SHOW BIZ

In the age of Ozempic, the buzziest hardcovers are getting smaller — and slip right into your Baggu. At Book Soup in West Hollywood, the bestselling hardcover fiction display is marked with laminated cards that denote the book’s place in the top 10, with each one cut snugly into the popular hardcover frame of 6-by-9 inches. But lately, more of the books rising to the top wear the placard noticeably looser.

I should know, I work at Book Soup so I spend a lot of time staring at this display and can tell you, the answer to this problem is definitely to print out smaller cards cut to the little sister “trim size” of 5-by-8 inches — or 5½-by-8¼ to be specific.

While the New York Times bestsellers from 2025 skew in favor of the 6-by-9 trim, the popularity of 5-by-8 books appears to be on the rise. Current utilizers of the smaller cut include the buzzy Vanderbilt heir Belle Burden’s “Strangers,” George Saunders’ darkly humorous “Vigil” Lena Dunham’s millennial-tinged tell-all “Famesick” and the infamously tablet-sized “Transcription” from Ben Lerner.

1/5

“Strangers: A Memoir of Marriage” by Belle Burden  (The Dial Press)

2/5

“Famesick: A Memoir” by Lena Dunham  (Random House)

3/5

“Vigil: A Novel” by George Saunders  (Random House)

4/5

“Transcription: A Novel” by Ben Lerner  (Farrar, Straus and Giroux)

5/5

“Lost Lambs” by author Madeline Cash  (Farrar, Straus and Giroux)

Gretchen Achilles is the director of interior design at Farrar, Straus and Giroux. Achilles recently implemented the 5-by-8 cut for one of this year’s breakout hits, “Lost Lambs” by Madeline Cash. “It’s a tone,” she says. “Smaller trim sizes have an intimacy. … You want to echo what’s going on in the text as an experience for the reader.”

According to Achilles, FSG frequently implements the 5-by-8 trim size. She said that length is the No. 1 factor when deciding to employ it, followed by genre. She listed literary fiction, memoir, biography, and essay collections as the defining genres of the smaller size books.

Caroline Mason is a writer in New York whose debut novel “An Endless Cycle of Evenings” from Hyperion Avenue is slated for 2027; she runs the Instagram account @literarycrushes. Mason described a 5-by-8 hardcover as shorthand for a specific book she seeks out when she is in a bookstore because it often signals a character-driven novel. “It’s my favorite kind of book,” Mason says. She adds that it’s also Instagram-friendly.

“Holding the book up to take a photo of it is easier,” she says with a laugh. “Although I do sometimes still drop it.”

Dahlia de la Vega is an L.A.-based Bookstagrammer who runs the page @ofpagesandprint. According to De la Vega, she finds the shrunken books more approachable. “When I sit down to read a small hardcover, it almost feels like I’m reading a journal,” she says. “Whereas when I read a large hardcover, it almost feels like I need a journal to jot down notes about what’s happening.”

Ethan Mann, my colleague and a supervisor at Book Soup, told me he remembers the place he was both mentally and physically when he purchased a 5-by-8 hardcover copy of “The Parade” by Dave Eggers. (Right before the pandemic struck at CSUN campus store at Cal-State Northridge). “It’s easier to attach relevance to the specific feel of [the book] because it seems one of a kind,” he says.

Mann adds that hardcovers are sometimes a tough sell on the floor. They are often derided for their cost, and customers declare they will wait till the paperback comes out. But the smaller hardcover has the benefit of fitting into nearly any bag.

Esther Margolis is a publishing veteran and the founder of Newmarket Press. She says that the 5-by-8 hardcover is nothing new. According to Margolis, the smaller trim size was previously the industry standard for U.S.-based publishing houses, and any fluctuation is due to the evolution of printing technology.

“Unlike for mass-market paperbacks, hardcover books were shelved, so it didn’t matter that the books were different sizes,” Margolis says. “They didn’t have to fit into a pocket.”

The popularity of the 5-by-8 hardcover is, at the very least, indicative of a shift in what I witness consumers at Book Soup seeking out. With social media making it easier than ever to connect over the act of reading, or looking like you are reading, cover design and presentation — and how it cuts through the noise of the attention economy— is perhaps a factor too.

“A small hardback is like a Labubu,” my co-worker Mann says. “ The feeling in your hands isn’t just about books — it’s about all cute things. … We like small things we can control.”

The success of the publishing industry could never rest on the tiny shoulders of the small hardcover. It may not even represent any changes in production. But on the bestsellers display at your favorite local indie, it represents the small pleasure of palming a near-pocket-size book in your hands.

And, yes, maybe Instagrammability too.

Messinger is a writer in L.A. who runs the Substack adumbmessinger.

IT’S set to be the biggest celebrity bash of the decade, with a roll-call of global A-listers you’d usually only see at the Met Gala set to attend.

And while the favoured few who have bagged an invite to the multi-million dollar upcoming wedding of Taylor Swift to Superbowl hunk Travis Kelce will no doubt get seven-star service, music from huge stars, and lifelong stories, there could also be a lot of awkwardness, as several former lovers and stars with mutual exes are set to cross paths.

Likely to be front and centre on the guestlist is Taylor’s best mate Zoe Kravitz, who recently got engaged to Harry Styles – the man who famously broke Taylor’s heart more than a decade ago.

In 2012, Harry, then 18 and at the height of his One Direction fame, dated 22-year-old Taylor. While their whirlwind romance only lasted a few months, Harry was the muse for Taylor’s fan-favourite album, 1989, which cemented their status in pop culture history.

Fans hoping for a Haylor reunion may be disappointed, though. Harry will miss the New York nuptials as they clash with the Wembley dates of his Together Together tour.

But he’s a shoo-in for Travis and Taylor’s UK celebration at Chiltern Firehouse on the arm of fiancée Zoe.

The Sun previously revealed Taylor and Travis are planning a UK wedding party for 120 guests at the Marylebone celeb haunt, with a source revealing London “holds a huge place in Taylor’s heart.”

The UK party will no doubt be attended by Cara Delevingne, another former flame of Harry.

Taylor and Cara have been close since 2013, with the supermodel even moving into the Wildest Dream singer’s New York penthouse after a brutal break-up in 2016. Cara’s other celeb exes include singer Halsey, who dated another Swift muse, Matty Healy.

Meanwhile, Zoe, whose dad Lenny says “is like a sister to Taylor,” will cross paths with another of the Swift girl squad she shares an ex with.

The Batman actress, 37, dated Penn Badgley, 39, from 2011 to 2013, shortly after his break-up from Taylor’s other close pal, Blake Lively. The pair remain friends, with Penn calling the relationship “a real, true, earth-shattering love” that “transformed him”.

Blake, who will be attending fresh off her lawsuit with It Ends With Us co-star Justin Baldoni, dated her Gossip Girl co-star from 2007 to 2010 – before finding love with husband Ryan Reynolds. But there’s unlikely to be tension between Blake and Zoe – the pair have been pictured together previously at Taylor’s famous Rhode Island parties and are both happily in love.

Taylor is the godmother of Ryan and Blake’s children – and has even featured them in songs. The voice of the couple’s eldest daughter, James, 11, features on Taylor’s song Gorgeous from her 2017 album Reputation.

Meanwhile, James, Betty, and Inez are all named in her 2020 record-breaking album Folklore. The cover art for the project was also shot in the Lively-Reynold garden.

Meanwhile, Ryan will no doubt bump into Jack Antonoff, who was the high school sweetheart of Ryan’s ex-wife, Scarlett Johansson.

Jack is Taylor’s right-hand man and closest musical collaborator; she’s previously called him a “brother” and worked with him on 11 of her chart-topping albums.

He dated Scarlett while they were attending Professional Children’s School in Manhattan – and the pair went to prom together in 2002. Ryan was married to Scarlett from 2008 to 2010.

It’s unlikely there’ll be any bad blood between the superstar producer, who has also worked with Kendrick Lamar and Sabrina Carpenter, and Ryan, but Jack could find himself in another icy encounter with another ex, Lena Dunham.

Jack, who married actress Margaret Qualley in 2023, dated the writer and actress for five years at the height of her fame from 2012 to 2017.

While the break-up was thought to be amicable, this year Lena released her memoir Famesick, where she admitted to cheating on Jack and said she discovered “incriminating texts and emails” that suggested Jack had cheated on her with New Zealand pop star Lorde, who was just 18 at the time.

Fans had long speculated that something happened between Lorde and Jack, who were living together to produce Lorde’s sophomore album, Melodrama. Neither Jack nor Lorde, real name Ella Yelich-O’Connor, has commented on the memoir.

Lorde, who is performing close by in New York a few days after the wedding, is also a close pal of Taylor. Taylor has previously thrown Lorde birthday parties and brought her out on tour.

Another guaranteed front row seat at the wedding is Selena Gomez, who met Taylor when they were both teenagers in 2008. At the time, Selena was dating Nick Jonas, and Taylor was seeing his brother Joe.

Selena, who last year married music producer Benny Blanco, famously inspired many of The Weeknd’s songs after the pair dated for 10 months in 2017.

The relationship came just months after the Blinding Lights singer broke up with supermodel Bella Hadid, causing a long-standing feud between the pair, which saw them follow and unfollow each other on social media several times.

Last year, however, The Only Murders in the Building star posted a picture of Bella to Instagram, praising her looks – and hinting they’d made up.

And before Selena, Benny dated model and actress Elsie Hewitt, who recently split from Margaret Qualley’s ex, Pete Davidson.

But that’s not the only Hadid sister Selena may find tension with. Selena also had a brief sling with Zayn Malik, who shares daughter Khai, six, with Gigi – who is one of Taylor’s best friends.

Taylor is close to both Gigi and Bella, with the older Hadid sister starring in Taylor’s music video for Bad Blood and attending several stops on her Eras Tour last year.

Taylor first met Selena when she was dating Joe Jonas, and Selena was dating his brother Nick. Both couples broke up, and Joe later went on to marry Game of Thrones actress Sophie Turner. The pair divorced in 2024, and Sophie grew close to Taylor, despite their mutual ex, with Taylor even lending her New York home to Sophie and her two daughters.

Sophie is also expected on the guest list. After her split from Joe, Sophie was linked to Coldplay frontman Chris Martin, who dated Dakota Johnson for eight years following his split from Gwyneth Paltrow.

