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Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even in a year like this one, during which there are numerous truly remarkable movies in the awards-season conversation worthy of ongoing consideration, it is easy to grow tired of talking about a tightening circle of titles.

Which is part of the reason why the announcement of the program for the 2026 Sundance Film Festival came right on time this week. New movies! This will be Sundance’s last edition in its longtime home in Park City, Utah, before moving on to Boulder, Colo., starting in 2027. Adding to the import and emotion of the event is that it will be the first festival since the recent death of Sundance figurehead Robert Redford.

A number of films from the 2025 festival are still part of the ongoing awards conversation. Just this week, both “Train Dreams” and “Sorry, Baby” received Golden Globe nominations — which I am relatively certain was not on the minds of those filmmakers when they had their world premieres at Sundance this past January.

Among the titles to look forward to for Sundance 2026 are Gregg Araki’s provocative “I Want Your Sex,” Cathy Yan’s satirical “The Gallerist,” Jay Duplass’ family story “See You When I See You,” Tamra Davis’ ’90s music doc “The Best Summer” and a profile on Courtney Love called “Antiheroine.”

Of course, there will also be many titles from relatively unknown filmmakers, and it is that promise of discovery that keeps us coming back to Sundance year after year.

As festival director Eugene Hernandez put it, “As much as we can talk about the legacy and history and the old timers — which I think will add an incredible aspect to the festival this year — we’re creating a festival that is also focused on the celebration of new voices. … For so many people, it will be brand new, no matter what.”

‘Home Alone’ 35th anniversary

On Saturday, the Academy Museum will have a 35th anniversary screening of “Home Alone” with star Macaulay Culkin and director Chris Columbus in-person. Written by John Hughes, the film is about a young boy (Culkin) accidentally left behind by his family at the holidays and how he comes to defend himself against two bumbling thieves (Joe Pesci and Daniel Stern).

The movie has become a beloved all-ages holiday classic and seeing it with an enthusiastic audience should be a treat. The event is already sold out, but standby tickets are available.

In his original review of the movie, Peter Rainer noted, “Macaulay Culkin has the kind of crack comic timing that’s missing in many an adult star and even when the script gets soppy, he doesn’t turn himself into a cutesy ball of gloppy goo. He is refreshingly abrasive throughout.”

‘Mustang’ 10th anniversary

On Sunday, the American Cinematheque at the Los Feliz 3 will host a 10th anniversary screening of French-Turkish filmmaker Deniz Gamze Ergüven’s feature debut “Mustang,” which was nominated for the Academy Award for international feature. Ergüven is scheduled to be there in person.

The film is the story of five teenage sisters living in an isolated village and yearning for a life of freedom. In her review, Katie Walsh wrote, “‘Mustang’ beautifully expresses the girls’ unbridled energy, a force that refuses to be locked up, controlled or repressed. It’s a moving portrait of sisterhood, a celebration of a fierce femininity and a damning indictment of patriarchal systems that seek to destroy and control this spirit.”

In an interview with me at the time of the film’s release, Ergüven described the performances by the five actresses — Elit Iscan, Günes Sensoy, Ilayda Akdogan, Doga Zeynep Doguslu and Tugba Sunguroglu — as “one character with five heads.”

Ergüven added, “From very early on I always said it’s a monster of femininity, with 10 arms and 10 legs. They are intertwined, they are extremely familiar with one another. Sometimes, I said, they react to one another’s bodies as if they are extensions of their own body.”

Points of interest

‘Danger: Diabolik’ and ‘Barbarella’ in 35mm

The Secret Movie Club is going to have a groovy Euro holiday party on Saturday with 35mm screenings of both Roger Vadim’s 1968 “Barbarella” and Mario Bava’s 1968 “Danger: Diabolik” at the Million Dollar Theater. Attendees are encouraged to dress in their best psychedelic finery.

“Barbarella” is one of those movies that’s difficult to describe and best to just experience for yourself: a sci-fi sex satire starring Jane Fonda directed by her then-husband Roger Vadim and co-written by counterculture maverick Terry Southern. Based on a French comic, the film was shot in Italy and produced by Dino De Laurentiis.

