News Desk

The U.S. Air Force’s budget for the 2027 Fiscal Year looks like it will bring a massive boost for the F-15EX program, with the planned buy now reportedly standing at 267 jets. TWZ was the first to report on the existence of what was then known as the F-15X, and has repeatedly argued in the past that investing in the Eagle II is a very logical decision for the Air Force. This is especially the case as the service looks to a future without its F-15E Strike Eagles, which have borne the brunt of combat operations for decades.

According to Breaking Defense, the Air Force’s fiscal 2027 budget, revealed yesterday, looks to buy another 24 F-15EXs at a cost of $3 billion, but this is just the start, according to the new plan. Ultimately, the service wants to more than double its previous Eagle II buy, which previously stood at 129 jets, with the total having fluctuated in recent years.

The new move is primarily a response to the need to “begin to recapitalize the aging F-15E fleet,” an Air Force spokesperson told Breaking Defense.

The plan will be supported by the Trump administration’s gargantuan defense budget for fiscal 2027, which requests approximately $1.5 trillion in total funding. You can read more about this development in our previous coverage of the budget, which includes munitions, missile defense, shipbuilding, and other programs, as well as aircraft. It’s important to note that this controversial proposal still has to pass through Congress, and some changes to it will be made, at the very least.

When the budget was first rolled out, it included funding sought for another 24 F-15EXs, but didn’t include details on the dramatic change to the planned total fleet size for the aircraft.

Now, the Air Force has made clear that it wants to keep the F-15EX production line open for longer, ensuring that it will receive both fifth-generation F-35As and F-15EXs — the latest iteration of the F-15 that first entered service with the Air Force in 1976. Ultimately, a third line will spin up once the sixth-generation F-47 combat jet enters series production. As for the F-35, these are still being bought in the latest budget request, and they also get a boost, but they are not currently being delivered with radar, as the Block 4 upgrade is in limbo.

Overall, the Air Force expects to see its budget increase by around a whopping 38 percent compared to fiscal 2026, to $338.8 billion. Of those funds, a significant proportion will go into procurement, driving this up by around 30 percent, although that covers all assets, and not just new fighters.

The budget also includes significant increases for weapon system sustainment and flying hours.

At the same time, the Air Force budget includes requests to retire a number of aging aircraft, something that the increased F-15EX numbers will help address.

In particular, for fiscal 2027, the Air Force wants to get rid of 20 F-15Es. These would be the oldest examples, which include the aircraft fitted with the less powerful Pratt & Whitney F100-PW-220 engines.

Of course, it remains possible that lawmakers will block such a move, although having more F-15EXs to replace these jets should make it a more acceptable proposal.

Additional F-15EXs mean more capability for the Air Force.

While the F-15EX will almost certainly take on a multirole mission once it’s more established in service, the air-to-air mission is currently the priority due to the Air National Guard getting the first of these jets. These units are tasked with the homeland air sovereignty mission, which focuses on intercepting aircraft and shooting down potential barrages of cruise missiles and, now, long-range one-way attack drones. As we have outlined in the past, the F-15EX is ideal for this role, especially, and a much more reasonable proposition for this mission than a more complex fifth-generation platform:

In the homeland defense role, which is the bread and butter of the F-15C/D ANG units, the F-15EX’s payload, range, open architecture, very advanced electronic surveillance and warfare suite, and overall adaptability will be of incredible use over many decades of service. You do not need a stealth fighter to do this mission. In fact, much of what is traded in terms of reliability, performance, and sustainment cost for low observability hinders the homeland defense mission. This includes raw kinematic performance. The F-15 can get places very fast when it needs to and still has fuel left over to do something once it is there, which is critical for quick reaction alert missions.

The customer also seems very happy with the jets.

In its 2025 annual report, the Office of the Director, Operational Test & Evaluation (DOT&E) provided an absolutely glowing assessment of the F-15EX, as you can read about here.

In terms of the air-to-air mission set, the report noted:

“Against the level of threat tested, the F-15EX is operationally effective in all its air superiority roles, including defensive and offensive counter-air against surrogate fifth-generation adversary aircraft, as well as basic air-to-ground capability against the tested threats.”

The reference to the F-15EX’s effectiveness against fifth-generation threats is especially notable. While it’s unclear exactly what kinds of threats are being referred to, a fifth-generation fighter will typically have a low-observable design, advanced ‘sensor-fused’ avionics, and generally high performance, among other attributes. In fact, very much the kind of threat that the Air Force would expect to face in a potential conflict with China.

Once the F-15EX takes on more offensive missions, it becomes even more relevant, especially as an F-15E successor, including carrying outsized payloads, among them hypersonic missiles, over long distances, which would likely be critical in a conflict in the Pacific.

But even without these offensive attributes, the Eagle II offers capabilities that are unique in the Air Force.

The F-15EX can efficiently carry 12 AIM-120s today, but that number could be nearly doubled in the future. Smaller air-to-air weapons could expand the F-15EX’s air-to-air magazine depth, too. Laser-guided rockets, now established as an F-15E weapon, would be another obvious candidate to arm the F-15EX, especially for counter-drone work.

Using the F-15EX as an arsenal ship of sorts, especially when equipped with long-range missiles, in cooperation with its stealthy counterparts operating silently and forward, is a tactic, among others, we have long discussed. Equally compelling is the case for the two-seat Eagle II serving as a ‘drone controller’ for the Air Force’s forthcoming Collaborative Combat Aircraft (CCA).

Beyond all this, the F-15EX can carry a lot of payload over a long distance, to include traditional air-to-ground weapons. If the F-15EXs replace F-15Es, they will certainly have a focus on air-to-ground missions, as well.

Just as important as its capabilities and its proven airframe, the F-15EX promises to deliver a lot on the investment. The jets should provide lower operational and sustainment costs compared to both legacy and fifth-generation types, and over many decades.

In the past, Boeing told TWZ that the F-15EX has a 20,000-hour airframe service life. “This has been enabled by running a full-scale fatigue test long enough to show structure that is good beyond 20,000 hours, and structural redesigns purposely implemented by Boeing have addressed known fatigue-critical locations,” the company’s Rob Novotny explained. This is a major benefit of an extremely mature and evolved airframe. It will be able to serve for the better part of a century at common usage rates. When you amortize the unit cost over, in some cases, two and a half times the service life of most fast jets, it offers a very clear value proposition. The cost per flight hour is also well understood after decades of Eagle operations, including years of service of similar advanced variants.

This is not the first time that planned F-15EX numbers have been boosted, after dropping to a low of just 80 aircraft with the slashing of the procurement plan in 2023.

The program was then slated to grow from 98 aircraft to 129 in the Fiscal Year 2026 budget proposal.

That decision came only weeks after President Trump made the surprise announcement that the Michigan Air National Guard, which is losing its A-10 attack jets, will be reequipped with the F-15EX.

At that point, Portland, Fresno, New Orleans, and two squadrons at Kadena Air Base in Okinawa, Japan, were slated to get the F-15EX. This plan would have required some 90 jets out of the 98-aircraft inventory. Adding Michigan, and based on those squadrons expanding to 21 jets, would require 126 aircraft. That would have left just three aircraft to satisfy test, evaluation, and training requirements.

Increasing the planned buy to 267 jets opens up the possibility of creating 13 squadrons of 21 jets, with three F-15EXs left over. Exactly what final balance the Air Force decides upon remains to be seen, but whichever way you look at it, it’s a major boon for the Combat Air Forces.

It seems almost inevitable that at least some of the additional F-15EXs will be used to replace aging F-15Es.

The possibility of swapping out F-15Es for F-15EXs is something we discussed back in 2020.

