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NEW ORLEANS, La. — A National Guard deployment in New Orleans authorized by President Trump will begin Tuesday as part of a heavy security presence for New Year’s celebrations a year after an attack on revelers on Bourbon Street killed 14 people, officials said Monday.

The deployment in New Orleans follows high-profile National Guard missions the Trump administration launched in other cities this year, including in Washington and Memphis, Tennessee. But the sight of National Guard troops is not unusual in New Orleans, where troops earlier this year also helped bolster security for the Super Bowl and Mardi Gras.

“It’s no different than what we’ve seen in the past,” New Orleans police spokesperson Reese Harper said.

The Guard is not the only federal law enforcement agency in the city. Since the start of the month, federal agents have been carrying out an immigration crackdown that has led to the arrest of at least several hundred people.

Harper stressed that the National Guard will not be engaging in immigration enforcement.

“This is for visibility and just really to keep our citizens safe,” Harper said. “It’s just another tool in the toolbox and another layer of security.”

The Guard is expected be confined to the French Quarter area popular with tourists and won’t be engaging in assisting in immigration enforcement, Harper said. Guardsmen will operate similar to earlier this year when they patrolled the area around Bourbon Street following the vehicle-ramming attack on Jan. 1.

The 350 Guard members will stay through Carnival season, when residents and tourists descend on the Big Easy to partake in costumed celebrations and massive parades before ending with Mardi Gras in mid-February.

Louisiana National Guard spokesperson Lt. Col. Noel Collins said in a written statement that the Guard will support local, state, and federal law enforcement “to enhance capabilities, stabilize the environment, assist in reducing crime, and restoring public trust.”

In total, more than 800 local, state and federal law enforcement officials will be deployed in New Orleans to close off Bourbon Street to vehicular traffic, patrol the area, conduct bag searches and redirect traffic, city officials said during a news conference Monday.

The extra aid for New Orleans has received the support of some Democrats, with Mayor LaToya Cantrell saying she is “welcoming of those added resources.”

The increased law enforcement presence comes a year after Shamsud-Din Jabbar drove around a police blockade in the early hours of Jan. 1 and raced down Bourbon Street, plowing into people celebrating New Year’s Day. The attacker, a U.S. citizen and Army veteran who had proclaimed his support for the Islamic State militant group on social media, was fatally shot by police after crashing. After an expansive search, law enforcement located multiple bombs in coolers placed around the French Quarter. None of the explosive devices detonated.

In the immediate aftermath of the attack, 100 National Guard members were sent to the city.

In September, Gov. Jeff Landry asked Trump to send 1,000 troops to Louisiana cities, citing concerns about crime. Democrats pushed back, specifically leaders in New Orleans who said a deployment was unwarranted. They argued that the city has actually seen a dramatic decrease in violent crime rates in recent years.

Cline and Brook write for the Associated Press. Cline reported from Baton Rouge.

In October, Taylor told BBC Sport that he was unsure how long he would continue refereeing, adding that he was “quite old for somebody to be operating at this level, running around after people a lot younger than you”.

Taylor said that the main focus was to have “two refereeing teams at the World Cup”.

Prior to 2018, 2013-14 was the previous time England had three elite officials: Atkinson, Mark Clattenburg and Howard Webb.

The elite list of referees take charge of tournament and Champions League games. The first list is for the Europa League and Conference League. The second list is for Conference League games and qualifying ties.

Germany continues to lead the way with four referees in the elite category. Kavanagh’s promotion finally puts England on a par with France, Italy and Spain, who all have three.

England still lags behind across the two key categories, elite and first, with fewer officials than all the other top leagues.

John Brooks is the only English referee on the first list, meaning there are four in total. Germany has seven, with France and Spain on six and Italy five.

The Premier League has six referees on the second list: Stuart Attwell, Sam Barrott, Darren England, Jarred Gillett, Rob Jones and Andy Madley.

Meanwhile, Emily Heaslip has been promoted to the women’s first list. England has been unrepresented on the elite list of the women’s game since Rebecca Welch retired at the start of the 2024-25 season.

EastEnders newcomer Ronni Ancona famously impersonated characters on the BBC soap years before the news she would join the cast as Linda Carter’s old classmate Bea

Comedian and actress Ronni Ancona has revealed all about joining the EastEnders cast, teasing twists and turns ahead.

The star, who famously performed impressions of the soap’s characters and cast in the Big Impression show, will take on the role of Linda Carter’s old schoolfriend Bea. Viewers will see her debut at a school reunion where she and Linda come face-to-face for the first time in years.

We’re set to find out more about Linda’s time at school, as Bea is left gutted by their different perspectives. Teasing the scenes, Ronni shared: “Bea was in a more senior year at school than Linda, but that didn’t stop her being intimidated by her. They have both got very different perspectives on what happened at school, and initially she is very upset and slighted by that.

“There are lots of twists and turns and lots of unexpected developments. She’s a mercurial character who is witty, and charismatic, yet vulnerable as well.” Teasing what fans can expect from her character, Ronni shared: “Ben [Wadey, Executive Producer] loves comedy and wanted to bring in a character who was both tragic and funny.

READ MORE: EastEnders legend Pam St Clement admits struggle with emotional returnREAD MORE: Coronation Street stars tease Becky’s downfall as they share Corriedale spoiler

“Bea is misunderstood, and there’s a touch of desperation about her. When she feels cornered, she can become rather dangerous. Deep down, she just wants to be loved and to fit in. She’s the sort of person who ‘window-shops’ other people’s lives, trying to reshape herself into whoever she thinks others want her to be.

“In her mind, that’s the only way to earn love and attention – which is, unfortunately, quite misguided. Bea is intelligent, but she’s never achieved what she hoped for, so there’s an underlying frustration that her life hasn’t lived up to her potential.

“She has shades of a Walter Mitty–type character; you’re never entirely sure how much of what she says is real. She’s complex, nuanced, and unusual – someone who has become convinced by her own narrative.” Ronni confessed it was “bizarre” to step onto the soap after years of impersonating its legendary characters. She revealed: “It all felt rather bizarre and completely surreal.

“We always made those sketches with real respect and affection for the show and its cast, so stepping onto the actual set for the first time was an especially strange experience. Although thinking about it I think they let us film our ‘EastEnders the Musical’ on the outside lot, which would have been the old set.

“My first scene was on the bench in the middle of Albert Square – exactly where Alastair [McGowan] and I had once filmed our sketch ‘The Bench of Tears.’ That moment was so surreal I immediately phoned him to say, ‘I’ve just done a scene on the bench of tears,’ and he practically shouted, ‘NO WAY!’

“To add to the oddness, several members of the crew had worked with me years ago on Big Impression and The Sketch Show with Lee Mack, so it felt like past and present were colliding. Filming in the Vic for the first time was unexpectedly emotional. I couldn’t help remembering my impression of Peggy Mitchell, played by the much-missed Barbara Windsor.

“I adored her, and I know she enjoyed the impression, so walking into her domain properly was a real moment. I’ll admit I was a bit nervous about meeting some of the cast I’d impersonated, but they all have a brilliant sense of humour.

“Jessie Wallace even did my impression of her back at me, which was hysterical. I may now have to do my impression of her impression, it could become an endless loop.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

KYM Marsh teases a return to pop isn’t just Hear’Say as she approaches 25 years in showbiz.

The actress and presenter, 49, posed in a burgundy dress for the February 2026 issue of Prima, which is on sale now, and told the magazine the group could put on a surprise performance.

She said: “I always laugh and say ‘never say never’ about a Hear’Say reunion.

“We might pop up somewhere, just for a one-off performance down the line, to surprise everyone.

“But I think we are all just doing our own thing. We all still chat, which is nice.”

The group, also featuring Myleene Klass, 47, Danny Foster, 46, Suzanne Shaw, 44, and Noel Sullivan, 45, were put together on the talent show Popstars and in March 2001, their single Pure And Simple became, at the time, the fastest-selling debut single in the UK.

On appearing on the ITV show, she said: “It’s the reason I’m sitting here today, so I’m very fortunate to have had that experience.

“There were so many things that happened at that time that you’d never get away with today. There’s that famous scene where Nigel Lythgoe called me fat.

“I’ve never been anywhere near massively overweight, but even if I was, how dare you? It really upset me. I felt humiliated and ashamed, and insecure about myself.”

Kym announced that her daughter Emilie Cunliffe gave birth to her second child on Christmas Day.

The star took to Instagram to share the amazing news that made her a grandmother for the fourth time.

Penned under a snap of Emilie’s son Teddy, 6, and Emilie’s husband’s daughter Polly, 9, Kym said: “Well what a wonderful Christmas gift this is!!

“Welcome to the world Bobby Saint Mykola Hoszowskyj!!! He’s so beautiful!”

Kym then took a moment to gush about her daughter’s strength, and wish fans and followers alike the best for the holidays.

“So so proud of my girl @listentoemilie she is a warrior!!”

JESS GLYNNE has called it quits with Jay-Z’s management company Roc Nation.

The move is to wipe the slate clean for 2026.

It follows a career blow earlier this year when she split from record label EMI following the release of just one album with them.

I’ve now learned she is no longer being looked after by Roc Nation — who I first revealed she had signed to in 2022 — and her career is now being guided by former Bros bass player Craig Logan.

Jess has teamed up with Logan Media Entertainment, which is run by Craig, who was in the Eighties pop band that had hits inculding When Will I Be Famous?.

It means that she is now on a roster alongside Pink, Dido, Louise and Beverley Knight.

My music insider said: “Jess hasn’t had the easiest situation in music. She has found it hard to get a team behind her who she feels really gets who she is and what she is aiming for.

“Now she has Craig and his firm, there are fresh ideas coming through thick and fast. Big things are being discussed for the coming months.”

Despite a turbulent time behind the scenes in 2025, Jess has had one of her most successful years thanks to hit Hold My Hand — a decade after it was released.

