Man

Before the race, Redknapp said “we’ve come into the Champions League today”, and the victory is worth £142,375 to the 78-year-old.

Redknapp, who retired from management after leaving Birmingham City in 2017, was trembling as he spoke to ITV Racing moments after his winner was confirmed.

“It is a dream, to have a horse that good is unbelievable,” he said. “I love the game that much.

“To come here on King George day and just run made me so proud, but to have the winner is special. I am so lucky.”

Joint-favourite Jango Baie was a length back going into the final fence and was closing on the lead trio right up to the line.

“When they came to him, I thought he was beat and would finish fourth,” said Redknapp. “But he’s come again and the guts the horse has shown is just amazing.

“Everyone was jumping on me at the end and I didn’t know I had won.

“But we had a lot of support here today and I love the racing, I love the game, I love the people in it, so to have a winner on the big stage is fantastic.”

Dec. 26 (UPI) — Israeli police said a Palestinian man from the West Bank killed two people in a so-called “terror attack” in northern Israel on Friday.

The assailant allegedly ran over a 68‑year‑old man in Beit Shean before driving to Ein Harod, where he fatally stabbed an 18‑year‑old woman and injured a teenager.

“This was a rolling terror attack,” police said.

Hebrew-language media identified the victim of the northern Israel terror attack as 19‑year‑old Aviv Maor of Kibbutz Ein Harod. The other victim’s identity was not released.

A civilian shot and wounded the suspect, who was taken to a hospital.

The two victims were declared dead on scene.

Defense Minister Israel Katz ordered a military response in the attacker’s hometown of Qabaitya to prevent further violence.

Meanwhile, Israel’s military stated it was “preparing for an operation” in the area.

Has there been a year this decade when we’ve been sad to see it go?

I thought about that while reading our “25 ways to banish this no good, very bad year” list, which contains some terrific ideas, and I’d be very happy to watch you jump into the Pacific on New Year’s Day, if you feel so inclined. But they’re all predicated on the idea that this year has given off a stench that needs to be smothered, the same way you’d cleanse your dog in tomato juice after an encounter with a skunk.

And this is true. Even Game 7 of the World Series can’t erase the heartache that 2025 has inflicted upon us, though props to Kiké Hernández for doing his best to distract from the headlines.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, wishing you and yours a better new year. It’s a low bar. I’m optimistic we can jump it.

Predicting ‘Avatar’s’ Oscar chances

Did anyone really want to see a third “Avatar” movie?

Sure, someone must have. It sold $89 million in tickets last weekend, though that number fell short of analysts’ forecast for James Cameron’s three-hour movie. For comparison, 2022’s “Avatar: The Way of Water” brought in $134 million in its opening weekend. That movie, like the series’ 2009 first film, built its $2-billion-plus box office over time.

“Avatar: Fire and Ash” may well do the same.

Still, doesn’t it feel like there should be more excitement to go see a movie that might gross $2 billion worldwide? Maybe you were among the first in line to see it last Friday. No judgment. I’ve seen every Cameron movie in a theater, a streak I suspect will continue as long as he’s making films.

The thing is, Cameron himself is giving the distinct impression that he’s ready to move on from “Avatar,” even though he has already written scripts for the fourth and fifth entries in the franchise. He has other projects in the works, adapting “Ghosts of Hiroshima,” which revolves around the true story of the only survivor of both atomic bombs dropped on Japan. And he has teased a “Terminator” reboot.

Cameron is 71, a kid compared to Ridley Scott (88) and Martin Scorsese (83), but still … the clock is ticking.

Do you want him devote another three years (or more) to the lush, gorgeous world of Pandora?

Maybe if “Avatar: Fire and Ash” had spent less time repeating the same themes — and, sometimes, the same scenes — almost beat for beat from the “The Way of Water,” I’d feel differently. The new movie is, of course, a visual feast, though with just three years between the second and third films, the technological advances don’t feel as awe-inspiring this time around. Cameron remains adept at world-building and creating tense action set pieces. He’s also unrivaled at serving up lumpy dialogue, and the new film has serious pacing issues. “Fire and Ash” feels every bit like a 197-minute movie.

When I did my last set of Oscar best picture power rankings on Nov. 3, I put “Fire and Ash” at No. 10, sight unseen. This was in part because Cameron is Cameron and deserves respect and also because would-be contenders like “A House of Dynamite,” “Springsteen: Deliver Me From Nowhere,” “The Smashing Machine” and “After the Hunt” weren’t connecting with voters.

But the franchise fatigue with “Avatar” feels real. It’ll still probably win the visual effects Oscar and pick up a nomination for sound. But I suspect it’s going to fall just outside the 10 movies nominated for best picture.

If that happens, will anyone cry “snub”? Likely not. “Avatar: Fire and Ash” can still inspire wonder, but for the first time in his career, Cameron is spinning his wheels. It feels like he’s ready to return to Earth.

More coverage of ‘Avatar: Fire and Ash’

A man has been slammed for “bullying” a solo female traveller into swapping seats on a plane believing she’d be an “easy target”, and people have been left floored by the incident

When it comes to travelling on a long-haul flight, most people make sure to prebook their preferred seat for extra comfort on the journey. However, others risk it and board without paying extra to secure one of the best seats.

That’s exactly what one man decided to do when flying 40,000 ft above, but now he has been slammed for his “entitled” actions. Taking to Reddit, a dad explained: “My daughter recently took her first solo overnight international flight on a Delta A350 in a 2-4-2 Premium Select cabin. I used miles to book her an aisle seat in the two-seat section. The man in the window seat next to her asked if she would switch seats with his wife, who was seated in the middle four.

“After some persistence, she eventually agreed just to get him to stop asking. After swapping, she discovered the other person in the middle four was also a solo traveller.”

The solo traveller shared her experience with others, and every person she spoke to agreed she should have stayed put and refused the swap.

Disappointed she gave in to the “entitled” man, but pleased she travelled to her destination safely, the dad added: “Everyone she’s told this story to has pointed out – correctly – that if sitting next to his wife was that important, he should have swapped seats with the solo traveller in the middle four, not asked her to give up her seat.

“She said it ended up being fine because the people seated next to her were nice and entertaining. I told her the etiquette advice she received is absolutely right, and it was her seat to do with as she pleased but, if I’m paying for her ticket, she better not swap into a lower cabin.”

Commenting on her post, one user said: “Ugh, the entitlement these days is infuriating! Glad her neighbours ended up being nice but hate to hear that she felt she had to eventually agree because he kept asking!

“Make sure she knows for next time that it’s also polite to say ‘no and please don’t ask me again’ or just let the flight attendant know and deal with him.”

Another user added: “Yeah, young females… Oh, wait, females in general get treated like we are pushovers or disposable. Please… please… PLEASE… encourage her with love that she doesn’t have to bow down to this kind of c***.”

A third user said: “F*** the wife for letting her a******e husband bully a little girl into giving up her seat.

“She knows what it’s like to be a woman in this situation and she let it happen. Seriously who is this lady, straight to jail.”

In agreement, one more user added: “Exactly this! I would never allow my husband to do such an inappropriate thing. Of course she is going to say yes. She probably feels like she has to.”

Someone else also added: “I’ve raised my daughters to know that they aren’t obligated to accommodate anyone’s feelings at the expense of their own and/or their no. Your ‘no thank you’ does not need a justification. Period.”

One more said: “Those people irritate me! If you want to sit together, book your seats together. People who book separate seats, especially married couples expecting a solo traveller to move, are so rude and inconsiderate.”

Manchester United head coach Ruben Amorim says it is “impossible” to replace captain Bruno Fernandes, who is set for up to a month out with injury, but other players “must step up”.