In an official Justification and Approval document at the time, the Air Force stated:

“The objective of this program is to rapidly develop, integrate, and field the F-15EX weapon system to refresh/replace aging F-15C/D aircraft. A decision to also refresh F-15E aircraft has not yet been made, but remains an option.”

After four losses in Operation Epic Fury, the relatively small 215-strong Strike Eagle fleet remains in high demand with an enduring commitment in the U.S. Central Command region that leverages many impressive niche capabilities. With just six frontline Strike Eagle squadrons, at least one is always deployed. The F-15E is also capable of delivering nuclear weapons and is the first jet certified to employ the newest variant of the B61 tactical nuclear bomb.

Replacing these critical jets is fast becoming a priority, and one that the F-15EX is uniquely suited to fulfill.

The F-15E shares similar cutting-edge technology as found in the F-15EX. It has been upgraded with the Raytheon AN/APG-82(V)1 active electronically scanned array (AESA) radar, the new Advanced Display Core Processor (ADCP) II, and it too is receiving the new Eagle Passive/Active Warning Survivability System, or EPAWSS, self-protection system.

With the F-15EX numbers outlined in its fiscal 2027 budget request, the Air Force would be well placed to replace a significant proportion of its Strike Eagle inventory.

As well as the F-15E, the Air Force needs to replace F-16s and A-10s. At least some of the planned retirements of these types could be covered by F-15EXs. Having the line healthy and warm could allow for more Eagle IIs to be bought to cover the F-15E fleet and some F-16 and A-10 retirements beyond the 267 F-15EXs currently planned. This may make even more sense as the F-16 ages and becomes more expensive to operate, in particular.

With the Air Force at large feeling the effects of years of underinvestment in new fighters, and with China presenting a massive pacing challenge, the Air National Guard is now pushing Congress to approve multiyear funding for the acquisition of between 72 and 100 new fighters each year. Again, the Eagle II could help meet this need, although there are limits to what the production line can support, especially with foreign orders.

It remains to be seen exactly how the jets will be fielded and, as noted earlier, Congress will have to approve this budget request for it to be signed into law.

As it stands, however, the F-15EX appears to be going from strength to strength, with the Air Force increasingly enthusiastic about the latest iteration of the iconic Eagle.

Contact the author: thomas@thewarzone.com

Body language expert, Judi James, gives her analysis of the battle between the male stars during the clash on the I’m A Celebrity… South Africa live final and she reveals who came out on top

Male dominance took centre stage as the stars of the I’m A Celebrity… South Africa final battled out their differences during the live final on Friday night. Campmates Jimmy Bullard and David Haye clashed with show hosts Ant McPartlin and Declan Donnelly in tense scenes.

Speaking to the Mirror, leading body language expert Judi James shared her take on the shocking scenes that unfolded onscreen as she admitted seeing the men embroiled in a conflict rooted in a desire to obtain attention and the spotlight. Judi explained: “For this series the winning of that spotlight looked brutal, with arguments being the main form of currency to get attention on the final show here.

“You could see the rigid, unhappy and blank poker faces of Gemma [Collins], Scarlett [Moffatt] and Ashley [Roberts] as the lead men continued to steal the spotlight by continuing their arguments during the live final. Gemma, Scarlett and Ashley looked drained and resigned here while the battle for screen time raged about them.”

Judi also pointed out how Ant appeared to be particularly ‘angry’ as he fought to maintain his “professional authority” in the midst of the chaos. She continued: “And the rage did look real, especially from Ant, whose professional authority as host and as real star of the show with Dec also became compromised, leading to a stand-up spat between Ant and Jimmy.

“Jimmy made this show about him by dominating air time that should have been evenly dispersed. It became the Jimmy show and that appeared to be David’s cue to try to regain some attention by joining in. David’s body language display suggested a strong desire to gain profile interest and power by performing a full splay, throwing his arms out wide in a signature pose from his time in the ring.

“It suggested a desire to hold alpha status in the group too and it prompted Ant and Dec to try to close him down with an authoritative approach and some ‘cancelling’ hand gestures to stop a new conflict.

“At this point we could also see Sinitta vying to gain attention from her end with a raised arm and point. When she walked we could also see how she showboated to the cameras on the way out in an attention fight-back, whereas Gemma just walked out in what looked like genuine frustration.”

Judi then highlighted how one male cast member tried to disassociate himself from the antics of the others as Ant showed his position as the “authoritative leader.” She continued: “In one key moment of conflict we had David splaying, Jimmy standing and Harry Redknapp puffing dramatically and looking down to exit from any connection to the drama.

“When Gemma walked, Ant reached peak anger signals. Dec stopped mirroring him here and it was Ant taking total control as authoritative leader.

“His angry stare suggested this was not an act for the camera, and he stabbed both hands onto his own chest in a gesture that signalled he was in charge before engaging in a pointed finger ‘duel’ with Jimmy. There was one final, stabbing point gesture from Ant that should have warned Jimmy that he needed to stop.”

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US President Donald Trump has called a shooter who tried to rush the White House Correspondents’ gala, ‘a sick person.’ Trump says the man was heavily armed, but was apprehended by the Secret Service.

U.S. Navy Helicopter Sea Combat Squadron (HSC-21) “Blackjacks” gave TWZ a personal tour of one of its MH‑60S Seahawk helicopters and filled us in on some of key capabilities during the Dubai Air Show in November 2025. 

The MH-60S is a versatile multi-mission, medium‑lift maritime helicopter that is designed for a broad range of missions, such as vertical replenishment (VERTREP) at sea, search‑and‑rescue, airborne mine countermeasures, anti‑surface warfare, and electronic warfare.

The U.S. Navy operates both the MH-60S and the MH-60R variants of the H-60 and the two share a common airframe, General Electric T700 powerplants and many avionics, enabling streamlined logistics, maintenance and training across the fleet while allowing each variant to be customized for distinct operational roles. The MH-60R is primarily configured for anti-submarine warfare (ASW) but it too has anti-surface warfare (ASuW) capabilities and has been used to shoot down drones.

The MH-60S features a modern glass cockpit, twin General Electric T700‑GE‑401C engines and a flexible, modular, mission‑systems suite that supports interchangeable payloads, internal fuel tanks, and advanced mission packages.

“Sikorsky is leveraging its global MH-60R and MH-60S Seahawk users to constantly iterate while we operate, ensuring the aircraft is mission ready and evolves. This commitment to production, sustainment and modernization enables the MH-60R to stay ahead of emerging threats and maintain its position as the premier global ASW platform,” the company commented to TWZ.

Check out the full MH-60S walk-around video below:

U.S. Navy MH-60S Pilot Talks Multi-Mission Roles Of The Seahawk

Contact the editor: Tyler@twz.com

SHE became the youngest ever Bond girl at 21 – and Gemma Arterton thinks one reason she landed the role as MI6 agent Strawberry Fields is because she teased 5ft 10in Daniel Craig about his height at the audition.

Now 40, the actress recalls how she had been relaxed about applying for the part in Quantum Of Solace because she did not realise quite how huge the 007 films were — and just tried out for “fun”.

Talking about Daniel, 58, who played Bond for 15 years, she says: “He’s got his sense of humour, so that was good.

“I used to poke him a bit, like, I think that’s why I got the job.

“I did a screen test with him and I came on set and said, ‘Hi’, and he said, ‘Hi’. I said, ‘You’re not as tall as I thought you would be in real life’.

“He said, ‘That’s really nice of you to say so’. I was joking with him. I didn’t think I’d get it.”

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After she landed the part, Gemma — who is 5ft 7in — says Daniel had to use height-boosting shoes for a few scenes when she was ­wearing stilettos.

Gemma, whose parents split when she was young, grew up on a Kent council estate with her mum Sally-Anne, a cleaner, and younger sister Hannah.

