show biz

Coronation Street viewers blasted one character’s sudden exit storyline as they struggled to believe it could happen and labelled the whole thing as a ‘disaster’

Coronation Street fans described Tuesday’s episode as a “disaster” after Dee Dee Bailey announced her plans to leave. The lawyer, who has been played by Channique Sterling-Brown, 28, since 2022, decided on the latest episode of the world’s longest-running TV soap that it was time to move on from the Weatherfield backstreet.

The programme normally airs Mondays, Wednesdays and Fridays but there was a slight schedule change owing to ITV’s upcoming coverage of the the Carabao Cup. It has been known for some time know that Dee Dee was set to leave the show, and in newest episode, she revealed she had been offered a new job – but there was a catch.

At first, she was hesitant to tell her father Ed about it, but over a celebratory lunch with him and her brothers at the Bistro, she revealed that it was in Singapore.

Fans will know that Dee Dee is mother to baby Laila, who was born in March, but there had been a lot of back-and-forth over whether her brother James would take on the guardianship. Once James realised what this meant, he raged: “A creche in Singapore, 24/7? You really think that’s in her best interests? What do they even speak out there?”

READ MORE: Helen Flanagans launches savage sweary outburst at ex-fiance Scott SinclairREAD MORE: Coronation Street fans ‘heartbroken’ over cruel Todd twist in powerful episode

Pleading her case, Dee Dee said: “I have agonised over this. And yes, it’s the right thing for me, but I’m sorry, it is also the best thing for Laila. A job where I can make a difference!” James raged: “I was there for you. I was there for Laila. I provided a solution. This was your idea! This was always, always going to happen.”

He then told his sister that she had “timed” everything to make sure things turned out this way and when he and Michael were in the pub later on, things had still not calmed down. When Dee Dee walked in, she offered to buy James a drink but he refused. He then headed into the pub toilets where he burst into tears, and text on/off lover Carl Webster to see if he wanted to meet up.

As details of Dee Dee’s exit plans came to light, fans took to social media to share their reaction. One wrote: “Losing Dee Dee but keeping the rest of the Baileys is such a disaster,” whilst another said: “So Dee dee has been a solicitor in New York Wethersfield and now Singapore. Where next Seaham Harbour?”

A third added: “I like Dee Dee but I wish this new job was a bit more believable. She is going to Singapore alone, no support, with a baby. If she took a job near her ‘gone to look after her aunt and never seen again mother’, I could believe it,” and a fourth wrote: “Dee Dee never spends any time with her kid now when she’s surrounded by family, so she’ll probably never see her in Singapore. She’ll be fobbed off to a nursery or nanny.”

Actress Channique, 28, announced her departure to The Mirror and other press, explaining for the first time her reasons for stepping down from the role. Channique said it felt like the right time “to be brave” and try new roles, as she got tearful in her exit chat.

Becoming emotional, she revealed she would miss her character, as she explained her decision that she made months ago. She said: “I made the decision in spring, and it wasn’t a rash decision. You know, I really took a couple of months from being offered my next year contract to actually even respond.

“I felt really torn, but I really just had, you know, the sense that it just felt like the time. I feel like I’ve been so privileged, and I’ve got to tell some great stories, and it’s been so wonderful. And obviously I’m very led by my faith as well.

“So I just really took my time over it and prayed into it. And I think, yeah, I found a real sense that I had done what I’d come to do, if that makes sense, not that I ever knew exactly what it was, but it just felt like I had achieved what I was sent here to do, so it was time to be brave.”

She told us: “I think Dee-Dee has changed a lot. She’s been through a lot. She was so ditsy and all this stuff when she came. But I think she very quickly, like we saw her heart with her being with Paul a lot, and we saw her strength standing up to Adam.

“We saw her, you know, soft side with all the stuff with her dad and the gambling. So I think, you know, she, she still has all those things. I think she’s definitely, obviously a bit worse for wear.

“But I think she’s finding her way back to herself at the minute. I think that’s really lovely, where we see her on screen. She’s finding some happiness. She’s finding herself again. And I think that’s life, isn’t it? You obviously change and things shape you, but it’s how many times you get back up? That’s what counts.”

Coronation Street airs Mondays, Wednesdays and Fridays at 8pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on

TikTok ,Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

A fan has been left stunned after they spotted an Oscar-nominated actor alongside his huge popstar girlfriend at a London pub.

The pair were filmed in a busy boozer playing cards and ordering drinks, going seemingly unnoticed by the other punters around them.

The VIP guests, were none other than actor Paul Mescal and his popstar girlfriend Gracie Abrams, who were sat in the middle of a busy North London pub. 

In a video uploaded to TikTok the pair can be seen playing cards on a table together, in the beer garden of The Canonbury Tavern at night.

Paul looked inconspicuous in a cap whilst ordering drinks for the pair inside at the bar.

The fan took pics of the star as he ordered seemingly going unnoticed by the other punters around him.

PAUL SUPPORT

Gracie Abrams snogs and parties with Paul Mescal until 3am after Glasto set

heating up

Paul Mescal spotted on date with Gracie Abrams ahead of her Glastonbury set 

The eagle-eyed fan captioned the video: “Paul Mescal & Gracie Abrams playing cards in Canonbury.”

In the second clip which showed the pics of the A-lister at the bar, she wrote: “Part two of seeing Paul Mescal, Got to keep one of the cards they were playing with.”

Fans flocked to the comments in disbelief over the pair’s unexpected appearance, one user penned: “NO WAY.”

A second added: “Is that really them ??? when was this omg.”

A worker of the pub revealed that she’s even served the star before, they wrote: “ I work at this pub and I’ve served him before (crying laughing emoji).”

The couple were first linked in June 2024 when they were snapped having a romantic dinner date at celebrity haunt BRAT Restaurant in London. 

They were spotted again this year having picnics and drinks in a park in June, before they were snapped getting close at Glastonbury ahead of Gracie’s set, that same month.

It comes after Oscar-nominated actor Paul was ordered to lose some muscle and put on some fat for his next big role.

Paul will be playing Sir Paul McCartney in the upcoming Beatles biopic – and The Sun revealed that the hunky Gladiator II star has been told to go on a Normal People diet.

An insider said: “Obviously there weren’t really gyms around in the Sixties. 

“The Beatles weren’t dead-lifting between gigs. 

“Macca was always pretty lean and flexible — he has always been really into yoga — but this is a very different aesthetic to that of a burly gladiator, and Paul has been keeping his body pretty ripped, even after filming stopped.

“Sir Paul McCartney is also famously a vegetarian, whereas Paul mainly lives on a high protein steak, chicken and eggs diet. 

“There also weren’t whey protein shakes back in the Beatles’ day.”

Throughout 2025, De Los has championed the rise of the Latino artists from their respective musical silos and into the broader global pop stratosphere. The 2026 Super Bowl halftime show headliner Bad Bunny and Inland Empire corrido kings Fuerza Regida scaled new commercial and cultural heights this year, as emerging acts like Silvana Estrada, Ela Minus and Netón Vega took exciting new detours in their sounds.

De Los recently did a team huddle to determine our personal best releases of 2025 — this is no garden variety Latin genre list, but a highlight reel of our favorite works by artists from Latin America and the diaspora.

10. Cazzu, “Latinaje”
Reeling from a romantic disappointment of mythological proportions and the lackluster reception of her previous album, Argentine trap queen Cazzu fired back with a maximalist travelogue that draws from salsa and cumbia, Argentine folk and electro-pop. Cazzu hails from the province of Jujuy, miles away from the musical snobbery that plagues much of Buenos Aires, and her genuine investment in a pan-Latino idiom is contagious. A sumptuous corrido tumbado about a red dress that went viral (“Dolce”) and an Andean-flavored ode to her daughter (“Inti”) are the emotional cornerstones of an album that refuses to harbor resentment and instead chooses to embrace plurality. Her absence from the main categories in this year’s Latin Grammys was nothing short of criminal. —Ernesto Lechner

9. Netón Vega, “Mi Vida Mi Muerte”
As one of música mexicana’s most in-demand songwriters, Netón Vega has crafted hits for every big crossover artist, from Xavi to Peso Pluma. Naturally, it’s about time that he delivered a full-length project of his own. Vega’s debut album, “Mi Vida Mi Muerte,” takes stock of the current sound of corridos tumbados and pushes it to its limits alongside the very collaborators that he helped top the charts. Vega’s chameleonic qualities as a songwriter allow him to bend the rules of what counts as “Mexican” music, and over 21 songs, he establishes that his vision includes Californian G-funk, blissed-out boom bap and even Caribbean reggaeton. Vega sounds equally as comfortable on the radio smash “Loco” as he does wailing over a bajo sexto, proving that the future of corridos, with him at the helm, can be more expansive than ever before. —Reanna Cruz

8. Juana Aguirre, “Anónimo”
If the music business thing doesn’t quite pan out for Juana Aguirre, Argentina’s newly anointed resident genius could find success as a film director — such is the palpable cinematic gravity of “Anónimo,” a stark masterpiece of digital mood conjuring. Aguirre builds her tracks slowly, armed with an unerring instinct for beauty and a ruthless, try-and-discard methodology. The results are childlike at times — parts of “La Noche” and “Lo_Divino” sound like nursery rhymes — while the nakedness of “Volvieron” brims with a solemn, ageless kind of grace. Her sonic spectrum is panoramic, from esoteric folktronica murmurs and camouflaged industrial noise to the cosmic stillness of “Un Nombre Propio” and the ritualistic piano of “Las Ramas.” Until “Anónimo,” the Argentine avant-garde had never sounded so intoxicatingly sensuous. —E.L.