In a 1967 profile of Fonda and Vadim in Rome, which includes Fonda driving a Ferrari through the streets of the city to get from the historic villa where they are staying to Cinecittà studio, Fonda said, “The main thing about this role is to keep her innocent. You see, Barbarella is not a vamp and her sexuality is not measured by the rules of our society. She is not being promiscuous but she follows the natural reaction of another type of upbringing. She isn’t a so-called ‘sexually liberated woman’ either. That would mean rebellion against something. She is different. She was born free.”

“Danger: Diabolik” stars John Philip Law (also in “Barbarella”) as a master thief. With a score by Ennio Morricone and directed with high style by Bava, best known for more lurid genre excursions, the film is the ’60s Euro-heist jaunt of your wildest imagination.

Elaine May’s ‘A New Leaf’

On Wednesday, the Academy Museum will show Elaine May’s 1971 debut feature as writer-director, “A New Leaf,” in the big David Geffen Theater. Selected by the writer’s branch of the Academy, the screening will feature screenwriter Karen McCullah, writer-producer Kirsten “Kiwi” Smith and writer-producer Katie Silberman in person to talk about the film and May’s ongoing influence.

Even though the film as we know it was taken away from May and isn’t her complete vision, “A New Leaf” is nevertheless a film of bold, confident energy. Walter Matthau plays a trust fund playboy who is fast running out of money. He hatches a scheme to find, marry and then murder a woman of means to continue to fund his lifestyle. Enter May as a botanist who is equal parts awkward and rich. Dark, funny and insightful, the film is a true gem.

Here’s hoping the recently renewed interest in May’s slim body of directorial work — she has so far made only four films — spurs a long-gestating new project rumored to be shooting soon into a reality.

Eric Rohmer’s ‘My Night at Maud’s’ and ‘A Tale of Winter’

On Wednesday at the Aero, the American Cinematheque will have a double-bill from French filmmaker Eric Rohmer: 1969’s “My Night at Maud’s” and 1992’s “A Tale of Winter.”

“My Night at Maud’s,” a breakout international hit for Rohmer, was nominated for two Oscars, for foreign language film and original screenplay. A series of conversations among an interlocking cast of characters, the film helped set the template for dialogue-driven adult dramas that still hold sway.

In his April 1970 review, Charles Champlin wrote, “‘My Night at Maud’s’ argues that thee attractive and intelligent people sitting around arguing about the philosophy of Pascal constitutes a movie. I agree. Standing on my chair and waving noisemakers in the air I agree. … But whether or not one cares about the substance of the arguments, ‘My Night at Maud’s’ is a hugely pleasurable evening out because of the excellence of its performances and the convincing and captivatingly credibility of its three principals. It is an adult film which makes clear once and for all what randy juvenilia all other ‘adult’ films are. This one is, of course, in impeccable taste.”

“A Tale of Winter” is the second of what became Rohmer’s “Tales of the Four Seasons.” In reviewing the film, Kevin Thomas wrote, “The French respect the quirky workings of the human heart more than any other people and among the French filmmakers, the keenest observer may be Eric Rohmer, whose ‘A Tale of Winter’ finds him at his scintillating best, never wiser or funnier.”

Dec. 12 (UPI) — A federal judge in New York sentenced Do Kwon, the former CEO of blockchain and cryptocurrency company Terraform Labs, to 15 years in prison for a scheme that cost victims billions of dollars.

The 34-year-old South Korean native received a higher sentence than defense lawyers and even prosecutors sought — five years and 12 years, respectively, The New York Times reported. Prosecutors agreed to let Kwon serve the second half of his sentence in South Korea.

U.S. District Judge Paul A. Engelmayer for the Southern District of New York said he went with the 15-year sentence because Kwon’s crimes represented “fraud on an epic, generational scale.” He also ordered Kwon to pay more than $19 million in proceeds from the scheme.

The judgment was handed down in court Thursday, some four months after Kwon pleaded guilty to one count of conspiring to commit commodities fraud, securities fraud and wire fraud as well as one count of committing wire fraud. Authorities arrested Kwon in Montenegro after he led them on an 18-month manhunt, The Guardian reported.