She said at the 2024 Marrakech International Film Festival: “I knew nothing about the Bond legacy because I grew up in an all-female household where we didn’t really watch movies.

“I literally didn’t know how big James Bond was, which sounds ridiculous because everyone else does. The ­surprise of how big it was — I couldn’t believe it.

“I auditioned for it because my agent told me to, not expecting to get it, and got it and just did it because it was fun.

“But I had an amazing time making it and it was huge. I had no idea what I was letting myself in for.

“We went on all these amazing locations. I had just left drama school, it was one of my first jobs, and it was the first time I was on a big film set.”

Now, Gemma is about to appear in another spy thriller — but this time she will take on the lead role in new ITV crime drama Secret Service, which starts tomorrow night.

She plays Kate Henderson, who balances being a suburban married mother of two teenagers with secretly being a senior MI6 operative and heading the Russian desk at the intelligence service.

It is based on the book of the same name by ITV newsreader Tom Bradby.

Gemma says: “She trains spies and finds out some very important information, which is that there is a Russian spy within the British government.

“Her mission is to find out, by hook or by crook, who that is. It’s really gripping. It’s edge-of-your-seat stuff.”

For this role, Gemma did plenty of research and, with writer Tom’s help, she even met a real-life spy to perfect the part.

She told ITV’s This Morning: “I was lucky enough to meet someone who could advise me on how they negotiate their lives and live day to day — you know, their family and their kids.

“There’s a scene where I tell my kids what I do and they don’t believe me, they laugh it off. And that came from this ­previous spy and what happened when he told his daughter and she thought, ‘You’re joking’.

“But it was invaluable to me because it’s not just the high-stakes lives they live, it’s about the attributes they have to be a spy, which are very specific — very risk averse, good at problem solving.”

Gemma has been acting since she was a teenager and was 16 when she first considered it as a career.

She says: “I come from a humble family. My father was a metal worker, my mother is a cleaner, and not involved in the arts in any way.

“I always liked performing and showing off. I didn’t know that acting was a profession really until I was about 16 and I was doing a lot of amateur dramatics as a hobby.

“There was a lady there who said, ‘You should go to college to study acting’.

“I thought, ‘OK let’s see what happens’. Then I saw Breaking Away and Dancing In The Dark and I was inspired.

“That’s when I realised I would like to give it a go.”

She first broke through with comedy film St Trinian’s in 2007, followed by Quantum Of Solace a year later.

Since then, she has made more than 30 films, including 2018’s Vita & Virginia, in which she played author Vita Sackville-West, who had a romantic ­relationship with fellow writer Virginia Woolf.

Talking about why she left Hollywood films behind to make more independent movies, Gemma says: “I think at the time it was very different in the industry to how it is now for women.

“In those films — not the Bond film. I had a really good time making that film, but the other ones — I didn’t feel very empowered.

“I didn’t feel like I had a voice and I didn’t feel comfortable. I always felt good doing independent films.

“My taste is that as well. I like independent film, it’s my passion. Usually, the stories are better and the characters are stronger and I felt like I had a voice on set.”

Films such as Byzantium, The Voices, Their Finest and The Disappearance Of Alice Creed followed, alongside performing with the Royal Shakespeare Company and starring in stage productions such as Nell Gwynn, which won her an Olivier Award in 2016.

On the Dish podcast, Gemma told how, when she starred in The Little Dog Laughed at London’s Garrick Theatre in 2010 with Tamsin Greig, Rupert Friend and Harry Lloyd, they had a novel way to try to dispel their nerves.
Laughing, she said: “We used to play this game called bum slap.

“We’d be on stage before the audience came in, obviously, and you have to run around and smack each other’s bum.

“Basically, you have to smack as many bums as you can. And it was the best warm-up ever because you were all loosey goosey.

“I think I’d rather do bum slap than any of the old acting rituals.”

Gemma loves working in Britain because she gets to perform different accents.

She said: “I do enjoy a Liverpool, that melting pot of accents that is Lancashire, Manchester and Blackburn, it’s insane.”

Gemma herself had a Cockney accent before gaining her scholarship to the Royal Academy Of Dramatic Art, where it “softened up a bit”.
London is now her home, but her mum still lives in Gravesend — and now does watch films, thanks to her famous daughter.

Gemma says: “She’s grand, she’s living the life. She’s down in Kent where I grew up, the same home — I paid off the mortgage.

“I think she does eventually watch my shows. She takes her time and needs to watch them with the subtitles on, maybe to absorb them.

“She’s very honest. She’ll say, ‘Why did you do that? You sold out there’.”

Gemma has her own family now, too — son Theo, three, and a baby boy whose name she has not revealed — with her husband, Peaky Blinders actor Rory Keenan, who she married in 2019.

They do not live a showbiz life, but he is supportive of her work.

Gemma says: “My family life is my world now, whereas before it was work.

“It’s made me hyper-focused on what I do want to do.

“Before, it was like, ‘I will do that with that director or that actor I like’, even though it wasn’t the best thing for me.

“But now it’s made me really specific about what I want to do, because if I’m going to be away from them, which I inevitably will, it’s hard.

“But if I’m in it and enjoy the work, then it’s OK.”

Timeline of James Bond actors

Over the years there have been seven actors who have played 007.

The first ever James Bond film was in 1962, and this is who has played the lead role over the years:

• Sean Connery – The late star was the first ever actor to play Bond, and reprised the role for seven movies.
• George Lazenby – The star only played Bond once, but was the youngest actor to ever play the spy.
• Roger Moore – The late movie star spent 12 years making seven films in the famous franchise.
• Timothy Dalton – The smooth actor took over from Roger Moore and appeared in The Living Daylights and Licence to Kill.
• Pierce Brosnan – The handsome star played Bond for four movies from 1995 to 2002.
• Daniel Craig – The British star was the first blonde James Bond and the sixth actor to win the role in 2005.

April 25 (UPI) — Former Hungarian Prime Minister Viktor Orban on Saturday said he will give up his seat in Parliament to focus on rebuilding his Fidesz-KDNP party after its election losses two weeks ago.

Orban said that he is leaving the parliament to focus on rebuilding the far-right, Russia-aligned party after it secured only 55 seats in Hungary’s parliament in elections on April 12, Politico and The New York Times reported.

Peter Magyar’s Tisza party won 138 of the parliament’s 199 seats in a landslide victory ending 16 years of Orban running the country.

“I am needed not in Parliament but in the organization of the patriotic movement,” Orban said in a video message posted on social media.

“Discussions are in full swing about renewing the patriotic camp, strengthening our parliamentary group and protecting our communities,” he said.

Magyar will take over as prime minister on May 9 and, because Tisza has more than two-thirds of the parliament’s seats, he can undue some of the actions Orban took during his rule, which included cracking down on the media and a host of democratic institutions.

Orban, who was in Hungary’s parliament since 1990 and prime minister since 2010, said he plans to remain in charge of Fidesz and will seek re-election in June to keep the job.

The Sunday Times leads on its interview with the Prime Minister, saying he vowed to fight and win the next general election. The paper describes Sir Keir Starmer as “defiant”, with Labour expecting to suffer heavy losses in elections next month. Separately, the paper notes, allies of the mayor of Greater Manchester, Andy Burnham, are continuing efforts to secure him a route back to Parliament, potentially paving the way for a leadership challenge.

SHE rose to fame singing about her curves. But when singer Meghan Trainor lost 60lb for the sake of her health, cruel online trolls turned on her – branding her “a walking nose.”

But the All About That Bass hitmaker found support in reality show ‘momager’ Kris Jenner, who helped her navigate the horrific online abuse following her weight loss.

Meghan opened up about her recent struggles while sitting down with Biz on Sunday’s Emily following the release of her seventh studio album Toy With Me which dropped on Friday.