READ MORE: ‘Impossible to replace’ – Fernandes could miss up to a month

Semenyo’s profile is a unique one and at the reported price point, it feels like a no-brainer.

Stylistically we have seen City lean into attacking in transition with more pace this season than previously under Guardiola, who has played on the strengths of Haaland, Foden, Tijjani Reijnders and Doku – attacking quickly over big distances.

As a result, City have scored from more fast breaks this season than during the entire 2023-24 and 2024-25 seasons combined.

Bournemouth‘s direct style of attack means Semenyo’s pace, good hold-up play, smart decision-making and two-footed ball-striking are more easily transferred to this City side.

These are dangerous traits, especially when going long against teams that attempt to press high up the pitch.

Guardiola likes versatile players too, given they provide solutions to injury crises.

With Doku out injured, Reijnders has come in and shifted Foden out to the left. Semenyo would provide Premier League proven quality on both wings.

“The years we were successful, not just the strikers [were scoring], especially the wingers, attacking midfielders. We need that,” said Guardiola earlier this month.

City’s over-reliance on Haaland’s 19 goals will be something he wants to address. Foden has scored the second most with seven but has been moved away from the number 10 position, where he scores often from distance.

The signing of Semenyo would help get Foden back in the areas Guardiola feels he is most dangerous.

Semenyo has the added benefit of providing goals himself while starting as a winger. With eight in the league this season, only Igor Thiago and Haaland have more.

If City want to overtake Arsenal and win the league, getting scorers behind Haaland would be a smart move.

Hindutva activists tried to storm the Bangladesh High Commission in New Delhi, India as they rallied against the neighbouring nation for failing to protect its Hindu minorities. The demonstration comes after a 25-year-old Hindu man was lynched and burned publicly following allegations of blasphemy.

For decades, American families have gathered to watch “It’s a Wonderful Life” on Christmas Eve.

The 1946 Frank Capra movie, about a man who on one of the worst days of his life discovers how he has positively impacted his hometown of Bedford Falls, is beloved for extolling selflessness, community and the little guy taking on rapacious capitalists. Take those values, add in powerful acting and the promise of light in the darkest of hours, and it’s the only movie that makes me cry.

No less a figure of goodwill than Pope Leo XIV revealed last month that it’s one of his favorite movies. But as with anything holy in this nation, President Trump and his followers are trying to hijack the holiday classic.

Last weekend, the Department of Homeland Security posted two videos celebrating its mass deportation campaign. One, titled “It’s a Wonderful Flight,” re-creates the scene where George Bailey (Jimmy Stewart in one of his best performances) contemplates taking his own life by jumping off a snowy bridge. But the protagonist is a Latino man crying over the film’s despairing score that he’ll “do anything” to return to his wife and kids and “live again.”

Cut to the same man now mugging for the camera on a plane ride out of the United States. The scene ends with a plug for an app that allows undocumented immigrants to take up Homeland Security’s offer of a free self-deportation flight and a $1,000 bonus — $3,000 if they take the one-way trip during the holidays.

The other DHS clip is a montage of Yuletide cheer — Santa, elves, stockings, dancing — over a sped-up electro-trash remake of Mariah Carey’s “All I Want for Christmas is You.” In one split-second image, Bedford Falls residents sing “Auld Lang Syne,” just after they’ve saved George Bailey from financial ruin and an arrest warrant.

“This Christmas,” the caption reads, “our hearts grow as our illegal population shrinks.”

“It’s a Wonderful Life” has long served as a political Rorschach test. Conservatives once thought Capra’s masterpiece was so anti-American for its vilification of big-time bankers that they accused him of sneaking in pro-Communist propaganda. In fact, the director was a Republican who paused his career during World War II to make short documentaries for the Department of War. Progressives tend to loathe the film’s patriotism, its sappiness, its relegation of Black people to the background and its depiction of urban life as downright demonic.

Then came Trump’s rise to power. His similarity to the film’s villain, Mr. Potter — a wealthy, nasty slumlord who names everything he takes control of after himself — was easier to point out than spots on a cheetah. Left-leaning essayists quickly made the facile comparison, and a 2018 “Saturday Night Live” parody imagining a country without Trump as president so infuriated him that he threatened to sue.

But in recent years, Trumpworld has claimed that the film is actually a parable about their dear leader.

Trump is a modern day George Bailey, the argument goes, a secular saint walking away from sure riches to try to save the “rabble” that Mr. Potter — who in their minds somehow represents the liberal elite — sneers at. A speaker at the 2020 Republican National Convention explicitly made the comparison, and the recent Homeland Security videos warping “It’s a Wonderful Life” imply it too — except now, it’s unchecked immigration that threatens Bedford Falls.

The Trump administration’s take on “It’s a Wonderful Life” is that it reflects a simpler, better, whiter time. But that’s a conscious misinterpretation of this most American of movies, whose foundation is strengthened by immigrant dreams.

Director Frank Capra

(Handout)

In his 1971 autobiography “The Name Above the Title,” Capra revealed that his “dirty, hollowed-out immigrant family” left Sicily for Los Angeles in the 1900s to reunite with an older brother who “jumped the ship” to enter the U.S. years before. Young Frank grew up in the “sleazy Sicilian ghetto” of Lincoln Heights, finding kinship at Manual Arts High with the “riff-raff” of immigrant and working-class white kids “other schools discarded” and earning U.S. citizenship only after serving in the first World War. Hard times wouldn’t stop Capra and his peers from achieving success.

The director captured that sentiment in “It’s a Wonderful Life” through the character of Giuseppe Martini, an Italian immigrant who runs a bar. His heavily accented English is heard early in the film as one of many Bedford Falls residents praying for Bailey. In a flashback, Martini is seen leaving his shabby Potter-owned apartment with a goat and a troop of kids for a suburban tract home that Bailey developed and sold to him.

Today, Trumpworld would cast the Martinis as swarthy invaders destroying the American way of life. In “It’s a Wonderful Life,” they’re America itself.

When an angry husband punches Bailey at Martini’s bar for insulting his wife, the immigrant kicks out the man for assaulting his “best friend.” And when Bedford Falls gathers at the end of the film to raise funds and save Bailey, it’s Martini who arrives with the night’s profits from his business, as well as wine for everyone to celebrate.

Immigrants are so key to the good life in this country, the film argues, that in the alternate reality if George Bailey had never lived, Martini is nowhere to be heard.

Capra long stated that “It’s a Wonderful Life” was his favorite of his own movies, adding in his memoir that it was a love letter “for the Magdalenes stoned by hypocrites and the afflicted Lazaruses with only dogs to lick their sores.”

I’ve tried to catch at least the ending every Christmas Eve to warm my spirits, no matter how bad things may be. But after Homeland Security’s hijacking of Capra’s message, I made time to watch the entire film, which I’ve seen at least 10 times, before its customary airing on NBC.

I shook my head, feeling the deja vu, as Bailey’s father sighed, “In this town, there’s no place for any man unless they crawl to Potter.”

I cheered as Bailey told Potter years later, “You think the whole world revolves around you and your money. Well, it doesn’t.” I wondered why more people haven’t said that to Trump.

When Potter ridiculed Bailey as someone “trapped into frittering his life away playing nursemaid to a lot of garlic eaters,” I was reminded of the right-wingers who portray those of us who stand up to Trump’s cruelty as stupid and even treasonous.

And as the famous conclusion came, all I thought about was immigrants.

People giving Bailey whatever money they could spare reminded me of how regular folks have done a far better job standing up to Trump’s deportation Leviathan than the rich and mighty have.

