90s

A NINETIES rocker with curly pink hair and specs looks almost unrecognisable, 29 years after her iconic smash hit song.

The performer, 68, appears world’s away from her previous on-stage persona, rocking a very different look these days.

Meredith Brooks was all the rage back in the late nineties following the release of her debut album in 1997.

In recent pictures posted on her Instagram, Meredith today sports big curly red locks, which is a far cry from her trademark jet black hair and rock chic ware from her stage heyday.

In one snap, she shows off her rouge hair in it’s natural curly state as she poses for the picture.

She captioned it: “I don’t think many of you have ever seen what my hair looks like before styling…

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“I’ve always been a curly girl. What do you think?”

One fan commented: “Raw, authentic, true nature, beauty.”

Another follower gushed: “Wow!!!! I wish I had known this in 1997, when I was a young 20-something musician obsessing over your straight hair on the cover of Blurring the Edges. You’re as gorgeous as ever!!”

While a third added: “Your hair looks terrific. You are gorgeous Meredith!!!”

In another picture uploaded to her feed, she’s seen smiling while wearing a pair of specs and a black baseball cap.

Meredith landed a record deal with Capitol Records back in 1995 and went on to release her album ‘Blurring the Edges’ two years later.

It went to number 22 in the US charts and became a top 10 album in various territories including the UK, Switzerland, Austria and New Zealand.

Her first song from the album, ‘B****’ landed in the number 2 spot and became a huge hit.

Meredith bagged two Grammy award nominations in 1998 for Best Rock Song and Best Female Rock Vocal Performance.

She went on to release five more albums as well as many other singles but they failed to create the same impact as her first album and first track.

These days Meredith is managing and operating her production company, Kissing Booth Music.

She’s also producing, writing and coaching emerging artists and musicians.

A 90s Baywatch bombshell has signed up to OnlyFans and will post sexy content including feet pics.

Erika Eleniak, 56, famously wore the iconic red swimsuit as Shauni McClain in the hit beach drama, alongside Pamela Anderson and David Hasselhoff.

Three decades on and with a Baywatch reboot in the works, former Playboy girl Erika is set to coin it in from a new generation of fans and is charging $10 (£7.40)-a-month to subscribe to her channel.

She announced the move on Instagram, telling her followers: “At 56, I’m embracing exactly who I am today. From Baywatch to Playboy and beyond.

“You’ve been with me through so many chapters of my life and career. Now I’m opening up a brand-new one.

“This is about having fun, being unfiltered, sharing exclusive photos and videos, and most importantly, connecting directly with you. If you’ve ever wanted to talk to me personally, now you can.”

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Speaking in more detail about her decision to TMZ, Erika said joining OnlyFans felt like a “full circle” moment and gave her control over her image.

She said: “Fans are getting my real life, my personal photos and videos, plenty of beach days and, yes, the feet everyone keeps asking about.

“I’ve been Erika from Baywatch for decades, but OnlyFans gets a side of me people haven’t seen.

“It’s personal, playful and unfiltered – and if you came for the bare feet in the sand, I promise you won’t be disappointed.”

Erika, who is now heavily tattooed, announced she was returning to acting earlier this year and teased new projects.

One of which is a return to Baywatch, with her character Shauni now working as a councilwoman in Santa Monica and involved in helping Hobie Buchannon put on the first Beach Games.

The Games will pit the Baywatch lifeguards against members of the Coast Guard in a series of competitions.

Hobie, who is the son of David Hasselhoff’s character Mitch Buchannon and now played by Stephen Amell, is returning as a regular on the new version of the show.

A POPULAR 90s band have cancelled their entire UK tour following the tragic death of one of their band members.

Sixpence None the Richer were due to head out on the road later this year but the concerts have now been pulled following the death of bassist Justin Cary last month.

They confirmed online that they had decided to take some time out to “grieve” following the saddening news and and as such would not continue with their current touring plans.

The band said in a post online: “We are completely heartbroken over the tragic and untimely loss of our bandmate, brother-in-arms, and friend for 30 years, Justin Cary.