7. Adrian Quesada, “Boleros Psicodélicos II”
At the height of the COVID-19 pandemic, multi-instrumentalist and producer Adrian Quesada enlisted some of the most enthralling vocalists in Latin music to record “Boleros Psicodélicos,” a love letter to Latin American psychedelic ballads from the ’60s and ’70s. The album, which featured original compositions alongside kaleidoscopic covers of the genre, was hailed as an instant classic after its 2022 release. Three years later, Quesada improved upon the winning formula by actually being in the same room as his collaborators — the first album was made in isolation. “There’s a little bit more life, energy to some of the songs,” Quesada told De Los of “Boleros Psicodélicos II.” That vibrancy is certainly felt in tracks like “Bravo” — Puerto Rican singer iLe’s voice is laced with plenty of venom to do justice to Luis Demetrio’s spiteful lyrics (“Te odio tanto / Que yo misma me espanto / De mi forma de odiar”) — and “Primos,” which has Quesada pair up with guitar vibemasters Hermanos Gutiérrez for the album’s only instrumental track. Here’s hoping that we get another installment of this brilliant series three years from now. —Fidel Martinez

6. Nick León, “A Tropical Entropy”
Hailing from Fort Lauderdale, Fla., just a hop, skip and a jump north of Miami, the electronic mixmaster Nick León broke through a busy pop music landscape this year as a producer with a distinctly Floridian point of view. In his latest album, “A Tropical Entropy” — the title harks back to a phrase from Joan Didion’s 1987 book, “Miami” — León crafted his moody “beach noir” sound by blanketing his dynamic assemblages of dembow, dancehall and other Afro-Caribbean rhythms with a foamy, oceanic ambience that flows and hisses throughout the record. Featuring the vocal talents of Ela Minus (“Ghost Orchid”), Erika De Casier (“Bikini”) and Esty (“Millennium Freak” with Mediopicky), it’s an audible feast for club kids whose afters entail collapsing on the sand and watching dolphins traverse the horizon at sunrise. —Suzy Exposito

5. Not For Radio, “Melt”
Released in October, “Melt” is the frosty solo album by María Zardoya, lead singer of Grammy-nominated L.A. band the Marías, who wrote and recorded 10 of her most soul-baring songs yet during a haunted winter sabbatical in the Catskills. Imbued with brooding elements of chamber pop à la Beach House, Broadcast and the Carpenters, there is much enchantment to be found in the details of Zardoya’s electric drama; like how the warm fuzz of an organ meets frosty chimes on opening track “Puddles,” or in the restless, skittish pulse of “Swan.” Zardoya’s yearning for a love lost crescendoes, and is most devastating, in the piano ballad “Back to You”; but it seems as though even her darkest, most melancholic moments are touched by the fae. —S.E.

4. Isabella Lovestory, “Vanity”
With 2022’s “Amor Hardcore,” Isabella Lovestory established herself as a neoperreo princess — the Ivy Queen for the Instagram era. The Honduran pop star’s follow-up album “Vanity” takes a different approach, trading sleazy sexcapades for campy vulnerability. As in her name, Lovestory is inherently a storyteller. Her lyrics are pulled from half-remembered dreams, speaking of herself in immersive, surreal contradiction. She’s a perfume bottle made of foam, or a strawberry made of metal. It’s a deceptively saccharine world, one that she sees as, in her words, a “poisonous lollipop.” And when the production falls somewhere between RedOne productions and Plan B deep cuts, that world becomes a post-cultural, hazy pop dystopia of both the past and a far-off, distant future. —R.C.

3. Fuerza Regida “111XPantia”
In summer 2024, while promoting the band’s previous album, “Pero No Te Enamores,” Fuerza Regida frontman Jesús Ortiz Paz assured me that the San Bernardino quintet was not abandoning the sound that made it one of the biggest acts in the música mexicana space. Simply put, JOP was scratching a creative itch by flirting with Jersey club, drill and house music. True to his word, the charchetas and tololoche are now back and on full display in “111xPantia.” Yet the band’s 9th studio album is by no means a rehash of their past work; Fuerza Regida is as experimental as ever, whether by incorporating a banjo on “Peliculeando” (what’s next, a collab with Mumford & Sons?) or sampling Nino Rota’s iconic theme song on “GodFather” (given the focus on excess, the lyrics are more Tony Montana than Michael Corleone). This year, JOP & Co. set a new benchmark for the ever-evolving genre, all while becoming the biggest band in the world; Fuerza Regida was notably the only non-solo act to crack Spotify’s end-of-year top global artist list. —F.M.

2. Silvana Estrada, “Vendrán Suaves Lluvias”
Estrada’s second full-length album is a musical masterclass in maintaining serenity through loss. With her head held high, the Latin Grammy-winning Mexican singer-songwriter soldiered through an extended period of grief to write “Vendrán Suaves Lluvias,” including a harrowing heartbreak and the shocking murder of a friend. The bones of songs like “Como Un Pájaro” and “Un Rayo de Luz” are folk ballads, which she initially wrote using her trusty cuatro; but with the mighty backing of an orchestra, Estrada’s compositions swell with a symphonic grandeur that bolster the songbird’s more empowered and optimistic stance in the face of disappointment. “¿Cuál еra la idea de aventartе sin dejarte caer? Qué manera tan desoladora de querer,” she sings with an arid, jazzy inflection on “Dime” — a plea to a half-hearted lover who cowers at the force of her integrity. —S.E.

1. Bad Bunny, “Debí Tirar Mas Fotós”
“Debí Tirar Mas Fotós” has managed to dominate conversation all year — from its No. 1 debut in January to this summer’s blockbuster residency and subsequent world tour. Much has been said already about Bad Bunny’s magnum opus; the album is a generation-spanning, full-throated celebration of boricua resilience, and simultaneously a pointed warning about the ongoing neocolonization of La Isla del Encanto. But perhaps, in the spirit of its title, its best function is as a series of timeless musical snapshots: There’s the sweeping voice of the jíbaro calling down from the mountains on “Lo Que Le Pasó A Hawaii.” Sweat from rum-soaked nights in Brickell and La Placita lingers on “Voy a LLevarte Pa PR” and “Eoo.” Hands fold together on “Weltita” as waves ebb and flow, and the warmth of a grandparent’s final forehead kiss lingers on “DTMF.” It’s a record that is designed to be intimately understood by Latinos, with Bad Bunny’s personal ethos of Puerto Rican independence managing to build a bridge between the island and those displaced from it. And with Benito’s Super Bowl victory lap right around the corner, “Debí Tirar Mas Fotós” is poised to dominate not just 2025, but the coming months as well, cementing him as — to paraphrase “Nuevayol” — el rey de pop, reggaetón y dembow.

Honorable mentions:

Reanna’s pick: Corridos Ketamina, “Corridos Ketamina”
There’s one night at the start of every Los Angeles autumn when you can begin to feel the chill of loneliness in the air. When I heard “V-Neno,” the opening track on Corridos Ketamina’s self-titled debut EP, I was taken back to the first time I felt it: walking around at 3 AM alone and moody as hell. The 14-minute EP is like if Lil Peep and Lil Tracy went down to Sinaloa for the weekend. Triple-tracked vocals drenched in reverb drift over sluggish guitar loops, all struggling to claw out of the K-hole. Yes, technically Corridos Ketamina are making narcocorridos (what you see is what you get: in an interview with the Fader, they put it simply, “Let’s make the first corrido about doing K”), but there’s something still warm and inviting at the core of these seven songs. Maybe it’s the familiar blend of emo, rap, shoegaze and corridos — or it’s the fact that this is a record that could only come out of Los Angeles, born out of late nights on empty freeways and in seedy apartments. —R.C.

Ernesto’s pick: Amor Elefante, “Amigas”
I dare you not to smile when you listen to “Hipnótico,” the synth-pop fantasia that kicks off “Amigas,” a welcome return to action for Buenos Aires quartet Amor Elefante. The band moves in the fertile periphery where sunshine pop meets dream rock, channeling the Police on the reggae vibe of “Universal Hit” and diving into Cocteau Twins ether on “La Vuelta.” If anything, “Amigas” illustrates the band’s bloom as composers of potential singles: drummer Rocío Fernández goes funky on the folk-driven “La Vuelta,” while keyboardist Inés Copertino flexes her disco diva status on the outro line to “Foto de una Coreografía.” In lead singer Rocío Bernardiner, Amor boasts one of South America’s most radiant voices. —E.L.

Suzy’s pick: Ela Minus, “Día”
Born in Bogotá, Colombia, and now based in Brooklyn, electronic artist-producer Gabriela Jimeno, or Ela Minus, first bonded with beats as a tween drummer in a hardcore band. That rugged punk rock intensity would later unify the vast, synth-laden sprawl that is her second album, “Día”: a chronicle of her displacement during the COVID-19 pandemic and subsequent ego death. She lets her listeners in with the vulnerable yet galvanizing dance track “I Want to Be Better,” which she has described as her “only love song” — but icily calls for the world’s end on the Latin Grammy-nominated club cut “QQQQ,” and rejects the parasocial worship of pop stars in “Idols,” chanting: “Chasing after phantoms / Bowing down to someone else’s idols.” Indeed — how embarrassing! —S.E.

Fidel’s pick: Cuco, “Ridin’”
Hawthorne’s own Cuco (real name Omar Banos) tapped into the soundtrack of Southern California’s lowrider culture — soul and R&B — to make “Ridin’” one of the best neo-Chicano soul albums in recent years. Tracks like “My 45” and “ICNBYH” (“I Could Never Break Your Heart”) are perfect accompaniments for slow drives down Whittier Boulevard. “Para Ti,” the only Spanish song on the LP, sounds like it could come out of one of your abuelo’s bolero albums. —F.M.

Joel Dommett has admitted to a major blunder during filming of The Masked Singer Christmas special.

Joel Dommett has disclosed how he plunged The Masked Singer festive special into complete pandemonium during recording following an inadvertent gaffe.

