News Desk

PM calls for civil debate as government faces backlash over efforts to roll back policies to support Maori community.

New Zealand’s Deputy Prime Minister David Seymour has rejected criticism of his claims that colonisation was positive for the country’s Indigenous Maori population.

Dozens of people started booing and shouting when Seymour stood on Friday to offer a prayer during a dawn service at the Waitangi Treaty Grounds, where New Zealand’s founding document was signed in 1840 by representatives of the British Crown and more than 500 Maori Indigenous chiefs, setting out how the two sides would govern the country.

Seymour made his controversial comments that colonisation had been an overall positive experience for Indigenous people on Thursday during a speech to mark national Waitangi Day, an annual political gathering that gives Indigenous tribes a chance to air grievances.

“I’m always amazed by the myopic drone that colonisation and everything that’s happened in our country was all bad,” said Seymour, who is leader of the right-wing ACT Party and a member of the Maori community.

“The truth is that very few things are completely bad,” Seymour had said, according to local online news site Stuff.

Describing his hecklers on Friday as “a couple of muppets shouting in the dark”, Seymour said the “silent majority up and down this country are getting a little tired of some of these antics”.

Following Seymour’s prayer on Friday, left-wing Labour Party leader Chris Hipkins was also loudly jeered by those in attendance.

On Thursday, Indigenous leader Eru Kapa-Kingi told parliamentarians “this government has stabbed us in the front,” and the previous Labour government had “stabbed us in the back”.

Seymour’s government has been accused of seeking to wind back special rights given to the country’s 900,000-strong Maori population, who were dispossessed of their land during British colonisation and remain far more likely to die early, live in poverty or be imprisoned compared with the country’s non- Indigenous population.

Controversial legislation that was tabled last year seeking to reinterpret the treaty’s principles and roll back policies designed to address inequalities experienced by Indigenous people led to protests and failed after two of the three governing parties did not vote for it.

Speaking on Friday, New Zealand Prime Minister Christopher Luxon called for national unity and for steps to address challenges faced by the Maori community.

Luxon also said the national debate over the legacy of British colonisation should remain civil.

“We don’t settle our differences through violence. We do not turn on each other; we turn towards the conversation. We work through our differences,” Luxon said in a social media post.

Denial about the destructive legacy of colonialism and its connection to contemporary challenges faced by Indigenous communities remains a frequent subject of contentious debate in former colonies around the world, including Australia and New Zealand.

“People joke that I only did it because he didn’t do his homework,” says former Premier League referee Jon Moss about the time he sent off James Milner.

Twenty-four years after making his debut, Milner, 40, will equal the record for most Premier League appearances if he features for Brighton against Crystal Palace on Sunday.

A stellar career spanning more than two decades, six top-flight clubs, 652 Premier League appearances, 61 England caps, three Premier League titles, two FA Cups and one Champions League triumph has also delivered some unexpected moments.

Like the time Milner – known as ‘Millie’, external by those close to him – was sent off by Moss, his former teacher at Westbrook Lane Primary School in Horsforth, Leeds, while playing for Liverpool against Crystal Palace in 2019.

“He said I couldn’t wait to get my card out,” laughs Moss about dismissing his former pupil after switching careers.

“People say I’m the only teacher to send off one of his pupils in a Premier League game. We can both laugh about it now.”

Milner is set to go level with Gareth Barry, who played 653 times, at the top of the all-time Premier League appearance list some 8,491 days after making his debut for hometown club Leeds United soon after leaving school in 2002.

“I think that will be a special thing for him but he is focused on top of that on the ambitions from the club as well. He wants to be always successful like he was his whole life,” said Brighton manager Fabian Hurzeler.

“He is a driver of this winning mentality and I think it’s very important to have these kind of players in the squad.

“They know how to win, they know what it needs to win, how you need to prepare a game, how you react in bad phases like on bad runs we have at the moment.”

Alan Shearer, who played with Milner at Newcastle, describes him as a model professional and a “manager’s dream”.

“You would do well if you had him in your squad because you knew exactly what you were going to get,” adds former England captain Shearer.

This is the story about a young lad from Leeds who evolved to set standards for hard work, professionalism and longevity – and earn respect from fans all over the world.

VICTORIA Beckham’s £104 foundation has sold out in the two weeks since son Brooklyn disowned her — as fans throw their support behind the ex-Spice Girl.

It is now the most successful product in her beauty range — and means she stands to make her greatest turnover this year.

The Foundation Drops have sold out in several shades, with the waiting list the longest since she launched her range in 2019.

Currently one of her satin kajal eyeliners sells every 30 seconds.

But the foundation is on track to sell every 20 seconds once stocks are replenished.

January, traditionally the quietest month in the online beauty world, has been Victoria’s busiest to date as fans launched a viral campaign to promote her products.

Read more on Victoria Beckham

FASHION CLASH

Nicola Peltz and Victoria Beckham clash as both release shoots on same day

dressing down

Nicola Peltz reveals detail on Victoria Beckham row

It comes after they got her 2001 hit, Not Such An Innocent Girl, to number one in the charts last month following Brooklyn’s Instagram tirade.

After months of feuding, Brooklyn 26, said he has no desire to reconcile with Victoria, 51, and dad David, 50.

A source said: “Personally it may well have been one of the worst months of Victoria’s life but professionally, these past four weeks have been astonishing.

“Not only did fans get her to number one, TikTok then went into overdrive reviewing her foundation. It got rave reviews, with make-up artists and beauty enthusiasts waxing lyrical.

“Having already sold well in the build-up to Christmas, in the wake of Brooklyn’s bombshell statement, it has had a second surge online.

“As a result, there are now enormous waiting lists and it has become her biggest ever selling hero product.”

Victoria’s most recent Companies House reports showed a 26 per cent revenue increase year on year, with turnover of almost £113million.

Feb. 5 (Asia Today) — K Bank has lowered its proposed offering price as it makes a third attempt at an initial public offering, betting that a stronger stock market and a deeper discount will help it clear investor demand.

According to the financial investment industry, K Bank is offering 60 million shares with a target fundraising range of 498 billion to 570 billion won (about $373 million to $427 million). The proposed price band of 8,300 to 9,500 won represents a 20.83% cut from the 12,000-won upper limit floated during its failed 2024 IPO attempt.

Lee Jun-hyung, the company’s chief financial officer, said the price was set at about a 20% discount and is “20% to 30% lower than peers such as Kakao Bank and Japan’s Rakuten Bank.”

Market attention is focused on whether K Bank can secure sufficient institutional demand this time. The book-building process, which began Tuesday, runs through Monday. Industry officials noted that participation often concentrates on the final day, making it too early to judge the outcome.

If listed, K Bank plans to accelerate a non-interest income strategy centered on small businesses, platform services and digital assets. At an IPO press conference in Seoul, Chief Executive Officer Choi Woo-hyung said the bank aims to expand its retail base and open ecosystem while broadening its portfolio to include sole proprietors and small and medium-sized companies.

Choi also said the lender is preparing for future stablecoin-related business, citing its ongoing partnership with Upbit and internal development of blockchain technology, including patent filings.

Following a successful listing, K Bank plans to enhance shareholder returns. Choi said the bank is targeting a return on equity above 15% and will consider dividends or treasury share buybacks once it achieves a sustained double-digit ROE.

The IPO is being led by NH Investment & Securities and Samsung Securities, with Shinhan Investment Corporation participating in the underwriting syndicate. The listing is scheduled for March 5.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260205010002198

SYDNEY Sweeney has debuted a sexy lingerie look, leaving fans’ jaws on the floor as she posed in a black thong and matching bra.

The stay recently announced her new brand, Syrn, which she’s been feverishly promoting with paparazzi-style shots, and daring ads.

Sydney, 28, posed for the camera in a lacy black bra, a tiny thong, thigh-high tights, suspenders, and a matching silk robe.

She shielded her face from the flash in the snaps, posted to the Syrn Instagram Story.

The promotional pic comes days after the release of a racy ad, showing the Euphoria actress doing some work around the yard in itty bitty lingerie.

SHOWSTOPPER

In the ad, she’s seen in a tiny house getting ready to start her day.

Birds outside her window are chirping, carrying bras and underwear on a wire.

She then heads out to do yard work, tending to a ruse bush, trimming imperfections off a shrub shaped after her body, and mowing the lawn.

After a long day of work, the bra and panty-clad star strips down to slip into something more comfortable.

Her silhouette is seen in the window as she slips off her bra and tosses it out.

Sydney’s impressive figure is on full display in the ad, which promotes the latest release from her brand.

She previously shared that Syrn will offer designs split into four “personas” – seductress, romantic, playful and comfy.

The range will come in 44 sizes from 30B to 42DDD.

She said at the time: “The secret is finally out . . . this is lingerie you wear for YOU, no explanation, no apology.

“I wanted to create a place where women can move between all the different versions of who we are.

“I love working on cars, I go water skiing, I’ll dress up for the red carpet then go home to snuggle my dogs.

“I’m not one thing, no woman is.”

Feb. 5 (Asia Today) — South Korean fashion platform Musinsa said Thursday that more than 2,000 people applied during the document submission stage of its open recruitment for “AI-native” entry-level developers.