Dakota is another close pal of Taylor. Writing in Time magazine earlier this year, Taylor called Dakota “one of the most empathetic people I’ve ever known”.

And to add an extra layer of awkwardness, before Joe married Sophie, he also dated Gigi. She even directed the music video for Joe’s hit “Cake By the Ocean”. The split was said to be amicable.

And if Gigi brings her new beau, Bradley Cooper, he may be set for an awkward interaction, too.

Bradley’s ex, Suki Waterhouse, is friendly with Taylor and has often been spotted out for dinner with her. Suki, who dated the Hangover star from 2013 to 2015, has written cutting lyrics about the relationship on her recent albums – accusing the actor of treating her like a “trophy wife”.

While many of these relationships may be water under the bridge, there are more recent break-ups that could cause more tension.

Irish actor Paul Mescal is expected to come along, as he is currently dating Taylor’s pal and Eras Tour opener Gracie Abrams. This means he’ll likely cross paths with indie sensation Phoebe Bridgers, who also opened for a leg of the Eras tour and has collaborated with Taylor.

Paul dated Phoebe for two years between 2020 and 2022. Gracie also shares an ex with another Eras tour opening act, Sabrina Carpenter, a close pal of Taylor who will be attending.

Sabrina and Gracie both dated American actor Dylan O’Brien in 2022.

The Espresso hitmaker may also cross paths with another ex, Shawn Mendes, who has previously collaborated with Taylor and often spoken about his friendship with her.

Shawn, who features on Taylor’s 2020 song Lover, also dated Camilla Cabello, who opened for Taylor on her 2017 Reputation Tour.

Other likely attendees include Ed Sheeran, Graham Norton, the Haim sisters, Hayley Williams, and Emma Stone, as well as childhood best friend Abigail Anderson and influencer Ashley Avignone.

And if Taylor does invite her own exes along, Taylor Lautner is a shoo-in.

The Twilight star dated Taylor in 2009 after meeting on the set of Valentine’s Day. The pair are still close, and Lautner starred in Swift’s video for I Can See You in 2023.

On Travis’ side, his teammates Patrick Mahomes and his wife Britanny will join the guest list, as well as his NFL star brother Jason and his wife Kylie.

Taylor has been open about wanting an extravagant wedding and has even joked that “everyone she has ever spoken to” will be invited to avoid drama.

But in the incestuous circles of Hollywood, inviting everyone clearly brings its own repercussions.

CELEBS Go Dating star Professor Green rushed his five-year-old son to hospital after a nasty accident on holiday.

The star – real name Stephen Manderson – shares son Slimane with his former partner Karima McAdams.

Taking to their respective Instagram Stories, the parents revealed Slimane had suffered an accident during the May half term holidays.

Stephen, 42, wrote: “first tooth lost, first arm fractured…happy holidays” over the top of a picture of his son on a hospital bed with Karima wrapping her arms around him.

Trying to make light of the horrible situation, the star then referred to the dark patches on the bottom of Slimane’s white socks and wrote: “state of his socks.”

Meanwhile Karima shared a snap of the three of them together, with her ex covering their son’s eyes.

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She captioned the snap: “So…he lost his front tooth yesterday trying to kiss everyone and getting it head butted out.

“Today for breakfast he fell off a zipwire with a suspected wrist fracture.

“A&E on holiday is an absolute classic. @professorgreen never a dull moment, ay?”

The pair clearly have an amicable relationship following their split in 2023 after seven years together and becoming engaged in 2021.

But during his appearance on the current series of Celebs Go Dating, Stephen admitted he had found their break up hard, especially with Slimane in their lives.

Becoming emotional, he explained: “Now that we’re co-parenting, and people don’t hear men talk about this, right?

“I never had a kid to not wake up to him. You know, my dad f*****g ran.

“I’m not running. Far from it. And it’s f*****g hard. It’s so hard to put your feelings to the side and go ‘I’m going to prioritise the well-being of my kid’.

“I can’t show him how upset I am all the time. It’s so important that he sees good example, because you have to lead by example… and it’s not easy.”

Celebs Go Dating airs on E4 and is available at Channel4.com.

PALM SPRINGS — Barry Manilow steers a golf cart to the end of a long driveway, pulls to a stop and flings a plush toy goose across a manicured lawn to the delight of his two Labrador retrievers.

“OK, where we doing this?” the 82-year-old singer asks about our interview. Dressed in a khaki shirt and slim-fitting rust-colored trousers, he’s got the look of a man prepared to undertake some très chic brush clearance; in reality, he’s motored down here merely to answer questions about his fabulous life and career.

Manilow and his husband and longtime manager, Garry Kief, moved to this sprawling desert estate from Los Angeles in the late 1990s. “We kept coming out, and it’s so beautiful that eventually we said, ‘Screw it — let’s just stay,’” he says. By then, Manilow had long since established himself as one of music’s premier showmen, with a Grammy Award, 11 Top 10 hits and a storied 15-night run at L.A.’s Greek Theatre under his belt.

So you might’ve taken Palm Springs as a sign that he was ready to slow down. Instead, he launched a residency at the Las Vegas Hilton in 2005 that eventually surpassed the length of Elvis Presley’s show there; in 2006, he released “The Greatest Songs of the Fifties,” which went platinum and spawned a series of successful follow-up albums.

Last month, Sabrina Carpenter interpolated a bit of Manilow’s iconic “Copacabana (At the Copa)” into her headlining set at Coachella just days before he was honored by the American Advertising Federation for his work writing commercial jingles. The range of those achievements said something about his blend of music-nerd craft and pop-star razzle-dazzle.

“Barry loves music as much as anyone I’ve ever known,” says Bette Midler, who hired Manilow as her pianist for the name-making gig she played at New York’s Continental Baths in the early 1970s. Performing, Midler adds, “isn’t a job with him — it’s a vocation, a calling.”

Yet now that calling faces a threat. In December, Manilow announced that he’d been diagnosed with lung cancer and that surgery would require him to postpone a number of concert dates; five months later, he has yet to return to the stage — the longest break, COVID-19 aside, he can remember taking in decades.

Fortunately for Manilow, he has a new album, “What a Time,” with which to occupy himself. Due June 5, it consists mostly of original material — his first such LP in nearly 15 years — though it opens with a sumptuous rendition of Peter Allen and Dean Pitchford’s “Once Before I Go.” Manilow notes proudly that the song, which was produced by Kenneth “Babyface” Edmonds, recently made Billboard’s adult contemporary chart, extending his run on that tally beyond the half-century mark.

Barry Manilow performs in Beverly Hills in 2025.

(Gina Ferazzi / Los Angeles Times)

Still, performing is clearly on his mind as he leads me into a tile-roofed gym equipped with weights, a treadmill and a massage table. Manilow has been working out here every morning, he says, to regain the strength needed for his show; he’s got Vegas dates on the books for July but admits he’s unsure whether they’ll happen or not. We settle into two leather club chairs, his dogs Jake and Abby at his feet.

“Please be brilliant,” he tells me. “Don’t be boring.”

What are you doing on a day you’re not working?
Working.

I see.
Since the surgery, I can’t go on the road. Ninety minutes of screaming in tune, which is what I do for a living — I’m not up for that yet. I will be, but it’s taking a long time to get my voice back. They warned me that I’d have to learn to breathe again. So these days, I get up, I go to my piano and I try to be creative. Before I know it, the afternoon’s over.

Was the diagnosis a shock?
Imagine your doctor saying, “You’ve got lung cancer.”

Fair enough.
I’ll tell you the story. I have terrible hips — bursitis and everything — and they hurt so bad that I thought maybe I broke a bone or something. So I asked my wonderful family doctor, I said, “Can you just do one of those MRIs and see?” Now, before that, I’d had two bad bouts of bronchitis, one after the next. Have you ever had bronchitis?

I have.
It stinks. So I asked him if he could check my hip, and he told the guys that were doing it, “Why don’t you check his lungs?” And I think he might have saved my life because they found a big black thing in my chest. One doctor said it was probably remnants of the bronchitis, the other doctor said it could be cancer. I voted for the bronchitis. But they went back in to see and it was a cancerous tumor.

How’d you react?
When they told me, I was on the road, and I just went back to sound check. What else could I do? I never thought cancer would get me — it wasn’t in the cards. They wanted to get rid of it as soon as possible, so we made a deal: I’d finish the couple of weeks of shows that I had, then I’d go to the hospital and they’d remove it. It was supposed to be a no-brainer — it hadn’t spread yet, thank goodness. But then my AFib kicked in and acid reflux kicked in and pneumonia kicked in. They rushed me to the ICU for seven days.

Barry Manilow with Dionne Warwick in Los Angeles in 1985.

(Paul Harris / Getty Images)

Sorry to be morbid, but were you close to death?
They said at one point — I didn’t hear them say this but I heard that they did say it — “We don’t want to lose him.” It’s all a total blur now. When they finally brought me back to my lovely room at the Eisenhower [medical center], I weighed 128 pounds.

How long you figure it had been since you weighed 128 pounds?
I don’t remember ever being 128.

You said you never thought cancer would get you. Why?
I’m too busy. Pretty stupid. What I realized is that I’ve always been the leader — leader of the band, leader of an audience — but I wasn’t the leader of this one. That was a big lesson for me. I had to rely on everybody else. Nurses, doctors, friends — you should see some of the notes people have sent.

What’s it been like to be offstage for so long?
Agony. Make an album, go on the road, come back, make an album, go on the road — that’s what my life’s been for years. And I like it. Now I just have to get better and do what the doctors are telling me. It’s the only way out.

Well, there’s one other way.
I’m not ready to croak. But I wasn’t ready to stop performing either, and it just went like that [snaps fingers]. The day before surgery, people are screaming, standing ovation, band sounds great. Next day I’m packing to go to the hospital.

Are you working with a vocal coach?
Yep. But I get winded just walking down the hallway. I turn on my old records and sing along, and three songs in I’m like [pants].

Could you do a show where you skip the uptempos? No “It’s a Miracle” or “Copacabana”?
I’m trying ballads too — my ballads end big.

Are you allowed to smoke or drink?
I stopped smoking many, many years ago. I vape but hardly — I just like holding it. I was a great smoker. Brooklyn in the ’50s? Please. I started smoking when I was 9. I got up to three packs of Pall Mall non-filters a day, and it never bothered me — never had any problem breathing. I was just a skinny piano player who smoked. That’s who I am. That’s who I was.

