Month: June 2026

Foreign Office backed experts issue update as tourists from England, Scotland and Wales struck down

UK health experts have disclosed that 164 individuals have arrived back in England, Scotland and Wales from a holiday destination carrying a serious infection. In a fresh update, the Foreign Office-backed Travel Health Pro stated that people must exercise additional caution.

The surge in stomach bugs Shigella – also referred to as shigellosis or dysentery – and Salmonella has been occurring on the Cape Verde Islands, a favoured destination among British holidaymakers. Authorities confirmed that over the past eight months, cases of Shigella and Salmonella infection have been documented in travellers returning to England, Scotland and Wales from the Cape Verde Islands.

Of 164 confirmed Shigella cases, the majority – 112 – individuals reported travel to Cape Verde, predominantly to the Santa Maria and Boa Vista regions. As of June 2026, of 99 confirmed Salmonella cases, from three distinct clusters reported in England, Scotland and Wales since 1 October 2025, a total of 70 individuals reported travel to Cape Verde.

Cases in the largest of the Salmonella clusters reached their peak in January 2026. The European Centre for Disease Prevention and Control (ECDC) also flagged a surge in Shigella cases amongst travellers returning from Cape Verde since September 2022.

More than 1,000 confirmed and suspected cases of shigella and other gastrointestinal infections, including salmonella, have been identified in travellers returning from Cape Verde to 13 countries across the European Union/European Economic Area: Belgium, Czechia, Denmark, Finland, France, Germany, Ireland, Luxembourg, Norway, Poland, Portugal, Sweden and the Netherlands. Cases have also been recorded amongst US travellers who visited Cape Verde.

Shigella is a bacterium that can trigger shigellosis, a gut infection capable of causing severe diarrhoea, fever and stomach cramps. The majority of people recover within a week.

However, certain individuals, such as older adults, those with weakened immune systems, anyone with complex medical conditions, pregnant women and children under five, may face a heightened risk of complications, including sepsis.

Shigella spreads through contact with contaminated faeces, either directly via person-to-person transmission or indirectly through food, water or surfaces tainted with Shigella. Travellers visiting destinations where food and water safety cannot be guaranteed are particularly at risk.

Globally, the majority of Shigella cases occur in children younger than five years of age, though all age groups can be affected. There is additionally a risk of sexual transmission amongst men who have sex with men.

Salmonella, also known as salmonellosis, is a bacterial illness that primarily targets the intestines. Symptoms such as diarrhoea, stomach cramps, nausea, vomiting and fever typically appear between 12 and 72 hours after infection [8].

Young children, pregnant women, those with underlying health conditions and elderly people are at greater risk of developing severe symptoms. The majority of human cases stem from contaminated food and water.

For further details, click here.

While you are away.

Be sure to follow these steps when travelling overseas.

The U.S. Air Force Weapons School at Nellis Air Force Base, in Nevada, recently completed its final weapons instructor course for the A-10 Warthog. Despite an extension in service for three A-10 squadrons to 2030, and recent combat operations in the Middle East, the Weapons School has shuttered its elite training course in line with USAF divestment plans for the type, which were previously set for the end of 2026.

TWZ’s Jamie Hunter recently visited the 66th Weapons Squadron (WPS) and got a detailed cockpit and walk-around tour of an A-10C with “Trippin,” an experienced instructor pilot attached to the unit.

A full episode that goes in-depth with the A-10 Weapons School will kick-off TWZ’s first season of Special Access on YouTube soon, so stay tuned!

A-10 Cockpit And Walk-Around Tour With A Warthog Weapons Instructor

An HBO miniseries has been hailed as the ‘best of the best’ by fans, who say no show or film compares – and it’s streaming on Amazon Prime and NOW

TV fans have lauded a gripping war drama, calling it “the best of the best” and insisting no other show or film matches it. The series proves perfect for admirers of the popular 2001 American war drama miniseries, Band of Brothers.

So, what’s the show? It’s the seven-part television miniseries Generation Kill, which was produced by HBO and originally broadcast from July 13 to August 24 2008.

It was adapted from Evan Wright’s 2004 book sharing of the same name, which documented his experiences as an embedded reporter accompanying the US Marine Corps’ 1st Reconnaissance Battalion throughout the 2003 invasion of Iraq.

The extensive ensemble cast includes Alexander Skarsgård, Jon Huertas, James Ransone, Lee Tergesen – playing Wright, though characters only address him using nicknames – alongside many others.

The series earned recognition for its authenticity and emphasis on the bizarre circumstances facing Marines navigating prolonged boredom and volatile combat while dealing with questionable administrative decisions from senior command.

These often incompetent decisions – coupled with inadequate communication – result in troops experiencing frustration and confusion, while simultaneously managing constant equipment shortages.

The miniseries additionally captures the camaraderie among Marines and the gallows humour they employed as a survival strategy during such challenging, intense and unpredictable circumstances.

Generation Kill was created by The Wire’s David Simon and Ed Burns and is renowned for its unflinching use of authentic military terminology, while depicting the Marines as genuine, imperfect people rather than the steadfastly patriotic heroes typically portrayed in war films.

Though it originally broadcast on HBO in 2008, the miniseries is now accessible to stream on platforms such as NOW and Amazon Prime, although subscription add-ons are necessary to view through Prime.

Generation Kill continues to receive regular praise from TV fans and holds an impressive 86% rating on popular review-aggregation site Rotten Tomatoes.

One viewer said: “Right up there with Band of Brothers, Peaky Blinders, and The Pacific. The best of the best. First watched this over 12 years ago when it was new, and it’s still the greatest to this day.”

Another agreed: “It’s Band of Brothers during the 2003 Iraq invasion. Great writing and remarkable acting make this one a must watch TV show.”

A third wrote: “The action is a little over-the-top, but the characters, the dialogue and the attitudes all pretty perfectly capture 21st century military life. This is one of HBO’s truly great pieces of art.”

While a fourth said: “The more you watch it, the better it gets. It’s difficult for me to put into words, but to this day I still have not watched any show or even movie as good as this.”

Another shared: “One of my favourite HBO offerings!”

Generation Kill is streaming on Amazon Prime and NOW.

It would be fitting if Ireland’s first win in the T20 World Cup came against the Scots given they denied the Irish a place in the tournament two years ago as they pulled off a shock victory to reach the tournament for the first time.

Lewis said there was “major heartbreak” in the Ireland camp after that sore defeat that forced the squad to have to watch the World Cup from home.

Ireland are in a better place now and come into the tournament off the back of a productive Tri-Nations series in Clontarf where they beat both Pakistan and the West Indies.

“The series was a great success, we’ve got the results behind us. Confidence is high and that’s exactly what you want going into a World Cup,” Lewis added.

Lloyd Tennant’s side are ranked ninth in the world but are in a tough Group B which also has hosts England, holders New Zealand, Sri Lanka and West Indies alongside the Scots.

They will face all five sides with the top two in the group moving through to the semi-finals where they will face the top two from Group A.

Scotland won by 39 runs the last time the two sides met in Nepal in January and Lewis believes getting off to a good start in their first game is “massive” for Ireland in terms of momentum.

“There’s a big rivalry between us and them. They’ve probably got one up on us at the moment after beating us in Nepal. I think we’re looking good and we’re really excited for it.

“They’ve got a new addition in Kirsty Gordon [a former England spinner] which is a boost for them.

“If we get the win, then you never know against England.”

June 11 (UPI) — U.K. Defense Secretary John Healey resigned on Thursday after criticizing his government for spending “well short” of what it should on the military.

Healey resigned from the position in a letter addressed to British Prime Minister Keir Starmer, which was posted on X, because the country’s Defense Investment Plan does not meet requirements and could “reduce the readiness of our forces.”

Hours after Healey’s resignation, junior defense minister Al Carns also resigned from his post because of his own concerns about the “level of investment I know to be inadequate to the task,” NBC News reported.

Starmer said after Healey quit that he is “proud of our record on funding” and that he believes the funding plan that has been agreed to between the Parliament and Defense ministry “will provide the resources our military needs to keep us safe,” The BBC reported.