“Do Kwon devised elaborate schemes to mislead investors and inflate the value of Terraform’s cryptocurrencies for his own benefit,” U.S. Attorney Jay Clayton said Thursday in a news release.

“When his crimes caught up to him, Kwon embarked on a deceptive public relations campaign to cover up his fraud, laundered the proceeds of his illegal schemes and sought to purchase political protection in foreign countries to evade criminal prosecution.”

Federal prosecutors said Terraform, under Kwon, offered a unique blockchain that issued stablecoins under a distinct protocol that it falsely claimed would maintain a fixed value even when market conditions fluctuated. He told investors the company’s stablecoin, UST, could always be exchanged for $1 of its blockchain’s native LUNA token.

Kwon received investments from several firms across the globe to buy or lend Terraform’s cryptocurrencies built on the company’s blockchain. The market value of all UST and LUNA surpassed $50 billion by spring 2022.

Prosecutors said, though, that much of that growth was due to Kwon’s falsifications about Terraform’s technology, causing the two cryptocurrencies to collapse in value and losing investors $40 billion. Kwon hid the losses through a fraudulent audit.

A British backpacker who struck and killed a man while riding an e-scooter drunk has been jailed for four years in Australia.

Alicia Kemp, 25 – from Redditch, Worcestershire – was driving at speeds of 20 to 25km/h (12 to 15mph) when she hit 51-year-old Thanh Phan from behind on a Perth sidewalk in May.

She had been drinking with a friend all afternoon, the court heard, and had an alcohol level more than three times the legal limit.

Phan, a father-of-two, hit his head on the pavement and died in hospital from a brain bleed two days later.

A friend of Kemp, who was a passenger on the scooter, was also hurt in the crash – sustaining a fractured skull and broken nose – but her injuries were not life-threatening.

Kemp, who was in Australia on a working holiday visa, pleaded guilty to dangerous driving causing death in the Perth Magistrates Court in August.

Her sentence will be backdated to 1 June, and she’ll be eligible for parole after serving two years of her sentence. Her driver’s licence was also disqualified for two years.

Tourists from 42 countries may soon need to also disclose email accounts, extensive family history and biometrics to enter US.

Visitors who are eligible to enter the United States without a visa may soon be required to provide the Department of Homeland Security with significantly more personal information, including details about their social media activity, email accounts and family background.

According to a notice published on Wednesday in the Federal Register, US Customs and Border Protection (CBP) is proposing to collect up to five years of social media data from travellers from certain visa-waiver countries.

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The proposed requirement would apply to travellers using the Electronic System for Travel Authorization (ESTA) under the Visa Waiver Program, which allows citizens of 42 countries – including the United Kingdom, Germany, Qatar, Greece, Malta, New Zealand, Australia, Japan, Israel and South Korea – to travel to the US for tourism or business for up to 90 days.

Currently, the ESTA automatically screens applicants and grants travel approval without requiring an in-person interview at a US embassy or consulate, unlike standard visa applications.

At present, ESTA applicants are required to provide a more limited set of information, such as their parents’ names, current email address, and details of any past criminal record.

A question asking travellers to disclose their social media information was first added to the ESTA application in 2016, though it has remained optional.

New rules also target metadata, email history

The new notice also states that the CBP plans to request additional personal information from visitors, including telephone numbers used over the past five years and email addresses used over the last 10 years.

Authorities also said they plan to add what they describe as “high-value data fields” to the ESTA application “when feasible”. These would include metadata from electronically submitted photographs, extensive personal details about applicants’ family members, such as their places of birth and telephone numbers used over the past five years, as well as biometric information, including fingerprints, DNA and iris data.

The announcement did not say what the administration was looking for in the social media accounts of visitors or why it was asking for more information.

But the CBP said it was complying with an executive order that US President Donald Trump signed in January that called for more screening of people coming to the US to prevent the entry of possible national security threats.