The American singer wrote the 14-track album while expecting her third child, daughter Mikey Moon, who was born via surrogate in January.

But while Meghan was excited to welcome her first girl, she said it had never felt tougher to be a female performer.

Meghan said: “I was getting a lot of hate online and it was all about my appearance and my looks and I was like: ‘Man, being a woman in this industry, it’ll never end.’”

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Of seeking advice, Meghan said: “Kris Jenner helped me with the hate online. I went to her and I was like: ‘Everyone’s mad at me.’

“Kris was like: ‘Of course, because you’re successful. You’re on the internet and it’s a terrible place but it can also be a great place.

“She said: ‘Are you happy? Are you thriving in your life?’

“I was like, ‘Yeah, I’m doing pretty well, that’s why I’m confused.’

“She said: ‘That’s all that matters. You’re doing great.’”

Meghan added: “Kris was really nice about it and I was like: ‘I can’t imagine what you guys [the Kardashians] are going through.’

“She was like, ‘You don’t want to know, it’s a lot.’

“Kris sends me the biggest flowers. It’s like a competition between her and her daughter Khloe Kardashian, who can send me the biggest.”

Meghan rose to fame with her 2014 hit All About That Bass in which she sang: “Yeah, it’s pretty clear, I ain’t no size two.”

But after she was diagnosed with gestational diabetes while pregnant with her eldest son Riley in 2020, Meghan overhauled her lifestyle — with the help of weight-loss medication Mounjaro.

She said: “I’m finally taking care of myself, I’m finally listening to my body first instead of career first and destroying my health.”

But with her slimmer frame came a huge wave of online hate.

Of the comments, Meghan said: “They were like, ‘She’s just a walking nose.’

“‘She’s just so unlikeable now’. ‘I miss the old Meghan’, or ‘Hey, ‘zempy queen’ suggesting she had used Ozempic to lose the pounds.

“It made me just crumble and feel like I never wanted to go outside again.”

Meghan, who also has another son, Barry, with actor hubby Daryl Sabara, said she consulted her doctor following exhaustion from social media.

And earlier this week, Meghan said she needed to put her family first and cancelled her 33-date Get In Girl tour across North America.

She said: “We tested my blood and everything and they were like: ‘You’re on track to get an autoimmune disease.

“It was all the noise from social media destroying me and getting to me mentally.”

She added: “This all happened while having a daughter and I was like: ‘I’m so worried when she gets here.’

Of the album, Meghan said: “I wanted to make a lot of self-love anthems as I know she [Mikey] will need them growing up in this world too.”

Quickfire questions with Meghan

FIRST CONCERT? NSYNC.

WORST HABIT? I peel my skin off until it bleeds.

COMFORT TV SERIES? A weird one but the medical drama series ER.

DRINK ORDER? Shirley Temple.

COMMON MISCONCEPTION? That I don’t put out music any more but I am still out here grinding.

ULTIMATE TREAT? A gluten-free brownie from Gwyneth Paltrow’s brand Goop.

SNOG? Disney+ thriller series Paradise, starring Sterling K. Brown has me totally hooked.

MARRY? Sarah Pidgeon and Paul Anthony Kelly in the brilliant Disney+ series Love Story.

AVOID? After my recent negative experiences I will be keeping well clear of media trolls.

Liam’s ex ready to love again

LIAM PAYNE’s girlfriend Kate Cassidy has revealed she feels ready to meet someone again, 18 months after the singer’s passing.

The American influencer, who dated the One Direction star for two years, until he died aged 31, opened up on social media.

She said: “I am ready to start dating again. It has been a year and a half since Liam passed away.

“I think that love after loss is a big chapter within your grief journey and I don’t know how that is going to feel.

“But I do know that I loved being in love. I want to have kids one day, I want to have a family and I know Liam would want that for me and if the roles were reversed I would want him to be happy and fall in love again.”

She continued: “I will always love Liam and that will never change no matter who I meet and who comes into my life.

“I am going to think about Liam on my wedding day, I am going to think about him every day for the rest of my life and that goes without saying.”

It’s in the Stars, Maura

EXCITING news for Maura Higgins as she has been confirmed for Dancing With The Stars.

I can reveal the reality star – who was snapped in New York in a stylish white dress with a long train – turned down Strictly in favour of the US show as she hopes to avoid further scandal.

Strictly is already linked to her exes Pete Wicks and pro dancer Giovanni Pernice, and last year she kissed married McFly star Danny Jones at a Brit Awards party.

A pal said: “She’s heading towards big things in LA, and Strictly is full of drama, she wants to keep her nose clean.”

It’s three love for celebs

CELEBS Go Dating’s relationship expert Anna Williamson has welcomed throuples on the Channel 4 dating show.

It comes after a married couple attended one of the reality show’s mixer events to see if any celebrities wanted to try a non-monogamous relationship.

Anna said: “It’s 2026, we’re moving with the times. Polyamory is something that is very much emerging from the shadows as a relationship construct.

“It’s not for everybody and I don’t believe it’s for the faint-hearted at all.”

Boxer David Haye and his long-term girlfriend Sian Osborne enjoy a rumoured open relationship.

They were most famously in a “throuple” with The Saturdays singer Una Healy, who denied she had a romantic relationship with Sian.

Anna said: “There is no right or wrong way to date.

“So we thought: ‘Well why not?’ It was lovely to throw that different relationship dynamic into the mix.”

Mick gets tongues wagging

THE ROLLING STONES rolled out posters across the UK yesterday promoting their upcoming album Foreign Tongues.

The billboard shows the title of the record –out July 10 in Danish.

Earlier this month I revealed that Paul McCartney will also feature on a track after a cameo on the Stones’ 2023 album Hackney Diamonds.

An insider said: “Details of the Stones’ new album have been kept secret but it’s true that Paul features on a new track on the upcoming album. It’s going to be a real treat for fans.”

Mick Jagger, Keith Richards and Ronnie Wood also dropped a single called Rough & Twisted under the pseudonym The Cockroaches earlier this month.

Millie’s Liv-ing it up

MILLIE MACKINTOSH has sat down with Olivia Attwood for an intimate chat following her high-profile split from Hugo Taylor.

The former Made In Chelsea star – who wore this revealing black gown to The Devil Wears Prada 2 premiere in London this week – will appear on an upcoming episode of Olivia’s House podcast.

The pair will have had a lot to discuss as the Love Islander ended her ten-year relationship with footballer Bradley Dack in January.

A source said: “It wasn’t a tell-all chat, that’s not Millie’s style, but she does touch on what she’s been going through.

“The women clearly bonded over a shared experience in the public eye.

“Olivia is bagging great guests for her podcast.”
I’m sure they had plenty to discuss off camera too . . . 

HELENA BONHAM CARTER has left season four of HBO hit The White Lotus.

The Crown actress was set to appear in the next installment of the drama, which has begun filming on the French Riviera.

But an HBO spokesman said the character, created by filmmaker Mike White for Helena did not work on set.

In a statement to Deadline, they said: “With filming just under way it had become apparent that the character which Mike White created for Helena Bonham Carter did not align once on set.

“The role is being rewritten and will be recast. HBO and Mike are saddened that they won’t get to work with her, but remain ardent fans.”

Sounds like this is an even bigger plot twist than writers had anticipated.

Meryl: Anne’s saintly

MOVIE sequel The Devil Wears Prada 2 plugs weight-loss drug Ozempic.

The film, starring Anne Hathaway and Meryl Streep, hits cinemas this Friday, and a source said: “There are many big brands in the film and it seems the makers of Ozempic will be pleased.”

It comes after Anne, who plays the film’s Andy Sachs, spoke to producers about casting models for the film.