Musinsa said the hiring drive, launched last month, will move into its full selection process this month. The company plans to introduce an AI-based evaluation method in second-round interviews, where practical skills are a key focus.

Musinsa said the process will use technology from global artificial intelligence company OpenAI to assess applicants’ problem-solving ability. Candidates who advance to interviews will be provided access to the AI coding agent Codex and asked to complete assignments designed to simulate real working conditions.

Applicants will be allowed to use a range of tools, including AI, rather than being restricted to specific software, Musinsa said. The company said it aims to evaluate “AI-native” capabilities, defined as the ability to integrate AI into practical work, not just coding proficiency.

Musinsa said the evaluation will run through its in-house AI assessment system and will focus on fairness and objectivity. The company said it is also considering expanding the use of OpenAI technology across its operations after the recruitment process.

A Musinsa official said the number of applicants reflects strong market interest in AI-native developers and that evaluating problem-solving with AI tools will be central to identifying the talent the company is seeking.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260205010002239

The Rafah crossing between Gaza and Egypt has finally partially opened this week after two years of Israeli-mandated closure. The news offers relief for many – particularly those Palestinians in urgent need of treatment abroad.

But for many elderly Palestinians in Gaza, staying in the enclave is an act of survival, resistance, and historical memory. Rafah may be open, but they are not planning to go anywhere.

In Kefaya al-Assar’s mind, that decision to stay is an effort to correct what she perceives to have been a historical mistake made by her parents – fleeing their village of Julis, which was depopulated in the 1948 Nakba, and is now within Israel.

“We blamed [our parents] a lot for leaving our home there,” said the 73-year-old Kefaya.

Kefaya has faced displacement during Israel’s genocidal war on Gaza five times. Originally from Jabalia in northern Gaza, she now shelters in a classroom at a school in central Gaza’s Nuseirat.

Widowed in early 2023 and without children, she said displacement revives the trauma she inherited from her parents.

“History repeats itself now,” she said. “My parents lost all their money when they were forced to flee. We also used to have money, but now we are displaced and have lost everything.”

When Kefaya was a child, her family lived in tents in Gaza’s refugee camps, before they became more permanent structures in later decades. Now, she says that she is reliving that same fate.

“I don’t want to repeat history, I want to die in my own country,” she said. “Even here, being in Nuseirat, I feel like a stranger. I wish I could go back to Jabalia.”

Her home in Jabalia was destroyed during the war, meaning that, for now, she is staying in Nuseirat. But she is still adamant that it will not mean her departure from Gaza.

“I will not leave for medical treatment outside … I choose to die on my own land rather than be treated outside,” she said.

That’s despite her own medical issues – Kefaya suffers from high blood pressure, and has not been able to receive adequate medical care because of the war.

Hidden crisis

The Rafah crossing partially opened on Monday after being largely closed by Israel since May 2024.

The opening of the crossing is part of the second phase of the Gaza “ceasefire”, even as Israel continues to violate the agreement by regularly attacking the Palestinian enclave, killing hundreds.

Only a few dozen Palestinians have been allowed to leave so far, all patients needing treatments accompanied by family members.

Other Palestinians have also put their names on the list, some hoping to go abroad for education or simply to escape life in Gaza, where Israel has killed more than 70,000 since the war began, and destroyed the majority of buildings, meaning reconstruction will likely be a years-long process, even if Israel cooperates.

“Israel is creating unlivable conditions in Gaza, denying Palestinians all essentials of life,” said Talal Abu Rukba, a political science professor at al-Azhar University in Gaza. “When people resist and stay in their homeland, they ruin the Israeli project of creating an Israeli state on a land ‘without a people’”.

Members of the Israeli right-wing, including members of the government, have repeatedly called for illegal settlements to be established in Gaza, and for Palestinians to be forced out.

The desire to stay in Gaza on the part of elderly Palestinians is despite a largely overlooked humanitarian crisis facing the demographic.

Research by Amnesty International and HelpAge International found that Israel’s blockade of aid and medicines to Gaza had contributed to a “physical and mental health crisis”.

“During armed conflict, older people’s needs are often overlooked. In Gaza, older people are enduring an unprecedented physical and mental health collapse as a direct result of Israel’s deliberate infliction of conditions of life calculated to bring about the physical destruction of Palestinians in Gaza,” Erika Guevara-Rosas, Amnesty International’s senior director of research, advocacy, policy and campaigns, said after the publication of the report.

The two organisations found that 76 percent of the elderly people interviewed live in tents, with 84 percent saying that their living conditions harmed their health and privacy. In addition, 68 percent of respondents had been forced to stop or reduce medication because of a lack of availability. Nearly half reported skipping meals so that others could eat.

Many are also suffering from mental health problems, with 77 percent reporting that sadness, anxiety, loneliness, or insomnia had reduced their appetite and impacted their wellbeing.

Tired and lonely

Nazmeya Radwan, 85, is one of those struggling.

Ill, underweight and unable to access medication, she still refuses to leave Gaza.

Nazmeya has her own previous experience of displacement at the hands of Israel – like Kefaya’s parents, she was forced to flee her home in the 1948 Nakba, along with about 750,000 other Palestinians.

Originally from Jerusalem, her family was displaced to Deir el-Balah, in central Gaza, after 1948.

“All my life was displacement and wars since the Nakba,” Nazmeya said. “I am 85, and tired, lonely, ill and displaced, but I would never leave Gaza. I would live as a beggar and homeless and never leave Gaza.”

ACTRESS Florence Pugh revealed her bloody face and welts on her forehead in new photos after undergoing “Botox and fillers.”

The A-list star got candid about the beauty treatments she’s endured and their shocking side effects in a series of social media posts.

Earlier this week, Florence, 30 – who is set to star in the first James Bond Amazon spin-off – shared several snapshots from her recent visit with her plastic surgeon, showing herself receiving injections in her forehead and lips.

One pic captured the Oppenheimer star sticking her tongue out at the camera while her doctor smiled as she injected a needle into her forehead, which already showed multiple red bumps.

“Just mama Pugh freezing her forehead like a responsible adult,” the Thunderbolts star teasingly wrote over the clip.

A second snap showed Florence with a neutral expression as she received filler injections in her top lip.

The Don’t Worry Darling star then showed the after-effects of the injections, including visible marks on her face.

“I wasn’t stung by a bee. I repeat: I wasn’t stung by a bee. Just had some tox and fillers,” Florence jokingly clarified in her caption.

The Pretty Woman star appears to have made a habit of prioritizing herself from a young age.

Last February, during an appearance on the National Geographic series No Taste Like Home, Florence opened up about her childhood battle with severe respiratory issues.

“I wasn’t supposed to live,” the United Kingdom native revealed.

“When I was born, they told my parents that it wasn’t going to happen, and just enjoy the time whilst you have it.

“I had many struggles growing up with my breathing, constantly being ill. Going in and out of the hospital,” Florence added.

The We Live in Time star previously revealed that she was diagnosed with tracheomalacia as a baby, a condition that causes the windpipe to collapse and makes breathing difficult.

Her parents uprooted their lives to Spain when she was three years old after doctors suggested that a warmer climate would help her breathe better.

“We were in Spain because I have a breathing issue,” Florence said in a past interview.

“I have asthma and this thing called tracheomalacia. From a young age, I’ve just had a different breathing system.”

Florence was initially on the show to trace her family’s roots through culinary creations in Oxford.

She then discovered that her 3x great-grandparents, Mauritz and Anna, who emigrated from the Netherlands to London in the mid-1800s, had a daughter, Florence, who died at just four days old.

The actress learned that her relative likely died from tuberculosis, prompting her to reflect on her own health struggles growing up.

US and Iranian officials are holding talks in Muscat amid escalating tensions and a US military buildup in the Gulf.

The U.S. Air Force has released details of a live-fire test of the Rusty Dagger, one of two new Extended Range Attack Munitions (ERAM) being developed under a crash program. The milestone suggests that Ukraine is a step closer to getting its hands on thousands of air-launched ERAMs that will provide the country with a powerful new and relatively low-cost standoff strike capability. The event is also significant in terms of the Pentagon’s focus on rapidly developing and bringing into operational service new, less-expensive weapons that can be built at scale.

The Air Force recently confirmed that the ERAM standoff cruise missile was tested at the Eglin Test and Training Range in Florida on January 21, 2025, less than 16 months from the program’s initial contract award. The service’s statement doesn’t mention the Rusty Dagger by name, but the weapon is clearly seen in a sequence of photos that show the missile heading vertically down to engage a static target before its live warhead detonates. It’s unclear what platform was used to launch the missile during the test.

ERAM is understood to have a range of between 150 and 280 miles. It is in the 500-pound class and has a blast/fragmentation warhead with at least some degree of penetrating capability.

Alongside industry, the Eglin test was run by the Air Force Life Cycle Management Center’s Armament Directorate and the 96th Test Wing, a unit that you can read more about in this TWZ article.

The manufacturer of the Rusty Dagger, Zone 5 Technologies, also announced the test on its LinkedIn page.

“The event, which met all primary objectives including a full warhead detonation, gathered critical data to mature a new, cost-effective, long-range strike capability,” the Air Force said.

