SHOW BIZ

Downton Abbey may be over, but these Netflix period dramas are giving fans plenty to enjoy

Downton Abbey may have drawn the curtain on the beloved ITV saga, however, Netflix offers a wealth of period dramas.

For viewers eager to fill that void, the streaming giant is renowned for its vast collection of original and licensed content spanning numerous genres, and boasts an impressive selection of costume and historical productions perfectly suited to Downton Abbey devotees, reports the Express.

Much like the beloved ITV period drama that became a worldwide phenomenon after American audiences became utterly captivated by every twist and turn in Julian Fellowes’ fast-paced series, Netflix has three spectacular costume dramas that could arguably surpass Downton Abbey itself.

Here’s a closer look at each one and what viewers have had to say about them.

1. The Crown

Netflix’s magnificent House of Windsor epic The Crown is unrivalled in its excellence, according to devoted fans since its debut in 2016.

The series, crafted by The Queen screenwriter Peter Morgan, chronicles the British monarchy from the beginning of Queen Elizabeth II’s reign through to the 2005 wedding of Prince Charles and Camilla Parker Bowles.

The Crown underwent several cast changes to reflect the passage of time, with Claire Foy, Olivia Colman and Imelda Staunton each taking on the role of Queen Elizabeth II. The Crown amassed a remarkable collection of awards, including 24 Emmys and two Golden Globes for best series, while Netflix disclosed back in 2020 that 73 million households had tuned in since its launch in 2016, according to BBC News.

Given that the series concluded in December 2023, considerably more viewers would have caught the show since that point.

Furthermore, a notable spike in viewership followed the passing of Queen Elizabeth II in 2022, as 17.6 million hours of The Crown were streamed on Netflix, the platform confirmed to CNN.

Viewers on Reddit have drawn comparisons between Downton Abbey and The Crown, weighing in on which they favoured.

One wrote: “I watched them both. I personally liked The Crown better although both are exceptionally well-done shows.”

A second chimed in: “The Crown. I could never fully get into Downton Abbey.”

A third Redditor observed: “Depends what you like. I prefer downton as The Crown is too slow sometimes. Downton also shows the life of all the staff in the Abbey as well as the rich people. The Crown has a way bigger budget, better cinematography and is about real historical characters [sic].”

2. Bridgerton

Regency bodice-ripper Bridgerton, adapted from the much-loved historical romance novels by American author Julia Quinn, stands as another hugely popular period drama on Netflix.

Each series centres on a different lead couple and explores various romantic storylines, amongst them friends-to-lovers, enemies-to-lovers and fake courtship blossoming into genuine romance. Bridgerton proved a runaway success following its arrival around Christmas 2020, transforming into a massive pop cultural sensation much like Downton Abbey.

The opening season accumulated 113,300,000 views within the initial 91 days of release, while the third season attracted 106,000,000 viewers upon its debut.

The programme stands as Netflix’s ninth most watched English-language series ever, Variety reported earlier this year.

Since its original launch and following subsequent seasons, it’s been viewed by hundreds of millions of devotees – and the figure continues climbing.

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This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

The programme is set to return for a fifth and sixth season, meaning these viewing statistics will climb even higher.

Opinion remains divided on whether Bridgerton surpasses Downton; nevertheless, one Redditor commented: “Hard to say. Bridgerton is an alternative history romantic fantasy as compared to a period drama. I watch it, but to me it’s not nearly as good as Downton Abbey.”

Another stated: “I love both Downton Abbey and Bridgerton, but they are very different shows.

“I loved “Bridgerton,” but an attempt to draw similarities and differences to “Downton Abbey” is a proverbial apples-to-oranges comparison. I enjoy both for the space they occupy in entertainment,” a third observed.

3. The Empress

Lastly, sweeping German period drama The Empress has captivated audiences and draws from the actual life of Empress Elisabeth of Austria (Devrim Lingnau). The programme first launched in 2022 and charts the struggles and triumphs of a ruler navigating her romance with her husband, his conniving family, and the treacherous world of court politics.

The series ranks amongst the most watched non-English language programmes on Netflix, having amassed over 76 million views, according to What’s on Netflix.

One viewer took to IMDb to share their thoughts: “If you like The Crown, you’ll like this.”

They went on to say: “Just a couple of scenes at the first half. Romantic would be something like Pride and Prejudice or Bridgerton. This was more like Downton Abbey or The Crown, where in the drama is the focus.”

A second viewer enthused: “The acting is superb. I simply cannot believe how amazing this series is, and it easily rivals ‘The Crown’, ‘Downton Abbey’, ‘Outlander’, ‘Poldark’ and ‘Vikings’, and surpasses many others. It’s more serious than contemporary feeling shows like ‘Bridgerton’. In my opinion it is a contender with all the top historical dramas.”

The Crown, Bridgerton and The Empress are all available to stream on Netflix now

In this week’s episode of The Envelope podcast, we kick off Emmy season with Carrie Preston, who plays an offbeat investigator in Robert and Michelle King’s “Columbo”-inspired comedy “Elsbeth.”

Kelvin Washington: Welcome back to The Envelope. I’m Kelvin Washington, alongside the usual suspects, Yvonne Villarreal, also Mark Olsen. It’s good to have you all here. Everybody doing well?

Mark Olsen: Yeah, I’m doing great.

Yvonne Villarreal: Good to see you.

Washington: Well, first of all, I didn’t get the green [wardrobe] memo. It’s OK. Leave me out.

Villarreal: I’m trying to blend in with the chair.

Olsen: That’s why you pop

Villarreal: You do pop.

Washington: Well, you took what I was going to say. You don’t blend in. You always stand out.

Villarreal: Thank you.

Washington: That’s true. All right, so we’re kicking off Emmy season in here. And there’s obviously a million different things to have seen. We’ll start it off with Yvonne — I’ll go to you. What have you seen? Give me a couple of things that stand out to you that you’re enjoying.

Villarreal: Look, I’m always gonna mention “The Pitt.” Season 2 really captivated me. Also, there’s “Pluribus.” Can never go wrong with Rhea Seehorn. Also, one that — surprisingly for me, just given the subject matter — I really enjoyed this season, is “The Testaments.” And I think it’s because of, you know, the young cast and feeling that sense of hope that these young teenage girls are gonna get us out of this. Those are my picks so far.

Washington: Did you say that we need that?

Villarreal: We do need that.

Washington: OK, I just wanted to make sure.

Villarreal: I won’t mention reality TV, because I know it makes Mark a little…

Washington: Let’s make him a little squirmy.

Olsen: Maybe one of these days, I’ll try!

Villarreal: “One of these days”?

Washington: Twenty-five years into it.

Villarreal: “Real Housewives of Rhode Island” is all I’m going to say. I’ll just leave it there.

Olsen: Rhode Island?

Villarreal: Rhode Island.

Washington: Mark, I’ll go to you next, but just to your point there, Yvonne, I haven’t seen much of it, but I did have some guests at the morning show that I anchor from “Love on the Spectrum.”

Villarreal: Oh yeah.

Washington: Folks love that show. I mean, when I tell you that we had a couple of the guests come in and they’re walking around, people were screaming, “Can I get their picture?” So you’re talking about reality TV, just that, that’s a big one there.

Villarreal: They’re stars. And hearing who’s broken up already. I won’t spoil it, because you should watch that one.

Olsen: Wait a minute, how do people on your morning show rate “The Morning Show”?

Washington: Oh, that’s a good question. Some of the [story] lines or the feel hits a little too real, too close to home at times, that’s for sure. But I think it’s run its course a little bit as far as the watercooler [chatter] around the job a little. You know, it’s had some seasons here. But there are some things that, you know, some us look at each other like, “Clearly someone in the business is on there writing that show because that was too close to home.”

Villarreal: Lots of conniving.

Washington: But that’s all sensationalized. We’re just an ordinary morning show. None of that going on.

Villarreal: There’s no Billy Crudups out there.

Washington: Watch how I turn over here to Mark and we switch subjects. What about you, Mark? What are you watching? What do you enjoy?

Olsen: You know, it’s funny, I find as we’re in sort of like post-peak TV, I definitely find that I’m liking my TV to just feel like TV. And so I definitely like the Bill Lawrence universe, [that] kind of comfort watch — the new show “Rooster” with Steve Carell and Danielle Deadwyler, who’s just like so charming, so good on that show. I have really grown to like that show. I really enjoy the week-to-week. Even as I’ve maybe fallen off with some of his other shows, it’s funny how he’s always giving you a new show, like, “Oh I like this one!” And again [with] the week-to-week, “Oh it’s my day to watch ‘Your Friends and Neighbors’! Let me see what my good friends Jon Hamm and Olivia Munn are all up to.”

Washington: Are your neighbors like that?

Olsen: I have not had any disputes over dogs with my neighbors, no.

Washington: By the way, have you been, you mentioned Steve Carell, like he’s in his ‘zaddy’ era. It’s amazing what a beard does for a lot of people. No one ever necessarily thought of him as a heartthrob and all of a sudden I’ve heard, I’ve seen some things on Threads or whatnot, and they’re like, “Oh girl, I didn’t know Steve Carell…”

Villarreal: Some of us have known all along, OK?

Washington: I digress.

You guys mentioned a couple for me. “The Pitt” is unexpected — I was going to say every episode, really every 10 minutes. So that’s always a wild ride. And in “Paradise,” the shift from the previous season for me, because, you know, it’s not that I’m spoiling it, but just the shift into the outside and prior to, that dynamic to me was interesting. Almost like two different shows between Season 1 and Season 2. That for me is interesting to see how folks do and Sterling K. Brown, where’s he in all of this? So those are the ones that I’m looking at there.

I swing to you, [Yvonne]. You had a chance to speak with Carrie Preston, of course, in “Elsbeth.” Kind of a “Columbo”-style of a show, if you will. Tell us a little bit more about that.

Villarreal: This is the thing. We should never discount what’s happening on broadcast TV.

Washington: Good point.

Villarreal: “Elsbeth” is one of those shows that is so compelling. It really expanded, Robert and Michelle King’s “Good Wife” universe. They’ve had the spin-off, “The Good Fight,” and “Elsbeth” is in that universe, but it feels totally different. It’s this comedy procedural that follows Elsbeth, who we were introduced to as this eccentric lawyer, and in “Elsbeth” she’s moved from Chicago to New York as this NYPD consultant and de facto detective. And she has these really unconventional, unorthodox, eccentric methods to solving cases. And it’s really fun to watch and it was really fun to have this conversation with her.

Washington: All right, well, let’s get into it. Here’s Yvonne and Carrie now.

Carrie Preston, star of CBS’ “Columbo”-esque hit “Elsbeth.”

(Christina House / Los Angeles Times)

Yvonne Villarreal: I’m always very eager to talk about this character that I’ve spent 15 years tracking. You made your debut as Elsbeth Tascioni in “The Good Wife,” and she leaves a memorable impression early on, with just three minutes [of screen time]. I did time it. What do you remember about the call about this character and what [creators Robert and Michelle King] told you about who she was?

Carrie Preston: They had offered me the role, and I was working on some other things and I had just dyed my hair red, but they didn’t know this yet. And so they all knew me as a blond and I thought, “Oh my gosh, I hope they’re going to be OK with this character being a redhead because in their minds I’m not that.”

But [Robert] called and he said, “We’re thinking about this character like a female Columbo.” I didn’t really watch a lot of “Columbo,” but I understood what he meant, which was, this is a person who is going to be coming at things in an unexpected and unorthodox way and people are going to underestimate her. I took that to heart. But nonetheless, I was going in as a guest. As a guest, you’re going into somebody else’s house, you wanna follow their rules, you don’t wanna jump in their pool and start swimming around without asking permission. So I was a little tentative with it, but I took myself to the set before we started shooting just to show them, “This is what I look like now, are we still good? Because I can’t change the hair right now ’cause I’m doing this other thing.” Luckily, they were like, “Oh I think that actually works really well for the character.” And little did I know, I was gonna then be the redheaded actor for a good 16 years now, or whatever it is. I look back at that time, I was just finding my way with this character and figuring out, “How can I make her something different but not too different that I don’t fit in with the world of the show and the landscape of that universe?” And so looking back, you can see how I was tiptoeing around and it took a little moment before they really let me just let what my instincts were telling me to do, fly.

Villarreal: Because you knew she would be coming back in some capacity.