Travellers from countries that are not part of the Visa Waiver Program system are already required to submit their social media information, a policy that dates back to the first Trump administration. The policy remained during US President Joe Biden’s administration.

The public has 60 days to submit comments on the proposed changes before they are finalised, the notice in the Federal Register states.

MIAMI — Democrat Eileen Higgins won the Miami mayor’s race on Tuesday, defeating a Republican endorsed by President Trump to end her party’s nearly three-decade losing streak and give Democrats a boost in one of the last electoral battles ahead of the 2026 midterms.

Higgins, 61, will be the first woman to lead the city of Miami. She spoke frequently in the Hispanic-majority city about Trump’s immigration crackdown, saying she has heard of many people in Miami who were worried about family members being detained. She campaigned as a proud Democrat despite the race being officially nonpartisan and beat Trump-backed candidate Emilio Gonzalez, a former city manager, who said he called Higgins to congratulate her.

“We are facing rhetoric from elected officials that is so dehumanizing and cruel, especially against immigrant populations,” Higgins told The Associated Press after her victory speech. “The residents of Miami were ready to be done with that.”

With nearly all votes counted Tuesday, Higgins led the Republican by about 19 percentage points.

The local race is not predictive of what may happen at the polls next year. But it drew attention from the two major national political parties and their leaders. The victory provides Democrats with some momentum heading into a high-stakes midterm election when the GOP is looking to keep its grip in Florida, including in a Hispanic-majority district in Miami-Dade County. The area has shifted increasingly rightward politically in recent years, and the city may become the home of Trump’s presidential library.

“Tonight’s result is yet another warning sign to Republicans that voters are fed up with their out-of-touch agenda that is raising costs,” said Ken Martin, the chair of the Democratic National Committee, in a statement.

Some nationally recognized Democrats supported Higgins, including former Transportation Secretary Pete Buttigieg. U.S. Sen. Ruben Gallego and former Chicago Mayor Rahm Emanuel traveled to Miami on Sunday and Monday to rally voters for the Democrat who served as a Miami-Dade county commissioner for seven years.

Higgins, who speaks Spanish, represented a district that leans conservative and includes the Cuban neighborhood of Little Havana. When she first entered politics in 2018, she chose to present herself to voters as “La Gringa,” a term Spanish speakers use for white Americans, because many people did not known how to pronounce her name.

“It just helps people understand who I am, and you know what? I am a ‘gringa,’ so, what am I going to do, deny it?” she told the AP.

Republicans’ anxiety grows

Republicans in Florida have found strong support from voters with heritage from Cuba, Venezuela and Nicaragua, because they likened some members of the Democratic party’s progressive wing with politicians from the governments they fled. Trump and other GOP members have tapped into those sentiments over the past eight years.

However, some local Republicans are growing increasingly frustrated since November’s elections when Democrats scored wins in New Jersey and Virginia, where both winning gubernatorial candidates performed strongly with nonwhite voters.

The results from those races were perceived as a reflection of concerns over rising prices and the Trump administration’s aggressive immigration policies.

U.S. Rep. Maria Elvira Salazar, a Republican whose district is being targeted by Democrats and includes the city of Miami, called the elections elsewhere a “wake-up call.” She said Hispanics also want a secure border and a healthy economy but some relief for “those who have been here for years and do not have a criminal record.”

“The Hispanic vote is not guaranteed,” Salazar said in a video posted on X last month. “Hispanics married President Trump, but they are only dating the GOP.”

David Jolly, who is running to represent Democrats in the Florida governor’s race next year, said the mayoral election was good news for Democrats in what used to be a battleground state.

“Change is here. It’s sweeping the nation, and it’s sweeping Florida,” Jolly said.

Miami mayor-elect gains national platform

The mayoral position in Miami is more ceremonial, but Higgins promised to execute it like a full-time job.

The city is part of Miami-Dade County, which Trump flipped last year, a dramatic improvement from his 30 percentage point loss to Democrat Hillary Clinton in 2016.

As Florida’s second-largest city, Miami is considered the gateway to Latin America and attracts millions of tourists. Its global prominence gives Higgins a significant stage as mayor.