Before he was a skinny piano player, he was a skinny accordion player.

Manilow grew up poor in Brooklyn, the only son of a Jewish mother and an Irish father who split up right after he was born. As a kid he entertained his mom and his maternal grandparents by squeezing out the Jewish folk song “Hava Nagila”; later, his stepfather brought home records by Gerry Mulligan and Judy Garland that opened his mind to jazz and pop.

He says today that he never saw himself as a performer — he wanted to write, arrange, produce. His first success came with jingles for brands like State Farm — “Like a Good Neighbor” is his handiwork — and Band-Aid.

“My ideas were good for pop music because of the commercials,” he says. “The rules are pretty much the same — you need to grab the listener as soon as possible. For a commercial, you’ve got about five seconds. For a pop song, you’ve got 10.”

In 1971, Manilow got the job with Midler and ended up working on her million-selling debut, “The Divine Miss M,” which led to a deal of Manilow’s own with Clive Davis’ Arista Records. Despite Manilow’s insistence that he was a behind-the-scenes guy, he scored a No. 1 hit out of the box with the plaintive “Mandy,” then quickly followed that with another chart-topper, “I Write the Songs” — a pop-philosophical epic, as nobody’s tired of pointing out ever since, that Manilow didn’t actually write.

Barry Manilow at home in Palm Springs.

(Christina House / Los Angeles Times)

Bruce Johnston, who wrote “I Write the Songs” — and won a Grammy for song of the year thanks to Manilow’s recording — says the key to Manilow’s performance is that “he’s never too cool for school.” A Beach Boy for six decades until he retired from the band this year, Johnston adds that Manilow’s rendition of the song, which was also cut by Captain & Tennille and David Cassidy, “is the only one I care about, honestly. He really grabbed it — he’s just as real as he could be.”

After several more Manilow hits — “Tryin’ to Get the Feeling Again,” “Weekend in New England,” “Looks Like We Made It” — Davis asked the singer to produce a would-be comeback album by his latest Arista signing, Dionne Warwick. Warwick’s initial reaction to that idea: “Really?” she says with a laugh. “Did Barry Manilow really know anything about Dionne Warwick? As it turned out, he knew quite a bit,” adds Warwick, who recalls turning up for their first session to discover that Manilow had laid every one of her albums on his piano. “He was letting me know: I know you,” she says.

“Dionne,” the album they made together, went on to win a pair of Grammys and spun off silky hit singles including “Deja Vu” and “I’ll Never Love This Way Again” that reinvigorated Warwick’s career and helped solidify Manilow’s standing as a kind of soft-rock auteur.

Which isn’t to say that rock’s intelligentsia ever viewed him kindly. Though his best music finds an emotional truth in over-the-top theatrics, critics routinely dismissed Manilow as a lightweight or a schlockmeister; even now, he seems an unlikely candidate for the Rock & Roll Hall of Fame, where he’s been eligible for induction for decades.

Manilow, who entered the Songwriters Hall of Fame in 2002, insists the slights don’t bother him. “I’ve never been one of the guys,” he says. We’ve been talking for a while, and because of the bursitis, perhaps, he’s hoisted one of his legs over the arm of his chair. “I don’t think about awards and parties and stuff like that. I’m very lucky — I live in the most gorgeous place I’ve ever seen and I have the most wonderful partner that you can imagine. I’m grateful he’s chosen to share his life with me. We’ve been together for over 46 years, and we still laugh and we still love each other. That’s the greatest award I’ll ever get.”

Manilow and Kief married in 2014; the singer came out as gay three years later. (Manilow was briefly married to his high school girlfriend, Susan Deixler, in the mid-1960s.) Has he found that the world looks at him differently since he came out?

“It was a non-event. Nobody gave a s—,” he says. “They all knew. I never really hid it, but in the ’70s and ’80s, that would have killed the career, and I didn’t want to do that. So I just never talked about it.” He smiles.

“Garry and I are just two guys that live in a house on a hill with two dogs that we love.”

Like many of Manilow’s hits, “Once Before I Go” was Davis’ idea.

Allen, the late Australian entertainer portrayed by Hugh Jackman in Broadway’s Tony-winning “The Boy From Oz,” had played the tune for Manilow in the early ’80s. “And I loved it,” Manilow says now. “But I was too young to sing a song like that — that song needs age to be able to pull it off honestly.”

Davis first suggested that Manilow perform it in his set at the post-pandemic We Love NYC concert that Davis put on in Central Park in 2021. After the show, which was called off due to weather as Manilow sang “Can’t Smile Without You,” Davis repeatedly advised the singer to record it.

Clive Davis, left, with Barry Manilow at an Arista Records party in Los Angeles in 1989.

(Lester Cohen / Getty Images)

“I don’t know, he had a bug up his ass,” Manilow says. “He loved it, and he loved it for me. And I’m not even on his record label anymore — he’s just a friend at this point. But he was right once again.”

Given the cancer diagnosis, did Manilow worry that fans might interpret the song — a teary goodbye from a well-wishing lover — as a more permanent farewell?

“Not one time has anybody said, ‘Is he talking about dying?’”

You wouldn’t necessarily call “What a Time” a concept album, though many of the songs ponder the ways memory and history can shape a romance. Manilow knows he’s regarded as a singles act but says that putting together LPs is what he’s always enjoyed best. His favorite is 1984’s jazzy “2:00 AM Paradise Cafe,” on which he collaborated with Mulligan, Sarah Vaughan and Mel Tormé.

“That was one where the critics who’d been killing me, they didn’t know I was capable of doing something like that,” he says. “But frankly, I’d been surprised that I was capable of doing the pop stuff.”

You made records of hits from the ’50s, ’60s, ’70s and ’80s. Why’d you stop before “The Greatest Songs of the Nineties”?
Were there songs in the ’90s?

Barry.
Didn’t it start to go downhill?

I can think of a handful of classics by Whitney Houston alone.
You can’t touch those. I’m a good arranger, but you can’t top those records. Maybe four of those albums was enough. I was ready to go back to writing.

You’ve said the problem with modern pop is that there’s no melody anymore.
That’s what I miss. Clive’s been pushing me to do “The Great New American Songbook.”

Like he did with Johnny Mathis a few years ago.
So I’ve been studying the Top 20. The one I like is Lady Gaga and Bruno Mars.

“Die With a Smile.”
Love that. But the way they’re writing songs these days is not the way I know how to write songs. They don’t do a verse, a chorus, a bridge, a chorus, a big ending. To me, when I listen, the songs feel like run-on sentences.

Barry Manilow with his dog Abby.

(Christina House / Los Angeles Times)

I was trying to think of artists older than you who are still performing.
Name me one.

Willie Nelson.
Oh, yeah.

Johnny Mathis.
Mm-hmm.

Frankie Valli.
[Rolls eyes].

You’re invoking the widely held assumption that he lip syncs.
I loved Frankie Valli and the Four Seasons. Who didn’t?

Would you ever lip sync?
I’m terrible at it. I try now and again.

Do you find it morally objectionable?
Depends on the artist. I like being in the moment, not knowing what’s gonna happen in the next bar or at the ending. It’s exciting to me to see if I can make those high notes.

Would not being able to make them mean it’s time to hang it up?
Well, what’s happening right now, I’m on the verge. But I’m getting stronger, so maybe I don’t have to hang it up yet. I look fantastic, but I’m a hundred years old, right? I don’t know how that happened, by the way — I don’t get Botox or anything.

You’ve had no work done?
No! I must say: There was one time when we lived in L.A. that I did do a facelift. But after that it’s just been a little here, a little there.

Wait, I asked you —
“Work” is like a facelift, and I only had one of those. The rest of it — I see something falling down, sure, I’ll do that. I’m as vain as anybody else. One of my old friends, his mother said, “I always knew he was talented, but when did he get so handsome?”

The BBC’s hit thriller filmed in Bristol and Somerset has finally returned for its second season, but where was it filmed?

Fans want to know if Little Kilton is a real place.

A Good Girl’s Guide to Murder is back today (Wednesday, 27th May) and sees Pip Fitz-Amobi (played by Emma Myers) delving into another chilling missing person case.

This time, she’s determined to put predator Max Hastings (Henry Ashton) behind bars, but the disappearance of a key witness, Connor’s older brother Jamie, pushes her investigative skills to the limit.

Based on the bestselling novels by Holly Black, the first series became a huge hit thanks to its addictive, edge-of-your-seat twists and a global release on Netflix.

It is also famously filmed in Bristol and other parts of the West Country, standing in for Pip’s fictional village of Little Kilton.

With six thrilling new episodes now streaming on iPlayer, let’s take a look a little closer at the locations used in the second season.

Where was A Good Girl’s Guide to Murder season 2 filmed?

The second series of the popular BBC and Netflix drama was once again filmed around Bristol and Somerset.

Much of the show’s interior scenes are shot at Bottle Yard Studios in Bristol, which reportedly includes the likes of school classrooms, investigation rooms, and darker interiors for the murder-mystery show’s more suspenseful scenes.

Bristol itself was also used for more urban areas of Little Kilton to highlight the second outing’s gritty tone. Clifton Village in central Bristol, including the Clifton Suspension Bridge, can also be seen briefly.

Standing in for the idyllic village of Little Kilton is Axbridge, a small town near Cheddar, Somerset.

The town square, the Old Station and Chestnut Avenue were all closed for filming in 2025, with a memorial, flags, and other decor put up for key scenes including the memorial service which kicks off season two. Axbridge’s St John the Baptist Church can also be seen.

Season two director Asim Abassi confirmed: “We filmed Little Kilton in the town of Axbridge, which is lovely but small, so you get the challenges of a tight-knit community curious about filming. But it is wonderfully quaint and perfect for Little Kilton.”

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

Another key location this time around is an abandoned manor, which actor Zain Iqbal, who portrays Pip’s boyfriend Ravi, confirms is near Bristol.

And Abassi revealed it was his “favourite” location, adding: “It was originally meant to be something else, but I pushed for it to be a manor, so I am personally attached to it.

“It ended up being a phenomenal location and, to me, captures the essence of season 2.”