Preston: I didn’t know. I did two episodes at the end of their first season. Did not get a call at all in Season 2. And I thought, “OK, well, I guess I was a little too weird or I wasn’t really what they were thinking.” You kind of start talking to yourself and then you go, “I can’t read their minds. I’m just gonna keep doing what I’m doing.” And that was a really fun time. Then they called in Season 3 and that was when they said, “OK, we’re gonna do a little arc; we want this to flesh this character out.”

Villarreal: She went on to appear in many episodes of “The Good Wife” and also [its spin-off] “The Good Fight.” Then they have the idea during the pandemic of, “We want to do a show centered around Elsbeth.” And I imagine that’s a thrilling call to get, just like that first call that you received. As an actor in this sort of fickle industry, where you’ve put in the time, when you get a call like that from these prolific TV producers that are really respected, and they say, “We see you as being able to lead a network series.” How do you wrap your brain around that?

Preston: It was kind of a slow buildup to that because even when I was doing “The Good Wife, “ at the end of that series they were talking about, “How can we spin off the show?” And some people like yourself and people who are in the industry, fans, et cetera, were saying, “Why don’t you spin it off with Elsbeth Tascioni?” And Robert King reached out and said, “Would you be interested in this?” And so I said, “Of course, I would do anything to be be doing that.” Then I heard they’re doing this spin-off and it’s starring Christine Baranski and Rose Leslie and Cush Jumbo — pretty much everybody but me. And I was like, “OK, well, I guess that’s what they’re gonna do.” But I did reach out again and said, “I’d love to be a part of this.” And they said, “Yes, we’re definitely gonna bring you on and have you continue as a guest.” I went and did other things. I did “Claws.” I had already been working on “True Blood.” So I was doing all these other shows and thinking, “OK, I guess this is their spin-off. I’ll just be a guest again, and that’ll be that.”

And again, people would keep calling and saying, “Hey, what if you did a spin-off of the spin-off?” And still I dared not dream. It really wasn’t until 2020 that it felt like it was more plausible, possible. They were coming to the end of “The Good Fight.” They had this idea. And it seemed like a good one, and it seemed like a good business model, frankly, to have Elsbeth Tascioni, maybe one or two other series regulars, and then bring in all these amazing guests. It still took another three years before we actually did a pilot that, then, got picked up. So it was just these many, many steps before we actually got to this. So each time, I tried not to hold on to that dream too much, but at the same time, treasure every moment, even treasuring just the thought that they pitched me as the center of a show to a network that hired them to write a script. Even that, I was like, “Wow, this is incredible.” When we finished the pilot, I looked at the crew and I said, “We need to really honor this moment because this might be it. This might be the last time [I’m] ever playing this character. And we came together, and we made something really special. Whether or not it’s going to go to series, we all know we did something really wonderful.” And I burst into tears. I was so grateful for that opportunity. So every moment is a moment of gratitude and humility, to be honest.

Villarreal: Was there any part of you that thought, “I don’t know if I can do this”? Or because you were reaching for it for that length of time, when it finally happened, you’re like, “I can do this.”

Preston: There is this sense of wanting to make sure that I am doing everything I can to make this situation collaborative, to lead in a way that is not overbearing, to be a part of an ensemble, not just with the cast but with the crew. All of these things that I’ve been meditating on for decades. And I direct as well, so I know what it’s like to lead, and I’ve learned from watching really great leads, and not-so-great ones that get caught up in certain things, that rob them of an opportunity of creating something in a collective way. So I was excited to take all of these things that I’ve learned along the way and funnel them and channel them into this opportunity. Every day is a blessing, every day is challenge, and every day I feel like I do something that I know I can do better the next day. I try to meditate on that, because I want this opportunity that I’m having to be as special for the 300 people that are around me who are doing this with me. That’s really my goal.

Villarreal: In the series, obviously, we’ve come to know Elsbeth as this Chicago lawyer; here she’s a New York City police consultant. I really want to know what Elsbeth would be like in Los Angeles. What do you think that looks like?

Preston: Elsbeth finds beauty wherever she goes. I think it would be tough for her because she so likes to be right in the middle of all of humanity and [in] L.A., you’re isolated a lot in your cars — having to kind of keep yourself sequestered from other people just because that’s how people get around. I bet she’d be on the subway, she’d be on transit, she’d be on buses, she‘d be out in the malls, she would be out on the beaches, meeting people, talking to people, learning about Venice Beach as compared to Sherman Oaks. She would be all about finding all the different vibes and how she fits in.

Villarreal: You’re known for being a scene-stealer supporting player. This role in particular sort of encapsulates that. Is playing a lead rather than a supporting player a particular kind of challenge? Do you have to learn how to have your character take up space differently?

Preston: I approach it the same way that I approach anything I do as a co-star, a supporting actor, a guest star, whatever. I’m there to serve the script and to work with the people who are around me to elevate a scene and make it work. And to make the the job of everyone around me easy. I really feel like when you come at it with that collaborative spirit, you don’t think about, “Oh, I’m the lead.” You don’t think about where you fall into that hierarchy. You’re just there to make the scene work. And I like that. Because then I don’t feel pressure to be something more than what that is. You’re building a house every day, and you’ve got to start with foundation and then move all the way up. You can’t just come in and the house is already built. That takes more than one person. And I like that, and I feel like Elsbeth is like that too. She’s very much about the other person. For me, if you’re ever stuck in an acting scene and you don’t know what you’re doing, you need to just focus on the other person, and then all of that other stuff starts taking care of itself. What does this person need? What am I giving this person? What am trying to get from this person? Just all the like the basic building blocks of acting and then you can get out of your own head and let the choices happen.

Villarreal: Something that’s so striking about the character is her physicality. She sort of darts into frame, or she’s crouching, even the movement of her hands as she’s reenacting what might have happened. What was that like, finding the movement of Elsbeth?

Preston: It started from the beginning. The scripts, at the beginning, would write in these pauses. They would just say “pause” in the middle of a sentence. And I was like, “Huh, what is that?” That became the most fascinating thing to me. “What’s happening there? What’s happening with this woman when she’s not speaking?” And, so, that’s where the physical stuff started coming. And in “The Good Wife” and “The Good Fight,” there was a little bit of an evolution of that. The tote bags were brought in very early on by Brooke Kennedy, who was the producing director and one of the main directors on “The Good Wife.” She said, “I want her to always have something going on.” And I was like, “Great, I love that.” That’s a gift for an actor. I’m someone who, if you give me a prop, I’m gonna do something with it. I just like that. It’s fun. I’ve trained for the theater. So I love that idea. There’s a term that sometimes we use — I don’t know if it’s OK to say it — but sometimes we call each other “props-titutes.” If you get a prop, you can’t help it; you’re gonna have to do a thing with a thing. And so the bags and all that stuff — I started thinking, “Oh, I guess [with] this woman, her mouth is saying one thing, her mind is thinking another and her body’s doing a third thing.” As soon as I came up with that little weird math equation, things started locking into place.

Robert King directed the pilot. He created the show with Michelle King. Robert loves any kind of physical comedy. Marx Brothers, Three Stooges, Lucille Ball, all of that stuff. He just loves it. He worships that stuff. We were doing a scene and he said, “I don’t want you to just walk up. Let’s have you like lean in like Charlie Chaplin or something.” And I was like, “Great!” So he had me lean into frame and wouldn’t you know, that just became then the signature thing for this new iteration of this character. And it became kind of a metaphor for the whole show. This woman is not ever gonna approach things straight. She’s always gonna approach things at an angle. That’s another fun, creative thing that you can run with. Then the writers and the directors and the other actors, we all just started playing with that. And I have to do these scenes where I sum up the entire crime. Sometimes it’s like a five-page monologue. Well, you don’t have that much time to memorize that stuff because you get the script and I’m learning 50 pages of dialogue every eight or 10 days. So the physicality helps me remember it. And I imagine it helps Elsbeth piece it together.

Villarreal: Are you like at home just [mimics exaggerated movements]?

Preston: Yes, I’m coming up with things.

Villarreal: Is Michael [Emerson, the actor], your husband, like, “What’s going on here?”

Preston: He lets me do my thing. What I’ll say to him is, “I’m gonna go close the door and talk to myself for a while.” And he’ll go, “OK.” I learn my lines by myself. I record my own cue lines. It all has to happen alone. Because I know I have to go back over and over and over again. And when somebody is running lines with me, I’m very concerned about how bored they must be. So I just have to do all that on my own. The funny thing is I learn my lines a lot when I’m on the train. I go back and forth between New York City and the Hudson Valley a lot. It’s like an hour and 20 minutes. So the people on those trains are seeing this crazy lady, because I’ve got my ear things in and I’m looking at my [script].

Villarreal: Do you have your own bags?

Preston: I’ve go my own bags, and I am sure if they don’t recognize me as Elsbeth, they just think I’m another insane person who lives in New York City and no one cares. The kooky redheaded lady on the train.

Villarreal: Let’s talk about that other element that’s so crucial to Elsbeth, which is the hair and the wardrobe. You talked earlier about how you dyed your hair for another role, and you didn’t know you’d be locked in for this long with it, but it’s such a feature of her. Obviously we’ve seen her wear wigs in the show.

Preston: Which was fun, to go back to my original blond look.

Villarreal: And you mentioned Lucy earlier, Elsbeth in the tutu this season was so, so good —

Preston: One of the best compliments that Jon Tolins, our showrunner, ever gave me was when he saw the dailies from that day of the tutu and dancing with the little 6-year-olds. Oh, my God, I was in heaven. He just wrote, “Lucy level.” And I was like [playfully belts a note], “This is a dream.” Because I decided this woman would really want to be trying to do her absolute best. She would really be wanting to try to dance the best way that she knew how, but her body doesn’t know how to do that. But her mind wants to. Plus, I like to entertain the crew. They often don’t laugh because the crew has seen everything and they’ve seen me do a million things. But if I can get them to laugh, that’s a win.

Villarreal: Her style is so intriguing — sometimes I’m like, this is what “And Just Like That” should have had, some of these wardrobe pieces.

Preston: Well, that’s Dan Lawson, our costume designer.

Villarreal: What does that do for you? And please tell me there is a bag closet. I’m obsessed with the bags.

Preston: Oh yes. If you were to walk into the costume shop and see my section, it’s like a circus had a party under a rainbow. There’s four or five racks of clothes, and they go on what seems like a mile. And then there’s [a] whole wall of the totes. And Dan finds special totes that he’ll shop for, but then he also has some of the totes made because he wants them — we decided early on it would be totes, of course, but like after the opera episode, she would then have an opera tote. We had to make very specific totes that would do callbacks to previous cases and things like that. Dan thinks about everything.

Villarreal: Do they put things in the totes?

Preston: They do, but early on there were a lot of things in the totes, and I was starting to have to go to physical therapy because people don’t understand when you’re working on a scene, it takes six hours to shoot a scene, and if I’m coming running in with totes on my shoulders a hundred times it’s gonna take a toll on my body.

Villarreal: But you also need things in them so they don’t fall down easily.

Preston: Carol [McLennan], who’s my on-set costumer, she’s constantly putting top sticks so that they’ll stay. She’s finding creative ways to safety-pin them on. The continuity of the bags, you have to make sure that they’re exactly the way they were for every take. It’s like I have a child — three children, my totes.

Villarreal: Such a feature of the show is obviously the sort of revolving door of guest stars. This season you’ve had Stephen Colbert, Griffin Dunne, Beanie Feldstein and Patti LuPone, who was in the finale. Are you ever just lost in the fact that you’re acting opposite these people? Is there a moment that stands out from that?

Preston: Dianne Wiest. I’m a huge, lifelong fan of Dianne Wiest, like top five. And when I found out she was gonna be in the episode where she plays a nun, a murderous nun, I just thought, “I’m not gonna be able to contain myself.” I usually reach out to everybody before to send them an email or a text or something and just tell them how thrilled I am that they’ve said yes. So I wrote her a thank-you for saying yes/stalker-level fan email. And she wrote back. And she’s like, “Oh, Carrie, I’m so happy to hear that.” It was just like, “Oh, my God, I could just hear her voice.” When she showed up — I mean, she’s Dianne Wiest. And she is wearing a nun’s habit, and I couldn’t stop staring at her face. She would catch me staring at her and then she would just smile, with that sweet gorgeous face of hers and I would say, “I’m sorry, I’m sorry. I know that it’s probably making you uncomfortable. I just am absolutely honored. I do not even understand how I got to be so lucky to have someone like you doing this.” And you could say that for every single person on the show. I fangirl on them in the way that the character fangirls on Diane Lockhart. You know what I mean? The same little spirit lives inside me that is Elsbeth. I have wonder and appreciation. And it’s become more infectious. She has become more infectious the more I play her.