The song was named TikTok’s UK song of the year, after it was supercharged by the viral Jet2holidays trend.

Jess said: “I always knew there was something special about it. Melodically it’s instantly uplifting and catchy, but at its heart, the lyrics are powerful. They are about connection. The Jet2 campaign has brought a really fun, light-hearted twist to the song, and seeing it become TikTok’s song of 2025 ten years after its release has been incredible.

“It breathed new life into it, and I’m so grateful to see a wave of a new audience now connect with it and learn more about the song, and me. I am incredibly grateful for the journey this song is on.”

There has been more good news lately, with Jess suggesting she is preparing to pop the question to her girlfriend Alex Scott following the football presenter’s stint in I’m A Celeb.

During her career, Jess has scored seven UK No1 singles, although her last one was I’ll Be There in 2018.

But with a new team behind her, she will be giving it everything she’s got to add to that hits tally.

Fit Shaun tour vow

SHAUN RYDER is preparing to spend the new year whipping himself into shape ahead of the next Happy Mondays tour.

The group will hit the road for 22 dates across March and April.

Shaun tells me in an exclusive chat: “I am determined to get fit for the tour.

“I still get on my bike, and I love swimming. There is a pool at my gym. I do that a few times a week. But my other hip is f***d, and I need it replaced. So I can’t walk like I used to. “I’ve already had one hip replacement. And that f***d up.

“I should have had the other one done ages ago, but I’ve not had time.”

Shaun also vowed to be on his best behaviour on tour, adding: “I think the last time I went out and did any raving was 2000.

“I went and saw Oasis three nights in a row and danced around like a lunatic but I am totally clean now.

“My only addictions are to tea and Haribos. However, I still have two teenage girls at home.

“This means that when I am at home, I am Shaun’s taxi service. It’s f***ing nuts.

“The missus wants me out of the house as quickly as possible. So, you know, it’s like, I have come back from Ireland, and I am going straight out on the road with Black Grape.

“But I have spent the last few days as a taxi driver for the girls.”

The joys of middle age, eh Shaun?

Khloe’s not to be mist

THIGH and mighty Khloe Kardashian flashes the flesh as she promotes her hair mist.

And it comes after she denied getting back together with basketball player Tristan Thompson after their split in 2021.

The Kardashians celebrated Christmas with a gingerbread house that was iced with the family members’ names, and fans noticed his was on there.

But she replied: “He’s my children’s father.”

Ashley’s melon boat

ASHLEY ROBERTS enjoys a slice of the high life as she chomps on a watermelon during a luxury getaway.

The Pussycat Dolls singer wore a bikini top, shades and headscarf as she posed on a yacht in Mauritius.

She has jetted off with her boyfriend, tattoo artist George Rollinson, for a post-Christmas holiday and looks suitably loved up.

Coming back to dreary England in the new year is going to be quite a shock for her.

Zoe: My Britpop snogs

ZOE BALL has revealed she locked lips with famous names while living life to the full in the hedonistic Nineties.

On her Dig It podcast, she played a game of Snog, Marry, Avoid, and joked: “I did snog and avoid quite a few Britpop stars, none of whom I shall mention now.”

Zoe added: “I would avoid Damon [Albarn] because I can’t talk to him because I go all stupid. Young me would definitely have wanted to snog Liam Gallagher way back in the day.

“He would talk to me and I’d be like, ‘Fair, fair’.

“I don’t think I’d have wanted to marry any of them because I don’t think you should marry or meet your idols, quite frankly.

“But Dave Grohl, however, I would have wanted to marry and snog.”

Me too, Zoe.

Sex pistols are firing with Frank

THE SEX PISTOLS and Frank Carter are planning new music.

The punk band, made up of Glen Matlock, Steve Jones and Paul Cook, have been touring with Frank, who replaced John Lydon as singer.

Now Glen wants the group to get into the studio together.

He said in an exclusive chat: “I’ve got a few ideas. I think Frank has. Steve’s a bit of a, ‘Just go and play’ kind of guy. I think Paul’s sort of on the fence about it, we’ll see. I think we’ve got it in us.”

The Sex Pistols and Frank – whose gigs were branded “karaoke” by bitter John – are also heading on tour again this coming year and have a host of dates in America.

Glen, who has a new documentary out, I Was A Teenage Sex Pistol, said: “We should have been just finishing a two-month American tour, but we had to postpone it because Steve fell over coming out of the Chelsea ground and broke his wrist in three places.

“We’ve had to reschedule everything. We’re going to be busy again.”

Fifth ammendments

FIFTH HARMONY will make their comeback in 2026 after a brief reunion at a Jonas Brothers gig.

NORMANI has confirmed the return, eight years after they split up. She will take part with Ally Brooke, Dinah Jane and Lauren Jauregui, but Camila Cabello won’t be back.

Teasing that fans can expect them back, Normani said: “I don’t have loose lips, but yes, 2026 will be one for the books for Fifth Harmony.”

Freedom for Jade

ANGEL Of My Dreams singer Jade has become Angel Of The North – after being given the Freedom of the Borough in South Tyneside, where she’s from.

She received the honour alongside the owner of local chippy Colmans.

Jade said on Instagram: “What an honour this was, with my family and friends by my side.

“If you see me walking my cattle around the town, mind ya business.”

Olivia’s loving New Year No1

OLIVIA DEAN looks set to claim the first No1 album of 2026, as The Art Of Loving is rising back up the charts.

The British singer’s album is currently in the lead and is expected to spend a third non- consecutive week in the top spot, although Sabrina Carpenter’s Man’s Best Friend is just behind her.

And another Liv – Olivia Rodrigo – is also back in the charts.

After I told last week that she had split up with her boyfriend, actor Louis Partridge, fans have shown their support by streaming her albums.

Guts has risen to No21, while Sour is now at No22.

Card pass for B’s fit

SOMETHING tells me Cardi B was more focused on turning heads than watching the match as she turned up at an American football game in New York.

Her 1991 outfit is vintage Chanel, while the giant pearl handbag is from its latest line.

This Saturday will mark five years since Juan Gabriel died.

Of course, the iconic singer songwriter — real name Alberto Aguilera Valadez — isn’t really dead.

His body may no longer be with us, but how can someone who meant so much to people of Mexican heritage on both sides of the border cease to exist?

It’s impossible to sum up the full impact that Gabriel has had on generations of Mexicans and Mexican Americans. It’s more than the songs or the stage persona or the me vale attitude to what you thought about his sexuality. It’s the fact that for many of us he’s a connection to our families (raise your hand if your mom made you clean the house while blasting his music), to our homeland and to our culture. He gave us a shared language that affords us the opportunity to rejoice or grieve as a community.

There are profiles written about the man that are worth your time — I recommend this one published in The Times in 1999 — but for this newsletter we turned it over to our community to tell us how El Divo de Juárez forever changed their lives.

Juan Gabriel and the LGBTQ community

Luis Octavio remembers the first time he saw Gabriel. He was sitting with his family and the singer was about to perform on the weekly Mexican variety show “Siempre en Domingo.”

But all he could focus on was the sequins Gabriel was wearing.

“It gave me a little bit of hope that maybe my jotería would be accepted just the way my abuela, my abuelo, the tíos and everybody else who saw him on that screen accepted his and saw past his flamboyance,” said Octavio, co-founder of the drag bar El Place and one of the organizers of Boyle Heights’ first pride event.

Gabriel’s sexual orientation has always been an open secret. It has always been assumed that he was gay, but it was rarely discussed, with one glaring exception.

During a 2002 interview with news program “Primer Impacto,” reporter Fernando del Rincón asked Juanga point-blank if he was gay. With daggers in his eyes, Gabriel responded with “Lo que se ve, no se pregunta.” What is seen is not asked.

Octavio told me this interview always stood out for him — he described it as iconic, which, yeah, it is — because it told Mexican queer people that being who they were was more than enough and that you didn’t owe anything to anyone.

It’s a sentiment that Nomi B, a drag queen who hosts “Noche de Gringaderas” at El Place, certainly relates to.

“We all knew he was a sister,” she said.

“I admire that he kept his life private and he was like, ‘I don’t care what you think or say about me. I’m going to keep my life private and you’re going to enjoy my music no matter what.’”

‘Abrázame que el tiempo es malo y muy cruel amigo’

In 2000, Juan Gabriel released “Abrazame Muy Fuerte,” an operatic banger that makes the case that time is cruel, unforgiving and finite for humans. Because of this, he begs his subject to pend much of that time embraced in each other’s arms. The song was a huge hit and was used as the theme song for a telenovela that shared the same name.

A few years later, it also became my parents’ song.

Around that time, my mom developed a brain tumor. The doctors didn’t know yet if it was malignant, but my family assumed the worst. The prospect of losing our anchor became very real. My dad took it the hardest, and because he is the embodiment of the closed-off macho who tries very hard not to emote, he didn’t have an outlet to let out what he was going through.

So he did what any Mexican would do: He turned to Juan Gabriel.

I was away at college when this happened, but my sister would tell me that he’d play the song nonstop, sometimes sitting next to my mom on the couch with his eyes closed in prayer. It must’ve worked because the tumor ended up benign. Decades later, my mom is the healthiest she’s ever been.

During the pandemic, that song took on an added meaning for me. It was late last year and my parents and I decided to take a road trip. “Abrazame Muy Fuerte” came on. All three of us started singing along, and it wasn’t long before we started bawling. The painful memory came back, but with it came the realization that we still had time and we were spending it together.

That’s the thing about Juan Gabriel’s music. These aren’t just songs. They’re memories. They’re feelings we can’t express, and even if we could, why would we when Juanga’s already done it better?

When I decided to write about Gabriel, I knew that I wanted others to share some of their favorite songs. I asked friends and colleagues to contribute a song for this Spotify playlist and to write a few lines about why they picked that tune.