“The past three years had been full of international tours, recording new music, and an even further deepening of the joy of making music together.

“We were looking forward to connecting with new and old fans around the world this summer and fall, but for now we need time to be still and grieve.

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“With heavy hearts, we are canceling all remaining tour dates for 2026.”

Heartbroken by the loss, the band added: “Hundreds of pictures. Thousands of memories, 30 years worth. Thank you, Justin.

“There’ll never be another you, sir. No one could pack a suitcase better or make us laugh harder.

“We don’t know what is ahead, we never do, really. But for now, we must grieve our brother.

“Prayers are welcome for us all, especially his beautiful wife, Linda. We love you all so much and will see you again.”

They had been due to perform dates across the UK in late September and beginning of October of this year.

The performer died at the age of 50 after suffering a stroke on the 18th of June.

The Kiss Me musician had been receiving treatment at Albany Medical Center in New York.

He underwent two surgeries following the stroke and was placed in intensive care.

Sixpence None The Richer got its start in 1992.

Justin joined the lineup five years later, the same year the band dropped its self-titled album, home to the breakout single Kiss Me.

The smash-hit song climbed all the way to No. 2 on the Billboard Hot 100.

Kiss Me landed a Grammy nomination for Best Pop Performance by a Duo or Group with Vocals in 2000.

“I’ve talked about rain on this show more than I have in my entire life,” Kittrell says.

It was a constant consideration, both on set and in the writers room. Weather became a way to distinguish Elle from those around her in Seattle. The locals never carry umbrellas; Elle shows up with a pink one.

“We had a writer from Seattle who always said the city gets a bad rap because of the rain,” Kittrell says. “But the rain is what makes it beautiful — it makes Seattle green.”

Elle entering the halls of Rainier West High School with her pink umbrella.

(Kimberley French / Prime Video)

That philosophy stayed with the writers, later showing up in a line Miles (Jacob Moskovitz), Elle’s crush, says to her, and ultimately leading them to Garbage’s “Only Happy When It Rains” as the show’s theme. “We were like, of course,” says Kittrell. “This is what we’ve been talking about the entire time.”

The song was originally meant to end the pilot. “Then we decided we should just be hearing it in every single episode,” says Neustadter. (The pilot instead uses Radiohead’s “Creep,” which also bookends the series.) The main title sequence, an animated “saga sell” from the studio Shine, tells the story of Elle’s move from Bel-Air to Seattle.

“We’re constantly reminding the audience of the contrast between Elle’s essence and the world she’s now in,” Neustadter adds. “There’s an optimism to ‘Only Happy When It Rains’ that feels very Elle Woods. And the irony of it is so delightful.”

A TRAVEL agent with decades of experience has revealed the ultimate throwback destination and says you can still get holidays for the retro pricing too.

Spain is a classic summer destination for Brits and one spot remains popular for good reason.

But Claire Watters, a First Choice travel agent, revealed that Majorca is the island that she sold more than anywhere else in the 90s.

She said: “In the ‘90s, if a family walked in wanting guaranteed sunshine, a short flight and a holiday that wouldn’t break the bank, Majorca was usually my first recommendation.

“Thirty years later, despite how much travel has changed, my advice remains exactly the same.”

Back in the 90s, a holiday to Majorca for a family of four cost around £349, which would be about £719 now.

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And holidays today could cost you the same… or even less.

A seven-night break for a family of four to Playa Moreia in Majorca, flying from London Southend on October 10 via First Choice costs £179 per person – £716 total.

When it comes to recommendations for travellers heading to the Spanish spot, Claire has loads.

She said: “Alcudia is the best area for families for me.

“It has a long, sandy beach with shallow water and a calm sea, which is ideal for younger children to paddle safely.

“You’ll find waterparks and plenty of watersports, boat trips, cycling routes, and nature parks, and there are also playgrounds, kids’ clubs, and family entertainment in many hotels.

“The all-inclusive options make things simple and budget-friendly, and you can walk around in a calmer resort that is more geared up for families.”

And for when it comes to discovering a beach spot, Claire recommends heading to the Blue Flag Playa de Muro.