The prime minister has in recent weeks been called on to resign after less than great election results last month, and Healey is the second member of his cabinet to resign recently after former health secretary Wes Streeting quit because he’d “lost confidence” in Starmer.

In addition to Healey and Carns, Starmer’s parliamentary assistant to the Defense Ministry also left her role over “delays and difficulties” to fund the United Kingdom’s military readiness goals.

“We came into government recognizing Britain faced a new era of threat which demanded a new era for defense,” Healey wrote in the letter.

“Since then, you have been unable, and the Treasury has been unwilling, to commit the resources that the nations needs to defend the country at this time of rising threats,” he wrote.

Starmer on Thursday named former security minister Dan Jarvis to be the secretary of defense, whose job it will be to finalize the new defense funding plan, which is reportedly expected to be about half of the $37 million the ministry had requested.

Among the goals that had been set out in the most recent U.K. strategic defense review were increases in ammunition stockpiles, next-generation warplanes, drones and updated submarines.

EXPLAINER

Trump cancels planned Iran attacks, saying talks are close as Tehran reviews a proposed US deal.

United States President Donald Trump said he had cancelled a third straight night of planned attacks on Iran, saying talks with Tehran were close to producing a deal.

The announcement marked a dramatic turnaround. Just hours earlier, Trump warned that Iran would be hit “very hard” and threatened to target Kharg Island and other oil facilities.

Reporting from Tehran, Al Jazeera’s correspondent said a senior Iranian official confirmed that a proposed memorandum of understanding with the US was being considered by Iran’s top leadership.

Here is what has happened:

In Iran

• Trump calls off planned Iran attacks: Hours after warning that Iran would be hit “very hard” and threatening attacks on Kharg Island and other oil facilities, Trump said he had cancelled the planned strikes, claiming negotiations had reached a breakthrough. In a Truth Social post, Trump said discussions had been elevated to Iran’s top leadership and that the “final points” of an agreement had been approved by all parties involved, including the US and several regional allies.
• Tehran says the sacrifices of war were worth it: Reporting from Tehran, Al Jazeera’s Mohamed Vall said many Iranians would be relieved to see the conflict end after months of hardship and loss. But the government is also trying to sell a potential deal as a victory, telling people that “it is worth the suffering” because Iran could come out of the war “in much stronger shape”, with the possibility of sanctions being lifted and assets being unfrozen.

In the US

• Expert says Trump used an ‘escalate to de-escalate’ strategy: Richard Weitz, an international security expert at the NATO Defense College, told Al Jazeera that Trump’s threats to intensify the conflict may have been aimed at forcing a diplomatic breakthrough. The strategy, he said, is to “threaten to escalate” a conflict “in order to force an end to it”. However, Weitz cautioned that “we still have a bit of uncertainty over what precisely was agreed and how it will be implemented.”
• Trump has tried to hold Netanyahu back in recent weeks: Reporting from Washington, DC, Al Jazeera’s Kimberly Halkett said Donald Trump and Israeli Prime Minister Benjamin Netanyahu have long had “a shared desire to limit Iran’s nuclear programme” and ensure Tehran never obtains a nuclear weapon. But she said there was a “growing concern” within the White House that Netanyahu could “derail efforts in the diplomatic realm”, with Trump increasingly trying to restrain the Israeli leader and, in the US president’s words, “allow time for diplomacy”.

In Lebanon

• Hezbollah says it carried out 24 attacks on Israeli forces: The Lebanese armed group said it launched a series of drone, missile and rocket attacks on Israeli soldiers, armoured vehicles and military positions across southern Lebanon and the Bekaa Valley between Wednesday and Thursday. Hezbollah said it repeatedly struck troop concentrations near Tayr Harfa, while also attacking Israeli forces in Naqoura, al-Qaouzah, Rashaf, Qantara, Zawtar al-Sharqiyah and Yohmor al-Shaqif.

Embattled reality TV personalities Todd and Julie Chrisley are suing an Atlanta law firm and one of its attorneys, alleging that legal mistakes led to the couple’s conviction.

The lawsuit, filed June 5 in U.S. District Court for the Northern District of Georgia, alleges that Atlanta-based Balch & Bingham LLP and attorney Chris Anulewicz “put their own interests ahead of their clients’ lives” by taking on the couple’s case and appointing Anulewicz as the lead, which they say meant “money, publicity, and the kind of high-profile notoriety that brings in business.”

According to the Chrisleys, Anulewicz “had no meaningful criminal defense experience,” and “Balch knew this — or should have.” They also claim that while representing them, Anulewicz steered them into a $75,000 investment in his brother-in-law’s food truck business.

The lawsuit claims that the couple’s conviction and subsequent federal prison sentence were the result of an “unlawful, warrantless search of the Chrisleys’ warehouse” by the Georgia Department of Revenue, and that Anulewicz missed a deadline to suppress derivative evidence that was ultimately used as the foundation of the prosecution’s case.

“That illegal search launched the entire federal case,” reads the lawsuit. “The district court agreed the search was illegal and suppressed the physical documents. But Anulewicz — operating without supervision from Balch — never moved to suppress the derivative evidence: the emails, bank records, and financial documents that federal agents obtained because of what they learned from the illegal search.”

The couple is seeking $25 million in damages, claiming that because their team didn’t have the documents suppressed, they were convicted on every count.

“They served time in federal prison,” reads the suit. “They were separated from each other and from their children. They lost their television show and endorsement deals, costing them more than $25 million in income. Their reputations were destroyed. They have spent millions more in appeals and post-conviction proceedings, all of it an attempt to undo harm that a single timely motion would have prevented.”

In 2022, an Atlanta court found the “Chrisley Knows Best” couple guilty on charges of conspiracy to commit bank fraud, bank fraud, conspiracy to defraud the United States and tax fraud. Julie Chrisley was also charged with wire fraud and obstruction of justice.

Todd Chrisley received a 12-year sentence, along with 16 months’ probation, while his wife was sentenced to seven years in prison and 16 months’ probation.

In 2024, the Chrisleys’ daughter, Savannah, appealed to President Trump to free her mom and dad. During the Republican National Convention, she gave a speech about the “rogue prosecutors” who locked up her parents.

Last year, Trump granted the reality stars a full pardon.

Jay V. Surgent, an attorney who represents Todd and Julie Chrisley, said in a statement to The Times that the reality stars “have correctly been pardoned by President Trump.” He alleged that Georgia officials violated the “Chrisley Knows Best” stars’ constitutional rights due to their notoriety and criticized local authorities’ “improper seizure of evidence.”

Times staff writer Alexandra Del Rosario contributed to this report.

SpaceX is set for the largest stock market debut ever.

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Elon Musk’s rocket company begins trading on the Nasdaq on Friday under the ticker SPCX. The company priced its shares at $135 each, raising $75 billion (€64.5bn) and valuing the business at $1.75 trillion (€1.5trn) in the biggest stock market flotation on record.

The deal would comfortably eclipse Saudi Aramco’s previous record of $29.4bn, set in 2019 and later increased through an overallotment option.

SpaceX made an unusually strong push to attract retail investors, including those in Europe. According to Bloomberg, individual investors placed roughly $100bn (€86.6bn) in orders through trading platforms including Robinhood, Fidelity and SoFi during the IPO process.

That demand alone exceeded the company’s $75bn (€64.5bn) fundraising target, underscoring the level of interest from smaller investors ahead of the stock market debut.

Yet beneath the hype, several warning lights are flashing. Here are five risks investors should weigh before the SpaceX IPO goes live.

1. Is SpaceX worth $1.75tn?

At a valuation of $1.75tn (€1.5trn), investors would be valuing SpaceX at roughly 94 times its annual revenue, which was $18.7bn (€16.1bn) in 2025. By comparison, Nvidia — one of the market’s most highly valued technology companies — trades at less than a quarter of that level.

The investment research firm Morningstar, which values the company at $780bn (€675bn), called it “significantly overvalued” while Goldman Sachs data suggests sustaining the share price would require revenues above $100bn (€86.6bn) by 2030, implying a compound annual growth of more than 40%.