Villarreal: There was the moment where, in the Griffin Dunne episode, where he’s threatening towards her. I’m trying to remember if there’s been a moment like that where I felt threatened for your character. What was that like filming with him?

Preston: It was wonderful. Robin Givens, who was our director, [and] who, as we know, is an actor as well, she was really directing us to reach a pretty scary place. I like it when our show gets scary like that because we have to remember that she’s hanging out one-on-one with murderers. She’s going into their space. And as unthreatening as she is, that in and of itself is threatening. And we need to remind the audience of that from time to time. She pushes buttons because she’s trying to get them to admit something, or she’s pinning the fly to the bulletin board and watching it squirm. And this one, I realized as I was playing it, I was like, “I’ve got to play up the flirtatious side because that’s what he gets really guarded about, the fact that he’s a womanizer. So if I play that up, it’s gonna infuriate him.” And so he backs me up, and then we realize there’s no way out. It’s great, but it’s scary. But she knows that he’s not gonna do anything to her because he still thinks he’s gonna get away with murder. But we added this one [look], and I wanted to make sure [it was kept]. I said, “Please, Robin, please don’t let them cut this.” I look back at him at the very end going, “Gotcha. I got you just where I wanted you. You fell into my trap.” And they kept that in the cut. I was very happy about that because we build these things together, and sometimes they just have to cut them for time. But they didn’t.

Villarreal: Because you’re also thinking with your director’s hat. And I know it must be hard to even think about whether you can direct an episode of “Elsbeth.” But is that something on your bucket list? Or would it just be too difficult to manage?

Preston: I love this job so much. This is the dream job, and I want to make sure that I am doing everything I can to do that in the best way that I can, every day. And I do feel like having directed myself before in the past, in things where I was just a part of the ensemble, the way I choose to direct, I found that I was shortchanging the acting a little bit. I don’t want to do that on this show. I do think it would cost the crew to have me do both things, and I care about them so much. I don’t have to prove that I can do both. The one thing I could do is direct the first episode of the season because I would be able to prep. Otherwise I wouldn’t be able to prepare. I feel like I trust our directors. I love our writers. I love our crew and I love how things are going.

Villarreal: We know Elsbeth as this person with a keen ability to read people, who can sniff out liars, murderers. What was so interesting this season was to see her vulnerable side in her personal life. And see that she has her blind spots too. Were you excited when you saw that they were going to explore this side of her? And what was that like to play?

Preston: I think it’s always a good thing to deepen the character as you go along because, you know, we’re a police procedural; we have to figure out how to put a crime each episode, just structurally. But we want texture to the character, and having that vulnerable side really gave us that. As an actor, if you can find the drama in the comedy, it makes the comedy stronger, and vice versa. It was a wonderful way to stretch myself as an actor. It’s important to always show the heart of a character that you’re playing. The more specific you are, the more universal it is. And I think people can relate to her in that way. Everybody has felt heartbreak or confusion or duped or confused or distrustful of their own intuition and all of that stuff. And so the complexity of that was, of course, great to play.

Villarreal: Are you, Carrie, as perceptive as Elsbeth?

Preston: I do have a little bit of an empath in me. I do feel like I can read a room really quickly and I can kind of tell what people are thinking or what people are feeling. A vibe. I don’t know what it is, but it’s an empathic kind of nature. I have way more boundaries than I think Elsbeth does, but I’m not nearly as brilliant as that woman. I don’t know how many people in the world are. That’s what makes her so special. But I key into that side of her and I can relate to it.

Villarreal: Final question for you. The show will return for a fourth season. What do you want to see from Elsbeth? Who’s your dream guest star? It must shift because you guys are getting everybody.

Preston: We’re getting wonderful people who are interested in the show and I’m so proud of that and I know Jon is too. Jon Tolins is our showrunner. We’ve really, both of us, made it our personal missions to create an environment — and he creates scripts — that people want to come and participate in, and a welcoming place where somebody gets to play a delicious character for eight or nine days and then go on with their busy careers. I never would have dreamed that, for example, Steve Buscemi would have wanted to be on a show like “Elsbeth,” but he did and he asked to be on it. That blew our minds and it still is blowing our minds. So I could not even dream of most of the people that have come on. That said, you know, I’ve said this before, I’m a huge Meryl Streep fan. I would love for her to come on. We think often about, maybe we should see a parent of Elsbeth, a mother maybe. So we play around with different ideas for that, and that would be nice to see because we’ve seen Elsbeth as a mother, but we haven’t seen her as a daughter. We’ve seen her as a friend but we haven’t seen deep into her her origin story. So I think that could be a fun thing to tap in Season 4. But I trust Jon and the writers.

Villarreal: I want Diane Lockhart to stop by.

Preston: I know, wouldn’t that be great? Or Alicia. But I don’t know. We got Sarah Steele who played Marissa [in “The Good Wife” and “The Good Fight.”] That was amazing. But like Michelle King was saying in an interview [for an L.A. Times’ Screen Gab event] yesterday, this show has kind of found its own place separate from that universe. It’s nice if we have people from that universe pop in, but it’s not required. And a lot of our fans never even watched those shows. So that speaks to what Jon and the writers are doing and what we’re, as a collective, bringing to the audience.

Villarreal: Thank you so much for being here. I, for one, can’t wait to see what the bag selection is like in Season 4.

Preston: Me too.

There she stands, in that iconic hot pink gown, arms thrown open wide as if to both offer herself to the world and embrace what the world offers — love, applause, admiration and diamonds, which are, as she sang from the body-hugging confines of that pink silk in “Gentlemen Prefer Blondes,” a girl’s best friend.

It isn’t her, of course, though it is the dress, designed by William Travilla and now a part of the new “Marilyn Monroe: Hollywood Icon” installation at the Academy Museum of Motion Pictures. Opening Sunday, it is just one of many exhibitions and events timed to celebrate the 100th anniversary of Monroe’s birth.

More than 60 years after her death, Monroe still glows brightly in the Hollywood firmament. Her career only lasted 17 years, but during that time she dazzled so brightly that her image, and all that has been projected onto it, remains burned into our collective line of vision, an unfading afterimage of a bursting star.

As the Academy Museum’s exhibit underlines, Marilyn Monroe was a pioneer in many ways.

(Emily Shur / Academy Museum Foundation)

Her death — at 36 by way of overdose — did much to cement her legacy, generating international headlines and then a multitude of conspiracy theories, many of them involving powerful men, including members of the equally mythic Kennedy family.

Tragedy and mystery are powerful binding agents, but they do not quite explain the tower of books that have been, and continue to be, written about her (including several out this year) or the many films made about her life or the art she has inspired, from Andy Warhol’s iconic silkscreen “Marilyn Diptych” (done a year after her death) to Seward Johnson’s massive statue “Forever Marilyn,” which, after some controversy, made its forever home in Palm Springs five years ago.

Marilyn Monroe’s personal items on display include parts of her makeup regimen.

(Emily Shur / Academy Museum Foundation)

As the Academy Museum’s exhibit underlines, Monroe was a pioneer in many ways. In the repressive ‘50s, she was sex positive and spoke openly about psychotherapy and the vagaries of fame. She often defied studio heads, was one of the first actresses to start her own production company and demanded approval of her many photo sessions.

She had multiple marriages, problems with drugs and alcohol and a reputation for being difficult on set, but she was unafraid to both call out the press and banter with them.

Still, she is not seen by the masses as a pioneer, a term that brings to mind scientists and suffragettes. No, Monroe remains a mesmerizing, radiant symbol — of beauty, glamour, sensuality, a life force so rare that it could not be expected to survive long in a world full of envy and petty demands.

In putting together “Marilyn Monroe: Hollywood Icon,” associate curator Sophia Serrano spoke with many devoted fans, including those whose collections helped build the exhibit, and they all said the same thing.

More than 60 years after her death, Marilyn Monroe still glows brightly in the Hollywood firmament.

(Emily Shur / Academy Museum Foundation)

“Even though she had a tragic ending,” Serrano said, “people would say she is a symbol of resilience. Her story is like a movie — an orphan who makes it big, then loses it all. They see her as battling the studio, wanting to get more nuanced roles and not getting the roles she wanted. … A lot of people latch onto her because she gives them hope.”

In many ways, Monroe is, and was, a piece of art herself, onto which we could project our own longings and adulation. But that art, Serrano says, was created by Monroe, with equal parts natural magnetism and a canny, rigorous sense of her own strengths.

In 1952, when she was a rising star, a journalist realized a nude pin-up being used in calendars and posters was Monroe; she had posed for what is now known as the “Golden Dream” series five years before. Monroe was filming 20th Century Fox’s “Gentlemen Prefer Blondes” at the time and studio head Darryl Zanuck pressured her to deny that the photos were of her.

Monroe did the exact opposite, shrugging it off in an interview, in which she said, “I was broke and I needed the money. … I’m not ashamed of it; I’ve done nothing wrong.”

“Marilyn Monroe: Hollywood Icon” opens Sunday at the Academy Museum.

(Emily Shur / Academy Museum Foundation)

Monroe’s unique, and, to a certain extent, self-constructed combination of vulnerability — the wide eyes, the half-open mouth, the child-like voice — and essential grit is what fuels her continued cultural resonance and what forms the guiding principal for the Academy Museum’s exhibit.

An exhibit on the life and legacy of Marilyn Monroe could fill an entire museum so for purposes of this exhibit, Serrano and her team chose objects that were relevant to her life. This being the Academy Museum, much of it focuses on her career in film. Costumes from her various movies (including the original exhibition copy of the famous white dress from “The Seven Year Itch”) occupy a big portion, in part, Serrano says, because Monroe was so often involved in their design.

“She was so smart, looking at these costumes,” Serrano says. “She was obviously Fox’s star for Cinemascope — she’s how they marketed the new technology and she didn’t like how certain silhouettes looked so she would not wear A-lines in Cinemascope because she thought the effect was unflattering. She really paid attention to how things worked and then knew how to control and edit and manage.”

Costumes from Marilyn Monroe’s various movies.

(Emily Shur / Academy Museum Foundation)

The pink gown from “Gentlemen Prefer Blondes” has its own story. Monroe’s character was originally to appear in bejeweled hot pants (also on display), but when the Golden Dream “scandal” broke, Zanuck demanded that she wear something less revealing.

Many personal items are on display as well, including the shoes she wore to her wedding to Joe DiMaggio, a rare apology from gossip columnist Hedda Hopper, marked-up scripts and parts of her makeup regimen (including a face-slimming mask she wore after being told she had a double chin). The love-hate relationship she had with the press is well represented by newspaper clippings and newsreels.

Marilyn Monroe’s famous white dress from “The Seven Year Itch.”

(Emily Shur / Academy Museum Foundation)

A whole room is devoted to scenes from her more famous films and an entire long wall to countless photographs. “She understood the camera better than anyone,” Serrano says, echoing observations made by photographers and actors who worked with her, including Laurence Olivier, who famously did not get along with Monroe during the filming of “The Prince and the Showgirl.”

Her reputation as being difficult on certain sets is also documented in a rather infuriating series of telegrams between director Billy Wilder complaining to her then-husband, playwright Arthur Miller, and Miller responding in defense of his wife.

It is a well-crafted glimpse at Monroe as a totality, including pieces from her Brentwood home and some of her own clothing, which Serrano says was far simpler than the gowns and suits she was photographed in. “Her persona was carefully constructed. She knew how to give just enough, to create the illusion of something.”

A whole room is devoted to scenes from her more famous films and an entire long wall to countless photographs.

(Emily Shur / Academy Museum Foundation)

And maybe that is the reason why Monroe continues to fascinate. Yes, she owned her beauty and sexuality with a boldness that stands out even now. Her relationship with the camera remains unparalleled — when she is in frame, it is almost impossible to look away. Her hip-swaying walk remains iconic and also, perhaps, revealing. It was achieved by putting one foot directly in front of the other, much like a tight-rope walker.

Which in many ways Monroe was, treading the line, invisible to the rest of us, between innocence and worldliness, between vulnerability and power.