Her pitch to voters included finding city-owned land that could be turned into affordable housing and cutting unnecessary spending.

Licon writes for the Associated Press.

Los Angeles County’s inspector general is retiring as chief watchdog for the Sheriff’s Department, stepping down from the post he has held since it was first created a dozen years ago.

Max Huntsman, 60, announced his plans in a letter Tuesday.

“It has been my honor to work with a talented, brave, and tireless group of public servants to ensure that the public knows what its government is doing,” he wrote.

Huntsman, a former L.A. County prosecutor, also included comments that were critical of how the county has responded to efforts at civilian oversight of the Sheriff’s Department.

Time and again, he wrote, efforts by his office “were ignored” by county leaders.

“The county is putting all its efforts into convincing the public and the courts that it is following the law and has no room to honestly evaluate itself and make the changes it would need to really follow those laws,” Huntsman told The Times in a message early Tuesday. “That’s not compatible with my oath of office.”

In stacks of detailed reports, the inspector general’s office has described a wide range of abuses and failures by the Sheriff’s Department, the L.A. County Probation Department and county leaders. Huntsman’s office has documented poor conditions in L.A. County’s jails, called out the Sheriff’s Department’s for noncompliance with portions of of the Prison Rape Elimination Act, and criticized the inability or unwillingness of sheriff’s department officials to rein in so-called deputy gangs, whose tattooed members have repeatedly been accused of misconduct.

The Inspector General’s Office has independently probed hundreds of on-duty shootings by deputies, along with other use of force incidents. Under Huntsman’s direction, the office also scrutinized deficiencies in the county’s skilled nursing facilities during the early days of the COVID-19 epidemic.

In 1991, Huntsman graduated from Yale Law school and immediately joined the L.A. County District Attorney’s Office. A father of two, he served as a deputy district attorney for 22 years, prosecuting political corruption, police misconduct and fraud cases before leaving the courtroom for the helm of the new Office of Inspector General.

One of the main reasons the Sheriff’s Department is still plagued by many of the problems Huntsman confronted when he first became inspector general, he wrote in the Tuesday letter, has been the county’s reluctance to swiftly implement many of his office’s recommendations.

“In my twelve years at this work, I have longed for the day that the county would address the conditions in our reports without a court fight,” he wrote. “Some things never change.”

The Inspector General’s Office is now expected to undergo a sea change with the retirement of the only leader it has ever had.

Huntsman is the latest in a recent string of oversight officials to abruptly depart from their posts. In June, L.A. County Civilian Oversight Commission Chair Robert Bonner told the public that county officials were terminating him from the position. Earlier this year, Sean Kennedy, a member of the commission and its former chair, resigned over what he described as undue county interference in the commission’s activities.

The oversight bodies themselves also have faced cuts. In August, a county office proposed eliminating the Sybil Brand Commission, which conducts civilian oversight of the largest county jail system in the U.S. The county also announced that it would be reassigning or eliminating about a third of Huntsman’s staff.

Yet Huntsman and other county oversight officials continued to advocate for change. For instance, in October, state lawmakers approved Assembly Bill 847. The law will allow oversight commissions across the state, including L.A. County’s Civilian Oversight Commission, to view confidential documents in closed session.

“When government abuses occur, they are sometimes kept secret, but that is no longer the case for much of what is happening in Los Angeles County,” Huntsman wrote at the end of his Tuesday letter. “What you do about it is up to you.”

THE star of a hit superhero movie has barely aged since became a global superstar more than 40 years ago.

Ornella Muti played Princess Aura in Flash Gordon in 1980 and looked incredible at a recent book signing event.

The actress made her English-speaking film debut in the sci-fi movie and was voted “The Most Beautiful Woman in the World” in 1994 by a worldwide poll of readers of Class magazine.

Flash Gordon, which celebrated its 45th anniversary this month, follows the adventures of American football quarterback Flash as he ventures into space to unite the planet Mongo and save Earth from destruction.

Ornella, who was born in Italy with Russian ancestry, has recently been on a book tour on the Italian island of Calabria.

She released her autobiography, This Is Not Ornella Muti, in September and shared a series of photos from her tour in Calabria.