“Querida”— He’s just so dramatic! Like, “Yes, b—!” (Nomi B, drag queen)

“Amor Eterno” — If there’s a song that defines who Juan Gabriel is, it’s “Amor Eterno.” Since he wrote the song for Rocio Durcal, it’s Juan Gabriel as a song writer. As a singer, his emotion has made it the quintessential Mexican song about heartbreak, regret, and ultimately, trying to make sense out those emotions. With the song’s lyrics and emotions — along with Juan Gabriel being from the Juárez-El Paso borderland — it’s little wonder why “Amor Eterno” was played and sang everywhere in the days following the El Paso massacre. (Roberto José Andrade Franco, writer-at-large at Texas Highways)

“La Frontera” — When I first moved to the U.S. I felt like I didn’t belong here because I didn’t speak perfect English and nobody could pronounce my name. Listening to that song and how he talked about how everybody’s happy at the border and how everyone’s different, it made me feel safe. (Luis Octavio, co-founder of Boyle Heights drag bar “El Place”)

“Inocente Pobre Amigo” — Juan Gabriel was the first poet in my life, a staple at my parents’ home in South Gate, California. My mother owned all of his albums. And when I went away to study literature at the University of Chicago, I took them with me.

I was back in California, walking around in Boyle Heights, when he passed. I got the news alert. Then, all along César E. Chávez Avenue, shop owners blasted his songs. Juan Gabriel wrote hundreds. I know all of them.

For beginners, I recommend “Inocente Pobre Amigo,” which recounts a heartbreaking disillusion but, above all, is a song about valuing yourself. Go on YouTube. Find the version that was recorded during Juan Gabriel’s first concert in Mexico City’s Palace of Fine Arts. Watch him perform with his hands on his hips, glistening in black and gold sequins. Hear him crack jokes with the audience and watch the mariachis on stage try to muffle their laugh. Recall that some elitists thought his work was too lowbrow for the venue.

When Juan Gabriel passed in 2016, his ashes were taken to that same place. For hours on end, hundreds of thousands of people poured in to pay their last respects. I wish I’d been one of them. (Julia Barajas, Los Angeles Times staff writer)

“El Noa Noa”— It’s a song about a place where you can go and be who you are. The ambience of the bar might be different than what people are used to, but it’s about everyone being welcomed and letting them feel like they can be happy. (Melissa Befierce, Mother of Haus of Befierce and events coordinator at El Place)

“No Tengo Dinero”— For me, Juan Gabriel’s songs are tied to memories of me riding on my grandfather’s truck with my aunt and my grandmother on the roads of Campeche where we lived for a few years. Juan Gabriel’s “No Tengo Dinero” is one of his iconic songs because for many it’s always a struggle to have money, but if at least we have love, we know we’ll be alright. (Denise Florez, Los Angeles Times multiplatform editor)

“Have You Ever Seen the Rain? (Gracias al Sol)” — My mom and tías have always been huge Juan Gabriel fans. I grew up in El Paso and he of course has immensely close ties to Juárez, where his career took off. His music is the soundtrack of my childhood. There was a brief time when it was around so much, it annoyed me. But when I moved away from home, that soundtrack became so powerful and comforting. It instantly connected me with my family. My sister, mom and I have sung (poorly) along to “Querida” hundreds of times at this point. But that’s going to be almost everyone’s favorite song. It’s just kind of perfect JuanGa. But the one I’ll choose for this playlist is what I believe is the only cover he ever did: “Have You Ever Seen the Rain? (Gracias al Sol).” In the video, he’s wearing amazing rainbow-colored pants and having so much fun. He brings joy to his work and it’s infectious. He’s also a great singer, so it stays on my playlist along with the much older hits. (Iliana Limón Romero, Los Angeles Times deputy sports editor)

“Hasta Que Te Conocí” — Later brilliantly covered by Ana Gabriel, it is the perfect song about love gone sour, heightened by lyrics that are pure melodrama. (Carolina Miranda, Los Angeles Times columnist)

“Así Fue” — He was never more brilliant, more heartbreaking, more JuanGa than in that song. (Gustavo Arellano, Los Angeles Times columnist)

“Costumbres” — Here’s an extremely on brand story: During one of my family’s chaotic Christmas parties, we were all doing what we usually do⁠—drinking tequila and singing along to a playlist of Juan Gabriel, Rocío Durcal, Alejandro Fernández and, well, you know the vibes. As always, “Costumbres” comes on, the Rocío version, and my trash-talking sister starts to sing loudly, drunkenly, and off-key: No cabe duda que es verdad que la costumbre es más grande que el amor. She looks at me and says, “That’s f— real, dude. La costumbre really is más grande que el amor.” She then scowls at her husband across the room and screams over the music, “F— you, [name redacted]!”

That is the power of “Costumbres.” That’s actually the power of 99.9% of songs written by Juan Gabriel. However, “Costumbres” is god-tier in his canon of songs that have an unbelievable ability to drag your soul. We dance to “Noa Noa,” weep to “Amor Eterno,” raise our arms up to “Querida,” and strongly consider divorce to “Costumbres.”

“Costumbres” is sung from the perspective of a person telling their partner their love has been replaced by resentment, but habit and the comfort of a warm, familiar body keeps them together no matter how many times they try to walk away. Juan Gabriel’s love songs have an uncanny ability to swim in the thick nuances of romance, its brutal pains and exhilarating joys, and as is the case with “Costumbres” the harsh realities of committing your life to someone. He seemingly had a direct line to our deepest fears about love, and expressed poetically something even as mundane as being over it but staying anyway. To quote my sister, that’s f— real, dude. And it’s why “Costumbres” along with so many other songs he penned are elevated to a place of cultural veneration and soundtrack of the most affecting moments of our lives. (Alex Zaragoza, senior culture writer at Vice)

Fernandomania @ 40: El Campeón.

The latest installment of our multi-part documentary series “Fernandomania @ 40” is out today. You can watch here.

When Fernando Valenzuela took the mound in Game 3 of the 1981 World Series, the New York Yankees had a commanding 2-0 lead over the Dodgers and Tommy Lasorda’s crew was facing the real possibility of a third World Series loss in five years to their East Coast rivals. In the end, the Dodgers won the game, 5-4, largely due to the gritty performance of their rookie left-hander. Valenzuela gave up nine hits and seven walks in a 146-pitch complete-game, spurring the team to a World Series victory and cementing his pitching legacy in Los Angeles.

Missed an episode of “Fernandomania @ 40”? You can find them all here.

Yesterday was the MLS vs. Liga MX All Star Game at the Banc of California Stadium near downtown Los Angeles, but the most important soccer match that took place that day happened hours earlier at a park in Pasadena. That’s where members of the #LigaMXEng community got together to celebrate the beautiful game (and come to terms with how out of shape many of us actually are).

What’s #LigaMXEng? It’s a Twitter hashtag where podcasters, reporters, and fans from around the country congregate to talk about Liga MX, the most popular soccer league in the United States. More importantly, it’s entirely in English, the primary language for many of us. It’s that last part that does it for me.

Dec. 28 (UPI) — More than 30 years after New York City switched from tokens to the magnetic swipe of a MetroCard to ride its subways and buses, the card’s era is about to end.

Starting on Jan. 1, 2026, transiting residents and tourists alike will be required to move into the 21st century by using a contactless form of paying fares by tapping a phone, credit card or other device as they enter stations and buses.

Although the contactless system was introduced in 2019, 94% of subway and bus trips in the city already use the OMNY system for their travel payments, ABC News reported.

“New Yorkers have embraced tap and ride and we’re proud to see that as more and more people return to the city, they are choosing mass transit,” Shanifah Rieara, chief customer officer for New York City’s Metropolitan Transit Authority (MTA), said in a press release.

“As the end of MetroCard sales nears, we are focusing on reaching the remaining 6% to make the switch and unlock the benefits and convenience of tap and ride technology,” Rieara said.

According to the MTA, the last day to purchase or reload a MetroCard will be Dec. 31, while the last day to use one of the magnetic swipe cards will be some time in mid-2026.

The OMNY system offers three ways for riders to pay: with their phone using a digital wallet or contactless bank card, as well as a physical OMNY card that works with the digital system.

MTA said that by eliminating MetroCards and move to a single method of fare collection, the agency expects to save at least $20 million, as well as gain the ability to offer customer promotions and fare discounts more easily.

From 1953 until 1994, the New York City subway system’s main method for paying were dime-sized tokens with a hole in the middle shaped like a “Y,” which the MTA at the time said made it easier to increase fares without having to accept a variety of coinage, CNN reported.

In 1983, as other large cities had started using magnetic swipe technology for their public transportation systems’ payments, the MTA started moving toward the reloadable cards that have been an essential part of life for New Yorkers for more than three decades.

Following claims that he “corpses deliberately” on The Chase, a long-time friend has revealed what Bradley Walsh is really like when the cameras stop rolling

A friend and colleague of Bradley Walsh has revealed what it’s been like working alongside The Chase presenter for over four decades. The 64-year-old host has been at the helm of the ITV quiz programme since its launch in 2009.

Never one to take things too seriously, Bradley regularly has a laugh with the chasers and contestants and has been known to be left in hysterics over amusing questions and responses.

One of his most unforgettable moments occurred when he couldn’t contain his laughter over a query about German skier Fanny Chmelar.

After some viewers accused him of faking his reactions, Bradley set the record straight, insisting he doesn’t know what’s coming next.

“I don’t pre-read them, I do it as it is, I literally play the game,” he explained. “If I get a reaction, then it’s much better.”

During an appearance on Laura Hamilton’s Mile Fly Club podcast, he added: “I’ll read what’s on the autocue and half the time, I don’t realise what I’ve said,” reports the Express.

Discussing the infamous Fanny Chmelar incident, Bradley went on to say: “And people, still today, think I’m corpsing deliberately but I’m not, that’s actually me laughing, I had no idea that was [coming] up.”

Backing his long-time friend, Joe Pasquale said The Chase host is the same person on and off screen.