As the film ends, with Bailey and his family looking on in awe at how many people came to help out, I remembered my own immigrant elders, who also forsook dreams and careers so their children could achieve their own — the only reward to a lifetime of silent sacrifice.

The tears flowed as always, this time prompted by a new takeaway that was always there — “Solo el pueblo salva el pueblo,” or “Only we can save ourselves,” a phrase adopted by pro-immigrant activists in Southern California this year as a mantra of comfort and resistance.

It’s the heart of “It’s a Wonderful Life” and the opposite of Trump’s push to make us all dependent on his mercy. He and his fellow Potters can’t do anything to change that truth.

Under the glow of fluorescent lights at Seafood City market in North Hills, packages of pre-made adobo, salted shrimp fry and and dried anchovies glisten in meat coolers.

A DJ, dressed in a traditional barong, blasts a dance remix of Whitney Houston’s “I Wanna Dance with Somebody” as a crowd gathers to take a shot of fish sauce together.

“That was disgusting!” a man shouts into the mic, flashing a grimacing expression.

At Seafood City, DJs 1OAK, left, EVER ED-E and AYMO spin in barongs, the Philippines’ national formal shirt.

The smells of lechon and lumpia float through the air. Smiling children munch on halo-halo (a Philippine dessert made with ube ice cream, leche flan and shaved ice). Flags of the Philippines wave in the air as a man in UCLA Health scrubs hops into the center of an energetic dance circle. Employees shoot store coupons out of a money gun and toss bags of Leslie’s Clover Chips into the crowd. Fathers hold their children on their shoulders as a group of college students perform a Tinikling routine, a traditional Philippine dance in which performers step and hop over and between bamboo poles.

“This is so Filipino,” a woman says, in awe of the scene.

Sabria Joaquin, 26, of Los Angeles, left, and Kayla Covington, 19, of Rancho Cucamonga hit the dance floor at “Late Night Madness” in North Hills.

“I came here for groceries,” explains an elderly man, adding that he decided to stay for the party.

Seafood City, the largest Philippine grocery store chain in North America, typically closes at 9 p.m. But on certain Friday and Saturday nights, its produce or seafood aisle turns into a lively dance floor for “Late Night Madness.” On social media, where the gathering has exploded, it looks like a multigenerational nightclub that could use dimmer lighting. But for attendees who frequent the store, it’s more than that. It’s a space for them to celebrate their Filipino heritage through food, music and dance in a familiar setting.

“This is something that you would never expect to happen — it’s a grocery store,” says Renson Blanco, one of five DJs spinning that night. He grew up going to the store with his family. “My mom would [put] us all in the minivan and come here, and she’d let us run free,” he adds. “It’s comfortable here. It’s safe here.”

1

2

3

1. Rhianne Alimboyoguen, 23, of Los Angeles follows an employee through the produce section. 2. Allison Dove, 29, left, and Andrea Edoria, 33, both of Pasadena, enjoy Philippine street food. 3. Katie Nacino, 20, left, Daniel Adrayan, 21, and Sean Espiritu, 21, of the Filipino American Student Assn. at Cal State Northridge, practice tinikling, a traditional Philippine folk dance, in an aisle.

The first Seafood City location opened in 1989 in National City, a suburb of San Diego, which has a nearly 20% Asian population including a rich Filipino community. For its founders, the Go family, the mission was simple: to provide a market where Filipinos and people within the diaspora could comfortably speak their native language and buy familiar products. It’s since become a community anchor. Of the nearly 40 locations in Northern America, at least half of them are based in California, which has the highest population of Asian Americans in the United States.

• Share via Close extra sharing options

The first “Late Night Madness” event happened in September in Daly City, Seafood City’s newest location. The company wanted to launch a street food program at the store’s food hall in a fun and creative way.

The DJ played a selection of hip-hop, pop, soul and classic Pinoy records like VST & Company’s “Awitin Mo, Isasayaw Ko.” Hundreds of people showed up, and videos of people of all ages turning up in the popular supermarket spread like wildfire. So the company decided to continue hosting the event in October during Filipino American History Month and for the rest of the year. It’s since expanded to more locations around the country and in L.A., including Eagle Rock.

By 10 p.m. at the Seafood City in North Hills, at least 500 people are dancing in the produce section, next to rows of saba bananas, fresh taro leaves and bok choy. The lively crowd forms dance circles throughout the night, taking turns jumping in the center to show off their moves to songs like Earth, Wind & Fire’s “Let’s Groove,” “Nokia” by Drake and Justin Bieber’s “I Just Need Somebody to Love.” At one point, TikToker and artist Adamn Killa hops on the mic and says “If you a Filipino baddie, this is for you,” before doing his viral dance.

Among the Philippine street food offerings were pandesal sliders, lumpia-style nachos, lobster balls and various skewers.

A group of employees dance behind the counter as they serve hungry patrons who fill their trays with various Filipino street food including pandesal sliders (soft Philippine bread filled with adobo, lechon or longganisa) and Lumpia Overload (think nachos, but a bed of lumpia instead of tortilla chips), lobster balls and barbecue chicken skewers. (No alcohol is served.) Meanwhile, a few lone shoppers sprinkle into the store to get their weekly groceries as music blasts through the speakers.

First-generation Filipino American Andrea Edoria of Pasadena says “Late Night Madness” reminded her of the family parties she attended as a child in L.A. and in Manila, where her parents are from.

“Growing up as a child of immigrants, I was kind of self conscious about displaying too much of my culture,” she says between bites of spiral fried potato. She went to the Eagle Rock event with her mother last month as well. “So it kind of fed my inner child to see so many people celebrating this shared culture and experience that we each grew up [with].”

A multi-generational crowd is drawn to the dance floor. At center is Jade Cavan, 44, of Chatsworth.

Members of the Filipino American Student Assn. at Cal State Northridge perform a tinikling performance.

She adds, “I think it’s so important especially now at a time where our country is so divisive and culture is kind of being weaponized, I think it’s a beautiful reminder that we can come together and find something that unites us.”

About 10 minutes before midnight, the grocery store is still bustling with activity. A dance battle breaks out and people begin hyping up the young women. The DJ transitions into slower tracks like Beyoncé’s “Love on Top” and Mariah Carey’s “All I Want for Christmas is You.” The remaining folks sing along loudly as they walk toward the exit, smiles imprinted on their faces. Staff rush to clean up, then huddle together for group photos to memorialize the evening.

After the final song is played, employees rush to clean up the supermarket.

Patrick Bernardo, 34, of Van Nuys looks at the counter, where a man had been chopping lechon, before stepping outside.

“There’s barely anything left on that pig,” he says, pointing to it as proof that the night was a success.

Alfred Hitchcock never won an Oscar for directing. Neither did Stanley Kubrick nor Robert Altman nor Sidney Lumet nor Federico Fellini nor Orson Welles.

It’s a group almost as distinguished as the list of winners.

But we’re likely going to cross one name off that ignominious list this year — Paul Thomas Anderson.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. I already gave away who’s on top of our Oscar power rankings for director. How does the rest of the list shake out? Let’s take a look.

1. Paul Thomas Anderson, ‘One Battle After Another’

Anderson has three Oscar nominations for directing — “There Will Be Blood,” “Phantom Thread” and “Licorice Pizza.” That feels light. He has 11 Oscar nominations in all, including five as a writer and three as a producer. He has never won. That feels wrong. So with “One Battle After Another,” he checks off both of the main boxes that Oscar winners often possess — he directed the year’s best movie and he’s well overdue for an honor. Like Sean Baker for “Anora” last year, Anderson likely will come home with an armful of Oscars, as he also produced and wrote the movie.