A Good Girl’s Guide to Murder season 2 is available on BBC iPlayer and internationally on Netflix.

Cailee Spaeny looks at Charles Melton, her co-star on the Netflix limited series “Beef,” asking for help. “Wait a minute … how long were we attached?” Melton smiles and reaches for her hand. “We’ve been attached our whole lives.”

Have they? Given how they tease and finish each other’s sentences, it sure feels that way. Spaeny and Melton were cast as Ashley and Austin, a Gen-Z couple working at a Montecito country club, dreaming and scheming toward upward mobility, a good 18 months before filming began in early 2025. To cement their bond, Spaeny, who hails from Missouri, and Melton, an Army brat who considers Kansas home, decided to return to their Midwestern roots, round up their families and go to a Kansas City Chiefs football game just before Christmas.

At one point, Spaeny looked over to see her brother-in-law having a heart-to-heart with Melton’s dad. They were crying. After the game, they all went out for barbecue. Melton surprised his dad with a gift — a truck.

“That was very sweet and emotional,” Spaeny says of the day. “There’s a lot of filling in the blanks when your families are from the same part of the country. They’re down-to-earth, churchgoing families. It felt easy. We’re cut from the same cloth.”

When the Palisades and Eaton fires delayed the start of filming, Spaeny and Melton decamped to Solvang, rented an Airbnb with some friends and continued what Spaeny calls their “weird prep” for playing the series’ besotted couple. They cooked dinners together, played games and even watched “Riverdale,” the CW series that catapulted Melton to fame a decade ago.

“We also watched ‘Wicked’ too many times,” Spaeny, 27, says.

“You were singing a lot,” Melton, 35, tells her.

“I don’t think I sang once,” Spaeny counters.

“Oh she did,” Melton says. “She’s a singer. Sing for us.”

“Guys, what are we doing?” Spaeny says, burying her head in her hands.

Whatever it is, we’re not stopping. We have, as Melton notes much to Spaeny’s chagrin, “caught a vibe.”

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You two represent different generations …

Melton: What? Excuse me?

Charles, you’re a millennial. Cailee is Gen-Z.

Spaeny: Oh my God. You’re so Gen-Z coded.

Melton: I’m a zillennial.

Spaeny: Did you feel like there was an age gap between us?

Melton: I feel like we’re the same age. You know I’m an old soul. My exterior is just goofy. Cailee is wise beyond her years.

What’s the biggest difference between the two generations?

Melton: I think the generations are more alike than different. As a millennial and zillennial, I’ve done my share of weird self-diagnosing.

Spaeny: TikTok therapy for sure. Holding onto words that make us feel more seen through the internet. The comment “I just read the headline. I need to start reading the articles.” It’s sad but it’s true. And I think everyone does it.

1

2

1. Charles Melton. 2. Cailee Spaeny. (Erik Carter / For The Times)

Do you relate to your characters’ Gen-Z resentment that previous generations screwed them over? “Everyone grabbed the bag before we could.”

Spaeny: There was a time when having a house by your 30s was guaranteed. Now, you’re having to choose whether you want to have children or stay afloat in your career. We’re all riddled with this feeling of the life we feel we deserve …

Melton: And what will make us happy. Ashley gets the promotion. But the social climb is never enough. It’s “if you do this thing, you’ll get the this thing.”

Spaeny: It’s the constant chase.

You’ve both defied the odds and enjoyed successful careers as actors. Can you be content and sit with that?

Spaeny: We try. But it also feels like it’s set up in a way where you can’t sit. You have to look for the next thing because if you wait, people will get bored with you. You’ll book a job and hopefully it pays well and then you might not work again for two years. It’s easy to be in a place of desperation. Actors are also naturally people-pleasers. So, unfortunately, I think it was too easy for us to relate to our characters.

Melton: Maybe part of your question, which led to your beautiful answer, is: Where’s acceptance? I’m a father now. Sometimes, I’m super tired, but the best thing is I get to read to my kid. Looking at life through a place of abundance … but that can be a tough thing to do.

Spaeny: It’s not just the entertainment industry. I go back home and I’m with my sister, who is an amazing mother and soccer mom. And you can feel that itch inside of people back home too. Have I done enough for my children? Do I need to go to more soccer tournaments? Am I going to church enough?

Melton: It’s everywhere. And under the umbrella of class and healthcare and how expensive everything is, it’s tough. The bill we had just to have a baby was so ridiculous.

Spaeny: Oh yeah. My favorite line in “Beef” was, “Do you know the 16-piece meal at KFC is $52.99 now?” That sums it up.

(Erik Carter / For The Times)

I looked that up. It’s true, though you can get the 16-piece chicken-only meal for about $37.

Melton: But you can’t just eat the chicken. You have to have the sides and biscuits, right?

How about Austin’s line: “All we need is each other … and the beach.”

Melton: That’s what I love about Austin, this optimism but considered to be naivete. Really, at the end of the day, I’ll look at my partner and I’ll look at my daughter and be like, “This is absolutely all I need.”

Spaeny: [Sighs] I would love to get to that point.

Melton: But then to put food on the table, you’re required to do things that take you away from the things that you say are all you need.

Spaeny: The great thing about this show is that it’s zeroing in on everyday impossibilities of life, the things that should be so simple, but drive us all up the wall.

You both talk about Midwest sensibility. Do your roots help ground you?

Spaeny: I just got back from home last night, and I always feel a layer gets peeled off when I’m there. With work, I’m always on edge and trying to hold onto this thing that could be taken away from me any day. When I go back home, I feel like it can really be that simple. But it doesn’t last. That’s the problem. The itch comes back.

There’s nothing wrong with a little ambition.

Spaeny: I’m finding ambition more and more unattractive these days. Maybe that’s me just getting older and wanting more outside of the job.

Melton: We’ve talked about this. If we’re always going from one thing to the next, how can I bring the humanity and soul of my life into my work? If I had my way, I’d take three to six months off between jobs just to live and put my feet on the grass. Cailee and I connect in many ways. I love your determination and drive and passion for the work. Some people want to act like they don’t care, but I think it’s cool to care.

Timothée Chalamet does too, but he got flack for saying that out loud, that he “wanted to be one of the greats.”

Melton: I thought that was f— awesome. You want to be great? We all do.

Spaeny: It’s what every actor is thinking except they’re feigning …

Melton: We love Chalamet over here.

Spaeny: Maybe he didn’t say all the right things, but that speech, that’s why we’re in the building.

Melton: It’s very much the athlete’s mentality. Like Deion Sanders is one of the greatest of all time. “You look good, you feel good, you play good.”

It’s OK for an athlete to say that, but if an actor does, the world gives them grief.

Melton: That kind of sincerity is the default in Kansas and Missouri. You know, growing up as an athlete, I was pretty good. I ran the 100-meter dash in 10.9 seconds. Make sure you write that in. [Laughs] You have to have a vision. And the artists that speak on that vision, that’s awesome. Visualization is essential. I wouldn’t be here talking with one of my best friends and one of the greatest actresses ever …

Spaeny: What are you doing?!?

Melton: I’d rather give you flowers all day than talk about what I think. All that to say is that I wouldn’t be doing this if I did not have vision when I was in Kansas to leave with $500 in my pocket, 60 cans of chicken noodle soup and 60 cans of tuna. You have to dream.

Spaeny: A dollar and a dream!

I’ve got to ask. Sixty cans of chicken noodle soup on a road trip? Do you just pop the top and down it cold?

Spaeny: Great question.

Melton: I’d just take off the top and lay it in the sun for two or three hours and it’s good to go.

Spaeny: Please stop.

Melton: OK. I’d just dip my finger in it and because I’m so hot, it just boils.

Spaeny: You see what I’m saying? He’s such a dad.

(Erik Carter / For The Times)

TYSON Fury was clearly feeling loved-up with wife Paris as they holiday in Thailand with their five youngest children.

The couple may have been together for 20 years, but they are still firmly in the honeymoon phase if Tyson’s gushing post is anything to go by.

The boxing legend, 37, shared a glamorous photo of Paris, 36, in full holiday mode wearing a sparkling dress in various pink shades.

He wrote: “Mrs Paris Fury looking stunning tonight! Love ❤️ her so much @parisfury1 #still #wondermother #superwifeandmom.”

Paris replied in the comments: “That’s very nice of you babe.”

The couple tied the knot in 2008 in a lavish ceremony in Doncaster and have since welcomed seven children together.

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But their marriage hasn’t always been plain sailing.

The pair have faced heartbreak over the years, including suffering miscarriages, which Tyson has spoken about publicly in emotional interviews.

Despite the ups and downs, Tyson and Paris are still going strong and even renewed their wedding vows in a romantic ceremony in France last year.

The pair are currently enjoying a lavish Thailand getaway after flying five of their children on £5,000-a-seat business class flights.

Prince Tyson II, nine, Valencia, eight, Adonis, seven, Athena, four, and two-year-old Prince Rico all travelled in private pods on the Etihad flight.

Paris shared: “A serious long travel I think it took us 36 hours in total but well worth it.”

The couple have also just paid for their 16-year-old daughter Venezuela’s £30,000 honeymoon to Marbella following her recent wedding to Noah Price.

They are also believed to have gifted the newlyweds £5million and a traditional gypsy caravan as a wedding present.

Tyson and Paris Fury are estimated to have a combined net worth of around £162million.

HARPER Beckham, 14, has channelled Victoria while borrowing her mum’s designer dress.

The only daughter of Spice Girls star Victoria mum and billionaire sportsman dad David Beckham, accompanied her parents on a recent trip to Ibiza.

The family were spotted soaking up the sunshine during a glamorous family getaway in Spain on Sunday.

In snaps of the famous family taken over the weekend, Victoria and David were seen with daughter Harper, son Romeo and his girlfriend Kim Turnball.

Victoria looked amazing in the photos, rocking a floaty chiffon brown dress, which was covered in a pretty floral print.

But now Harper has been spotted rocking the same exact frock after seemingly raiding her mum’s wardrobe and channelling her chic style.

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The teenager was seen out and about wearing the garment while smiling from ear-to-ear.

It is thought that the brown chiffon dress could be a new Victoria Beckham piece from the high-end designer fashion brand.

Harper paired the dress with a stunning £1,275 golden Bottega Veneta clutch bag and a pair of £680 Hermès Oran sandals.