History offers a note of caution. Research by University of Florida professor Jay Ritter, often referred to as “Mr IPO”, found that while IPOs between 2012 and 2021 rose an average of 23.6% on their first day of trading, they returned just 10.6% over the following three years.

2. Fast-tracked into indexes and supported by a small float

SpaceX’s expected inclusion in major stock indexes has become a point of controversy. Investment officials from four large US states have urged Nasdaq and FTSE Russell to explain recent rule changes that could accelerate the company’s entry into widely tracked benchmarks.

Critics argue the move could expose passive investors to a highly valued stock sooner than expected, while the index providers say the changes reflect broader market developments.

The debate matters because relatively few SpaceX shares will initially be available for trading. Although SpaceX is valued at $1.75tr (€1.5trn), only around 3% to 4% of its shares will initially be available for public trading.

That means the company’s market value will be determined by trading in a relatively small portion of its equity. Reports suggest more than 75% of the $75bn (€64.5bn) offering has already been allocated to existing investors and insiders, leaving fewer shares available on the open market.

According to Morningstar, the limited float and strong demand for artificial intelligence-related stocks could help support the share price in the early stages of trading, even if the company is valued above what the research firm considers fair value. The firm argues that a clearer picture of investor demand may emerge once lock-up restrictions expire and more shares become available for trading.

Some analysts, however, believe the limited float could continue to support the stock. Estimates suggest between $22 billion (€19bn) and $27 billion (€23.4bn) of passive investment could flow into SpaceX once it joins the Nasdaq 100, creating additional demand from index-tracking funds.

3. Losses, not profits

SpaceX’s financial results may also give investors pause.

The prospectus shows that the company is growing rapidly but still losing money.

The company owns the Starlink satellite internet service, which generates most of its revenue and is its only profitable business. It also owns the artificial intelligence company xAI, which merged with SpaceX in February.

According to the filing, SpaceX carried an accumulated deficit of $41.3bn (€35.76bn) as of 31 March and reported a net loss of $4.27bn (€3.7bn) in the first quarter of 2026.

This compares with $528mn (€457mn) in the same period a year earlier.

Much of the recent loss stems from xAI. According to SpaceX’s IPO filing, the AI business recorded an operating loss of about $6.4 billion (€5.5bn) in 2025. The filing also showed xAI spent heavily in the opening months of 2026 as it expanded its AI infrastructure.

Morningstar argues the AI unit “poses a material threat of value destruction”, noting that Grok has yet to win meaningful market share against rival chatbots.

Supporters counter that the losses are a choice, not a structural flaw.

Revenue climbed 33% to $18.7bn (€16.2bn) in 2025, up from $14.1 billion (€12.2bn) a year earlier. The underlying launch and satellite business was profitable as recently as 2024. The deficits largely reflect heavy investment in AI infrastructure, spending that supporters say is already beginning to be offset by new compute contracts.

4. The AI growth gamble

Supporters argue investors are paying for future growth rather than current profits.

Starlink remains the company’s main source of revenue, while its artificial intelligence business is expected to play a larger role in the years ahead.

Bulls also point to SpaceX’s dominant position in rocket launches and satellite communications, arguing the company is uniquely placed to benefit from growing demand for connectivity, computing power and AI infrastructure.

SpaceX conducts more rocket launches annually than the rest of the world combined and counts over nine million Starlink subscribers, but its newest growth driver is the AI data-centre business acquired through the xAI merger.

Last Friday, Google agreed to pay SpaceX $920 million (€796.6mn) per month for compute capacity at xAI data centres, in a 32-month deal running from October 2026 through June 2029, and covering access to roughly 110,000 Nvidia GPUs.

That followed a May agreement under which Anthropic pays $1.25 billion (€1.08bn) a month to rent the entire output of the Colossus 1 data centre until May 2029, putting combined annualised compute revenue at around $26 billion (€22.5bn).

Bulls argue this contracted income, won in under four months, shows how quickly the company can monetise its infrastructure. Sceptics note that both contracts carry 90-day termination clauses after December 2026, and that Google itself has framed the arrangement as “bridge capacity” rather than a permanent commitment.

5. The Elon Musk-sized risk

SpaceX’s success is closely tied to Elon Musk, whose profile and track record have helped attract investors, customers and business partners. That creates what investors call “key-person risk” — concerns about how the company would fare if he were no longer leading it.

The company’s governance structure reinforces that dependence. Musk’s super-voting Class B shares give him around 85% of voting power, leaving outside shareholders with little influence over major corporate decisions. In practice, that means no one but Musk himself can determine whether he remains chief executive.

Critics also point to SpaceX’s incorporation in Texas, where only investors holding at least 3% of shares can bring derivative lawsuits. The Danish academic pension fund AkademikerPension has blacklisted the stock, describing the governance structure as “catastrophic”.

Supporters argue that dual-class share structures are common among US technology firms, including Meta and Alphabet. They say concentrated voting control allows founders to pursue long-term goals without pressure from short-term investors.

Musk’s prominence also brings political risk. US Senator Elizabeth Warren has urged the Securities and Exchange Commission to scrutinise the listing, warning that future index inclusion could expose millions of passive investors to the stock without them actively choosing it.

Others note that the SEC completed its review faster than expected, allowing the IPO process to move ahead without delay and suggesting regulators see no immediate obstacle to the listing.

Disclaimer: This information does not constitute financial advice, always do your own research on top to ensure it’s right for your specific circumstances. Also remember, we are a journalistic website and aim to provide the best guides, tips and advice from experts. If you rely on the information here, then you do so entirely at your own risk.

Robert decided to leave the UK after spending over £3,000 a month just to get by – and he loves his new life

A Brit has ditched life in the UK to live well for just £800 a month – and he’s loving it. Now he drinks £2 pints on the beach and saves thousands on bills.

Robert Hoadley decided to up sticks after realising he was stuck in a cycle of working long hours just to cover rising costs. The 45-year-old had barely travelled and spent years grafting in construction before deciding enough was enough.

Now he’s living more than 6,000 miles away in Chiang Mai, Thailand, to work as a content creator, and says life couldn’t be more different. “I felt like I was just working to cover bills with no real freedom,” Robert, from Portsmouth, said.

“The cost of living in the UK kept going up, and I wanted a different lifestyle – less stress and more control of my time. I got to a point where I didn’t want to wait until retirement to actually start living life, so I decided to take the leap, sell everything I owned, and move out here.

“It’s definitely been a big change, but the lifestyle and day-to-day life here feels a lot better.” Since relocating in 2025, Robert has been working online, creating content about the cost of living and relocating abroad.

He’s currently building various online income streams so he can work remotely. His social media platform, Sea Turkey Adventures, already boasts over 6,000 followers with some of his clips racking up over 200,000 views.

Robert says he’s happier, more active and finally enjoying a proper work-life balance. And despite pints costing just £2, he insists he’s actually drinking less – although the one thing he misses most about UK is the sarcastic sense of humour.

Robert said: “I enjoyed going out in the UK, but these days it’s more balanced. I drink socially now rather than out of habit. There are more lifestyle options here like gyms, cafés, pools and being outdoors. I’m much more focused on health and routine now. I wake up earlier, train regularly, spend more time outdoors, and I’m more conscious of how I spend my time and money.

“In the evenings I’m nearly always out doing something social, even if it’s just meeting people for food or coffee rather than drinking.” The UK’s cost-of-living crunch was a major factor behind his move. Robert says he was spending more than £3,000 a month back home but now lives comfortably on just £800.

‘Money goes so far abroad’

He said: “That’s the biggest difference – you’re not constantly under financial pressure. A lot of people don’t realise how far your money can go abroad, and how different life can feel when you’re not constantly stressed about bills. I did look at other countries, but Thailand just made sense – good food, friendly people, strong expat community, and you can live well here for a fraction of UK costs.”

He also says the slower pace of life has made a huge difference. He said: “In the UK, people can seem stressed, the weather can be grey for long periods, and it often feels like everyone is rushing through life. Here, the climate is better, the people are generally more relaxed, and there’s a friendlier vibe overall. A lot of people are either on holiday or choosing to be here, so the energy feels more positive.