After noticing models at last year’s Milan Fashion Week, were “alarmingly thin”, her co-star Meryl, told Harper’s Bazaar: “Anne made a beeline for producers about it, securing promises the models for our film wouldn’t be so skeletal.

“She’s a stand-up girl.”

Trump says the shooter has been apprehended and that First Lady Melania Trump and Vice President JD Vance are ‘in perfect condition’.

Jimmy Bullard is said to be considering suing ITV as he feels he’s been ‘scapegoated’ over his row with Adam Thomas in the Rancid Run trial

Jimmy Bullard is reportedly considering suing ITV after a shocking and chaotic I’m A Celebrity final.

During last night’s final episode of the All Stars series, the former footballer came face to face with Adam for – what is believed to be – the first time in six months.

A row soon ensued when Jimmy accused Adam of being “abusive, aggressive and intimidating”. He then asked what hosts Ant McPartlin and Dec Donnelly thought of what happened, but Jimmy wasn’t happy with Ant’s response.

“He wanted everyone to see the shocking unedited version of the fight. Adam swore at him multiple times and most bystanders were shocked by his actions so Jimmy felt it was the last chance for viewers to see the full extent of his behaviour,” a source said.

“He was hugely disappointed in Ant and Dec for appearing to take Adam’s side and feels like he has been made a scapegoat. “Jimmy isn’t an angry person but he will stand up for what’s right.”

Jimmy was also said to be disappointed that Gemma Collins appeared to back Adam during the show.

The source told The Sun: “He was also disappointed his show buddy Gemma sided with Adam despite not even being present during their row. He thinks it feels performative on her part.

“He is talking to lawyers and looking into his ITV contract to see what grounds there are to sue.”

A spokesman for ITV said: “We showed an accurate and fair representation of events.”

Gemma doubled down on her comments on Instagram this morning, where she praised Adam. She wrote: “THE WINNER @adamthomas21. What a show up !!! Absolutely disgusted with jimmy and David’s behaviour the biggest show up in tv history !!! What an EMBARRASSMENT !

“To all the took part in the show it was a discredit to the production crew cast Ant and Dec biggest disrespect ever !!! Last night was meant to be a celebration instead it was very upsetting !! X Let’s hope Adam will find some energy to absorb his victory ! X”

During last night’s episode, Jimmy said: “Listen, Adam and all of you can be upset with me and I absolutely threw him under the bus, I get it and I’ll wear that. But what I don’t stand on, is someone being abusive, aggressive and intimidating, I don’t stand on that.” He then asked Ant and Dec – who were hosting the show – to share their opinions.

“You [Ant and Dec] were there and you didn’t show any of that footage. You didn’t show any of the C-bombs, it’s a liberty,” Jimmy told them. Ant then argued back: “The reason we didn’t air the C-bomb is because that is unbroadcastable. I was there and I didn’t think it was intimidating. I was there Jim.”

Adam then said: “I take full responsibility for my actions and yes emotions were definitely running high in that moment. I have nothing but love for Jimmy in that moment. I have apologised to Jimmy on numerous occasions and I do take everything that he is saying into account and the only thing I can do is apologise.

“That is not how I want to show myself off and I have never shown myself off like that before or after that. I do apologise Jimmy.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

April 25 (UPI) — President Donald Trump returned to the White House after a shooting incident at the White House Correspondents’ Association Dinner in Washington, D.C.

There was a shooting incident near the main security screening area at the Washington Hilton, with one person in custody as law enforcement assesses the situation, Anthony Guglielmi, chief of communications for the U.S. Secret Service, said in a statement.

All protectees, Guglielmi said, are safe, including the president, first lady and members of the Cabinet who were at the dinner.

Trump said in a post on Truth Social that he wanted to return to the dinner and for the “SHOW TO GO ON,” but security insisted that they leave the hotel and return to the White House.

“Law Enforcement has requested that we leave the premises, consistent with protocol, which we will do immediately,” Trump posted about an hour after the incident.

“The First Lady, plus the Vice President, and all Cabinet members, are in perfect condition,” Trump posted. “I have spoken with all the representatives in charge of the event, and we will be rescheduling within 30 days.”

An announcement in the ballroom mirrored Trump’s announcement about rescheduling the dinner for next month.

The FBI confirmed that the suspect is in custody in a statement.

The suspect has been taken to the hospital, as has a Secret Service agent who was injured, The Washington Post reported.

Trump also said he would give an update from the press briefing room at the White House later this evening.

Dinner was being served at the annual gathering of the Washington press organization when shots could be heard from the ballroom before Trump was evacuated by security, according to video of the event.

President Trump, Melania Trump and other members of the administration on the dais and in the ballroom were evacuated within minutes of shots being heard over C-SPAN and other networks broadcasts.

As the officials were cleared from the room, Secret Service agents swarmed it and ordered other guests to stay in their seats.

Most of the other guests remained in the ballroom after organizers made an announcement that the show would continue shortly.

There was also speculation whether Trump would return to the dinner after the announcement the show would continue and the Presidential Seal was not immediately removed from the podium on the dais.

C-SPAN reported that waiters started to clear the salad portion of dinner as guests started to open wine while waiting for more information about the situation before the announcement that the dinner is going to be rescheduled.

This is a developing story. Please check back for updates.

Heyerde “Seko” López is a Venezuelan artist and activist with experience in plastic arts, screen printing, photography, graphic design, and audiovisual production. For 13 years he has been a member of Fundación Nativa Crea, a grassroots organization from Guarenas, on the outskirts of Caracas, dedicated to social work and advancing popular power.

What is Fundación Nativa Crea and what does it do?

Fundación Nativa Crea is a sociocultural organization dedicated to bringing together communes, social movements, and individuals in the town of Guarenas. We organize a variety of activities in our territory, ranging from rescuing abandoned spaces and painting murals to offering free workshops on screen printing, music, theater, and circus in local communities and schools.

Nativa is also dedicated to grassroots communication through social media. We’re always doing digital and graphic design and recording in the community to make visible what people are doing. We work to forge the identity of our barrio, our working-class areas, and our communities, so that people can be the protagonists of the revolution we’re building and the path we’re traveling together.

We’re located in Plaza Bolívar in Guarenas, right next to City Hall, because we had the chance to speak with President Chávez and decided to occupy that space, which was a Corpoelec [state electricity company] substation that had been abandoned for 15 years. At the time, we identified 37 abandoned spaces in Guarenas, but that one stood out as the most visible and strategic. We surveyed the area, and the project was born.

How is Nativa’s work organized in practice, and how does it integrate with the local community and the people’s power organizations?

There are six of us now, but we coordinate with other people in the territory and in other parts of the country. We have a set of goals and an action plan. Each person takes on tasks based on their strengths. We have six production units, two of which are currently operational: the auto repair shop, where we fix cars and motorcycles, and the screen printing and communications workshop, where we make T-shirts. We have a brand called “Contestatarixs” to market prints of iconic figures and world-renowned fighters. The other four units are a cultural café that we will soon reopen, a community bakery, a recording studio, and a greenhouse. In fact, we plan to establish a greenhouse in every community council.

In total, there are 15 community councils in our territory, which make up the General José Félix Ribas Commune. Our organization belongs to the Pueblo Arriba Communal Council. In our sector, we’re going to start with a medicinal garden, as well as tomato and onion seeds, and coffee and cacao seedlings, to later coordinate with local farmers. We’re also considering a partnership to grow barley in the nearby campesino settlements and produce craft beer. Why not have a Venezuelan communal beer?

You mentioned the bakery and the café that closed down. What obstacles did they face?