This comes as Harper continues to be tipped to follow in her mother’s footsteps as a fashion and beauty entrepreneur.

Back in October last year, HIKU BY Harper, the proposed name for the skincare and beauty brand, was filed under two trademark applications by the business Victoria incorporated for Harper, H7B Limited, matching the teenager’s full name, Harper Seven Beckham.

A source told us at the time: “Harper loves fashion and make-up and has already started doing make-up tutorials. 

“The plan is to create a brand aimed at the younger market, taking inspiration for pop culture and Korean beauty.

“The Beckhams are incredibly encouraging parents when it comes to their kids’ talents and exploring their hobbies and business ideas.  They’re a very entrepreneurial family.”

Victoria previously said of her daughter: “Harper is going to be one of two things. 

“She’s either going to be a beauty mogul or she’s going to be a stand-up.

“She is hilarious.”

This comes after football legend and his wife Victoria were revealed to have amassed a fortune of £1.185billion, as per Sunday Times Rich List.

Sir David’s new eye-watering fortune puts him ahead of the King, whose wealth stands at just £680million.

The Beckhams’ skyrocketing ascent to 141st on the list comes thanks to business ventures including Victoria’s fashion brand and their lucrative production company, which was behind their hit Netflix documentary.

The power couple also have a number of commercial deals with the likes of Adidas, Pepsi, Armani, Coty, which made Beckham’s Instinct aftershave, and the Las Vegas Sands hotel group.

But the biggest increase in the Manchester United legend’s wealth was because of his US football club Inter Miami, which he created in 2018 and owns a 26 per cent stake of.

The hugely popular club is continuously growing thanks to its star players like Lionel Messi and fellow ex-Barcelona star Luis Suarez.

BBC Radio 2 host Vernon Kay and former Strictly Come Dancing presenter Tess Daly have remained on good terms, following their split after 23 years of marriage

Vernon Kay has opened up about a recent family gathering in his first on-air mention of Tess Daly since addressing their split. The couple announced their separation earlier this month after 23 years of marriage and have remained on good terms.

Shortly after their announcement, Vernon said on his BBC Radio 2 show: “I just want to say on behalf of myself and Tess, thank you, thank you, for all your well wishes, it’s been greatly, greatly, appreciated,” before continuing with his duties.

Despite the split, they are believed to still be living together with their two daughters, Amber and Phoebe.

Back on his show on Monday, Vernon shared details about a party that took place at their home. He revealed: “Yesterday, we were tidying up, Amber had a party.

“Tess and I were running around tidying up and thank goodness that the weather was nice, do you know what I mean, with cleaning up the garden. We had such a good time, it was awesome on Saturday night and very funny.

“But in the morning, Tess and I were like, ‘Woah, better get cracking!'” After his co-star Ellie suggested it was an “all day job”, Vernon agreed, adding: “Yeah, brace yourself!”.

In a statement shared with fans on May 8, the couple said their decision to separate had “not been an easy choice”, but came “from a place of mutual understanding and a shared desire for what is best for both of us”.

They added that they “remain great friends and most importantly, fully committed to our roles as loving and supportive parents, which will always be our priority”.

The pair also clarified that there were “no other parties involved” and asked for privacy “as we navigate this transition together”.

Vernon’s father, Norman, has also spoken about the couple’s “sad” split, telling the Daily Mail they had “gone in different directions” over the years.

“But it’s an amicable split and there is no bad blood between them,” he added. “Sometimes these things happen for the better and this is one of those cases.”

Offering some advice to his son, Norman urged Vernon “not to rush into another relationship” before joking: “He’s a good-looking lad but not as good looking as me!”

He later clarified: “He’s not interested in finding anyone else at the moment and there is nobody else involved.”

Vernon and Tess were spotted out together at Pub in the Park just 10 days after their split. Pictures show the duo mingling with fellow attendees, while appearing to be in high spirits.

An onlooker at the event told The Sun: “Tess and Vernon seemed super-relaxed in each other’s company despite the news of their split.

“It’s clear to see that they are still very much happy around one another and there’s been none of this messy split business. They chatted to fans, posed for selfies and had a well-earned boogie.”

MOLLY-MAE Hague has hit back at trolls and said she’s been “humbled” after being mocked for her outfit at Venezuela Fury’s wedding.

The influencer, 27, attended the high profile nuptials of Venezuela, 16, and Noah Price, 19, in a black top with cutaway details, smart black trousers, heels and a slicked-back bun in her blonde tresses. 

Molly’s partner Tommy Fury, 27, the brother of boxer and father-of-the-bride Tyson Fury, 37, was working away – she did all of this single-handedly.

But some trolls took aim at Molly’s outfit and slammed her for not making an effort, while others said she shouldn’t have worn black to a wedding.

Molly, who is 37 weeks pregnant, has now responded to the criticism as she defended herself and said her attendance was very last minute.

Speaking on her latest YouTube vlog, Molly said: “We had Venezuela’s wedding two days ago now, it was touch and go whether we were going to go.

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“I got severely humbled in the comments, which to be fair I don’t know why I didn’t expect because the whole time I was saying to myself, if I do go and I haven’t given birth by then, I was like ‘I don’t care what I look like’.

“Bambi was asked to be a bridesmaid and I wanted to honour that and be there for the family and just show up because obviously if you can, that’s what you do.”

Molly said she was called out for her appearance on the day but said she wanted the spotlight to be on Venezuela and Noah, and not her.

“I did actually put a bit of thought into it, I did get that jumpsuit tailored and everything,” Molly continued.

“But the hair, I actually had my hair done in the morning, I had this gorgeous bun but I ended up taking the bun out and slicking by hair back and you can see my hair bobble and my roots.

“My hair is a different conversation at the minute, it’s grown so much to the point that I except that I have to be a brunette.

“I did have a bit of a spiral yesterday morning, I don’t know why I didn’t think that… I should have thought that there would be pictures and videos that will come out because in my head I was thinking about the wedding and obviously it’s their day and about them.

“I’m so so so glad we went because it was such a nice day and I fear that Bambi will never ever get over it.”

Molly also addressed her choice of outfit colour which divided fans.

She said: “Also, since when is it not acceptable to wear black to a wedding because I genuinely never though that guys.

“I saw the comments saying ‘I can’t believe she wore black’, I didn’t know you couldn’t wear black to a wedding.

“I know technically it’s a funeral colour but as long as it’s not white and it’s smart, but anyway I can only be described as Bambi’s chaperone for the wedding.

“There was not one part of me that thought about what I was going to look like.”

Bambi was one of 13 bridesmaids, who matched Mother of the Bride Paris Fury in the same blue hue.

In one sweet photo, Bambi is seen being held by Venezuela who Molly dubbed ‘beautiful bridey’ in the caption.

Another photo saw Bambi pucker up for a kiss with her mum, who wore ablack jumpsuit, with a floral mesh style top for the occasion.

The tot was also seen looking with awe at Venezuela and groom Noah’s incredible blue cake that was almost three times the height of her.

The cake boasted five tiers and was accompanied with an impressive blue and yellow floral display.

“WOW,” read Molly’s caption as Bambi gazed up at the towering creation.

Venezuela stunned in a lace fishtail wedding dress with elaborate sleeves and a train spanning 50ft.

Paris revealed the real reason Tommy did not attend the wedding.

It’s been a big year for Seth Rogen’s Point Grey Pictures.

The 15-year-old production company founded by Rogen, his childhood friend and longtime collaborator Evan Goldberg and producer James Weaver is coming off a huge awards season for its comedy, “The Studio.”

The Apple TV series, which simultaneously pokes fun at the institutions of Hollywood while also peeling back some of the industry’s mystery, is now the most-awarded new comedy in TV history.

“The Studio” has won 13 Emmys, a BAFTA TV award in the international category, two Golden Globes and three Critics Choice awards. It’s currently filming its second season, with most details still under wraps.

I spoke with Rogen, Goldberg and Weaver about the success of the show, which primarily films on the Warner Bros. lot, and what’s next for Point Grey.

On all those awards?

“We’ve never, literally, won any awards before this, so I by no means expected this,” Rogen said, with a chuckle. “I hoped people would creatively recognize that we were really swinging for the fences, but awards were not really something that I was thinking that much about.”

In the show, the Canadian actor and comedian plays beleaguered movie studio head Matt Remick, who must balance the art of filmmaking with the economics of the business. In a nod to Hollywood’s pull toward intellectual property, one storyline focuses on the studio embarking on a movie about the Kool-Aid Man, which Rogen’s character only reluctantly agrees to pursue.

It’s not all about the money

“To me, what is interesting, and what people don’t seem to think about Hollywood, is that the people involved in it actually care about movies, even the ones who make bad ones, even the ones who make choices that stop good ones from being made,” Rogen said. “If you really just wanted to make money, there are much easier ways to make money where you don’t have to deal with people like me.”

He also noted that there’s a role for movies such as the fictional Kool-Aid flick.

“You could argue it’s the Kool-Aids of the world that keep theaters open,” Rogen said. “It’s our fake Kool-Aid movie that allows smaller movies to exist and allows theaters to take risks on smaller movies.”

Remembering comedy

“The Studio” also stemmed from a desire to make a pure comedy, despite the tough time comedies have had recently in the marketplace.

“We just all agreed that we wanted to make something that was just funny,” Goldberg told me. “It just felt like the world stopped making those, and we just wanted to make something that when you tuned in, was just absolutely hilarious.”

A serious L.A. business

Los Angeles-based Point Grey, which has 15 employees, is named for the Canadian school where Rogen and Goldberg met (the first project they wrote together, which became 2007’s “Superbad,” was based on their experiences there). Despite their comedic reputations, the more serious-sounding company name was deliberate so it could be used with any kind of project.

In fact, the company got its start with the Joseph Gordon-Levitt-led dramedy “50/50” about a 20-something who learns he has cancer. Over the years, Point Grey’s projects have spanned genres, including supernatural series “Preacher,” 2016’s “Sausage Party,” the satirical superhero show “The Boys” and biographical mini-series “Pam and Tommy.”

A Point Grey project is “genuinely original” and “daring,” said Weaver, Rogen’s former assistant who now serves as president of the company, which has a first-look film deal with Universal Pictures and a first-look TV deal with Lionsgate. He declined to discuss financials but said the company is profitable.

