Month: June 2026

Real Madrid to join Mateus Fernandes race, Brighton reject Spurs’ second Jan Paul van Hecke bid and Harry Maguire could leave Manchester United.

Real Madrid are set to join the race to sign Portugal midfielder Mateus Fernandes, 21, following West Ham‘s relegation from the Premier League. (Sun), external

Brighton have rejected a second bid from Tottenham Hotspur for Netherlands centre-back Jan Paul van Hecke, 25. (Talksport), external

Harry Maguire could be allowed to leave Manchester United this summer, just months after the England defender, 33, signed a new contract. (Football Insider), external

Inter Milan have made an offer for England midfielder Curtis Jones, 25, but are currently some way short of Liverpool‘s valuation. (Gazzetta dello Sport – in Italian), external

Liverpool could use Netherlands forward Cody Gakpo, 27, as leverage in their bid to sign Ivory Coast winger Yan Diomande, 19, from RB Leipzig. (Teamtalk), external

Bayern Munich have said they have no intention of selling Michael Olise after Real Madrid said they would offer £130m for the France winger, 24. (Bild – in German), external

Bernardo Silva says that joining Barcelona is “an option” after leaving Manchester City but the Portugal midfielder, 31, is yet to make a decision on his future. (Marca – in Spanish), external

Tottenham‘s Italy international Guglielmo Vicario, 29, has emerged as the frontrunner as Juventus look to sign a new goalkeeper. (Gazzetta dello Sport – in Italian), external

Coventry City have submitted a club-record £20m bid for Carl Rushworth, the 24-year-old English goalkeeper who helped the Sky Blues win the Championship while on loan from Brighton last season. (Talksport), external

Iranian media has released video showing missiles being launched towards Israel, while videos captured incoming missiles making impact in northern Israel. Iran says it’s a response to Israel attacking Beirut in violation of a US-brokered ceasefire in Lebanon.

Nigerian troops say they have rescued 360 people abducted during a deadly terrorist attack on Ngoshe, a resettled community in Gwoza Local Government Area of Borno State, northeastern Nigeria, more than three months after terrorists overran the town, killing residents and forcing thousands to flee.

Solomon Ali Talake, a primary school teacher and survivor of the March 3 attack, said community members had received information about the rescue.

“I was told they have been rescued,” Solomon told HumAngle on Sunday. “Families have been informed, but they have not allowed us to see them yet. They said they are assessing them and will release them to their families afterwards.”

The March 3 attack on Ngoshe was one of the deadliest assaults on a resettled community in southern Borno in recent months. Residents said the attackers first struck a military formation in the town before moving into the community. Homes were set ablaze, civilians were killed, and hundreds of residents were reportedly abducted.

Solomon survived by hiding in a tree throughout the night while the attack unfolded beneath him. From his hiding place, he watched as gunmen moved through the community, burning houses and pursuing fleeing residents.

The attack displaced thousands of people, many of whom fled to Pulka, a neighbouring community about 12 kilometres away. Others sought refuge in Maiduguri, Cameroon, and other locations. The exact number of people killed or abducted remains disputed. While some media reports estimated that about 100 people were killed and more than 300 abducted, residents told HumAngle that the scale of the attack made precise figures difficult to establish. Victims were later buried in a mass grave, according to survivors.

Among those abducted were two of Solomon’s nephews, aged 14 and 11. On Sunday, he said he had not yet been able to confirm whether they were among those rescued.

Asabe Ali Talake, Solomon’s sister and the children’s mother, also said she had received reports of the rescue but remained uncertain about the fate of her children.

Asabe said she was still waiting for confirmation from authorities. Relatives of the freed victims say communication with them remains restricted while security agencies conduct assessments.

Military authorities typically screen and profile people freed from insurgent-controlled territories before reuniting them with their families. The process is intended to establish identities, assess physical and psychological conditions, and determine whether further investigation or rehabilitation may be required.

This comes amid a broader wave of insecurity affecting communities across Borno State. In recent months, terrorists have launched repeated attacks on military formations, reconstruction projects, and resettled communities, raising concerns about the sustainability of government resettlement efforts in conflict-affected areas.

Part of a broader rescue effort

A politician from Gwoza, who spoke to HumAngle on the condition of anonymity because he was not authorised to discuss the matter publicly and who was involved in advocacy efforts for the victims’ release, claimed a ransom was demanded for the release of the victims. HumAngle could not independently verify the claim, and the military has not publicly indicated that any negotiations took place. 

This development is the latest in a series of operations by troops of Operation Hadin Kai targeting terrorist enclaves in the Mandara Mountains and surrounding areas.

Three days earlier, troops rescued a woman and her infant child after killing several terrorists. On May 1, troops rescued six abductees during an operation around the Mandara Mountains. Six more victims were rescued on May 14. In April, 12 victims, including men, women, and children, escaped during a military operation targeting a terrorist camp.

The latest operation, however, represents the largest reported release linked to the March 3 attack on Ngoshe, offering renewed hope to families who have spent months waiting for news of their relatives.

While military authorities described the operation as a rescue, questions remain about how the victims regained their freedom.

Actor-comedian Elon Gold and pro-Israel influencer Lizzy Savetsky are facing backlash after making an “offensive” joke in an interview on the red carpet for “The Wedding Entertainer (The Tale of Moishe Badhan)” at the Tribeca Festival.

In the interview, Gold said the film was shot in Israel. “I was only raped by two Israeli dogs,” he said.

“I thought they only rape Palestinians,” Savetsky replied, to which he said: “No, I got also a dog.”

The clip spread widely on social media and drew outrage. In a statement posted on social media, the Tribeca Festival called the remarks “offensive and unacceptable.”

“Sexual violence and human suffering should never be mocked or minimized,” the statement said. “The comments do not reflect the Tribeca Festival’s values, and we regret the hurt and offense they have caused.”

The statement said the festival had not been able to reach the filmmakers. A Tribeca spokesperson said Savetsky was not in the film and was not credentialed by the festival, but was invited to the premiere by the film team.