“Moving from a contract to a live-fire demonstration in under two years proves we can deliver lethal, cost-effective capability at the speed of relevance,” said Brig. Gen. Robert Lyons III, Portfolio Acquisition Executive for Weapons, in an Air Force statement. “This is how we rebuild our military — by empowering our teams and industry partners to cut through bureaucracy and deliver the tools our warfighters need to prevail.”

“The future fight demands we create an asymmetric advantage by developing cost-effective, attritable systems like ERAM that give commanders the ability to generate mass,” added Brig. Gen. Mark Massaro, 96th TW commander. “This test is a critical milestone on that path. The expert teams who executed this complex mission provided the high-fidelity data we need to validate this system, ensuring that when it reaches the warfighter, it is a proven and ready tool for the right target. This is the cornerstone of building a more lethal and effective Joint Force.”

In January 2024, the U.S. Air Force issued its first public contracting notice regarding ERAM, a request for information (RFI), but made no mention at that time about any connection to Ukraine.

It was reported in August 2025 that Washington had approved the sale of 3,350 ERAM missiles to Kyiv. That package is said to be worth around $850 million, with most of the funds coming from Ukraine’s European allies.

As well as the Rusty Dagger from Zone 5 Technologies, CoAspire developed the Rapidly Adaptable Affordable Cruise Missile (RAACM) under the ERAM program. It’s unclear if Ukraine will receive only one of these designs or a mixture of both types. You can read more about the implications of the ERAM for Ukraine and the Ukrainian Air Force platforms that might be in line to carry the munitions here.

Two candidate weapon prototypes competing for the US Air Force’s Extended-Range Attack Munition program 👇. Both Coaspire and Zone 5 Technologies were awarded contracts late last year in support of the #ERAM program. Both are expected to enter testing this year. https://t.co/9cGBuB9z3s pic.twitter.com/gc3ZDtX54m

— AirPower | MIL-STD (@AirPowerNEW1) February 9, 2025

RAACM Cruise Missile Video Long Range Flights Summer 2025 Cleared for Public Release

Suffice it to say, the ERAM will provide the Ukrainian Air Force with an important new capacity to strike targets beyond the reach of many of the weapons currently in its arsenal, including Western-supplied precision-guided bombs. It will make Ukraine better able to hold at risk a range of Russian targets far from the front lines — command-and-control facilities, air defenses, logistics hubs, military-industrial capacity, and airfields, for example — helping offset Russian advantages in terms of manpower, weaponry, and resources.

However, it remains unclear whether or not Kyiv will be able to use ERAM to strike targets deep within Russia, with these previously having been designated off-limits, at least for the U.S.-donated Army Tactical Missile System (ATACMS).

In addition to what it will provide Ukraine, the ERAM effort could well prove to be a big deal for other U.S. allies and partners, and the U.S. military itself.

In the RFP, it was said that ERAM would be “pivotal for accelerating Ukraine’s capability to meet warfighter needs efficiently and effectively and provides an affordable mass weapon to be produced at scale.” The Air Force added: “The Government is seeking to prototype and adapt commercial autonomous modular open-architecture vehicle [sic] that can deliver affordable long-range effects. The resultant prototype will provide a platform that is mass producible.”

Exactly the same concerns are increasingly at the front of war planners’ minds in the United States, too.

When it comes to planning around a potential future high-end conflict with China, the U.S. military is now looking closely at new kinds of weapons with standoff range. Importantly, these need to be rapidly developed and then their production capacity and stockpiles scaled up.

A number of U.S. efforts are now underway with the aim of reducing costs and speeding up large-scale production of weapons systems, especially uncrewed platforms. In parallel to these are plans to prepare missile stockpiles resilient enough for any future high-end conflict, especially one against China.

The original RFI for ERAM included the requirement that 1,000 examples of the new missile could be built within two years, for an average production output of around 42 missiles per month.

As such, ERAM is very much a test case for this kind of program.

Notably, Zone 5 is also involved in the U.S. Air Force’s Enterprise Test Vehicle (ETV). Under this program, four companies — the others are Anduril, Leidos subsidiary Dynetics, and Integrated Solutions for Systems, Inc. — were tapped to design and deliver prototype ETVs. Ostensibly low-cost cruise missiles, the designs in question skirt an increasingly blurry line separating traditional cruise missiles from uncrewed aerial systems, especially longer-range kamikaze drones, as well as decoys.

Looking at the same kind of space more broadly, it is clearly a growth area among defense contractors, both well-established ones like Lockheed Martin and relative newcomers such as Anduril and Kratos.

In August of last year, it was reported that the first ERAM missiles were expected to be delivered to Ukraine “in around six weeks.”

So far, there’s no sign that the missiles have arrived, but that possibility cannot be ruled out, especially bearing in mind an end-to-end test of the Rusty Dagger a little more than a year ago.

Whether it’s now in Ukrainian hands or not, the combat experience of ERAM in Ukraine will be hugely valuable, not just in terms of the technology that will be employed, but also as a prototype program for how the U.S. military might develop and field its next generation of weapons in this class.

Contact the author: thomas@thewarzone.com

Just five days after Philip Glass, one of the world’s most famous and revered living composers, canceled the world premiere of his “Lincoln” symphony at the Kennedy Center, President Trump announced he would close the nation’s premier arts center for two years for major renovations.

The arts world — already spinning from the sweeping changes to the venue that began almost a year ago when Trump fired the board and installed himself as chairman — was gobsmacked by the shocking news. And although the president said in a social media post that the closure was about building a “World Class Bastion of Arts, Music, and Entertainment, far better than it has ever been before,” speculation abounded that the unexpected move was more about saving face.

Ticket sales had been plummeting since Trump’s takeover and high-profile artists continued to jump ship, a trend that accelerated late last year after the board voted to rename the building the Trump Kennedy center.

Embarrassment could have been a factor in the rash decision, but Trump is not a man who appears to be afflicted by that particular emotion, which takes its cue from a certain amount of self-awareness and humility. For this reason, I am venturing another guess about the president’s motive for pulling the rug out from under the storied venue: retribution.

If ungrateful artists don’t want to play at the Kennedy Center, the Kennedy Center will no longer be around for them to use. Take that.

Since assuming office for the second time last January, exacting revenge on his perceived enemies has been Trump’s main modus operandi. It has animated many of his most stunning decisions, including his early executive orders stripping security clearance and federal court access from law firms who represented his perceived enemies; his many lawsuits against media operations that displeased him; his freezing of federal funding for universities that refused to do his bidding; his indictment of former FBI director James Comey and the investigation of Federal Reserve Chair Jerome Powell. The list goes on and on.

The Kennedy Center was supposed to mark a vainglorious Trump’s ascendance to the pinnacle of cultural cachet, but instead the culturati shunned and humiliated him — refusing to join his party. New York City high society did the same before he was president. It was a pattern both familiar and painful. So Trump, like the man-child he is, took his ball and went home.

In this case, that ball happens to be the complex that serves as the symbolic seat of the nation’s vibrant, messy, questioning, deeply political and hugely alive arts and culture scene. To lose access to this beating heart — and all that it represents — is a grievous loss for our national identity. Its meaning was enshrined in President Kennedy’s vision for the center, and written on its walls, as the realization of a country, “which commands respect throughout the world not only for its strength but for its civilization as well.”

Like many of Trump’s controversial construction projects, the wholesale re-imagining of the Kennedy Center will likely face immediate and lengthy pushback in court. This could mean that it never gets done, and the center remains closed indefinitely. Or we could wake up tomorrow to news that bulldozers have arrived onsite and have begun the process of razing architect Edward Durell Stone’s historic 1971 building — as happened with the East Wing of the White House.

Roma Daravi, the center’s vice president of public relations, wrote in an email that the renovations would include, “Repairing and, where necessary, replacing elements on the exterior of the building to ensure the long-term preservation and integrity of the structure,” as well as getting the building up to code and making fixes to the center’s “HVAC, plumbing, electrical, fire protection, vertical transportation systems, and technical stage systems,” as well as improving parking. She also wrote that the center, which hosts 2 million visitors annually, is working closely with the National Symphony Orchestra, and will “continue to support them with funding at the same level as recent years.”

Nonetheless, the most frightening thing about this new era under Trump is that anything is possible, and we sometimes don’t know exactly what that means until it is far too late.

I’m Arts Editor Jessica Gelt, and here’s your arts and culture news for the week.

On our radar

Yunchan Lim performs next weekend with the L.A. Philharmonic.

(LA Phil)

Dudamel Conducts Beethoven and Lorenz
Playwright Jeremy O. Harris reconceptualizes Johann Wolfgang von Goethe’s play “Egmont,” with narration by actor Cate Blanchett and maestro Gustavo Dudamel leading the Los Angeles Philharmonic in Beethoven’s complete incidental music. The evening begins with the world premiere of Ricardo Lorenz’s “Humboldt’s Nature,” inspired by the South American travels of philosopher and naturalist Alexander von Humboldt, followed by 2022 Van Cliburn winner Yunchan Lim performing Robert Schumann’s “Piano Concerto in A minor, Op. 54.”
8 p.m. Thursday; 11 a.m. Feb. 13; 8 p.m. Feb. 14; 2 p.m. Feb. 15. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com/events

A scan of the face Nes-Hor, an ancient Egyptian priest whose mummy is featured in “Mummies of the World: The Exhibition” at the California ScienceCenter.