“We’ve managed to be really productive in terms of the amount of things that we’ve made, and we try to be smart about how we run our financials,” Weaver said. “The company is doing quite well.”

Point Grey is in production on “Teenage Mutant Ninja Turtles: Mutant Mayhem”; just wrapped a romantic comedy for Amazon MGM Studios starring Cameron Diaz and Stephen Merchant; and recently screened an animated film at Cannes called “Tangles” that’s based on a graphic novel about Alzheimer’s.

The production company may eventually expand into video games (“We love video games,” Goldberg told me), and plan to continue to navigate the changes in Hollywood, which is reeling from a continued drought in local production that my colleague Stacy Perman and I wrote about recently.

“Personally, I feel like people are very fatalistic about the trajectory of the industry, but it’s not like the industry is going down, the industry is just changing,” Goldberg said. “We just are very flexible and embrace the change, and hopefully in doing so, we don’t get left behind.”

Stuff We Wrote

Number of the week

After 1,810 episodes as the host of “The Late Show,” Stephen Colbert signed off for the final time Thursday.

CBS has said it canceled Colbert because the show was losing $40 million a year as viewers have increasingly migrated away from late-night viewing in the streaming era.

But many in the TV business are skeptical of the claim and believe Skydance wanted to silence Colbert, a frequent Trump critic, to pave the way for its deal last year to acquire parent network Paramount. (The Federal Communications Commission’s approval of the transaction came days after the show’s cancellation was announced.)

My colleague, Stephen Battaglio, has written about what the future of late-night TV talk shows will now look like.

What I’m watching

I watched the “Survivor 50” finale Wednesday with some friends, despite only watching two episodes this season (or ever). It was fun seeing the drama unfold, though I was, like everyone else, shocked at that “last twist” of Jeff Probst accidentally spoiling who lost in the final fire-making challenge.

Sacha Baron Cohen and Rosamund Pike’s feminist romcom Ladies First tops the Netflix number one charts.

Ladies First has arrived on Netflix and it stars Doctor Who icon David Tennant’s child.

Despite only dropping on the streamer, Ladies First has already shot straight to the number one spot, telling the tale of arrogant yet charismatic ladies man Damien Sachs (played by Sacha Baron Cohen).

While he enjoys a life of money and power, his world is turned upside down when after a head injury, he wakes up in a parallel world dominated by women.

It is in this world that he comes across his business rival Alex Fox (Rosamund Pike) who’s also mum to Charlie, brought to life by Red Tennant.

What Netflix subscribers may have realised though when watching Ladies First is that Red is the non-binary child of Broadchurch star David.

Red, who was born Wilfred Tennant, had their acting debut in the 2017 film You, Me and Him which starred their famous dad.

They also starred in a single episode of Casualty back in 2022 when they played a character called Joey Parker.

In Ladies First, Red is behind Alex Fox’s child Charlie who encourages their mum to “stand up for herself at work” when she’s having doubts about her career.

Red is the child of both David Tennant and his wife Georgia Tennant who he met in 2008 on the set of Doctor Who.

She guest starred as Jenny, the artificially created daughter of Tennant’s Tenth Doctor.

Georgia is also the real-life daughter of Peter Davidson who was the fifth ever Time Lord back in the 1980s.

While Ladies First is at the top of Netflix’s most watched list, it has left viewers divided with the film scoring just 19% on Rotten Tomatoes.

Someone wrote: “I am truly overwhelmed how this made it to the screen.

“If I said it was utter rubbish, I would be being polite! I have no words how awful it was.”

On the other hand, a fellow user said it was an “absolute must-see” with someone else stating that it was one of their “new favourites”.

Ladies First is available to watch on Netflix.

Spotify Technology SA announced several new initiatives — from concert ticket perks to a major AI-generated music licensing deal — that the Swedish audio streaming company said will help fuel growth over the next four years.

At the first investor day led by new co-chief executives Gustav Söderström and Alex Norström, Spotify outlined a vision revolving around features that will allow people to personalize their listening experience, whether with music, podcasts, audiobooks or working out. Investors liked what they heard, pushing Spotify shares up as much as 18% over the course of the presentation.

Spotify addressed one of Wall Street’s biggest concerns about artificial intelligence by announcing a major new licensing deal with Universal Music Group NV. The agreement will let Spotify launch a tool to let fans create covers and remixes of their favorite songs from artists and songwriters who opt in. Powered by generative AI, the tool will be available as a paid add-on for Spotify Premium users. It will open up additional revenue streams for Spotify and create a new source of income for artists and songwriters on top of what they already earn on the platform, according to the companies.

Spotify has been working with the music industry on ways to harness the power and consumer interest in AI without violating artists’ rights. Last October, the company announced an agreement with the biggest record labels to use AI in a “responsible way,” but didn’t specify at the time what those tools would look like.

“This era of generation doesn’t need to threaten the future of music,” said Charlie Hellman, Spotify’s head of music. “Because we built the system legal, trusted and aligned, we can make sure that the value flows back to the people who created it.”

In another big announcement, the company laid out plans to work with Live Nation Entertainment Inc. to offer Spotify subscribers the option to purchase two tickets to their favorite star’s concert before they go on sale to the general public. The move could help resolve some of the issues fans have had in beating ticket resellers to face-value tickets, while encouraging customers to stay on as subscribers even as Spotify raises monthly fees.

Fans have long complained about the ticketing process for live performances, which often pit people against bots and scalpers, leading to high prices and sold-out shows.

“It’s frustrating for fans,” said Rene Volker, head of live events. “It’s frustrating for artists too, who look out at a crowd and wonder, are the fans who built my career actually here?” The new “Reserved” perk is designed to relieve some of that tension. “No racing bots, no chasing around online for presale codes. Just two tickets held for you,” she said.

The presentations Thursday were designed to comfort investors and prove that Spotify can still innovate. Wall Street has been skeptical that the company can rein in costs while staying ahead of competitors, particularly as it relates to AI. Those concerns have weighed on shares this year, sending them down 25% through Wednesday’s close. While the company makes most of its money through subscriptions, the executives sought to reinforce the idea that they have other levers to pull in order to generate sales beyond monthly fees and that people are willing to spend more for certain features.

The company outlined its growth targets through 2030, including a compound annual growth rate in the mid teens, a gross margin of 35% to 40% and an operating margin above 20%. Spotify remains committed to its long-term goal of 1 billion subscribers, $100 billion in revenue and over 40% in gross margin, the executives said.

Spotify sees its podcast and audiobook features as complementary to music and said the combination of the multiple verticals has helped broaden its community and convert users from free listeners to paid subscribers. Today, more than 500 million people have streamed a video podcast on Spotify, up nearly 50% from a year ago. And in just a few years, Spotify has captured about 20% of the audiobooks market in the US, executives said. People who use all three verticals — music, podcasts and audiobooks — are engaging with Spotify almost every day of the month, according to the company.

Giving people the tools to personalize their listening experience helps keep them in Spotify’s universe — creating what executives described as the “all day user.”

Personal Podcasts, for example, lets people write a prompt in the Spotify app and AI will create a unique podcast in response.

“We see this much more as a daily brief and a recommendation engine than something that would replace you listening to one of your favorite podcasts,” Söderström said in an interview. He noted that 60% of users in mature markets for Spotify don’t yet listen to podcasts, so features like Personal Podcasts could get them to dive into the medium.

The company said its podcast business has been profitable for two years.

Spotify’s Audiobook+ tier gives listeners more than their allotted 15 hours of audiobook listening per month for an additional fee. It has 1 million subscribers and is on track to generate $100 million in annualized revenue, the company said. To capitalize on the demand, Spotify will start selling even more audiobook hours to super users. Additionally, it will allow podcasters to offer memberships, so subscribers can access special episodes and other content. Spotify will take an undisclosed slice of revenue from the memberships.

Carman writes for Bloomberg.

Russell Crowe has pushed back against TMZ’s coverage of his recent interactions with a crowd of autograph seekers.

“Clickbait,” the “Gladiator” actor wrote in a Monday post on X. “Everybody got their autograph and selfie, the passage to the hotel was kept free for guests, and I still got to the airport on time. One man, no security. Handled. What’s your problem ?”

Earlier that day, the outlet had posted a video of Crowe addressing a crowd of fans and autograph seekers outside of a Paris hotel before making his way to them to sign various memorabilia.

“If you needed a reminder that fans are not always priority No. 1 — turn to Russell Crowe — cause the guy was absolutely not having it outside of his Paris hotel,” TMZ wrote in its since-deleted X post sharing the video. The outlet also framed the video as Crowe “explod[ing] on Pushy Autograph Seekers” in its news story.

In the video, the Academy Award winner is shown giving clear directions to those gathered for his autograph or to snap a photo with him.

“Stay where you are, don’t f— push in on me, I’ll come to you,” Crowe says. “Give everybody space. As soon as somebody’s a d—, I’m gone.”

The actor then approaches the crowd to sign various items held out in front of him. The short clip ends soon after Crowe declines a request to also write “Maximus” — the name of his “Gladiator” character — next to his signature as he continues to sign other things.

Crowe’s temperament, blunt demeanor and distaste for certain aspects of “celebrity” have long been fodder for news coverage. In 2005, the actor made headlines for throwing a phone that hit a Manhattan hotel concierge.

“If I ever was going to torture somebody, I’d put them in a room where they can’t leave and have someone new come in every three minutes and ask the same question over a number of days and then weeks,” Crowe said in a 2010 interview with The Times, describing what happens at a movie press junket on the eve of embarking on one.

“Some people believe celebrity is a power that should be used. Ultimately, your dollars are more powerful,” Crowe said in that interview. “I’m famous for making movies. Celebrity just happens to be an unfortunate byproduct of what I do.”

After his Netflix roast inspired tit-for-tat feuding among comedians and backlash from viewers over a joke about George Floyd, Kevin Hart’s stance is clear: All is fair in love, war and comedy.

During a Tuesday appearance on “The Breakfast Club,” Hart addressed the controversy stemming from Netflix’s “Roast of Kevin Hart,” which aired earlier this month and included material that shocked viewers. Tony Hinchcliffe, who helms the No. 1 live podcast in the world, “Kill Tony,” applied his politically incorrect approach to comedy that similarly outraged audiences at a 2024 campaign rally for then-presidential candidate Donald Trump.