Gold’s manager did not immediately respond to a request for comment. In a video statement posted to social media, Savetsky said the remarks were in reference to a “ridiculous claim” in the New York Times that Israeli officials trained dogs to rape Palestinians.

The paper “published this piece with zero evidence. And we’re all just supposed to sit here with a straight face and take it like it is some sort of truth.”

She added that the film festival is a “forum that is meant to spark dialogue” and that Jewish comedians throughout history have used humor as a way to cope with anti-Semitism.

“The Wedding Entertainer” tells the story of a disgraced Hasidic comedian who is looking to book one last gig to raise the $20,000 he needs to marry off his daughter. He convinces his childhood best friend to let him co-host his son’s wedding alongside a “younger and flashier” wedding MC — played by Gold —who had already been hired. Gold is also an executive producer.

Zverev had long been dubbed the best player of his generation to have never won a Grand Slam after a string of near misses – including three defeats in major finals.

At the US Open in 2020, he lost the final despite being two sets up against Dominic Thiem and having served for the championship at 5-3 in the final set.

Zverev then led Carlos Alcaraz by two sets to one in the 2024 French Open final but it was the Spaniard who ended up lifting his first Coupe des Mousquetaires.

At the Australian Open in 2025, he was outclassed in a merciless performance by Jannik Sinner that left Zverev saying he felt mentally “empty” a few months later.

“Last year was one of the most difficult moments in my tennis career,” Zverev said.

“This year is one of the happiest moments. It’s a very different feeling right now.”

It seemed like the pressure of a Grand Slam final might prove too much for a fourth time when 24-year-old Cobolli, who had twice fought back from a set down, forced a deciding fifth set.

But Zverev, who has struggled with his emotions on court in the past, held his nerve to end his major final curse.

After falling flat on his back in celebration, Zverev dedicated his victory to his team, which includes his father and brother.

“We have been through injury, heartbreaks, losses. We have been losers at times in the most important moments,” Zverev said.

“At the end of the day, we are Grand Slam champions now and that is what counts.

“I was laying on this court with an injury that I didn’t know if I will ever come back from. All of those memories, they’re not wiped out,” he said.

“They’re still with me but this one will beat all of them.”

June 7 (UPI) — Pope Leo drew more than 1 million people to an open-air mass in Madrid on Sunday morning to start his week-long visit to Spain.

The mass, to celebrate the feast of Corpus Christi, was held in the Plaza de Cibeles and saw the Pontiff ride through the 1.2 million strong crowd that overflowed into nearby streets to the stage where he performed mass, The Guardian and The BBC reported.

Pope Leo arrived in Madrid on Saturday to start the visit, the first time in 15 years that a Pope has spent time in Spain, and was greeted with fanfare and Spanish King Felipe VI and Queen Letizia.

Along with the mass, Pope Leo had plans on Sunday to meet with the members of the Order of St. Augustine and attend a gathering of Spanish representatives of the country’s culture, arts, business and sports.

Among remarks in Pope Leo’s sermon, he told those in attendance that, like God, they should work to help “the poor, the downtrodden, those who are alone and forsaken,” adding that religion remains “a school of faith from which” they can draw in their daily lives.

The large crowd on Sunday morning followed the Pope addressing between 500,000 and 600,000 people on Saturday night at a prayer vigil — and saw him address younger people in the crowd with the “6-7” hand gesture that has gone viral online.

Monday, the Pope is expected to address the gridlocked Spanish parliament, where his comments likely will address the type of political polarization in Spain and many other nations right now.

On Thursday, Pope Leo has plans to visit the Canary Islands, a landing spot for people looking to migrate to Spain.

Videos show missiles over Israel as the Israeli military says Iran launched a new wave of attacks. The escalation follows a deadly Israeli strike on Beirut, with Iran warning it would abandon negotiations and return to ‘direct confrontation’.

Forty-eight days, 16 hours, 57 minutes and 12 seconds after a virus transforms humanity into a blissful symbiotic horde, one of its survivors, Carol (Rhea Seehorn), treats a rooftop as a personal driving range — the golf balls shattering a neighboring building’s windows. “If you’re alone for 40 days, you’re going to go a bit crazy and be lonely,” says “Pluribus” cinematographer Paul Donachie of the series’ aesthetic, which finds surreal beauty in bland desert urbanism emptied of people. “We searched Albuquerque to find the right kind of rooftop and building to frame her in light, but with darkness around her,” he says. “We’re putting her in this box before revealing what she’s aiming at.” Along with a looser framing, shadow and contrast highlight loneliness and emotional ambiguity. As another survivor (Carlos-Manuel Vesga) makes the long journey in search of Carol, “what was interesting about this particular episode was there was no dialogue and we’re telling two little stories of what’s going on emotionally with each person,” Donachie notes. “She is trying to enjoy it and take her mind off it. But I think there’s frustration not knowing what the hell is going on in the world.”

Attorneys for musician Chuck Redd say a D.C. Superior Court judge dismissed a breach of contract lawsuit filed against the artist after he canceled a Christmas Eve performance at the Kennedy Center in protest of President Trump’s influence over the venue.

The dismissal was granted Friday under Washington’s Anti-SLAPP laws, which are designed to prevent meritless lawsuits intended to silence opposing points of view on matters of public interest.

Redd, a drummer and vibraphone player who has toured with Dizzy Gillespie, Ray Brown and others, had presided over holiday “Jazz Jams” at the Kennedy Center since 2006. He called off last year’s performance shortly after Trump’s handpicked board for the Kennedy Center voted to add the president’s name to the venue, which Congress named for President Kennedy after his assassination.

“The Center sued Mr. Redd because he publicly and rightly objected to adding Donald Trump’s name to the Kennedy Center, a living memorial to former President John F. Kennedy,” Lisa J. Banks, one of Redd’s lawyers, said in a statement. “The lawsuit against Mr. Redd was political retribution, pure and simple, by the Trump Kennedy Center, and the Court correctly saw it as such in dismissing the case with prejudice.”

Redd told the Associated Press in an email Saturday that he is “very pleased with the judge’s ruling.”

The motion to dismiss, filed in March, argued that Redd wasn’t contractually obligated to perform. It included the contract provided by the Kennedy Center, which the artist never signed.