“It just suits me more at this stage of life.” But it’s not all perfect – and Robert admits he still misses some things from home. He added: “I miss friends and family, obviously. Also the humour – that UK sarcasm and banter is hard to replace. I miss certain foods and the traditional pub atmosphere. Every country has things you appreciate once you leave.”

Bear right in Romania

Jeremy Clarkson described Romania’s Transfăgărășan Highway as “one unbroken grey ribbon of motoring perfection”. The route (the second highest in Romania after the Transalpina) with its hairpin bends and climbs over the mountain was thrilling. Although we’d been told bear sightings were possible, we didn’t anticipate spotting them literally on the roadside, with one hanging over a stone wall posing for photographs, taken through the car window. Because of the harsh winters in the southern Carpathian Mountains, the section of the road to Bâlea Lake is open only for a few summer months – it proved particularly beautiful.
Helen Jackson

Highlights of Ireland

In 2022 my wife and I set off on a 1,000-mile road trip around the island of Ireland after taking the overnight ferry from Liverpool to Belfast. After exploring Belfast, we stopped in Dublin, Kilkenny, Waterford, Cork, Dingle, Ennis, Galway, Castlebar, Sligo, Donegal, Derry and back to Belfast. We stayed in youth hostels, B&Bs, spare rooms, hotels (the Ellison Hotel in Castlebar was our favourite) and holiday lets. The scenery was incredibly varied, with the peninsula drive on the Ring of Kerry and the karst landscape of the Burren in Co Clare being particularly memorable. There were beautiful beaches (the wild sands of Glassilaun in Co Galway was our favourite), rich history and culture, superb food, characterful towns and cities, and, of course, the best pubs, and such friendly, warm people.
Joe

Around the fjords of Norway

My wife and I drove from Bergen to Vossevangen along the Hardangerfjord (the second-longest fjord in Norway), with a diversion to Flåm for a sauna and dip. Then we took the Myrkdalen road, which includes hairpin bends, waterfalls and an exciting descent into Vikøyri. We visited Nese, a secluded village on the western shore of the Arnafjorden. Then we took the car ferry over to Dragsvik, on to the village of Rysjedalsvika, then along the northern shore of the Sognefjord (Norway’s longest and deepest fjord) for another car ferry over to stay in Dingja on the coast, to do some fishing. Then all the way back to Bergen.
Nick Martin

Geothermal bliss on Iceland’s ring road

We started from Reykjavík and drove around the whole country on the ring road. We have done a few road trip holidays – this one was the most interesting. Every day we saw multiple dramatic landscapes and weather conditions, as well as very few other cars (we went in May). Iceland is an expensive country but being able to whale-watch and swim in geothermal pools made it worth it.
Jess

The road to Orkney

We drove up to Orkney, taking our time, stopping in Glasgow, Falkirk, Perth and Tain. As lovers of history and design, we stopped at the Falkirk Wheel and the Kelpies, as well as Scone Palace just outside Perth and Dunrobin Castle in Sutherland, the most northerly of Scotland’s great houses. But, really, you’re spoilt for choice with castles, brochs and standing stones. For us, the spectacular Caithness coastline was the main attraction – not least Dunnet Head, mainland Britain’s most northerly point. There are oodles of excellent eateries along the way – we loved the River Bothy in Berriedale and Paesano Pizza in Glasgow.
Tania

Romance in Bavaria

The Romantische Strasse (Romantic Road) was an early postwar successful example of a themed tourist route. It covers 286 miles through Bavaria from Würzburg to Schwangau. We drove the entire route, diligently following the tourist signs. On the way, we visited picturesque medieval towns, climbed the clock tower at the medieval walled town of Nördlingen – built entirely inside a meteor crater – and ended at the fairytale castle of Schloss Neuschwanstein. We sampled the hearty Bavarian cuisine, firmly centred on pork and sausages, enjoyed the local beer, and stayed in simple local hotels.
Marilyn

Winning tip: traversing Italy’s Abruzzo Apennines

Abruzzo’s Valle del Sagittario snakes between narrow limestone cliffs, giving a peek into Italy’s wild heart. From vertiginous Anversa degli Abruzzi, head south to Scanno, pausing to solve its riddle of stone stairways and cobbled alleys, made famous by photographers and artists (including Maurits Cornelis Escher). Continue through mountain pastures, still traversed by shepherds and flocks and the region’s endangered brown bear population. Take a deep breath at the Godi mountain pass (1,630 metres) and relish the sparkling turquoise of Lago di Barrea below. As you begin the beech-clad descent into the national park, look out for the aptly named roadside hotel: Paradiso.
Emma de Heveningham

RALEIGH, N.C. — Andrei Svechnikov scored twice and Sebastian Aho added a second-period goal in a breakout game for Carolina’s top-line performers, helping the Hurricanes beat the Vegas Golden Knights 4-2 on Thursday night to move one victory away from the Stanley Cup.

Captain Jordan Staal added his fifth goal in the series on a night when Carolina overcame multiple hiccups from these playoffs, from a shaky power play to being outplayed in the second period of this series.

And there had been the waiting game for Aho and Svechnikov — two roster mainstays in an eight-year postseason run — to find a better offensive groove.

It all came together in Game 5, with Svechnikov’s short putaway at the post on the power play giving Carolina a 4-1 lead midway through the third period. And unlike most multi-goal leads in what has been a wild and thrilling series, this one held up, with Brandon Bussi finishing with 22 saves in his second career postseason start.

That gave the Hurricanes a 3-2 lead in the best-of-seven series. Game 6 is Sunday night in Las Vegas, with the Hurricanes playing for the chance to hoist the Stanley Cup for the first time since coach Rod Brind’Amour captained them to the title in 2006.

It has been a tough series for Vegas goaltender Carter Hart.

(Karl B DeBlaker / AP)

Pavel Dorofeyev scored twice for Vegas, finding the net for the first time since Game 1 of the Western Conference Final sweep of Presidents’ Trophy winner Colorado. Carter Hart entered this one as the first goaltender in Stanley Cup Final history to give up at least four goals in each of the first four games, then did it again to continue a difficult series while finishing with 20 saves.

Vegas had twice before been in a 2-2 series in these playoffs, in the first round against Utah and the second round against the Ducks. Both times, the Golden Knights won Game 5 and then closed out the series in Game 6.

This time, they’ll have to win on home ice to force the series back to Carolina for a Game 7 on Wednesday night. And they’ll have to take two in a row against a Hurricanes team that hasn’t suffered consecutive losses since mid-January.

Vegas played much of the night without center William Karlsson, who was being checked out on the bench for an apparent upper-body injury. Karlsson skated to the tunnel midway through the second period and didn’t return.

June 11 (Asia Today) — A South Korean-operated liquefied natural gas carrier that had been stranded near the Strait of Hormuz because of the U.S.-Iran war has passed through the waterway, South Korea’s Foreign Ministry said Wednesday.

The vessel was headed to a third country, not South Korea, and eight South Korean crew members were aboard, officials said.

“One South Korean vessel has passed through the Strait of Hormuz and is sailing,” the Foreign Ministry said. “Consultations related to this passage were led by the foreign-chartered company.”

The ministry said it understood the ship was heading to its final destination in a third country.

A Foreign Ministry official said Seoul has repeatedly emphasized to Iran the need for the prompt and safe navigation of all vessels in the Strait of Hormuz, including South Korean ships. The official said the government is also continuing to communicate with related countries.

According to the Ministry of Oceans and Fisheries, one LNG carrier operated by a South Korean shipping company resumed operations and left the inner side of the strait as of 7 a.m. Wednesday.

As a result, the number of South Korean-operated ships waiting inside the strait fell from 25 to 24. The number of South Korean crew members in the area declined from 147 to 139.

Foreign Ministry officials said the South Korean vessels are anchored in safe areas near Qatar, the United Arab Emirates and other nearby waters, following guidance from the Oceans Ministry.