(California ScienceCenter)

Mummies of the World
The scientific study of naturally and intentionally preserved corpses illuminates the lives of ancient people, past cultures and the present in this exhibition that includes more than 30 real-life mummies.
10 a.m.-5 p.m., through Sept. 7. California ScienceCenter, 700 Exposition Park Drive. californiasciencecenter.org

Ann Noble as “Richard III” at A Noise Within.

(Daniel Reichert)

Richard lll
Guillermo Cienfuegos directs this fast-paced reinterpretation of William Shakespeare’s history play, reset in 1970s Britain with Ann Noble in the title role as one of the most fascinating villains ever.
Sunday through March 8. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

The week ahead: A curated calendar

FRIDAY
The Abduction from the Seraglio
Pacific Opera Project performs its “Star Trek”-themed parody of Mozart’s in L.A. for the first time in a decade.
7:30 p.m. Friday and Saturday; and 3 p.m. Sunday. Thorne Auditorium, Occidental College, 1600 Campus Road. pacificoperaproject.com

Thomas Adès and Yuja Wang
Composer Adès leads the L.A. Phil in Tchaikovsky’s “Francesca da Rimini , Op. 32,” the U.S. premiere of William Marsey’s “Man With Limp Wrist” and Adès own work “Aquifer”; and pianist Wang performs Prokofiev’s “Piano Concerto No. 2 in G minor, Op. 16.”
8 p.m. Friday; 2 p.m. Saturday and Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Rickie Lee Jones performs Friday and Saturday at the Wallis.

(Amy Harris / invision/ap)

Rickie Lee Jones
The singer, musician and songwriter brings her genre-defying vocals, crisscrossing rock, R&B, pop, soul and jazz, to the Wallis for two shows.
7:30 p.m. Friday and Saturday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

Laguna Beach Music Festival
Violinist Stefan Jackiw is joined by Kevin Ahfat on piano, the Parker Quartet and story artist Xai Yaj for a program featuring Beethoven and Janáček on Friday; and on Saturday, Jackiw, Ahfat and the Parker Quartet, along with clarinetist Yoonah Kim and musicians from the Colburn School perform works by American composers Florence Price, Leonard Bernstein, Eric Nathan and Aaron Copland, conducted by Steven Schick.
8 p.m. Friday; 7 p.m. Saturday. Laguna Playhouse, 606 Laguna Canyon Road, Laguna Beach. philharmonicsociety.org

SATURDAY
asses.masses
Patrick Blenkarn and Milton Lim’s immersive, eight-hour video game experience — with intermissions, refreshments and a meal included — involves unemployed donkeys demanding that humans surrender their machines and give the animals back their jobs.
1 p.m. Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu

Chicano Camera Culture: A Photographic History, 1966 to 2026
The exhibition examines Chicana/o/x lens-based image-making through 150 works by nearly 50 artists.
Through Sept. 6. The Cheech, 3581 Mission Inn Ave., Riverside; through July 5. Riverside Art Museum, 3425 Mission Inn Ave. riversideartmuseum.org

Katie Holmes stars in “Hedda Gabler” at the Old Globe Theatre in San Diego.

(Jan Welters)

Hedda Gabler
Katie Holmes headlines this new version of Henrik Ibsen’s classic drama adapted by Erin Cressida Wilson and directed by Barry Edelstein.
Through March 15. Old Globe Theatre, 1363 Old Globe Way, San Diego. theoldglobe.org

Just Me – Pico Union
This concert by the award-winning ensemble Tonality, led by founder and Artistic Director Alexander Lloyd Blake, honors and shares the stories of transgender and non-binary individuals.
7 p.m. Saturday. The Pico Union Project, 1153 Valencia St., Los Angeles. ourtonality.org

Mandy Patinkin in Concert: Being Alive
The stage-and-screen star, accompanied by Adam Ben-David on piano, performs Broadway and classic American tunes written by Irving Berlin, Stephen Sondheim, Cole Porter and Harry Chapin.
8 p.m. Saturday. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

The orchestral collective Wild Up performs Saturday at the Broad.

(Ian Byers-Gamber)

Wild Up
The orchestral collective presents “The Great Learning, Paragraphs 2 and 7” by Cornelius Cardew, a community collaboration with 30 pre-appointed non-musicians.
8 and 10 p.m. Saturday. The Broad, 221 S. Grand Ave., downtown L.A. thebroad.org

SUNDAY
From Fugue to Fantasia: Debussy, Mozart, and More
Colburn alum and violinist Blake Pouliot is joined by Jonathan Brown on viola and percussionist Matthew Howard.
4 p.m. Sunday. Thayer Hall, Colburn School, 200 S. Grand Ave., downtown L.A. colburnschool.edu

MONDAY
American International Paderewski Piano Competition
Twenty-five young professional pianists vie for a $10,000 grand prize named for Ignacy Jan Paderewski, a celebrated European concert pianist and composer, who helped lead Poland’s battle for independence after World War I and later served as the nation’s prime minister.
1 p.m. Monday-Wednesday; 11 a.m. Feb. 13 and 5 p.m. Feb. 14. Murphy Recital Hall, Loyola Marymount University, 1955 Ignatian Circle. paderewskimusicsociety.org

Right in the Eye
Jean-François Alcoléa, Fabrice Favriou and Thomas Desmartis play more than 50 instruments in this live concert, designed by Alcoléa, that serves as a soundtrack for 12 silent shorts by pioneering filmmaker Georges Méliès.
7 p.m. Monday. USC Cinematic Arts, Norris Cinema Theatre at the Frank Sinatra Hall, 3507 Trousdale Parkway. https://cinema.usc.edu/events/event.cfm?id=72935

TUESDAY
House on Fire
The new music trio of Andrew Anderson, Wells Leng and Richard An perform a program of works for pianos, keyboards and other instruments by Tristan Perich, Erin Rogers, Matthias Kranebitter, Yifeng Yvonne Yuan, Erich Barganier, and group members An and Leng
8 p.m. Tuesday. 2220 Arts + Archives, 2220 Beverly Blvd. pianospheres.org

sex, lies and videotape
The Los Angeles Film Critics Assn. presents a screening of Steven Soderbergh’s breakout 1989 indie starring James Spader, Andie MacDowell, Peter Gallagher and Laura San Giacomo with Giacomo in conversation with critic Lael Loewenstein.
7:30 p.m. Tuesday. Egyptian Theatre, 6712 Hollywood Blvd. egyptiantheatre.com

WEDNESDAY
Amadeus
A new production of Peter Shaffer’s music-infused drama stars Jefferson Mays as Salieri, Sam Clemmett as Mozart and Lauren Worsham as Constanze, with Tony Award winner Darko Tresnjak directing. The Pasadena Conservatory of Music will offer 10-minute Micro Mozart Concerts before every performance
Wednesday through March 8. Pasadena Playhouse, 39 S. El Molina Ave. pasadenaplayhouse.org

Yefim Bronfman
The pianist performs works by Schumann, Brahms, Debussy and Beethoven in a Colburn Celebrity Recital.
8 p.m. Wednesday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Here Lies Love
Snehal Desai directs an all-new production of the musical about former First Lady of the Philippines Imelda Marcos, with concept, music and lyrics by David Byrne and music by Fatboy Slim and choreography by William Carlos Angulo.
Through March 22. Mark Taper Forum, 135 N. Grand Ave., downtown L.A. centertheatregroup.org

THURSDAY
Intersect Palm Springs Arts + Design Fair
Collectors, designers and curators convene in the Coachella Valley to present new work and share ideas with one another and the public.
4-6 p.m. VIP only and 6-8 p.m.Thursday; 11 a.m.-6 p.m. Feb. 13-15; 11 a.m.-5 p.m. ; Feb. 16. Palm Springs Convention Center, 277 N. Avenida Caballeros. intersectpalmsprings.com

Culture news and the SoCal scene

More on the Kennedy Center
Times classical music critic Mark Swed weighed in on the Kennedy Center’s closure with a deeply knowledgeable piece about the history of the storied venue, and how it has always been a place marked, and sometimes marred, by politics — just never in this way. “The Kennedy Center proved political from Day 1. Leonard Bernstein was commissioned to write a theatrical piece for the center’s opening in 1971, which turned out to be an irreverent ‘Mass’ — musically, liturgically, culturally and, most assuredly, politically. Most of all it was an unmistakable protest against the Vietnam War. In his own protest, President Nixon stayed home,” Swed writes.

And here’s my breaking news story about Trump’s announced closure of the venue.

Many nights at the opera
Meanwhile, arts and entertainment writer Malia Mendez penned a lovely piece announcing L.A. Opera’s 2026-27 season — the first under its new music director, Domingo Hindoyan, who takes over after longtime leader James Conlon steps down. Fun fact: Hindoyan and soon-to-depart Los Angeles Philharmonic music director Gustavo Dudamel have been friends since their days together in Venezuela’s world-renowned youth orchestra El Sistema.