Representatives for the Kennedy Center did not immediately respond to a request for comment on the suit’s dismissal.

Goldin writes for the Associated Press.

PARIS — Alexander Zverev is no longer one of the best players never to win a major title.

He’s finally a Grand Slam champion.

In his fourth major final, Zverev beat Flavio Cobolli 6-1, 4-6, 6-4, 6-7 (5), 6-1 for the French Open title on Sunday.

It was a unique opportunity for Zverev without Jannik Sinner or Carlos Alcaraz across the net and the third-ranked German took full advantage on the red clay of Roland Garros.

When Cobolli missed an overhead on the second championship point after more than four hours of the five-set encounter, Zverev dropped on his back to the clay and covered his face with his hands as he began sobbing. When he got up, with his shirt and arms covered in clay, Zverev put his hands back on his face before he lifted both arms in celebration.

When Zverev was handed the Coupe des Mousquetaires trophy, he lifted it with both hands and let out a liberating roar.

“This court is so special to me in so many ways. I’ve had the best moments of my life on this court; I had the worst moment of my life on these courts,” Zverev said, referring to when he was injured and pushed off on a wheelchair during a semifinal against Rafael Nadal in 2022.

“I was laying in that corner over there four years ago with seven broken ligaments and two fractured bones,” Zverev said. “I lost a Grand Slam final here two years ago but now finally it’s a happy end.”

Zverev has now joined an elite group of players that captured their first major in their fourth final: Eight-time major champion Andre Agassi, 2001 Wimbledon winner Goran Ivanisevic and 2020 U.S. Open champion Dominic Thiem.

No Sinner or Alcaraz

Zverev had been an overwhelming favorite for the title ever since the top-ranked Sinner struggled in the first week’s heat wave and wasted a two set and 5-1 lead against Juan Manuel Cerundolo in the second round. A day later, 24-time Grand Slam champion Novak Djokovic was also eliminated.

Alcaraz, the two-time reigning champion, withdrew before the tournament with an injured right wrist.

It was Zverev’s second French Open final, having wasted a lead of two sets to one against Alcaraz in the 2024 championship match.

Zverev had an even bigger advantage — two sets to none — in the 2020 U.S. Open final and lost that one, too, to Thiem. He was also beaten in straight sets by Sinner in the 2025 Australian Open final.

It was the 25th title of Zverev’s career.

Cobolli’s first Slam final

The 14th-ranked Cobolli had never been past a Grand Slam quarterfinal until this week. He was attempting to become the first Italian man to raise the singles trophy at Roland Garros since Adriano Panatta 50 years ago.

Cobolli comes from the same tennis club in Rome as Panatta did and Panatta was asked by tournament organizers to present the trophy to the champion to celebrate the anniversary of his 1976 triumph.

The honors, however, went to Zverev.

Russian teenager Mirra Andreeva won the women’s singles trophy on Saturday.

Zverev took control early on

The match was played in perfect conditions and Zverev’s game was almost flawless at the start.

Zverev broke Cobolli’s serve in a long opening game when Cobolli shanked a forehand into the first row of the stands. The break came after Zverev had a bit of luck when a backhand return hit the net but dribbled over on game point for Cobolli.

A group of women in the stands held up letters to form Zverev’s nickname: “Sascha.”

Cobolli likes to stand way over near the corner of the court and hit big kick serves out wide into the ad court. Zverev knew what was coming and returned one such kick serve early in the first set with a backhand that he wrapped around the outside of the net post. Cobolli ended up winning the point, but it was a message from Zverev that he knew how to handle his opponent’s tactics.

The next time Zverev hit a wrap-around-the-net-post return, Cobolli couldn’t handle it and Zverev won the point.

Cobolli’s supporters in his box were all dressed in blue, the color of Italy’s national teams, and as Cobolli worked his way back into the match, there were chants of “Ole, Ole, Ole; Flavio, Flavio.”

After Zverev held for a 6-5 lead in the fourth, he had his upper right leg treated by a trainer. Then Zverev wasted a 3-1 lead in the tiebreaker, which Cobolli concluded with a forehand winner up the line that produced a roar from the crowd.

But Cobolli appeared to run out of energy in the fifth, running down a drop shot only for Zverev to then pass him up the line for a 3-0 lead and a double break.

Abuse allegations

Moments after Zverev’s previous Grand Slam final in Australia in 2025, a person in the stadium yelled out the names of two of his ex-girlfriends who accused him of physical abuse.

One case was resolved following an agreement between German prosecutors, lawyers for Zverev and his former partner. The ATP Tour investigated another case and concluded there was insufficient evidence.

Dampf writes for the Associated Press. Samuel Petrequin and Jerome Pugmire contributed to this report.

Alexander Zverev has finally secured his maiden Grand Slam title with a dramatic five-set victory over Italy’s Flavio Cobolli in the French Open final on Sunday.

The second seed became the first German man to win a major tournament since Boris Becker at the 1996 Australian Open with a 6-1, 4-6, 6-4, 6-7 (5/7), 6-1 victory after four hours and 16 minutes.

“This court is so special to me in so many ways… but now finally, it’s a happy end,” said Zverev, who suffered a season-ending ankle injury in the 2022 semifinal against Rafael Nadal on Court Philippe-Chatrier, where he was also edged out in five sets by Carlos Alcaraz in the 2024 final.

It was Zverev’s fourth Grand Slam final and second at Roland-Garros after some heartbreaking near misses in his career.

“We’ve been through losses, we’ve been losers at times as well in the most important moments,” he said during the trophy presentation, turning to his team.

“But at the end of the day, we’re Grand Slam champions now, and that’s what counts.”

Cobolli, the 10th seed, was bidding to become the first Italian man since Adriano Panatta to win the French Open in 50 years.

The 24-year-old had never even played a Slam semifinal before, let alone a final, after his last-four opponent Matteo Arnaldi withdrew from the tournament due to illness.

“It’s not easy for me to talk right now,” said Cobolli after receiving his runner-up trophy from Panatta, before addressing Zverev.