The presenter is making his comeback to the cherished ITV contest, working alongside panellists Jonathan Ross, Maya Jama, Davina McCall and Mo Gilligan.

They’ll be attempting to uncover the true identities of the famous participants alongside audiences at home, using a series of cryptic hints.

Four well-known personalities will perform on stage whilst concealing their identities, disguised as Santa’s Sack, Mistletoe, a Goose A-Laying and Figgy Pudding.

The yuletide episode broadcasts on Boxing Day, with a complete series following several weeks afterwards, reports Wales Online.

It’s now emerged that recording for the seasonal show spiralled into mayhem when Joel inadvertently revealed one of the concealed celebrities.

He confessed to recognising the distinctive giggle from behind Mistletoe’s mask, blurting out their actual identity before realising his error and collapsing to the ground.

The I’m A Celebrity Unpacked presenter told The Sun: “I can’t believe I did it. This person was chuckling in the costume and it’s a chuckle I know well and I said their name. It just came out. Their actual name!”

He continued: “Thankfully, [the judges] had pretty much guessed who it was.

“But producers did reiterate to me that I wasn’t to do that again. I was on the naughty step.”

The Masked Singer UK Christmas special will also showcase a collection of pantomime legends, including Fairy Godmother (Su Pollard), the dame (Christopher Biggins), Wicked Stepmother (Lesley Joseph) and Prince Charming (Basil Brush), who will be offering hints to the judging panel.

This follows Joel’s recent mishap several weeks back whilst recording I’m A Celebrity’s companion show Unpacked.

The presenter was compelled to say sorry after inadvertently cursing, when his regular broadcast was dramatically disrupted after being “assaulted” by a flying insect.

He frantically jumped up from his chair whilst frantically batting at a fly, exclaiming: “Ohhh f***ing hell, that’s massive.”

He swiftly bounced back from the blunder, remembering he was on live television.

“I’m sorry I swore,” he said apologetically, before adding: “That was absolutely petrifying.”

The Masked Singer Christmas Special airs Boxing Day at 7.30pm on ITV1 and ITVX.

WOKE BBC bosses could thwart a fresh bid to finally get Fairytale of New York to the Christmas number one spot – 38 years after it was released.

The corporation’s radio stations refusing to play a newly released ‘live’ version of The Pogues’ Fairytale of New York because it contains the “cheap, lousy f****t” lyric.

The track by the Irish rockers, originally released in 1987, is one of several vintage festive tracks that only reached number two in the charts, despite becoming classic anthems

Another example is White Christmas by Wham! which was kept off the number one spot by Band Aid’s Do They Know It’s Christmas in 1984.

But fans finally got that to the top spot in 2023.

Fairytale has long been surrounded by controversy because it contains a perceived homophobic slur which has either been removed in some versions or not played at all.

CASH IN

Astonishing amount The Pogues make every year from Fairytale of New York

ALL TOGETHER NOW

Watch legendary band The Pogues reform a year after Shane MacGowan’s death

A music industry insider said: “It feels unfair that this live version which shouldn’t be edited has now been barred from the Beeb’s playlist.

“It’s an authentic performance of a much loved track by a much loved band and this move might be the measure that prevents it from getting to number one at Christmas, which is where it has always deserved to be.”

The original single was only kept from the top spot by Pet shop Boys classic Always On My Mind, which was a high-energy cover version of the Elvis Presley ballad.

Despite always making it into the top ten every Christmas, and featuring in the 2019 festive special of Gavin & Stacey, it’s never made it to number one.

The BBC were approached for comment.

Joe Ely, a singer-songwriter and foundational figure in Texas’ progressive country-rock scene, has died. He was 78.

According to a statement from his representatives, Ely died Dec. 15 at home in New Mexico, from complications of Lewy Body Dementia, Parkinson’s disease and pneumonia.

Ely had an expansive vision for country and rock, heard on singles like “All My Love,” “Honky Tonk Masquerade,” “Hard Livin’,” “Dallas” and “Fingernails.” Born in 1947 in Amarillo, Texas, Ely was raised in Lubbock before moving to Austin and kicking off a new era of country music in the region, one that reflected both punk and the heartland rock of the era back into the roughhousing country scenes they came from.

After founding the influential band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock (which dissolved soon after recording its 1972 debut), he began a solo career in 1977. He released several acclaimed albums, including 1978’s ambitiously rambling “Honky Tonk Masquerade,” before finding his popular peak on 1980’s harder-rocking “Live Shots” and 1981’s “Musta Notta Gotta Lotta.”

Ely, beloved for barroom poetry that punctured country music’s mythmaking, was a ready collaborator across genres. He befriended the Clash on a tour of London and sat in on the band’s sessions recording their epochal “London Calling” LP. He later toured extensively with the group, singing backup on “Should I Stay or Should I Go,” and earning a lyrical tribute on “If Music Could Talk” — ”Well there ain’t no better blend than Joe Ely and his Texas men.”

Ely was a favorite opener for veteran rock acts looking to imbue sets with Texas country swagger. He performed with the Rolling Stones, Stevie Nicks, Tom Petty & the Heartbreakers and Bruce Springsteen, who later sang with him on “Odds of the Blues” in 2024. Springsteen once said of Ely: “Thank God he wasn’t born in New Jersey. I would have had a lot more of my work cut out for me.”

In the ‘90, Ely joined a supergroup, the Buzzin Cousins, with John Mellencamp, Dwight Yoakam, John Prine and James McMurtry, to record for Mellencamp’s film “Falling From Grace.” Robert Redford later asked Ely to compose material for his film “The Horse Whisperer,” which led to collaborations with his old Flatlanders bandmates and a reunion in the 2000s. He also acted in in the musical “Chippy: Diaries of a West Texas Hooker” at Lincoln Center in New York City and joined the Tex-Mex collective Los Super Seven — he shared in the band’s Grammy for Mexican-American/Tejano Music Performance in 1999, his only such award.

Ely was inducted into the Austin City Limits Hall of Fame in 2022 and released his last album, “Love and Freedom,” in February.

Death in Paradise star Don Gilet has opened up on returning to the BBC drama for the Christmas special

Death in Paradise star Don Gilet has expressed his delight at reprising his role, admitting “It was great to come back”.

The actor, 58, joined the BBC drama as DI Mervin Wilson last year, following in the footsteps of previous stars such as Ben Miller and Ralf Little.

Now, he’s eagerly awaiting the 2025 Christmas special and shared his feelings about returning to the role, confessing it was “slightly daunting”.

“It felt good. Slightly daunting, but in a positive sense because you want to do the same again, if not better,” he revealed in a BBC interview ahead of his return. “I jokingly describe it as the second album, the first album went really well, but you can’t rest on your laurels and be complacent, there’s still more audience out there to win over.”

He continued: “So, I went out to Guadeloupe with a renewed appetite. It was great to come back and reconnect with the characters and the actors,” reports the Express.

Discussing what fans can expect from the festive special, Don promised “plenty of humour, but even more heart”.

He elaborated: “It pushes and pulls emotionally and comedically in equal measure. Mervin faces far more antagonism, and things are a lot more challenging for him, especially now he knows there’s a half-brother out there to find.

“But you can still get cosy, sip your Baileys and enjoy another great Death in Paradise Christmas special,” he added.

The forthcoming special presents one of the team’s most perplexing cases yet, as a victim is found dead in a swimming pool on Saint Marie, whilst the murder weapon was locked away in a drawer back in England at the time of the killing, leaving detectives completely stumped.

This comes as Don recently spoke candidly about the “pressure” of filling the boots of previous stars as the latest detective on the show.

During his stint on BBC The One Show on Monday (December 16) evening, he confessed to Alex and co-host Roman Kemp: “I feel the pressure doing this. I’ve said this before, it feels like the second album, you know the first one went well, I was the replacement like a replacement Doctor Who and people have their favourites prior to that.

“So there’s always this sense of ‘well is he going to be as good as…’ are people going to switch off, but luckily no one has switched off yet but you’ve got to come back and do it again and better so I’m not resting on my laurels.

“I do feel a bit pressure but it’s an enjoyable pressure. I love coming back and doing more of the same but with something a bit extra.”

Death In Paradise Christmas special airs on BBC One on Sunday, December 28 at 8.30pm.

KATHERINE Ryan has revealed that she has had “serious cosmetic surgery” just eight weeks after giving birth to her fourth child.

The comedian and her husband Bobby Kootstra welcomed daughter Holland in October.

And Katherine, 42, says that the little one came along to the surgery, which took place in York – hours away from their London home.

Talking on her podcast, Telling Everybody Everything, Katherine said she is in “no pain” following the procedure.

Katherine explained: “I went to York, it was three and a half hours, I elected to take the baby with me because she just turned eight weeks that day and I’m still breastfeeding her, obviously, I will be for a long time.

“You can’t breastfeed immediately after surgery but I could obviously spend the night with her before and breastfeed her then.

TEARFUL STAR

Emotional Olivia Attwood breaks down in tears as she moves out of marital home

NAME ROW

Simon Cowell’s December 10 facing new legal battle from Brit rock band

“I was thinking to myself, after I got this surgery – which, wait until you see it, is pretty serious surgery – I was like, ‘Katherine Ryan what is your damage? What the f*** are you doing? Why have you brought a baby to surgery.’

“But then i thought, up and down this country, worldwide, everyday, we are giving women C-sections and then saying, ‘Sweet, go keep these twins alive’.”

Katherine clarified that a C section is “much more serious” than the procedure she had.

She joked: “So, what’s an elective cosmetic procedure with a newborn?”

Continuing that she is in “no pain”, Katherine said that while she’d like to share what procedure she has had done, it’s under wraps.

The comedian was joined by a filming crew who captured the whole thing for an upcoming docuseries.

She says there is more information coming soon on the show.

Katherine’s husband, Bobby, revealed in October that the comedian welcomed their newborn in just 45 minutes.