Mark your calendar
On Thursday, Malia scored another exclusive, reporting on LACMA’s announcement that the David Geffen Galleries, the pinnacle of a two-decade campus transformation, will officially open April 19. Museum members will have two weeks of priority access to the galleries, with general admission beginning May 4. It was nearly a decade ago that business magnate David Geffen made a record-high $150-million donation toward the construction of a new museum building to be designed by Pritzker Prize-winning architect Peter Zumthor. The $720-million structure will serve as the new home for LACMA’s permanent collection with 90 exhibition galleries organized thematically rather than by medium or chronology. “It’s kind of a worldview,” LACMA Director and Chief Executive Michael Govan told The Times. “It’s big enough that it can hold the world.”

Will Swenson stars as “Sweeney Todd” at the La Mirada Theatre for the Performing Arts.

(Jason Niedle / TETHOS)

A bloody good time
Comedian, musical theater star and “Seinfeld” alum Jason Alexander directed a revival of “Sweeney Todd: The Demon Barber of Fleet Street” at La Mirada Theatre for the Performing Arts, and Times theater critic Charles McNulty was there to catch it. “Alexander’s production of ‘Sweeney Todd’ has breadth and heft, but also intimacy and lightness,” McNulty writes in his review.

Rebuilding Altadena
Times contributor Sam Lubell wrote a comprehensive piece about the rebuilding of Altadena’s community spaces and parks in the wake of the Eaton fire, a task that has attracted the talent and attention of Disney Imagineers and Pritzker Prize-winning architect Shigeru Ban.

New Hammer hires
Exciting staffing news arrives from the Hammer Museum at UCLA, which announced two new leadership appointments: Michael Wellen has been named the museum’s new chief curator; and Regan Pro is being brought on in the newly created role of chief of learning, engagement, and research, taking the lead on public programs and community partnerships, as well as K-12, family, and university initiatives. Both new hires will report to museum director Zoë Ryan. Wellen arrives from London’s Tate Modern where he is currently senior curator of international art; and Pro is a longtime arts leader and educator who most recently served as the deputy director of public programs and social impact at the Lucas Museum of Narrative Art.

Alexander Shelley has been named music director of Pacific Symphony.

(Curtis Perry)

Taking the baton
Pacific Symphony announced its 2026-27 Classical Series, marking the orchestra’s 48th season, and its first under the leadership of its new artistic and music director, Alexander Shelley. The season’s two opening programs will celebrate the 20th anniversary of the Renée and Henry Segerstrom Concert Hall, and the 40th anniversary of Segerstrom Center for the Arts. The opening night celebration in September features violinist Joshua Bell, after which Shelley will guide the season through a series of classic works, beginning with Mahler’s Second Symphony. A season highlight will be a program called America 250, which celebrates the country’s semiquincentennial and includes work by Leonard Bernstein, Igor Stravinsky and Aaron Copland. Also on the calendar: John Adams’ Pulitzer Prize-winning opera, “Nixon in China,” and a two-week Beethoven Revolution Festival.

— Jessica Gelt

And last but not least

Do you want to get so close to an elephant that you can see his or her eyelashes? I do. I really do.

BREAKINGBREAKING,

US says two people were killed in strike on a vessel in the Pacific Ocean, continuing a campaign denounced as illegal.

The United States military has said that it killed two people in its latest attack on a vessel in the eastern Pacific Ocean.

US Southern Command (SOUTHCOM), which oversees US military operations in Latin America, said on Thursday that “two narco-terrorists were killed during this action”.

SOUTHCOM did not provide any evidence to support its claim that the vessel and the two victims were involved in drug trafficking.

US strikes on vessels in the Pacific and Caribbean, which have killed at least 126 people in 34 attacks since the first recorded incident in September 2025, have been widely denounced as illegal under international law.

The latest strike appears to be the first conducted by the Trump administration in 2026, according to records of the strikes tabulated by the watchdog group Airwars.

This is a breaking news story. More to follow shortly.

The world’s most popular cryptocurrency has lost about one-third of its value since the start of the year.

Bitcoin has fallen sharply, racking up more losses after a tumultuous week for the world’s most popular cryptocurrency.

The digital currency was down nearly 14 percent on Friday morning, hovering at about $62,900 as of 01:00 GMT.

The slide continues a run of steep losses that kicked off last weekend, when the digital currency fell below $80,000.

After the latest tumble, Bitcoin, which is famed for its dramatic price swings, is down about one-third in value since the start of the year.

Bitcoin soared after United States President Donald Trump’s re-election raised expectations that Washington would adopt a crypto-friendly regulatory regime after years of crackdowns, with the digital currency hitting $100,000 for the first time in December 2024.

But the digital asset has largely been on a downward spiral since October, when it hit an all-time peak of more than $127,000, amid geopolitical and regulatory uncertainty.

A Trump-backed bill to regulate the trade of digital assets has stalled in the US Senate amid divisions between banks and cryptocurrency firms.

The Trump family’s cryptocurrency firm, World Liberty Financial, has also come under scrutiny in the US Congress after The Wall Street Journal newspaper reported that representatives of an Abu Dhabi official had signed a deal to invest $500m for a major stake in the venture.

Bitcoin’s latest tumble comes amid a heavy sell-off in global stocks and commodities.

Wall Street’s benchmark S&P 500 dropped 1.2 percent on Wednesday, while the tech-focused Nasdaq Composite fell about 1.6 percent.

Shares of tech giant Amazon plunged more than 11 percent in after-hours trading after its plans to invest $200bn in artificial intelligence-related infrastructure stoked fears of a tech bubble.

In the Asia Pacific, South Korea’s KOSPI plunged about 5 percent in early morning trading, while Australia’s ASX 200 and Japan’s Nikkei 225 were down more than 1 percent and 1.6 percent, respectively.

Precious metals, which have been on a volatile ride after racking up huge gains in 2025, also continued their recent streak of losses.

Gold was down more than 4 percent on Thursday, trading at about $4,720 an ounce.

Silver, which has seen even more dramatic price swings, fell as much as 18.5 percent, trading at about $69.

Love Island All Stars viewers are convinced they have worked out Belle Hassan’s big secret

Love Island viewers reckon they’ve cracked Belle’s ‘game plan’ after clocking a telling sign.

Thursday (February 5) evening’s explosive instalment launched with the comeback of Snog, Marry, Pie – this time with a big twist. Breaking from tradition, Islanders could now pie anyone in the villa, regardless of gender.

Whitney kicked things off by snogging her partner Yamen before pledging to marry Scott, saying: “Scottisha, because he’s my best friend”.

American bombshell Sher followed suit, locking lips with her current coupling Scott. Leanne subsequently pied him, stating: “Ideally I wouldn’t be pie-ing you but I don’t do triangles, so here we are.”

However, it was Belle’s selections during Snog, Marry and Pie that sparked speculation among audiences regarding the Islander’s supposed tactics, reports OK!.

The London lass chose to wed Curtis and unsurprisingly pied her former flame Sean, who recently abandoned her for Lucinda.

In a surprising move, Belle selected Scott for a snog, confessing he’s delivered her best kiss in the villa so far. Previously, Belle and Scott haven’t shown any obvious romantic interest in one another.

However, eagle-eyed fans have been noticing subtle hints about their hidden rapport across this week’s broadcasts.

During Tuesday’s (February 3) episode, Belle intervened in a row between Scott and Sean, physically touching Scott’s chin whilst attempting to diffuse the tension.

This gesture, combined with her daring choice to kiss him, has left audiences utterly persuaded that she’s harbouring secret romantic feelings for her fellow contestant.

One viewer took to social media, writing: “Belle definitely likes Scott… #Lovelsland #LovelslandAllStars.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Another fan echoed the sentiment, exclaiming: “I F****** KNEW BELLE WANTED SCOTT,” while a third chimed in with: “Belle, you are NOT beating those allegations.”

Adding to the speculation, another viewer suggested: “Belle should come clean and tell Scott how she feels cause either one of them is going to have to save the other from this mess they’re in #LovelslandAllStars.”

Fans are even predicting that Belle is secretly hoping for Scott and Leanne’s relationship to end for good so she can make her move.

One fan theorised: “Leanne is subliminally being influenced to hate Scott. The culprit is Belle, who has a secret crush on him […]. LovelslandAllStars.”

Love Island: All Stars continues on ITV2 and ITVX tomorrow night at 9pm

Feb. 5 (Asia Today) — Business leaders, academics and policymakers gathering in Seoul agreed Thursday that South Korea’s push to become an artificial intelligence powerhouse will require a broad, system-wide response extending well beyond technological development.

The fourth Korea CEO Forum, hosted by the Korea Employers Federation, was held at the Westin Chosun Hotel under the theme “The AI Era: New Opportunities and Challenges.” The event drew large attendance from industry, academia and government, reflecting growing concern over how Korean industries should prepare for an AI-centered economic structure.

Participants repeatedly raised a central question: how Korea should respond strategically as industries move beyond the Fourth Industrial Revolution toward an AI-driven paradigm. Speakers argued that becoming an AI leader will require coordinated changes across politics, the economy, society and culture.

Opening the forum, Sohn Kyung-shik, chairman of the Korea Federation of Business Associations, underscored the need for long-term competitiveness. The first keynote was delivered by Kim Dae-sik, a professor of electrical engineering at Korea Advanced Institute of Science and Technology, who spoke on “The Era of AGI Market Dominance.”