The bakery and the café closed down due to the economic difficulties resulting from the US sanctions. For example, when wheat imports were restricted, it became very difficult for us to acquire the raw materials. Previously, it had been subsidized. Although we were part of a bakery coalition with other grassroots organizations, and we held numerous meetings and coordinated efforts with the government to defend community bakeries, it was not possible to maintain our operations. In Venezuela, wheat is controlled by the owners of the silos. We fought a tough battle between 2014 and 2017, but that coalition practically fell apart, and now only the large, capitalist bakeries remain. But we are creating the conditions to revive this productive unit. We want to build a communal economy. We are going to start creating the conditions, now with more criteria and the lessons learned over these years. After all these battles, I believe we have the necessary experience.

What are the main challenges Nativa has faced over the years?

The main challenge is staying true to our identity as a left-wing organization in the face of the imperialist blockade. Nativa Crea started out as a clothing brand and is now a social organization running a headquarters of 542 square meters. But the hardest part is sustaining ourselves over time. It’s one thing to have an idea, to design a project, and quite another to sustain it –to preserve the ideology, retain the members, and create conditions so that it’s a space where people aren’t exploited and can have free time to organize alongside the pueblo. 

We also knew that, as we asserted ourselves, we would deal some blows to the bourgeois state. Not all mayors, governors, or institutional leaders will want to relinquish their share of power and accept the consolidation of popular power or the communal state. In practice, we have seen that things are not as beautiful as they are in theory. Rather, they are riddled with contradictions. But we have the spirit to fight and move forward. Today, what we do is join forces with different organizations, communal councils, etc., to keep the project moving forward and to help them identify with it. Nativa has always been a space where people can meet, hold workshops, organize politically, and so on.

What would you highlight as Nativa’s main achievements over the years?

Our main achievement has been bringing together different people, from different communes, and ensuring that everyone understands we’re all fighting for the same cause: building the communal state. 

I believe our task is to demonstrate that popular power is the way forward. For example, eight years ago, using the surplus generated by the bakery, we were able to build a sports court. So, we showed that economic activity can take place under decent working conditions, serve the community, and generate a surplus to contribute to the territory where we live. Therefore, if we have productive units –which is what we insist on in the commune –we will be able to achieve autonomy, we will be able to make decisions in the territory, and we will be able to develop what the barrio needs.

Nativa, and you in particular, place a lot of emphasis on the cultural front, especially on graphic design. What is the vision behind this?

Through graphic arts, we shape our identity. Ever since we started creating prints, painting murals, taking photographs, and producing audiovisual works, we’ve always sought to reclaim Venezuelan identity. Not the identity sold to us about barrios in mainstream culture –the glorification of crime or the idea that people dress and speak a certain way. Every town has its identity, every city has its identity, every territory has its identity. So, through the arts, we try to capture that, what we experience, and in this way, people begin to recognize themselves, know where they come from, and also to appreciate things that are nationally, locally, and indigenously produced. It gives new value to their experiences, to what they consume, read, and so on.

You recently hosted an international brigade from Brazil’s Landless Workers’ Movement (MST). What was that exchange like, and how can that feedback help strengthen grassroots organizing?

The MST brought a large group that split into seven brigades spread across different parts of the country. We were assigned one as the representative from the central capital region. This experience has been very important, because we see that our brothers and sisters in Brazil are fighting for the same cause as us: against capitalism and imperialism, and for the unity of the Latin American peoples.

The Landless Workers’ Movement has been raising that banner of struggle –the fight for land and the construction of campesino settlements –for over 40 years. They have very advanced methods, and they are masters of organization and planning. In fact, they are advising us on the various productive units. They believe that we, Venezuelans, need to focus more on planning, sticking to schedules, fulfilling responsibilities, etc. The exchange has helped our communards hear the perspective of comrades from outside, with their experience and organizational skills. They have shared their insights with 10 communes here in Guarenas and are also getting to know the local projects that have been approved through popular consultations.

As someone with many years of experience in grassroots organizing, how do you view the relationship between constituted power (institutions) and constituent power? What is working, and what needs to change?

Chávez, and also our professor Manuel Sulbarán, always told us that we, the working-class people, are the only ones capable of bringing about change and progress in our own country through popular power. So, popular power must continue to develop these methods and strengthen our communes, making them active and productive, and demanding that the state or institutions transfer the responsibilities we can assume and the resources we need. 

For example, in the General José Félix Ribas Commune, the project that won last year’s consultation was focused on the youth to build a soccer field. There was a group pushing for it, but the US $10,000 allocated for the project wasn’t enough. That caused a lot of discontent and led some to think that popular consultations were useless. These are the issues we need to debate and politicize. We explained to them in an assembly that this is a megaproject that cannot be done with just $10,000, so it must be conceived in several phases. We have to keep our spirits up and continue participating.

The soccer field has been a good topic for debate and reflection, because it is also true that the commune has many priorities that are more important than a soccer field. Everything is needed, and sports play a fundamental role, but for example, if the sewer system is damaged, the community will likely prioritize fixing that. That’s why we need to plan and see which projects are proposed through which channels. If we do a better job of categorizing projects by scale and setting timelines, we’ll be able to strengthen our commune. 

But, to answer the question, institutions need to work with us, the pueblo, and understand the priorities of each territory. Perhaps it’s not best for the commune to choose building a sports field because that should be the responsibility of the Ministry of Sports. This ends up giving the commune a responsibility that it should not have to assume, or that it is not in a position to take on. Nor should we be taking on the project of repairing a school when we have a Ministry of Education and a Ministry of Public Works. Obviously, our communards will dedicate themselves to anything that improves the community’s life, but why should the commune burn its only chance to access funding for popular power on unfeasible projects that should, moreover, be the responsibility of the institutions? So we must also demand that those holding constituted power –the government and institutions –fulfill their responsibilities, so that we, as an organized people, can move forward with ours. Another challenge we face is that some people confuse the tasks of the party [PSUV] with the exercise of popular power, and as a result, they sometimes end up dragging the commune into areas that are not its responsibility.

Finally, how does Nativa interpret the current political situation, and what role should the organized people play?

January 3 was a grave moment, a call for reflection, just as the 2002 coup had been, when the people took to the streets to make history. The lesson is the same: the people must understand that only popular power will allow us to overcome this onslaught by the capitalist economic system and imperialist attacks.

Today we must organize ourselves once again, win over all those people who were fighting, or who are fighting out there but scattered. We have to unify the struggles, as President Chávez said at the time: it is very important that we know who we are, what we want to build, in order to move forward in consolidating the Bolivarian Revolution. And beyond Venezuela, we must understand ourselves as a bloc with our neighboring countries. 

For the youth, it is important not to abandon the banners of anti-imperialist and anti-capitalist struggle and to create our own methods. The past centuries’ revolutionary struggles of Germany and France will not apply here. It is not enough for us to simply “follow the ideas of Lenin, Mao, Che, or Fidel,” although we must certainly read and study them. Chávez put it very clearly: we are going to give birth to the 21st-century revolution; we are going to create it. We’ve only been at this for 20 years, developing different theoretical and political aspects, with different participants sometimes on different wavelengths. But we all know that we have a right to an anti-imperialist revolution that defends life on the planet.

Members of the Writers Guild of America have officially ratified their newest contract with the Alliance of Motion Picture and Television Producers.

More than 90% of the 11,000 voting members in both WGA East and West registered their support of the new agreement. The voting period closed Friday at noon, after the union first struck a tentative deal earlier this month.

The new contract includes a robust healthcare plan in which studios pay over $320 million to sustain the health fund, higher residual rates — including a provision for a “success bonus” for the most popular streaming shows from 50% of the base residual to 75% — and language on the licensing of work for AI training.

“The first reaction [from members] was relief that we were not going to be going into a period of labor strife or strike authorization vote, in the midst of this contraction,” said John August, the co-chair of WGA’s negotiating committee, referring to the ongoing challenges in the industry. “Members want to work, and they want to get back to doing their job.”