Ornella looked striking a red maxi dress and dark-framed glasses as she greeted fans in the Italian bookstore.

The beauty worked as a model before making her film debut as a 14-year-old in 1970.

She would go on to have an illustrious film career in Italy before making her Hollywood debut in the 1980s.

After starring in Flash Gordon, Ornella worked with many well-known movie directors, including Woody Allen, John Landis and Eugene Levy.

In 2008, Ornella launched her own jewellery line and opened a number of retail stores in Italy.

She had a brush with the Italian law in 2015 when she was sentenced to 10 months in jail for cancelling a theatre performance.

Ornella had cited a health reason for cancelling the show in 2010, but then attended a dinner with Russian President Vladimir Putin in St Petersburg.

The actress is mum to three children, including her model daughter, Naike Rivelli.

Naike and her mum became the topic of a heated debate when it was revealed, Ornella and Naike’s step-father had snapped nude pics of the model for Instagram.

In 2016 Naike, who is well-known in Italy for uploading racy snaps, posted a photo of her standing on one leg covering her breasts and groin with her hands.

Underneath the picture, she wrote: “Who in the world took this picture of me? The man I don’t have? The woman I don’t have? The friends who aren’t here right now? Who?”

Then, she revealed another snap showing her stepfather, Fabrice Kerherve, taking the shot – as her mother lies under a dressing table taking even more pictures.

Next to this photo, Naike added: “In the end, it’s so much simpler than it seems.

“A simple crazy morning with my mum Ornella Muti and my stepdad Fabrice Kerherve family moments.”

But far from ‘liking’ the social media posts, many online commenters felt there was something distasteful about the model being photographed by her stepdad.

1 of 3 | Former Federal Trade Commission Commissioners Rebecca Kelly Slaughter (L) and Alvaro Bedoya listen as Chair of the Federal Trade Commission Lina Khan testifies before the House Judiciary Committee in a hearing on “Oversight of the Federal Trade Commission (FTC) on Capitol Hill in Washington, D.C., on July 13, 2023. President Donald Trump fired the two commissioners in March. File Photo by Ken Cedeno/UPI | License Photo

Dec. 8 (UPI) — The U.S. Supreme Court is scheduled to hear arguments Monday about President Donald Trump‘s firing of Federal Trade Commissioner Rebecca Slaughter in a case that could upend 90 years of precedent.

The high court’s decision, which is expected in the summer, could allow presidents to remove independent regulators without just cause. If the Supreme Court sides with Trump, it would go directly against the court’s 1935 ruling in Humphrey’s Executor vs. United States, which upheld the FTC’s protections from removal as constitutional.

According to the 1935 Supreme Court decision, FTC commissioners may only be dismissed from their jobs “by the president for inefficiency, neglect of duty or malfeasance in office.”

In March, Trump fired Democratic FTC commissioners Slaughter and Alvaro Bedoya, both of whom claimed the terminations were illegal.

The FTC is a bipartisan, independent federal agency that works to protect consumers from questionable business practices. Slaughter said preventing the president from being able to terminate commissioners without just cause allows the FTC to remain independent.

“Independence allows the decision-making that is done by these boards and commissions to be on the merits, about the facts and about protecting the interests of the American people,” she said, according to NPR. “That is what Americans deserve from their government.”

Trump, meanwhile, insisted his executive power gives him the ability to fire workers at independent agencies. In September, the Supreme Court agreed with Trump, allowing him to fire Slaughter through a brief administrative stay on a lower court’s order blocking the termination.

Trump appointed Slaughter, a Democrat, to the FTC in 2018. Former President Joe Biden then appointed her to be acting chair of the agency before nominating her for a new term. The Senate confirmed that nomination, giving her a second seven-year term starting in 2024.

The Hill reported that U.S. Solicitor General D. John Sauer will represent the U.S. government in Monday’s Supreme Court hearing.

“The court should repudiate anything that remains of Humphrey’s Executor and ensure that the president, not multimember agency heads, controls the executive power that Article II vests in him alone,” Sauer said in court filings.