Kim said advances in artificial intelligence will reshape not only productivity but also human thinking and decision-making, calling for education and industrial policies that can keep pace with the speed of technological change.

The forum’s highlight presentation came from Hyun Dong-jin, head of the robotics lab at Hyundai Motor Group, who outlined the expansion of human-centered AI robotics. He said the convergence of AI and robotics is transforming manufacturing and service industries, with collaborative robots and automation emerging as key competitive factors.

Hyun emphasized that robotics should complement human labor rather than replace it. He introduced the wearable robot “X-Schroder,” which adjusts assistive force based on a user’s posture, and “MobED,” an autonomous mobile platform under development. He noted that while robotic autonomy shares core elements with self-driving vehicles, robots must operate safely in spaces shared directly with humans.

Geopolitical and strategic dimensions of AI were also discussed. Kang Jun-young, a professor at Hankuk University of Foreign Studies, analyzed the impact of U.S.-China technological rivalry on global supply chains, arguing that AI leadership is increasingly intertwined with diplomacy and national security.

The forum extended beyond industry to health and demographics. Yoo Tae-woo, director of the Dr. U Together Center, discussed how AI could transform healthcare and lifestyle management in a super-aged society, stressing prevention-focused approaches to physical and mental health.

An industry participant said AI is no longer an issue limited to specific sectors but a determinant of national competitiveness, adding that AI-driven robotics will be a core pillar of future manufacturing innovation.

Participants concluded that the AI era demands a multilayered strategy encompassing talent development, industrial ecosystem building and global cooperation, alongside technological advancement.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Speaking about Trump, she added: “But I think in terms of the news cycle, the fact that you have a president who is tweeting eight different things, eight different stories, eight different things to follow up … it’s like drinking out of a fire hose right now for us.”

A Reddit user was baffled as to how American TV characters never seem to say ‘goodbye’ when ending a phone call

If you’ve ever watched an American film or TV programme, you may have clocked that characters rarely utter ‘goodbye’ before ending a phone conversation.

Instead, they simply cut the call short without a second’s hesitation, seemingly unbothered by what might elsewhere be deemed discourteous.

Yet there’s actually a proper filmmaking explanation behind why characters skip the pleasantries when ringing off – and it boils down to pure practicality.

Baffled by this phenomenon, one Reddit user asked: “Why do most characters just hang up the phone without saying goodbye? Over the past few years, I have seen people just hanging up.

“Sometimes mid-conversation, but mostly not. It’s like saying bye on the phone isn’t the norm anymore. Is this just to save time during the show or is it a cultural thing in the US?”.

Addressing the mystery head-on, screenwriter and producer Michael Jamin clarified matters in a TikTok clip that’s since racked up over 206,000 likes.

On his account @michaeljaminwriter, Michael – whose credits include King of the Hill, Wilfred and Maron – revealed how the television business labels phrases like ‘goodbye’ as ‘shoe leather’.

He explained: “Shoe leather might make a scene feel more realistic – but it doesn’t necessarily make the scene more entertaining.

“In TV, we also have running times. We have to turn in a cut to the network for like 22 minutes. They won’t accept 22 minutes and 30 seconds. Knowing this, we always shoot long maybe 25 minutes knowing that not every scene is going to be great.

“We want to have a liberty to trim and pace up a bit – but we don’t know where.”

Michael explains that whilst trimming the opening couple of minutes proves straightforward, deciding what to axe beyond that becomes increasingly difficult.

He added: “You’re like, if I cut the guy saying goodbye then maybe I get to keep my favourite joke. Eventually, you get to the point where you’re not even writing the bye into the script knowing you’ll just cut it later.”

The admission sparked plenty of reaction online, with one viewer admitting: “Oh I thought it was for dramatic effect like they are too cool to say goodbye.”

Another added: “From now on, I will quit saying goodbye and use that time to maybe go on vacation when I’m old.”

A third wrote: “I’m from Europe and when I was younger I thought that’s the way people in the US end their phone calls…” Whilst another said: “So glad you weighed in on this. I’m a firm believer that it’s more distracting to say goodbye in a film or tv show. Big fan Michael!”

The Department of Homeland Security (DHS) is facing the possibility it could run out of funding next week, as Democrats press for reforms to its immigration enforcement tactics.

But Republican leaders on Thursday pushed back against the Democratic proposals, rejecting them as moot.

Senate Majority Leader John Thune, for instance, called the demands “unrealistic and unserious”.

“This is not a blank check situation where Republicans just do agree to a list of Democrat demands,” Thune said, adding that the two parties appeared to be at an impasse.

“We aren’t anywhere close to having any sort of an agreement.”

Congress needs to pass funding legislation for the DHS by February 13, or else its programmes could be temporarily shuttered.

Ten demands from Democrats

Currently, Democrats are focused on changes to DHS’s immigration operations, particularly through programmes like Immigration and Customs Enforcement (ICE) and Customs and Border Protection (CBP).

But any funding shortfall stands to affect other Homeland Security functions as well, including the services offered by Federal Emergency Management Agency (FEMA) and the Transportation Security Administration (TSA), which conducts security screenings at airports.

Top Democrats, however, have argued that a Homeland Security shutdown is necessary, given the abuses that have unfolded under President Donald Trump’s immigration crackdown.

Just last month, two US citizens, Alex Pretti and Renee Nicole Good, were killed at the hands of immigration agents in Minneapolis, Minnesota, in incidents that were caught on bystander video.

Their shooting deaths have since gone viral, prompting international outrage. Other footage shows masked agents deploying chemical agents and beating civilians who were documenting their activities or protesting – activities protected under the US Constitution.

To protect civil liberties and avoid further bloodshed, Democrats on Wednesday night released a series of 10 demands.

Many pertain to agent transparency. One of the demands was a ban on immigration agents wearing face masks, and another would require them to prominently display their identification number and agency.

Body cameras would also be mandated, though the Democrats clarified that the footage obtained through such devices should only be used for accountability, not to track protesters.

Other proposed rules would codify use-of-force policies in the Homeland Security Department and prohibit entry into households without a judicial warrant, as has been common practice under US law. They would also outlaw racial profiling as a metric for conducting immigration stops and arrests.

Political battle over funding

Senate Minority Leader Chuck Schumer said he was “astounded to hear” that Republicans considered the demands to be unreasonable.

“It’s about people’s basic rights. It’s about people’s safety,” Schumer said. He called on Republicans to “explain why” they objected to such standards.

In a joint statement with House Minority Leader Hakeem Jeffries, Schumer appealed to members of both parties to coalesce around what he described as common-sense guardrails.

“Federal immigration agents cannot continue to cause chaos in our cities while using taxpayer money that should be used to make life more affordable for working families,” Schumer and Jeffries wrote.

“It is critical that we come together to impose common sense reforms and accountability measures that the American people are demanding.”

Already, Democrats succeeded in separating Homeland Security funding from a spending bill passed on Tuesday to prevent a partial government shutdown.

Some Democrats and Republicans have pushed for a second split in order to vote on funding for ICE and CBP separately from FEMA and TSA spending.

But Republican leaders have opposed holding separate votes on those agencies, with Thune arguing it would amount to giving Democrats the ability to “defund law enforcement”.

Thune added that he would encourage Democrats to submit their reforms in legislation separate from Homeland Security funding.

It remains to be seen whether the two parties can agree to a compromise before the February 13 deadline. Democrats, meanwhile, have continued to push for other measures, including the removal of Homeland Security Secretary Kristi Noem.

A key nuclear arms control treaty between the United States and Russia has expired today, creating the potential for significant changes in U.S. force posture. This could include loading more warheads into Minuteman III intercontinental ballistic missiles (ICBM), restoring nuclear weapons capability to dozens of B-52 bombers, sending Ohio class ballistic missile submarines on patrol with extra Trident II submarine-launched ballistic missiles (SLBM), or fielding all-new capabilities. There are reports that American and Russian officials are negotiating a voluntary commitment to leave the two countries’ nuclear arsenals as they are, but this would be a temporary measure that could still leave open the door to a new arms race if a more permanent agreement cannot be reached.

U.S. and Russian Presidents Barack Obama and Dmitry Medvedev signed the New START Treaty in 2010, and it entered into force the following year. The terms of the deal included a provision for a one-time five-year extension, which U.S. and Russian Presidents Joe Biden and Vladimir Putin agreed to in 2021. Russia formally suspended its participation in the treaty in 2023, citing U.S. actions in relation to the war in Ukraine, but said it would voluntarily continue to abide by the imposed limits. The agreement now sunsets for good today. Years of U.S.-Russian negotiations have so far failed to produce a follow-on treaty.

New START limited each country to 700 deployed strategic missiles and bombers (700), 1,550 total strategic nuclear warheads, and 800 relevant deployed and non-deployed launchers. For purposes of the treaty, strategic missiles were defined as ICBMs and SLBMs. Each reentry vehicle inside a single ICBM or SLBM, as well as each nuclear-capable heavy bomber, counted as a single warhead. Bombers, along with silos and mobile transporter-erector launchers for IBCMs and SLBM launch tubes on submarines, were all treated as individual launchers.