“Bradley is what you see, he does what he says on the tin, what you see is what you get with Brad,” the comedian revealed.

“We’ve been mates for 40 years, myself, Brian [Conley] and Shane [Richie], we all started off together, which is what’s great about The Prat Pack tour.”

Beyond their joint touring, Joe also recently caught Bradley off guard when he turned up as the fresh quizmaster on Beat The Chasers.

Joe joined the panel for a special one-off episode, adopting the moniker Maverick.

Prior to unveiling his true self, Joe was given strict instructions to keep his identity under wraps from the Chasers, audiences, and particularly Bradley.

Speaking about the measures he took to remain disguised, he revealed: “I’d been on the road with Bradley all year, we’ve known each other for 40 years but literally just before filming we had been on the road together. He knows me inside out, he knows my body movements.

“I had to be really calm because I talk really fast and I’m very physical, the producer said, ‘Don’t move, just keep really still and talk very slowly so he doesn’t suss it’s you.’ So it was quite hard for me.”

Thankfully, the comedian succeeded in concealing his identity from Bradley, leaving the presenter “genuinely surprised” by his reveal.

When questioned whether the host was miffed by his deception, he quipped: “He’s never furious with me, he’s like my big brother.”

Joe is appearing in Swansea Grand’s Aladdin until 4 January 2026. The Chase: Celebrity Christmas Special broadcasts tonight at 5.35pm on ITV.

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website.

This week, the Senate Finance Committee took up hearings on mergers, takeovers, leveraged buyouts, corporate debt and other assorted sins often blamed on Wall Street.

Next week, the powerful House Ways and Means Committee follows suit, and at least seven other committees seem to be gearing up.

While it brings back memories of past inquisitions of investment bankers, by comparison this show is headed for an unspectacular run.

Only two previous congressional investigations stand out in American history for their far-ranging impact on the behavior of Wall Street and on public opinion. In 1912, Sen. Arsene P. Pujo of Louisiana turned a prolonged spotlight on alleged conspiracies among New York-based financiers to create and control big “money trusts” like U.S. Steel.

Despite its effective muckraking antics, the Pujo committee’s work did not in itself lead to new laws. But sweeping new banking legislation, including the establishment of the Federal Reserve System, followed soon after.

In 1933 the Senate Banking and Currency Committee launched the Pecora hearings–named not for a senator but for Ferdinand Pecora, the legal counsel–which put investment bankers on trial for fraud and other abuses during the booming 1920s. Pecora’s efforts led to milestone legislation that separated commercial lending from investment banking, created new rules for the securities business and set up the Securities and Exchange Commission.

There are, however, great differences between Congress’ past efforts and what will happen now.

Unlike today’s situation, the hearings of 1912 and 1933 were heavily driven by nonelected, firebrand prosecutors with independent political agendas. Pujo had Samuel Untermeyer, one of the country’s top trial lawyers who became wealthy creating mergers and then sought political fortune by tearing them apart. Pecora, a New Deal Democrat, had been a prominent Bull Moose Progressive in New York.

In the Pujo and Pecora eras, the balance of power between Washington and Wall Street was moving toward Pennsylvania Avenue. While in the early 1900s the House of Morgan and a few others single-handedly controlled American finance, by the second decade the government was wising up. Again in the 1920s private markets were running wild, but the Great Crash of ’29 ended all that.

In the late 1980s, however, the markets rule again. A deregulated, global financial casino that sees $200 billion of foreign currency speculation each day has the upper hand over governments. Congress recognizes this and is paranoid about setting off Wall Street’s hair trigger.

In the past, Congress could push for broad policy changes because financial regulations were so primitive. Pujo, for example, had no real authority to compel officials of Kidder, Peabody and other firms to disclose their business records. Before Pecora there were hardly any federal constraints on investment banking.

But today Washington maintains the world’s most elaborate regulatory regime, and hardly anyone advocates wholesale reform. Some measures, such as tax changes, may be required to reduce the attractiveness of financing deals with so much debt. But this will have to be done with great delicacy and, in any event, it is not technically a securities issue.

A common refrain for Pujo and Pecora was the evil of concentration and monopoly on Wall Street. It has always been good populist politics to wail about lack of competition among the investment banks and about the dominance of financiers over the industrial corporations that make goods and create jobs.

But these days the Merrill Lynches, the Shearsons and the Salomons compete ferociously. And few would challenge the need for size and concentration to compete with the Nomuras or the Deutschebanks.

As for whether Wall Street has the nation’s corporate titans on a leash, who can really say, when the management of so many companies and their investment bankers team up to take over someone else–or, as in the case of R.J.R. Nabisco, when they collaborate to buy management’s very own company from its public shareholders?

During past congressional hearings, the executive branch has not been a wallflower. Pujo could ride on the waves of Teddy Roosevelt’s trust busting and Woodrow Wilson’s crusading idealism. Pecora had Franklin D. Roosevelt and New Deal government activism. While President Bush has been making kinder and gentler noises about reexamining the LBO scene, its hard to envision dramatic departures. Its not just that Bush & Co. are moderates. But in today’s greed-glorifying culture, there is little push from outside the Washington Beltway to clobber the money men.

Finally, Pujo and especially Pecora were reacting to financial debacles, in one case the recurrent turn-of-the-century financial panics and, in the other, the Crash of ’29. With October of ’87 but a footnote in history, and with the Justice Department moving enthusiastically to lock up insider traders, there is today no real lightning rod for outrage.

Merger and LBO mania may be leading to severe problems, to be sure, especially if a recession hits and topples all those debt-laden firms. But Congress has never distinguished itself by locking the barn door early. That didn’t happen in Pujo’s or Pecora’s time, and who would bet that it will do so in ours?

DUNCAN James has revealed how Blue has managed to avoid the boyband curse and not hate each other’s guts ahead of their new album.

The four-piece formed in 2000 and have a wealth of hits to their name including All Rise, One Love and Sorry Seems to Be the Hardest Word.

To mark their 25th anniversary, Blue – which also consists of Lee Ryan, Simon Webbe, Antony Costa – are releasing a new album in January, and are stronger than ever.

Speaking to The Sun, Duncan, 48, said: “We’re very busy with the new album Reflections coming out.

“Then a big world tour for our 25th anniversary. I just can’t believe we have got to 25 years and we’ve never lost a member.

“We’ve stayed together for 25 years and we’re still there.”

He’s right – it’s a rare feat in boyband terms to not only have all original members in the band, but for there to still be a lot of love and respect for one another.

Original British boyband Take That famously lost Robbie Williams to a solo career in the mid-90s, and currently perform as a trio after Jason Orange decided to hang up his mic in 2014.

One Direction lost Zayn Malik partway through their world-dominating success, while Westlife lost Brian McFadden after five years and Five fell apart in spectacular fashion at the peak of their fame, before all of them finally reunited for their successful 2025 arena tour.

Meanwhile Boyzone has grabbed headlines in recent years after documenting the tensions behind-the-scenes and announcing a surprise farewell gig with all four remaining members agreeing to take part.

Despite Blue going on hiatus from 2005 to 2011, they reformed as a four-piece to represent the UK at the Eurovision Song Contest, and have remained together ever since.

Revealing the key to their success in avoiding the boyband curse, Duncan said: “I’ve had these ups and downs and different things, we’ve all had a lot of ups and downs but we’re still together.

“For me, I think it’s because we have a lot of loyalty to one another. And I think boys as well, we never really argue.

“We don’t have these bitchy squabbles about clothing or who is going to have what.

“But I think honestly, it’s probably down to the fact that I’m an only child, so I never had any brothers and sisters.

“So when I got into Blue and at the height of it all it was just crazy, we were all over the place around the world, doing songs with Elton John and all that, and I think you just become really close like brothers.”

They’re brothers that I never thought I’d ever have, and we’re family. We always say that to each other, we’re family. And I think that’s the key.

Duncan James

Duncan, who came out as gay in 2014, continued: “They were there for me through everything that I’ve been through in my life, they are literally my brothers.

“They’re brothers that I never thought I’d ever have, and we’re family. We always say that to each other, we’re family. And I think that’s the key.

“There’s been a lot of stuff that’s gone on and we’ve always stood by each other and supported each other, and that’s what families do, don’t they?”

Because of this, the lads still all share a dressing room when they go on tour, but there is one thing they refuse to do.

Duncan, who spoke to us while attending the Children with Cancer gala, said: “The only thing we don’t do is sit next to each other on an aeroplane.

“We all like a window seat and so we all want that seat, and if you don’t get a window, it’s like ‘Oh for God’s sake!’, that’s when you could have an argument!”

New album Reflections, released on January 9, and lead single One Last Time, shows a more grown-up side to the band, who are fans of bands including The Killers and Kings of Leon.

Duncan previously told The Sun: “I think all of us collectively have always loved that rock sound.

“But when you’re put into a boy band, you’re given a kind of direction to go down.”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even as the year winds down, there are still some exciting new releases hitting theaters.

Few films this year are arriving on quite the wave of expectation behind Josh Safdie’s “Marty Supreme,” in part because of the unhinged, go-for-broke promo push from its star Timothée Chalamet. The film tells the story of Marty Mauser, a shoe salesman in 1950s New York who dreams of becoming a champion table tennis player and will stop at nothing to make it happen.

As Amy Nicholson put it in her review, “Like Marty, Chalamet was raised in New York City, and since he arrived on the scene, there’s never been a doubt he’ll win an Oscar. The only question is, when? To Chalamet’s credit, he’s doing it the hard way, avoiding sentimental pictures for pricklier roles about his own naked ambitions. … The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

The surprise winner of the Golden Lion at this year’s Venice Film Festival, Jim Jarmusch’s “Father Mother Sister Brother” is a gently enigmatic film revolving around, as the title suggests, parents and siblings. Told in three separate stories — set in New Jersey, Dublin and Paris — the film stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, Vicky Krieps, Charlotte Rampling, Luka Sabbat and Indya Moore.