She said: “The sea is very shallow for 50–100 metres, staying knee-deep for a long distance.

“The beach stretches nearly four miles, making it one of the longest beaches in Majorca.

“The water is calm, warm, and clear, with hardly any currents.

“Regular water testing, lifeguards, and rescue services keep standards very high. This makes it perfect for families, non-swimmers, and relaxing swims.”

For a day where you want to head off for a day trip somewhere, Claire says to head to Sóller and the historic railway, Caves of Drach tour & sunset boat trip.

She said: “Sóller and the historic railway is one of the best day trips for me.

“You can step back in time because the train dates from 1912, with original wooden carriages still in use.

“The scenery is incredible, as the route crosses the Serra de Tramuntana, which is a UNESCO World Heritage mountain area, with tunnels, viaducts, and views of orange groves.

“It is a unique experience because it’s not just transport, it’s a slow, scenic journey through the countryside that you wouldn’t normally see.”

Another spot is the Caves of Drach tour which “allows you to explore a huge underground cave system”.

Claire added: “It features Lake Martel, one of the largest underground lakes in the world.

“The visit ends with a live classical music concert on the water, which is so lovely.”

For something a little more romantic, Claire suggests hopping on a sunset boat trip.

She said: “Sunsets over the water give clearer, more intense colours and are great for those Insta-worthy photos and stories, with golden-hour views across the ocean and coastline.

“It often includes swimming, drinks, music, or food onboard, and it is great for families and couples wanting different scenery away from the hotel.”

Another must-visit spot for Claire is Cap de Formentor – a scenic drive with lots of different viewpoints.

“Each stop reveals a completely different view, so it’s like multiple viewpoints in one trip,” she revealed.

“It is an incredible sunrise and sunset spot, and it’s one of the most photographed spots in Majorca – I get that rare feeling of standing at the edge of the island.”

In the ’90s, two properties dominated Claire’s booking screen, and both remain icons of Majorcan tourism today: Club Mac and TUI BLUE Alcudia Pins.

“I must have sent thousands of families to Club Mac and Alcudia Pins,” Claire says.

“Back then, they were the gold standard for a hassle-free family holiday, and they’re still available to book on First Choice today, although I’m glad to say they’ve been updated.”

And when it comes to places to stay Claire still recommends Alcudia Pins, costing from £421 per person in October.

“Alcudia Pins is the location is hard to beat – it sits right on Playa de Muro, which is one of the best beaches in Majorca making this an ideal and great spot for families; the beachfront access alone makes a big difference,” Claire shared.

“It’s genuinely family-focused with lots of Kids’ clubs and activities, pools and entertainment and it’s close to the resort town for trips outside of the hotel.

“Also a good overall value hotel where customers can choose a self- catering or an all inclusive option giving them the choice to decide their board basis.”

Claire added: “In the ’90s, people thought Majorca was just cheap and cheerful.

“But even back then, those of us in-the-know knew it had some of the most stunning scenery in Europe.

“Today, the island has managed to preserve its traditional charm while upgrading its offering.”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

It seems odd that the biggest news of the week was the fact that tickets for a movie went on sale, but apparently Christopher Nolan’s upcoming “The Odyssey” is no typical movie. Having already made tickets available for some shows a full year in advance, Universal put more of them on sale for the July 17 opening weekend of the Oscar-winning filmmaker’s ancient epic. There were reports of long online wait times, crashing ticketing systems and the kind of problems more often associated with pop stars than movie nerds.

“The Odyssey” will be playing in a variety of formats, with the Imax 70mm screenings among the most coveted. More venues than usual have also been announced as playing the film in 70mm, including the Village Theatre in Westwood. (A handy visual guide to the different fomats is on the film’s website.) While there is a hint of the ridiculous to some of this mania — popcorn buckets in the shape of Imax cameras and movie tickets going on the resale market for hundreds of dollars — there is no denying how exciting it is to see this kind of anticipation building around any movie.

Back to a ’90s phenomenon

Ewen Bremner, left, Ewan McGregor, Johnny Lee Miller and Robert Carlyle in the movie “Trainspotting.”