Axios has reported that U.S. and Russian negotiators in Abu Dhabi in the United Arab Emirates have been working to finalize a non-legally-binding voluntary commitment to stick to the New START limits at least for another six months. Delegations from the United States and Russia were already in the Middle Eastern country for talks regarding the ongoing conflict in Ukraine. Those meetings have separately produced an agreement to re-establish a high-level U.S.-Russian military-to-military dialogue for the first time since 2021.

The Kremlin had released a statement yesterday that, in part, reiterated a call Putin first made last September for both parties “to commit to voluntary self-limitations to keep the quantitative ceilings on the relevant weapons specified in the Treaty for at least one year after the termination of the agreement.” It’s not clear how this would be verified without the inspection provisions that were central to New START.

“Rather than extend ‘NEW START’ (A badly negotiated deal by the United States that, aside from everything else, is being grossly violated), we should have our Nuclear Experts work on a new, improved, and modernized Treaty that can last long into the future,” President Trump wrote today on his Truth Social platform. However, he did not explicitly rule out the possibility of a temporary voluntary arrangement in the interim.

“Not to my knowledge,” White House Press Secretary Karoline Leavitt said at a routine press conference today when asked about whether a temporary agreement to continue abiding by the New START limits had been reached.

Regardless, in the absence of a formally binding agreement, the U.S. government does now technically have a free hand to make major changes to the state of America’s nuclear force posture for the first time in decades. There has been talk for years already about potential near-term steps the U.S. military might take if a more permanent deal did not emerge to follow New START’s sunset.

“A one-year extension would not prejudice any of the vital steps that the United States is taking to respond to the China nuclear build-up,” Rose Gottemoeller, a long-time American diplomat who served as the lead negotiator for New START, told members of the Senate Armed Services Committee just this week. “The period will buy extra time for preparation without the added challenge of a Russian Federation, newly released from New START limitations, embarking on a rapid upload campaign. This would not be in the U.S. interest.”

Loading more warheads into LGM-30G Minuteman III ICBMs could be one option. Each of those ICBMs is currently tipped with a single warhead in line with the New START limits. However, the missiles were originally designed for a multiple independently targetable reentry vehicle (MIRV) configuration with three warheads. Even with New START in force, Minuteman IIIs have still sometimes been fired as part of routine testing with multiple unarmed reentry vehicles, demonstrating that this remains an available capability.

Minuteman III Test Launch 4 Aug 2020 Vandenberg AFB, CA

“I do believe that we need to take serious consideration in seeing what uploading and re-MIRVing the ICBM looks like, and what does it take to potentially do that,” now-retired U.S. Air Force Gen. Anthony Cotton, then head of U.S. Strategic Command (STRATCOM), told members of the Senate Armed Services Committee back in 2024.

There are questions about how long it might take to ‘upload’ more warheads onto any portion of the 400 Minuteman IIIs currently sitting in silos spread across five states, and what that would cost. At least a portion of the deployed LGM-30Gs would also need to be refitted with MIRV-capable payload buses.

The number of warheads inside deployed Trident IIs, which also have a MIRV configuration, could also change in the future. These SLBMs can carry up to 14 individual warheads, depending on their exact type, but are understood to have often not had maximum loads to keep in line with New START’s provisions.

Under the terms of the treaty, the U.S. Navy also sealed off four of the 24 tubes on each of its 10 Ohio class ballistic missile submarines. In the past, Russian officials had complained about the extent (or lack thereof) of those modifications, which also involved the removal of certain internal components, and raised concerns about being able to regularly verify that the changes had not been reversed. Still, it is unclear exactly how much effort might be required to reactivate those tubes in the future.

There is also the matter of restoring nuclear capability to dozens of B-52 bombers that were modified to only be capable of employing conventional weapons as part of New START. Russia also previously raised concerns about the reversibility of those changes, which that country said involved “removing the nuclear code enabling switch and interconnection box, mounting a code enabling switch inhibitor plate, removing applicable cable connectors, [and] capping applicable wire bundles.” Nuclear-capable B-52s are readily identifiable today by antennas mounted on either side of the rear fuselage.

There has been some public disagreement in recent years about the cost and complexity of re-nuclearizing the B-52s, something TWZ has explored in the past. In the annual defense policy bill, or National Defense Authorization Act (NDAA), for the 2025 Fiscal Year, Congress did give the U.S. Air Force authority to pursue this course of action after New START came to a close. However, the provision in the NDAA, which was signed into law in December 2024, did not explicitly compel the service to do so.

There could be additional downstream impacts on the U.S. nuclear arsenal if a more formalized follow-on to New START does not emerge. This might include a MIRVed configuration for future LGM-35A Sentinel ICBMs, expanded orders for nuclear-capable B-21 Raider stealth bombers, and changes to the expected loadout of the forthcoming Colombia class nuclear ballistic missile submarines.

The U.S. Air Force is already looking to ramp up B-21 production, with the possibility that this could lead to an increased overall fleet size in the future. American officials have been supportive of buying additional Raiders beyond the currently stated acquisition target of 100 aircraft. The possibility of purchasing 145 or more of the bombers has been raised in the past. The Air & Space Forces Association’s internal Mitchell Institute for Aerospace Studies think tank is set to release a new white paper next Monday that calls for a future fleet of at least 200 B-21s (as well as 300 F-47 sixth-generation fighters).

Future U.S. developments could also extend to categories of nuclear weapons not currently in the American arsenal. The Air Force has at least explored the idea of a nuclear-armed hypersonic boost-glide vehicle. Retired U.S. Navy Adm. Charles Richard, who served as head of STRATCOM from 2019 to 2022, issued a new call for the U.S. military to develop a weapon of this kind at a hearing before the Senate Armed Services Committee this week. This is a capability already in service in Russia, at least to a degree. China has also been pursuing nuclear-capable weapons of this type, if they have not fielded them operationally already. The Russian and Chinese armed forces have also been working on other novel nuclear weapon capabilities, including space-based systems, which could influence future U.S. planning going forward.

It is worth noting here that any efforts to increase the total size of America’s stockpile, rather than field new capabilities that replace existing ones, would require significant investments on various levels. Last year, the Congressional Budget Office (CBO) estimated that the current slate of U.S. nuclear modernization efforts would cost nearly a trillion dollars, in total, between 2025 and 2034. The U.S. military is also now pushing ahead with the Golden Dome missile defense initiative, which is also expected to run into the hundreds of billions of dollars and will otherwise impact the strategic landscape.

China, which is in the midst of a massive buildup of its nuclear arsenal, has been a central factor in discussions to date about a follow-on strategic arms control agreement to New START. U.S. officials have pushed to include the Chinese in any future agreement, something authorities in Beijing have repeatedly balked at. China’s current nuclear arsenal is still much smaller than those of either the United States or Russia. The U.S. government has assessed that China’s total stockpile could go from approximately 600 nuclear warheads today to 1,000 by 2030, and then to 1,500 by 2035. As noted, the U.S. and Russian governments were each allowed 1,550 strategic warheads under New START. Both countries have even more nuclear weapons that were never covered by New START, to begin with, and more are in development now.

“The President’s been clear in the past that in order to have true arms control in the 21st century, it’s impossible to do something that doesn’t include China because of their vast and rapidly growing stockpile,” Secretary of State and acting National Security Advisor Marco Rubio said during a press conference yesterday in response to a question about New START.

SECRETARY RUBIO: The President has been clear that in order to have true arms control in the 21st century, it’s impossible to do something that doesn’t include China — because of their vast & rapidly growing stockpile. pic.twitter.com/FiYVUsBAVb

— Dylan Johnson (@ASDylanJohnson) February 5, 2026

New START’s expiration has fueled already growing concerns about the prospect of a new global nuclear arms race, which would not necessarily be limited to the United States, Russia, and China. The treaty’s sunset follows the steady collapse in recent years of a series of other arms control agreements between the United States and Russia, as well as other treaties intended to promote general transparency in military affairs. The U.S. withdrawal from the Intermediate-Range Nuclear Forces Treaty, or INF, in 2019 over complaints about Russian violations has already had a notable impact on the development and fielding of new nuclear and conventionally-armed missiles in both countries.

The end of New START presents a “grave moment for international peace and security,” United Nations Secretary General Antonio Guterres said in a statement yesterday.

Whether or not a temporary voluntary moratorium on the expansion of stockpiles on both sides leads to a new agreement, and one that might include China, is still an open question. Altogether, it remains to be seen now whether the New START limits continue to hold in the United States or Russia in the absence of a binding agreement.

Contact the author: joe@twz.com

JILL SCOTT does not rush records. She only goes into the studio when she feels she has got something she needs to say.

The American singer’s sixth album, To Whom This May Concern, arrives a decade after her last effort for exactly that reason.

“It took me 27 years to make Who Is Jill Scott?,” she says of her landmark debut. “And all the experiences in those years I put into that album.

“These projects don’t just happen overnight, it doesn’t work that way. So, it took me ten years to make this album.

“Why did it take so damn long? Because it takes time to make a great meal. It takes time to decorate your home. You don’t rush it. I took my time because I care.”

Writing only when there is something urgent to say, and letting the music lead the message, is the way the Grammy-winning artist and actor creates.

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She says: “I wait for it to come and the things that came out of me for this album shocked the hell out of me, too.