She appeared to have a speedy bounce back, as Bobby even shared a snap of the star enjoying a flute of prosecco in hospital following he birth,

Alongside baby Holland, Katherine and bobby share children Fenna, two, and three-year-old Fred.

The comedian is also a mum to 15-year-old Violet, who she has from a previous relationship.

Netflix and iHeartMedia announced Tuesday they have an exclusive video partnership deal to bring more than 15 original podcasts, including “The Breakfast Club,” true crime podcast “My Favorite Murder” and Chelsea Handler’s “Dear Chelsea” to the subscription streaming service.

The multi-year deal, which launches in early 2026, includes new episodes from the podcasts and some library episodes. The video podcasts will first roll out on Netflix in the U.S. and later to other markets. Netflix declined to disclose the financial terms of the deal.

The announcement comes as Netflix is adding more video podcasts to its lineup to diversify the content on its streaming service and better compete with YouTube. Several of the iHeart podcasts involved in the deal, including “My Favorite Murder,” have posted videos of their podcasts on Google’s video platform prior to the deal’s announcement.

“With this partnership we are incredibly excited to offer our members such unmatched variety, and to deliver highly entertaining podcasts featuring some of the world’s most dynamic personalities,” said Lauren Smith, Netflix’s vice president of content licensing and programming strategy in a statement.

In October, Netflix announced next year it would stream 16 Spotify video podcasts, including sports audio programs like “The Bill Simmons Podcast” and “The Ringer Fantasy Football Show.”

Video podcasts have become more popular among audio listeners. Roughly 70% of podcast listeners prefer their shows with video, according to a Cumulus Media study. Some of the programs also have huge followings — for example, “My Favorite Murder,” with hosts Karen Kilgariff and Georgia Hardstark, has generated about 2 billion lifetime downloads according to iHeart and Netflix in a press release.

Other video podcasts coming to Netflix include comedy podcast “This is Important,” mental health podcast “The Psychology of your 20s” and history podcast “Behind the Bastards.”

iHeart will keep its audio-only rights and distribution as part of the deal, with its podcasts continuing to be on iHeartRadio and “everywhere podcasts are heard,” the companies said. iHeart did not immediately return a request for comment on the financial terms of the Netflix deal.

“Netflix has a leading video-first service, and this partnership perfectly complements our strong audio foundation,” Bob Pittman, iHeartMedia CEO in a statement. “Working with Netflix—an important leader in entertainment— gives fans one more way to connect with the personalities they love and opens the door to new audiences, including viewers discovering these shows for the first time.”

Gogglebox’s Helena Worthington has been a fan favourite since joining the Channel 4 show eight years ago and now her family is expanding

Everything you need to know about pregnant Gogglebox star Helena Worthington

• Helena Worthington joined Channel 4 show Gogglebox back in 2017 for series 10 with the rest of the Worthington family: her mum Alison and Alison’s partner George. And it didn’t take them long to become firm favourites with fans. Over the years, the family – who live in Manchester – have had fans in stitches thanks to their hilarious one-liners and comical takes on the telly highlights.
• Away from the programme, Helena is in a relationship with partner Dan. She is also a proud mum to six-year-old son Erwin. Recently, Helena confirmed she was pregnant as she reflected on welcoming another child into the family. Taking to her Instagram, Helena shared several snaps from a recent day out.
• In the caption she penned: “Pregnant. Tired. Raging indigestion. Still crouching down to explain why we don’t dig up all the bullbs. 33 weeks pregnant at RHS Bridgwater with my first baby, while waiting for my next one. We took Erwin here often when he was a new bean. These in-between moments feel really precious lately — messy, slow, and very real. I’m excited but I feel weird that Erwin will seem so big all of a sudden.”
• While the Worthington family films their segments for Gogglebox at Alison and George’s abode, Helena has made a cosy nest of her own in Salford with Dan and Erwin. Her Instagram is a gallery of domestic bliss, featuring everything from handmade crochet blankets to walls adorned with artwork, all set against a palette of vibrant colours.
• When she’s not on Gogglebox, Helena is an accomplished artist and focuses on sculpting and painting. Her artwork has been displayed in prestigious venues such as The Whitworth Art Gallery and The Manchester Open at Home, and her paintings have found homes in various private collections. In a candid chat with ilovemanchester.com, Helena opened up about her personal life. Reflecting on what sparked her artistic journey, she shared: “When I was very little I used to draw on the walls and in my mum’s cook books and then blame it on my brother… so I guess that was the start of things.”

READ THE FULL STORY: Gogglebox star confirms she’s pregnant as fans rush to congratulate

CHARLOTTE Dawson has revealed that she is “stepping away” from her podcast, Naughty Corner.

It comes after a rocky few weeks for the TV personality, 33, following a split from her fiancé Matt Sarsfield and a subsequent reunion just days later.

Charlotte began her podcast in 2024 and often shares details from her family life on it.

Taking to Instagram, Charlotte shared a statement which read: “After an incredible year and more than a million downloads, we’ve decided it’s time to pause the podcast for now.

“With life being especially busy at the moment (kids, chaos and everything in between) this feels like the right moment to take a breather.”

She continued: “Naughty corner has been a place where I’ve shared my life and parenting journey, and it’s also been a place where your stories, whether beautiful, bonkers or everything in between, have lifted me up.

TEARFUL STAR

Emotional Olivia Attwood breaks down in tears as she moves out of marital home

PRICEY’S PALS

Katie Price unsteady on her feet at event as she’s helped by celebrity pals

“A huge thanks to my partner in crime Janine for being by my side every step of the way and to all the fab guests that have joined me this year!”

The statement ended: “Thank you for being here and for supporting the pod my darlings. CD x”

Earlier this month, The Sun revealed that Charlotte and her partner Matt had split after a blazing row on a night out, but reunited days later.

A friend of Charlotte told The Sun: “Charlotte is extremely apprehensive about marrying Matt.

“They’ve been engaged for five years but their relationship has been far from smooth sailing. Their latest explosive argument has planted further doubts in Charlotte’s mind.

“When they’re good, they’re good – but problems often arise when either one or both of them are out.

“They have blazing rows that, in the moment, make it seem impossible that they’ll make it down the aisle, but then they’ll kiss and make up.”

It’s the second time they’ve ended their nine-year relationship, having previously split in August last year after Charlotte found messages to other women on Matt’s phone.

The couple share three children; Noah, Jude and Gigi.

The Sun previously revealed how Charlotte’s family and friends have begged her to bin the shamed rugby star in the past.

Even the most accomplished actors sometimes feel out of their depth on a movie.

Gwyneth Paltrow, who returns to the big screen this fall as an Old Hollywood star trying to make a new start in “Marty Supreme,” was “way out over her skis” in her early 20s when she played a Park Avenue wife opposite older co-star Michael Douglas in “A Perfect Murder.” Jennifer Lopez, who showcases her triple-threat skill set in the musical “Kiss of the Spider Woman,” felt a “huge” responsibility to get it right when portraying Tejana icon Selena Quintanilla in the 1997 biopic about the late singer. And Emily Blunt, who goes toe-to-toe with Dwayne Johnson in the mixed martial arts saga “The Smashing Machine,” had to avoid being typecast as the go-to “acerbic British bitch” after the success of 2006’s “The Devil Wears Prada.”

These and many more tales from inside the maelstrom of megawatt stardom were the subject of The Envelope’s 2025 Oscar Actresses Roundtable, where Paltrow, Lopez and Blunt were joined by Sydney Sweeney, who transformed physically and emotionally to play boxing legend Christy Martin in “Christy”; Tessa Thompson, who tries to keep up appearances as the title character in “Hedda,” Nia DaCosta’s acclaimed new adaptation of “Hedda Gabler”; and Elle Fanning, who plays an American star struggling to find her way into a Norwegian art film in “Sentimental Value.”

In conversation with Times critic Lorraine Ali, the six performers discussed how they deal with bad press, resist being put in career boxes and inhabited some of the most-talked-about film roles of the year.

Jennifer, you play the title role in “Kiss of the Spider Woman,” a story set in Argentina during a military dictatorship. It takes place in a political prison where the men imagine themselves in a glamorous, sweeping musical. As producer on the film, why was it important for you to tell this story now?

Lopez: It’s never been more relevant, which is really scary. Manuel Puig wrote the novel in the 1970s about these two prisoners during the uprising in Argentina. It really is a love story about seeing the humanity in another person, like two very different people with different political views. One is queer, and the other is a political revolutionary. The two of them were like oil and water. But they escaped into the [fantasy of] a movie, which is “Kiss of the Spider Woman.” They slowly come together and see each other’s souls instead of who they were on the outside. I think with everything that’s happening in the world right now, especially in this country, with Latinos and queer communities being targeted, demonized — there’s never been a more important time to say, “Look at me on the inside. Stop with all of this divisiveness. See people for who they are.”

Gwyneth, “Marty Supreme” is set in the 1950s. You play Kay Stone, a faded starlet. Who did you base her on?

Paltrow: She’s an amalgam of a few ideas, but principally Grace Kelly, who also had this amazing movie career and was this incredible star, and then walked away from it for marriage. My character does the same. When I was looking at photographs [of Kelly during] her films, and then photographs after she got married, it was like the light dimmed. She lost something. My character had a very rough road to get to stardom, so she walks away from this big career to marry an unsuitable but very wealthy man. And then her son dies, so she has a lot of tragedy.

Sydney, “Christy” is the story of Christy Martin, a pioneer in popularizing women’s boxing in the 1980s and 1990s. You really transformed for the role. Can you talk about that transformation?

Sweeney: Her story is probably one of the most important stories I’ll ever get to tell, so I felt that immense importance. I needed to fully transform myself. I trained every day for three months leading up to shooting. I put on 35 pounds. And I got to spend time with her, and now she’s like one of my best friends. I just kinda lived and breathed Christy for the entirety of the whole thing.