“The government’s top priority is the free and safe passage of South Korean vessels and crew members in the strait,” a Foreign Ministry official said. “We are carrying out diplomatic efforts through multiple channels regarding the remaining 24 vessels.”

The charterer of the ship that passed through the strait was identified as QatarEnergy, Qatar’s state-owned energy company, and the final destination was believed to be Pakistan.

The case differs from the earlier passage of the Universal Winner, a very large crude carrier operated by HMM, which left the strait after direct negotiations between the South Korean government and Iran. In the latest case, the charterer led the decision-making and consultations.

Diplomatic observers said the involvement of QatarEnergy as the charterer and Pakistan as the destination may have helped the vessel secure passage. Pakistan has maintained close communication with Iran over Middle East tensions, and consultations involving the Pakistani Navy and the charterer may have reduced safety concerns.

The passage was reportedly completed shortly before Iran announced a full closure of the Strait of Hormuz. Iran said Wednesday local time it would completely close the strait in response to U.S. airstrikes.

Diplomatic observers said South Korea is likely to prioritize safety for the remaining 24 vessels for the time being, rather than pushing for immediate passage, as risks in the strait have increased.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260612010004185

In a significant development, Airbus has announced that its H145 twin-engine light helicopter is being developed in an uncrewed version, the U145. The move continues and expands the manufacturer’s work in the uncrewed helicopter space and reflects similar developments around the globe — most notably, an uncrewed version of the UH-72 Lakota, which is the U.S. Army’s variant of the H145.

The U145 was officially revealed today, ahead of the ILA Berlin airshow, starting this week, during which a full-scale mock-up will be displayed. Airbus says it is planning a first flight of the U145 — with a safety pilot onboard — before the end of this year, and is aiming for entry into service at the beginning of the next decade. 

“With the U145, we are offering our customers an autonomous, uncrewed version of our H145 helicopter — combining the proven airframe, power and useful load of the H145 with the autonomy of a UAS,” said Matthieu Louvot, CEO of Airbus Helicopters, in a company media release. “To develop the U145 and its capabilities as a multi-mission UAS, we will be teaming up with leading autonomous mission partners to further expand the UAS ecosystem in Europe,” he added. 

The U145 will have a maximum takeoff weight of around 8,400 pounds, and is described as a “mission-agnostic solution for civil and military applications, primarily high-volume cargo supply.” Airbus has announced the payload will be up to 2,600 pounds. In comparison, the uncrewed version of the Lakota, the MQ-72C Lakota Connector, will carry a maximum payload of around 4,000 pounds, although this includes slung loads. With that in mind, the U145 and MQ-72C will likely end up offering very similar payload capacities.

The MQ-72C is expected to be able to cruise at speeds of 135 knots out to ranges of at least 350 nautical miles, according to the Airbus website.

Already at this stage, the company is pitching the U145 for specific military roles, including armed scouting and surveillance. Airbus is also planning to adapt the U145 as a “drone mothership” that will carry “launched effects,” on which the company is partnering with European missile house MBDA. A similar concept is currently being pitched by Sikorsky, with its uncrewed version of the Black Hawk helicopter, dubbed the U-Hawk, which is also intended to be able to fire dozens of launched effects such as surveillance and reconnaissance drones and loitering munitions.

Airbus also envisages the U145 operating in conjunction with conventional helicopters as part of crewed-uncrewed teaming. 

The U145 will offer full autonomy, Airbus says, being equipped with a specialized sensor suite and artificial intelligence. For an uncrewed logistics aircraft, the ability to autonomously navigate along a predetermined route using programmed waypoints would provide a practical foundation for autonomous operations. However, more advanced capabilities — such as dynamically adjusting flight paths and responding in real time to emerging threats or unexpected obstacles — would also be very valuable, especially when conducting resupply missions in contested or high-risk environments.

The U145 will have no physical cockpit, so it cannot be flown with human pilots onboard. Other significant changes include adaptations for cargo missions, including a clamshell nose door, a loading platform, and a dedicated cargo floor. The existing rear clamshell doors are retained, as are the cabin side doors. The same configuration has been adopted for the MQ-72C, and a pass-through cargo hold is a big advantage that other crewed helicopters in this class cannot match.

Other features of the new uncrewed helicopter will be carried directly over from the H145, more than 1,800 of which are currently in service.

These features include a powerplant of two Safran Arriel 2E engines equipped with a full-authority digital engine control (FADEC) and a fenestron tail rotor.

The U145 is the next step in the manufacturer’s development of uncrewed helicopters. As such, it follows on from the smaller VSR700, a rotary-wing uncrewed air system which was derived from the crewed Cabri G2 light helicopter.

It is unclear what elements might be ported across from the MQ-72C, also called the Unmanned Logistics Connector (ULC), which is being developed separately by Airbus U.S. Space and Defense, together with its partners Shield AI, L3 Harris, and Parry Lab. Based on the U.S.-made UH-72B Lakota, the MQ-72C is similarly autonomous and is primarily aimed at the U.S. Marine Corps. You can read more about the MQ-72C in our previous coverage of the aircraft, here and here.

Airbus’s UH-72 Unmanned Logistics Connector Sets Its Sights On The USMC’s Future Fleet Requirements

In the context of the MQ-72C, we have previously looked at how this platform fits with the U.S. Marine Corps’ vision for future fleets of cargo-carrying drones. The Marines see uncrewed logistics ‘connectors’ in the air and down below as essential for supporting future expeditionary and distributed operations, especially in the context of a possible future high-end fight with China in the Pacific.

Other U.S. efforts in this space include optionally crewed and uncrewed versions of the larger H-60 Black Hawk series. The U-Hawk demonstrator, a fully uncrewed version of the Black Hawk helicopter, is intended to carry cargo and deliver launched effects and similarly features clamshell doors in the nose. At the heavier end of the scale, Boeing has said its future plans for the H-47 Chinook include creating a path toward an uncrewed version of the aircraft.

Introducing the S-70UAS™ U-Hawk™

However, these kinds of capabilities are increasingly being eyed by other services around the world, too.

With this in mind, Airbus is hoping to leverage the existing customer base for the H145, which has footprints on six continents. The H145 is already in service, or on order, with a growing number of international military operators for utility and light-attack missions. The uncrewed version maintains significant commonality, which will bring down support and maintenance costs.

At the same time, the U145 has obvious commercial applications. Airbus highlights its suitability for roles like disaster management and firefighting, although it would also be ideal for cargo conveyance, especially remote resupply work and logistics support to offshore platforms and remote areas on land, for example.

An Airbus spokesperson told Breaking Defense that the U145 has not been developed for any specific national or European acquisition.

Undoubtedly, there is growing recognition in Europe, in particular, that changes in the geopolitical landscape mean that the continent cannot necessarily rely on the United States to meet its defense needs. Developing the U145 in addition to the MQ-72C aligns with Europe’s ambition to strengthen its sovereign capabilities.

With the U145, Airbus is betting that autonomous rotorcraft will become an increasingly important part of military operations. By leveraging a proven helicopter platform, it should accelerate the transition to uncrewed operations, but the drone helicopter will be entering an increasingly competitive marketplace.

Contact the author: thomas@thewarzone.com

Ariana Grande was crystal clear in the White House’s comments section on TikTok.

The “We Can’t Be Friends” hitmaker didn’t mince words on Thursday when she commented on a White House TikTok: “Please do not ever use my music in relation to this barbaric, inhumane, heinous nonsense. F— ice,” she wrote in her comment.

The TikTok in question, posted by the White House on Tuesday, promoted the administration’s crackdown on immigration and featured Immigration and Customs Enforcement officers handcuffing various people to the tune of the Grammy-winner’s song “Bye.”

“Bye-bye 👋 President Trump has delivered the most secure border in history,” the caption on the video read. Grande’s comment has since been deleted or hidden from the video’s replies, and the sound on the TikTok has been disabled.

White House spokeswoman Abigail Jackson responded to Grande’s comment in an emailed statement to The Times, writing, “We’ll say this one last time: what’s actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens.”