The tension between the human need for both love and self-determination powers both art and madness, but never was it so tangibly brought to life than by Marilyn Monroe. Art and artist, creation and creator, she left behind a now-century-old mystery we’re still trying to unravel.

Opinions are divided on whether dog owners should allow their beloved pets to lick their faces or not – but Springwatch’s Chris Packham has some strong scientific backing for his take

It’s one of those questions that can divide even the closest friends: would you let a dog lick your face? Medical opinions vary.

Professor Graham Roberts, honorary consultant paediatrician in paediatric allergy and respiratory medicine, is quoted in medical journal The Hippocratic Post as saying that that babies brought up in homes with pets are far less likely to suffer from allergies than babies who grow up in pet-free homes. He states: “If you are born into a household where there is a pet, you are less likely to be allergic.”

But others, such as Professor John Oxford, emeritus professor of virology and bacteriology at Queen Mary University of London, is strongly opposed to excessively close contact with dogs.

He points out: “It is not just what is carried in saliva. Dogs spend half of their life with their noses in nasty corners or hovering over dog droppings so their muzzles are full of bacteria, viruses and germs of all sorts.”

But for BBC Springwatch’s Chris Packham, there’s no debate. Speaking on the Oh My Dog podcast, the naturalist told host Jack Dee: “When we cut our finger, what’s the first thing we do? We lick it. And you lick it because there are bacterial fauna in your saliva which have antiseptic and healing properties.”

Similarly, he says, there’s a health benefit to be gained from dogs’ saliva: “In days of old, when they were having medieval battles and doing unspeakable things to one another with swords, there were a lot of wounded people and they would allow the camp dogs to come and lick their wounds. They discovered that if the dog was licking the wound… it would be less less likely to get infected.”

All domestic dogs are ultimately descended from wolves, and Chris says that while a small amount of a dog’s saliva can be good for us, wolves’ saliva has even more healing power: “I’ve been licked by wolves, been kissed by wolves,” he says, “and they have even cleaner, or bacteriologically richer, saliva than than dogs.” They’ve never been treated with antibiotics or other medicines that might compromise their natural state, he says.

Chris adds that when wolves lick each other, it’s part of ensuring the survival of the pack: “When wolves go back to their their den, in order to carry the food which they may have caught many kilometres away, they eat it and swallow it, and partially digest it.

“So when they get back to the den, the pups lick their lips and that stimulates the adult wolves to regurgitate the food.”

“Now obviously,” Chris adds, “dogs have lost that habit – they don’t regurgitate for their young. But that licking is retained into adulthood in dogs because it’s a greeting.”

Similarly, he adds, when dogs eat each other’s poo, there is a valid reason for it. While it might seem disgusting to us – providing support for the opponents of face-licking – this also dates back to wolf behaviour.

“Research has been done recently in California,” Chris explains, “which shows that they will only eat faeces that are between one and two or three days old.”

Chris adds: “It was a relic to wolf behaviour. Because adult wolves will come back and eat all of the faeces in the den area when they’ve got cubs… because it’s a way of reducing parasite load because the eggs of those parasites are in the faeces, and they don’t want their young to get them.

“So that apparently appalling behaviour, because everyone’s nauseated by the fact that their dog eats other dogs’ faeces, that comes from the wolf and it’s about reducing parasites.”

Bradley Walsh is put in his place in the upcoming episode of Bradley & Barney Walsh: Breaking Dad

Bradley Walsh is hilariously told ‘do you know what you’re doing’ by an ITV show guest this Friday.

Bradley, 65, and Barney, 28, are back on the road once in their hit series Breaking Dad as they head down under for a spectacular Australian adventure in the seventh season of their beloved ITV programme.

In this week’s episode, the boys’ Australian adventure continues and they are in the outback, where they meet a group of local farmers and help them muster their cattle.

The pair then make a pit stop at a local bar, where they end up taking part in a pub quiz. The next day it’s competition time as father and son go head to head in a race on lawnmowers.

Bradley and Barney’s trip then takes them back towards the coast and the beautiful Whitsundays, where a trip on a superyacht awaits them. However, in true show style, the boys won’t be doing any relaxing as they’re expected to work onboard.

In an exclusive first look clip of this Friday’s episode, it shows the moment the boys are thrown into a Below Deck style cocktail making challenge, where they have to make beverages for the superyacht’s passengers.

Bradley is tasked with making a margarita while Barney is asked to make a piña colada. However, Bradley’s cocktail making attempts don’t exactly go to plan as he pours Cointreau directly into the glass as opposed to the cocktail shaker. Noticing his blunder, he quips: “I should have done it in this but don’t worry!”

However, the superyacht’s guests are left apprehensive as one of the passengers squeals: “Does he know what he’s doing?” before another guest offers instructions, saying: “Do you need to put the Cointreau in there to shake it?”

To which Bradley insists: “I don’t really because it’s best if you have the Cointreau sitting at the bottom of the glass. That’s the way the pros do it!”

After mixing his drink, Bradley does a taste test as he exclaims: “Wow! I tell you what, you can run this boat on that!”

Meanwhile, Barney serves up the perfect piña colada to which a superyacht guest praises: “Oh my goodness Barney, you are amazing!”

Wanting feedback, Bradley asks: “Out of ten, would you say the piña colada?” to which the guest exclaims: “I give it 12 out of 10!”

A deflated Bradley then asks: “And the margarita?” with the other passengers admitting: “Three!” to which Barney jokes: “Unlucky!”

However, despite losing the cocktail making competition, Bradley soon gets stuck in as he grabs a piña colada to try himself and says: “Cheers to you all!”

The passengers who had the margaritas then put the drink back down on the bar with Barney joking: “Yeah, you best stay clear of that if I was you!”

Breaking Dad airs on Fridays at 7:30PM on ITV1, ITVX, STV and STV Player

Two major stars of BBC’s A Good Girl’s Guide to Murder have formed a close friendship on the set of the hit thriller’s second season

The pair play brothers in the BBC phenomenon’s second season.

A Good Girl’s Guide to Murder stars Jude Morgan-Collie and Eden Hambelton Davies have revealed they’re now living together after portraying brothers in the BBC drama’s second season.

The popular series based on the books by Holly Black premiered back in 2024 and quickly generated a passionate fanbase, which continued to grow once the first season was released internationally on Netflix.

With millions of fans expected to tune into the second season, now on iPlayer as of Wednesday, 27th May, they’re keen to know more about the show’s stellar cast.

Emma Myers will of course be returning as teenage sleuth Pip Fitz-Amobi, who is now investigating the mysterious disappearance of Jamie Reynolds, portrayed by newcomer Eden Hambelton Davies.

Speaking to Reach ahead of the premiere, the actor revealed he quickly forged a strong bond with his co-star Jude Morgan-Collie, who portrays his younger brother Connor.

“To step into that world that’s already pre-established, I think there’s an expectation that comes with joining an already made cast and you’d expect it to sort of just be work, and it absolutely wasn’t,” he shared.

“It was a fantastic opportunity, I’ve met some people I hope will stay in my life for a very long time, forever. I live with Jude Morgan-Collie, who plays my brother in the show.”

Based on Black’s second novel in the series, Good Girl, Bad Blood, season two darkens the tone this time around with new directors Asim Abbasi and Jill Robertson taking the helm, as well as the author taking on screenwriting duties to ensure the adaptation remains faithful to the gripping source material.

Rather than feeling daunted by the prospect of joining the cast of a highly anticipated second outing, Hambelton Davies reveals he “slot right in” with the ensemble.

“The cast is so well-established with one another,” he went on, “the chemistry is so fantastic, to step into that and be so welcomed in, which I was, it’s impossible not to get an exact understanding of the mood and slot right in, so I felt very welcomed.

“It made the work a lot easier and allowed me to feel more comfortable, but also, as a person, it was such a lovely privilege to be welcomed in as I was.”

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His co-star Morgan-Collie also confirmed their living situation, saying: “It’s very cool. I’ve done another show where I’ve had a sibling [Here We Go], so it’s always really fun to play with that dynamic. And having any family in a show and getting them in the scene is always really fun.”

He also revealed that their friendship started with a misunderstanding: “I remember both of our first days in Bristol for season two, I said ‘let’s go for a brotherly pint’.

“I’ve since learned that he didn’t realise that it was me who texted him and he just thought that someone in the cast had worded something really weirdly. He didn’t realise that I was saying ‘let’s work on this!’

“But I think, as a cast, we’re all really close, and we were very quick to become mates,” he added. “Despite playing my older brother we’re the same age and we’re young adults and we’re living here in a new city, we’re messing about. It’s really good fun and we got a lot of downtime in the evenings so we’re all going out for dinner and stuff. It’s good fun.”

Filming for the second season wasn’t all fun, however, as Morgan-Collie recalled a particularly difficult scene. “I got slammed against the bonnet of a car for a day,” he recalls.

“At first I was like ‘Hell yeah, this is wicked’. Then you very quickly learn… it gets old very quickly.”

Tune into another instalment of the BBC’s enthralling young adult thriller to find out why.

A Good Girl’s Guide to Murder season 2 is available on BBC iPlayer and internationally on Netflix.

INTERLOCHEN, Mich. — A Michigan summer arts camp and boarding school where Jeffrey Epstein has been accused of meeting at least two of his victims will tear down a lodge that once bore his name.

The Interlochen Center for the Arts said this week that its board of trustees has approved a plan to demolish the Green Lake Lodge, which had been known as Jeffrey E. Epstein Scholarship Lodge until the school cut ties and scrubbed references to the late millionaire sex offender after his first conviction in 2008.

Epstein attended the Interlochen Arts Camp in 1967 as a teenager, and donated more than $400,000 to the school between 1990 to 2003, including $200,000 for the construction of the lodge.

“The lodge has, over time, come to carry associations that are not reflective of who we are as an institution or the values we strive to uphold,” Interlochen said in a statement. “After careful consideration, the Board determined that removing this structure in a safe and timely manner is the right step for Interlochen at this time.”

A world-renowned destination for young artists, actors and musicians, Interlochen’s alumni include Grammy winners Chappell Roan and Norah Jones and Oscar winner Da’Vine Joy Randolph.

At least two of Epstein’s accusers have said they met him at Interlochen in the 1990s.

The school said it was aware of news reports about the women’s claims and said it has invited them to speak with an independent investigator as part of an external investigation into reports of historical misconduct at Interlochen.

A pair of internal reviews, most recently after Epstein’s sex trafficking arrest in 2019, found no reports of misconduct at Interlochen involving Epstein in its records, the school said.

Epstein visited Interlochen periodically, often with his confidante and former girlfriend Ghislaine Maxwell, and stayed in the lodge now marked for demolition.

According to correspondence included in the Justice Department’s recent release of Epstein-related records, he directed that tuition for at least one student be paid out of his donations and once flew violinist Itzhak Perlman to the school on his private jet.

Epstein killed himself in a federal jail in Manhattan in August 2019, a month after being indicted on federal sex trafficking charges. In 2008 and 2009, he served jail time in Florida after pleading guilty to soliciting prostitution from someone under the age of 18.

Maxwell was convicted in 2021 of sex trafficking for helping to recruit some of Epstein’s underage victims, and is serving a 20-year prison sentence.

Grizz Chapman, an actor best known for his role as Grizz on NBC’s Emmy-winning comedy “30 Rock,” has died. He was 52.

Chapman’s cousin, Donte Harrison, confirmed the actor’s death on social media.

“Life gave my cousin Grizz Chapman some heavy battles, but he fought them with strength and dignity until the very end,” Harrison wrote. “A lot of people knew him as the sitcom star from 30 Rock, but we knew the man behind the screen. A good heart, good energy, and somebody who made an impact in this life.

“After years of fighting illness and dialysis, he passed peacefully in his sleep on May 22nd, 2026. I’m thankful we got time to reconnect 2 months before his passing.”

Born Mack D. Chapman on April 16, 1974, in Brooklyn, N.Y., Chapman got the name Grizz while working as a security guard at nightclubs around New York. The claim to fame of the 7-foot-tall security guard turned actor would be portraying a character that resembled himself: a towering bodyguard named Grizz.

Chapman played the mild-mannered bodyguard across 80 episodes of the wildly popular sitcom “30 Rock,” which starred Tina Fey, Tracy Morgan and Alec Baldwin. Chapman’s character was part of the entourage of Tracy Jordan (played by Morgan).

Chapman told Cracked in 2024 that landing “30 Rock” was the “hardest/easiest audition I ever had in my life.”