There’s so much violence in her world, particularly outside the ring. Was the real-life Christy there when you shot the domestic abuse scenes between her and her husband, Jim Martin (played by Ben Foster)?

Sweeney: To protect her, we didn’t have her on set when we were shooting the last part of the movie where the domestic violence came into play. The following Monday, we had her come to set, and the entire crew stood up and just started applauding. It was so beautiful. Then after that, she was on set all the time. We would be in the ring, and she’d be sitting [outside the ring], and I’d hear her say, “Hit her with the left hook, Sydney!”

Lopez: She was coaching from the sidelines?

Sweeney: Oh, yeah. We were having a blast. And in the fights, we actually fought. My No. 1 thing with all the girls was that I don’t want this to be fake because so much of Christy comes to life in the ring. I didn’t want to have [the camera] at the back of my head or have to cut to fake the punches. Every single one of those girls, they’re badasses. They punched me, and I punched them. We had bloody, broken noses. I had a concussion.

Blunt: Sydney broke someone’s nose.

Sweeney: I got a concussion. I’m not going to confirm [what else happened]. But I definitely caused some, uh, bruises and blood.

Emily, with “The Smashing Machine,” you play Dawn Staples, girlfriend to Mark Kerr, who was a pioneer in the field of MMA fighting. How much did you know about that world before taking on the role?

Blunt: I knew very little, and I was moved that Mark Kerr was my first window into [MMA] because he is such a juxtaposition to the violence of the world. This is a man who headbutted people to oblivion, and when you meet him, he’s like [subdued tone], “Hi, how are you?” He’s so nice. And I said to Mark one day, “How did you do that?” And he goes, “I know, it was nasty.” He’s just so sweet and dear and eloquent. But I think he was sort of filled with this uncontrollable rage that he hardly knew what to do with, and he struggled so much with his own demons. The movie is more about struggle and fragility than it is about fighting.

Tessa, “Hedda” is an adaptation of Henrik Ibsen’s play “Hedda Gabler” and you play the title role. Your castmate, Nina Hoss, said the role of Hedda Gabler is for women actors what Hamlet is for men. Do you agree?

Thompson: I like to say that Hamlet is the male Hedda, just because I think it’s a nice reversal. But people say that because the truth is that we don’t have that many [roles] that are canonical in the same way that Hedda Gabler is, so it feels like this behemoth. It’s one of the parts in theater that feels like a mountain to climb. There’s a kind of complexity to the character that has compelled audiences and actors for centuries … which is the case with both [Hedda and Hamlet]. But I think the comparison is kind of boring, frankly. I remember an actor saying to me, “Oh, I learned in drama school you have to have your Hedda ready.” And I did not have my Hedda ready, but I got it ready.

The wardrobe and sets in “Spider Woman,” “Hedda” and “Marty Supreme” are beautiful. Did you swipe mementos when the films wrapped?

Paltrow: No, you can’t.

Lopez: I mean, you can.

Paltrow: I tried the Birkin bag from “The Royal Tenenbaums” [but I could not], so I took the loafers instead.

Blunt: Not the same. Not quite.

Thompson: [To Gwyneth]: I was almost you [in “Tenenbaums”] for Halloween, but I couldn’t get it together in time and I wanted do you justice. But one day …

Paltrow: Next year. I’ll lend you the loafers.

Elle, in “Sentimental Value,” you play a Hollywood star who’s cast in an art–house European production. In reality, you were shooting the massive production “Predator: Badlands” when you joined “Sentimental Value,” a smaller European film. Were the parallels with your character, Rachel, apparent at the time?

Fanning: I got a call that “Joachim Trier has a part for you and would like to talk over Zoom, and here’s the script.” I was like, “Oh, my gosh, Joachim Trier [who made] ‘The Worst Person in the World.’” I would’ve said yes to one line. But I was already doing “Predator.” I was about to go off to New Zealand, but it’s very important for Joachim to rehearse, so he [wanted me] to come to Oslo. I wasn’t sure which movie I could do, and I wanted to do both. So, of course, there were parts to the character that I could relate to. I kept thinking, “There’s a lot of meta-ness going on in this film,” particularly for my character, being the Hollywood actress coming to Oslo for the first time, working with a Norwegian director. And coming off of this action-packed film to go to this very intimate, emotional foreign film, they fed into each other in ways that I didn’t expect them to.

How do you all deal with rough reviews?

Paltrow: I try to never read anything about myself, full stop, ever. Period.

Lopez: Wait, not anything about yourself? Ever? Period? Because I don’t read reviews of my films either, but people will bring it to you it when it’s good and you’re like, “Oh, nice.” But there’s other things they’ll bring you …

Paltrow: Sometimes I’ll come upon it.

Lopez: And you want to die.

Paltrow: Want to die. Like when someone forwards you a link to something really horrible about yourself, and they’re like, “Oh, this is bull—.” I do try to avoid [that kind of stuff]. I deleted Instagram.

Blunt: Me too.

Lopez: You need to cleanse every once in a while.

Sweeney: Sounds nice. I can’t do that.

How do you push the negative stuff about you or your personal life aside and focus on your work?

Sweeney: It helps when you love what you do. Like, if you’re loving the characters that you get to play, you’re loving the people you get to work with, and you’re proud of what you’re doing, then it’s just outside noise. When we walk on set, the world kind of disappears and we get come to life in a different kind of way. Those are the moments and the relationships that matter. Everything else is just people we don’t know.

Paltrow: [To Lopez] I want to hear your answer to this question.

Lopez: From the very beginning, for whatever reason, I’ve been a lightning rod for nice things and a lot of negativity. And it’s hard because you say to yourself, “These people don’t get me. They don’t see me. They don’t understand me.” Then all of a sudden they do. And then they don’t again. Even from when I was very young, I would always say, “I know who I am. I’m a good person. I know what I’m doing. People wouldn’t hire me if I wasn’t good at what I do.” I was always affirming myself and keeping my feet on the ground. Luckily, I had a great mom and dad who really instilled in me a sense of self. And what Sydney was saying, I’d have to block out the noise so I can put my head on the pillow at night and go, “I did good today. I was a good person. I was kind to people. I worked really hard. I’m a good mom.” That has always helped me through.

Thompson: Not having your sense of self or identity entangled in this other self that belongs to the public seems like such a healthy thing. I’m still trying to figure out my balance with that. When I was acting in some projects, I felt like I was delivering a lump of clay that got sculpted by somebody else. So if someone was harsh on the final [product], I was like, “Well, I didn’t sculpt it. I’m just the material.” But now that I produce, it’s a completely different thing. It’s building it from the ground up and feeling so much responsibility to the people that you’ve made it with. You made a baby and sent it into the world, and you just hope it doesn’t get misunderstood.

Gwyneth, you’re stepping back into the film world with “Marty Supreme” after seven years doing other things, such as Goop. Were you nervous coming back into the fold?

Paltrow: I [had been] doing things like “Iron Man” and “The Avengers,” which are totally fun, but it’s like doing a TV show where you go back in and you know the character. It’s not that difficult. So it had been a really long time, and I was like, “How did I used to do this? How are you, like, natural?” And then I did the camera test and I was really nervous. I felt like a fish out of water. And then luckily the first scene that I shot for real was a scene in the movie where she’s rehearsing a play. And I started in the theater, and I did a million plays before I ever did a film. The camera was far away, and I had my mom’s voice in my head. She’s like, “You’re on the boards, you know, just let the energy come through your body.”

Can wardrobe and styling help you embody the emotional core of a role?

Blunt: Dawn’s got a vibe for sure. It was that very overt ’90s, overglamorized thing, and everything was so revealing. I feel like my t— looked like two heads by the time they were done with the Wonderbra. They were just up under my chin. That helps you stand different, walk different. And the nails helped me. She had this incredibly long, square, chunky French tip manicure, and she’d talk with her hands. And the spray tan and the wig. It’s all fabulous. It’s such an amazing thing to look at yourself and go, “Who’s that?”

Thompson: [In “Hedda”], the construction of those dresses in the ’50s, there’s so much boning. We had Lindsay Pugh, who’s a brilliant costume designer. I also started looking up the starlets of the time and what their waist sizes were. It was like 20 or 21 inches. They were extreme. In the beginning, when we were constructing the dress, I was like, “I’m going to try to get down to that Dior-like silhouette,” which is impossible. Then we [fell in] love with the idea that the dress doesn’t actually fit her, because she’s inside of a life that doesn’t fit her. But the sheer sort of circumference of the dress makes her a woman who comes into a room and takes up space. A big part of [a woman’s] currency was their beauty and their body. That felt very foreign to me to inhabit. I didn’t recognize or had maybe suppressed the idea of using that part of me to gain power in the world.

The 2025 Envelope Oscar Actresses Roundtable: Top row, left to right, Tessa Thompson, Gwyneth Paltrow and Elle Fanning. Bottom row, left to right, Sydney Sweeney, Jennifer Lopez and Emily Blunt.

Hollywood likes to put people in boxes, particularly women. What boxes has it tried to stuff you in?

Fanning: I was in “Maleficent” and I played Sleeping Beauty, so like Disney princess in pink. Blond.

Blunt: But look at that face. Come on!

Fanning: But I can be mean too! In “The Great,” [I played] Catherine the Great, she was a queen, but she was raunchy. It was such a delicious show in that way. People were like, “Whoa.” They were surprised [seeing me like] that.

Blunt: If there’s a movie that takes off, you will have to carve out space away from that. I remember after “The Devil Wears Prada,” I got offered every acerbic British bitch. I’m like, “I should not do that for a while.”