“On some songs, I’m an anthropologist, studying people. I’m on social media and hearing how a lot of people are not satisfied and that’s a damn shame.

“It’s a little harder for me to just sit on a park bench and watch people.”

I meet Scott at her publicist’s office in central London.

I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing.

Jill Scott

Dressed in orange, she is bright, friendly and effortlessly glamorous, although she says the jet lag has been hard to deal with.

She’s been over here for a week of promotion, including an album launch where she introduced tracks from To Whom This May Concern and took questions from fans.

“That was a pretty exciting night,” she says. “And the response was great, which was good as I was scared because it’s the first time playing this new music for a bunch of people in a room.

“I am very excited about the musicianship on this album. The horn players and the bass, which is all over this album, is amazing. It’s not a plug-in, it’s a player.”

At 19 tracks long, this is an impressive album. Collaborators include Trombone Shorty, Maha Adachi Earth, DJ Premier and rappers Tierra Whack, JID and Ab-Soul.

Recent single Pressha and Don’t Play touch on relationships.

Jill says: “Pressha is about a toxic past relationship while Don’t Play is a template for how to have a date where you actually want to get to know someone.

“It’s not just about what box they tick or what salary they earn. Then BPOTY — Biggest Pimp Of The Year — I wrote after looking at society and thinking, ‘My God, these folks are pimping us’.

“Like the pharmaceutical companies. I had been taking some medication and I didn’t really need it, I was being pimped and so it began with that story.”

‘Music is medicinal’

A diverse record blending soul, rap and jazz, it features beautiful ballads such as Me 4 and Àse, showcasing the poetic storytelling Scott has long been celebrated for.

“When I heard how diverse the music was, it made sense as an album,” she explains.

“People are going to get what they’re going to get what they need from it at different times. I believe music is medicinal. Like when I first heard of Billie Holiday, I didn’t really hear her until I got my feelings hurt.

“Then I listened again and everything clicked and made sense — how poignant her words were — and that’s why this album is called To Whom This May Concern.”

Be Great is a superb track as both a declaration and mantra, designed for everyday moments of courage.

“I want people to play it before their auditions, job interviews or anything that matters to you,” says Scott. “Go ahead and be fantastic at it, whatever it is.

“I just got the music and the lyrics popped out. I see it as Golden’s cousin [her 2004 anthem]. Yeah, they’re definitely related.”

Offdaback, which Scott says is her favourite track on her new album, pays homage to her heroes who came before her, artists and pioneers who stood up for freedom and music.

“The ancestors have to be honoured,” she explains.

“Whether it was your grandmother who worked in somebody’s house in order to make sure your mother had food, or it was your dad who worked three jobs so you could go to college or so you could live your dream.

“As an artist every day I’m reminded of how many people have made a way for me to be here.

“My office wall has photos of all the people who have inspired me. Diana Ross, Missy Elliott, Led Zeppelin and Queen Latifah are on there.

“I admire so many. Nina Simone for being so frank and fearless; Tina Turner for being so brave and using her voice.

“The list goes on. Frankie Beverly was beloved to me and Prince was my number one, and Bette Midler showed me that you don’t have to be around, knocking on doors all the time. You can disappear for a while, too.

“I went to see Frankie Beverly and Maze and they’d not had a record out for 25 years but everyone at the show is up and singing at the top of their voices.

“Music is about that feeling, about camaraderie and unity. I feel really honoured that anyone would feel that about my music.

“However, I’m still working on the other stuff that comes with that.”

There was a recent social media post of Scott being stopped by a fan who recognised her on the street — and she tells me she still finds that side of fame difficult.

Staying human

She says: “I value my time in just taking a walk, I really do. It’s important to me and it helps me balance everything else. The guy was sweet and I loved his freckles but being stopped in the street is not easy for me.

“Yes, 26 years later, I’m still working on it. I get good advice about it. My mentors tell me the value of maintaining the private self and staying human.

“When people put you on a pedestal it’s a very dangerous game and it’s not the game I play.”

When Scott emerged in 2000 as the voice in neo-soul, blending R&B, jazz, soul and spoken word, she found the spotlight overwhelming.

“It was terrifying and exciting,” she says with a smile. “I had a good two or three weeks where I was like, ‘This is so fun’. And then it didn’t stop.

“People were driving by my house playing the album at full capacity at three o’clock in the morning.

“I don’t want to sound ungrateful, because that’s not where I live — I live in grace and gratefulness all the time.

“It just was never my priority. I see people who are far more famous than me, and God bless them, but balance really matters to me. I’m a writer first, I just happen to sing.

“I have to be human and recognise how flawed I am and how much I’m working through things and honouring myself in all the things.

`’So, my goal is to be grand and gracious and have patience with other people. And when I can’t, I go into the house. That’s how I live.”

I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

Jill Scott

Pay U On Tuesday is a fun song which Scott says: “Comes from being exhausted of family members who I used to be friends with that just don’t value the same things.”

It’s a direct song which even comes with a disclaimer (in the form of a track called Disclaimer) before it.

She laughs and says: “Oh yes there’s a disclaimer. But cutting ties is sometimes needed.

“Maybe they’re not ready to be respectful now, but I think as a society, we’re holding on to a lot of people that don’t benefit our lives.

“What I’ve learned in these 53 years is that I love when the people around me bloom and I want to continue to bloom.

“This album has been brought to you by education for your home. For your family.

“I definitely don’t like being perimenopausal. That’s not fun. It’s made certain things a lot more challenging, like staying fit, and sometimes you don’t sleep and a dress doesn’t fit but I count on the joys.

“I’m a big advocate for a book called The Celestine Prophecy, which reminds me to constantly look for beauty.”

Growing up in North Philadelphia, “Jilly from Philly” says she owes her positivity and happy childhood to her mother and grandmother. “My mother showed me art and creativity and I’m grateful,” she tells me.

Although there was a lot of drugs and violence around her, she also saw “kind and beautiful-spirited people” — and that spirit is at the heart of the track Norf Side.

“It’s a celebration of the place,” she says.

For that song, she wanted another voice from North Philly and her son Jett suggested Tierra Whack, a brilliant MC and remarkable poetess. “We are both a reflection of that place,” she says.

Scott, who has a charitable foundation in North Philadelphia which has been sending kids to camp and to college for more than 20 years, says she could have made an album about what’s going on in the US politically but chose a theme of personal revolution over performative outrage and political frustration.

‘Joy, passion, rage’

“I think that’s another album,” she says. “Right now, I’m really focused on growth and healing — the human stuff.

“Then maybe there will be the kind of revolution that this kind of turmoil deserves.”

On the death of mum-of-three Renee Good, who was shot by an Immigration and Customs Enforcement (ICE) agent in Minneapolis last month, she says: “This has been going on in the United States for longer than my whole life — it’s not new.

“It just happened to happen to a Caucasian woman so the world is shaken and they’re seeing it.”

Making a name for herself in acting as well as music and poetry, she has starred in 2007 comedy Why Did I Get Married? and TV series The No1 Ladies’ Detective Agency.

Scott says she is taking her time when it comes to choosing her next role, paying close attention to both the director and the writing.

Live performance, however, is non-negotiable. “I will be touring. That is a fact.”

For now, the focus is firmly on this record. “I just want people to come back and listen to it again and again,” she says.

“I’ve sprinkled levels of joy, frustration, passion and even rage. When that last chord plays, I want people to sit with it — and then start all over again. Each time, there’s something new.”

• To Whom This May Concern is out on February 13.

JILL SCOTT

To Whom This May Concern

★★★★★

Explosion took place at an unregulated mine in the northeastern East Jainta Hills area.

An explosion at an illicit coal mine in northeast India has killed at least 18 people, according to local authorities.

Police on Thursday said they had pulled 18 bodies from the blast site, located in a remote part of East Jainta Hills district.

Eight others were wounded in the incident, said local official Manish Kumar. It is unclear how many workers were at the site during the explosion; others may still be trapped, said police.

Kumar said rescuers paused operations at sundown Thursday and planned to resume Friday with support from state and federal personnel. He described the site as an “illegal rat-hole mine”, referring to a deep, narrow shaft where workers risk hazardous conditions to extract coal and other minerals.

District police chief Vikash Kumar said dynamite likely triggered the blast, but investigations were ongoing.

“It is likely that the workers died either from burn injuries or breathing issues because of the release of noxious fumes,” said Kumar in a statement carried by The Indian Express. “But because there is no one who has come out in a condition to tell us exactly what happened and how many workers were there in total, we do not have an estimation of how many more may be trapped.”

Prime Minister Modi announces compensation

Conrad Sangma, chief minister of the Indian state of Meghalaya, where the incident occurred, pledged that authorities would hold those responsible accountable and urged against illegal mining.

Prime Minister Narendra Modi expressed “condolences” to the families of the deceased workers and announced a 200,000 rupees ($2,216) compensation package for each family. “Pained by the mishap in East Jaintia Hills, Meghalaya,” his office wrote in a post on X.

Unregulated coal pits are common in India’s east and northeast regions, with workers earning between $18 to $24 for a day-long shift.

Back in 2018, at least 15 miners were killed while trapped in one such mine in Meghalaya state.

Rat-hole mining has been banned in Meghalaya since 2014 due to water pollution concerns.