“I’m happy for you, but I’m also sad because I was close and I feel it. So now you’ve achieved your dream, let me win the next time.”

Both players appeared to struggle with nerves at various points in the match, especially Cobolli during an error-strewn first set.

But Zverev’s greater experience showed in a deciding set that was far tenser than the scoreline suggested, as he managed to get over the line.

The 29-year-old was handed a golden opportunity to break his Grand Slam duck by the injury-enforced absence of reigning champion Alcaraz and surprise early exits for Jannik Sinner and Novak Djokovic.

The world number three was not always in control, making 54 unforced errors, but did enough to finally shed the tag of being one of the best players to have never won a major.

Zverev had previously also lost in six Slam quarterfinals and seven semifinals, alongside his three final defeats.

The most agonising miss of all was his first major final, when he blew a two-set lead and failed to serve for the championship against Dominic Thiem at the 2020 US Open.

The now-retired Thiem was watching on from the stands at Roland-Garros as Zverev belatedly put the memories of that match to bed six years later.

Cobolli’s nervy start

Cobolli made a nervy start and appeared to be struggling to deal with the occasion as the first set quickly got away from him in 39 minutes and he made 16 unforced errors.

He managed to settle into the match with three successive holds of serve in the second set, and then made his move out of nowhere to break in the seventh game.

Zverev had been completely untroubled on serve previously, but produced a scrappy game featuring two double-faults and a wild forehand on break point before turning to gesticulate angrily towards his coaching staff.

Cobolli started to grow in confidence and served out the set to breathe life into the final.

A higher-quality third set disappeared from Cobolli’s grasp in the 10th game, though, as from 30-0 up, he lost four points in a row, including a poor forehand that flew well wide on set point.

The world number 14, who will climb into the top 10 for the first time next week, hit straight back with a break in the opening game of the fourth set.

He could not pull away in the set, though, as both players ended up being broken twice, including Cobolli when he served for it at 5-4.

But the Italian rallied himself to push it into a tie-break, which he took to force a decider with a blistering forehand winner on his second set point.

Following a delay before the start of the final act after Cobolli left the court, Zverev struck first blood with a break in the first game.

Cobolli’s hopes were finally all but extinguished when he missed a break-back point and then dropped serve again to slip 3-0 down.

Zverev staved off three more break points in the fourth game and eased to victory from there, falling to the clay in celebration after Cobolli shanked an overhead on his second championship point.

Legal challenge claims US president did not seek proper approval for fighting event to be held on his 80th birthday.

A lawsuit is seeking to stop United States President Donald Trump from hosting an Ultimate Fighting Championship (UFC) match at the White House.

The lawsuit, lodged on behalf of two Virginia residents, is the first known legal challenge to the mixed martial arts event, which is set to be hosted on June 14.

The event will take place on Trump’s 80th birthday. It is also pegged to the 250th anniversary of the signing of the Declaration of Independence, which the US will commemorate on July 4 of this year.

The legal challenge filed on Saturday maintained that Trump did not receive proper authorisation to host the fight.

It argued that the event violated US National Park Service regulations prohibiting sporting events on federal parklands, that Congress did not consent to the construction of a towering arch overlooking the event space, and that no environmental review was conducted before the construction.

“This is fundamentally a private, commercial, corrupt use of our most sacred national monuments for private gain,” said Brendan Ballou, a lawyer for the plaintiffs. “And that is what is motivating this lawsuit.”

In a statement to the Associated Press, the White House dismissed the lawsuit as “obstructionist, baseless, and dilatory”.

The White House maintained the UFC fight was “no different than the various other White House-hosted events on the South Lawn and properly permitted events on the Ellipse and National Mall throughout the year”.

Crews have been erecting an octagon-shaped fighting cage on the South Lawn of the White House, with Trump saying the project will include a “5,000-seat arena right outside the front door of the White House”.

Attendance at the fight will be invite-only and closely monitored. The Military Times news site reported earlier this week that 1,200 service members given tickets to the event must meet certain waist-to-height ratio standards.

Public viewing areas will also be set up at the nearby Ellipse.

Trump has long been closely involved with both professional wrestling and UFC, with his casinos and event spaces hosting past events.

He regularly appeared as a version of himself in World Wrestling Entertainment (WWE) events throughout the 1990s and early 2000s. His current secretary of education, Linda McMahon, is a co-founder of the WWE.

Trump has more recently embraced UFC, which is currently owned by the same company, TKO Group Holdings, as the WWE.

UFC president Dana White has been a close ally of Trump’s.

Political analysts have credited Trump’s embrace of the sport with reaching disaffected male voters in the US, particularly during his 2024 election campaign.

Claire Danes’ performance in Netflix’s “The Beast in Me” appears like a lock for an Emmy nomination for lead actress in a limited series or TV movie. In typical fashion, Danes left it on all the floor in portraying a reclusive author who suspects her developer neighbor (Matthew Rhys) of misdeeds.

1995

The Golden Globes rarely get it as right as they did in awarding Danes the drama series best actress award, at 15, for ABC’s “My So-Called Life.”

19

The lifespan of the authentic teen drama that introduced viewers to Danes’ unique emotional translucence, counted in episodes.

1st

Danes also received an Emmy nomination for the series — the first of eight for acting so far.

16

She is the second-youngest Emmy nominee ever for lead actress in a drama series, between Melissa Sue Anderson (15, for “Little House on the Prairie”) and Kristy McNichol (17, for “Family”).

3

Danes won an Emmy for playing the real-life animal science professor in the HBO movie “Temple Grandin,” and two for playing complex CIA officer Carrie Mathison on Showtime’s “Homeland.”

31

Span of years between Danes’ first and 2026 nominations, if she receives one.

47

Danes’ Emmy longevity may not equal the likes of Carol Burnett, nominated in 2024 for “Palm Royale” 62 years after her first, but it’s mighty impressive for someone Danes’ age.

49

There’s even a contender in her category this year whose span between nominations would be longer than Danes’ lifetime: Sally Field, who appears in Netflix’s TV movie “Remarkably Bright Creatures.”