Paltrow: When I stepped back to be an entrepreneur around 2008, I really confused and upset people. Nobody understood what I was doing, and I faced a lot of criticism and confusion over the course of the 17 years since I sent out my first Goop newsletter. I really do think that women, we are so incredibly multifaceted. We are all the archetypes. We’re not just a mother, or an artist, or an intellectual. We’re all the things. So I’ve always kind of tried to make it my mission to say, like, “No, don’t put us in boxes. We get to define who we are.”

Blunt: Was it hard for you to keep going and ignore it?

Paltrow: It was really hard. Some days I was like, “Why did I do this? The headwinds are so extreme and I’m so misunderstood. I had a perfectly good job. People did my hair. Why on earth did I do this to myself?”

Thompson: And you also did it before there was a cultural appreciation for people doing multihyphenates and starting businesses.

Lopez: I think our generation started thinking, like, “We need and want to do other things.” Even when I started acting and I had done my early films, “Out of Sight” and “Selena,” and then decided I wanted to record music, and it was such a big deal. People were like, “They’re never going take you seriously as an actor ever again.”

Paltrow: And you had the No. 1 movie and the No. 1 album in the same time, right?

Lopez: It was in the Guinness Book of Records. But that’s the thing, everybody’s always trying to tell you: “You can only do this,” or “You can only do that.” I had my perfume line. I had my clothing lines. I have my J Lo beauty now. You have to just do what feels good for you. It doesn’t mean it’s for everybody. Somebody wants to just act their whole life, that’s beautiful too. That’s fantastic. I still want to direct. I still want to write more books. And I don’t ever feel like there’s somebody who can say to me, “No, you can’t.”

Blunt: Say that to Sydney and she’ll break their nose.

SIMON Cowell could be locked in another copyright row after it emerged a group of British rockers also share the same name as his newly formed group.

Tattooed Scottish band December Tenth told the music mogul to get his lawyers to call them over the name dispute.

This week Netflix announced his new show Next Act will feature his latest band – December 10.

The seven-piece group – which conissits of Nicolas Alves, 16, Cruz Lee-Ojo, 19, Hendrik Christoffersen, 19, John Fadare, 17, Josh Olliver, 17, Danny Bretherton, 16, and Seán Hayden, 19 – released their new music earlier this week.

But they have an unexpected rivalry in the form of the Glasgow-based metallers, who are named after the date their pen pal was executed on death row.

They have challenged Simon after he and Netflix announced the new boy band with a very similar name to their group.

READ MORE ON SIMON COWELL

SI’S NEXTFLIX

Simon Cowell’s new band December 10 set for new doc about first crack at fame

POP SENSATION

Watch Simon Cowell’s new boyband December 10’s debut video Bye Bye Bye

In a post on social media the lead singer of the band said: “It came to light over the last few days that Simon Cowell, Netflix and Universal Music, are involved in a new boy band that share, to some extent, our name December Tenth.

“Now if anyone in Simon’s team, Universal or Netflix, would like to get in touch with ourselves and our legal team they can do so.

“I would like to point out, the hundreds of new followers we have over the last few days are most welcome, but I’m not entirely sure they are all genuine.”

The band, who formed in 2020, have also been swamped with messages with confused boy band fans who mistakenly followed them online.

He added: “Our social media accounts have blew up and we had no idea why. It turns out that Simon Cowell has released a new Netflix show, called “December 10”.

“We are now being inundated with well wishes from fans of the show thinking we are that band.”

It’s not the first time Simon has faced issues over a pop group’s name.

In 2011 X Factor was forced to change their girl band Rhythmix to Little Mix after a disabled children’s charity in Brighton with the same name threatened them with legal action.

I think about Rob Reiner almost every time I put on my socks.

I am old enough to remember the famously hilarious (and largely improvised) bit from “All in the Family” in which Reiner’s Mike “Meathead” Stivic and Carroll O’Connor’s Archie Bunker argue about the correct order of donning footwear — both socks first (Archie’s method) or sock/shoe, sock/shoe (Mike’s).

The straight-faced back and forth was, and is, a pitch-perfect exhibition of how much time and energy we waste judging, and arguing about, personal differences that are none of anyone’s business and matter not at all.

I also think about Reiner whenever my now-adult children and I sit down for a movie night. When all other suggestions fail, at least one of his films — ”Stand by Me,” “The Princess Bride,” “A Few Good Men,” “When Harry Met Sally…,” “Misery” — will achieve consensus, in large part, because of that same understanding.

Reiner was, above all, a compassionate filmmaker, willing to excavate all manner of conflict and tension in search of the essential humanity that connects us all.

Reiner helped shape the culture of my youth and early adulthood with such brilliant empathy that his random appearances on television — as Jess’ (Zooey Deschanel) father in “New Girl” or, more recently, Ebra’s (Edwin Lee Gibson) business mentor on “The Bear” — sparked immediate reflexive delight, as if a beloved uncle had shown up unexpectedly at a family dinner.

It helped, no doubt, that I share his political leanings. Reiner’s advocacy for gay marriage and early education were well-known, as was, in recent years, his unvarnished criticism of President Trump, who Reiner, like many others, considered a danger to democracy.

That criticism should have prepared me for the chilling invective unleashed by some, including Trump, in the wake of the news that Reiner and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, victims of a knife attack, and that their son Nick, who has a history of drug addiction, was in police custody.

Even as the millions who were touched by Reiner’s work struggled to process their shock, grief and horror, Trump responded with a post in which he claimed that the Reiners’ murders were “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS.”

Horror unfolds around the world on a daily basis. This weekend, a father and son opened fire on a Hanukkah celebration in Australia, killing 15 and wounding many others; a gunman killed two and wounded nine at Brown University; and two members of the Iowa National Guard were killed and three others injured by gunmen in Syria.

Even so, between the shocking news of the Reiners’ deaths, the possible involvement of their son and the unhinged and cold-hearted response of the president of the United States, it is difficult to know how to react, short of tearing out one’s hair and screaming up to an indifferent sky.

No person’s life means intrinsically more than any other — many people are killed by violence each and every weekend, often by family members; that we seem to have become inured to mass shootings is another sort of horror.

But Reiner’s work, in film, television and politics, affected millions around the world personally and culturally. In “All in the Family,” his young leftie was far from the hero of the piece — Mike’s values were more humane and progressive than the bigoted Archie’s, but he could be just as narrow-minded as his father-in-law and just as capable of change.

As a director, Reiner championed independent filmmaking, which is to say smartly written movies that told interesting stories about characters that were recognizable in their humor and humanity (which is one reason he was so successful in adapting Stephen King’s work, including the novella “Stand by Me” is based on and “Misery”).

His political activism too was grounded in the desire to make life better for those historically marginalized by policy and culture. He campaigned against tobacco use and for Proposition 10, which increased the tax on cigarettes, and funded early education. In 2009, he used his considerable influence to co-found the American Foundation for Equal Rights and successfully fought to legally challenge Proposition 8, which banned same-sex marriage in California.

As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.

The news cycle surrounding the Reiners’ deaths is likely to get worse, as details emerge and reactions of all kinds continue. For a long while, it will be difficult to think of Reiner and his wife as anything but victims of a brutal crime of truly tragic proportions and the regrettable heartlessness that our political divisions have created.

Ironically, and mercifully, solace for this loss, and so many others, can be found in Reiner’s work, films and performances that are impossible to watch without feeling at least a little bit better.

As Hollywood and the world mourns, I will try to think of Reiner as I always have. After all, no matter the order, we all put on our shoes and socks one at a time.

And then, as his artistic legacy teaches us, we stand and try to do the best we can with whatever happens next.

As Donald Trump threatens legal action against the Beeb, the Mirror takes a look at the broadcaster’s most recent list of top earners, which includes some surprises

US President Donald Trump is suing the BBC to the tune of $5 billion, yesterday claiming, “they put words in my mouth”.

POTUS is here referring to an episode of Panorama which aired a week before the 2024 US election, which showed comments he made to supporters ahead of the deadly 2021 Capitol riots. The episode appears to show Trump telling crowds: “We’re going to walk down to the Capitol and I’ll be there with you, and we fight. We fight like hell.”

However, these words were created from different segments of the 79-year-old’s speech, delivered nearly one hour apart. The BBC has since issued an apology over the edit, admitting to an “error of judgment” while clarifying there was no legal basis for Trump’s claim. As the row continues, the Mirror takes a look at the Beeb’s list of top earners.

READ MORE: Donald Trump sues BBC $5 billion for Panorama speech edit: ‘They put words in my mouth’

Back in July, the BBC published the salaries of its highest-paid stars as part of its annual report, and a number of significant changes amongst the top earners. Former Match of the Day presenter Gary Lineker, who this year left the corporation was once again the top earner with a take home salary of £1.35million. This was followed by former Radio 2 breakfast host Zoe Ball, who took home £515,000 despite being replaced on the Breakfast Show by Scott Mills.

Match of the Day Host Alan Shearer emerged as the third highest paid BBC star of the year, increasing his salary from the year before after covering the Euros last year. The former Newcastle star boosted his paycheck to almost half a million pounds with his punditry at the tournament.

Radio host and political expert Nick Robinson also had a pay rise last year, while Radio 2 host Vernon Kay joined the top 10 for the first time. Perhaps surprisingly, BBC North America Editor Justin Webb also made the top 10, with a very impressive salary of £365,000.