Grande joins a slew of prominent musicians and artists who have told the Trump administration to cease using their tunes to promote his agenda.

On the 2024 presidential campaign trail, Beyoncé endorsed former Vice President Kamala Harris, who used Queen Bey’s song “Freedom” as a rally anthem. When a spokesman for Trump used the same song in a social media post, the mega star’s team responded swiftly with a cease-and-desist.

During a 2024 Montana rally, Trump’s team played a video clip using “My Heart Will Go On,” the theme song from the 1997 film “Titanic.” Celine Dion’s management team and record label responded with a statement shooting down the song’s use: “In no way is this use authorized, and Celine Dion does not endorse this or any similar use. … And really, THAT song?”

And then, of course, when Trump used Bruce Springsteen’s “Born in the U.S.A.” on the 2016 campaign trail without the artist’s permission, the American rocker responded by endorsing Hillary Clinton and calling Trump a “moron.”

Add to the list Nancy Sinatra, who posted that Trump’s nod to Frank Sinatra’s song “My Way” was “sacrilege”; the Smiths’ former guitarist Johnny Marr, who said, “Consider this s— shut right down right now,” when the band’s song was used at a 2023 Trump rally; Sabrina Carpenter, who slammed the use of her song in a video, calling it “evil”; and many, many, many more.

The lord of the rings works behind a nondescript door in a Beverly Hills office building, not far from the UCLA campus where he once sold hair clips and trinkets from a folding table. Jason Arasheben was $28,000 in debt back then, running low on options. Now, eight of the past 11 NBA champions have worn his jewelry on their fingers.

Super Bowl winners have his rings, too — the Rams, Tampa Bay Buccaneers, Philadelphia Eagles and the Seattle Seahawks, whose players opened their ornate jewelry boxes at a private team party Thursday night to find the prize every NFL player covets.

The Seahawks ring, large as a child’s fist, is encrusted with 20 carats of white diamonds and blue sapphires. It’s a miniature Lumen Field, featuring the hawk-head logo and two Lombardi Trophies. The top lifts off and converts into a pendant. Inside is a cowhide segment of a game-used football. Twelve flags on the sides nod to the “12th Man” fan base; one is a secret button — push it and the arches pop out to reveal the words “World Champions.”

A look at the Seattle Seahawks’ Super Bowl ring celebrating their 2025 season championship.

(ONROPE studios; Jason Arasheben)

Even the box performs. Three tiny spotlights shine on the ring as it rotates on a mechanical platform. Each weighs about a third of a pound.

“It’s a memento to a certain period of time,” said Arasheben, who concedes the rings are closer to trophies than wearable jewelry. He competes for ring contracts with Tiffany & Co. and Jostens, both much larger operations. “It celebrates this time that these players and these fans will remember forever.”

His rings appraise for $50,000 to $250,000, though the market can push them higher. In 2024, Kobe Bryant’s 2000 Lakers ring sold at auction for $927,000, the highest price ever paid for an NBA title ring, topping Bill Russell’s 1957 ring at $705,000.

Beverly Hills jewler Jason Arasheben is

(Ric Tapia / For The Times)

NFL franchises typically order two or three times what NBA, NHL or MLB teams request — as many as 3,000 rings in four quality tiers. Lower-level employees might get cubic zirconia instead of diamonds. A limited number of fan versions are available at smaller scale and lower price. Arasheben always builds two extra into his contract so each of his sons can have one.

A career in luxury jewelry was never the plan. He grew up in Granada Hills and Calabasas; his Iranian father and Norwegian mother envisioned a doctor, lawyer or engineer. At UCLA, he found himself more interested in bars than books.

“I was $28,000 in debt because I enjoyed going out far too much, like every other college student,” he said.

One day he tagged along with a friend to the wholesale district downtown and had a flash of inspiration. She was buying plastic hair clips and silver trinkets by the dozen. He figured he could sell them to girls on campus.

He pitched the idea of a folding table to the university, which agreed when he offered to split the profits. He bought $400 worth of tchotchkes. One table became two, then six locations across Southern California campuses.

Then came the motherlode. He built acrylic display cases holding 30 to 40 pieces and drove from Agoura Hills to San Diego, stopping at every nail salon he could find, splitting the profits with owners who let him put a case on the counter. By his senior year, he had agreements with roughly 350 salons and was clearing $25,000 to $30,000 a month.

After college, as a regular on the L.A. nightclub scene, Arasheben built relationships with professional athletes and celebrities. He would go home and sketch chain designs for players he’d met, knowing nothing about the jewelry industry.

“Finally, an NBA player said, ‘Why don’t you come to my hotel room tomorrow before we play the Lakers and bring all the jewelry you have? I’m going to buy something from you,’” said Arasheben, describing an encounter with the late Anthony Mason.

Problem was, he had no jewelry. He spent the night cutting pictures from magazines and downloading images to create a makeshift catalog, then promised Mason a custom $40,000 necklace. Mason put down $20,000.

Arasheben went downtown, knocked on doors and found somebody to make it for $37,000. A new business was born, growing by word of mouth. Eventually he had four employees and a small office downtown, outsourcing most of his work.

Through his friendship with Jim Buss, son of owner Jerry Buss, Arasheben landed the contract to make the Lakers’ 2009 championship ring. It was a mad scramble. He and his employees slept in sleeping bags on the factory floor the final two weeks of production.

“We delivered the very last player ring 20 minutes before the ceremony began,” he said. “The ring ceremony was on national television, and can you imagine if they had to announce the rings weren’t ready? My career would have been over before it started.”

He made the Lakers ring in 2010, too, and five years later — through relationships with several Golden State players — produced four championship rings for the Warriors.

Tom Brady saw LeBron James’ ring during the 2020 offseason and convinced the Buccaneers to go with Arasheben.

A lot of Arasheben’s rings have James Bond elements such as secret compartments or special elements. The top comes off the miniature SoFi Stadium on the Rams ring, for instance, and the field below is made of a melted-down patch of the actual artificial turf. The World Series ring of the Texas Rangers features a tiny circle of leather from a game-used baseball.

He first incorporated a special feature in the 2018 Warriors ring, when a star player objected to a blue face and wanted white, only weeks from delivery. Arasheben devised a mechanism allowing the face to switch colors.

Jason Arasheben poses with some of the sports championship rings he has crafted over the years.

(Ric Tapia / For The Times)

“We started getting a lot of championship ring contracts after that,” he said. “Because we took it to a new level and showed some ingenuity. We wanted to be innovative.”

Push a button on the Eagles’ ring and wings pop out on the sides. Arasheben came up with that idea while shopping for a Buzz Lightyear toy for his nephew.

Buzz, too, has wings that pop out.

“I thought, ‘I can do that for the Eagles, but with amazing gold and diamonds,’” he said.

He will put a proposal together to make the medals for the 2028 Olympic Games in Los Angeles. Then there’s the one that got away.

“We lost out on the L.A. Dodgers,” Arasheben said. “They went with a company based in Canada instead of the hometown team, which broke my heart. But you know, that’s part of the business. You take your lumps.

“But I’ll still pitch. Every year, I pitch.”

How does a football penalty become a story about survival? As Bosnia and Herzegovina prepare to face Canada in their 2026 World Cup opener, many eyes will be on Esmir Bajraktarevic. Born in the US, to a family affected by the Srebrenica genocide, his journey is about far more than just football.

Seoul court sentences former leader for sending military drones into North Korea.

South Korea’s ex-President Yoon Suk Yeol has been sentenced to 30 years in prison for sending military drones into North Korea, a move prosecutors argued was aimed at creating a pretext for his disastrous martial law declaration in 2024.

The drone flights, which Pyongyang said included the dropping of propaganda leaflets, triggered a spike in military tensions between the nations in October 2024.

Special prosecutors, who had sought a 30-year prison term for Yoon, said in April that the ex-leader’s effort to “fabricate wartime conditions” with the drones had undermined state security.

Yoon was “given 30 years in jail” for the charges involving the drones, a spokesperson for the Seoul Central District Court told the AFP news agency on Friday, without giving further details.