2. Jafar Panahi, ‘It Was Just an Accident’

Panahi has never been nominated for an Oscar, though his films have won the top prizes at the Venice Film Festival (“The Circle”), the Berlin Film Festival (“Taxi”) and, this year, the Cannes Film Festival (“It Was Just an Accident”). That movie’s withering takedown of the cruelty and corruption of authoritarianism packs a punch; it’s also unexpectedly funny in its clear-eyed social critique. Panahi has been imprisoned by the Iranian government many times for speaking out and was recently again sentenced, in absentia, to a year in prison on charges of “propaganda activities against the system.” Like we needed another reason to celebrate the man and his work.

3. Ryan Coogler, ‘Sinners’

(Eli Ade / Warner Bros. Pictures)

Coogler has two Oscar nominations, but they aren’t what you might expect. He was nominated for producing “Judas and the Black Messiah,” the thrilling 2021 historical drama looking at the politics of race. And he earned a songwriting nod for the Rihanna ballad “Lift Me Up” from “Black Panther: Wakanda Forever.” Coogler should have landed an adapted screenplay nomination for the first “Black Panther” movie, a more inventive, world-building work than the umpteenth remake of “A Star Is Born.” But that’s the past. Coogler, like Anderson, figures to be feted in multiple categories at the upcoming Oscars and may well bring home the prize for original screenplay.

4. Chloé Zhao, ‘Hamnet’

(Agata Grzybowska / Focus Features)

Zhao owns two Oscars for directing and producing “Nomadland,” the empathetic and searching portrait of America that felt like a balm when it premiered during the pandemic. After an ill-fitting detour into the Marvel Cinematic Universe with “Eternals,” Zhao came all the way back with “Hamnet,” a deeply felt look at love, loss and the cathartic power of art. Even those who find it overwrought laud the movie’s climactic sequence, a performance of “Hamlet” at the Globe Theatre. I’d argue the ending works so well because of the care Zhao took earlier in establishing the wonder and joy of the family’s life. “Hamnet,” to my damp eyes, is her best film.

5. Joachim Trier, ‘Sentimental Value’

(Lewis Joly / Invision / AP)

From here, you could shuffle the five through eight slots and make a good case for any of these directors landing the fifth slot in the field. Trier has much to recommend his subtle interweaving of past and present, hope and hurt in “Sentimental Value.” He received a screenplay nomination for his last movie, “The Worst Person in the World,” also starring Renate Reinsve. The directors branch boasts a strong contingent of voters from all over the world, a group that could easily nominate the filmmakers behind two of the year’s most celebrated international feature contenders. Plus, “Sentimental Value’s” salty view of Hollywood is bound to appeal to this bunch.

6. Guillermo del Toro, ‘Frankenstein’

The affable, movie-loving Del Toro has won many fans inside and outside the industry over the years, along with Oscars for directing and producing the 2017 best picture winner “The Shape of Water” and for “Pinocchio,” the enchanting 2022 movie that snagged animated feature. “Frankenstein” is far from his best work, but it probably has enough admirers to land a best picture nomination and mentions in several other categories. Director, though? If Del Toro didn’t make the cut for “Nightmare Alley,” he’s probably a near-miss for this one too.

7. Josh Safdie, ‘Marty Supreme’

(Atsushi Nishijima / A24)

It’s “Marty Supreme” week! The movie finally arrives on Christmas and, over the holidays, we’ll begin to have the sorts of conversations that will shed some light on the movie and its Oscar chances beyond the certain nominations for best picture and lead actor Timothée Chalamet. Is the title character, a single-minded ping-pong player oblivious to anything but his own advancement, a jerk? Or is he just like any other man in his 20s? Is the film’s last shot a sign of growth or a man contemplating his own death sentence? We’ll have time to discuss and, yes, revel in the unhinged chaos Safdie unleashes here.

8. Clint Bentley, ‘Train Dreams’

(Daniel Schaefer / BBP Train Dreams)

And finally, we arrive at the man behind “Train Dreams,” a contemplative film about an ordinary man puzzling through loss, guilt, the mundane and the magnificent. It’s the anti-”Marty Supreme” — quiet, painterly, a tad slow, sure, but hypnotic in the way it evokes a bygone America. Just the second movie Bentley has directed, following the little-seen 2021 drama “Jockey,” it has built a devoted following since landing on Netflix last month.

It’s odd the moments you remember after someone’s gone.

Scrolling through a seemingly infinite number of clips featuring Rob Reiner being compassionate and kind, scenes from his movies that feature a bone-deep empathy for the ways human beings struggle and strive to be better, I kept thinking back to a little wink in “This Is Spinal Tap,” the 1984 mockumentary Reiner directed and co-starred in, playing filmmaker Marty DiBergi.

I’ve seen this movie so many times that I could probably act out the whole thing upon request. It provided a soundtrack to a family trip to Stonehenge several years ago. But thinking about Reiner in the wake of the horrible news that he and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, their son Nick subsequently charged with their murders, I randomly landed on the scene where DiBergi talks with Spinal Tap lead singer David St. Hubbins (Michael McKean) after guitarist Nigel Tufnel (Christopher Guest) leaves the band.

St. Hubbins blithely insists he won’t miss Nigel any more than insignificant band members who played briefly in the group. DiBergi is stunned. He loves Spinal Tap and fears for its future. Reiner plays the moment with such sincere heartbreak, partly in character, but mostly I think because that’s who he was. Reiner couldn’t help it. He felt things deeply and spent much of his life working to make things better for those on society’s margins. He will be missed in so many ways.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. How to describe this week? None more black will do. But Christmas is coming, and that Vince Guaraldi song never fails to make me smile. Let’s look at some good news for those who made the Oscar shortlists this week.

Voters, consider these

The film academy announced shortlists for 12 categories at the 98th Oscars, whittling down the list of contenders and offering a few indications about what films are scoring early points with voters.

Ryan Coogler’s critically acclaimed, genre-defying blockbuster “Sinners” picked up eight mentions, as did “Wicked: For Good.” Both movies placed two songs on the original song shortlist and both were cited in the newly created casting category.

Guillermo del Toro’s “Frankenstein” followed with six mentions, and “One Battle After Another,” “F1” and “Sirât” each scored five.

The bounty for “Sirât,” the Oliver Laxe thriller that is unquestionably one of the most memorable movies of the year, offered an indication that the word of mouth on this movie is strong enough to land it a spot among the nominees for international feature.

Can it do better than that? It should. Here are five suggestions for voters, including “Sirât,” as the lists are narrowed ahead of Oscar nominations on Jan. 22.

Cinematography: ‘Sirât’

“Sirât” contains so many surprising twists and turns that when asked to describe the plot, I simply tell people that it’s about a father who shows up at a rave in southern Morocco with his young son looking for his missing daughter. The long desert journey they end up taking is astonishing, and cinematographer Mauro Herce, shooting on 16mm film, captures every treacherous mile in dramatic detail.

Original score: ‘Marty Supreme’

Voting with the Los Angeles Film Critics Assn., I cast my ballot for Kangding Ray’s hypnotic score for (you guessed it) “Sirât.” But that was just one of many soundtracks that found its way into my life this year. Hans Zimmer’s synth-heavy “F1” score makes for propulsive listening while pedaling on an exercise bike and ranks among the celebrated composer’s best work. And I share Times film editor Josh Rothkopf’s enthusiasm for Daniel Lopatin’s throwback electronic beats in “Marty Supreme,” a delight for anyone who grew up listening to the ethereal soundscapes created by Tangerine Dream.

Casting: ‘Weapons’

I’m highlighting Zach Cregger’s horror-mystery “Weapons” here partially because of its inexplicable absence in the makeup and hairstyling category. I guess voters knew it was Amy Madigan in that bright red wig all along. That omission aside, “Weapons” is a prime example of what a great casting director can do, making use of familiar faces (Josh Brolin, Julia Garner, Madigan) in unexpected ways, finding the right child actor (Cary Christopher) to deliver big emotional moments and elevating emerging talent (Austin Abrams) to unexpected heights. Allison Jones, one of the greats, belongs among the casting category’s inaugural set of nominees.

Original song: ‘I Lied to You’

I mean, you saw that scene in “Sinners,” right?

Documentary: ‘My Undesirable Friends: Part 1 — Last Air in Moscow’

Julia Loktev’s five-hour chronicle of the chilling Russian crackdown on independent journalists has won documentary honors from both the Los Angeles and New York film critics. The doc begins in 2021, when the journalists, mostly women, are forced to label themselves as “foreign agents” simply for doing their jobs, covering Putin’s regime in a factual manner. Things intensify after Russia’s invasion of Ukraine, turning “My Undesirable Friends” into a cautionary tale about the perils of bending to an autocrat. It goes without saying, but this is essential viewing.

Netflix’s Man vs Baby has been a hit with viewers and they can’t get enough of the picturesque village at the beginning of the series.

Man vs Baby, featuring Rowan Atkinson reprising his role as Trevor Bingley, has become a massive hit on Netflix. The festive comedy is a four-part sequel to Man vs Bee, and it sees Trevor taking up a new position as a school caretaker. Following his separation from his wife, Trevor leads a simple, somewhat solitary life in a quaint rural cottage that still relies on a coin meter for electricity. He was looking forward to his daughter’s Christmas visit, but a change of plans left him alone.

After a string of unexpected events, Trevor ends up house-sitting a luxury penthouse in London, where most of the story unfolds. However, viewers have been captivated by the idyllic village featured at the start of the series, which is currently topping the Netflix charts, and are eager to know its location.

The opening scenes of this Christmas comedy were shot in the charming village of Aldbury in Dacorum, Hertfordshire. Dacorum Borough Council proudly shared a snapshot of the film crew on their Facebook page, delighted to see their picturesque locale gaining recognition.

They explained: “The production, which includes Rowan Atkinson among its cast, brought a festive transformation to Aldbury last winter, complete with snow-covered streets, Christmas trees, and seasonal decorations. Working under the production code name St James, Aldbury Parish Council supported the Netflix team throughout the process, with local residents and businesses helping to ensure smooth filming.”

“Hertfordshire Film Office also assisted with traffic management. Many community members had the opportunity to observe filming, with several external scenes shot around the village. Thank you to everyone involved in supporting another production in Dacorum.”

The picturesque village of Aldbury, home to fewer than a thousand residents, centres around Aldbury Village Store. Viewers are also treated to glimpses of the village pond, the historic manor cottage, and the Greyhound Inn’s exterior, the beloved local pub.

The scenes depicting St Aldwyn’s Church of England Primary School were actually filmed at Longfield Hall, a Victorian community venue dating back to 1904 in Camberwell, South London. For the railway station sequence, whilst Tring Station was nearest, its contemporary appearance meant producers opted for Ongar railway station in Essex instead.

Enjoy Dacorum portrays Aldbury as a “pretty, traditional English village with a church, village pond, ancient whipping post and stocks and two pubs”. Thanks to its quintessentially charming character, the village has become a sought-after filming destination for major productions including Midsomer Murders and the second Bridget Jones film.

The 2023 film Lord of Misrule also featured scenes shot in Aldbury, with the Parish Council publishing a touching note from the production crew on their website. They said: “It has been an enormous privilege for us to shoot our movie in such a beautiful, characterful setting and I think we’ll all take a little piece of Hertfordshire away in our hearts as we leave.”

Actor Atkinson reflected on how the concept of a solitary Christmas formed the foundation of the series, explaining: “I certainly like Christmas, like most people. I was quite drawn to the idea of, without wishing to spoil the plot of Man Versus Baby, a lonely Christmas.

“Other than having the baby for company, Trevor’s alone because his daughter has booked a last-minute holiday to Barbados. He’s flat-sitting at Christmas without any of his family around him, and that can be hard.

“When we first see him, he’s got all these presents wrapped by a tiny tree decorated with Heroes wrappers, and he’s looking forward to it, and then he gets abandoned by his family, which is quite sad.”

The series has garnered glowing reviews from both viewers and critics, who have praised it as ideal family viewing. The Mr Bean star explained: “As long as people enjoy what I’ve put a lot of effort into producing, I’m happy. I’ve worked on this show every day of my life for the last year and a quarter, at the very least. I definitely put in the hours.

“I’m someone who does that. I don’t just turn up to act the role: I’m part of the writing and very much part of the post-production, so I’m in every sound mix and visual effects meeting. I’m there from the bitter beginning to the bitter end and so it’s a big commitment. If all of that effort ends up in something good that people like, that’s all you can hope for.”

Man vs Baby is available to stream on Netflix.

Aghil Keshavarz is the tenth person put to death for espionage since June conflict with Israel.

Iran has executed a man convicted of spying for Israel’s Mossad intelligence agency, judicial authorities announced, as Tehran continues a widening crackdown on alleged collaborators following the 12-day Israel-United States-Iran war earlier this year.

Aghil Keshavarz was put to death on Saturday morning after the Supreme Court upheld his conviction on espionage charges, according to Mizan, the judiciary’s official news agency.

The 27-year-old architecture student was arrested earlier this year in the northwestern city of Urmia after military patrols caught him photographing an army headquarters building.

The execution adds to a growing number of people put to death for espionage since the June conflict, with at least 10 executed by September alone.

In September, Iran executed a man it said was “one of the most important spies for Israel in Iran”.

In October, Tehran toughened legislation against alleged spies for Israel and the US, making espionage automatically punishable by death and asset confiscation.

According to the Mizan report, Keshavarz was accused of conducting more than 200 missions for Israeli intelligence services across Tehran, Isfahan, Urmia and Shahroud.

The missions allegedly included photographing target sites, conducting opinion polling, and monitoring traffic patterns at specific locations.

Authorities said he communicated with both Israel’s Mossad and military officials through encrypted messaging platforms, receiving payment in cryptocurrency after completing assignments.

The judiciary said Keshavarz had “knowingly cooperated” with Israeli services with the intention of harming Iran’s Islamic Republic.

The Oslo-based Iran Human Rights group has previously disputed similar espionage convictions, saying suspects are often tortured into false confessions.

Israel’s offensive in June involved 12 days of air attacks, including several against Iran’s top generals and nuclear scientists, as well as civilians in residential areas, for which Iran retaliated with barrages of missiles and drones. The US also carried out extensive strikes, on Israel’s behalf, on Iranian nuclear sites during the conflict. According to Amnesty International, Israeli attacks on Iran killed at least 1,100 people.

In response to the June war and protests in recent years over the state of the economy and women’s rights, as well as calls for regime change, Iran has sentenced more people to death.

Bill Clinton, Bill Gates, Noam Chomsky and Woody Allen were among the familiar faces in the latest batch of photographs released by Democrats on the House Oversight Committee in connection to the late Jeffrey Epstein. With the Justice Department preparing to make additional files public, the images underscore an uncomfortable truth for us all: The convicted sex offender moved comfortably among some of the most intelligent men in the world. Rhodes scholars, technology leaders and artists.

Also in the release was a photograph of a woman’s lower leg and foot on what appears to be a bed, with a paperback copy of Vladimir Nabokov’s “Lolita” visible in the background. The 1955 novel centers on a middle-aged man’s sexual obsession with a 12-year-old girl. Epstein, a serial sexual abuser, famously nicknamed one of his private planes “The Lolita Express.” And we are to believe that some of the globe’s brightest minds could not put the dots together?

Donald Trump, who once described himself as “a very stable genius,” included.

“I’ve known Jeff for 15 years. Terrific guy,” Trump told New York magazine in 2002. “He’s a lot of fun to be with. It is even said that he likes beautiful women as much as I do, and many of them are on the younger side.”

Later, the two had a public falling out, and Trump has repeatedly denied any wrongdoing. Great. But denial after the fact is only one side of this story. The other is harder to digest: Either the self-proclaimed “very stable genius” spent nearly two decades around Epstein without recognizing what was happening in plain sight — or he recognized it and chose silence. Neither explanation reflects on intelligence as much as it does on character. No wonder Trump’s defenders keep raising the most overused word in American politics today: hoax.

“Once again, House Democrats are selectively releasing cherry-picked photos with random redactions to try and create a false narrative,” said White House spokesperson Abigail Jackson. “Here’s the reality: Democrats like Stacey Plaskett and Hakeem Jeffries were soliciting money and meetings from Epstein after he was a convicted sex offender. The Democrat hoax against President Trump has been repeatedly debunked, and the Trump administration has done more for Epstein’s victims than Democrats ever have by repeatedly calling for transparency, releasing thousands of pages of documents and calling for further investigations into Epstein’s Democrat friends.”

Jackson has a point.

Democrats were cherry-picking which photos to release, even if many of the men pictured were aligned with progressives. That includes the president, who was a Democrat when he and Epstein were running together in New York in the 2000s. Trump didn’t register as a Republican until 2009. Now whether the choice of photos and timing was designed to shield political friends or weaponize against perceived enemies isn’t clear. What is clear is that it doesn’t take a genius to see that none of this is a hoax.

The victims are real. The flight logs are real. The millions that flowed into Epstein’s bank account have wire transfer confirmation numbers that can be traced. What Democrats are doing with the information is politics as usual. And you don’t want politics to dictate who gets justice and who gets vilified.

Whatever the politicians’ intentions, Americans can decide how to react to the disclosures. And what the men around Epstein did with the information they gathered on his jet or his island fits squarely at the heart of the national conversation about masculinity. What kind of men could allow such abuse to continue?

I’m not saying the intelligent men in Epstein’s ecosystem did something criminal, but the lack of whistleblowing before his arrest raises questions about their fortitude for right and wrong. And the Trump White House trying to characterize this conversation as a partisan witch hunt — a hoax — is an ineffective strategy because the pattern with their use of that word is so clear.

We saw what happened on Jan. 6, and Trump tells us the investigation is a hoax. We hear the recording of him pressuring Georgia officials to find votes, and he tells us the investigation is a hoax. Trump campaigned on affordability issues — the cost of bacon, no taxes on tips — but now that he’s in office such talk is a hoax by Democrats. As if we don’t know the price of groceries in real time. Ten years ago, Trump told us he had proof that President Obama wasn’t born in the U.S. We’re still waiting.

In his book, “Art of the Deal,” Trump framed his lies as “truthful hyperbole” but by now we should understand for him hyperbole matters more than truth — and his felony convictions confirm that some of his claims were indeed simply false.

So if there is a hoax, it is the notion that none of the brilliant men whom Epstein kept in his orbit had any idea what was going on.

YouTube: @LZGrandersonShow

Christmas was only a few days away and the Finnish capital of Helsinki was ringing with festive cheer as we explored the Tuomaan Markkinat in Senate Square, sipping from mugs of hot, spicy glögi (mulled wine), and biting into joulutorttu (jam-filled puff pastries shaped like catherine wheels). A cold front had brought abundant snow and inhaling was rather painful at -8C, but nothing could still the tremble of excitement.

Along with my husband and two young daughters, I was here to take the Santa Claus Express to the northern city of Rovaniemi, the heart of Finnish Lapland – and the “official” home of Father Christmas. A regular commuter train for the rest of the year, come late November the Santa Claus Express is Finnish Railways’ flagship service, offering the ultimate sleeper-train adventure. As I checked my watch and announced it was finally time to make our way to Helsinki central station, the girls were pink in the cheeks, eyes sparkling from all the surrounding golden lights.

WASHINGTON — Jeffrey Rosenberg is still trying to understand why President Trump would free the man who defrauded him out of a quarter of a million dollars.

Rosenberg, a retired wholesale produce distributor living in Nevada, has supported Trump since he entered politics, but the president’s decision in November to commute the sentence of former private equity executive David Gentile has left him angry and confused.

“I just feel I’ve been betrayed,” Rosenberg, 68, said. “I don’t know why he would do this, unless there was some sort of gain somewhere, or some favor being called in. I am very disappointed. I kind of put him above this kind of thing.”

Trump’s decision to release Gentile from prison less than two weeks into his seven-year sentence has drawn scrutiny from securities attorneys and a U.S. senator — all of whom say the White House’s explanation for the act of clemency is not adding up. It’s also drawn the ire of his victims.

“I think it is disgusting,” said CarolAnn Tutera, 70, who invested more than $400,000 with Gentile’s company, GPB Capital. Gentile, she added, “basically pulled a Bernie Madoff and swindled people out of their money, and then he gets to go home to his wife and kids.”

Gentile and his business partner, Jeffry Schneider, were convicted of securities and wire fraud in August 2024 for carrying out what federal prosecutors described as a $1.6-billion Ponzi scheme to defraud more than 10,000 investors. After an eight-week trial, it took a jury five hours to return a guilty verdict.

More than 1,000 people attested to their losses after investing with GPB, according to federal prosecutors who described the victims as “hardworking, everyday people.”

When Gentile and Schneider were sentenced in May, Joseph Nocella Jr., the Trump-appointed U.S. attorney in the Eastern District of New York, and Christopher Raia, a senior official in the Justice Department, called their punishment “well deserved” and a warning to would-be fraudsters.

“May today’s sentencing deter anyone who seeks to greedily profit off their clients through deceitful practices,” Raia said in a statement.

Then, on Nov. 26 — just 12 days after Gentile reported to prison — Trump commuted his sentence with “no further fines, restitution, probation, or other conditions,” according to a grant of clemency signed by Trump. Under those terms, Gentile may not have to pay $15 million that federal prosecutors are seeking in forfeiture.

Karoline Leavitt, the White House press secretary, told reporters this month that prosecutors had failed to tie “supposedly fraudulent” representations to Gentile and that his conviction was a “weaponization of justice” led by the Biden administration — even though the sentences and convictions were lauded by Trump’s own appointees.

The White House declined to say who advised Trump in the decision or whether Trump was considering granting clemency to Schneider, Gentile’s co-defendant. Attorneys for Gentile and Schneider did not respond to a request seeking comment.

Adam Gana, a securities attorney whose firm has represented more than 250 GPB investors, called the White House’s explanation “a word salad of nonsense,” and questioned why Trump granted Gentile a commutation, which lessens a sentence, rather than a pardon, which forgives the offense itself.

“If the government wasn’t able to prove their case, why not pardon David Gentile? And why is his partner still in prison?” Gana said. “It’s left us with more questions than answers.”

‘It hurts a lot’

To Rosenberg, Tutera and two other investors interviewed by The Times, the president’s decision stripped away any sense of closure they felt after Gentile and Schneider were convicted.

Rosenberg has tried not to dwell on the $250,000 he lost in 2016, after a broker “painted a beautiful picture” of steady returns and long-term profits. The investments were supposed to generate income for him during retirement.

“A quarter of a million dollars, it hurts a lot,” Rosenberg said. “It changed a lot of things I do. Little trips that I wanted to take with my grandkids — well, they’re not quite as nice as they were planned on being.”

Jeffrey Rosenberg, a longtime Trump supporter, said he felt “betrayed” after the president granted clemency to convicted fraudster David Gentile.

(Scott Sady / For The Times)

Tutera, who runs a hormone replacement therapy office in Arizona, invested more than $400,000 with GPB at the recommendation of a financial advisor. She hoped the returns would help support her retirement after her husband had died.

“I was on grief brain at the time and just feel I was taken advantage of and really sold a bill of goods,” said Tutera, 70. Now, she says: “I have to keep working to make up for what I was owed.” She has been able to recover only about $40,000.

Tutera said her sister, Julie Ullman, and their 97-year-old mother also fell victim to the scheme. Their mother lost more than $100,000 and now finds herself spending down savings she had planned to leave to her children and not trusting people, she said.

“That’s really sad,” Tutera said. “People, unfortunately, have turned into thieves, liars and cheaters, and I don’t know what’s happened to the world, but we’ve lost our way to be kind.”

Ullman, 58, who manages a medical practice in Arizona, said the financial loss was life-changing.

“I’m going to have to work longer than I thought I would because that was my retirement fund,” Ullman said.

Mei, a 71-year-old licensed acupuncturist who asked to not use her full name out of embarrassment, said a broker introduced her to the GPB investment funds at a lunch meeting targeting divorced women. She eventually invested $500,000 and lost all of it. It was only through lawsuits that she was able to recover roughly $214,000 of her money, she said.

Mei had planned to retire in New York to be close to her children. But the loss of income has forced her to live in China, where the cost of living is much lower, six months out of the year, she said.

Mei fears Trump’s decision to commute Gentile’s sentence will allow these schemes to continue.

“Donald Trump is promoting more white-collar financial criminals, for sure,” Mei said. “How unfair.”

Bob Van De Veire, a securities attorney who has represented more than 100 GPB investors, said he has mostly handled negligence cases against the brokers who touted GPB investments.

“Based on all the red flags that were present, they should have never sold these investments at all,” Van De Veire said.

Gana, the securities attorney, added that he will continue to fight for victims in civil court, noting the clemency only addressed the criminal conviction.

The commutation caught the eye of Sen. Ruben Gallego (D-Ariz.), who sent a letter to the White House last week asking several questions: Why, for example, did Gentile receive clemency while Schneider did not? And what were the trial errors cited as a reason for the commutation? He said victims deserve answers.

“They will not forget that when they needed their government to stand with them against the man who stole their futures, their President chose to stand with the criminal instead,” Gallego wrote.

Rosenberg, the retiree from Nevada, said he still supports the president but can’t help but think Trump’s decision makes him “look like another of the swamp” that Trump says he wants to drain.

“I think Trump does a lot of good things,” he said, “but this is a bad one.”

Still, Rosenberg is hopeful Trump may do right by the victims — even if it’s just by admitting he made a mistake.

“I would like to think that he was fed some bad information somewhere along the way,” he said. “If that is the case … at least come forward and say, ‘I regret it.’ ”

Luka Doncic was back at it again, this time surprising the Lakers and staff members with more than 100 e-bikes for Christmas gifts.

Doncic, who took his teammates to a Porsche Driving Experience in October as a way to bond, gave the gifts away Tuesday after practice.

“I just wanted to give everybody something,” he said. “Everybody works hard, even the people you don’t see in the back, so I want to do something for them too.”

Said teammate Jake LaRavia: “Shout-out to Luka, man. What a guy.”

A different type of British invasion had EDM fans in a trance at the Queen Mary in Long Beach.

Armed with turntables, social media-star-turned-professional-party-starter Fish56Octagon made his U.S. festival debut Nov. 21 and 22 at Insomniac’s Dreamstate SoCal, where he performed alongside some of the world’s most preeminent electronic artists, including Tiësto, Paul Oakenfold, Gareth Emery, Ferry Corsten and Chicane.

Fish, as he’s called, is a 46-year-old from the London suburbs who joined TikTok on a drunken whim after being introduced to the app by friends in 2021. Now boasting over a million followers across platforms, he’s seen his life flip because of that choice — quitting a full-time marketing career to become a DJ, produce music and play sets at some of the world’s biggest music festivals in the four years since he uploaded his first video.

• Share via Close extra sharing options

Though his initial post was about his watch collection, the self-described “petrol head” quickly went deep into creating content about cars and made a successful side hustle within a couple years. Crossover between auto enthusiasts and the music lovers in his audience meant the dance songs he used to soundtrack his car videos and sporadic vinyl-haul unboxings spawned passionate discussion in the comments about the classic rave songs Fish was sharing with the world.

He also benefited from an accidental, scroll-stopping visual hook repeated across videos born from his employer asking him to ensure it didn’t look like he was posting during business hours: middle-aged, thin and bald, dropping dad moves in front of his sprawling Technics decks and pumping his fists to the beat between bites of Weetabix biscuits, all while wearing a red and black dressing gown (what Americans would call a robe), gifted to Fish’s wife by his mother.

Screen shot of Fish DJing on TikTok in his bathrobe

(TikTok)

“That gown is elegant,” wrote a fan in the comments.

“It was legit my mum’s but she found it too hot,” Fish responded.

“You the same build as your mum” another person wrote back, punctuating the comment with a sweating smiley face emoji.

Fish also began to livestream on TikTok late into the night, playing his own mixes for the first time in 20 years.

“I remember seeing people commenting on the Live going, ‘Mate, we were watching you before we went out. We’ve just gone on a whole night out in our city, come back and you’re still here playing,’” Fish said. “I just love it. Sharing and being able to get out those obscure records. Sometimes it’s the big anthems everyone knows and sometimes it’s a tune that was an anthem to me.”

He’s had a decades-long education in electronic music. Fish was introduced to the genre on the cusp of his teen years through an episode of the British detective show “Inspector Morse.” One episode took place in the illegal rave scene and he thought it looked like fun to party in an old warehouse.

Fish’s taste quickly developed by listening to pirate radio and vinyl. He pieced together his first setup with two hi-fi record players his dad had in the attic. Only one had pitch control. He learned to beatmatch by plugging a player into each side of his amplifier and using the balance knob to fade between them. He was given Soundlab DLP-1 belt-driven turntables for his birthday and his obsession accelerated over the next several years.

Fish56Octagon performing at the Dreamstate music festival in Long Beach.

(Niyaz Pirani)

“By then I was just spending every penny that I had on vinyl building my record collection up. It was all rave music, early old school, hardcore jungle, and then happy hardcore, drum and bass around that sort of time, early to mid-’90s,” he said. “I played quite a few house parties.”

He became a de-facto resident DJ in college, spinning vinyl in the student union, and dabbled in music production at the same time. He eventually sold his analog kit and synthesizers when he switched to Ableton. He downsized his record collection as he converted them to MP3s.

The demands of his post-college marketing career meant the DJ dream disappeared for many years. That was until his TikTok Live sets gave him a second chance as club promoters reached out in the hope of booking him. Fish admits a lack of confidence caused him to stay on the sidelines. It was an offer in February 2024 to play a solo show at Hidden in Manchester — about the same time he switched his channel over entirely to music — that got him out of his house and onto a stage.

“Even if I wasn’t sure that people would come, I knew that anyone that did come would be coming to see me,” he said. “ … I ended up putting a night on where I played for five hours straight, just me from the start to the end. When the tickets went on sale, it sold out a good couple of months before the event.”

Fish wondered if it was a one-off event or the beginning of a life-changing run. Then the offers came in from other big U.K. cities — FishTales in Newcastle; acid techno at Beaverworks in Leeds; raves in Liverpool and Birmingham. He hired an agent. Dropped some merch.

“Not sure how this happened! But I’m here for it and hope you are too,” he wrote online.

A 20-date summer tour featured three different sets at the famed Glastonbury Festival, and appearances at Reading and Creamfields. He also traveled to Ireland, Scotland and Malta, marking his first time playing professionally outside of England.

He quit his day job in August 2024 to DJ and focus on music production full time with the support of his wife, children and parents.

“They support me even though it comes at a cost that I can’t always spend as much time with them, but they understand that I’m following my dream, following my passion, and doing something positive,” he said.

He’s gained an appreciation as a historian of the genre. Fish’s followers have grown to include Skrillex, David Guetta, Disclosure, Bicep and more of the artists he has admired and now counts among his peers.

“For about the first year, I often would wake up in the morning — I’m gonna get a little bit emotional just talking about this — but I’d wake up in the morning and just think, ‘Wow, that was all a dream, wasn’t it?” he said. “Then I look at my phone. I can see that actually it was real.”

Fish attributes his success to social media, though he said it’s a mistake to think just having social media followers guarantees bookings and the upward trajectory of one’s career.

“They’re actually a function of each other. It’s because I was making content that proved to be popular about music that I managed to build up a following and have those opportunities come my way,” he said. “I’ve now played, getting on for, 200 professional gigs at various clubs, festivals, events, raves, all around the world.”

Fish waited until November 2025 to make his first trek to North America with an 11-date run featuring his first U.S. festival booking. He chose Dreamstate because he’s always had a special place in his heart for trance and the emotional connection people have with the music.

“I love all dance music, but trance is the one that can kind of tug at your heartstrings a bit with those melodies, and the chord progression, and the way that the beats can be so crisp when they come in, and the way the bass hits,” he said.

Fish performed Friday night on “The Vision.” It’s the same stage played by legends Chicane and Paul Oakenfold this year and Darude last. He also co-headlined an hour-long B2B with Night 1 Dreamstate headliner Gareth Emery early Sunday morning, as the top-billed act for the festival’s afterparty in the Grand Salon of the iconic Queen Mary.

He made his way to LAX after stepping off stage at 3 a.m. to fly to New York and play the last three hours of a 24-hour rave.

Chicane and Fish56Octagon run into each other in the lobby of the Long Beach Hilton after playing the same stage Night 1 of Dreamstate.

(Niyaz Pirani)

Fish has tour dates in New Zealand and Australia toward the end of the year, plus the largest show of his career March 28 at London’s O2 Academy Brixton. He’s also releasing music for himself and others under his record label Octagon Discs.

As his audience multiplies, Fish’s earliest followers remain enthralled by his seemingly infinite rise.

“How did the dude who recommends second-hand cars get to this. So happy for you dude,” one fan wrote in the comments of his Dreamstate recap video post.

“Music was my number 1 passion but i thought I was too old. Thanks for the support bro,” Fish replied.

“Amazing,” another chimed in. “But I would not recognize u in the wild without the bathrobe.”

Dec. 16 (UPI) — A suspect identified as Micah James Legnon has been arrested by agents from the FBI’s New Iberia office for allegedly planning an attack on federal agents.

Legnon, 29, was a member of the Turtle Island Liberation Front and had communicated with four members who were charged with allegedly planning a series of New Year’s Eve terrorist attacks in the Greater Los Angeles area on Monday, WDSU reported.

He is a resident of New Iberia and was arrested on Friday while driving to New Orleans after FBI agents saw him loading a military-style rifle and body armor into his vehicle and telling others in a Signal chat group that he was traveling to New Orleans.

New Iberia is located about 120 miles west of New Orleans, and Legnon allegedly shared a video that showed multiple firearms, gas canisters and body armor before leaving on Friday.

In that post, Legnon said he was “On my way to NOLA now, be there in about two hours,” but the FBI arrested him while driving east on U.S. Highway 90, according to WWL-TV.

In a Dec. 4 post, Legnon shared a Facebook post showing Customs and Border Protection agents arresting someone and said he wanted to “recreate Waco, Texas,” on the federal officers while referencing the 1993 federal siege on the Branch Davidians compound there.

He is a former Marine who was trained in combat and a self-professed satanist who used the alias “Black Witch” in group chats with four suspects accused of targeting locations throughout California.

Federal prosecutors filed a federal complaint against Legnon and asked the magistrate judge to seal it and related records due to an ongoing investigation.

They asked that it be unsealed on Tuesday, which is a day after the four suspects accused of planning the California terror attacks were charged with related crimes.

The FBI said Legnon had been communicating with the four suspects in California before the arrests were made and charges filed in the respective cases.

The Turtle Island Liberation Front is a far-left, anti-government, anti-capitalist and pro-Palestinian group, according to Attorney General Pam Bondi.

Professional wrestling legend Mick Foley announced Tuesday that he is “parting ways with WWE” because of the organization’s ties with fellow WWE Hall of Fame inductee President Trump.

“While I have been concerned about WWE‘s close relationship with Donald Trump for several months — especially in light of his administration’s ongoing cruel and inhumane treatment of immigrants (and pretty much anyone who “looks like an immigrant”) — reading the President’s incredibly cruel comments in the wake of Rob Reiner’s death is the final straw for me,” Foley, 60, wrote Tuesday on Instagram.

“I no longer wish to represent a company that coddles a man so seemingly void of compassion as he marches our country towards autocracy. Last night, I informed @WWE talent relations that I would not be making any appearances for the company as long as this man remains in office.

“Additionally, I will not be signing a new Legends deal when my current one expires in June.”

WWE did not immediately respond to a request for comment from The Times.

Following the killings of Hollywood icon Reiner and wife Michele Singer Reiner, Trump wrote on social media that the couple died “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

Trump added of Reiner, who had campaigned for liberal causes: “He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

Nick Reiner, 32, has been arrested on suspicion of murdering his parents. Trump’s comments have drawn bipartisan backlash.

Foley won the WWF (as the company was then known) championship three times in the late 1990s in his Mankind persona. He has also won eight WWF tag team titles and also has wrestled as Cactus Jack, Dude Love and under his own name. He retired from the ring in 2012 but has appeared in various roles for the league since then.

Foley was inducted into the WWE Hall of Fame in 2013. So was Trump, as a celebrity inductee.

A longtime pro wrestling fan, Trump has hosted WWE events and has been an active participant, both in and out of the ring, in a number of storylines. Late last year, Trump named Linda McMahon — the former longtime WWE chief executive and president whose husband, Vince McMahon, is the company’s founder — as secretary of Education for his second term.

When it comes to the greatest Premier League game ever, where do you even start?

Manchester United and Bournemouth served up an eight-goal thriller on Monday, which former Liverpool and England defender Jamie Carragher described as the “best game” so far this season in the English top flight.

Speaking on Sky Sports, Carragher said: “That’s what makes the Premier League the greatest product in the world.

“For the majority of that Manchester United were absolutely fantastic. Bournemouth were not at the races at all in the first half but they were fantastic in the second half. What a game. Brilliant.

“I think we have just seen the best game of the Premier League season so far.”

The Red Devils famously played out a 5-5 draw at West Brom in Sir Alex Ferguson’s final match in charge of the club in 2013.

And United’s 4-4 draw against the Cherries was the 17th time the scoreline has occurred in the Premier League era.

But where does Monday’s match rank among some of the other remarkable contests we have seen down the years?