In his review, Tim Grierson wrote, “The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. … Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.”

Tim Grieving spoke to composer Daniel Blumberg, who won an Oscar earlier this year for “The Brutalist,” about his work on “The Testament of Ann Lee,” director Mona Fastvold’s portrait of the founder of the Shaker religious movement. Singing and dance were an integral part of the Shakers’ spiritual practice, so the music for the film was of special importance.

“Ann Lee was very radical and extreme,” said Blumberg, “and Mona is as well.”

De Los also recently published a list of the 25 best Latino films of 2025 as picked by Carlos Aguilar. His favorites include Amalia Ulman’s “Magic Farm,” Pasqual Gutierrez and Ben Mullinkosson’s “Serious People,” Diego Céspedes’ “The Mysterious Gaze of the Flamingo,” Petra Costa’s “Apocalypse in the Tropics” and Kleber Mendonça Filho’s “The Secret Agent.”

All three of this year’s Envelope roundtables are now available to watch: actors, actresses and directors.

New Year’s Eve at the movies

When people talk about holiday films, they typically mean Christmas. But what if the movies that featured a New Year’s Eve scene were sneakily better? To judge by the titles playing around town this week, an argument could be made.

Take for example Kathryn Bigelow’s “Strange Days.” An exciting techno-thriller set during the last two days of then-future 1999, it’s about a hustler (Ralph Feinnes) who finds himself in way over his head. The film builds to a huge millennial New Year’s Eve street party filmed in downtown Los Angeles. Still something of a rarity on streaming, “Strange Days” will be showing in 35mm at the New Beverly on Friday afternoon and then at the Aero on Wednesday 31, early enough in the evening to leave time for more fun after.

Then there is Paul Thomas Anderson’s achingly romantic and bitingly funny “Phantom Thread,” in which the controlling fashion designer Reynolds Woodcock (Daniel Day-Lewis) initially refuses to leave the house on New Year’s Eve, but then races to be with his muse and lover Alma Elson (Vicky Krieps) after she goes out without him. The movie will be showing on New Year’s Day in 70mm at the Aero.

Anderson’s 1997 “Boogie Nights,” which will show in 35mm at Vidiots on the afternoon of Dec. 31, features a very different take on New Year’s Eve. In a pivotal sequence, many of the film’s characters converge on a NYE party to ring in the transition form 1979 to 1980. It does not go well.

Billy Wilder’s “The Apartment” will play in 35mm at the New Beverly on Saturday and Sunday and also at the American Cinematheque’s Los Feliz Theater on Dec. 30. In the film Jack Lemmon is a lonely office drone who finds his complex relationship with a co-worker (Shirley MacLaine) ultimately coming to a head on a fateful New Year’s Eve.

Rob Reiner’s 1989 “When Harry Met Sally…” will likely be playing several times over the next weeks in tribute to the filmmaker. Starring Meg Ryan and Billy Crystal as two friends trying to figure out if their relationship can (or should) be something more, the film features not one but two memorable New Year’s Eve scenes. It will be playing at the New Beverly on Tuesday, Wednesday and Thursday.

Doug Liman’s “Go,” from a screenplay by John August, is not strictly speaking a New Year’s Eve movie, but it does take place in the sort of liminal zone of ongoing partying that occurs during holiday time. With a cast that includes Sarah Polley, Katie Holmes, Timothy Olyphant and many more, the film revolves around a few grocery store co-workers, some low-stakes drug dealing, questionable choices and a lot of miscommunication. The movie shows at Vidiots on Tuesday.

In a review of the film, Kevin Thomas wrote, “When all is said and done, ‘Go’ is a film about people going too far, which works precisely because its makers know when to hold back. ‘Go’ keeps us guessing … but it never forgets it’s a comedy; if it was too serious it would burst like a bubble. So uniformly skilled and talented is the film’s cast, which has 15 featured players, that it is impossible to single out any one. ‘Go’ is perfectly titled: Exhilarating and sharp, it never stops for a second.”

Points of interest

The Marx Brothers’ eternal comic mayhem

It has become a tradition around town for theaters to show Marx Brothers movies at the holidays, and who are we to argue with that? For pure whimsy and comedy that hits somewhere deep in the unconscious, the Marx Brothers are still pretty much unbeatable.

The New Beverly played some Marx Brothers movies on Christmas Day. For those who still want more, Vidiots will be showing 1935’s “A Night at the Opera,” directed by Sam Wood and including the famous stateroom scene in which more and more people cram into a single room on an ocean liner.

On New Year’s Day, the Aero will show 1933’s “Duck Soup,” directed by Leo McCarey, in which the brothers take over the fictional nation of Freedonia. That will be followed by 1930’s “Animal Crackers,” directed by Victor Heerman, in which Groucho Marx plays African explorer Rufus T. Firefly.

Eric Rohmer’s ‘The Green Ray’

Initially released as “Summer” in the U.S., Eric Rohmer’s “The Green Ray” won Venice’s Golden Lion in 1986. The film follows Delphine (Marie Rivière, who co-wrote the script with Rohmer), a single woman in Paris, as she struggles to find someone to go on a holiday trip with her, leading to a series of serio-comic misadventures. The film will show Thursday in 35mm at the American Cinematheque’s Los Feliz Theater.

Reviewing the film in 1986, Michael Wilmington asked if watching a Rohmer film is really, to quote Gene Hackman on Rohmer movies in “Night Moves,” like watching paint peel? “Not at all,” Wilmington wrote. “‘Summer’ is one of the masterpieces of 1986. It’s one of the most finely wrought, stimulating films of an erratic year. It’s intellectual in the best sense: engaging you emotionally and mentally. It moves faster, wastes less time, and has more to offer than most movies now on view — and those who are skipping it are missing one of the year’s real treats.”

To rebel is to defy. It is to understand that the world as it is can and should be better.

So it’s no surprise rebels were everywhere on our movie screens in 2025. Filmmakers in the U.S. and abroad depicted the lengths to which people will go to stand up against the bland (and at times violent) vision of conformity they see around them. It’s a theme that comes through most organically in these films’ costume designs.

In “Wicked: For Good,” for instance, Cynthia Erivo’s Elphaba Thropp stands apart from the glossy superficiality of the Emerald City. Paul Tazewell, an Oscar winner earlier this year for the first “Wicked,” once again wrapped Elphaba’s defiant spirit in the very fabric of her costumes. As she fights for animal rights and defies the authority of that fraud of a Wizard, the titular witch dons dresses and capes (and, yes, even a knitted cardigan that had the internet abuzz) that ground her in that land “made of dirt and rock and loam” she sings about.

Not that all rebels choose to stand out. In Paul Thomas Anderson’s politically urgent thriller “One Battle After Another” — costumed by four-time Oscar winner Colleen Atwood — members of the French 75 revolutionary group know better than to draw attention to themselves.

“Take Deandra [played by Regina Hall], for instance, who’s always lived off the grid,” Atwood tells The Envelope. “They have lives, but they are still somewhere on the wanted list, and some weirdo can suddenly know who they are. So they really have to blend in. They have to be not noticeable. That was a big goal with everybody’s costume in the movie, all the French 75 costumes — and Leo as well.”

That’s why DiCaprio spends much of the film in a red bathrobe, making him both incredibly hard to miss and also decidedly ordinary-looking. “Would you wear it the whole time?” Atwood remembers asking herself: “Would he get rid of it? And Paul goes, ‘Why would you take off your clothes if you’re running?’”

Atwood’s choice to put Benicio Del Toro in a gi and a turtleneck was similarly driven by this approach: These are all people who move through the world wanting to disrupt the system without making such disruption all that conspicuous. Here we may also add the off-the-rack suits Teddy and Don (Jesse Plemons and Aiden Delbis) wear in “Bugonia” to face their kidnapped CEO; the beret-and-turtleneck-wearing revolutionary (Richard Ayoade) in “The Phoenician Scheme”; and the stylish, delightfully unbuttoned shirts Wagner Moura wears throughout “The Secret Agent.”

Not all instances of rebellion are so obviously political. Take Harry Lighton’s deliciously kinky dom-com “Pillion,” which finds shy young Colin (Harry Melling) entering into a BDSM relationship with an enigmatic biker called Ray (Alexander Skarsgård).

“Ray’s an anomaly; he’s the rebel, you can’t place him,” costume designer Grace Snell says. When we first meet him, he is wearing a striking white leather biking outfit: “I wanted him to be like a light at night on this bike and a shiny toy for Colin.”

The leather and kink gear that Skarsgård, Melling and the rest of the “Pillion” cast wear allowed Snell to give audiences the Tom of Finland fantasy Lighton’s film clearly demands. Yet the film is about a quieter rebellion.

“Colin’s kind of testing his boundaries and understanding who he is as a gay man, and exploring what that means for him,” Snell says. It’s why he spends much of the film in uniform, as a traffic warden, as a member of a barbershop quartet, and later as the new member of Ray’s biker gang.

“Pillion” is about self-fashioning at its most elemental: how gear and uniforms, roles and positions, can help you bloom into yourself; how in losing yourself in another you can find who you want to be.

Blending such a lesson in ways political and personal is Bill Condon’s “Kiss of the Spider Woman,” also costumed by Atwood. The musical is framed by the tension between Valentin (Diego Luna), a righteous revolutionary, and Molina (Tonatiuh), a gay hairdresser, who share a prison cell under Argentina’s military regime.

Along with designer Christine L. Cantella, Atwood aimed to honor the history the film was depicting and the message it embodies. “Not only is it set in a revolutionary time, but it’s also about two people opening each other’s eyes to the world,” Atwood says, “in a way that is such a great message for today.”

Atwood and Cantella had to balance the dingy reality of the prison — where Molina finds modest beauty in his silk robes — and the movie musical he loses himself in — where Jennifer Lopez’s Aurora is dressed like a silver-screen siren throughout. Lopez’s big number, where she dons an ode to the all-white ensemble Chita Rivera wore in the original Broadway show, including a fedora to match, is all about the lure of escapist Hollywood fantasy: “Turn off the lights and turn on your mind,” she sings.