Yoon had denied wrongdoing.

The ruling adds to a series of judgements against the ousted conservative leader, once South Korea’s top prosecutor, whose martial law order plunged Asia’s fourth-largest economy into its deepest political turmoil in decades.

In February, a South Korean court sentenced Yoon to life in prison after finding him guilty of leading an insurrection linked to the martial law attempt.

He was removed from office last year after the Constitutional Court upheld his impeachment, triggering a snap election that was won by liberal President Lee Jae Myung.

Yoon’s lawyers said he neither ordered nor later approved the drone operation, which they said was unrelated to martial law and instead a response to months of North Korean launches across the border of balloons stuffed with rubbish.

Yoon, who is already in custody, can appeal Friday’s lower court ruling.

Drone flights remain a flashpoint in tensions between the two Koreas, which remain technically at war.

Lee expressed regret earlier this year after an investigation found government officials had sent drones into the nuclear-armed North Korea in January.

North Korean leader Kim Jong Un’s powerful sister called Lee’s statement “wise behaviour”, but hopes for a rapprochement faded after the diplomatically isolated nation returned to calling South Korea its “most hostile” enemy.

What to do after writing some of this century’s most devastating songs about the torment of breaking up? Write some of this century’s most devastating songs about the ecstasy of getting together.

With her first two albums — 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts” — Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake. She could convey the hot sting of betrayal, as in her smash debut single, “Drivers License”; she could channel the injustice of watching an ex somehow carry on, as in “Good 4 U”; she could deliver a sick burn like somebody handing out Halloween candy, as in “Get Him Back!” (Because it deserves remembering: “He had an ego and a temper and a wandering eye / He said he’s six-foot-two, and I’m like, ‘Dude, nice try.’”)

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Yet on her thrilling third LP, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo, 23, turns to the pleasure that comes before the pain — and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.

She opens the album with “Drop Dead,” in which she compares a guy in line for the bathroom at a bar to an “angel on the walls of Versailles” — an early sign of how high the emotional ceiling is here. In “Stupid Song” she cycles through a series of metaphors to describe her lovesickness — she’s a car without a brake, she’s a heart made of melting wax — before finding a simpler but infinitely more vivid way of getting her point across: “You should feel how I feel when somebody says your name.” (Chills.)

“Maggots for Brains” is a song about how useless she becomes “when my baby goes away,” and let’s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album’s next tune, “U + Me = <3,” is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It’s got two young lovers carving their names into car seat leather, and it’s got a girl trying to impress her boyfriend’s older sister with her cynical humor and her taste in yacht rock.

More important, it’s got these lines of pure poetry: “They say modern love’s a cruel endeavor / And to that I say, F— it, whatever.” Kurt Cobain would be proud.

Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; “You Seem Pretty Sad” pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, “Less,” that might put the scare in Rodrigo’s pal Laufey.

The cover of Olivia Rodrigo’s new album.

(Geffen Records)

The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we’re used to getting from Rodrigo. But she’s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).

In “The Cure,” which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins’ “Disarm,” she realizes a boyfriend can’t fix what’s broken inside her; “Begged” examines the limits of one partner’s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what’s to come — to presage what always comes.

It’s fitting, then, that Robert Smith of the Cure — perhaps pop’s most jubilant gloommeister — hovers over this LP like a patron saint: nodded to in “The Cure,” of course, but also “Drop Dead,” where Rodrigo name-checks the Cure’s classic “Just Like Heaven.” Smith himself turns up in “What’s Wrong With Me” for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.

“My head is spinning and my stomach is sick,” they sing, and neither sounds like they’d have it any other way.

In 2017, Pierluigi Collina was appointed as Fifa’s new head of referees and it heralded a very different era.

Collina often takes about how decisions should serve as justice – for both teams.

Players should stay on the field unless they have done something which truly deserves a red card.

For instance, under his stewardship the law around denying a goalscoring opportunity (Dogso) when a penalty has been awarded have been hugely relaxed. It is now very difficult to get a red card.

So it should be no surprise that the 2018 and 2022 World Cups saw just the four red cards after he took over.

Refereeing at the start of a tournament often seem to sets the tone. Should we be drawing any conclusions from this match?

In his pre-tournament briefing, the Italian was focused on timewasting and general player behaviour.

There was no talk of a hard stands which should result in a huge spike in red cards.

Sometimes red cards are simply justified. Well, most of them anyway.

Sithole’s dismissal for fouling Brian Gutierrez was a simple decision for referee Wilton Sampaio.

The Mexico attacking midfielder was through on goal. Sithole may not have meant to bring him down, but he did. There was no doubt the South African had denied his opponent a clear goalscoring opportunity.

The second dismissal was much more controversial, given to Zwane on a video assistant referee review for violent conduct.

Zwane tussled with Roberto Alvarado, with the Mexican going to ground holding his head.

It looked like a coming together off the ball, but the referee was sent to the pitchside screen by the video assistant referee (VAR), Colombia’s Nicolas Gallo.

As Sampaio was shown the replays at the monitor it was difficult to make out what had happened.

Was there really a hand to the head? And if so, was it accidental or did he swing the arm?

When assessing violent conduct, the VARs are told to look for a clenched fist as a sign of aggression. This does not have to be present, but it is an indicator.

Zwane appeared to connect with an open hand to the side of Alvarado’s head, not with a closed hand.

It looks exceptionally harsh, and not the kind of clear and obvious decision VAR as introduced for.

Or maybe this is exactly the kind of thing Collina had told his referees and VARs to look out for, falling into the category of poor player behaviour.

Collina has brought in red cards for players who cover their mouths in confrontations, and those who leave the field in protest at a decision. He also wants goals disallowed for blocking on set-pieces.

Perhaps the actions of Zwane fall into this sort of category, a way for Collina to try to reduce the dark arts within the game.

Both Amnesty International and Oxfam released reports this week documenting a rise in state-backed Israeli settler violence across the occupied West Bank over the past three years. What’s driving the escalation? Al Jazeera’s Marah Rayan breaks it down.

“I’M still the same person as the 15-year-old me,” decides Blur guitarist Graham Coxon.

“Still a romantic idiot, still reasonably innocent — and I think that’s a healthy way to be,” he continues.

“I don’t want to be a cynical old bastard, so I’m lucky I still have a magical outlook on life.”

I’m talking to Coxon, 57, about his “lost” solo album, Castle Park, which is finally set to come blinking into the sunlight.

The product of sessions which took place in the winter of 2011, it is named after his teenage stomping ground in the centre of Colchester — an affirmation of that younger “same person” self.

In a wider sense, it serves as a nod to his Essex hometown — a city since 2022 — where he attended Stanway School, met Damon Albarn and where, in 1988, they formed Blur with Dave Rowntree and Alex James.

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It was there, too, that his band leader and clarinet-playing dad introduced him to music, namely, “the Bs — Beethoven and The Beatles”.

The album cover resembles a classic picture postcard, divided into quarters and depicting scenes from the park with its vast Norman castle and an ornate Victorian bandstand.

Coxon says: “There were a few occasions when me and a group of friends would stay in the park rather too long, get locked in and have to climb over the fence.

“I remember being slightly inebriated and dancing around the bandstand — and then, of course, there was the statue.”

He’s referring to the imposing bronze Angel Of Victory which stands atop the Colchester War Memorial at the southern entrance to Castle Park.

“I had some dangerous moments when I climbed up and gave that statue a kiss,” he admits. “I used to do it regularly — she was very beautiful.”

If that fearless act of youthful exuberance was an example of Coxon’s romantic nature, it’s clear that he carried it forward to the album that was shelved until now.

“It comes through,” he agrees, “even though there are songs about getting dumped.

“There’s a lot of processing my own romanticism on that album, but not in a heavy way.

“It’s reasonably light-hearted for the first half at least, even if it takes a tumble down to the most depressing song I’ve ever written [album closer All The Rage]. But that’s life, isn’t it?”

Looking back at ten tracks of “romance, break-ups, heartache and alienation”, he says: “When I was writing them, I was in a very problematic situation emotionally. Somehow, songs have a way of describing your situation more succinctly than whatever is going through your mind.”