But it wasn’t until the second season of the show that Chapman felt he really broke through as a performer. On Episode 210, he performs a rendition of “Midnight Train to Georgia” alongside the veteran ensemble. “That showed so many levels of our talents — we got a chance to dance, we got a chance to sing, we got a chance to take direction and to be funny.”

In addition to acting in various projects, including the 2014 film “The Cobbler,” which starred Adam Sandler, and the 2016 thriller “Money Monster,” starring George Clooney and Julia Roberts, Chapman was an advocate for the National Kidney Foundation.

The actor battled high blood pressure and kidney disease and struggled with his weight for years, and in 2009, he announced he was seeking a donor for a kidney transplant. During an appearance on “The Dr. Oz Show,” the actor said, “I don’t want to go through this forever.”

Chapman told Dr. Oz that he’d coped with the news by acknowledging it was “a scary situation” but deciding to “face it one way or another.”

When Dr. Oz asked him what he wished for, the actor said, “I want to stay alive.”

Chapman spent nearly two years undergoing dialysis treatments three days a week for 4½ hours a day while filming “30 Rock” and hoping for a donor. In the process, he lost more than 150 pounds, hoping to be fit enough for the procedure. After the episode of “Dr. Oz” aired, a fan of Chapman’s, Ryan Perkins, flew from Arizona to New York to meet the actor. Perkins, then in his early 20s, knew he wanted to do something that could change someone’s life.

“I was emotional. I was excited. I wanted to scream. It was exciting to meet someone with that kind of willingness to help,” Chapman told the East Valley Tribune.

“How do you ever repay someone for something like that? You can’t. It’s not like borrowing $20 from someone and telling them you’re going to give it back. It’s something that you can never repay someone for.”

EastEnders’ Denise Fox, whose symptoms began with fatigue, will discover she has acute myeloid leukaemia following a bone marrow biopsy – Yvonne Gabriel knows exactly how she feels

EastEnders’ Denise Fox is all alone today when she receives the shattering news that she has blood cancer. While partner Jack Branning gears up for the upcoming World Cup, Denise, whose symptoms began with fatigue, will discover she has acute myeloid leukaemia following a bone marrow biopsy.

And Yvonne Gabriel, 58, will know exactly how she feels. The retired deputy head teacher was also by herself when told she had AML, in July 2018. She says: “It was such a huge shock. I wrongly thought adults couldn’t get leukaemia. The whole thing was a blur. But I remember the doctor saying it was treatable and I hung on to those words for the whole of my cancer journey.”

Yvonne went back to her home in Wallington, Surrey, and told her civil partner Annette, 63, a lawyer, and daughter Leanne, 38, a graphic designer, the awful news. She recalls: “My partner and daughter kept reiterating that the cancer was treatable and curable.

“I am usually the person that looks after people so it was really hard to feel I was causing the upset. They held themselves together for me.” EastEnders worked closely with the charity Blood Cancer UK on Denise’s storyline, starting today on World Blood Cancer Day, which in many ways mirrors Yvonne’s.

Yvonne and Denise, played by Diane Parish, 56, are both Black and, according to the charity, Black or mixed-race blood cancer patients with leukaemia have only a 37% chance of finding a 10/10 matched unrelated stem cell donor, compared to 72% for white patients.

Yvonne began treatment in Sutton’s Royal Marsden Hospital within days of diagnosis. She had three courses of intensive chemotherapy, requiring hospital stays, and finished that November. She says: “It is fantastic that EastEnders are running this storyline. It might mean viewers watching it get help if they have symptoms or even understand a little more what people with blood cancer are going through.”

Yvonne also recommends staying active, as it helps the body to cope with the harsh treatment. She adds: “I lost my hair and if Denise has chemotherapy this will probably happen to her. I was very emotional on the day I shaved it.” But she adds: “It will come back and it’s a sign the treatment is working. You can adorn yourself in different ways – wear jewellery or colours that make you feel like you.”

Yvonne has now trained to do massage therapy after benefiting from it herself as a patient. She says: “It was life-changing. It helped me physically and emotionally.”

Matthew White, director at Blood Cancer UK, says: “Many people with blood cancer have to visit their GP multiple times before they are diagnosed. Seeing blood cancer spotlighted on such a popular programme like EastEnders is a powerful platform that can help make a ‘hidden’ cancer more visible.”

*Blood Cancer UK provides trusted advice for people with blood cancer and funds research into better and kinder treatments that will transform lives. bloodcancer.org.uk

MATTHEW Perry’s live-in assistant has been jailed for three years and five months after injecting the actor with ketamine and leaving him alone to die.

Kenneth Iwamasa, 60, learned his fate as he appeared in federal court in Los Angeles on Wednesday.

He was the fifth and final defendant to be sentenced for playing a role in the actor’s 2023 overdose death.

Iwamasa, who was previously out on bail, avoided photographs by turning up to court at 7am when the doors opened, two hours ahead of the hearing, a source told The U.S. Sun.

He was then granted a delayed surrender date of July 17.

Los Angeles Judge Sherilyn Peace Garnett also ordered him to pay fines of $10,000 and $100 and be on supervised released for two years.

JAIL TIME

Matthew Perry’s street dealer gets 2yrs after admitting he’s ‘haunted by mistake’

Iwamasa wore a grey suit and matching tie with a white shirt for the hearing.

“Kenny wishes he would have had the strength to push back and say no and for that he will forever be remorseful,” his lawyer, Alan Eisner, said as he stood beside him outside of the court.

“Kenny is not the only person here who partook in this tragic event.”

He said Perry had agency, and his family should have also been there for him during his relapse.

“Mr Perry’s family could have said no along the way,” he bizarrely stated.

His loved ones previously insisted they had no idea he had fallen back into addiction.

The attorney said the blame shouldn’t all fall on his client, a man who is at the “low end of the totem pole” and wasn’t benefiting financially like those who sold him the drugs.

Asked why he left him alone to die after injecting him with the drug, the lawyer called the comments “vindictive” and said it was an unfair narrative.

Perry’s stepfather, Keith Morrison, who arrived with the actor’s mother, Suzanne, gave an emotional impact statement, along with estate manager, according to the New York Post.

Iwamasa was reportedly on the verge of tears as Morrison addressed him in court but he did not speak to reporters outside.

Although he pleaded guilty, his counsel argued that he was trapped in a toxic employer-employee dynamic and felt unable to refuse Perry’s requests.

The actor’s publicist, Lisa Calio, who was close to him for 30 years and is now the CEO of The Matthew Perry Foundation, wrote a heartbreaking letter to the judge and slammed Iwamasa.

She claimed he hatched a delusional plan to get rid of those tasked with keeping Perry safe so he could run the show and live a lavish lifestyle, before sourcing drugs for him.

She wrote, “His narcissistic, outrageous, irresponsible behavior, his psychotic plan, caused him to heat up the jacuzzi, give Matthew the giant shot he requested and leave him alone to die.”

Referencing the day Perry was found dead, she recalled, “I received a text from Kenny at 4 a.m. as he was driving one of Matthew’s cars from the house in the Hollywood Hills to the house in the Palisades. And he was loving it.”

She claimed, “Kenny convinced Matthew that there were too many people around and that he didn’t need to spend the money on them anymore. And that battle, Kenny won. I was not aware.”

Calio claimed that it was “the beginning of the end.”

She added, “Whatever sentence he receives, it won’t be long enough.

“He will always be known as the man who killed Matthew Perry, I suppose there should be some comfort in that.”

Before he was Perry’s live-in assistant, the star had other staff members and a sober companion who saved his life.

Iwamasa had been working for Perry’s manager, Doug Chapin, since the 1990s and took a more hands-on role as the actor’s live-in assistant around 2022, according to reports.

Court documents showed he was paid around $150,000 a year to assist Perry around the clock and was tasked with helping to manage his sobriety.

They lived together at a Beverly Hills rental after Perry sold his “mansion in the sky” in Century City and was waiting for renovation work to be completed on his new home in the Pacific Palisades.

As Perry relapsed, Iwamasa obtained ketamine from suppliers and was taught how to administer it, according to court documents.

Iwamasa admitted to injecting Perry with the drug three times on the day he died, including twice in 40 minutes.

He then left him alone near his hot tub at the star’s home in the Pacific Palisades, and when he returned, he found the actor unresponsive in the water.

Iwamasa was accused of repeatedly lying to investigators, including allegedly hiding the fact that he injected Perry with several ketamine shots on the day of his death, court documents also show.

He later admitted he “cleaned up the scene” during a phone call with middleman Erik Fleming, officials claimed.

The assistant reportedly said he got rid of syringes and bottles, changed passwords on Perry’s devices and “deleted everything.”

The five responsible for Matthew Perry’s death

Here are the five individuals allegedly behind Perry’s ketamine overdose.

• “Ketamine Queen of Los Angeles” Jasveen Sangha – Sangha, 42, pleaded guilty in September 2025 to federal charges for supplying the ketamine that caused Matthew Perry’s fatal overdose. Prosecutors say that after Perry’s death, she reportedly searched online, “can ketamine be listed as a cause of death.” She has now been jailed for 15 years.
• “Dr. P” Dr. Salvador Plasencia – Plasencia, 44, was one of the physicians who illegally supplied ketamine to Perry before his death. He pleaded guilty in mid‑2025 to several federal counts of ketamine distribution. In December 2025, he was sentenced to 30 months in federal prison and fined; he was remanded immediately to begin serving his term.
• Dr. Mark Chavez – Chavez, 55, pleaded guilty to conspiracy to distribute ketamine in connection with Perry’s death. In December 2025, he was sentenced to eight months of home confinement, ordered to complete community service, and placed on supervised release.
• Kenneth Iwamasa – Iwamasa, 60, Perry’s live‑in assistant, admitted he obtained and administered ketamine to Perry as part of the scheme. He pleaded guilty to conspiracy to distribute ketamine causing death and is set to be sentenced in May.
• Erik Fleming – Fleming, 56, an intermediary dealer who helped coordinate the flow of ketamine from suppliers to Perry’s assistant, pleaded guilty to conspiracy and distribution charges. He was sentenced to two years in prison.

It was several months before it was revealed that Iwamasa played a part in Perry’s death, shocking not only his family and friends but thousands of fans worldwide.

He pleaded guilty in August 2024 to one count of conspiracy to distribute ketamine resulting in death and initially faced 15 years behind bars.

But prosecutors said in court documents that he provided significant cooperation in the government’s investigation, leading to a reduced sentencing recommendation of three years and four months.

Perry’s mum, Suzanne Morrison, also described Iwamasa in a victim impact statement ahead of sentencing as a “man without conscience” and said the family felt betrayed by him.

In the statement, Morrison said Iwamasa not only delivered the fatal dose but also painted himself as someone who was trying to help Perry, and even went as far as begging to speak at his funeral.

She said in court filings, “He clung to me and the family as if he was somehow the good guy who tried to save Matthew.”

She added: “We trusted a man without a conscience, and my son paid the price.”

Four others were convicted in recent months after being involved in Perry’s death.

Erik Fleming, a middleman and former drug counsellor, was sentenced to two years in prison, while Jasveen Sangha, also known as “The Ketamine Queen”, was handed 15 years.

Dr. Salvador Plasencia, who was involved in supplying and administering ketamine linked to Perry, received two and a half years.

He obtained the drug from a fellow doctor, Mark Chavez, who received eight months of home detention after pleading guilty.

Perry rose to fame as Chandler Bing on the hit 90s sitcom Friends.

This “gripping” missing child thriller is brought to life by Slow Horses and Murders At White House Farm creators.

Crime thriller fans shouldn’t miss out on this “addictive” drama with an all-star cast.

Apple TV has given fans a first-look at its upcoming six-part drama Last Seen, based on Ryan David Jahn’s best-selling 2011 novel The Dispatcher.

The series follows Detective Ian Ridley (played by Patrick Brammall) whose life is turned upside down when his young daughter Maggie disappears.

Fast forward to the present day and Detective Ridley answers a call from a distressed teenage girl and becomes convinced it’s his daughter.

The official synopsis goes on to add that “he will stop at nothing to find her and reunite his broken family, whatever the cost.”

The Last Seen cast will be headed up by Glitch and Devil Wears Prada 2 star Patrick Brammall as Detective Ridley.

He will be joined by Shameless, The Village and Three Girls star Maxine Peake, as well as Dune: Prophecy actor Brendan Cowell, Mickey 17 Daniel Henshall and Mr Inbetween Jessica Wren.