(Liam Longman / Sony Pictures Classics)

When it first came out in 1996, “Trainspotting” was an instant cultural phenomenon, capturing the vibes of the “Cool Britannia” moment with its sparkling soundtrack, inventive, high-energy style and cast that included up-and-coming talents such as Ewan McGregor and Kelly Macdonald. It was only the second feature directed by Danny Boyle, who would go on to be an Oscar winner, mount an Olympics opening ceremony and remain a reliably exciting filmmaker all the way to his recent “28 Years Later.”

“Trainspotting” is now back in theaters in a 4K restoration for its 30th anniversary, having lost none of its brash vigor. In his original review, Kenneth Turan said of the film, “Exuberant and pitiless, profane yet eloquent, flush with the ability to create laughter out of unspeakable situations, ‘Trainspotting’ is a drop-dead look at a dead-end lifestyle that has all the strength of its considerable contradictions.”

Appearing like magic

Kathy Najimy, left, Bette Midler and Sarah Jessica Parker in the 1993 comedy “Hocus Pocus.”

(Disney)

Directed by Kenny Ortega, “Hocus Pocus” is one of those movies that has seen its fanbase grow steadily over the years — it is now much more beloved than it ever was on initial release. (It even inspired a 2022 sequel.) Bette Midler, Sarah Jessica Parker and Kathy Najimi play the Sanderson sisters, 17th century witches who find themselves inadvertently brought to modern day by a group of teenagers messing around with casting spells.

The film will play Saturday at the Gardena Cinema, featuring a live commentary from cast members Omri Katz, Thora Birch, Larry Bagby, Tobias Jelinek and Vinessa Shaw followed by a Q&A. This is a rare appearance by Katz in particular, who has retired from acting. Fans of the movie should make the effort to attend.

The Gardena, the last family-owned single-screen theater in Los Angeles, suffered a blow last weekend when a burst pipe flooded the venue. Though they are operational, a campaign has been started to help them recoup repair costs.

Examining the life of the mind

John Turturro in the 1991 movie “Barton Fink.”

(20th Century Fox)

Ranking the films of Joel and Ethan Coen has become a cottage industry of its own. Personally, I go back-and-forth on where to place 1991’s “Barton Fink,” which won the Palme d’Or at Cannes, as well as prizes for director and actor. The movie is by turns funny, disturbing and inscrutable (all good things), with John Turturro in the title role as an intellectual New York playwright who goes to Hollywood to write screenplays — and slowly goes insane.

The movie will play Friday in 35mm at Vidiots with an introduction from Noah Segan, who directed Turturro in one of the breakout titles from this year’s Sundance, “The Only Living Pickpocket in New York.” Hopefully, this will turn into a year in which Turturro gets some long-deserved accolades.

Christmas in June

Elliott Gould on the set of 1978’s “The Silent Partner.”

(Anwar Hussein / Getty Images)

There is something particularly charged about watching a Christmas movie at other times of year — an odd sense of dislocation and maybe even something a little naughty, a circuit-scrambling frisson. So it is particularly notable that as part of their salute to the independent studio Carolco Pictures (behind such films as “Basic Instinct,” “Terminator 2: Judgment Day” and “Reservoir Dogs”), the Vista will be showing 1978’s “The Silent Partner.”

Just the kind of tight and gripping thriller that people pine for all year round, “The Silent Partner” has a screenplay by Curtis Hanson, who would go on to make “L.A. Confidential.” Elliott Gould plays a Toronto bank teller who tries to rip off the thief (Christopher Plummer) who robs his branch wearing a Santa costume as a disguise. Soon they are both scheming against each other.

In his original review of the film, Kevin Thomas called it “tense and ingenious.” In a reconsideration of the film some months later, Charles Champlin called it “a stylish crime-suspense story, a cat-and-mouse game between Christopher Plummer as a clever, sadistic bank robber and Elliott Gould as a bored bank teller who sees a way out of his boredom and into riches.”