Negotiations between the union and film and TV studios began in March, as the union’s current contract expires May 1. August said that, at the beginning of the negotiations, expanding the healthcare plan was a top priority. The union was able to secure increases that would raise the cap that companies pay to as high as $400,000 by 2028.

Union officials say the current cap has remained unchanged for two decades as healthcare contributions have steadily declined because there are fewer working writers.

But under the new contract, members would, for the first time, have to start contributing to their healthcare costs to the tune of $75 per month. The earnings threshold to get coverage would increase by about $7,000 to $53,773, leaving many members concerned about the higher cost.

“This is all difficult. Healthcare in America is not a good situation. But we were really mindful, as we always are, of trying to make sure the career of writing is sustainable,” negotiating committee co-chair Danielle Sanchez-Witzel said.

Additionally, the contract terms have been extended from the WGA’s usual three years to four — though it is not the first time the guild has added more time to its deal with the studios. Sanchez-Witzel clarified that the four-year period for the new contract ”is, by no means, a standard. This is just what we needed this year and what we agreed to for this cycle.”

“We were here in 2026 trying to get some things that we didn’t get earlier [in previous negotiation cycles] and happy for the progress we made,” she said.

The WGA is the first of the Hollywood unions to strike a deal with the studios. AMPTP congratulated the WGA on the ratification in a statement released shortly after the vote totals were announced.

“This deal reflects a collaborative approach that supports both writers and the industry’s long-term stability,” AMPTP said.

SAG-AFTRA and the Directors Guild of America still need to negotiate new contracts.

The actors’ union began its negotiations in February and extended those talks in March, but paused to allow AMPTP to finish its deal with the writers’ union. SAG-AFTRA’s and the DGA’s contracts expire June 30.

Trump says Tehran did not make satisfactory offer after Iranian foreign minister travelled to Pakistan to present a framework to mediators to end the war.

REALITY TV star Kylie Jenner buckles up – in a double belted mini skirt from her KHY fashion brand.

The 28-year-old posed in a stone coloured denim number from her Born in LA range.

She said: “It’s inspired, designed, and almost all made here in Los Angeles

“From LA to wherever you are.”

We revealed yesterday how the socialite has become a cat mum since her beloved 11-year-old Italian Greyhound, Norman, passed away last year.

And is seems that the stunning beauty mogul is enjoying the company of her new four-legged friend.

Read more on Kylie Jenner

JENNER-OUS LOOK

Kylie Jenner pulls down skimpy swimsuit & cuddles new cat for sexy selfies

MAID SHARE

Kylie’s housekeeper ‘forced to clean Timothee’s mansion without proper payment’

Taking to Instagram, Kylie posed up a storm in a seriously skimpy outfit, writing a caption which read: “me + my lip liner + and my kitty.”

She shared four photos to the platform, with each of the snaps being selfies of the star as she rocked a gray bathing suit.

The swimsuit was strapless and had cutout details, displaying her toned physique.

The first image saw Kylie pulling her cut-out bikini down a little while applying lip gloss in a huge mirror.

Her cleavage was on full display as she pouted up a storm and applied the lip product with her long raven locks framing her face.

The second snap saw her standing up straight while holding her adorable fluffy friend.

BREAKINGBREAKING,

The US president was escorted out from the event at a Washington DC hotel by his secret service agents.

United States President Donald Trump has been evacuated from the White House correspondents’ dinner at a hotel in Washington, DC, by his secret service agents.

The evacuation on Saturday evening came after loud sounds were heard inside the banquet hall of the Washington Hilton, where the event was taking place.

Footage from the scene showed Trump and attendees taking cover after the loud noise, after which the US president was led away. Heavily armed agents then take over the head table.

More soon…

The Navy’s top leadership says they are working hard to avoid serious issues that have plagued previous shipbuilding efforts when it comes to the Trump class “battleship” program. Senior officials have focused, in particular, on the need to have a very firm design before any work on the large surface combatants, the first of which could cost a whopping $17 billion, actually begins. A lack of a finalized design, along with repeated changes to it along the way, contributed heavily to the demise of the Constellation class frigate last year.

Editor’s note: As this story was being written, the Pentagon announced that the Secretary of the Navy “is departing the administration, effective immediately,” and that Undersecretary Hung Cao will take over as Acting Secretary of the Navy. No reason for the change in leadership was immediately given.

Chief of Naval Operations (CNO) Adm. Daryl Caudle and Secretary of the Navy John Phelan both discussed the Trump class battleship, also known as the BBG(X), at separate roundtables on the sidelines of the Navy League’s Sea Air Space 2026 exposition this week. President Donald Trump had officially rolled out plans for the Trump class, the first of which is currently set to be named the USS Defiant, last December.

“I think it is a necessary element to the force,” and “I think it provides real flexibility to the force,” Secretary Phelan said about the BBG(X) effort at his roundtable.

From what the Navy has shared so far, the Trump class warships will displace approximately 35,000 tons, very roughly three times that of the newest Flight III subvariant of the Arleigh Burke class destroyer. They will also be between 840 and 880 feet long, have a beam (the widest point in the hull) between 105 and 115 feet, and be able to reach a top speed greater than 30 knots. The armament on each of the ships will include a mix of nuclear and conventional missiles, including hypersonic types, loaded into large vertical launch system (VLS) arrays. They will also have an electromagnetic railgun, a pair of traditional 5-inch naval guns, laser directed energy weapons, and various additional weapons for close-in defense.

Navy officials also provided additional details about the costs and production schedule associated with the Trump class during yesterday’s rollout of the service’s proposed budget for the 2027 Fiscal Year. As it stands now, the Navy is looking to order the first of three of these large surface combatants in Fiscal Year 2028, at an estimated cost of $17 billion. The Navy is currently projecting it will spend $43.5 billion on the program, overall, across the next five years. As a point of comparison, the estimated total procurement costs of each of the next three Ford class aircraft carriers range from roughly $13 to $15 billion.

The $17 billion figure “is the early initial estimate. We’ll see where we really settle down as we get through that and start to rationalize some of the costs,” Secretary Phelan noted at his roundtable at Sea Air Space. “So, let’s see where we land on that first ship, and then what the economies of scale get us to as we move through it.”

The Navy has already started “talking to two different vendors” about actually building the Trump class warships, he added. “Then it’ll be a function of how we get through that design process with them, and then their capacity in their yards, what we think they can do. Because we’re looking to really get moving on this and lay the keel in [20]28.”

The Secretary of the Navy and CNO Caudle have made clear that the BBG(X) design is still in the very early stages of being formulated. The ships are also set to incorporate a host of advanced capabilities, many of which, such as the railgun and laser directed energy weapons, have yet to be fully proven out, despite years of relevant work the Navy has done already.

“The ship needs to be designed. So, I got to put money toward the research and design of it,” Adm. Caudle said during his roundtable at Sea Air Space. “It’s really the design and how much pull-through I can do from previous efforts, like things that we already have on Arleigh Burke and DDG(X) designs that were already in the works.”

The Navy has previously confirmed that BBG(X) is a direct successor to the DDG(X) next-generation destroyer program. The service has also said that the new large surface combatant addresses shortcomings that had emerged with the previously planned DDG(X) design, which we will come back to later on.

“So all that has to go into a form factor in which we’re fundamentally changing the capacity, [the] vertical capacity of it, [and] the electrical plant and electrical generation for future large-scale directed energy [weapons] and other munitions that require a lot of power, like railgun,” Caudle continued. “So all that’s being baked into that design. And, because we’re taking it so seriously, we want to make sure that we have the right resources applied to the design.”