“The Black community is so proud of you right now,” he quipped at Hart. “George Floyd is looking up at us all, laughing so hard that he can’t breathe.”

In 2020, Floyd was murdered by police Officer Derek Chauvin, who pressed his knee into Floyd’s neck for more than nine minutes, until he died. His last words were “I can’t breathe,” which he said more than 20 times. The killing sparked global unrest and the largest civil rights protest since the 1960s. Hart attended Floyd’s memorial and private service in Minneapolis.

“The George Floyd joke, it wasn’t a tasteful joke to our culture,” Hart told the podcast. “But our audience that’s watching the roast … you get why they’re doing it, you get why the racial humor is on the table.”

Hart continued that the approach to comedy is nothing new and said, “Tony Hinchcliffe arguably had the best set, or one of the best sets.”

“Would I tell those jokes? No, but do I get why they’re being told? Yes,” Hart said.

Floyd’s brother, Terrence Floyd, spoke with “Breakfast Club” host Loren LoRosa after the roast aired and said that he expected Hart to step in and tell Hinchcliffe he’d gone too far.

“What do you want me to do? Drag him off?” Hart asked during his appearance on the podcast. “That’s not what I agreed to do. That’s not the job at hand. The job at hand was to produce a successful roast, which I did.”

Not only has the Netflix roast caused a stir among viewers, but the comedians who participated also have been trading slights in recent weeks. Chelsea Handler didn’t mince words when she offered her take on Hinchcliffe, as well as Shane Gillis, who also performed a set during the roast. According to Handler, ex-girlfriends of the controversial comedians slid into her DMs and told her what she said she already knew about them.

“They’re racist,” she said during an appearance on Deon Cole’s “Funny Knowing You” podcast. “That they’re bigots, that they’re sexist, that they think they’re like invincible.”

Handler said that one of Gillis’ jokes about lynching Hart was “worse than rape.” In response, Gillis told the Hollywood Reporter in a statement that Handler was capitalizing on the moment.

On Monday’s episode of “Kill Tony,” Hinchcliffe responded to Handler’s remarks by calling her “a bit of a c—. “

OLIVIA Attwood and Pete Wicks have revealed that they were snubbed from a recent trip to Ibiza hosted by KISS Radio.

It comes a year after the duo were seen looking cosy together on a yacht on a different trip with KISS.

At the time, uproar arose because Olivia was still married to former flame Bradley Dack.

Though the TV presenter Olivia and ex-Towie’s Pete are now dating, after being seen kissing in a bar in March.

Speaking about the snub on their Sunday Roast podcast, Olivia and Pete addressed the “elephant in the room”.

Olivia began: “Pete I can’t believe we haven’t actually addressed the elephant in the room.

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“I wasn’t sure how to address it but basically… this year we haven’t been invited back to Ibiza Pete…’

Pete then chimed in, saying: ‘I’m disappointed to be honest with you. I don’t know if it was our performance last year or what we did but we have been put on the bench. We’ve been replaced actually. 

“This week KISS has been out in Ibiza for the opening parties and last year we got an invite but this year Tyler (West) and Chloe Burrows are going.”

Olivia quipped back: “Yeah I can’t imagine why we weren’t invited…”

It comes after Olivia and Pete have been hinting that they are an item after being friends for over a decade.

Olivia recently hinted at it, saying it’s “great to fall in love” during an appearance on Loose Women where the ladies were discussing the topic of relationships and friendships.

Giving her opinion on the topic, Olivia said: “I love love and it’s great to fall in love and to be in a relationship.”

But not giving too much away, she then explained how its also important to maintain friendships alongside romances.

Olivia continued: “But never neglect those relationships outside, because they will probably be the ones that consist your whole life.”

Pete also hinted at something, getting shy when asked on the spot whether he loves a girl.

During a recent episode of his podcast Staying Relevant, which he co-hosts alongside his best pal Sam Thompson, Sam probed Pete about being spotted with Olivia at Heathrow airport.

Sam asked: “Do you like to go to the airport frequently when you’re not flying?”

Pete replied: “Yeah when I’m around. I bumped into a few people I know and that. It’s just one of those things sometimes I like to go to the airport to get my coffee, there’s a really good Cafe Nero there.”

Former I’m A Celeb star Sam argued that Heathrow was quite a way from Pete’s home but appearing to use a clever euphemism for Olivia he said the “coffee is worth it.”

Talking of Olivia and Pete’s pap pictures, Sam joked: “You looked really happy to be there.”

Sam then tried to get Pete to confess his love for Olivia, but he failed.

He said: “I love girls. No, no not loads of girls, I love girl… Do you love girl, Pete?”

Poor Pete was lost for words as he tried to keep the conversation moving.

A FRENCH actor with a role in Netflix series Emily in Paris has died after a brave battle with amyotrophic lateral sclerosis.

Pierre Deny, a dearly beloved face on French television for decades, died on Monday at the age of 69 from complications with the disease that causes progressive muscle paralysis.

“It is with deep emotion that we announce the passing of Pierre Deny, which occurred this Monday following a sudden and severe case of ALS,” his daughters said in a statement.

Also known as Charcot’s disease, ALS is a progressive neurodegenerative disease that affects nerve cells in the brain and spinal cord.

It leads to muscle weakness, atrophy, and paralysis, eventually affecting the ability to speak, eat, and breathe.

Tributes have been paid to the star by other celebrities, hailing him as a “generous actor”.

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Sylvie Vartan, Bulgarian-French singer and actress, wrote on Instagram: “It is with great sadness that I learned of the passing of Pierre Deny.

“I shared many wonderful moments with him on stage in Isabelle Mergault’s play.

“He was a generous actor and a sensitive and funny man. In these painful moments, my thoughts are with his family and loved ones.”

Raphael Benoliel, someone who said was a friend of Deny’s, described him as a “great artist” and a “magnificent person.”

“I shared with him a passion for soccer that he loved above all else … he was a true enthusiast, and we were still playing together just a year ago like a couple of kids,” the post on X read.

“He had the joy of the game, the joy of being together, the love of effort, of life … That goddamn Charcot’s disease took him away far too soon … it’s so unfair.”

The actor began his career in theatre in the 1980s before moving into film and television.

He was particularly known for his roles in the police series such as “Julie Lescaut” or “Une femme d’honneu”, where he played Captain Philippe Kremen.

He also played the role of Renaud in the soap opera “Demain nous appartien” in which he appeared in 500 episodes. 

Most recently, Deny appeared in seasons three and four of Emily in Paris, in which he played Louis de Léon, CEO of fashion giant JVMA.

Eleanor Tomlinson is returning to screens in the new Channel 5 thriller The Fortune

Poldark actress Eleanor Tomlinson is returning to television screens as she leads the cast in a gripping new Channel 5 drama.

The 34-year-old actress is famed for playing Demelza Poldark on the BBC period drama across all five seasons from 2015 to 2019.

The character was the devoted wife of Ross Poldark, played by Aidan Turner, an army officer who returns to his native Cornwall after the American Revolutionary War in 1783.

Following her exit from Poldark, Tomlinson played Louisa Bryne in the period drama The Forsytes and Mary Brighton in The Nevers, a Victorian-set drama. However, the actress will now be appearing in the modern psychological thriller The Fortune, reports Radio Times.

The Fortune will premiere on Channel 5 on Tuesday, 2 June and follows Tomlinson’s character, Amanda, after she suddenly inherits a vast fortune from a man she has never met or heard of.

With his own family incensed to find out his estate is going to a supposed stranger, battle lines are soon drawn, and threats soon start to fly.

Amanda goes from her regular life of working in a café and being a happily married mother to her life being turned upside down.

Ahead of The Fortune landing on screens, Tomlinson has opened up to Radio Times about the direction of her career following her exit from Poldark.

“I’d done it for five years”, she said, “There are elements I miss, but it was time to do something else, spread my wings and push myself in a different direction.”

When asked which acting role she mostly gets recognised for by fans, she explained: “Poldark is the main one and I get a lot of One Day, and The Forsytes. It’s always nice when they get it right and don’t say, ‘Were you in Game of Thrones?’, ‘No, wrong redhead!’.”

As well as Tomlinson leading the cast, The Fortune also boasts the likes of Harry Potter star Matthew Lewis, All Creatures Great and Small favourite Callum Woodhouse and former EastEnders star Nina Wadia.

Also starring in the Channel 5 drama are Rebecca Front (The Thick of It), Stephen Tompkinson (DCI Banks), Paula Wilcox (Trying), Danielle Walters (Chewing Gum) and Denis Lawson (Bleak House).

The synopsis for The Fortune reads: “Amanda Blakefield’s life is a happy one, with her husband Jimmy and their son Luke. But when Amanda is left an enormous inheritance by a man she has neither met nor heard of before, her life starts to fall apart.

“Amanda becomes embroiled in the world of the Worralls, where Martin Worrall is head of a family bound in past secrets. As Amanda is drawn further and further into past events and relationships, all of their lives are turned upside down.”

It’s now been confirmed that The Fortune will premiere on 5 on Tuesday, June 2 at 9pm, followed by the second episode the following Wednesday evening at the same time.

Stephen Colbert’s viral public access spot had former bosses CBS and its parent company Paramount in a brief tizzy over the weekend, mere hours after his buzzy late-night sign-off.

The longtime TV personality, 62, returned to the air on Friday evening on “Only in Monroe,” a public access program in Monroe, Mich., with an hour-long late-night parody episode that featured several guests and took shots at Paramount’s monopolistic aspirations in media. Colbert, previously a one-time host of “Only in Monroe,” began his episode: “It’s been an excruciating 23 hours without being on TV, so I am grateful to be able to be here on Monroe Community before they also get acquired by Paramount.”

The “Only in Monroe” episode was broadcast in southeast Michigan, the Associated Press reported, and also published to Colbert’s official YouTube page. News of Colbert’s surprise late-night spot spread online, with social media users reposting the episode in its entirety or sharing clips. Journalist and the Desk founder Matthew Keys shared the episode to his X (formerly Twitter) page, tweeting on Sunday that he received a “frivolous” copyright notice from Paramount Global.