NEW YORK — The World Cup, a 48-team, 104-match behemoth kicking off this week in Los Angeles and across 15 other cities in the United States, Mexico and Canada, presents an unprecedented security challenge, with more countries, games and a larger footprint than ever before.

It also comes against the backdrop of the U.S. and Israel’s war with Iran, mounting political violence in President Trump’s orbit and growing fears of artificial intelligence-fueled disruptions, creating a complex threat environment for authorities.

Overseeing the sprawling security apparatus is a legion of federal agencies, state and local police departments and private entities. Their responsibilities range from securing stadiums and fan zones to escorting teams and protecting dignitaries.

Their tools include hunter drones that can shoot nets over objects in restricted airspace, bag-inspecting robot dogs, giant X-ray trucks and thousands of AI-powered cameras trained on public spaces soon to be thronged by fans.

In the U.S., it’s “78 Super Bowls over 39 days,” said Andrew Giuliani, executive director of Trump’s World Cup task force, which is overseeing the multiagency effort.

“There’s never been a summer like this in American history from a security angle,” said Giuliani, son of former New York City Mayor Rudolph W. Giuliani. “We’re as prepared as we can be.”

Collaborative effort

The tournament has the same high-level federal security designation as the Super Bowl, just below a presidential inauguration or a national political convention, ensuring federal, state and local coordination. It coincides with other major events linked to the 250th anniversary of America’s founding.

So far, Giuliani said, there are no credible threats.

The Department of Homeland Security, focused on Trump’s immigration enforcement crackdown and with a funding lapse only recently resolved, estimates that as many as 7 million people will visit the United States for the World Cup.

The U.S. Secret Service, under scrutiny after security breaches and attempts on Trump’s life, is in charge of protecting world leaders who show up to cheer on their countries. Trump has expressed interest in attending a match.

“I feel very comfortable where we’re at, and we feel like we have a zero-fail mission,” Homeland Security Secretary Markwayne Mullin told Congress last week, noting that the Secret Service was understaffed by about 860 agents. “But it’s going to be complicated.”

Officials have indicated they are confident they can keep Trump safe because they will be integrating his usual security into the robust World Cup plan on days he may watch a match.

The FBI has spent two years developing its security plan, incorporating lessons from other major events such as the Macy’s Thanksgiving Day Parade and New Year’s Eve ball drop in New York and testing them at smaller ones, including last weekend’s Israel Day parade in the city.

“We prepare for the worst day,” FBI Special Agent in Charge Amit Kachhia-Patel in New York told the Associated Press. “And that’s how we go into any single event.”

To help cover security costs, the Federal Emergency Management Agency has distributed $625 million to the 11 U.S. host cities. An additional $250 million is being directed toward tracking and neutralizing suspect drones.

The disbursement of those funds was held up by the department’s funding delay in Congress, which the Trump administration has argued hindered security planning.

Others involved in the planning effort said the federal government could have played a more hands-on role even before the partial shutdown.

John Cohen, a former senior Homeland Security official who has been briefing state leaders before the matches, said the government was largely absent from planning meetings last year and did not begin sharing threat intelligence with host regions until recently.

“With an event of this magnitude, one would expect the federal government would’ve played a more active role,” Cohen said. “It felt like a missed opportunity to showcase that collaboration.”

Evolving threats from drones and AI

In January, thousands of officials involved in World Cup security gathered for exercises simulating crowd surges, vehicle attacks and mass shootings.

A month later, the U.S. and Israel launched a war with Iran.

“The security picture fundamentally changed,” said Stefano Ritondale, chief intelligence officer at Artorias, a defense intelligence company not involved in the security preparations. “There’s a major difference in preparing for a lone-wolf radical who rams his car into a public place and a terrorist who is bankrolled by a foreign country we’re at war with.”

Among the greatest concerns are drones.

Since the last World Cup in Qatar in 2022, drones have become a prominent weapon in conflicts including Russia’s war in Ukraine and Hamas’ attack on Israel on Oct. 7, 2023.

“If there is one threat that keeps me up at night, it is from drones,” said New York City Police Commissioner Jessica Tisch, whose department is partnering with the FBI on drone mitigation.

Drones are prohibited over stadiums and fan zones, and Kachhia-Patel said the FBI has a “full suite of options” to thwart incursions. They include agents monitoring the sky and a “variety of means” to safely down the devices, he said without elaborating.

Before this year’s World Cup, the growing sophistication of AI videos was a particular concern, with officials warning that state actors can harness the technology to sow misinformation and panic.

On match days, the FBI will activate joint operations centers in each host city, bringing together local, state and federal law enforcement agencies to monitor and investigate threats.

“If there’s a video that shows an explosion going off at a site, and it’s AI-generated, we have people on the ground who can validate whether or not that’s true,” Kachhia-Patel said.

Opportunity for private tech

Some AI companies have pitched themselves to police departments in host cities, promising to comb through data and surveillance on game days to prevent threats, including unruly fan behavior.

“We know sports fanaticism around here in terms of the NFL and baseball to some extent, but nothing like international soccer,” said Jake Becchina, a police spokesperson in Kansas City, Mo., which is hosting six matches.

The department has contracted with Peregrine Technologies, which promises to sift through police data and publicly available information such as team practice locations and the country affiliation of popular bars, to get ahead of possible conflict.

In Dallas, a recent $120-million tech upgrade will give local police body cameras capable of real-time translations, helping law enforcement communicate with international visitors soon to descend on the region.

Several drone detection and mitigation companies are joining efforts to help federal agencies secure the skies.

One of those companies, Fortem, has claimed to have signed a multimillion-dollar contract with the Department of Homeland Security before the World Cup for an unusual drone mitigation strategy: quadcopters that can shoot nets at encroaching drones to trap them in midair. A Homeland Security spokesman declined to discuss the contract.

Just as the teams will aim to perform their best on the pitch, Giuliani said the security planning was a unique chance to “show off American exceptionalism.”

“If we do our job right,” Giuliani added, “nobody will be talking about security at the World Cup.”