One of the “mistakes that we’ve done before, quite frankly,” is “we’ve started to build before the design is mature enough,” the CNO added. “And we want to make sure that we’re at [sic] least a very, very high level – I won’t try to give a percentage, but you can think like 80% or more design – before the first weld is done.”

Caudle did not explicitly mention the Constellation class frigate, but the design of that ship was still being finalized as of April 2025, nearly five years after the initial contract award. Work had already begun on the lead ship at that time. This was all despite the Navy having explicitly chosen a derivative of an in-production frigate – Franco-Italian Fregata Europea Multi-Missione (FREMM) – specifically to help reduce risk and keep the program on track. Needless to say, that did not happen, as you can read more about here.

The Navy has also deliberately utilized a process known as “concurrency,” which entails starting production without having a validated design in place, on other shipbuilding projects. Concurrency has been presented in the past as a cost and time-saving measure, but has often produced exactly the opposite results. It has had notably negative impacts on the Navy’s newest operational aircraft carrier, the USS Gerald R. Ford, and both classes of Littoral Combat Ships (LCS).

“Look, we were doing work on railguns. We kind of abandoned it. We do have some directed energy [weapons] we are testing out right now,” Secretary Phelan also pointed out in terms of work the Navy has already done to develop key capabilities for the Trump class. “These are all things we have to get better at and need to do. So I think it’s just making sure that we’ve got the design down in an appropriate fashion, pretty locked down, and then making some trade-offs as we decide where to build that ship, when, how.”

The Navy just disclosed earlier this year that it conducted at least one new round of live-fire testing utilizing a prototype electromagnetic railgun currently at the White Sands Missile Range (WSMR) in New Mexico. In the early 2020s, the service had shelved work on that weapon, at least publicly, despite promising developments, citing technical hurdles.

Navy officials also continue to be very supportive of work on laser directed energy weapons, despite ongoing challenges with their development. The service is actively pursuing microwave directed energy weapons, as well.

At his roundtable at Sea Air Space this week, Phelan said that there are discussions ongoing about the possibility of the Trump class warships being nuclear-powered, though he said that was “unlikely” to be the case. Nuclear propulsion would have major impacts on the complexity and cost of the ships. Navy budget documents say the plan currently is for the BBG(X) to use a combined conventional propulsion system that includes diesel generators and gas turbines.

The Navy is also still fleshing out how it plans to employ the Trump class battleships operationally, which will also have impacts on the final design. This ties back into the aforementioned issues with DDG(X) that the service has cited in the past. The Navy has said it had previously arrived at a place with the next-generation destroyer program where it was considering building two subclasses with different armament configurations. This, in turn, had prompted questions about the limits that course of action would have imposed on the operational flexibility of the class as a whole.

“It’s something we’re trying to understand all the proper trade-offs, and then think about it as a Battleship Strike Group, Carrier Strike Group, how do they work in which different theaters,” Phelan said. “Look at how we’re deployed today, and ask yourself, how a ship like that, what it could do for us. If I had a ship like that today, I could park that off the coast of Venezuela, and I don’t need a ton of DDGs [Arleigh Burke class destroyers] to support it, and I can relieve some of the pressure on those.”

The Secretary’s comments here are in line with how the Navy’s latest budget request describes the current operational concept behind BBG(X).

“Adding capability at the highest end of the Golden Fleet high-low mix, the Battleship’s primary role is to deliver high-volume, long-range offensive fires and serve as a robust, survivable forward command and control platform. The expanded size and energy density of the new Battleship provide critical advantages for future naval warfare, offering a future-proof platform with distinct capabilities that enhance deterrence,” the line item for the program says. “Its advanced systems will enable true long-range strike with hypersonic weapons housed in new, larger vertical launch systems. Vastly increased power generation, managed by a sophisticated integrated power system with high-capacity energy storage, will support mission-critical directed energy weapons like high-output lasers and electromagnetic railguns, reducing reliance on costly single-use munitions.”

“Furthermore, its advanced naval gunfire offers cost-effective options for strike and defense, and its capacity to embark a fleet command staff enhances survivability by putting commanders closer to the fight. As a flexible command-and-control platform for both manned and unmanned platforms, the Battleship can lead a Surface Action Group, integrate with a Carrier Strike Group, or operate autonomously to secure critical sea lanes,” it continues. “To overcome the capacity limits of the Arleigh Burke class destroyer and the capability compromises of the previously planned DDG(X), the Battleship is designed specifically to accommodate these advanced weapon systems.”

TWZ has previously raised detailed questions about the actual ability of a warship like the Trump class design to conduct independent operations, as well as the general utility of employing it in this way. These questions are compounded by the Navy’s plans, at least right now, to only acquire a very small number of these ships, which can only be in one place at one time. They would also be top targets for adversaries in future conflicts. With the plan now to order the first of these ships in Fiscal Year 2028, the decision about whether to proceed at all could fall to a new administration, as well.

The service does not appear to have ever put out a firm target for how many of the smaller DDG(X)s it expected to buy, but there had been talk of acquiring between 30 and 50 of those ships in the coming decades.

There are also industrial base and affordability concerns around acquiring such an expensive class of new large surface combatants amid the Navy’s other shipbuilding priorities. Naval shipbuilding capacity, or lack thereof, in the United States has been of growing concern for years, especially when contrasted with China’s industrial might in this regard.

“What we’re looking at more is this distributed ship building in modular [sic; modules], and I think that is a way to tackle that issue,” Phelan said at his roundtable in response to a direct question about these issues. “We’re going to need to really improve our ability to build ships.”

With TWZ and other outlets at a separate event earlier this year, Adm. Caudle also touted the importance of a greater focus on modular shipbuilding methods, which are not new. At that time, CNO was talking about how that could be used to help accelerate work on new FF(X) frigates that the Navy is now looking to acquire in place of the abortive Constellation class.

“An innovative strategy is guiding the new Battleship’s design and construction, centered on a state-of-the-art digital workflow. This utilizes modern digital engineering, AI-enabled design, and advanced production practices to reduce cost and schedule risk. Adopting best practices from Korean and Japanese shipbuilding, the approach emphasizes high design maturity before construction begins, precision modular construction, and tight integration between design and production teams,” according to the Navy’s Fiscal Year 2027 budget request. “This digital-first, modular approach allows for distributed construction across the industrial base, with U.S. shipyards focusing on final assembly and integration. The strategy is designed to stabilize the workforce, increase industrial resilience, and deliver the new capability more predictably and affordably.”

With the Navy now pushing to order its first Trump class battleship in Fiscal Year 2028, and insisting it won’t start work without a very firm design in place, more details about these warships are likely to continue to emerge in the coming months.

Contact the author: joe@twz.com

SUPERSTAR Rihanna looks as keen as mustard to promote her beauty brand.

The Barbadian singer, 38, wore a flowing yellow top and ankle-length leather skirt.

She also wore gems from local designer Manish Malhotra, at the Indian launch in Mumbai of Fenty Beauty

The mum of three’s earnings from her Fenty cosmetics and fashion lines have given her a net worth of £1 billion.

Fenty Beauty is a makeup brand that in late 2020 branched out into skincare, and Savage X Fenty is a luxury underwear brand for women and men.

She recently posed for revealing photographs in red satin lingerie, sprawled sexily across a sofa.

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Rihanna has also revealed that she is actively working on brand new music for the first time in years.

She has largely stayed out of the music industry since her acclaimed 2016 release Anti and has focused on business endeavours instead.

Her only solo lead song since 2016 was in 2022 with the track, Lift Me Up, to accompany the film, Black Panther: Wakanda Forever.

Last year she gave birth to her third child with partner A$AP Rocky.

Video footage shared on social media shows two women being arrested at a pro-Palestine demonstration in Berlin. Participants waved Palestinian flags and chanted solidarity slogans amid a heavy police presence.