So much beauty

Brooke Adams and Sam Shepard in the 1978 movie “Days of Heaven.”

(Criterion Collection)

Terrence Malick’s 1978 “Days of Heaven” is still strikingly singular: a love story told with a stirring visual style. The film’s beauty — aside from its impossibly good-looking lead actors, Richard Gere and Brooke Adams — in part comes from gifted Spanish cinematographer Néstor Almendros, who made his American debut after a career in Europe that saw him working with filmmakers such as Eric Rohmer and François Truffaut. Almendros would win an Academy Award for the film.

The New Beverly will show “Days of Heaven” in 35mm Tuesday through Thursday as a double bill with Truffaut’s 1970 “The Wild Child,” shot by Almendros in black-and-white. Writing about “Days” in 1978, The Times’ Charles Champlin called it “an extraordinary and original visual experience and a movie which is thrilling in its uncompromised purity.”

Perverse fun

Ha Jung-woo, left, and Kim Min-hee in the 2016 movie “The Handmaiden.”

(TIFF)

Korean filmmaker Park Chan-wook was just president of the Cannes jury and has become a much-beloved figure on the international circuit for his wicked sense of humor and sharp sense of style. Nowhere is that on better display than his 2016 film “The Handmaiden,” which is somehow at once a period drama, a con-man thriller and an erotic lesbian romance. Vidiots will be showing the movie Sunday.

As Justin Chang wrote when the film was released, “Without sacrificing his taste for psychosexual perversity or his flair for violent grace notes, Park has given us a teasingly witty and elegant puzzle-box of a thriller whose pleasures are rooted not in visceral shock but in narrative surprise, and which wisely opts to seduce rather than pulverize its audience.”

In an interview at the time, Park said the film’s unpredictability was part of the project’s appeal. “That’s the exact kind of fun to be had with this film and the reason why I chose to make this film. Everything becomes a game of perception. Rather than to say it’s a difficult thing to navigate, it is fun to deal with. Not only for me as a filmmaker but for the audience to see that and engage in that game.”

New this week

• Amy Nicholson reviews the latest attempt to make a movie out of a popular Mattel toy with the lightly-tongue-in-cheek “Masters of the Universe.”
• Amy also reviewed the revival of the satirical “Scary Movie” franchise, with original stars Anna Faris and Regina Hall returning to make fun of such recent hits as “Sinners,” “Weapons” and “The Substance.”
• The documentary “Time and Water” looks at climate change through the life and work of Icelandic writer Andri Snaer Magnason as directed by Sara Dosa, who had a hit with her last film “Fire of Love.” Robert Abele reviews.

One last thing…

This week, our colleagues at De Los launched a podcast hosted by Fidel Martínez and Suzy Exposito. The interview-style video podcast will feature conversations with the people shaping Latino culture in the United States.

The first episode features singer and actor Leslie Grace, who talks about her experiences working on the film “In the Heights” as well as being the star of the canceled “Batgirl.”

In the 1990s this iconic building was the ultimate destination for kids and teenagers before it was abruptly abandoned, and it’s now set to get one of the city’s largest

If you were a child in the 90s, or just a kid at heart, then there was one place you would have no doubt wanted to visit on a trip to the capital. London Trocadero, an iconic building set at 30 Shaftesbury Avenue has had many different uses over the years, but among millennials it’s perhaps best known for its time as the ultimate indoor amusement park.

From 1996 to 2011, the Trocadero was home to SegaWorld, later renamed to Funland, a sprawling seven-floor, neon-lit complex that was accessed by a long enclosed ‘Rocket Escalator’. It’s perhaps best remembered for the huge indoor drop ride in the centre, and the floor after floor of coin operated arcade machines from the golden era of gaming.

However, after closing, the venue’s future remained uncertain, and the building lie abandoned for many years. The space had a variety of uses over the years, until 2025 when the Zedwell Piccadilly took over a large part of it, creating a pod hotel with 728 windowless rooms and a large rooftop bar.

Now, there are plans to turn part of the building into a giant branch of JD Wetherspoon, creating one of the largest branches in the capital, and the pub chain’s first-ever venue in London’s Theatreland.