Offenhartz, Sisak and Santana write for the Associated Press. Offenhartz and Sisak reported from New York, Santana from Washington. AP writer Alanna Durkin Richer in Washington contributed to this report.

June 7 (UPI) — The Organization of the Petroleum Exporting Countries on Sunday agreed to increase production by nearly 200,000 barrels per day despite the Strait of Hormuz remaining closed, making it near-impossible to ship any of it.

Ordinarily, OPEC increasing oil production among the group of nations that comprise it would lower its cost, but experts have called the move largely symbolic because of the ongoing war in Iran, The New York Times and Wall Street Journal reported.

The Strait of Hormuz, which 20% of the world’s oil supply ordinarily would pass through daily, has been closed since early in the war as part of Iran’s effort to counter the war launched by the United States and Israel in February.

The OPEC members that agreed to the 188,000-barrel increase for July — the fourth month in a row that the group is increasing production — include Saudi Arabia, Russia, Iraq, Kuwait, Algeria, Kazakhstan and Oman.

The countries agreed to the increase as part of the group’s “commitment to support oil market stability” and said the latest production increase would also allow the participating nations to “accelerate their compensation,” OPEC said in a statement.

“The countries will continue to closely monitor and assess market conditions, and in their continuous efforts to support market stability, they reaffirmed the importance of a cautious approach,” the group said in the statement.

The Trump administration continues to negotiate an end to the war that would lead to the reopening of the Strait, in addition to working to limit Iran’s ability to build a nuclear weapon, amid a shaky weeks-long cease-fire.

The 79th Tony Awards return to Radio City Music Hall on Sunday to celebrate the best of Broadway. Pop-star Pink hosts the show for the first time, and while she hasn’t been on Broadway yet herself, her songs have been featured in the musicals “Moulin Rouge!” and “& Juliet.”

The broadcast airs air live beginning at 5 p.m. on CBS and Paramount+, but don’t sleep on the annual pre-show, “The Tony Awards: Act One,” where the first round of Tonys will be presented. It will stream live on free service Pluto TV starting at 3:35 p.m. and be hosted by Tony Award nominee Laura Benanti and actor Tituss Burgess.

Times staff writer Eloise Rollins-Fife wrote a complete guide on how to watch and everything you need to know.

Play

“The Balusters”
“Giant”
“Liberation”
“Little Bear Ridge Road”

Musical

“The Lost Boys”
“Schmigadoon!”
“Titaníque”
“Two Strangers (Carry a Cake Across New York)”

Revival of a play

Arthur Miller’s “Death of a Salesman”
Gina Gionfriddo, “Becky Shaw”
Duncan Macmillan and Jonny Donahoe, “Every Brilliant Thing”
“Fallen Angels”
Robert Icke, “Oedipus”

Revival of a musical

“Cats: The Jellicle Ball”
“Ragtime”
Richard O’Brien’s “The Rocky Horror Show”

Performance by an actress in a leading role in a musical

Sara Chase, “Schmigadoon!”
Stephanie Hsu, “The Rocky Horror Show”
Caissie Levy, “Ragtime”
Marla Mindelle, “Titaníque”
Christiani Pitts, “Two Strangers (Carry a Cake Across New York)”

Performance by an actor in a leading role in a musical

Nicholas Christopher, “Chess”
Luke Evans, “The Rocky Horror Show”
Joshua Henry, “Ragtime”
Sam Tutty, “Two Strangers (Carry a Cake Across New York)”
Brandon Uranowitz, “Ragtime”

Performance by an actress in a leading role in a play

Rose Byrne, “Fallen Angels”
Carrie Coon, “Bug”
Susannah Flood, “Liberation”
Lesley Manville, “Oedipus”
Kelli O’Hara, “Fallen Angels”

Performance by an actor in a leading role in a play

Will Harrison, “Punch”
Nathan Lane, “Death of a Salesman”
John Lithgow, “Giant”
Daniel Radcliffe, “Every Brilliant Thing”
Mark Strong, “Oedipus”

Book of a musical

David Hornsby and Chris Hoch, “The Lost Boys”
Cinco Paul, “Schmigadoon!”
Marla Mindelle, Constantine Rousouli and Tye Blue, “Titaníque”
Jim Barne and Kit Buchan, “Two Strangers (Carry a Cake Across New York)”

Original score

Music: Caroline Shaw, “Death of a Salesman”
Music: Steve Bargonetti, “Joe Turner’s Come and Gone”
Music and lyrics: The Rescues, “The Lost Boys”
Music and lyrics: Cinco Paul, “Schmigadoon!”
Music and lyrics: Jim Barne and Kit Buchan, “Two Strangers (Carry a Cake Across New York)”

Performance by an actor in a featured role in a play

Christopher Abbott, “Death of a Salesman”
Danny Burstein, “Marjorie Prime”
Brandon J. Dirden, “Waiting for Godot”
Alden Ehrenreich, “Becky Shaw”
Ruben Santiago-Hudson, “Joe Turner’s Come and Gone”
Richard Thomas, “The Balusters”

Performance by an actress in a featured role in a play

Betsy Aidem, “Liberation”
Marylouise Burke, “The Balusters”
Aya Cash, “Giant”
Laurie Metcalf, “Death of a Salesman”
June Squibb, “Marjorie Prime”

Performance by an actor in a featured role in a musical

Ali Louis Bourzgui, “The Lost Boys”
André De Shields, “Cats: The Jellicle Ball”
Bryce Pinkham, “Chess”
Ben Levi Ross, “Ragtime”
Layton Williams, “Titaníque”

Performance by an actress in a featured role in a musical

Shoshana Bean, “The Lost Boys”
Hannah Cruz, “Chess”
Rachel Dratch, “The Rocky Horror Show”
Ana Gasteyer, “Schmigadoon!”
Nichelle Lewis, “Ragtime”

Scenic design of a play

Hildegard Bechtler, “Oedipus”
Takeshi Kata, “Bug”
David Korins, “Dog Day Afternoon”
Chloe Lamford, “Death of a Salesman”
David Rockwell, “Fallen Angels”

Scenic design of a musical

dots, “The Rocky Horror Show”
Soutra Gilmour, “Two Strangers (Carry a Cake Across New York)”
Rachel Hauck, “Cats: The Jellicle Ball”
Dane Laffrey, “The Lost Boys”
Scott Pask, “Schmigadoon!”