The BBC’s top earners:

1. Gary Lineker £1,350,000-£1,354,999 (no change)
2. Zoe Ball £515,000-£519,999 (down from £950,000-£954,999)
3. Alan Shearer £440,000-445,000 (up from £380,000-£384,999)
4. Greg James £425,000-£429,999 (up from £415,000-£419,999)
5. Fiona Bruce £410,000-£414,999 (up from £405,000-£409,999) and Nick Robinson £410,000-£414,999 (Up from £345,000 and £349,000)
6. Stephen Nolan £405,000-£409,999 (up from £400,000-£404,999)
7. Laura Kuenssberg £395,000-£399,999 (up from £325,000-£329,999)
8. Vernon Kay £390,000 – £394,999 (joined Radio 2 in May 2023)
9. Justin Webb £365,000-£369,999 (up from £320,000-£324,999)
10. Naga Munchetty £355,000-£359,999 (up from £345,000-£349,999)
11. Scott Mills £355,000-£359,999 (up from £315,000 – £319,999)

Last year, Vernon Kay made the list for the very first time after joining BBC Radio 2. The Bolton born presenter replaced Ken Bruce and took home a whopping £320,000 from the corporation in his first year. Despite this staggering sum, his take-home pay was almost 20 per cent less than what Ken earned in the previous year in the slot.

Meanwhile, disgraced BBC News host Huw Edwards also remained on the list last year, coming in at third place with a wage of £475,000-£479,999 (up from £435,000-£439,999). Edwards, who had been off-air since July 2023, left the BBC after being named as the presenter at the centre of days of allegations and speculation regarding his private life.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , X , Facebook , YouTube and Threads .

READ MORE: M&S’ coffee and cake hampers are now under £5 in time for Christmas gifting

PETER Andre has shared a heartbreaking update on his mother’s health, admitting he worries this Christmas may be her last.

89-year-old Thea, who lives in Australia, was diagnosed with Parkinson’s and Alzheimer’s back in 2023.

Peter has spoken over the last year about his mother’s deteriorating health and the heartache that comes with it.

And in a new interview with OK! Magazine, he admitted: “Of course I worry this could be Mum’s last Christmas.

“She’s very delicate. Her Parkinson’s has progressed quite a bit. Her speech is almost gone. She’ll say a word or two. It’s heartbreaking, because she’s our world, our pillar of strength.”

Peter, who was raised in Australia, often goes back Down Under to visit Thea and his dad Savvas, 92.

anti-social

Peter Andre reveals strict parenting rule for his youngest kids amid ‘dangers’

for Pete’s sake

Princess Andre risks wrath of Katie Price as she heaps praise on dad Peter

His older sister, Debbie, also resides back home and helps to look after their parents.

Admitting that it’s tough to also see his dad’s health decline with age, the dad-of-five said: “Then I see Dad and he’s 92 and with her every single day. But he’s getting delicate now, too.

“His memory’s going, but I am so grateful that they made that milestone I prayed for – 70 years of marriage in September.”

“It’s a raw pain. I’m a grown man, but I still can’t accept in my heart that these things happen to the people I love the most,” he added.

In September last year, Peter shared a heartwarming clip of his parents to social media as they celebrated their 69th anniversary,

His dad, Savvas, could be seen in the clip bringing wife Thea a beautiful bouquet of flowers.

He wrote at the time: “You inspire me so much mum and dad. Love you so very much.

“My 91-year-old dad giving flowers to my beautiful mum.”

Last year, Peter’s eldest children, 20-year-old Junior and Princess, 18, took a solo trip to visit their grandparents last year.

The holiday fell just days after his wife Emily MacDonagh had given birth to their third child together, Arabella.

The couple also share kids Theo and Amelia, while Peter shares his eldest children with ex-Katie Price.

At the time, the singer shared how proud he was of Princess and Junior for taking the time to visit Emily in hospital after labour before then flying to Austrlia.

He said on Instagram: “Junior and princess. The fact that you drove to Somerset to be with us hours before and the days that followed to see the arrival of your baby sister,”

“AND THEN to get on a plane and travel 12,000 miles to be with your grandmother in a very difficult time for her shows me what beautiful children you are.”

Carl Carlton, the funk and R&B singer known for upbeat, era-embodying singles like “Everlasting Love” and “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” has died. He was 72.

Carlton’s son, Carlton Hudgens II, posted to social media confirming the death on Sunday. “RIP Dad, Legend Carl Carlton singer of She’s a Bad Mama Jama. Long hard fight in life and you will be missed.” The post did not cite a cause of death.

Born Carlton Hudgens in Detroit in 1953, he debuted as “Little Carl” Carlton, but changed his stage name and moved to Houston after he was signed to the local label Back Beat Records. He had a minor soul-scene hit in 1971 with “I Can Feel It,” and broke through nationally in 1974 when his regal cover of Robert Knight’s “Everlasting Love” hit No. 6 on Billboard’s Hot 100 and spent 15 weeks on that chart.

Carlton is perhaps best known for his 1981 single, “She’s a Bad Mama Jama (She’s Built, She’s Stacked),” a grooving and awestruck ode to the female form that hit No. 22 on the Hot 100 and helped his self-titled album that year reach gold status.

The song has enjoyed a long life in popular culture — it’s been sampled by rappers like Foxy Brown, BigXThaPlug and Flo Milli, and frequently appeared on soundtracks for TV shows and films like “Friends.”

He continued releasing records into the ‘80s, and appeared several times on “American Bandstand” and “Soul Train,“ though his output slowed in the ‘90s. In 2003, he performed for Barry Glazer’s TV special, “American Soundtrack: Rhythm, Love, and Soul,” which featured Aretha Franklin and other marquee R&B and soul acts. His last album was 2010’s gospel LP “God Is Good.”

Stranger Things fans have pinpointed a specific tragic moment in the season 5 volume 2 trailer.

Stranger Things fans are in a frenzy after Netflix released the official trailer for the second part of season five. The epic video shows Will Byers (played by Noah Schnapp) feeling deflated after the gang failed to save the children from Vecna (Jamie Campbell Bower).

The teaser also shows Max Mayfield (Sadie Sink) and Holly Wheeler (Nell Fisher) as they attempt to escape Vecna’s trap, while the rest of the gang discover something major about the Upside Down.

While many fans still believe Steve Harrington (Joe Keery) could be at risk in the final season, other viewers believe another major death has flown under the radar, until now. They took to YouTube to pinpoint a specific moment, just over half-way into the video, when one of the main characters is seen coming face to face with a Demogorgon.

Robin Buckley (Maya Hawke) is seen walking down a hospital corridor, flanked by two armed men, as a Demogorgon comes charging towards them. The camera then turns to face the Demogorgon as it lunges at its target. @Kaiiizerrrp said: “1:18 omg, did you see Robin behind the military? [crying emoji]” While @Obama_Plays added: “Omg Robin please runnn” and @Sham-d3y shared: “I am gonna cry so bad.”

More fans picked up on the hint, with @AviAuthorColorado adding: “I’M GONNA CRY BRO LIKE ACTUALLY,” and @Sham-d3y expressing: “FINALLY SOMEONE SAW IT. I AM 100% SURE THAT’S THE SAD DEATH WHICH THE DUFFERS WERE TALKING ABOUT, IT WAS ROBIN ALL ALONG.”

This could be the case as episode five is titled Shock Jock, which refers to a DJ on a radio show who expresses opinions in a deliberately offensive or provocative way. At the start of season five, viewers saw Robin hosting her own show for The Squawk, which serves as a decoy for them to relay information regarding military operations to the Upside Down and the rest of the gang.

This is not the first time fans have predicted Robin’s death, as they believe Netflix had teased her demise after the unveiling of some photos for the fifth and final outing. The official Netflix Instagram account posted multiple photos showing cast members staring at an unseen threat, but one person was left out.

Robin’s absence did not go unnoticed, with one fan writing: “UM HI I BEG YOUR FINEST PARDON WHERE IS MY GIRL ROBIN AT?” Another added: “Hahaha very funny, where the HELL is Robin.”

Robin’s role in season five was pivotal as she helped Will harness his powers by making him believe in himself and not fear his authenticity. She also helped validate Will’s feelings when it came to romance, as she opened up on her relationship with Vickie Dunne (Amybeth McNulty).

Fans took to Reddit to explain how they believed Robin’s emotional speech in volume one of the final season is “SO intensely ‘this character will die’ coded.” MedievZ said: “The Duffers most definitely are not killing off the main core cast. Steve is too obvious of a death.

“Robin is the perfect character to die and get the maximum emotional impact while fitting into the story nicely and being an unexpected gutpunch. We do not see much of Robin in the remaining trailer shots.”

Elsewhere in the season five, volume two trailer, Eleven (Millie Bobby Brown) was seen asking Kali (Linnea Berthelsen) to help her find and kill Venca, after the character’s epic return was unveiled in episode four. Dustin Henderson (Gaten Matarazzo) and Steve were also seen making a pact as they said: “You die, I die.”

Regardless of whether she meets her demise in the final season, Robin is set to live on through the latest Stranger Things novel – One Way or Another. The book, by TV writer and novelist Caitlin Schneiderhan, focuses on Nancy Wheeler (Natalia Dyer) and Robin as they solve an unexplained phenomenon.

The story is set following the events of Stranger Things season four – two months since Vecna’s earthquake tore through the town. Nancy and Robin are convinced they have discovered Vecna’s next victim – fellow student Joey Taft.

Stranger Things season 5 part 2 airs on Christmas Day in the US and Boxing Day in the UK

A HUGE Noughties boyband has sparked speculation of a 2026 tour after all ten members recently reunited.

The unexpected get-together has sent fans into a frenzy begging the question of whether a full-scale comeback could finally be on the cards.

Blazin’ Squad shot to fame in 2002 and are best known for their top three hits Crossroads, We Just Be Dreamin’ and Flip Reverse.

Blazin’ Squad was made up of James MacKenzie (Kenzie), Ollie Georgiou (Freek), Marcel Somerville (Rocky B), Chris McKeckney (Melo-D), Stuart Baker (Reepa), Lee Bailey (Krazy), Sam Foulkes (Spike-E), James Murray (Flava), Tom Beasley (Tommy-B), and Mustafa Omer (Strider) when they shot to fame.

The group officially split in 2005 and over the years the band members have gone in different directions.