Thankfully, the wait isn’t too long before Last Seen premieres with the six-part series coming out on Wednesday, September 9.

Only the first two episodes are going to be released on this initial release date with the remaining episodes coming out weekly until Wednesday, October 7.

It isn’t just about the cast that fans should be excited about either as Last Seen was written by The Murders at White House Farm creator Kris Mrksa.

He’s also backed by executive producers from Slow Horses and Down Cemetery Road.

Given that Last Seen is based on Jahn’s best-selling book The Dispatcher, the drama already has a fanbase ahead of its release.

Describing the series on Good Reads, someone called the novel an “adrenalin rush” as another shared: “When I sat down to start reading this book which has closer to 400 pages than 300, it was early in the morning and little did I know I would be in the same spot that evening tapping to the final pages of this addictive read.”

Meanwhile, a third commented: “This book is right up my alley- gritty, violent, brutal, psychologically thrilling and fast paced.”

Last Seen premieres on Wednesday, September 9, on Apple TV

Married at First Sight viewers said they ‘feel bad’ for one star after recent revelations

Married At First Sight viewers shared their concern after one of the brides accused her husband of being dishonest about a former partner.

The American version of the beloved reality programme is currently broadcasting on E4. Brand new episodes from its 19th series air weekdays at 8pm on the channel, and are also available to stream on Channel 4.

In a subtle departure from other iterations of the show, viewers follow just five couples from Austin, who have committed themselves to complete strangers. While some pairings are moving forward steadily, others are proving considerably more turbulent.

Wednesday’s (May 27) episode saw the couples mark a significant milestone. A full month had passed since they all walked down the aisle, meaning it was also one month since they first laid eyes on one another.

The couples organised a diverse array of activities to commemorate the occasion, with Pat and Rhonda rising early to watch a live space launch on their laptop. Meanwhile, Josh arranged to go skydiving with his wife Jalyn, reports OK!

Later, Josh struggled to rewrite his vows, revealing it had taken him four days to compose his original speech. The pair eventually made up, however tensions were soon to reach boiling point following an incident that occurred off camera.

As the episode drew to a close and the credits began rolling, a heated row between the two was broadcast. Jalyn revealed they had been socialising with some of Josh’s friends when the topic of ex-partners somehow arose.

Footage from a camera positioned within their apartment shows them arriving home in the middle of a heated debate. Josh tells her: “And it’s just like no. He didn’t say that Jayln and my ex are similar, he said that I similarly jumped into this like I jumped into it with my ex.

And then the way I explained it was like ‘Duh I jumped into this, I got married.’ So that’s where Peter said the similarities are. And that’s what brought up the whole ex thing. And I’m sure that’s what prompted the conversation between you and David. “

Josh and I were hanging out with his friends and we had a situation happen where we had a lot of talk Abou social media and what does it look like if your partner still has exes and what does that look like. And he was like I unfollowed her on Instagram and then I could feel something was off and it became evident that he didn’t

It is then revealed that Josh’s ex has seemingly DM’d him since getting married, prompting Jalyn to state: “I just don’t like that.” He insists that he is not hiding anything but she shares to the camera: “An unnecessary little lie, All I think of is turning into bigger lies. It definitely feels like a breach of trust or a lack of respect.”

She continues: “What is a mistake that you can work through and what is a red flag that you should leave for?” It didn’t take long for those watching along at home to share what they feel about the situation.

One fan said: “I hate the whole American ‘can’t ever speak to your ex again’ thing, ugh. And Josh shouldn’t have offered to cut contact with his ex, then not done it. I hope Josh gets the post nup, I don’t trust Jalyn.”

Another claimed: “Josh shouldn’t have said that he stopped following the ex when he didn’t and she shouldn’t have asked him to in the first place.”

While someone else noted: “Oh the ending where Josh still didn’t block his ex and seems like he’s still having conversations with her but then tells Jalyn that he doesn’t want a relationship with his ex, then why are you talking to her? I feel so bad for her.”

Married At First Sight USA continues tomorrow at 8pm on E4 and streaming on Channel 4

Strictly Come Dancing finalist Amber Davies, who shot to fame when she won Love Island, has hit back at claims that she only went on the ITV2 dating show to try to make it to the West End stage

Amber Davies insisted that she didn’t go on Love Island just to further her stage career. The actress, 29, competed on the ITV2 reality dating show in 2017 and went on to win it alongside then-boyfriend Kem Cetinay.

Before her rise to fame, Amber trained in musical theatre at the Urdang Academy in London and openly spoke of her desire to make it to the West End whilst she was on the show. Following her victory on the programme, she was cast alongside Louise Redknapp in the London production of Dolly Parton musical 9 to 5, and then appeared in a UK tour of Bring It On: The Musical before returning to the West End to star in Back to the Future.

She followed this up with starring roles in Pretty Woman: The Musical and The Great Gatsby before enjoying a star turn on last year’s edition of Strictly Come Dancing, where she made it to the final alongside professional partner Nikita Kuzmin after being roped in at the last minute as a replacement for Dani Dyer.

However, Amber has now insisted she only went on Love Island because she couldn’t find employment elsewhere as she spoke with fellow West End star Jacob Fowler, who got his big break when he won Little Mix: The Search on the BBC in 2019.

Speaking on her Call To Stage podcast, she said: “A lot of people ask me, ‘Oh, did you do that just to get on the West End?’ No, I did it because I couldn’t get a bloody job! I didn’t want to work at a bar and Love Island were giving me a free holiday for six weeks. Luckily [it worked out]!”

Amber can currently be seen starring as Elle Woods in a UK tour of Legally Blonde: The Musical, but the production got off to something of a bumpy start amid various cast illnesses, and the TV star herself was forced to take time away from the part earlier this year.

While she was away, TikTok star Hannah Lowther took over the part but rumours of a “feud” between the two began to emerge, which both actresses quickly quashed, although comparisons of how each of them portrayed Reese Witherspoon’s signature role of a sorority-girl-turned-lawyer role continued to dominate social media.

Following her return to the show after fighting off a chest infection, Amber admitted that while she did sign up to be “in the spotlight” with her TV career, she never expected to receive the amount of online hate she has done over her stage work.

She said: “I know that going on Love Island put me in the spotlight. I didn’t know how much it was going to and I feel so grateful that 10 years on, I was on Strictly, and there’s so many amazing things that have happened to me. I definitely am used to it but I do have to prepare myself.”

“The last thing I do want to speak out about – this has broke my heart in ways that I can’t even possibly imagine. When I was doing Strictly I’d had a meeting with my team and they prepared me for the trolling and the opinions.

“Sometimes the opinions aren’t trolling but the opinions are mean, so it counts as trolling. I think sometimes when people leave mean comments, they forget that they are talking about an actual human being who is just working hard.

“What I wasn’t prepared for was the trolling that was going to come with Elle. I have worked…I am trying to find the words to explain this…I’ve been in this industry, I’ve done lots of jobs and I’ve never experienced trolling within the musical theatre industry as much as I have during this time.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

SAVANNAH Guthrie has quietly dropped hundreds of thousands on private investigators in a desperate attempt to find her mother months after she was abducted from her home.

The U.S. Sun can report that the Today anchor, 54, has shelled out around $500,000 to keep the search going for Nancy, 84, after losing faith in the official investigation. 

Though many have lost hope that Nancy will ever be found, Savannah “has told everyone involved that the search will continue for as long as necessary,” an insider told The U.S. Sun.

“She is not prepared to stop looking for her mother. She feels that depending only on the official investigation is not enough anymore – that’s why she’s investing so heavily in private investigators and outside specialists.”

The source said that the heartbroken daughter has hired an “entire independent team” who are “working leads every day” to help bring her beloved mother home.

This top-notch team includes former agents, security experts, and investigators, the insider claimed.

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According to the insider, the veteran journalist became disillusioned with the official investigation.

“She became increasingly disappointed with how communication from authorities changed over time,” they added.

“What once felt urgent started to feel far more routine.”

“When Savannah learned there would no longer be direct contact with the sheriff, she took that very personally,” the insider continued.

“She felt the family was being pushed further away from the center of the investigation.”

Meanwhile, a second insider explained: “The financial cost has become enormous, but Savannah doesn’t care about the money.”

“Right now, every dollar is worth spending if it helps bring her mother home.

“By now, the costs have climbed well into the mid-six figures. 

“And remember,  Savannah was once willing to pay a ransom, so spending big on the search is nothing new for her.”

“She keeps telling friends the same thing: The family can’t stop searching.

“Hope is the only thing driving her right now.”

The second insider claimed Savannah is still “emotionally devastated,” despite her smiley demeanor on the morning show each day.

“But she still believes there’s a chance her mother can be found, and that belief is what keeps the private search going every single day.”

Rob Shuter’s Naughty But Nice Substack was the first to report on Savannah’s ongoing investigator efforts into Nancy‘s disappearance. 

More than 100 days have passed since Nancy Guthrie disappeared from her bed in the early morning hours of February 1.

As the Pima County Sheriff’s Office remains tight-lipped, a feud has erupted behind the scenes between local cops and the highest levels of federal law enforcement.

FBI Director Kash Patel went on national television to blast local authorities, claiming they completely botched the opening hours of the investigation. 

Speaking with Fox News host Sean Hannity, Patel emphasized that while missing persons cases technically fall under local jurisdiction, the first 48 hours are the absolute most critical window to find someone alive. 

According to the FBI chief, federal agents were left twiddling their thumbs for four straight days before locals finally let them in.

Once the Bureau secured access, they immediately bypassed local roadblocks to recover chilling Nest security camera footage from Guthrie’s front porch. 

The terrifying video shows a masked predator messing with potted plants to block the camera view before tearing the device off the wall. 

Patel took direct credit for the breakthrough, noting the Bureau had to coordinate directly with Google just to get those haunting images out to the public.

The finger-pointing did not stop there. Patel openly slammed Pima County Sheriff Chris Nanos for bypassing the FBI’s world-class crime lab in Quantico, Virginia. 

Instead, local police shipped crucial DNA evidence found inside Nancy’s home to a private laboratory down in Florida.

Timeline of Nancy Guthrie’s disappearance

Nancy Guthrie, the 84-year-old mother of Today show co-anchor Savannah Guthrie, disappeared from her home on February 1, 2026.

Timeline:

• January 31: Nancy is last seen by her family
  • 5:32pm: Nancy travels to her daughter’s home for dinner, about 11 minutes from her own house.
  • 9:48pm: Family members drop off Nancy Guthrie at her home in Tucson. Her garage door closes two minutes later.
• February 1: Nancy is reported missing and a search begins
  • 1:47am: Nancy’s doorbell camera disconnects
  • 2:12am: Camera software detects a person moving in range of the camera. There is no video, and Nancy does not have a storage description.
  • 2:28am: Nancy’s pacemaker app disconnects from her phone, which is later found still at her house.
  • Around 11am: A parishioner at Nancy’s church calls the mom’s children and says she failed to show up for service.
  • 11:56am: Family members arrive at Nancy’s house to check on her.
  • 12:03pm: The family calls 911 to report Nancy missing.
  • 8:55pm: The Pima County Sheriff’s Office gives its first press conference and reveals some clues found at Nancy’s home caused “grave concern.” Sheriff Chris Nanos says helicopters, drones, and infrared cameras are all being utilized in the search.
• February 2: Search crews pull back. Nancy’s home is considered a crime scene. Savannah releases a statement thanking supporters for their prayers, which her co-hosts read on Today.
• February 3: A trail of blood is pictured outside Nancy’s home, where there were reportedly signs of forced entry. Nanos admits they have no suspects, no leads, and no videos that could lead to Nancy’s recovery. He and the FBI beg for more tips and accounts.
• February 4, 8pm: Savannah and her siblings release a heartbreaking video directed at their mother’s abductors asking for proof she is alive and saying they’re willing to work with them to get her back.
• February 5: FBI offers $50,000 reward for information on the case.
  • 5pm: First ransom demand deadline for millions in Bitcoin passes. Guthrie family releases demand to speak “directly” to the kidnappers, saying, “We want to talk to you and we are waiting for contact.”
  • Blood is confirmed to be Nancy’s.
• February 7: Savannah and her siblings share a video stating they received a message from kidnappers and are willing to pay.
• February 9, 5pm: Second ransom demand deadline, reportedly with “much more serious” conditions.
  • Savannah posts a video asking the public to report anything strange to law enforcement.
• February 10: The FBI release surveillance footage of the armed masked suspect outside Guthrie’s house on the night she disappeared.
• February 11: A man is detained in Rio Rico, about 19 miles south of Tucson. The individual was released after being questioned by authorities.
• February 12: Suspect described as 5’9″-5’10” carrying a black Ozark Trail backpack (Walmart exclusive).
• February 13: A second man is detained by police after being pulled over by Pima County officers near a Culver’s in Tucson. The man, identified as Luke Daley, was questioned and has since been released.
• February 15: DNA is collected from a discarded glove found 2 miles away that matches surveillance.
• February 16: Sheriff Nanos clears the Guthrie family and their spouses of any involvement.
• February 24: The Guthrie family increased the family’s reward for information to $1million.
• March 4: DNA on the glove is traced to a restaurant worker, and the person is cleared of any involvement.
• March 16: ABC News reports that more images have been obtained from motion-activated cameras.
• March 26: Savannah’s first on-camera interview since her mother’s disappearance airs.

Patel claimed he had hundreds of federal agents and intelligence analysts deployed to Phoenix and Tucson on standby, ready to flood the neighborhood and process the DNA evidence within days. 

He expressed frustration that the Bureau was sidelined, arguing their premier lab could have cracked open better leads by now.

Sheriff Nanos is fiercely hitting back against the narrative. 

In an official statement, Nanos denied keeping the feds in the dark, insisting that members of the FBI Task Force were actually boots-on-the-ground at the scene alongside local detectives from the very beginning. 

Nanos fired back that both his department and Nancy’s own family notified federal authorities immediately.

KATIE Price has found hubby Lee Andrews after two weeks — and he claims he was detained on suspicion of spying.

She spoke to conman Lee, 43, for two minutes this morning after his dad put her in touch. Katie, 48, says the call came from Dubai’s Al Awir jail.

She said: “It was very rushed but he said the authorities out there thought he was a spy.”

Relieved Katie added: “I told him how worried I’d been and that I loved him.”

Panicked Katie raised the alarm on May 13, telling fans Lee had been tied up, put in a van and taken to a “black site” after being “arrested”.

Now she says Lee has told her he was detained on suspicion of spying, and is being held at Dubai’s Al Awir prison.

LONG LOST LEE

Katie Price reveals first chat with husband Lee after he’s ‘arrested’

HE’S BACK!

Katie Price reveals she’s FOUND ‘missing’ husband Lee after ‘call from prison’

Katie’s contact with her husband came after his dad Peter texted her to explain his whereabouts.

She said: “I have found him. He is alive, and he is OK. I told him how worried I had been and told him I loved him.

“It was very rushed, but he said the authorities out there thought he was a spy. I don’t know much more than that right now.”

Lee, who lives full-time in Dubai, is believed to have been arrested on May 14.

The Sun, however, understands he has been detained over claims relating to a private civil matter. Authorities have confirmed to us he was NOT held over spying charges.

He is due for release on Monday, but must pay a four-figure fine.

Lee once reposted an Instagram post suggesting he should be the next James Bond.

And he is seen “acting” in an excruciating 2016 video on his YouTube channel titled “Charity TV show: The Agent”.

A comment adds: “Featuring billionaire defense (sic) contractor H.E Weslee Peter John Andrews.”

Espionage is one of the most serious crimes in the United Arab Emirates.

In 2018 Brit PhD student Matthew Hedges was held at Dubai airport on suspicion of spying.

He was jailed for life but pardoned and released following intense international pressure.

In the days before Lee’s arrest he had moved belongings out of his rental apartment, and had moved in briefly with his father, staying in his run-down villa.

It is not known where he disappeared to after this, and his family filed a missing person’s report at the British embassy in Dubai.

On May 19, The Sun told how Lee duped our Clemmie Moodie into investing £1,000 on the promise of quadrupling her investment. It was a bogus scheme, seemingly using documents made using AI.

Before our front-page revelations, two of Lee’s exes shared horror stories involving the fraudster.

Texan nurse Crystal Janke said she had put £123,000 into one of his schemes on the promise of getting £1million, only to lose it all.

Lee’s ex-fiancée Alana Percival — who he proposed to over rose petals and champagne five weeks before rehashing the method with Katie — branded him a manipulative narcissist who feigned a heart condition for sympathy.

Alana claimed he was a swindler and told Katie to “run for the hills”.

Mum-of-five Katie and Lee wed in Dubai in January, days after meeting in person for the first time. He is said to be subject to a travel ban there following imprisonment for fraud last October.

Lee has been exposed for faking his CV, claiming he had worked for the King’s Trust and had a doctorate from Cambridge university.

He has never worked for the Labour Party — as he had claimed on his LinkedIn page.

Last week Katie admitted she was “giving up the search” for Lee after deleting an update about his situation.

She told podcast The Katie Price Show she was “leaving it to the police”, adding: “There’s nothing more I can do, that I can say.

“I’m just staying quiet because it’s getting ridiculous now, people taking the p**s out of everything.”

Katie added: “The police are now handling it, the British police, British consulate, the Foreign Office, Interpol they’re looking for Lee. All I can do is just get on with my life. I’ve got lots of exciting things coming up, and I’m just waiting for a call. What am I supposed to do, sit here and cry and do nothing, stay in bed? For my own sanity, I am taking a step back.”

Last weekend Lee’s dad Peter told the Daily Mail: “Lee is OK. He has not been kidnapped but is under arrest. I don’t know on what charge. I’m not sure where he is being held.”

Katie wrote: “This is fake news. Lee is still missing. Me and his family know what’s going on and are working with the authorities.”

The drama started earlier this month when Lee was due to fly to the UK for an interview with Katie on ITV’s Good Morning Britain.

He failed to turn up, leaving her to face the music on her own, humiliating her in the process.

• IN tomorrow’s Sun, we reveal how HSBC investigated Clemmie’s payment to Lee, and within 24 hours her money had been returned — vindicating allegations of him being a scammer. The bank’s head of fraud reveals the steps you can take to avoid getting swindled and how to claim back your money, step by step, should you have fallen victim to a similar scam.

Ruby Wax will be with Tom Read Wilson as they host the British LGBT Awards together

Ruby Wax will be with Tom Read Wilson as they host the British LGBT Awards together. The comedienne, 73, competed alongside Celebs Go Dating star Tom, 39, on I’m A Celebrity…Get Me Out Of Here! towards the end of last year.

Ahead of teaming up with her jungle campmate, Ruby teased that there is a lot to come from the “glamorous” evening, which all kicks off in London on Thursday night.

She said: “Glamour, chaos and emotion, as well as me trying not to say anything that gets me cancelled before dessert! But seriously, it’s going to be a celebration of brilliant people doing extraordinary things. There’ll be laughter, there’ll be tears, and there’ll probably be someone giving a speech that makes everybody rethink their life choices.”

The star, who has had a stellar career in stand up comedy and worked on Absolutely Fabulous with Jennifer Saunders and Joanna Lumley, was then asked why “visibility” was still so important in this day and age.

She said :”Because visibility changes lives. When people see themselves represented, honestly and proudly, it gives them permission to exist fully. We’ve made progress, but progress can’t be something we assume is permanent. Events like the British LGBT Awards remind people that community matters, ally ship matters and joy matters too!”

Meanwhile, Tom, who has also appeared on This Morning, and presented a host of one-off documentaries, insisted that the whole thing meant “more” than a typical awards ceremony.

He said: “It feels profoundly special. I’ve always believed that visibility is a kind of kindness, and being here among so many extraordinary people who are actively shaping a more inclusive world is humbling.

“This isn’t just an awards ceremony – it is a celebration of courage and community. To play even a small role in that feels like a real privilege.”

Some of the biggest names leading this year’s awards, include Wicked star Jonathan Bailey, Loose Women panellist GK Barry and former X Factor host Dermot O’Leary. They are joined by an influential and diverse mix of nominees spanning entertainment, sport, media and activism, all recognised for their powerful contributions to advancing LGBTQ+ equality.

Additional standout nominees include Charlie xcx, Claudia Winkleman, and Jill Scott MBE, further cementing this year’s ceremony as a landmark moment for representation and recognition.

Rebecca Twomey, Head of Showbiz at the Mirror said: “We’re thrilled to put our support behind this incredible award ceremony which champions the LGBTQ+ community. The Mirror is all about bringing people together and championing all voices from the heart of Britain.”

The glittering ceremony will take place on 28 May 2026 in London, bringing together celebrities, business leaders, campaigners and community champions for an unforgettable evening celebrating progress, pride and possibility.

* Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram ,Twitter ,Facebook , YouTube and Threads .

WHAT a fortnight.

Over the past two weeks, I have been on the hunt for Lee Andrews – ably assisted by Katie Price, our man on the ground in Dubai, Sun readers… and literally thousands of social media followers.

The interest in the story is not like anything I can recall in 20 years of covering showbusiness.

To recap, it all kicked off on May 11th.

My investigation into Lee was published – a man whom several women had gone on record and accused of being a conman, largely thanks to excellent work by Bizarre’s Ellie Henman – and Lee rapidly went to ground.

Having spent two months befriending the fraudster – he was very charming and, absolutely, on a surface level, I really liked him – but it quickly became apparent his money-making ways were dubious. 

They needed to be exposed. I hoped, in so doing, I hoped we might finally open love-loving Katie’s eyes to the chap she had married in haste.

His brave ex-girlfriend Alana Percival also gave a podcast confirming he was a man not to be trusted.

Within 24 hours of publication, Lee had cut off contact from his frantic wife. (A woman, let’s not forget, who had been left humiliated live on air during *that* infamous GMB sofa appearance).

Despite repeated enquiries from our reporter out there, UEA police authorities would not confirm his whereabouts. 

There was seemingly no official record of him in prison, and the Foreign Office insisted they were supporting the family of a man detained. But would give no further information.

In the interim, several madcap theories were being circulated on both TikTok and Instagram by both Katie Price’s fans and her detractors.

I found myself, unexpectedly, at the centre of them.

She stood accused of staging a giant publicity stunt – one to garner attention for her forthcoming three-part documentary, and, bafflingly, I was accused of being “in on it too”.

So let me be clear. I am NOT in on anything. 

As far as I know, and I have to believe her, Katie genuinely did not have a clue where her husband was. Indeed, she took to Instagram to deny prior claims by Lee’s dad that he was holed-up in jail.

She contacted me today in a WhatsApp, simply writing: “I have an update.”

Lee claims, slightly implausibly, he has been arrested for “spying”. I will eat my sun-hat if that is the case; at this stage, I do not believe a word that emerges from that man’s mouth. But, crucially, Katie still wants to believe in him, and help.

So why the interest in this story – one which went on to spawn an international manhunt and one, really, that only Katie Price would find herself embroiled in? 

Well, she is a part of our fabric; love her or loathe her, she is an icon of British pop culture.

We have grown up with her as a nation, and seen first-hand her tumultuous string of wrong’uns (first husband Peter Andre notwithstanding, and perhaps her sweet, most recent ex-boyfriend, JJ Slater).

Katie is a woman who just wants to be loved.

Finally, she has found her missing husband. Perhaps now she can get the answers she so desperately needs.

Katie has appeared in a clip with mate and TV presenter Olivia Attwood as she insisted she still has no idea where Lee is.

Katie turned to Olivia and said: “We’re missing something,” to which Olivia replied: “Yeah, I have looked for him but…”

Katie continued: “Well mine’s missing, so at the moment it doesn’t look good, does it?” Olivia, who split from husband Bradley Dack earlier this year, replied: “No, we’ll keep looking I guess.”

Katie looked at the camera and said:” We’re missing our husbands,” which prompted Olivia to burst out laughing. They followed it up with a picture of them looking shocked with their hands covering their mouth. Olivia captioned it: “2 gals. Not a husband in sight.”

Read more.

Nick Pasqual, the “How I Met Your Mother” actor who was found guilty of attempted murder of his ex-girlfriend last month, faces new legal fire.

Makeup artist Allie Shehorn, Pasqual’s ex-girlfriend, on Tuesday sued the actor for sexual battery, assault and negligence, among other counts, according to a lawsuit submitted in Los Angeles County Superior Court. The 17-page complaint echoes details about the May 2024 stabbing that led to Pasqual’s arrest two years ago and his attempted murder conviction. Pasqual was also convicted of injuring a spouse or partner, first-degree burglary and rape.

Legal representatives for Pasqual did not immediately respond to a request for comment.

According to the lawsuit, Shehorn and Pasqual began dating in 2023 and the actor “engaged in a continuing pattern of controlling, coercive, threatening and physically violent conduct” throughout their relationship. Shehorn alleges Pasqual “used force, threats, coercion and physical retraint” to rape and sexually assault her in April 2024. Pasqual also allegedly continued to engage in “escalating threatening” behavior, the lawsuit said.

The lawsuit resurfaces allegations that Pasqual unlawfully entered Shehorn’s home in Sunland a month after he raped her and stabbed her with a knife more than 20 times, “intending to kill her.” The Times previously reported that Shehorn’s friend Christine White found the makeup artist — who filed a restraining order against her former partner — lying in a pool of blood and that Shehorn underwent emergency surgery and remained in the ICU for several days.

Pasqual was arrested May 31, 2024, at a border checkpoint in Sierra Blanca, Texas. The actor, who met Shehorn on the set of Zack Snyder’s “Rebel Moon,” was convicted after a jury trial and will be sentenced on June 2. He could face a maximum sentence of life in state prison.

Shehorn is also suing Pasqual for gender violence, intentional infliction of emotional distress and violation of the Ralph Civil Rights Act. She seeks an unspecified amount in damages, including medical expenses and lost wages.

Time staff writer Cerys Davies and former Times staff writer Nathan Solis contributed to this report.

HELEN Flanagan has been enjoying a holiday in Newquay with her kids as she put the bitter rows with her ex Scott behind her after moving out of her ex’s home.

Helen parted ways from her long-term fiancé in 2022 after 13 years together – and she’s been open about how it wasn’t always plain sailing.

Helen was spotted with her kids in Newquay after having dinner at the Harbour Side Fish & Grill Restaurant overlooking the harbour.

The former Coronation Street star looked as stunning as ever in a pair of black shorts, low cut vest and sliders as she enjoyed the sunshine with her young children.

Helen is mum to daughters Delilah, seven, and Matilda, ten, as well as five-year-old son Charlie, who she shares with ex-partner Scott Sinclair.

In the snaps, she can also be seen with her lovely mother Julia, who Helen recently revealed still does all her washing – and even organises her kids’ schedules too.

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Helen is down in Newquay, Cornwall to be interviewed for the Lewis Nicholls Life Stories Show.

Earlier this year, Helen was forced out of her £1million family home by Scott as they never married and the house near Bolton is solely in his name.

The house looked bare, ready for the family to move out, just days after Helen and Scott were snapped moving their belongings into a van.

Back in January, a friend of Helen’s said: “Scott pays for the house and all the bills and he’s decided a six-bedroom place is way too big for Helen on her own with the kids.

“But Helen doesn’t want to move and is digging her heels in.

“She loves the place, the kids are settled at the local school and her mum and dad live around the corner.”

“Scott wants to buy Helen a four-bedroom home. He’s even offered to put it in her name but wants to stop the maintenance payments.

“The relationship has completely broken down. They no longer communicate — everything goes through her parents.”

Last year we reported the house was put on sale for £1.5million before being reduced to £995,000.

LILY ALLEN has long been a fan of Jade Thirlwall and now they’ve teamed up for a collaboration.

I can reveal she has recorded a new version of her West End Girl album track Beg For Me with the Angel Of My Dreams singer, with the new take set to drop tomorrow.

Lily teased the release of a new track on Instagram on Tuesday night – which I can confirm will be this one.

She shared a video with the caption: “Oops decided I’m not done ;)) got another song for youuu.”

The move will raise hopes that Jade could be a special guest when Lily headlines Mighty Hoopla festival in Brockwell Park, South London, on Saturday night.

Jade is a massive fan of the event and performed there last year, with Lily previously teasing she had surprises in store for fans at the show.

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The Smile singer rocketed back into the spotlight last October when she dropped West End Girl.

It documented, in gritty detail, the breakdown of her marriage to Stranger Things actor David Harbour.

Then in January, Lily confirmed: “I’m doing a remix version of the album, where different female artists are responsible for each of the songs.”

Getting Jade on board is certainly a strong start.

Rodrigo-go dancers

OLIVIA RODRIGO made a right song and dance on the set of her new video.

She was in New York wearing a dark jumper and knee-high boots, flanked by a troupe of ballerinas.

Olivia has unveiled the tracklist to her third album, You Seem Pretty Sad For A Girl So In Love, which will be out in a fortnight.

It will be split into two halves, with the first, Girl So In Love, featuring recent single Drop Dead.

The second half, You Seem Pretty Sad, the track The Cure.

Alfie on facing himself

ALFIE BOE delivered a magical performance at the Royal Albert Hall on Tuesday as he revealed the truth about his new album Face Myself.

The singer and musical theatre star had the crowd belting out his new songs as well as previous covers, including Leona Lewis’s Run and Bring Him Home from Les Miserables.

He said of the album: “The reason why I call it Face Myself is because I wanted to really look back at everything that has gone on for me in my life, and how I’ve got here today, got to this point, this minute, on stage at the Royal Albert Hall. I wanted to share with you the real Alfie Boe, the guy from Fleetwood in Lancashire.”

Macca: I’d be a teacher

SIR PAUL McCARTNEY has revealed what he might have been if music mega-stardom had not come calling – an English teacher.

The Beatles legend said: “Well, when I was at school, there’s always like the careers master who tells you, you know, ‘You’re no good, you’re hopeless, I see no future for you’.

“I’d done not very well in my exams.

“I had a couple of qualifications and they told me I could maybe be an English teacher.

“So I could have been your friendly English teacher.”

During a TikTok Live, Macca, who is worth an estimated £1billion and will release his 20th solo album The Boys Of Dungeon Lane tomorrow, added:

“I probably would have enjoyed that because I like that subject, and I like English literature and stuff. So that was my fallback position.”

‘Definetly a three’ says Perrie as Jesy is out of Little Mix reunion

PERRIE EDWARDS has ruled out Jesy Nelson ever returning to Little Mix – but said she is raring to go with a reunion as a three-piece .

Jesy quit the group in 2020 and then cut off all contact.

She has since spoken to the girls again, but Perrie said that a future comeback would only involve her, Leigh-Anne Pinnock and Jade Thirlwall.

Asked whether there will be a reunion, she told Attitude: “Oh, 100 per cent. I’m ready and raring.

“We always message each other and are bantering like, ‘So how long until we do a reunion? Are we going to do one? Where is it?’.

“I’m like, just give me a ballpark time. Do you know what I mean? Just let me know when.”

And pushed on whether it would be as a three or a four, she added: “A three. Definitely a three.”

For now though, Perrie – who is engaged to Celtic and former Arsenal footballer Alex Oxlade-Chamberlain – is still a solo artist and will release new single Passenger Princess on Friday.

On what the latest song is about, she said: “I love being independent, I love having my own s**t, I love doing everything for myself, being strong and a powerful woman.

“But you know, sometimes I can’t be f**ed.

“Sometimes I just want to do nothing and be like, ‘Alex, can you just help me, look after me?’, you know?”

JUDY FINNIGAN is considering a return to showbiz by launching a podcast with hubby Richard Madeley, 17 years on from their last TV series.

He said on Channel 5’s Vanessa yesterday: “We’ve had a conversation with a very good producer friend of ours, an ex-editor of This Morning, and we have kicked a few ideas around. It’s in the air.”

BAD BUNNY has joined the voice cast of new movie Toy Story 5 – as a slice of pizza in sunglasses.

The rapper has recorded his part for the film, which is out on June 19, and will arrive in the UK a week later for two sold-out shows at the Tottenham Stadium in London.

His character will be one of several items abandoned in a shed, alongside a garden gnome voiced by Capital’s Jordan North and an inflatable flamingo voiced by Sian Welby.

In the age of Ozempic, the buzziest hardcovers are getting smaller — and slip right into your Baggu. At Book Soup in West Hollywood, the bestselling hardcover fiction display is marked with laminated cards that denote the book’s place in the top 10, with each one cut snugly into the popular hardcover frame of 6-by-9 inches. But lately, more of the books rising to the top wear the placard noticeably looser.

I should know, I work at Book Soup so I spend a lot of time staring at this display and can tell you, the answer to this problem is definitely to print out smaller cards cut to the little sister “trim size” of 5-by-8 inches — or 5½-by-8¼ to be specific.

While the New York Times bestsellers from 2025 skew in favor of the 6-by-9 trim, the popularity of 5-by-8 books appears to be on the rise. Current utilizers of the smaller cut include the buzzy Vanderbilt heir Belle Burden’s “Strangers,” George Saunders’ darkly humorous “Vigil” Lena Dunham’s millennial-tinged tell-all “Famesick” and the infamously tablet-sized “Transcription” from Ben Lerner.

1/5

“Strangers: A Memoir of Marriage” by Belle Burden  (The Dial Press)

2/5

“Famesick: A Memoir” by Lena Dunham  (Random House)

3/5

“Vigil: A Novel” by George Saunders  (Random House)

4/5

“Transcription: A Novel” by Ben Lerner  (Farrar, Straus and Giroux)

5/5

“Lost Lambs” by author Madeline Cash  (Farrar, Straus and Giroux)

Gretchen Achilles is the director of interior design at Farrar, Straus and Giroux. Achilles recently implemented the 5-by-8 cut for one of this year’s breakout hits, “Lost Lambs” by Madeline Cash. “It’s a tone,” she says. “Smaller trim sizes have an intimacy. … You want to echo what’s going on in the text as an experience for the reader.”

According to Achilles, FSG frequently implements the 5-by-8 trim size. She said that length is the No. 1 factor when deciding to employ it, followed by genre. She listed literary fiction, memoir, biography, and essay collections as the defining genres of the smaller size books.

Caroline Mason is a writer in New York whose debut novel “An Endless Cycle of Evenings” from Hyperion Avenue is slated for 2027; she runs the Instagram account @literarycrushes. Mason described a 5-by-8 hardcover as shorthand for a specific book she seeks out when she is in a bookstore because it often signals a character-driven novel. “It’s my favorite kind of book,” Mason says. She adds that it’s also Instagram-friendly.

“Holding the book up to take a photo of it is easier,” she says with a laugh. “Although I do sometimes still drop it.”

Dahlia de la Vega is an L.A.-based Bookstagrammer who runs the page @ofpagesandprint. According to De la Vega, she finds the shrunken books more approachable. “When I sit down to read a small hardcover, it almost feels like I’m reading a journal,” she says. “Whereas when I read a large hardcover, it almost feels like I need a journal to jot down notes about what’s happening.”

Ethan Mann, my colleague and a supervisor at Book Soup, told me he remembers the place he was both mentally and physically when he purchased a 5-by-8 hardcover copy of “The Parade” by Dave Eggers. (Right before the pandemic struck at CSUN campus store at Cal-State Northridge). “It’s easier to attach relevance to the specific feel of [the book] because it seems one of a kind,” he says.

Mann adds that hardcovers are sometimes a tough sell on the floor. They are often derided for their cost, and customers declare they will wait till the paperback comes out. But the smaller hardcover has the benefit of fitting into nearly any bag.

Esther Margolis is a publishing veteran and the founder of Newmarket Press. She says that the 5-by-8 hardcover is nothing new. According to Margolis, the smaller trim size was previously the industry standard for U.S.-based publishing houses, and any fluctuation is due to the evolution of printing technology.

“Unlike for mass-market paperbacks, hardcover books were shelved, so it didn’t matter that the books were different sizes,” Margolis says. “They didn’t have to fit into a pocket.”

The popularity of the 5-by-8 hardcover is, at the very least, indicative of a shift in what I witness consumers at Book Soup seeking out. With social media making it easier than ever to connect over the act of reading, or looking like you are reading, cover design and presentation — and how it cuts through the noise of the attention economy— is perhaps a factor too.

“A small hardback is like a Labubu,” my co-worker Mann says. “ The feeling in your hands isn’t just about books — it’s about all cute things. … We like small things we can control.”

The success of the publishing industry could never rest on the tiny shoulders of the small hardcover. It may not even represent any changes in production. But on the bestsellers display at your favorite local indie, it represents the small pleasure of palming a near-pocket-size book in your hands.

And, yes, maybe Instagrammability too.

Messinger is a writer in L.A. who runs the Substack adumbmessinger.