Costume design of a play

Brenda Abbandandolo, “Dog Day Afternoon”
Qween Jean, “Liberation”
Jeff Mahshie, “Fallen Angels”
Emilio Sosa, “The Balusters”
Paul Tazewell, “Joe Turner’s Come and Gone”

Costume design of a musical

Linda Cho, “Ragtime”
Linda Cho, “Schmigadoon!”
Qween Jean, “Cats: The Jellicle Ball”
Ryan Park, “The Lost Boys”
David I. Reynoso, “The Rocky Horror Show”

Lighting design of a play

Isabella Byrd, “Dog Day Afternoon”
Natasha Chivers, “Oedipus”
Stacey Derosier, “Joe Turner’s Come and Gone”
Heather Gilbert, “Bug”
Heather Gilbert, “The Fear of 13”
Jack Knowles, “Death of a Salesman”

Lighting design of a musical

Kevin Adams, “Chess”
Jane Cox, “The Rocky Horror Show”
Donald Holder, “Schmigadoon!”
Adam Honoré, “Cats: The Jellicle Ball”
Adam Honoré and Donald Holder with 59 Studio, “Ragtime”
Jen Schriever and Michael Arden, “The Lost Boys”

Sound design of a play

Justin Ellington, “Joe Turner’s Come and Gone”
Tom Gibbons, “Oedipus”
Lee Kinney, “The Fear of 13”
Josh Schmidt, “Bug”
Mikaal Sulaiman, “Death of a Salesman”

Sound design of a musical

Kai Harada, “Cats: The Jellicle Ball”
Kai Harada, “Ragtime”
Adam Fisher, “The Lost Boys”
Brian Ronan, “The Rocky Horror Show”
Walter Trarbach, “Schmigadoon!”

Direction of a play

Nicholas Hytner, “Giant”
Robert Icke, “Oedipus”
Kenny Leon, “The Balusters”
Joe Mantello, “Death of A Salesman”
Whitney White, “Liberation”

Direction of a musical

Michael Arden, “The Lost Boys”
Lear deBessonet, “Ragtime”
Christopher Gattelli, “Schmigadoon!”
Tim Jackson, “Two Strangers (Carry a Cake Across New York)”
Zhailon Levingston and Bill Rauch, “Cats: The Jellicle Ball”

Choreography

Christopher Gattelli, “Schmigadoon!”
Ellenore Scott, “Ragtime”
Ani Taj, “The Rocky Horror Show”
Omari Wiles and Arturo Lyons, “Cats: The Jellicle Ball”
Lauren Yalango-Grant and Christopher Cree Grant, “The Lost Boys”

Orchestrations

Doug Besterman and Mike Morris, “Schmigadoon!”
Ethan Popp, Kyler England, Adrianne “AG” Gonzalez and Gabriel Mann, “The Lost Boys”
Lux Pyramid, “Two Strangers (Carry a Cake Across New York)”
Brian Usifer, “Chess”
Andrew Lloyd Webber, David Wilson, Trevor Holder and Doug Schadt, “Cats: The Jellicle Ball”

TIJUANA — Iran’s soccer team arrived in Mexico on Sunday morning for training ahead of the World Cup, before its first two group matches at SoFi Stadium in Inglewood later this month.

Ehsan Hajsafi was the first player to exit the plane with markings for German charter airline USC, which arrived at about 5:05 a.m. He led the team, dressed in blue blazers over white T-shirts, through a brief security check with Mexican officials and dogs before boarding a bus.

The bus stopped briefly at the entrance to the Tijuana airport, where around 20 or so Iran fans waved flags.

The team’s participation in the World Cup, jointly hosted by the United States, Mexico and Canada, has been complicated by the Iran war. Problems with processing visas earlier led Iran to move its training base from Tucson to Tijuana.

The team has been training in the Turkish city of Antalya. It flew directly to Mexico on a private jet from the Mediterranean city’s airport.

Some members of their entourage were reportedly still without U.S. visas, according to Iranian state television Saturday. Those include the Iranian Football Federation’s secretary-general, Hedayat Mombeini, and its vice president, Mehdi Mohammad Nabi.

Iran plays its first two games at SoFi Stadium in Inglewood against New Zealand on June 15 and Belgium on June 21, then heads to Seattle to face Egypt on June 26. Iran and the U.S. could meet in the Round of 32 on July 3 in Arlington, Texas, if both teams finish second in their groups.

In March, President Trump discouraged Iran from participating in the tournament, saying he didn’t think it was “appropriate” and raising concerns over players’ “life and safety.” A day later, Iran’s national team countered, saying “no one can exclude” it from playing.

Iran finalized its team on Monday, including 17 home-based players whose clubs haven’t played since February because of the war. Star forward Sardar Azmoun was dropped in March, reportedly because of a social media post that angered Iranian authorities during the war.

Iran’s sports minister said in March that it would “not be possible” for the team to participate in the World Cup, but the Islamic Republic’s soccer federation said in May that it was moving ahead with a team. The federation had insisted that all players and staff be granted visas, including those who had military service in the Islamic Revolutionary Guard Corps.

New law grants president power to use military to clear roadblocks set up amid weeks of anti-government demonstrations.

Bolivia’s legislature has passed a law granting President Rodrigo Paz the authority to use the military to clear roadblocks set up by antigovernment protesters.

The legislation passed in Bolivia’s Chamber of Deputies on Sunday following an overnight debate. It had previously been approved by the Senate and was expected to be signed into law by Paz.

“This law is hereby passed,” announced Roberto Castro, President of the Chamber of Deputies.

The military has so far only been used in support roles for anti-riot police during weeks of demonstrations calling for Paz, the centre-right leader backed by the US, to step down.

About 100 roadblocks have been set up across the country in recent weeks. Authorities have said the road blockades have led to food and medicine shortages.

On Saturday, dozens of riot police backed by military vehicles fired tear gas as they attempted to clear a road in the town of San Julian.