In 2026, I’m happy to report that Coxon is in a much better place. It’s 10am when I’m connected via video call to the home he shares with partner and bandmate in The Waeve, Rose Elinor Dougall, and their daughter.

“You’ve got me before my brains kick in,” he warns me, but he soon warms to the task of talking about his music outside of Blur.

Aside from the imminent release of Castle Park, this year sees reissues of Coxon’s back catalogue, beginning with his debut album The Sky Is Too High (1998) and its follow-up, The Golden D (2000).

He’s also working on the third Waeve album with Rose, which he describes as “a lot less hard-edged” than 2024’s City Lights.

“It’s more floaty and summery,” he reveals, before reaffirming his romantic credentials.

“Lyrically, there’s a lot more affection. Rose and I go through life together and, sometimes, saying things in lyrics is the nicest way to show affection away from our normal hectic lives.”

But it is his “lost” Castle Park, with lyricism and songcraft as assured as anything in his solo repertoire, that we are focusing on. So, how come the album joined a legendary list that includes The Who’s Lifehouse and The Beach Boys’ Smile by lying dormant for years?

Coxon casts his mind back to 2011 when he headed to The Pool studios in Bermondsey with Ben Hillier, co-producer of Blur’s 2003 album Think Tank (made without Graham except for one track) and engineer on The Golden D.

He says: “It was really odd because I recorded 20 songs and ten of them became A&E [released in 2012], which was based around improvised bass lines.

“The other ten were weirdly different — more trad indie, jingle-jangly, with a bit of Sixties influence.”

Those songs, you may have guessed, were earmarked for Castle Park.

Speaking of parks, Coxon had form thanks to Parklife, Blur’s immortal hit with lyrics by Damon Albarn and music by the whole band, not to mention a vocal masterclass from Phil Daniels.

Despite a widely held belief, the song wasn’t inspired by Castle Park but, as Albarn once explained, by London’s Hyde Park where he used “to watch people and pigeons”.

It seems as if the Britpop icons’ 2012 reunion, which included a momentous Hyde Park show to mark the end of the Olympics, is the chief reason why Coxon’s next album didn’t appear.

That rapturously received performance led to Blur’s run of festival shows in 2013 and a new album in 2015, The Magic Whip.

Then Coxon moved on to mastermind soundtracks for Channel Four comedy drama The End Of The F***ing World as well as embarking on a sci-fi music/graphic novel project in 2021 called Superstate.

He founded The Waeve with partner Rose and, of course, reunited with Blur for their 2023 album The Ballad Of Darren and a tour including two barnstorming nights at Wembley Stadium.

In other words, while Castle Park gathered dust, Coxon kept himself busy.

He says: “I’m really not sure what happened. Maybe it was lack of confidence. Maybe I thought these songs weren’t fashionable and who would give a s**t?”

Over the years, however, his theory didn’t stand up as fans would repeatedly ask him to release Castle Park. “They even knew the name of the album.”

The clamour heightened when Coxon broke out some of the songs during live shows.

These include opening track Billy Says, a spiky three-minute slice of mod-pop, which finds him channelling his heroes, The Kinks and The Jam.

He says: “Ray Davies is the best songwriter we ever had, followed closely by Paul McCartney, and The Jam was a huge band for me. I thought that being a Jam fan elevated me as a person.”

Other tracks to receive a live airing were Alright, with its pithy putdowns of a love rival, a playful duet with Lucy Parnell called There’s A Little House, and gorgeous acoustic guitar-led Easy.

Of all the Castle Park songs, there’s one which Coxon is most proud of, the poised, richly atmospheric Isn’t It Funny.

“It came to me in the dream,” he says. “I had the chords and half of the chorus, I heard some words — and then I woke up. I thought, ‘My gosh, I need to make a quick note of this.’”

Isn’t It Funny contains the lines: “The sun made black her hair and the river her eyes. She needs no man, no sea, nor heather. She’ll change your mind and slip away.”

By way of explanation, Coxon says: “I realise that there’s always been this elusive feminine spirit or a goddess of nature in my work.

“I don’t write songs about this entity for my own excitement. They just come out.”

Then there’s the sublime Mélodie Pour Christine, a lyric-free classical piece for harp and strings with Lucy Parnell’s vocals serving as another instrument.

“That piece was important to me,” he says. “I devoted it to a French friend of mine — a wonderful person who I loved very much and is no longer with us.”

Another song that hits the mark is bleak All The Rage, which, he says, “communicates one’s despondency around the creative life — and that has got even worse 15 years later!”

If most of Castle Park is filled with distinctly English sensibilities, American influences arrive with a cover of When You Find Out by short-lived Seventies punk-pop trio The Nerves.

“It’s a great song, even Blondie would go, ‘Hey, this is a good one’. I just made it slightly less than perfect,” laughs Coxon.

Then there’s “an attempt at soul” with Forget Today which finds him employing his considerable saxophone skills and Ben Hillier providing Hammond organ. (Worth noting that Coxon played sax on Parklife.)

Dripping Soul ventures into territory occupied by Ennio Morricone’s spaghetti western soundtracks, “so it’s not exclusively weird south-east of England s**t”.

“I love westerns, particularly Sergio Leone films. A Fistful Of Dollars and all that,” says Coxon.

In the song, he is peering “beyond the veil” at the “souls of those cowboys who came from a place where life is cheap and death is taken for granted”.

With its galloping guitars, Coxon realised he couldn’t turn Dripping Soul into “a hanging out in Camden sort of thing”.

But he does believe that the house he shares with Rose in London is populated by the souls of dead people.

“I don’t even believe in ghosts, but I’ve seen them,” he reports. “So that’s a bit of a quandary.”

Coxon says he still likes to talk to dear departed loved ones: His mum, Christine, drummer Graham Fox, the Irish journalist who first wrote about Blur, Leo Finlay, and the head of Food Records, Andy Ross.

“I don’t really see them as gone,” he says. “I can still talk to them — they may have disappeared but they’re still fully alive in my mind.”

With that said, we return to 1998 when all those people were still with us — to the making of Coxon’s debut solo album The Sky Is Too High.

It was an unvarnished, largely acoustic affair featuring his own artwork and, as he explains: “It was recorded through really good gear but approach was quite raw.”

Sandwiched between Blur’s self-titled fifth album and its follow-up, 13, “It was done in a bit of a hurry — I wasn’t f***ing about.”

The project had begun when a neighbour asked Coxon to write a couple of songs for a film about Victorian bare-knuckle fighter Tom Sayers — setting wheels in motion that are still spinning.

He says: “That request turned into an addiction to writing songs and releasing them.”

So, how did his solo endeavours affect his relationship with his Blur bandmates. “They didn’t talk about it,” replies Coxon, “Though I did once catch Damon singing R U Lonely? He said, ‘That’s quite a catchy little tune’.

“Attempting to develop as a songwriter when Damon Albarn is your best mate is hard work. I mean, he’d already written some bloody good songs by then.”

Released in 2000, Coxon’s second effort, The Golden D, is very different — heavier, more abrasive and driven by searing electric guitars.

The mood changes with the funky Oochy Woochy, which tapped into Coxon’s fascination with Nineties’ fusion of hip-hop and jazz — a style developed by American rapper Guru called Jazzmatazz.

He says: “I’ve always liked that skinny beat stuff with James Brown loops or similar. Stuff like Public Enemy and 3rd Bass. Oochy Woochy is not a mickey take but a go at that.”

With physical releases of Coxon’s other albums still to come this year, there’s plenty more scope to revisit his solo journey.

Then, in November, he’s hitting the road for a UK tour, bringing the songs back to life still further.

Looking back on his output, Coxon says: “I think it has had a lot to do with my development as a person.

“You know, that anxiety-ridden creative weirdo who puts all this stuff out there.

“I guess that’s why I like Castle Park coming out — because now there are no secrets. You’ve got it all.”

GRAHAM COXON

Castle Park

4.5 STARS

• Also released: The Sky Is Too High and The Golden D