As the ending of the musical attests, there may be a way to do both, to be politically engaged and still enjoy the beauty of the world around you. For, as these varied films attest, a rebel doesn’t just voice their discontent at the status quo. They wear it proudly.

U.S. Immigration and Customs Enforcement summoned Afghans residing in the U.S. to present their documents during the holiday season, marking the latest effort by the Trump administration to crack down on migrants from the Asian nation.

ICE is seeking appointments for a “scheduled report check-in,” with one requesting such a meeting on Christmas Day and another asking for one on New Year’s Day, according to copies of letters sent to different people seen by Bloomberg News. Other notices were for check-ins around the holidays on Dec. 27 and Dec. 30.

The immigration agency has arrested migrants who appear at its offices in response to such formal requests, including those attending interviews for their green cards. Recipients of the letters had previously gained legal protection and were deemed “Afghan allies” as part of a program started by former President Joe Biden in August 2021 to protect those who fled to the U.S. after the American military’s withdrawal from Afghanistan and the Taliban’s subsequent takeover of the war-torn country.

“ICE is using federal and religious holidays to detain Afghans when access to legal counsel, courts, and advocates is at its lowest,” Shawn VanDiver, founder of the nonprofit group AfghanEvac that supports Afghans who assisted the U.S. war effort, said in a statement criticizing the call-ins and their timing. “This is not routine administrative scheduling.”

A Department of Homeland Security spokesperson, however, called the check-ins “routine” and “long-standing” without elaborating on how many letters were sent out. The spokesperson added that ICE continues its standard operations during the holidays.

Christmas and New Year’s Day are federal holidays when most government offices are closed.

The call-ins follow substantial changes to the U.S. immigration policy under President Donald Trump targeting Afghans in the wake of the November shooting of two National Guard troops by Rahmanullah Lakanwal, an Afghan national who worked with U.S. forces and the CIA in Afghanistan before arriving in the US in 2021. Homeland Security Secretary Kristi Noem said that Lakanwal, who has been charged with murder, came to the U.S. through the Biden program known as Operation Allies Welcome.

Since the November shooting, the Trump administration has announced it will re-review the cases of all refugees resettled under the Biden administration and freeze their green card applications, and will consider among “significant negative factors” a country’s inclusion on the president’s vast travel ban.

In another blow to Afghans, the administration’s refugee cap for fiscal year 2026 was vastly lowered to 7,500 from 125,000. The presidential determination indicated it will favor White South Afrikaners and did not mention Afghans.

The administration also removed an exemption for Afghan nationals with Special Immigration Visas — which offers those who provided services to the US government or military in Afghanistan — when it expanded its entry ban list to nationals of more than 30 countries from 19 previously. Afghan nationals were already on the entry ban list prior to the expansion.

The State Department earlier this year shuttered the office that helped resettle Afghan refugees who assisted the American war effort. An effort on Capitol Hill to compel the administration to restart the operations failed to make it into the defense policy bill that Trump signed this month.

With assistance from Alicia A. Caldwell. Lowenkron writes for Bloomberg.

Dec. 24 (UPI) — Christians in Israel and Palestine are celebrating Christmas for the first time in two years now that Israel and Hamas have entered a cease-fire.

In Bethlehem, in the West Bank, tourism normally boosts the economy this time of year as Christians come from around the world to see the city where Jesus was born. But due to the fighting, tourists have avoided the region.

This year, the cease-fire emboldened Bethlehem Mayor Maher Canawati to bring back the annual Christmas tree-lighting ceremony, which drew visitors from around the region, but very few from international locations.

“[In] Bethlehem, you know, we are living from tourists, from tourism and from pilgrims who come to stay in our hotels, to eat in our restaurants, to buy our souvenirs that we’re producing here,” Canawati told CBS News. “And there was a complete halt on tourism for the past two years.”

The lack of tourists has driven Bethlehem unemployment to 70%.

Muhammad Abu Jurah’s Bethlehem souvenir shop has been in his family for generations, but he’s had to lay off all his staff.

“We don’t have a lot of tourists because, you know, the war,” he told CBS. “So, this is why they have a big problem in Bethlehem without tourists.”

Bethlehem tour guide Matthew Qasis said he wants the tourists to return.

“Come back, because Bethlehem belongs to everyone, and Bethlehem is a message of love and peace, a message needed now more than ever, and a prayer of hope that the faithful return to the place where it’s believed Christmas began,” he told CBS.

Cardinal Pierbattista Pizzaballa, the Catholic Church’s top leader in the Holy Land and the Latin patriarch of Jerusalem, led a procession Wednesday from Jerusalem to Bethlehem.

One day earlier, he led a Christmas Eve Mass at Holy Family Church in Gaza City, at which he baptized a new member: Marco Nader Habshi, The Washington Post reported.

Gaza Christians have been unable to celebrate their holidays openly for years. The Christian population in Gaza, mostly Catholic and Greek Orthodox, has dropped from 1,000 to 500.

“The celebrations of Christian and Muslim festivals were shared,” said Yousef AlKhouri, a Gaza native and dean at Bethlehem Bible College in the West Bank, about when he was young. He told The Post that there was always a sense of solidarity among “Palestinian Christians and Muslims in Gaza: going to school together, playing together, going to the YMCA.”

But since Hamas took control of the enclave, Christians have mostly celebrated privately.

“There is an assumption that Gaza has no Christian population, or no Christian history,” AlKhouri said. “And that’s not true.”

Holy Family Church served as a sanctuary for many Christians during the war. Elias al-Jilda, an Orthodox Christian in Gaza, had to shelter at the Catholic church after his home was destroyed one month into the war, he told The Post. He and his family now have a rented home but are still working to furnish it.

The holiday celebration “will not be full of joy, but it is an attempt to renew life,” Jilda, 59, who serves on the council of the Arab Orthodox Church in Gaza, said of this season’s holiday celebration. He told The Post he remembers Christmas in Gaza when Muslims and Christians came together to celebrate city-wide. “It was a special occasion; an opportunity for us to breathe.”

At the Sunday Mass at Holy Family, Pizzaballa told the Christians in Gaza to hold on to hope.

“We are called not only to survive, but to rebuild life,” he said. “We must bring the spirit of Christmas — the spirit of light, tenderness and love. It may seem impossible, but after two years of terrible war, we are still here.”

Gaza City – The Holy Family Church in Gaza has lit its Christmas tree for the first time after two years of Israel’s genocidal war on the Strip. It is Christmas Eve mass, and the worshippers have packed the main prayer hall. Many of them are excited and happy – not just because it is Christmas but because they are still alive.

The glow of lights on the big Christmas tree and holiday decorations could not hide the harsh reality left by the war on Gaza. The church decided to limit the celebrations to a prayer service and brief family gatherings, but the bells rang loud, and that alone filled people with joy.

One of those people is 58-year-old Dmitri Boulos, who missed celebrating Christmas during the war. He was displaced along with his wife and two children in the early days of the fighting after heavy Israeli shelling hit around his home in the Tal al-Hawa area, south of Gaza City.

“We fled to the church seeking safety at the time, but it turned out there was no safe place,” Boulos said. “The church was hit twice while we were inside, and we lost friends and loved ones during that period.

“Nothing had any taste at all,” he recalled. “There was immense fear and grief for those we lost. How can we celebrate when everything around us is wounded and sad?”

Boulos hopes this Christmas and the new year will bring an end to all the suffering and lift restrictions on Gaza.

“We are trying to make ourselves and our children feel that what’s coming will be better, even though the reality is extremely hard,” he said. “We hope things will return to how they were before.”

The Holy Family Church, the only Catholic parish in Gaza, has long held symbolic importance beyond the Strip. Throughout the war, the late Pope Francis called the parish almost daily, maintaining a direct line to the besieged community.

Most of Palestine’s Christians live in the occupied West Bank and East Jerusalem, totalling approximately 47,000 to 50,000, with an additional 1,000 in Gaza before the war.

The number of Christians in Gaza has dwindled in recent years. Today, there are a few hundred left, a sharp drop from the 3,000 registered in 2007.

During the war, Israeli attacks targeted several Christian places of worship where many displaced Palestinians were taking shelter.

Although the Holy Family Church was not placed by Israel in the zones marked for expulsions, the other churches in Gaza City, including the Greek Orthodox Church of Saint Porphyrius and the Anglican St Philip’s Church, were.

But the nearly 550 displaced people sheltering in the Holy Family Church still mistrust the Israeli military. The church has been attacked so many times before – despite Israeli guarantees that it does not target places of worship.

Many of those people remain traumatised and try to rebuild the semblance of a normal life.

“My heart is still heavy with the tragedies and exhaustion we lived through during the war,” Nowzand Terzi told Al Jazeera, as she stood outside the Holy Family Church’s courtyard watching the worshippers without engaging them.

“We were displaced here under bombardment two years ago. I lost my home in an Israeli strike, and then I lost my daughter, who fell suddenly ill last year and passed away,” said Terzi as her voice choked after remembering her 27-year-old daughter – who did not make it on time to hospital because of the war.

“May God help those who have lost their loved ones, and may conditions in the Gaza Strip calm down,” she said, wishing peace and safety for all.

It’s a wish that resonates across the Gaza Strip, where nearly two million people are dealing with continued Israeli attacks and violations of the ceasefire, lack of food, lack of medicine, lack of shelter and basic services.

More than 288,000 families in Gaza are enduring a shelter crisis as Israeli restrictions on humanitarian supplies worsen conditions for Palestinians displaced by the war, the territory’s Government Media Office says.

More than 80 percent of buildings across Gaza have been damaged or destroyed during the war, according to UN figures, forcing enormous displacement.