Protesters threw stones and burned tyres to try to halt the police advance, said an AFP reporter at the scene.

The new law would allow soldiers to use force against protesters, and also grants them a “presumption of legality” in conflict situations. That means their actions will be deemed lawful unless proven otherwise.

It comes after Bolivia’s legislature voted last month to repeal a 2020 law that restricts the use of the military to crack down on protests.

Farmers, miners and transportation unions have been among those leading the protests. The demonstrations come amid widespread unrest over rising inflation, low wages and Paz’s move to abolish fuel subsidies.

Paz, who was elected last year, has charted a course as a pro-business leader, vowing to guide the country through an ongoing economic crisis.

He has received the backing of the US, with the administration of the US President Donald Trump’s so-called “Shield of the Americas” regional coalition vowing support during protests..

“We stand with Paz’s democratic government as it fights back against attempts to drag Bolivia backwards through cynical efforts to prevent the delivery of food, medicine and other vital supplies to the Bolivian people through fake road blockades,” said the alliance members, who have vowed to take a militaristic response to crime in Latin America

Italians who took part in a humanitarian aid flotilla for Gaza said Wednesday that when the Israeli army attacked them last month in the Mediterranean in violation of international law, they abducted some activists, and subjected them to ill-treatment amounting to torture, Anadolu reports.

“This time, the Israeli army responded to the flotilla much more violently” than in past humanitarian efforts, Antonio La Piccirella, who took part in the Global Sumud Flotilla’s 2026 Spring Mission, told a press conference in Rome.

“There were two attacks, one of them off the coast of Europe. In the attack between Italy and Greece, they abducted two of our members, further violating international law. The other intervention was carried out in broad daylight and lasted for one-and-a-half days.”

La Piccirella said Israel last year allocated $180 million to anti-flotilla propaganda in order to fight them and build up a sense of “impunity,” and that this year they spent far more, some $760 million.

This propaganda was carried out through disinformation and aimed to create communities sympathetic to Israel in Europe and the US, he said.

Emphasizing that they would continue to take action in the future, La Piccirella said: “We are concerned with actions against the naval blockade of Palestine (and promoting) humanitarian aid, and international law.

“The international situation is constantly changing, and so is our strategy. So we repeat that we will definitely continue to do something,” he said.

– Forced to kneel and be humiliated

Italian journalist Alessandro Mantovani, who also took part in the spring mission, stressed that after being detained he was not even allowed to say that he was a journalist.

“From the very beginning, we were beaten and forced into humiliating positions. When we were taken to their military ships, we were pushed down face-first onto the deck, tied up, then forced to kneel and kept in the same extremely uncomfortable position for hours. When we were brought to the ship that we all called the prison ship, we were systematically beaten,” he said.

The face-down positions he described fit video footage posted online by Israeli National Security Minister Itamar Ben-Gvir, in which the activists were forced to kneel and were subjected to abusive language, mistreatment which drew fierce criticism from numerous countries.

Mantovani said he still has problems with his jaw because of the blows he received and that his jaw may have been dislocated.

The Italian journalist said the Israeli army treated Turkish activists especially badly.

“I think I can say that the Turks were treated even worse than the others; torture also has a geopolitical dimension,” he said.

Turkish leaders have been at the international forefront of condemning Israel’s genocide in Gaza as well as the famine and near-starvation of its populace due to a long-standing blockade of food, medicine, and other humanitarian supplies. The blockade was due to be relaxed in recent months, but many rights groups and international observers say the situation has improved little if at all.

Mantovani pointed out that the Global Sumud Flotilla was detained at night during its first voyage last year, while during this latest voyage it was detained in broad daylight.

He stressed that the Israeli army was not ashamed to show that it attacked unarmed people with weapons.

With the Wayans brothers firmly back in the driver’s seat, horror parody “Scary Movie” muscled its way past He-Man for the top spot at the box office this weekend.

The reboot of the 2000s-era franchise — or “rebootiquel,” as the movie calls itself — brought in $55 million in the U.S. and Canada for a worldwide total of $105.5 million, according to studio estimates. The movie, which had a production budget of $30 million, beat studio expectations and marks the return of the Wayans brothers to “Scary Movie.”

The franchise was developed by Marlon Wayans, Shawn Wayans and Keenen Ivory Wayans. But after 2001’s “Scary Movie 2,” the Wayans got in a pay dispute with former Miramax executives Bob and Harvey Weinstein. The Wayans have said the Weinsteins did not tell them that 2003’s “Scary Movie 3” would be made without them. The franchise then continued with fourth and fifth installments.

After former MGM film executive Jonathan Glickman was named chief executive of Miramax in 2024, he reached out to Marlon Wayans to see if he’d be interested in reviving “Scary Movie.”

“Always dreamt of having this moment again,” Wayans said, while thanking Glickman and executive producer Marc Weinstock during a short speech at the movie’s premiere. “I thank you guys for having the vision to go, there’s only one way to do the next ‘Scary Movie,’ and that’s to bring the Wayans family back.”

Miramax led the production and financing of the film, while Paramount Pictures was the distributor.

Amazon MGM Studios’ “Masters of the Universe” came in second at the domestic box office with $29.3 million, in Mattel Studios’ first film in theaters since the 2023 smash hit “Barbie.” Globally, the movie made $54 million.

The action adventure movie had a production budget of about $170 million and aimed to reintroduce the ‘80s-era action hero “He-Man” to a new audience, while also driving the nostalgia of adults who played with the franchise toys or watched the original film and series. The movie is part of Mattel Inc.’s strategy to continue extending its toy brands into the entertainment arena.

Mattel Chief Executive Ynon Kreiz said last week that “Masters of the Universe” didn’t need to match the success of “Barbie” “to have a meaningful economic impact on the company.”

A24’s runaway hit “Backrooms” came in third at the box office this weekend, continuing its strong performance with a haul of $25.9 million. Focus Features’ “Obsession” ($25.6 million) and another YouTube-native property, “The Amazing Digital Circus: The Last Act,” ($12.7 million) rounded out the top five at the box office, according to Comscore data.