The new pub will be called Piccadilly Hall, taking its name from a historic hall which gave Piccadilly Circus its name back in the 17th-century. It’ll span over 3,600 square feet, offering a massive 280 covers, and will open from 7am until midnight seven days a week.

The venue will serve Wetherspoon’s breakfasts and all-day food and drink menus, and is expected to attract theatre audiences, tourists, and locals thanks to its central location. At the moment, there’s no confirmed opening date for this new London branch.

Earlier this year, Wetherspoon opened its first branch outside of the UK, offering British pub food and Spanish favourites to travellers passing through Alicante-Elche Miguel Hernández Airport near Benidorm. The chain also expanded its portfolio with four new branches opening within Haven holiday parks.

Other upcoming openings for the brand include The Sir Ronald Wates in Guildford, which will have the distinction of being the first university-owned Spoons set on a University of Surrey campus. A large branch will also open in Edinburgh in September named The William Chambers, in a building that was once a multi-storey bar and club.

Founder and chairman of JD Wetherspoon, Tim Martin, said: “We are delighted to be opening our first venue in Theatreland in partnership with Criterion Capital. The West End is one of the world’s great hospitality destinations, attracting millions of visitors each year, and we believe this site is exceptionally well suited to the Wetherspoon model of offering good-quality food and drink at reasonable prices in well-managed and historically interesting buildings.”

He added: “We look forward to becoming part of this vibrant area of the West End.”

Have a story you want to share? Email us at webtravel@reachplc.com

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

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She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

A TIKTOK rapper has shocked fans when he revealed he is the son of a huge 90s boyband star.

The cheeky lad didn’t hold back as he roasted his famous father for his “s*** music” as he poked fun at him at one of his gigs.

The rising TikTok star in question is Phoenix JD, who is the son of James ‘Spike’ Dawbarn, 51, from 90s’ boyband, 911.

In a new post this week, the young rapper shared a video from backstage at one of his dad’s gigs.

In the clip, Phoenix was seen mocking his dad as he rehearsed with 911 bandmates Lee Brennan, 52, and Jimmy Constable, 54, who are supporting Blue on their tour.

Addressing his followers, Spike’s cheeky son said: “There’s their little soundcheck. I don’t know why they need to do a soundcheck, still sound s**t!”

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“But yeah, and then this is them on stage. There’s me dad on the right.”

Poking fun at Spike, he said: “Thankfully, I don’t get my musical ability from him, you know, I’ve got a bit about me.

“I hope he doesn’t see this now. He’ll kill me.

“But hey, this is him at 51 still trying to do back flips – and nearly decked it.

“I would’ve flipping loved it if he decked it.”

Phoenix also added he only went to the gig “to see Blue”.

Fans of 911 from back in the day went wild for the video, with one joking: “Oi your dad was a legend to us fossils!!”

Another quipped: “Lmfao! The way your roasting your dad! I’ll have you know 14-year-old me loved your dad’s band!”

This fan said: “I was obsessed with 911 still love them now! You’ve got your dad’s humour!”

Meanwhile, along with Lee and Jimmy, Phoenix’s dad Spike had a huge amount of fame in the 90s.

The band formed in 1995 when Jimmy met Spike whilst working as a dancer on the show The Hitman and Her.

The trio sold out arenas thanks to their hits like Bootyshakin’ and A Little Bit More.

Spike previously looked back on his time in the trio and joked that he was “treated like Harry Potter at the Dursley’s house”.

Appearing on the BBC’s Boyband Forever doc, the star spoke about his bizarre living arrangements when the band were in their heyday.

“Jimmy got one bedroom, Lee got another bedroom and I was in the cupboard like Harry Potter,” he explained.

“On a mattress, in a cupboard. It’s literally where you’d just throw a load of coats in there.”

“And I just didn’t care to be honest, I wasn’t bothered,” he laughed.

In their early days, the band would tour schools across the country and perform for students.

“I used to come in, press play, do your singing and dancing routines, do your bit then load yourself back in the van and go to the next school,” he said.