people.

Washington last week signalled that key European businesses – including Accenture, DHL, Mistral, Siemens and Spotify – could be targeted in response.

The US has also attacked the United Kingdom’s Online Safety Act, which imposes similar content moderation requirements on major social media platforms.

The White House last week suspended the implementation of a tech cooperation deal with the UK, saying it was in opposition to the UK’s tech rules.

Netflix’s American Primeval launched in January 2025, but BBC’s 2022 western series The English starring Emily Blunt is being hailed as the superior show

Three recent TV western series tower above the rest. The latest arrival is American Primeval, which landed on Netflix at the start of this year. The series delivers an unflinchingly realistic and brutal portrayal of existence on Utah’s lawless frontier, following a mother and child fighting for survival.

Their trek brings them face-to-face with settlers living by their own code, indigenous peoples protecting their territories, and Brigham Young’s Mormon militia. The unrelenting brutality stands in sharp opposition to the sanitised portrayals of the Wild West seen in 1990s pictures such as Tombstone and Dances With Wolves.

Yet it isn’t simply violence for its own sake. It features outstanding performances and centres its narrative on the Mountain Meadows Massacre, a grotesque and shameful chapter in American history that was probably unfamiliar to most viewers before this series.

Audiences have hailed the programme as “absolutely phenomenal” and “raw and unflinching”, whilst Empire magazine characterised it as “a raw, bloody odyssey that will pierce your skull like a hatchet flung face-first”, noting: “Nostalgia has been stripped away completely, scalped in favour of a grimy, far more authentic journey that takes us back to how the so-called land of the free really came to be.”

The Guardian offered a more critical view, branding it a “samey western that’s far less clever than it thinks it is”. I dispute that verdict.

Godless

If you were gripped by American Primeval, there’s another Western miniseries that many reckon is even better. Godless, a Netflix original released in 2017, shares the Old West setting and intense violence of American Primeval, but offers a unique twist. Godless spins a classic tale of revenge. Jeff Daniels portrays crime boss Frank Griffin, who, along with his band of outlaws, is on the hunt for Roy Goode, a former member who betrayed them.

As Roy flees from his past, he ends up in a secluded New Mexico mining town predominantly inhabited by women. His arrival lures Griffin’s deadly gang to the town, forcing the residents to stand their ground.

The series was lauded as a “work of confident artistry”, an “unrelentingly brilliant” and “clandestinely old-fashioned mash-up of all the great Westerns you ever knew and loved”. It also bagged three Primetime Emmy Awards.

The English

But there’s another modern western TV series that trumps them both. The English, a BBC production that flew somewhat under the radar upon its 2022 release, stars Emily Blunt, Chaske Spencer, and Rafe Spall. Set in 1890, it follows Lady Cornelia Locke (Blunt) who journeys from England to the American west seeking vengeance against the man she holds responsible for her son’s death.

Whilst it rivals both American Primeval and Godless in terms of its grim portrayal of the Old West, the series also shines a light on another disturbing element of 19th-century existence that seldom appears on our screens: syphilis and the devastating toll it takes on the body. The show also presents one of the most chilling figures in recent memory: Black-Eyed Mog, a bonnet-clad, spectacle-wearing Welsh matriarch who presides over a brutal clan controlling the plains from their fortified stronghold.

Critics awarded it five stars, praising a script “as gorgeous as the landscape”, which “evokes the pitilessness of the old west” and poses the question of “how many of us would remain sane, and morally sound, in a lawless land where – for hundreds of miles at a time – no one could hear you, or anyone who got in your way, scream”.