CBS said in a statement shared over the holiday weekend to multiple outlets that the “Only in Monroe” episode was “financed and produced by CBS Studios” and was posted on Colbert’s YouTube page through a collaboration with Monroe Community Media and Colbert’s “The Late Show” YouTube channels. The network, which was home to “The Late Show With Stephen Colbert” for more than a decade, said in its statement that it is “regular practice” to copyright-strike “unauthorized websites” that repost its “copyrighted content,” but later added that it’s walking back its actions.

“For this episode, we have decided to waive further enforcement of this standard industry practice until additional review,” the statement said.

A representative for CBS did not immediately respond to The Times’ request for comment on Tuesday. A representative for Colbert also did not immediately respond.

Colbert’s guests on Friday included regular “Only in Monroe” hosts Michelle Baumann and Kaye Lani Rae Rafko Wilson, Emmy winners Jeff Daniels and Steve Buscemi, rapper Eminem (via video call) and White Stripes rocker Jack White. Friday’s broadcast ended with a literal bang, with Colbert, Daniels and White taking hammers to the talk show set and setting it ablaze.

“Since they are no longer using this set, it would actually be helpful for me to destroy it,” Colbert said, “which is pretty great news because right now — for no particular reason — I would very much like to break something.”

“The Late Show With Stephen Colbert” ended its run at CBS after 11 seasons and more than 1,800 episodes. Colbert began his late-night talk series in 2015, succeeding David Letterman. CBS announced it was canceling “The Late Show” in July 2025, with chief executive George Cheeks claiming “this is purely a financial decision against a challenging backdrop in late night.”

“It is not related in any way to the show’s performance, content or other matters happening at Paramount,” Cheeks added at the time.

CBS announced it was parting ways with Colbert, a relentless critic of President Trump, after Paramount settled a lawsuit filed by Trump for $16 million. At the time, media mogul David Ellison’s Skydance Media was also awaiting federal approval to acquire Paramount for $8 billion. Ellison is the son of Oracle co-founder, tech billionaire and Trump ally Larry Ellison.

Colbert ended his CBS tenure at the Ed Sullivan Theater on Thursday evening, joined by an impressive roster of celebrity guests including Paul Rudd, Bryan Cranston, Tim Meadows, Ryan Reynolds and Paul McCartney. The “Late Show” time slot now hosts media mogul Byron Allen’s “Comics Unleashed” syndicated show.

After late night, Colbert revealed in March that his next project is co-writing a new “Lord of the Rings” movie with his screenwriter son Peter McGee. Even as Colbert begins a new chapter away from late night, work may bring him right back under the Paramount umbrella.

The new “Lord of the Rings” films, including Colbert’s project, will be produced by New Line and its parent company, Warner Bros. Discovery. David Ellison‘s Paramount Skydance is seeking a $111-billion takeover of Warner Bros. Discovery and its properties.

Times staff writers Greg Braxton and Meg James contributed to this report.

Lindsie Chrisley, one of reality star Todd Chrisley’s two children with his first wife, was arrested Saturday night on suspicion of driving under the influence in Concord, Ga.

The podcaster was booked on charges including DUI less safe — a DUI charge for those whose blood alcohol is less than 0.08% — attempting to elude police, improper passing, reckless driving and speeding, according to a police report obtained by The Times. Her bail on the five counts totaled $5,961, according to the Cherokee County Sheriff’s Office.

“I got pulled over speeding past a car on a two-lane road because they almost hit an animal,” Chrisley told TMZ, which first reported the arrest. She said she was trying to miss that car and “whatever the animal was.” She said she planned to fight the charges.

Law enforcement had a different story to tell in its report, alleging that she was pulled over for traveling 86 mph on a surface street. After the deputy activated the lights on his car and initiated the traffic stop, Chrisley allegedly passed “multiple suitable stopping locations” before finally pulling over at a Chevron station, the report said.

The sheriff’s deputy who spoke with Chrisley said in his report that her stories weren’t making sense, her speech was slurred and her breath smelled of alcohol. After she was asked to step out of the Ford Bronco, she told the officer she didn’t know why she had been pulled over, then said it was because she had swerved around another vehicle that had “almost hit a deer,” the report said. The officer asked her if that was why she was speeding and she said “that is exactly why,” according to the report, then talked about the car in front of her brake-checking her as she drove home and said she hadn’t been traveling at nearly 90 mph.

The report said she refused to participate in field sobriety tests when the deputy asked her to and she also declined a blood test. No contraband was found in the car, according to the report.

Chrisley, 36, was released from custody around 4:15 a.m. Sunday morning.

Her encounter with law enforcement comes after her then-boyfriend, David Landsman, was arrested in Cherokee County in mid-April on a felony charge of aggravated assault/strangulation and a misdemeanor charge of battery after he allegedly placed his hand around a person’s neck and told them they were “not going anywhere,” People reported.

Lindsie Chrisley, the host of “The Southern Tea” podcast, appeared in 20 episodes of “Chrisley Knows Best” from 2014 into 2017. She and brother Kyle Chrisley are the children of Teresa Terry, Todd Chrisley’s first wife.

Todd and second wife Julie Chrisley were convicted of bank fraud and tax evasion in 2022 and imprisoned at separate facilities. Todd was serving a 12-year sentence in Florida and Julie was serving seven years at a facility in Kentucky when President Trump pardoned them in 2025, clearing the convictions from their records and ending their sentences.

Lindsie was estranged from her family for years over their suspicion that she had squealed to state and federal officials. Todd and Julie sued the state of Georgia in 2019, alleging that a tax official had targeted the couple’s estranged daughter and improperly shared confidential tax information to try to elicit compromising information on the family. As a result of the official’s efforts, the Chrisleys were forced to “incur substantial personal and financial hardship,” the suit said.

Sources who said they were close to Lindsie told TMZ in October 2019 that she spoke with the state official only to get updates about when her father might be arrested, so that she could shield her young son from any drama. In 2022, she said on her podcast that she and her father got back in touch after her second filing to divorce husband Will Campbell went public in summer 2021. The family members did crossover appearances on their various podcasts.

However, the reconciliation appeared to be short-lived, with Lindsie saying on her podcast in March 2025 that she hadn’t had any contact with her dad in a year.

The state of Georgia settled with the elder Chrisleys in January 2024, agreeing to pay them $1 million.

Is Paramount making a Tony Soprano move?

David Ellison’s media company appears to be girding for a big battle with California Atty. Gen. Rob Bonta and fellow state attorneys general who may team up to file a lawsuit aiming to block Paramount’s proposed $111-billion takeover of Warner Bros. Discovery.

Last week, Paramount hired powerhouse antitrust attorney Jeffrey Kessler to help defend its proposed takeover of Warner, which owns CNN, TBS, HBO and the prestigious Burbank film and television studios.

Kessler — co-executive chairman of Winston & Strawn in New York — is one of the nation’s top antitrust lawyers. He most recently led the state attorneys’ case against concert promoter and ticketing firm Live Nation, resulting in a monumental win for the states, including California.

Now Kessler may be on the opposite side, potentially going after the government to help Paramount build a behemoth that would include CNN and CBS News, two historic film studios and four streaming services.

The states have not indicated whether they plan to go to court to block Paramount’s takeover of Warner, but Bonta has said Ellison’s proposed consolidation, which is widely expected to lead to layoffs, is problematic.

Paramount declined Tuesday to discuss Kessler’s remit. Kessler was not immediately available for comment.

Hiring an attorney who is more commonly aligned against big companies prompted at least one observer to postulate that Paramount could be angling to remove a big name from the legal chessboard to prevent him from joining the other side, in the vein of TV mob boss Tony Soprano.

During the HBO show’s fifth season, Soprano spent months consulting with top divorce attorneys, creating a potential conflict of interest that prevented those lawyers from representing his wife Carmela in the dispute.

Attorney Jeffrey Kessler arrives at federal court in Oakland in a file photo.

(Noah Berger/Associated Press)

Kessler also knows the ins and outs of a courtroom as well as antitrust settlements, which could benefit Paramount as it seeks to avoid a bruising court challenge.

More than 5,000 artists and other entertainment industry workers already have signed an open letter that urges Bonta to take action to upend the Paramount and Warner Bros. deal.

Ellison and his team have vowed to make $6 billion in cuts following the merger. The combined company would have to contend with $79 billion in deal debt.

Adding Kessler comes as state attorneys general have been taking a more aggressive role in waging anti-trust fights. Many believe the U.S. Justice Department has been sitting on the sidelines to allow deals favored by President Trump to sail through their legally mandated regulatory reviews.

Trump favors Paramount’s takeover of CNN and other Warner properties.

Paramount Chief Legal Officer Makan Delrahim has made several savvy tactical moves since joining Ellison’s Melrose Avenue firm last fall.

Delrahim, who was Trump’s antitrust chief during his first term, filed paperwork to win the U.S. Justice Department’s blessing in December — soon after Netflix had clinched the bidding war for Warner Bros.

Netflix ultimately bowed out of the auction in late February. And Delrahim’s move gave Ellison’s Paramount a head start in the regulatory approval process.

The company is waiting for confirmation that the Justice Department will consent to its Warner Bros. purchase. It is separately responding to issues raised by regulators in Europe.

It’s not clear when Bonta or his fellow attorneys general might decide whether to bring a case against Paramount, although the deadline is approaching because Ellison wants to get his deal wrapped up by September.

Attorneys general also could opt for negotiating a settlement agreement with Paramount, which might be willing to bend to concessions to get the deal approved.

Bonta is leading a challenge against another big merger — TV station owner Nexstar Media Group’s $6.2-billion purchase of rival company Tegna Inc. Nexstar owns KTLA-TV Channel 5 in Los Angeles and more than 100 other stations.

Nexstar initially argued that Bonta’s action came too late — after Nexstar had gained its federal approvals for the deal. Nexstar also was in the process of consolidating Tegna’s operations and top Tegna executives had cashed out.

The move backfired on Nexstar as a federal judge in Northern California issued a preliminary injunction, ordering Nexstar to halt the Tegna consolidation.

U.S. District Judge Troy Nunley ruled Tegna must be managed as a separate company pending the outcome of a trial.

On Tuesday, Tegna announced that it hired a former Fox TV station executive, Patrick Paolini, as its chief executive. Beginning next week, Paolini will be responsible for “Tegna’s daily operations, revenue-generating business strategies, local journalism and production, and growth initiatives,” according to a corporate statement.

Paolini will report to Tegna’s board — not Nexstar.