Edward Sabah is just 18 years old, but he knows well the tragedy of war and displacement. He was forced to leave his home during the war and took shelter in the Saint Porphyrius Church in the Zeitoun neighbourhood of eastern Gaza City. The church was bombed on October 19, 2023, in an Israeli attack that killed 18 people.

“We were gathered in the church courtyard … We were talking normally with other displaced people when suddenly a massive explosion hit one of the church buildings,” Sabah recalls.

“We never expected the church to be targeted, but it happened. Everything unexpected happened during the war. Bombing was everywhere,” he said, adding that he and his family survived and later moved to another church, where they lived for a year and a half.

“During the past two Christmases, we tried very hard to create an atmosphere, but it was extremely sad,” he said. But he is also full of hope and the desire to live.

“This year it’s less intense, but we’re still afraid of what might happen. Still, we decorated the church and tried to create a joyous atmosphere,” Sabah said, adding that he hopes to complete his high school education.

This Christmas has brought joy and a sense of relief to many Christians in the Gaza Strip and in the rest of Palestine. Many Palestinians talk about their sense of belonging and attachment to their land despite all the hardships, tragedies and wars.

That’s why Janet Massadm, a 32-year-old woman from Gaza, decided to style her hair and put on new clothes to celebrate Christmas for the first time in two years.

“We are tired of grief, loss, displacement, and fear that have taken so much from our lives and our years,” Massadm said emotionally.

“Inside, I am completely exhausted because of what we have witnessed,” she added. “But what can we do? We must try to create joy and happiness.”

Like many Christians in Gaza, Massadm was displaced to the church with her family, her parents, brother, and sister, fleeing bombardment in the Remal neighbourhood of central Gaza City.

“I hope the war does not return,” she said. “That people reunite with their loved ones, that we witness a better future, and that Gaza is rebuilt soon.”

The two sides went into the game struggling at the wrong end of Division One, with Blackburn in 20th place and only outside the relegation zone on goal average, and Blackpool only one point and two places better off.

The home side had won just one of their previous eight league matches while Rovers’ form had improved with two wins from three before the trip to Bloomfield Road.

The Tangerines included future England World Cup winner Alan Ball in their side while Blackburn had Mike England, a Wales international defender who would go on to make almost 400 appearances for Tottenham and manage his country for eight years.

A crowd of 20,851 saw Neil Turner give Blackpool the lead only for George Jones to equalise before half-time.

The home side took control in the second period, with goals from Bobby Waddell and top scorer Ray Charnley, with Ball adding a fourth.

England then wrote himself into the history books by getting Blackburn’s second of the afternoon – and the final goal to be scored in the Football League in England on Christmas Day.

The two sides were once again due to play the return fixture at Ewood Park on Boxing Day but it was postponed because of a frozen pitch.

Blackpool eventually pulled themselves away from trouble to finish in 13th place but Rovers had a disastrous run in the new year, winning only three of their remaining 20 matches to drop to the bottom of the division and suffer relegation to the second tier.

That match in 1965 was the last we would hear of football on Christmas Day until 1983, when Brentford attempted to play their Third Division match with Wimbledon at 11am.

“I see it as a tremendous opportunity for the family to enjoy a fresh-air Christmas morning,” said Brentford chairman Martin Lange at the time.

Supporters did not agree and, with many complaining, the game was brought forward to Christmas Eve with promotion-bound Wimbledon winning 4-3.

It offers stunning coastal views, a thriving high street and a rich history – and it’s perfect even in the rain

Christmas is a really exciting time, but it’ll be January before we know it, and the thought of the long, dark months ahead is enough to ruin anyone’s festive cheer.

However, one easy way to combat the January blues is to get out and about, blowing off the cobwebs by the seaside. And there are definitely no shortage of amazing UK spots to choose from.

There’s one particular location I went to loads when I was younger, that draws crowds in the summer, but is less visited during winter. However, after spending a drizzly and cold weekend there for the first time in years, I’m surprised to say it’s just as charming – maybe even more so.

Largs, an amazing seaside town on Scotland’s west coast, about an hour from Glasgow, is the place in question. Renowned for its Viking museum, quaint amusement arcades and ferry trips to the Isle of Cumbrae, it’s a destination many Scots are likely to have enjoyed during the warm summer days, reports the Express.

It’s one of those places that I remembered so fondly that I was convinced it couldn’t possibly live up to my nostalgic recollections – especially under grey skies.

But on the contrary, our family trip was filled with lovely rainy beach walks, delicious food, and even a couple of unexpected Viking sightings – all without a hint of sunshine.

Nestled by the Firth of Clyde, this charming seaside town offers everything you could want, including an array of lovely hotels and accommodation options. We stayed at the Old Rectory, a stunning holiday home that comfortably sleeps up to 14 guests, complete with a hot tub and ample space for relaxation.

One of the best things about Largs is how close you always are to the waterfront, no matter where you’re staying. The Victorian-style promenade is brimming with activities, sights, and a fantastic selection of eateries serving everything from traditional fish and chips to mouth-watering Thai cuisine.

Largs holds historical significance as the site of a pivotal battle in 1263, marking the end of extensive Viking influence in Scotland. You can delve into this history at the Vikingar museum or immerse yourself in the annual Largs Viking Festival, which we were fortunate enough to experience during our visit, complete with battle re-enactments, live music, and intriguing costumes.

Beyond its Viking heritage, Largs is also renowned for its art deco-style ice cream parlour, a long-standing attraction for visitors over the years.

Nardini’s, hailed as Scotland’s most famous cafe, is a must-visit for its inviting atmosphere and irresistible ice cream. Nestled on the waterfront like Vikingar, it’s an idyllic spot to enjoy a scoop or two of your favourite ice cream flavour.

Beyond its famed frozen treats, Nardini’s also offers a vast selection of cakes and light bites, making it a perfect pit stop for lunch or a quick snack during your seaside strolls. Venture further into the town, and you’ll discover quaint winding streets brimming with independent gift shops, eateries, and even more ice cream parlours.

One morning, we found ourselves at Perk, a vibrant cafe full of plants and books, boasting an impressive menu. The vanilla matcha was divine, and I couldn’t resist ordering the sumptuous feta and avocado waffles.

And if you’re still peckish after your meal, there’s a cake cabinet bursting with pastries and other sweet treats available for takeaway.

While Largs may not be home to any high street giants, it does boast an array of independent vendors showcasing their unique products. A large market tent houses retailers offering everything from organic dog food to wooden lamps, jewellery, soaps, and even tarot readings – a real treasure trove that could keep you occupied all day.

For those looking for a bit of an adventure, a quick ferry ride from the port will whisk you away to the Isle of Cumbrae, home to the lively town of Millport. The island is compact enough to cycle around in just a few hours, with a rewarding pint waiting for you at the end before a swift 10-minute sail back to the mainland.

Nearby lies the stunning Kelburn Castle, a beautiful park and estate that even hosts its own music festival during the summer months. It’s a family-friendly spot, boasting numerous playparks, waterfalls and more to discover – all conveniently located less than 10 minutes from Largs.

But truth be told, Largs itself offers more than enough to keep you entertained for a day or even a weekend. Don’t let the typical Scottish drizzle deter you – it only adds to the charm of the seafront walks and makes the cosy ice-cream parlours even more inviting.

WEST PALM BEACH, Fla. — President Trump said he will be extending invitations to next year’s U.S.-hosted Group of 20 summit to Kazakhstan and Uzbekistan as the Republican administration looks to deepen its relationship with the Central Asian nations.

Trump announced the plan on Tuesday after holding separate phone calls with Kazakhstan President Kassym-Jomart Tokayev and Uzbekistan President Shavkat Mirziyoyev.

Neither country is a member of the G20, but the host country of the annual leaders’ gathering of major economies often invites non-members to attend the summit. The 2026 gathering is planned for Trump’s golf club in Doral, Fla., near Miami.

“The relationship with both Countries is spectacular,” Trump said in a social media post about the calls. Trump is currently on vacation at his Mar-a-Lago resort in Florida.

The Kazakh and Uzbek leaders visited Washington last month along with the leaders of Kyrgyzstan, Tajikistan, and Turkmenistan for talks with Trump.

The administration is giving greater attention to Central Asia, which holds deep reserves of minerals and produces roughly half the world’s uranium, as it intensifies the hunt for rare earth metals needed for high-tech devices, including smartphones, electric vehicles and fighter jets.

Central Asia’s critical mineral exports have long tilted toward China and Russia.

During last month’s visit, Tokayev announced that his Muslim-majority country will join the Abraham Accords, the Trump administration effort to strengthen ties between Israel and Arab and Muslim majority countries.

The largely symbolic move came as the administration is trying to revive an initiative that was the signature foreign policy achievement of Trump’s first term, when his administration forged diplomatic and commercial ties between Israel and the United Arab Emirates, Bahrain and Morocco.

Trump last month announced that he is barring South Africa from participating in next year’s summit at his Miami-area club and will stop all payments and subsidies to the country over its treatment of a U.S. government representative at this year’s meeting.

Trump chose not to have an American government delegation attend this year’s summit hosted by South Africa, saying he did so because its white Afrikaners were being violently persecuted. It is a claim that South Africa, which was mired for decades in racial apartheid, has rejected as baseless.

Madhani writes for the Associated Press.

The year was 1923, and thousands of people a month were flooding into Los Angeles in hopes of finding a job in the nascent film business.

Many planned to start as background actors, dreaming they’d be discovered by a director and finally get their big break. These behind-the-scenes actors would wander from studio lot to studio lot, lining up in hopes of being cast.

But the chaos of aspiring actors searching for jobs eventually became too much. Even silent screen star Mary Pickford took to warning wide-eyed newcomers that they should save enough money to survive for five years before coming out to Hollywood.

Out of calls to create safeguards around this fledgling business, and more order around background acting opportunities, emerged the Central Casting Corp.

Central Casting — now so eponymous that its name has become a cultural phrase — celebrated its 100th anniversary earlier this month.