Marcel Somerville enjoyed success on Love Island, having been on the show in 2017, before having another go in January on the All Stars spin-off.

READ MORE ON BLAZIN SQUAD

SQUAD GOALS

Blazin’ Squad reveal new side hustle after comeback stalled

FLIP REVERSE

Where Blazin’ Squad are now – unrecognisable transformation to tattoo disaster

All ten members have since reunited for the festive season, it being the first time since Marcel’s first stint on the ITV2 dating show.

Rapper James Kenzie, who’s had his own reality stint appearing on Celebrity Big Brother in 2005, took to Instagram to share brand new snaps of the band.

The photos show the group beaming ear to ear as they came together at the bar Flight Club in London.

James uploaded a series of pics of the band alongside a nostalgic throwback from the 2000’s, showing the group decked out head-to-toe in red.

He captioned the post: “The Original Squad,” adding a number one medal emoji.

Fans flooded the comments, gushing over the pics and speculating about whether this could hint at a future tour.

One user said: “Please tell me talks of a tour was in conversation? (side eye emoji).”

Another added: “Aged like a fine wine (heart eye emoji)”

“Blazin’ squad reunion incoming plz,” penned a third, whilst a fourth commented: “Need a new Blazin’ Squad Album.”

“So good to see Blazin’ Squad as a 10 piece again now that is the Blazin’ Squad I grew up with,” chimed another.

The group’s various attempts to get all members back together have been stalled.

Marcel Somerville, Stuart Baker, Sam Foulkes and Chris McKeckney reunited in 2006, but later split again.

Three years later a slim-lined Blazin’ Squad returned as a five-piece featuring Mustafa Omer, James Murray, James McKenzie, Lee Bailey and Marcel.

And now the band consists of Sam, Marcel, Chris and Ollie Georgiou.

But, what fans really want to see is all ten members come back together on stage again.

Previously speaking to The Sun about a potential reunion and tour, Marcel said: “Obviously there are ten of us, it makes it a little bit harder, because that’s more people we have to bring back to the camp.

“Do you know what? I feel like if we could get all ten of us back together, I reckon we could definitely do the O2.

“Back in the day, before we split, we’d played Wembley, and had two nights in Manchester, two nights in Newcastle, and two nights in Birmingham.

“We were playing all the arenas, so it’s like, if we could get everyone back.

“Last year was the 22nd anniversary, so I think the 25th anniversary is probably the sweet spot. So maybe in three years’ time, 25th anniversary, I might start a whole campaign for it now, to bring the Squad back together.”

Months before his slaying, Rob Reiner talked about the power of forgiveness after the “horrific” assassination of conservative influencer Charlie Kirk.

“Horror. An absolute horror,” the director, actor and political activist said when asked about the shooting in a TV interview with Piers Morgan. “I unfortunately saw the video of it and it’s beyond belief what happened to him, and that should never happen to anybody. I don’t care what your political beliefs are. That’s not acceptable.”

Contrast that with President Trump’s reaction to the killing of Reiner and his wife, Michele Singer Reiner, who on Sunday were found stabbed to death in their Brentwood home. Their son, Nick Reiner, has been arrested in connection with the slayings.

“Rob Reiner, a tortured and struggling, but once very talented movie director and comedy star, has passed away, together with his wife, Michele, reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS,” Trump said in a social media post.

“He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

How is that anyone’s initial reaction to a tragic slaying, let alone an official comment from a sitting U.S. president? That’s a rhetorical question, of course. It’s just another Monday at Trump’s White House.

I’d be screaming into the void if I were to use the rest of this column to argue that the president is not only off his rocker but also has tumbled down the stairs and is in the foyer, mumbling something about speedboats, piggies and ballrooms. In his race to the bottom, he’s broken through the floor. Now we’re in the Trump Upside Down, where empathy and decency are negative attributes.

Even Republican lawmakers were compelled to speak out against their feared leader. “This is a family tragedy, not about politics or political enemies,” said Georgia Rep. Marjorie Taylor Greene in response to Trump’s post.

Rep. Mike Lawler (R-N.Y.) wrote on X, “Regardless of one’s political views, no one should be subjected to violence, let alone at the hands of their own son. It’s a horrible tragedy that should engender sympathy and compassion from everyone in our country, period.”

Don Bacon (R-Neb.) said it short and sweet to CNN’s Jake Tapper: “I’d expect to hear something like this from a drunk guy at a bar, not the President of the United States. Can the President be presidential?”

No, he cannot. When given the chance on Monday to appear leader-like during a White House news conference, Trump doubled down on his dislike for Reiner, saying he “wasn’t a fan” and that the director “was a deranged person.”

Translation: Reiner was a Trump critic and the president has skin so thin it’s practically rice paper at this point. But the filmmaker’s social conscience was evident in everything he did, starting with his role as “All in the Family’s” liberal, hippie son-in law to conservative crank Archie Bunker. It was the 1970s, and Meathead (a.k.a. Michael) consistently called out Archie’s racism, bigotry and sexism on the weekly sitcom. Archie’s rants are now the ugly stuff embraced by feckless politicians and attention-seeking influencers, but back then, his tirades against “queers” and “coloreds” represented old prejudices that needed to be shed if the country were to move forward. Show creator Norman Lear made the ugliness funny by using Meathead to expose Archie’s ignorance. Even back then, Reiner was poking the bear.

Reiner was a staunch critic of Trump and other leaders and movements that sought to curtail the freedoms that were previously believed to be enshrined in the Constitution — until MAGA began shredding them one by one. The comedian was an advocate for democratic ideals, Democratic candidates, same-sex marriage, early childhood education, and government transparency, spearheading California’s Proposition 10 (First 5) to fund early development programs via tobacco taxes. He also helped overturn Proposition 8, California’s brief ban on gay marriage.

Reiner’s understanding that it takes all kinds was evident in his work. He was a director with range, as they say in the industry, helming a string of films that became cultural touchstones, starting with 1984’s groundbreaking mockumentary “This Is Spinal Tap,” a satire that forever changed the language around heavy-metal decibel levels (“Crank it to 11!”). Then came 1986’s coming-of-age drama “Stand by Me,” 1989’s seminal romantic comedy “When Harry Met Sally…,” and the terrifying, psychological horror-thriller, 1990’s “Misery,” about an injured novelist held captive by his biggest fan.

Some of his films directly addressed the inequity and violence that Reiner fought so hard to correct in his lifetime. “Ghosts of Mississippi” explored the 1994 trial of Byron De La Beckwith, a white supremacist accused of the 1963 assassination of civil rights activist Medgar Evers. And Reiner’s 2017 drama “Shock and Awe” told the true story of a team of reporters who countered the Bush administration’s justification for invading Iraq in 2003 when they found evidence of falsified intelligence about weapons of mass destruction.

Though it was already acceptable to speak out against that Middle Eastern war, in the same week of the film’s release, he caught flak for signing a petition led by Palestinian director Annemarie Jacir condemning Trump’s 2017 decision formally recognizing Jerusalem as the capital of Israel. Reiner, who was Jewish, told the National that Trump had “no concept of geopolitical events or how things are interconnected. There was no consideration that went into this decision, no outreach to allies in the Arab world, or even the non-Arab world to see what the impact of something like this is.”

Reiner saw tragedy and sadness in the death of Kirk because he was able to empathize with the loss of life, no matter the difference of opinion.

Strictly Come Dancing could be set for more big changes to go alongside Tess Daly and Claudia Winkleman’s decision to step away from presenting duties at the end of the current series

Strictly bosses are reportedly eyeing up a big change for the scandal-hit show. Insiders claim the BBC dance contest could be about to up sticks and move north.

Currently, the long-running series is being filmed at a studio in Elstree, Hertfordshire. But reports suggest Kate Phillips, the BBC’s Chief Content Officer is “thinking seriously” about relocating to Media City in Salford, Greater Manchester.

It would see the show move to Dock 10, which is a purpose built studio complex in Media City. And it’s claimed any move would also see the show get a new boss with speculation rife over whether long-standing executive producer Sarah James is currently overseeing her final Strictly contest.

READ MORE: Conan O’Brien’s Christmas party chaos amid Rob Reiner and son’s ‘argument’READ MORE: Simon Cowell’s new boyband December 10 release debut video Bye Bye Bye

A source told MailOnline: “She [Kate Phillips] is thinking about it seriously.” A TV insider also told The Sun: “A shift to Salford would be seismic.

“It would also make sense on many levels, but mostly from a PR perspective. It’s a clear statement of intent from the Beeb, who want to draw a line under the show’s troubled time at Elstree.

“There is a lingering sense of anguish that now seems to hover around the show and it’s one that bosses really want to dispel.”

And the source also claimed the move would be “logical in many ways”. However, a BBC spokesperson has since told the Mirror: “There are no plans to move Strictly Come Dancing, any suggestion is pure speculation.”

The show has been hit with a number of controversies and scandals in recent years. And there will also be new presenters from the next series after the announcement that Tess Daly and Claudia Winkleman are stepping away from their duties.

After shocking fans with their statement part way through the current series, speculation quickly mounted about who will replace the dynamic duo. And professional dancer Ian Waite, who appeared on the show from 2004 until 2009, has shared who he thinks will be a great replacement for the pair.

Speaking to Reach about Tess and Claudia’s decision to leave the show on behalf of Zingo Bingo, Ian said: “I think it was a big, big shock for everybody that they decided to leave but when you’ve been doing something so long.

“Tess has been doing it for 21 years, it’s a long time to be doing any job. She might want to just move on to do different things and Claudia’s got Traitors, which is huge now So I can understand why they made the decision.

“I think they’ve been amazing but wouldn’t it be nice to have two men presenting this time just to spice it up? It’s been very much female presenter led.

“The main show and It Takes Two, so it would be nice to see some male presenters back in there just to balance it up. I think the public would like to see it.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .