SHOW BIZ

To celebrate her last show with Strictly Come Dancing, the cast surprised host Claudia Winkleman with a touching tribute that left her screaming as she struggled to open the final vote

Claudia Winkleman was left screaming after she was surprised with a touching tribute from the Strictly Come Dancing cast. As she informed audiences that the final vote of the season was open, she was shocked to see several dancers had donned replicas of the blazer she was wearing and wigs that looked exactly like her hair.

The host, who announced in September that she would be leaving the show after over a decade, screamed “No way!” when she noticed that not only had the dancers dressed up like her, but notoriously grumpy judge Craig Revel Horwood had as well. He remained stony faced as he stared at the camera from behind the fringe, but Claudia still reacted with utter joy.

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Claudia kept covering her mouth, laughing and screaming as she realised what was going on. It was the most emotional she had been about her exit so far, as Claudia and Tess Daly, who is also leaving the show, both seemed to choose not to address their exit at the start of the show and instead focus on the dancers.

But this did not stop Claudia from making a statement with her final show. She herself had made a tribute to prior host of the show during the series by wearing a blazer with the words “Keep dancing” written on the back.

The words were the catchphrase of original host Bruce Forsyth. Claudia took over as a primary host for Bruce in 2014, co-hosting with Tess when he stepped down.

Elsewhere in the show, Claudia pretended she and Tess had decided to do a showdance. Though this was not an explicit joke about them leaving, when Tess turned down the opportunity to dance, Claudia jokingly said to the male dancers that had accompanied her to the dancefloor: “Apparently tonight is all about the finalists.”

It came as a surprise to many when Tess and Claudia announced that they would be stepping down from the show after over ten years on it. The pair made the announcement via Instagram.

In a joint statement, they said: “We have loved working as a duo and hosting Strictly has been an absolute dream. We were always going to leave together and now feels like the right time.

“We will have the greatest rest of this amazing series and we just want to say an enormous thank you to the BBC and to every single person who works on the show.”

Taking to Instagram again, Tess and Claudia made a low-key goodbye to the show via another post. In this one, they shared a series of images from backstage, including one that showed off Claudia’s blazer. They captioned the post: “You better believe we’re gonna keep dancing.”

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AS a headstrong leading lady in Bridgerton’s ­second series, Simone Ashley’s character Kate Sharma found her happy ever after.

But it seems that in real-life, the actress is still searching for The One after her brief romance with businessman Tim Sykes ended.

The couple had been spotted ­kissing at the US Open tennis tournament in September, and holding hands as they sat courtside during a match at the Arthur Ashe Stadium in New York.

However, Simone has since unfollowed Tim on Instagram.

It’s not quite the fairytale love story her alter ego Kate enjoyed after marrying Anthony Bridgerton in Netflix’s Regency romp.

A source said: “Simone and Tim enjoyed spending time together during the summer.

ALL THE BRAWL-BLES

Most bitter Xmas No1 battles from glam rock clash to Teletubbies upset

SEXY SANTA

Lily Allen wows at star-studded Stringfellows party dressed as sexy Santa

“They have since decided that they want different things, so have ended their romance.”

It comes after Simone revealed she had split from her long-term boyfriend Constantin “Tino” Klein in February.

Chatting on BBC’s Woman’s Hour the following month about her new film, Picture This, she said: “It’s kind of ironic I’m promoting a romcom and, as of January this year, I’ve been entering my single era.”

Simone met former lawyer Constantin at the Grand Prix in Monaco in May 2022.

She later told Vogue magazine there was someone special in her life, but didn’t name him, explaining: “I’m very happy. We haven’t gone public yet.”

They went Instagram official soon after, with Simone sharing a snap of Constantin on his birthday in December 2022, captioned: “The best birthday surprise for the best person.”

Let’s hope she will be lucky in love in 2026.

A MERRY LIL’ XMAS

LILY ALLEN gives her best Mrs Claus impression during her Christmas party.

The West End Girl hitmaker posed in white stockings and suspenders with a red fur gown at London gentlemen’s club, Stringfellows, on Friday.

Lily was joined by model Lottie Moss along with fellow pop stars Olivia Rodrigo, Ella Eyre and Lola Young.

Lewis Capaldi was also spotted at the famous nightspot.

Lily performed Roll The Dice at the party and encouraged a singalong of West End Girl.

LIZZO IN SPIRITED QUEST

POP star Lizzo is swapping showbiz for the drinks biz after necking tequila live on stage.

It comes after the US star appeared at the 2019 Video Music Awards clutching a gem-encrusted bottle of the spirit.

Lizzo called the drink “chaquila”– which means a chug plus tequila.

But now her firm, Lizzo LLC, has applied for a global trademark to use the word Chaquila to sell drinks.

Papers filed with the UK Government’s Intellectual Property Office reveal she wants to use the term to market “alcoholic seltzers; alcoholic carbonated beverages, except beer; alcoholic beverages, except beer”.

The legal documents were lodged just days ago and are yet to be rubber-stamped.

Lizzo has even sung about her favourite tipple on the track Love In Real Life.

She sings: “Tequila, do your job, girl, help me change my mind. How many shots this time? (One, two, three, four).

“Tequila, do your job, girl, give me salt and lime. To help me fix my life (one, two, three, four).” Drink it all in, Lizzo.

GORDON AD IS A BIT ‘MEH’

GORDON RAMSAY already has a couple of Super Bowl adverts under his belt.

Now the telly chef has filmed a YouTube campaign for next year’s event alongside magician David Blaine and former NFL ace Jason Kelce.

The concept is how “Meh” the world would be ­without YouTube, and Ramsay’s role involves serving up a “meh-nu”. Geddit?

An insider tells me: “Gordon and David filmed their roles in London last week and Gordon was incredibly charming.

“David insisted on performing magic tricks for everyone.”

February’s Super Bowl is set to be star-studded with performances from Bad Bunny, and Charlie Puth.

BEYONCE TOUR TOP GROSSING

BEYONCE has spoken of her struggle to be taken seriously as an artist.

Her comments come as the US superstar saw her Cowboy Carter Tour named the No1 highest-grossing tour of 2025, according to US mag Pollstar.

The Texas Hold ’Em hitmaker saw the 32 stadium concerts gross a total of $407,600,113, (around £305million), with an average ticket price of £191.

She told Pollstar: “I’ve been touring since the age of 15, nonstop. I have slowly built my legacy brick by brick.

“This show is a testament to the power of consistency and the dedication put into any craft.”

On believing in herself when some of the industry did not, she continued: “I’ve learned at a young age that nobody invests in you like you invest in ­yourself. I’ve slowly built with every tour.”

Beyonce rose to fame in Destiny’s Child alongside Kelly Rowland and Michelle ­Williams.

She added: “The first tour Destiny’s Child did with Wyclef Jean, we toured in a minivan.

“On a later tour in the late ’90s, we did our quick changes in a muddy tent in the rain because we didn’t have proper dressing rooms, designing our own clothes because designers would not.

“A decade of visiting every radio station on Earth, advocating for ourselves. Slowly building into being able to tour with a small band.

“More building until we could tour with dancers.

“Finally, selling out my first arena as a solo artist. The decades of fighting with the promoters, convincing them that an R&B artist could sell out a stadium.

“I continued to invest in myself and stay focused on the vision.

“I’m beyond grateful for my fans that have been a part of my journey.

“It’s important to me that they leave the show reinvigorated and inspired, feeling more in love with themselves, and closer to the people they love.”

I was lucky enough to be at the tour this year and Queen B rules.

TIM RAPS RUMOURS

HOLLYWOOD actor Timothee Chalamet has quashed rumours he is masked rapper Esdeekid – by joining the Liverpudlian in a video for a remix.

Fans speculated the Wonka actor was the mysterious drill artist as they were said to have similar eyes.

But in a 99-second video for EsDeeKid’s track 4 Raws posted online on Friday night, Timothee danced with the balaclava-clad bad boy in a cramped kitchen.

Timothee also referenced his rapper alter-ego Timmy Tim and his make-up mogul girlfriend Kylie Jenner.

The Oscar-nominated actor, right and below in the video, raps: “It’s Timothee Chalamet chillin’, tryna stack a hundred million, girl got a billion.”

While the full remix has yet to be released, the video clip has already received nearly two million likes, along with comments from UK rapper Central Cee and US rap star Rich The Kid.

Timothee is now promoting his upcoming movie Marty Supreme, in which he plays ping-pong prodigy Marty Mauser.

It’s a white laugh for Kyran

Snow White Drag Panto

★★★★☆

FORGET kids’ panto – this adults-only Snow White in London’s West End is packed with innuendo and belly laughs.

Drag Race UK champ Kyran Thrax slays as the venomous Wicked Queen, left, serving glorious­ glamour and killer one-liners, while newly-svelte Kitty Scott-Claus sparkles as the sassy Fairy.

The massive cast at the Emerald ­Theatre delivers outrageous comedy and audience banter, poking fun at everyone from Andrew Mountbatten-Windsor to Nigel Farage.

It’s pure festive filth – definitely not for snowflakes or prudes.

Grab your tickets quickly before it vanishes on January 4.

A proper cracker.

UNA TO HAM IT UP FOR CRIMBO FEAST

THE SATURDAYS’ beauty Una Healy is shunning traditional ­turkey this Christmas.

The Tipperary star explained: “We’ve got the bird flu in Ireland so we’ll have to have ham.”

It’s not the first time turkey has been off the Crimbo menu.

At last month’s Irish Post Awards she recalled: “My mum came to visit me and she bought the turkey. But it was so bad we had to throw it out. Even the foxes wouldn’t eat it.”

The Ready For Christmas singer says the glamour of life in the girlband – on hiatus since 2014 – is gone and she now drives herself to gigs, adding: “It’s back to basics. I do my own hair and make-up.”

What a trouper . . . 

It’s odd the moments you remember after someone’s gone.

Scrolling through a seemingly infinite number of clips featuring Rob Reiner being compassionate and kind, scenes from his movies that feature a bone-deep empathy for the ways human beings struggle and strive to be better, I kept thinking back to a little wink in “This Is Spinal Tap,” the 1984 mockumentary Reiner directed and co-starred in, playing filmmaker Marty DiBergi.

I’ve seen this movie so many times that I could probably act out the whole thing upon request. It provided a soundtrack to a family trip to Stonehenge several years ago. But thinking about Reiner in the wake of the horrible news that he and his wife, Michele Singer Reiner, were found dead in their home on Sunday night, their son Nick subsequently charged with their murders, I randomly landed on the scene where DiBergi talks with Spinal Tap lead singer David St. Hubbins (Michael McKean) after guitarist Nigel Tufnel (Christopher Guest) leaves the band.

St. Hubbins blithely insists he won’t miss Nigel any more than insignificant band members who played briefly in the group. DiBergi is stunned. He loves Spinal Tap and fears for its future. Reiner plays the moment with such sincere heartbreak, partly in character, but mostly I think because that’s who he was. Reiner couldn’t help it. He felt things deeply and spent much of his life working to make things better for those on society’s margins. He will be missed in so many ways.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter. How to describe this week? None more black will do. But Christmas is coming, and that Vince Guaraldi song never fails to make me smile. Let’s look at some good news for those who made the Oscar shortlists this week.

Voters, consider these

The film academy announced shortlists for 12 categories at the 98th Oscars, whittling down the list of contenders and offering a few indications about what films are scoring early points with voters.

Ryan Coogler’s critically acclaimed, genre-defying blockbuster “Sinners” picked up eight mentions, as did “Wicked: For Good.” Both movies placed two songs on the original song shortlist and both were cited in the newly created casting category.

Guillermo del Toro’s “Frankenstein” followed with six mentions, and “One Battle After Another,” “F1” and “Sirât” each scored five.

The bounty for “Sirât,” the Oliver Laxe thriller that is unquestionably one of the most memorable movies of the year, offered an indication that the word of mouth on this movie is strong enough to land it a spot among the nominees for international feature.

Can it do better than that? It should. Here are five suggestions for voters, including “Sirât,” as the lists are narrowed ahead of Oscar nominations on Jan. 22.

Cinematography: ‘Sirât’

“Sirât” contains so many surprising twists and turns that when asked to describe the plot, I simply tell people that it’s about a father who shows up at a rave in southern Morocco with his young son looking for his missing daughter. The long desert journey they end up taking is astonishing, and cinematographer Mauro Herce, shooting on 16mm film, captures every treacherous mile in dramatic detail.

Original score: ‘Marty Supreme’

Voting with the Los Angeles Film Critics Assn., I cast my ballot for Kangding Ray’s hypnotic score for (you guessed it) “Sirât.” But that was just one of many soundtracks that found its way into my life this year. Hans Zimmer’s synth-heavy “F1” score makes for propulsive listening while pedaling on an exercise bike and ranks among the celebrated composer’s best work. And I share Times film editor Josh Rothkopf’s enthusiasm for Daniel Lopatin’s throwback electronic beats in “Marty Supreme,” a delight for anyone who grew up listening to the ethereal soundscapes created by Tangerine Dream.

Casting: ‘Weapons’

I’m highlighting Zach Cregger’s horror-mystery “Weapons” here partially because of its inexplicable absence in the makeup and hairstyling category. I guess voters knew it was Amy Madigan in that bright red wig all along. That omission aside, “Weapons” is a prime example of what a great casting director can do, making use of familiar faces (Josh Brolin, Julia Garner, Madigan) in unexpected ways, finding the right child actor (Cary Christopher) to deliver big emotional moments and elevating emerging talent (Austin Abrams) to unexpected heights. Allison Jones, one of the greats, belongs among the casting category’s inaugural set of nominees.

Original song: ‘I Lied to You’

I mean, you saw that scene in “Sinners,” right?

Documentary: ‘My Undesirable Friends: Part 1 — Last Air in Moscow’

Julia Loktev’s five-hour chronicle of the chilling Russian crackdown on independent journalists has won documentary honors from both the Los Angeles and New York film critics. The doc begins in 2021, when the journalists, mostly women, are forced to label themselves as “foreign agents” simply for doing their jobs, covering Putin’s regime in a factual manner. Things intensify after Russia’s invasion of Ukraine, turning “My Undesirable Friends” into a cautionary tale about the perils of bending to an autocrat. It goes without saying, but this is essential viewing.

Dianne Buswell made Strictly Come Dancing history this year as the first dancer to take to the ballroom and compete whilst pregnant, and the show’s tribute to her pregnancy left fans in tears

Strictly Come Dancing gave a special tribute to Dianne Buswell‘s pregnancy during the live final. The dancer, who competed with fellow Aussie Stefan Dennis this year, was the first to compete on the show whilst pregnant.

During the final, the eliminated couples all took to the dancefloor again for a big group dance. When Dianne and Stefan performed their part of the routine, Strictly first paid tribute to Stefan’s legendary run on the TV show Neighbours by framing the couple as though they were in the title credits for the soap.

As the tribute continued, fans noticed another little tribute to Dianne’s pregnancy. The words that came up on the screen read: “Starring Stefan, Dianne and Bump!”

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This tribute left fans in tears. One took to X to say: “‘And Bump’ is the moment I burst out crying, oh my God I’m such a wreck.” Another said: “Dianne and bump I’m sobbing!!”

Others used the moment to come to the dancer’s defence. “Can we give Dianne her own little trophy because that girl deserves it and more. The amount of hate, criticism and judgment she’s received the whole series just because she showed everyone you can still live out your passions even if you’re pregnant. What a woman.”

Throughout her time on the series this year, Dianne has faced heaps of scrutiny for continuing to dance, with many worried about how the cartwheels and running up and down stairs would affect the baby. The criticism came despite Dianne getting assurances from a doctor that dancing would be safe for the baby.

Dianne herself had to take to social media to hit back at trolls who said they “can’t watch a pregnant girl dance”. She shared a clip to her Instagram where she did a cartwheel and wrote over the top: “For all those people saying they can’t watch a pregnant girl dance! I just can’t help it when I hear the beat.”

She also shared a post to her Stories where she shared how much she hated the comments. Over a screenshot of a comment that said they were “uncomfortable” watching Dianne dance and that they felt the BBC had “made a mistake” by letting an “advanced maternal age mother” dance, Dianne wrote: “I have honestly had enough of comments like these.”

These were not the only times Dianne had to defend herself. After Stefan Dennis exited the show following an injury, one fan said they thought it was a set up to “keep her and baby safe”. A frustrated Dianne shared a statement on Instagram.

“I sound like a broken record but I’m seeing a bit of this floating around again! I know people say ignore it but actually why should I,” she said on her Instagram stories.

“I will speak up… I would love nothing more than to keep dancing this week next week the week after that so so on and so forth. In fact I have more energy this year than I did this time last year.”

She added: “Please respect Stefan who is extremely gutted to not be able to dance and stop presuming this was a set up! because believe me we would if we could!”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

LOLA Young has made her comeback to social media after taking a sudden break from her music career.

The performer shocked concert-goers when she plummeted to the ground on stage in September and just days later announced she was stepping away from the limelight for the “foreseeable future.”

Lola, 24, returned to Instagram with some positive news for fans and promised she was doing a lot better.

“Hey, I just wanted to express gratitude to everyone who has given me time and space to gather myself and get my head in a better place,” she wrote in the heartfelt post.

“I’ve felt so much love and support from you all and it has helped more than you will ever know.”

Lola continued: “I am hoping to gradually get back to performing and continuing pursuing my dreams. Happy holidays to you all and can’t wait to see you in 2026.

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“Life is a journey, nothing is perfect but today I am doing well. All my love always, Lola x.”

The London-born singer had just released her critically-acclaimed debut when she made the sudden decision to press pause on her career and cancelled her tour.

Announcing her departure in a heartbreaking statement shared on Instagram, Lola said she hopes her followers will give her a “second chance”.

“I’m going away for a while. It pains me to say I have to cancel everything for the foreseeable future. Thank you for all the love and support,” she wrote in a post at the time.

“I’m so sorry to let anyone down who has bought a ticket to see me, it hurts me more than you know.”

The singer had gone through a series secret struggles – from a mental health diagnosis to an ongoing nepo baby row and even legal issues.

Last year, while Lola’s biggest hit was climbing up the charts, she was checked into a rehab facility for an addiction to cocaine.

It’s thought she was admitted last November and the drug addiction swamped the singer for “a long time”, she said in an interview with The Guardian.

She also revealed she ‘hated’ her body after trolls flooded her social media accounts with cruel comments.

Meanwhile, when she was 17, she was diagnosed with schizoaffective disorder.

The condition is a mix of schizophrenia symptoms, such as hallucinations and delusions, according to the NHS.

Writing on Instagram in 2022, Lola explained: “I have struggled immensely learning to accept this part of myself, and I am still learning.”

With the ongoing fracas over President Trump’s demolition of the White House’s East Wing, a number of other Trump administration-led attempts to remake the architectural landscape of Washington, D.C., have flown largely under the radar. This includes the sale and possible demolition of the Wilbur J. Cohen Building, which was completed in 1940 and was added to the National Register of Historic Places in 2007.

Part of what makes the building so beloved is a series of 1942 frescoes by Ben Shahn titled “The Meaning of Social Security,” commissioned as part of the Roosevelt administration’s robust New Deal art program. In a recent article in the New Republic, architectural historian Gray Brechin is quoted as calling the Cohen building, “a kind of Sistine Chapel of the New Deal.”

The structure, originally known as the Social Security Administration Building, has served as the headquarters for Voice of America since 1954. In March, Trump signed an executive order cutting funding for the agency that oversees VOA, and most of its staff was placed on administrative leave. In June, more than 600 VOA employees received layoff notices, and the service basically shut down.

At the beginning of this year, Congress agreed to sell the Cohen building, which had been suffering from major maintenance issues. The scope of the threat to the building became clear earlier this month when Bloomberg reported that “The White House is independently soliciting bids to recommend the demolition of the historic buildings [including the Cohen building], without the input of the General Services Administration, which maintains government buildings.”

A petition on Change.org now seeks to oppose the new “accelerated disposal” program.

“Federal properties can be sold quickly with limited public input. As powerful interests move in haste to sell this historic building, we call for the process to be paused and conducted with transparency, respect, and public participation,” the petition, which has garnered more than 4,700 signatures, states.

The Shahn frescoes aren’t the only precious New Deal artworks in danger. Other art housed in the Cohen building include murals by Seymour Fogel and Philip Guston.

I’m arts and culture writer Jessica Gelt wondering when enough is enough. Here’s your arts news for the week.

On our radar

Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Concert Hall.

(Jamie Phan / Los Angeles Master Chorale)

Disney Hall-e-lu-jah
It’s hard to imagine the holidays without music, and the Los Angeles Master Chorale has three days of caroling and chorusing that should lift anyone’s seasonal spirits. A new addition to the choir’s traditional offerings is the family-friendly “Carols for Kids” (11 a.m. Saturday. Walt Disney Concert Hall), featuring Youth Chorus LA and designed for even the squirmiest children, 6 and under. That will be followed by the “Festival of Carols” (2 p.m. Saturday. Disney Hall), a program of global holiday music. The group’s performance of “Handel’s Messiah” (7 p.m. Sunday. Disney Hall) is a worthy centerpiece of any celebration. If you’re ready to have your own voice be heard, “Carols on the Plaza” (6 p.m. Monday, across the street at the Music Center’s Jerry Moss Plaza), is your chance to join in on free outdoor caroling with family, friends and fellow Angelenos. Festivities conclude with the Master Chorale’s “Messiah Sing-Along” (7:30 p.m. Monday) back at Disney Hall where 2,000 voices will unite for the “Hallelujah Chorus.”
— Kevin Crust
Walt Disney Concert Hall, 111 S. Grand Ave.; Music Center, 135 N. Grand Ave., downtown L.A. lamasterchorale.org

The week ahead: A curated calendar

FRIDAY
The Fruit Cake Follies
In its 27th year, this madcap holiday variety show promises “music, mirth and merriment.”
8:30 p.m. Friday and Saturday, with dinner at 6:30 p.m.; 1 p.m Sunday, with brunch at 11 a.m. Catalina Jazz Club, 6725 Sunset Blvd. Hollywood. catalinajazzclub.com

Guadalupe Maravilla: A Performance
Expanding on his solo exhibition “Les soñadores,” the transdisciplinary artist creates a collective ritual combining sound, vibration and healers from around the world alongside L.A.-based artists.
8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Piotr Beczala
The Polish-born tenor, known for his work in opera and the classical vocal canon, performs, accompanied by conductor and pianist Kamal Khan.
7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica broadstage.org

“Wet” by Sahar Khoury at Parker Gallery, 2025

(Sahar Khoury / Parker Gallery)

Sahar Khoury
The interdependence of materials and their social and cultural environments inspired the sculptor’s newest solo exhibition, “Wet,” a series of pieces created from ceramic, steel, iron, brass and aluminum.
11 a.m.–6 p.m. Tuesday–Saturday, through Jan. 17. Parker Gallery, 6700 Melrose Ave. parkergallery.com

SATURDAY
Christmas Joy Concert
The free Third@First concert series continues with a program of carols, classic and new.
4 p.m. First United Methodist Church of Pasadena, 500. E. Colorado Blvd., Pasadena. thirdatfirst.org

Sanaa Lathan and Omar Epps in the romantic drama “Love & Basketball.”

(New Line Cinema)

Love & Basketball
Writer-director Gina Prince-Bythewood marks the 25th anniversary of her modern romance classic, starring Sanaa Lathan, Omar Epps, Alfre Woodard and Dennis Haysbert.
7 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

The cast of “Nutcracker! Magical Christmas Ballet.”

(Konstantin Viktorov / Nutcracker! Magical Christmas Ballet)

Nutcracker! Magical Christmas Ballet
This 80-plus city tour offers a distinct blend of classical ballet with avant-garde circus techniques and global influences, complete with 10-foot-tall animal puppets constructed by Roger Titley. For its 33rd year on the road, the production adds a new character: Sweets the Dog, created by Barry Gordemer of the award-winning puppeteer studio Handemonium.
— Ashley Lee
Noon, 4 and 8 p.m. Saturday. Wiltern Theatre, 3790 Wilshire Blvd., Los Angeles; and 1:30 and 6:30 p.m. Sunday. La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. nutcracker.com

SUNDAY
Collecting Impressionism at LACMA
This new exhibition traces how the museum built its collection and its pursuit of legitimacy through early acquisitions of American and California Impressionism and donations of paintings by Edgar Degas and Camille Pissarro from major Hollywood collectors.
Through Jan. 3, 2027. Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

Actor Taylor Nichols, left, and director Whit Stillman at a 20th anniversary screening of “Metropolitan” at the 2010 Sundance Film Festival.

(Jemal Countess / Getty Images)

Metropolitan
It’s hard to believe that it’s been 35 years since the young socialites of the “urban haute bourgeoisie” entered our consciousness via filmmaker Whit Stillman’s delightfully droll film and its banter-driven, Oscar-nominated screenplay. Stillman and actor Taylor Nichols will be on hand for a Q&A with the screening.
2 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

WEDNESDAY

Aloe Blacc and Maya Jupiter host the 2025 L.A. County Holiday Celebration.

(Music Center)

L.A. County Holiday Celebration
The Music Center’s annual spectacular features more than 20 local music ensembles, choirs and dance companies. The free, ticketed event will also be broadcast on PBS SoCal. Aloe Blacc and Maya Jupiter are this year’s hosts.
3-6 p.m. Dec. 24. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org

— Kevin Crust

Dispatch: A director with a human touch

Cameron Watson is the new artistic director of Skylight Theatre Company.

(David Zaugh)

Stage director Cameron Watson has one of the best batting averages in town.

His productions of “The Sound Inside” at Pasadena Playhouse, “On the Other Hand, We’re Happy” for Rogue Machine Theatre at the Matrix and “Top Girls” at Antaeus Theatre Company were morale-boosting for a critic in the trenches, offering proof that serious, humane, highly intelligent and happily unorthodox drama was alive and well in Los Angeles.

Watson’s appointment as artistic director of Los Feliz’s Skylight Theatre Company starting Jan. 1 is good news for the city’s theater ecology. Producing artistic director Gary Grossman, who led the company for 40 years with enormous integrity, built the small but ambitious Skylight into an incubator of new work that embraces diversity and the local community.

Developing new plays is fraught with risk. Watson has the both the artistic acumen and audience sensitivity needed to usher Skylight through this perilous moment in the American theater when so many companies seem to be holding on by a thread.

Watson, like Peter Brook before him, knows how to convert an empty space into a realm of magic and meaning. For Watson, the play’s the thing. But for the spark to happen, actors and audience members need a director as intuitively attuned to the uncertain human drama as Skylight Theatre Company’s new leader. (The director’s current production of “Heisenberg” at Skylight ends Sunday.)

— Charles McNulty

Culture news and the SoCal scene

Moving in stereo
The most Tony-nominated play in Broadway history, “Stereophonic,” is playing at the Hollywood Pantages Theatre through Jan. 2. Times theater critic Charles McNulty caught opening night and wrote that the first touring production fails to capture the high notes of the Broadway original. A few days later, I sat down for an interview at Amoeba Records with Will Butler, the former Arcade Fire multi-instrumentalist who wrote the music for the show. Our interview took place before Butler got onstage with the cast of the show for a short live in-store performance.

Live from L.A., it’s Ben Platt
McNulty also attended opening night of Ben Platt’s 10-day residency at Center Theatre Group’s Ahmanson Theatre, noting that Platt, “wears both his nervous diffidence and his blazing talent on his sleeve.”

Boiling in Brooklyn
Brooklyn was also on McNulty’s itinerary, where he saw Michelle Williams in the new revival of Eugene O’Neill’s “Anna Christie” at St. Ann’s Warehouse. “Michelle Williams seems to have unlimited emotional access. Her inner intensity expresses itself in a frenzy of volcanic feeling that can never be tamped down once it reaches its boiling point,” McNulty writes.

Zakir Hussain tribute
Times classical music critic Mark Swed headed to the Nimoy Theatre in Westwood to watch tabla player Salar Nader perform with the Third Coast Percussion ensemble. The show celebrated the group’s collaboration with the late Zakir Hussain’s “Murmurs in Time,” which was the tabla legend’s last work.

The name game
The Kennedy Center continued its Trump-era transformation Thursday after the board voted unanimously to rename the world-famous performing arts venue The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts. It remains unclear if the move is legal, or if the name change will need to be made official via an act of Congress.

Viva Las Vegas
I got a look at newly revealed architectural plans for the Las Vegas Museum of Art, which is expected to break ground in 2027. Pritzker Prize-winning architect Diébédo Francis Kéré is designing the city’s first freestanding museum and says his ideas were inspired by the red rocks and canyons of the desert surrounding Sin City.

LACMA United
Workers at Los Angeles County Museum of art voted to unionize Wednesday. The vote in favor was 96%, and came after LACMA rejected workers’ requests for voluntary recognition. Staffers have expressed disappointment in management over what they are calling its anti-union campaign.

La malchance
The Louvre is down on its luck. Maintenance issues have lately plagued the famous Paris museum, and then there was that infamous heist. Now workers have voted to strike over working conditions among other complaints.

— Jessica Gelt

And last but not least

Here’s a list that you will either love or hate (I love it): Here are the best tuna melt sandwiches in L.A. and Orange County.

Actress Roxy Shahidi’s final scenes aired earlier this year with fans heartbroken at the character’s exit, when she bid farewell to Leyla Harding after several years in the role

One Emmerdale star admits she lost her identity following her exit from the soap. Former Emmerdale actress Roxy Shahidi has spoken candidly about the emotional impact of leaving the ITV soap, admitting she struggled with her sense of identity after her character was written out.

Roxy played Leyla Harding, a long-standing and much-loved character on the show, first appearing in 2008 before returning full-time in 2013. After more than a decade on screen, Leyla met a tragic end earlier this year in dramatic scenes that saw several characters plunged into icy water following a limousine crash.

Although Leyla initially survived the accident, viewers later learned she died in an ambulance before reaching hospital, marking the end of Roxy’s 17-year journey on the soap.

Nearly a year on from leaving Emmerdale, Roxy has reflected on the transition and how it affected her personally. In an emotional Instagram post, she admitted stepping away from the role was far more challenging than she anticipated.

“This time last year, I was coming to terms with having to leave this lot behind. Not just colleagues, but friends and family,” she wrote.

She went on to explain how deeply intertwined her character had become with her own sense of self, adding:

“Playing Layla wasn’t just a job; she was a huge part of my identity, and some days I spent more time being her than being myself.

“Losing that sense of identity was hard, but long walks with Mr Cooper [her pet cockapoo] gave me space to breathe, reflect and stay hopeful.”

Since leaving the soap, Roxy has shifted her focus towards wellbeing and has been teaching yoga online. She revealed the practice helped her process the emotional fallout of the change.

“Yoga once again became my anchor on the hardest days, moving my body helped me move through grief, loss and uncertainty,” she continued.

Adding that her yoga platform has helped her build a new chapter in her life, she went on: “Now YogaRox has grown into a new home, a new family, and a new sense of self.

“I don’t know exactly how I’ll get there, but I know where I’m going. Thank you to everyone who’s supported me through a year of challenge, growth, and transformation; here’s to 2026.”

Her post was quickly flooded with supportive messages, including from former Emmerdale co-stars. Laura Norton, who plays Kerry Wyatt, commented: “You’re amazing. You are very missed. Sky is the limit.”

Fellow soap stars Claire Sweeney, Isobel Hodgins and Ross Adams also shared messages of love.

Fans echoed the sentiment, with one writing: “You are still so missed by us Emmerdale fans. But you are smashing it now with your new projects, you are amazing!! Xx”

Another added: “I miss seeing you shine on my screen every night but being able to see you absolutely smashing the yoga is everything, heres to an amazing 2026 and I hope the new year brings you nothing but happiness and big achievements.”

Like this story? For more of the latest showbiz news and gossip, join The Mirror’s WhatsApp Community or follow us on Google News, Flipboard, Apple News, TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads – or visit The Mirror homepage.

LOVE Island star Lucie Donlan is shockin’ around the Christmas tree in a saucy low-cut Ann Summers dress.

The model, 27, helped the raunchy retail chain launch its Styles range, including this red All Wrapped Up festive number with a giant bow.

She has also been seen sleighing it in the company’s Sexy Santa Basque set.

In July Lucie enjoyed a spectacular break in Abu Dhabi which she received free of charge in exchange for an advert to her 1.5m Instagram followers.

In her caption, Lucie wrote: “This week I’ve had the pleasure of staying at @erth.uae.

“A breathtaking and unique Hotel located 15 minutes from downtown Abu Dhabi.

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“When I first arrived it felt like stepping into nature as the whole hotel has been beautifully designed with sandy warm colours inspired by our planet and aspects of rich cultural Emirati heritage.

Lucie has been in a relationship with her former co-star, Luke Mabbott, 29, with the pair going on to become engaged in 2021.

Back in December the loved-up pair got accused of ‘getting engaged for likes on Instagram’ when they celebrated their proposal on holiday.

Luke shared a snap from their special moment with the caption: “2 year’s engaged…”

Some took to the comments section to share how confused they were by their engagement.

One user commented: “I’ve always said that an engagement isn’t real unless they’ve set a date for a wedding.

They continued: “Otherwise, it’s just like my plan to be a millionaire: it’s it’s vague goal without any realistic “when” or “how”.”

The couple shot to fame on different series of Love Island.

Pete Davidson has officially entered fatherhood, welcoming his first child with British model-actor Elsie Hewitt.

The former “Saturday Night Live” comedian, 32, and his girlfriend, 29, are new parents to a baby girl, Hewitt announced Thursday. “Our perfect angel girl arrived 12/12/2025,” the model captioned her Instagram post.

Hewitt shared scenes from Scottie Rose Hewitt Davidson’s arrival, including their first family selfie, images from the labor room and snaps of her own post-push sushi meal. In her caption, Hewitt described her daughter as “my best work yet.”

“I am absolutely overflowing with love and gratitude and disbelief,” she added.

Davidson apparently had other words to herald the arrival of his first child: “Wu tang forever.”

The pair welcomed their first child after less than a year of dating. Davidson (whose dating history notably includes high-profile relationships with Kim Kardashian and Ariana Grande) was first romantically linked to Hewitt (who previously dated Jason Sudeikis and Benny Blanco) in March when they were seen kissing in Palm Beach, Fla. Two months after making their relationship red carpet official, the couple announced in July they were expecting a little one.

“welp now everyone knows we had sex,” Hewitt captioned her casual pregnancy announcement.

In addition to recovering from labor, Hewitt revealed that she is simultaneously bouncing back from another procedure. In an Instagram story posted Thursday, Hewitt shared a selfie of herself in a pink hoodie with an ice pack around her cheeks as she held onto her daughter’s car seat.

“Who else had to get a wisdom tooth removed directly from the hospital the day after they gave birth,” she captioned the photo.

A GROUP of office workers were left shocked when they learned their colleague is a former child star, and had a role in an iconic festive film.

The actor now keeps a low profile working as a Logistics Manager for the upcoming 2026 Commonwealth Games, which will take place in Glasgow. But do you recognise him?

Joe Lane appeared in 2009 hit Nativity!, which featured Martin Freeman, Jason Watkins and Ashley Jensen.

He portrayed schoolboy Edward in the film, which is centred around a heartbroken primary school teacher’s journey to make his class’s nativity play reach Hollywood, and win his ex-girlfriend back in the process.

In a TikTok shared by Joe’s colleagues, the former actor was left red-faced when they figured out his famous past.

The clip showed Joe, dressed in a Christmas jumper and a festive headband, as he is shaken by his colleagues.

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It then cuts to clips of him in the movie, before his colleagues recreate a hilarious moment by his character Edward.

Joe’s starring moment in the film saw him take to the microphone during the final Nativity performance and impersonate fart sounds with his armpit.

The former child star had his head in his hands when his co-workers cornered him at his desk and re-enacted the funny moment in the TikTok video.

“When you find out your colleague was in the nativity films,” read the video, with the caption adding: “The most exciting office development this week”.

The film was cast by producers holding open calls for local kids in Coventry, with the aim to use non-professional actors for an authentic feel.

After appearing in the first movie, Joe appears to have steered away from continuing an acting career.

He went on to become a semi-professional rugby player, before moving into logistics for sporting events.

Coventry-born Joe is now living in Glasgow after spending time in Australia and London.

It appears he has been keen to keep his famous past under wraps in the workplace.

One TikTok user commented on the video to reveal that they had previously worked with Joe, and had no clue of the connection.

“I worked with Joe at Coventry Rfc and unless I was out of the loop he kept this very well hidden!” they said.

Another commenter joked “So he didn’t become shrek??”, referencing the scene in Nativity! where character Mr. Poppy told Edward, “You could be Shrek”.

A number of the children who appeared in Nativity! returned to their normal lives following the movie, and despite its massive success, have gone into regular jobs.

Cadi Mullane, who played Crystal – one of the main children in the film – previously detailed what filming was like in a TikTok video.

She said: “I was part of an agency called Stagecoach, they were looking for kids who were really chatty, who could dance a little bit and sing a little bit. Apparently that was me.

“There was about seven auditions. But I’m from Wales so I had to keep travelling up to London which was a bit annoying, but it was OK because I really wanted to be in a film.

“They looked at how well we could sing and how well we got on with the other kids, cause that was important, obviously.”

Cadi went on to recall how the movie filmed throughout the summer, with no scripts for the children.

She said: “It was filmed in Coventry but obviously I’m not from Coventry so we all stayed in a hotel together. It was like The Suite Life Of Zach and Cody, honestly.

“There was no scripts. Everything was improvised, except from some bits. We basically just spoke loads of rubbish, and then we were asked to say it again on camera.”

Bowen Yang, a fan-favorite cast member of “Saturday Night Live,” is leaving the series after this week’s episode.

Representatives for Yang and “Saturday Night Live” did not comment on the move Friday. However, on Saturday, he confirmed his upcoming departure via a post on his Instagram account. “i loved working at SNL, and most of all i loved the people. i was there at a time when many things in the world started to seem futile, but working at 30 rock taught me the value in showing up anyway when people make it worthwile,” he wrote. “i’m grateful for every minute of my time there.”

Yang also thanked Ariana Grande, this week’s host and his “Wicked” co-star,” for “sending me off in the dreamiest way I could imagine.” The pair, alongside musical guest Cher, were seen in promos for Saturday’s episode.

There has been recent speculation about whether Yang would finish the current season of the show. He has appeared on “SNL” since Season 45 after a year of working on the writing staff.

Yang took on a variety of roles in the NBC sketch comedy series, including impersonating Vice President J.D. Vance, Fran Lebowitz and pygmy hippopotamus Moo Deng. Yang received his fifth Emmy nomination for his work on “SNL’s” historic 50th season.

Outside of “SNL,” Yang has appeared in several other projects recently. He co-hosts the popular podcast “Las Culturistas,” with fellow comedian Matt Rogers, and their seminal Las Culturistas Culture Awards was televised for the first time this year, airing on Bravo and streaming on Peacock. Yang also appeared in the “Wicked” film and its recent sequel, “Wicked: For Good,” and has starred in several other feature films, including “The Wedding Banquet,” “Fire Island” and “Dicks the Musical.”

In early December, Yang confirmed he and Rogers would be co-writing and starring in an untitled comedy for Searchlight Pictures. The movie will reportedly follow two Americans who fly across the world to try to get into the exclusive Berghain nightclub in Berlin.

Yang is not the first “Saturday Night Live” cast member to leave midseason — he joins the company of past “SNL” greats like Cecily Strong, Molly Shannon, Amy Poehler and a handful of others who exited the show outside of the traditional period for departures while the show is on summer hiatus.

Prior to the start of Season 51, NBC and executive producer Lorne Michaels made some major cast changes, adding five featured players after a series of departures. Ego Nwodim, Heidi Gardner, Michael Longfellow, Devon Walker and Emil Wakim exited the series before the season premiere in October.

Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska joined the cast for the current season. Marshall was previously on the “SNL” writing staff and is known for his on-camera appearances as a part of the Please Don’t Destroy comedy trio.

The 51st season of “Saturday Night Live” will continue in early 2026 and run through the end of the television season in May.

Tess Daly and Claudia Winkleman are leaving Strictly Come Dancing the 2025 series draws to a close

Tess Daly and Claudia Winkleman’s “true feelings: about leaving Strictly Come Dancing might have been uncovered.

The beloved hosting duo shocked fans back in October when they announced that they would be stepping down from the programme at the end of the current series.

They have fronted the BBC programme together since 2014, with Claudia replacing Sir Bruce Forsyth, who presented the original series with Tess from 2004.

Tess previously took to Instagram to share a statement, and was showered in support from fans and friends alike. She wrote: “After 21 unforgettable years, the time has come to say goodbye to Strictly Come Dancing.”

The star added: “This isn’t a goodbye to glitter, sequins, or Saturday night sparkle (I could never say goodbye to those!). Strictly will forever hold a special place in my heart – but it does feel like the right time to hand over the reins.”

Tess and Claudia will present their last live show tonight (Saturday, December 20), as Strictly returns to screens for this year’s grand final. The pair will then appear on the show’s festive special on Christmas Day, where they will take part in a memorable performance.

Now, a body language expert has examined Tess and Claudia’s recent TV appearances and pointed to subtle gestures that hint at unease behind the scenes.

Speaking on behalf of Betfair Casino, Darren Stanton explained that the pair’s body language suggests that they are nervous ahead of their Strictly exit.

“What stands out for me when I watch Tess and Claudia discuss their departure in interviews is how their posture, voices, and micro-expressions always soften more than usual. It’s clear they are masking a good deal of emotion beneath a very controlled surface. From a body-language perspective, it doesn’t read like a light or casual decision,” he said.

“There are clear signs of nerves from both of them about the future, visible in subtle cues such as lip biting, the way they look at each other, and how they turn toward one another when discussing their departure, almost as if they are operating as a single unit.

“It doesn’t seem to be apprehension about the future itself, but about the difficulty of leaving something familiar.

“Tess, who has been part of the show for a long time, shows small gestures and micro expressions of nerves, like wringing her hands. Claudia shows similar gestures, proving that they both feel the impact of leaving the show.”

Since the announcement of Tess and Claudia’s exits, speculation has been swirling over who could step into their shoes, with Zoe Ball, Janette Manrara, Fleur East and Rylan Clark all in the running.

Tonight, Karen Carney, Amber Davies and George Clarke will battle it out for the chance to lift this year’s Glitterball Trophy. They will each perform three dances in the hopes of impressing the judges and voting public. These include a Showdance, Judges’ Choice, and their favourite routine from the series.

Strictly Come Dancing is available to stream on BBC iPlayer

TIMOTHEE Chalamet simultaneously debunked two recent rumours swirling about his life at once through his debut rap song.

The actor, 29, has been the center of lots of speculation lately as fans have been somewhat convinced he is secretly Liverpudlian rapper EsDeeKid.

The wild theory is based off of supposed fan “evidence”, drawing similarities between the shape of the pair’s eyes an faces, hands, and fashion choices.

The young star has also been facing swathes of break-up rumours, after viewers noticed that him and girlfriend Kylie Jenner appeared to look “bored” together at a New York Yankees game.

Timothee has been accused of acting “cold” towards the Kylie Cosmetics founder during the holiday season.

He’s been doing lots of press in recent weeks following the release of new film Marty Supreme.

Read more Timothee Chalamet

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But in the press interviews he hasn’t mentioned Kylie at all.

He was also a no-show at Kylie’s mom Kris Jenner’s 70th birthday celebrations last month.

However in his recently dropped rap collab 4 Raws – alongside masked singer EsDeeKid himself – Timothee sang some lyrics that seemed to highly praise his stunning significant other.

Collaborating with EsDeeKid in itself instantly debunked the rumour that the rapper could possibly be Timothee.

Meanwhile lyrics such as “My girl’s worth a billion,” stood out in the single, in possible reference to Kylie’s wealth and hard work.

It could also be Timothee’s way of describing Kylie, 28, as utterly irreplaceable.

Timothee and Kylie were first linked back in 2023.

Rumours about their romance began to fuel in January after they were spotted together during Paris Fashion Week.

But it wasn’t until September 2023 that they hardlaunched as a couple, kissing at a Beyonce concert.

In the years to follow the star-studded duo have attended many public events together including the Golden Globes and the Oscars.

They’re often seen looking loved-up on a red carpet, and have piled on the PDA lately to help combat split rumours.

Early this month Kylie attended the premiere of Marty Supreme with her beau and they posed up a storm for the cameras.

Timothee wrapped his arms around her waist as they both wore matching bright orange outfits and smiled for the cameras.

They smiled at one another, looking incredibly happy.

What do fallen empires leave behind? Djaimilia Pereira de Almeida’s new work of fiction attempts to answer that question. “Three Stories of Forgetting” probes the inner worlds of three men scarred by their participation in Portugal’s history of rapacious colonialist intervention that ended in 1999. For nearly 600 years, the European republic was involved in a bloody land grab that at its peak controlled over 5.5 million square miles across Africa, Asia and the Americas.

Pereira de Almeida’s protagonists — Celestino, a slave trader; Boa Morte, a former soldier who had been conscripted to fight his fellow Africans in the Guinea-Bissau War of Independence; and Bruma, an elderly plantation worker — live in a liminal state between past and present, searching for some measure of solace in a world that offers none. I chatted with Pereira de Almeida, who was born in Angola but was reared in Lisbon, about her haunting triptych of stories.

✍️ Author Chat

Djaimilia Pereira de Almeida is author of “Three Stories of Forgetting,” a new novel exploring the legacies of slavery, colonialism, and the Portuguese Empire.

(Humberto Brito)

Three stories of forgetting … but nothing is forgotten among these men.

All three men are tormented by what they can’t forget, although they don’t feel exactly guilty, in the case of Celestino and Boa Morte. Bruma is a different story. The “forgetting” of the title relates to the omission of the figures who do not appear in the book, or who appear only occasionally, episodically. Those who are forgotten are the victims and their story. These three stories are also chapters of a more general story of violence, that of colonialism, whose victims are largely forgotten to this day.

Boa Morte, a valet in Lisbon, carries an enormous burden of guilt; in order to expiate it, he tries to save a young street vagrant. Of course, all attempts at redemption in the book are futile — why is that?

I don’t think redemption is as common as much of today’s fiction seems to suggest. The experience of guilt or of an existence haunted by ghosts seems more common to me. Boa Morte was forgotten by Portugal, the country for which he gave his life, and his hateful behavior left him utterly alone. What would redeem his life? Boa Morte is inspired by a man I knew who became my friend and lived on the streets of Lisbon, just like the character. One day, he was found dead in an alley. Not all lives know redemption.

The three protagonists are captives of their pasts, because the past is still present. Can you speak to that?

After reading [British philosopher] Peter Geach’s sentence that opens his book “The Virtues,” I became interested in inquiring into the lives of people who may be, so to speak, “dead in the eyes of God.” The problem with this possibility, however, is that we may die in the eyes of God early in life, without knowing it, and yet live to old age and remain here.

This sentence is important to me, regardless of its religious meaning. It is important in that it opens up the possibility that we may have exhausted our share of grace in life and, as humans, need to keep going.

All three of these characters are looking for some kind of solace — whether it’s reverting to some kind of quiet life among living things that don’t talk back, or building a lean-to as a kind of sanctuary.

Perhaps these places they seek are, in very different ways, the only possible remnants of rest: and also places where questions have ceased. Among living things that don’t talk there are no witnesses, there is no guilt.

You can’t write stories like these without some degree of empathy — do you feel sorry for these men? What do you feel for them as a writer?

I agree with that. I don’t feel sorry for them, but I tried to get closer to them and understand them, without imposing my ideas and opinions on them, something I don’t like to do when I write novels. Instead, I preferred, as I usually prefer, to fly around them like an insect, to study them, to let them talk to me: It is a non-imposing approach, which lets the characters speak. In general, I tend to be interested in characters I don’t like and who wouldn’t treat me with the kindness I show them. It’s my way of seeking justice, in its contradictions, and of exploring ambiguity in human behavior: I want to create hospitality, and that means being able to extend my hospitality to characters whose deeds I condemn.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

Carolyn Kellogg, Bethanne Patrick and Mark Athitakis select the best books of the year for The Times.

(Photo illustration by Josep Prat Sorolla / For The Times; book jackets from Scribner, Riverhead and Penguin Press)

Jim Ruland talked to Thurston Moore about his new book that chronicles the Sonic Youth guitarist’s love of free jazz. “I go out with my band and I play typical band gigs,” says Moore, “but I prefer being in a basement with a free jazz drummer any day of the week.”

Mark Athitakis finds favor with W. David Marx’s “Blank Space,” a sharp critique that maps the decline of our present culture, as well as Adam Morgan’s biography of 20th century literary firebrand Margaret C. Anderson, a trailblazer who bucked the prevailing culture to champion challenging art, including Joyce’s “Ulysses.” “If we want more works like ‘Ulysses’ in our world (and far less cringe) … it will demand a stubbornness from creators and dedication from consumers that the current moment is designed to strip from us,” Athatakis writes.

Finally, three critics weigh in on the 15 best books of 2025, while Mariella Rudi ticks off the nine best celebrity memoirs of the year.

📖 Bookstore Faves

Apollo, one of two bookstore cats, sleeping in a box at the Iliad bookstore in North Hollywood.

(Gerard Burkhart / For The Times)

The San Fernando Valley has lost many of its beloved bookshops over the last two decades, but North Hollywood’s Iliad bookshop remains. The store, which first opened its doors 28 years ago and remains the greatest purveyor of used books in all of Los Angeles, is the kind of tangled labyrinth teeming with titles that one can get lost in for hours. I spoke with Dan Weinstein about what is moving out of the doors this holiday season.

What is selling in the Christmas rush this year?

We tend to sell the same kinds of titles all year round, so it’s standard literature, science fiction and the handful of authors we can’t keep on the shelves: Octavia Butler, Charles Bukowski, Sarah J. Maas and Brandon Sanderson. Also, a lot of gift cards! Actually, January is our strongest month for sales — winter kicks in and people like to stay at home and read.

Full disclosure: I’ve been a loyal Iliad customer since the ’90s. Do you tend to see the same faces across the years?

Oh, we have very serious hardcore customers that come over and over again. Some of them even come on a daily basis. Fortunately, we are always putting good new inventory out.

What about Hollywood business? You have a tremendous inventory of art and photography books. Do set designers come in to find inspiration?

We do sell a lot to the entertainment industry. That really keeps us alive. If we were doing business in a city other than Los Angeles, I don’t think we would do nearly as well.

The Iliad Bookshop is located in North Hollywood at 5400 Cahuenga Blvd.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Netflix’s Man vs Baby has been a hit with viewers and they can’t get enough of the picturesque village at the beginning of the series.

Man vs Baby, featuring Rowan Atkinson reprising his role as Trevor Bingley, has become a massive hit on Netflix. The festive comedy is a four-part sequel to Man vs Bee, and it sees Trevor taking up a new position as a school caretaker. Following his separation from his wife, Trevor leads a simple, somewhat solitary life in a quaint rural cottage that still relies on a coin meter for electricity. He was looking forward to his daughter’s Christmas visit, but a change of plans left him alone.

After a string of unexpected events, Trevor ends up house-sitting a luxury penthouse in London, where most of the story unfolds. However, viewers have been captivated by the idyllic village featured at the start of the series, which is currently topping the Netflix charts, and are eager to know its location.

The opening scenes of this Christmas comedy were shot in the charming village of Aldbury in Dacorum, Hertfordshire. Dacorum Borough Council proudly shared a snapshot of the film crew on their Facebook page, delighted to see their picturesque locale gaining recognition.

They explained: “The production, which includes Rowan Atkinson among its cast, brought a festive transformation to Aldbury last winter, complete with snow-covered streets, Christmas trees, and seasonal decorations. Working under the production code name St James, Aldbury Parish Council supported the Netflix team throughout the process, with local residents and businesses helping to ensure smooth filming.”

“Hertfordshire Film Office also assisted with traffic management. Many community members had the opportunity to observe filming, with several external scenes shot around the village. Thank you to everyone involved in supporting another production in Dacorum.”

The picturesque village of Aldbury, home to fewer than a thousand residents, centres around Aldbury Village Store. Viewers are also treated to glimpses of the village pond, the historic manor cottage, and the Greyhound Inn’s exterior, the beloved local pub.

The scenes depicting St Aldwyn’s Church of England Primary School were actually filmed at Longfield Hall, a Victorian community venue dating back to 1904 in Camberwell, South London. For the railway station sequence, whilst Tring Station was nearest, its contemporary appearance meant producers opted for Ongar railway station in Essex instead.

Enjoy Dacorum portrays Aldbury as a “pretty, traditional English village with a church, village pond, ancient whipping post and stocks and two pubs”. Thanks to its quintessentially charming character, the village has become a sought-after filming destination for major productions including Midsomer Murders and the second Bridget Jones film.

The 2023 film Lord of Misrule also featured scenes shot in Aldbury, with the Parish Council publishing a touching note from the production crew on their website. They said: “It has been an enormous privilege for us to shoot our movie in such a beautiful, characterful setting and I think we’ll all take a little piece of Hertfordshire away in our hearts as we leave.”

Actor Atkinson reflected on how the concept of a solitary Christmas formed the foundation of the series, explaining: “I certainly like Christmas, like most people. I was quite drawn to the idea of, without wishing to spoil the plot of Man Versus Baby, a lonely Christmas.

“Other than having the baby for company, Trevor’s alone because his daughter has booked a last-minute holiday to Barbados. He’s flat-sitting at Christmas without any of his family around him, and that can be hard.

“When we first see him, he’s got all these presents wrapped by a tiny tree decorated with Heroes wrappers, and he’s looking forward to it, and then he gets abandoned by his family, which is quite sad.”

The series has garnered glowing reviews from both viewers and critics, who have praised it as ideal family viewing. The Mr Bean star explained: “As long as people enjoy what I’ve put a lot of effort into producing, I’m happy. I’ve worked on this show every day of my life for the last year and a quarter, at the very least. I definitely put in the hours.

“I’m someone who does that. I don’t just turn up to act the role: I’m part of the writing and very much part of the post-production, so I’m in every sound mix and visual effects meeting. I’m there from the bitter beginning to the bitter end and so it’s a big commitment. If all of that effort ends up in something good that people like, that’s all you can hope for.”

Man vs Baby is available to stream on Netflix.

ZOE Ball has bid her final farewells to her BBC Radio 2 show today.

The radio presenter, 55, announced she would be leaving her beloved Saturday show earlier this month, with today being her final time on air.

She was greeted by fans outside Broadcasting house before taking to the airwaves.

It comes just a year after Zoe stepped down from her breakfast programme on the same station, after hosting it for six year.

Though Zoe won’t be completely absent from the airwaves – continuing to host specials on the station less frequently.

Presenter Romesh Ranganathan today handed over to Zoe before her show kicked off at 1pm.

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Romesh compared Zoe leaving to a “death in the family” and shared heartfelt messages from fans, before adding: “It’s your last show! I’m gonna miss seeing you every Saturday.

“How are you feeling?”

Zoe replied: “It’s my last Saturday show … I’m feeling like everybody else is feeling at this time of year …

“Don’t worry I won’t be a stranger.”

Romesh also teased the rumours that Zoe is taking over from Tess Daly and Claudia Winkleman as the host of Strictly Come Dancing next year.

He said: “Is it true you’re leaving your Saturday show because of …”

He then quipped: “Sally on traffic, it’s that, let’s put that down now.”

Zoe played along and said: “Sally and I have been in love with each other for a long time and we’ve decided we can’t possibly work in the same building anymore because the magnetism is too much.”

Zoe’s announcement comes after she was included in the BBC’s “Golden Ten” shortlist of presenters tested for the perfect on-screen partnership to replace Claudia Winkleman and Tess Daly.

The Sun revealed that Zoe Ball was one of the ten stars put through their paces in order to find the perfect on screen partnership in a top-secret chemistry test.

The news has sparked excitement that Ball could be in the running to replace Tess and Claudia as Strictly Come Dancing host.

Only a few years ago, Keith Lee was a professional MMA fighter, doing food delivery and making social media videos to ease his social anxiety.

On Thursday night, however, Lee found himself under the glare of bright lights and walking the red carpet outside the historic Hollywood Palladium on Sunset Boulevard about to be recognized as TikTok’s “Creator of the Year.”

He and hundreds of other creators had gathered for TikTok’s first American awards show. And they had good reason to celebrate.

Only a few minutes before the start of the inaugural show, they got word about a deal that would allow TikTok to keep operating in the U.S. through a joint venture controlled by a group of U.S. investors that includes tech giant Oracle Corp. TikTok confirmed the deal in an email to employees and said it is expected to close next month.

“[TikTok] is the best way to reach people and I know so many people who rely on it to support their families,” said Lee, who has 17.3 million followers of his casual restaurant reviews. “For me, it’s my career now so I can’t imagine it not being around.”

Creators — many of whom are based in Southern California — rely on the app as a key source of income, while businesses and brands turn to the platform and its influencers to promote their products.

Many had worried that the app might disappear after the Supreme Court upheld a ban on the platform because of national security concerns raised by President Trump in 2020.

Trump subsequently allowed TikTok, which has offices in Culver City, to keep operating in the U.S. and in September signed an executive order outlining the new joint venture.

Comedy creator Adam W., who attended the awards show, called the news “game changing.”

With 22.6 million followers on TikTok, Adam W. has amassed a massive audience for his videos that parody pop culture trends.

In one, he’s a contestant on “The Bachelor,” surrounded by a line of lookalike blond models; in another, he’s drinking matcha lattes with Will Smith.

“That’s so good to hear,” said Adam W. of the new ownership. “So many people are able to make careers off of TikTok. There’s so many people out there who go to TikTok to get away from their reality and it means a lot to them, so I think it’s really valuable for us to have.”

TikTok said the awards show is intended to celebrate the influencers who’ve helped transform the app into a global force that has shaped the way younger Americans shop and consume entertainment.

“You represent a truly global community of over 1 billion people on TikTok,” Kim Farrell, the app’s global head of creators, said at the event. “This year, you showed the world just how much impact creators have.”

Despite the historic moment, the awards show was not without technical glitches. Screens that were intended to display clips of contestants and visuals during speeches were dark the entire night.

The two-hour show, in which creators received awards in several categories, featured a range of skits parodying TikTok cultural moments, from Jools Lebron telling the crowd to “be demure,” to Rei Ami of K-Pop Demon Hunters shooting a Labubu cannon into the crowd.

“TikTok definitely changed my life,” Lee said in an interview. “I always planned my life around food, so I’m blessed to just turn the camera on and do the same thing.”

The new ownership of TikTok should allow the app to rebound after it lost market share amid uncertainty over its future, said Max Willens, an analyst at EMarketer.

“This past year, because a lot of advertisers weren’t really sure whether TikTok was going to stay or go, it did kind of slow the momentum that we had seen on that platform,” Willens said. “We think that moving forward that is going to wind up just being a blip.”

After two turbulent years with Eamonn Holmes at GMTV, Anthea Turner walked away from the show on Christmas Eve 1996 – she still believes his envy of her National Lottery show was the problem

A popular television presenter who worked with Eamonn Holmes says there was almost instant friction when she joined him on an iconic daytime TV show.

Eamonn has been one of the most recognisable stars on British television for decades and has worked with a long line of famous faces, including his ex-wife, Ruth Langsford.

But he hasn’t jelled with every colleague he has ever worked with. According to Anthea Turner, Eamonn took exception to her background when she joined him on the GMTV sofa in 1994.

“Eamonn is a trained journalist and I’m not,” she told The Times. “That caused tension from the start… The other thing was I didn’t have my ass on that sofa for very long before I was asked to present the National Lottery too, and I think that also annoyed him.”

Anthea’s first lottery show appearance attracted a huge TV audience of around 22million. Eamonn reportedly lobbied GMTV bosses to get her sacked, accusing her of being “too ambitious” and giving her the disparaging nickname ‘Princess Tippy Toes.’

She told The Sun: “I was always asked if I was ambitious and, if I said yes, I was made out to be a ruthless person who would walk over anybody to get where I wanted. It would be said that I was hormonal, or I was stamping my feet.’

She added: “And yet ask that question to a man, and if he’s ambitious, we think: ‘What a guy’. You’d never hear anyone say that about Eamonn or Phillip Schofield. No, they’re just doing their job.”

Anthea walked away from the “toxic” situation at GMTV on Christmas Eve 1996. Over a decade later, the former Blue Peter presenter said she was still “hurt” by the way she was perceived.

Speaking on the Miranda Holder Weekly Fashion Podcast, she said: “I haven’t weighed myself down with anything from the past, or any of that negativity.

“Nobody likes injustice, nobody wants to be misrepresented. It hurts, it really hurts.”

In a televised reunion in 2018, Anthea said that she had mixed feelings about Eamonn, saying: “There is a fine line between hate and love isn’t there? We were chatting in the break, Eamonn and I are a bit lazy and it’s easier to stay friends.”

Her remarks sparked a somewhat tense atmosphere in the This Morning studio, with Eamonn’s then-wife Ruth Langsford visibly taking exception to Anthea calling him her “ex.”

Ruth stressed that she and Eamonn were “properly married,” before Anthea interrupted her, saying: “Ah but we were telly husband and wife.”

While Anthea and Eamonn were said to have put an end to their bitter feud with her This Morning appearance, she later said that any talk of a friendship was exaggerated, telling the Express:”I don’t think Eamonn and I speak lots. “Those are just headlines saying that we reunited.”

She added: “Obviously, there was the hullabaloo. In fact, I went to Belfast where he was doing a show, and I remember going up there, it must have been about 15 years ago, and we signed a Good Friday Agreement.”

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LILY Allen hosted a glittering Christmas party last night at London’s most notorious nightspot Stringfellows – turning heads in a sexy Santa outfit.

The singer, 40, slipped into a figure-hugging red mini dress trimmed with fluffy white fur, complete with lace suspenders adorned with bows. 

The provocative look was teamed with a velvet red Santa cape as she embraced festive glamour.

Lily styled her hair in a Sixties-inspired blow-dry and accessorised with a classic Chanel handbag. 

She added extra height with a pair of skyscraper white heels, which featured a matching fur embellishment.

Never one to take herself too seriously, the cheeky star was spotted sticking out her tongue as she posed and mingled with guests.

Lily took to the dancefloor with a host of celebrity pals including pop sensation Olivia Rodrigo. 

She also shared a playful moment dancing with the London Gay Men’s Chorus, who attended the bash. 

Fellow singer Ella Raye was among the guests too, wowing in a sheer red stocking dress as she joined Lily for a photo.

Bono’s daughter, Jordan Hewson, was seen at the star-studded event, lounging on a sofa with Lily.

The party took place at Stringfellows, the legendary gentlemen’s club founded by Peter Stringfellow in the 1970s. 

Originally opening in Soho before moving to Covent Garden, Stringfellows quickly became synonymous with celebrity excess, glamour and late-night debauchery. 

Over the decades, it has welcomed everyone from Hollywood stars to rock royalty, cementing its status as one of London’s most infamous nightlife institutions.

The Christmas bash comes during a significant year for Lily, who has launched new music widely described as a “revenge” album following her split from husband David Harbour. 

The record draws on heartbreak and betrayal after Lily publicly accused the actor of cheating. 

Fans have praised the project for its raw honesty and cutting lyrics, marking a bold new chapter in her career.

Phil Wickham has released 14 Christian worship albums, has been Platinum certified and nominated for American Music Awards, Dove Awards, Billboard Music Awards and Grammys — but all of his vocal training and performances couldn’t prepare him to step into the shoes of one of his Biblical heroes with the upcoming animated musical film “David.”

Directed by Phil Cunningham and Brent Dawes, “David” marks the second animated film this year for Angel Studios. April’s “The King of Kings” made $60 million and is the second-highest-grossing film from the studio following “Sound of Freedom,” which made $184 million. The film hits theaters on Friday. If the release date sounds familiar, it could be because the third installment in the multibillion-dollar “Avatar” franchise, “Avatar: Fire and Ash,” is released on the same day. Presale numbers for “David” are at $15 million on 3,100 screens, but with “Avatar” tracking to open between $135 million and $165 million, and “The SpongeBob Movie: Search for SquarePants” also tracking between $13 million and $20 million, it would seem to be a true David vs. Goliaths for ticket sales.

That in itself could be daunting, but for Wickham, the biggest obstacles came long before release dates were decided. Despite playing in arenas with thousands of fans, he had a “secret dream” of voicing a character in an animated film. A character “that carried courage and faith and had some grand adventure.” But because he’d never chased that dream, he realistically put a limit on that particular goal. Even when the opportunity arose, he was hesitant when going into a casting meeting.

“I’m unoffendable. [I said to producers], if I suck, then just tell me because I don’t want to waste anybody’s time. And also, I don’t want to be bad in a movie as much as you don’t want to make a bad movie,” says Wickham.

The contemporary Christian artist, who recently finished sold-out concerts at Downey Calvary Chapel and the Wiltern, had never tried his hand at voice acting. Not only did he get the role, but he also had to help bring to (animated) life one of the most well-known stories in the Bible. The tale of David — the boy who was anointed to become the king and along the way felled the giant Philistine warrior Goliath with a rock and a slingshot — has become synonymous as the most famous of underdog representations and tests of faith in the Bible. The character and story is also one of Wickham’s favorites.

Phil Wickham always wanted to voice an animated character, especially after seeing “The Lion King.”

(Colton Dall)

“When this came across my desk, so to speak, I was just like, man, I could tell you that story, but I didn’t know if I had it in me. I didn’t know if I was a good actor. I didn’t know if I could voice a character, but I knew I wanted a shot,” said Wickham.

A curious revelation for Wickham was discovering that the singing that he’d been doing most of his life would not work on-screen, at least not for this project. He was asked to tone down things, to sometimes “talk through” lyrics and to generally make the music more dramatic for the screen.

“I thought, OK, I got this. This is why they hired me, because I’m a singer. But that ended up being the hardest part because they didn’t want me to sound like me,” Wickham said.

“Singing became a background to just being the character, which honestly, in some ways, was the hardest thing. Maybe even for my ego as as an artist.”

It was definitely a process that required lots of fine-tuning and looking at David as not just the king and hero that Wickham had grown up reading about at home and in Southern California churches. Sitting in the pews in Downey, the singer reflected on why he got into music and why Christian entertainment is on the rise.

“I found out really quick that I loved being a part of moments where people were encountering the same hope and faith that I encountered in my room alone,” Wickham said of songwriting and performing. He grew up with Christianity all around him, but has seen a spike in popularity for music and movies dealing with faith-based fandom.

“For this movie ‘David’ to come out at this time … I think that the world is looking for stuff to hope in. I think people are just searching and finding out more and more the truth that if we look around us at the world of man, we’re not going to find real solutions. So that maybe if we look up, we will.”

Emily in Paris is back for even more drama, this time around though, one of its key stars was missing.

Emily in Paris season five has dropped but subscribers have been left scratching their heads over the whereabouts of Emily’s friend and rival, Camille deLalisse.

From the get-go of the Netflix rom-com drama, Camille deLalalisse (portrayed by Camille Razat) played a pivotal role, forming part of the love triangle with Emily ( Lily Collins ) and Gabriel (Lucas Bravo).

So when fans noticed that Camille was absent from all 10 new episodes, it sparked speculation about her fate and potential return.

Camille’s journey in Emily in Paris seemed to reach a natural end in season four after she called off her wedding to Gabriel, but her story wasn’t quite finished.

She soon found out she was pregnant, only to later discover it was a false positive. However, Camille kept this secret for a while, hoping to keep Gabriel in her life.

At the same time, Camille was navigating a budding relationship with artist Sofia, but due to lingering feelings for her ex-fiancé, things didn’t pan out.

Eventually, she revealed the truth, and the entire ordeal made Camille realise her desire for a family, leading her to announce plans to adopt a baby on her own.

Season four concluded with Camille moving into a new flat, complete with nursery space, leaving behind her tumultuous past with Emily and Gabriel.

While Camille was noticeably missing from season five, this doesn’t necessarily rule out her return in future series.

Taking to Instagram to discuss her departure from the programme, Razat revealed: “After an incredible journey, I’ve made the decision to step away from Emily in Paris.

“It has been a truly wonderful experience, one filled with growth, creativity, and unforgettable memories.

“I’m deeply grateful to @starmandarren and the entire team at @netflix and @paramountpics for their trust and for giving me the opportunity to bring Camille to life and leaving the door open for her return, as she will always be a part of Emily In Paris world.”

However, Razat has numerous other ventures lined up, revealing she’s wrapped filming on Nero The Assassin for Netflix and The Lost Station Girls for Disney+.

The 31-year-old also disclosed that she’s launched her own production company Tazar Production, which will concentrate on developing music videos and short films, though has already begun work on a feature film.

Wrapping up her Instagram message, Razat noted: “This character has meant a lot to me, and I feel that her storyline has naturally come to an end. It felt like the right moment to explore new horizons.

“I leave the show with nothing but love and admiration for the cast, crew, and fans who have supported us along the way. Thank you for the beautiful ride.”

Emily in Paris is available to stream on Netflix.