I recently spoke with Mark Goldstein, president and chief executive of the Burbank-based company, to talk about changes in the industry, including the threat of artificial intelligence, runaway production and the role of a background actor in 2025.

Goldstein acknowledged the tough environment for background performers, also commonly known as extras, who populate restaurants, parks and other film and TV scenes to make the environment seem more realistic — all without saying a word.

After the lows of the pandemic, and then the explosion of content during the peak TV era, one of the main challenges for Central Casting’s members is just finding new roles, he said.

“There’s been a little bit of a pullback in production over the last year,” said Goldstein, who serves as president and CEO of Central Casting as well as production finance and management tools firm Entertainment Partners, which owns the agency. “It’s really just constantly finding the right roles for people.”

In Southern California, of course, jobs have been more scarce as production has flowed to other states and countries offering steeper film incentives.

Then there is the advent of computer-generated imagery, which has lessened the need for massive crowd scenes that were once standard.

“Before [CGI] technology, we may fill up an arena, like we may fill a 5,000-person shoot or a 10,000-person shoot,” Goldstein said.

Remember the long lines for casting calls?

No more.

More recently AI has been a key concern for background actors, though Goldstein said he doesn’t think the new digital tools and the rise of synthetic characters will eliminate the need for background actors.

“There’s a lot of conversation [about] is it human or technology? And we kind of view it as human and technology,” he said. “The consumer wants believability, and so there’ll be situations where it’s really important to have the human role involved, but there may be other situations where AI and technology can be helpful.”

He added: “We have legendary people that started their career because they wanted to follow their dream to become an actor in Hollywood,” he said, ticking off the names of famous alumni such as Clark Gable, Carole Lombard, Eva Longoria, Will Ferrell and Brad Pitt. “And we don’t see that changing.”

Despite the challenges, aspiring actors still register with Central Casting every day, Goldstein said. The company has 200,000 background actors in its database, with more than 20,000 new names added a year. About 3,000 are placed in roles each day, the company says.

One of those is Jaylee Maruk, 38, who signed up with Central Casting in 2009 and has worked steadily ever since.

Maruk works often on “Grey’s Anatomy” and has credits on Hulu’s “Paradise” and Apple TV’s “Shrinking.” She once stood in for Greta Lee in Apple TV‘s “The Morning Show.”

“What I love about doing background is it really gives a solid foundation about what it’s like to be on set and what the expectations are,” Maruk said.

But she worries about her future, especially with the rise of AI and the migration of production.

“Productions will pack up and leave,” she said. “They’ll go somewhere cheaper, and it’s becoming harder and harder for us. That’s really the biggest concern, trying to entice and support productions staying here.”

Towns in far-off countries like Hungary and Turkey can be made to look just like places in America, she says. And they can cast local residents instead of U.S.-based performers like Maruk. After all, background actors don’t have speaking roles, so not speaking English isn’t a problem.

“We want our work to be here,” said the Lake Balboa resident. “Our families are here, our lives are here.”

Last year, I got a glimpse into the world of background acting when I covered the annual Los Angeles Union Background Actors Awards. Though tongue-in-cheek at times — the awards themselves are called Blurries — the ceremony and winners’ speeches also highlighted these actors’ key roles in Hollywood.

I met background actors who had done the job for years, including one who got his first role as a 12-year-old in “Hello, Dolly!” Many talked about the difficulty of the last few years and the desire for respect for their professional work. Some were full-time background actors; others did the work part time. All were passionate about what they did.

“It really is just preparedness and luck, as they say,” Maruk said. “And also just having a lot of motivation and resilience.”

Stuff We Wrote

Film shoots

Number of the week

James Cameron’s “Avatar: Fire and Ash” brought in $89 million in the U.S. and Canada during its opening weekend. Globally, the film made $346 million, with big hauls in China and France.

That opening total came in at the lower end of box office analysts’ expectations and is also less than the massive opening weekend for its predecessor film, 2022’s “Avatar: The Way of Water,” which grossed $134 million in its domestic debut. But “Avatar” films tend to build momentum at the box office over subsequent weekends, so the Na’vi aren’t vanquished yet.

In addition to “Avatar,” this past weekend also saw strong performances from Angel Studios’ animated “David,” as well as Lionsgate’s thriller “The Housemaid,” pushing the year-to-date domestic box office total a slim 1% above the same time period last year. That’s helpful for theaters but doesn’t bode well for the box office’s overall performance this year.

Finally …

My colleague Josh Rottenberg looks at what movie stardom will mean in an age of AI. In that story, he has an interview with the creator of Tilly Norwood, the AI-generated character that recently sparked a furious debate in Hollywood about the role of synthetics in film and TV.

Chef Zachary Pollack is ringing in the New Year right with a variety of dinner options at his new Santa Monica spot, Cosetta. Choose from three seatings, including an early, all-ages a la carte option; a low-key, four-course menu from 6 to 7:30 p.m. for $75; and a five-course Capodanno feast with Champagne and caviar from 8-11 p.m. for $120 per person. On New Year’s Day, the restaurant will transform into “Aloha, Cosetta,” an all-day Hawaiian BBQ celebration from 12 to 7 p.m., featuring dishes such as coconut shrimp, risotto Spam musubi, macadamia-chile pork ribs and tiki-style cocktails. With three price tiers, the top CHIEFTAIN tickets ($100) include tomahawk steaks, lobsters and a 24-ounce mai tai in a keepsake mug. Book New Year’s Eve on the website, and New Year’s Day via Resy.

Dec. 22 (UPI) — The former CEO of a healthcare software company in Arizona was sentenced to 15 years in prison and ordered to pay more than $452 million in restitution for conspiring to defraud Medicare for $1 billion, the U.S. Department of Justice said Monday.

Gary Cox, 79, of Maricopa County, was found guilty in June of healthcare fraud in which he generated false doctors’ orders to support fraudulent claims for various medical items.

He was sentenced Friday in the Southern District of Florida.

“This just sentence is the result of one of the largest telemarketing Medicare fraud cases ever tried to verdict,” Acting Assistant Attorney General Matthew R. Galeotti of the Justice Department’s Criminal Division said in a statement. “Telemedicine scammers who use junk mailers, spam calls and the internet to target senior citizens steal taxpayer money and harm vulnerable populations. The Criminal Division will continue dedicating substantial resources to the fight against telemedicine and medical equipment frauds that drain our health care benefit programs.”

Cox was convicted of conspiracy to commit healthcare fraud and wire fraud, three counts of healthcare fraud, conspiracy to pay and receive healthcare kickbacks, and conspiracy to defraud the United States and make false statements in connection with healthcare matters.

Cox was the CEO of Power Mobility Doctor Rx, LLC.

Prosecutors say Cox and his co-conspirators targeted several hundred thousand Medicare beneficiaries who provided personally identifiable information and agreed to accept medically unnecessary orthotic braces, pain creams and other items through misleading mailers, television advertisements and calls from offshore call centers, the Justice Department said.

Cox connected pharmacies, durable medical equipment suppliers and marketers with telemedicine companies to accept illegal kickbacks and bribes in exchange for signed doctors’ orders transmitted using the DMERx platform.

Prosecutors said DMERx falsely said that a doctor had examined and treated the Medicare beneficiaries when, in fact, purported telemedicine companies paid doctors to sign the orders without regard to medical necessity. It was based on a brief telephone call with the beneficiary or no interaction with the beneficiary, the Justice Department said.

These doctors’ orders billed Medicare and other insurers more than $1 billion with Medicare and the insurers paying more than $360 million based on these claims.

The scheme was concealed through sham contracts and elimination from doctors’ orders in which one co-conspirator described as “dangerous words” that might cause Medicare to audit the scheme’s DME suppliers.

“This sentence sends a clear message: Those who exploit telemedicine to prey on seniors and steal from taxpayer-funded health care programs will be held accountable,” said Christian J. Schrank, deputy inspector general for investigations of the U.S. Department of Health and Human Services.

“This scheme was a massive betrayal of trust, built on deception and greed. Our investigators, working with law enforcement partners, dismantled this billion-dollar fraud operation that targeted vulnerable patients and undermined the integrity of Medicare. We will not relent in our mission to protect the public and safeguard Medicare and other federal health care programs from fraud, waste, and abuse.”

Before his sentencing, friends of the defendant submitted letters to the judge vouching for Cox’s good character.

“It is my belief, based on all my life experiences both good and bad that Gary is not a person that would take advantage of or cheat another,” one letter said.

Since March 2007, the Justice Department’s Fraud Section, operating nine strike forces in 27 federal districts, has charged more than 5,800 defendants, who collectively have billed federal healthcare programs and private insurers more than $30 billion.

“Together with our partners, the FBI will aggressively pursue those who defraud taxpayer-funded health care programs,” Rebecca Day, acting assistant director of the FBI’s Criminal Investigative Division, said. “Programs like Medicare are intended to help the most vulnerable among us, and fraud schemes like the one orchestrated by the defendant can jeopardize the delivery of critical care to those who need it the most.”

Approximately 69.4 million Americans are enrolled in the federal health insurance, which is primarily for people aged 65 and older. It also covers younger people with long-term disability, end-stage renal disease or ALS.

Medicare fraud, mistakes and abuse cost the program an estimated $60 billion annually.

“Medicare numbers are more valuable than Social Security numbers because if they have all the right documentation, the Medicare claim has to go through, there are rules and regulations around that,” Nancy Moore, director of Indiana Senior Medicare Patrol, told WRTV-TV in June.

“One of the best ways to look out for fraud is to read your summary notices, your EOB if you’re on Medicare Advantage, or your Medicare summary notice. If you notice a charge for something you never received or didn’t need. That’s when you should call us to report it.”

Consumers can also report suspected medical identity theft to the Health & Human Services fraud hotline at 800-447-8477 (800-HHS-TIPS) or the National Insurance Crime Bureau at 800-835-6422.