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Another physician who played a role in providing ketamine to Matthew Perry weeks before the actor’s overdose death was sentenced to eight months of house arrest by a federal judge Friday.

Mark Chavez, a former doctor, pleaded guilty to one count of conspiracy to distribute ketamine last October. In his plea agreement, Chavez acknowledged that he and Salvador Plasencia — an ex-doctor sentenced to nearly three years in prison earlier this month — colluded to deceive medical ketamine suppliers and illegally distribute the drug to Perry for profit.

Chavez, 54, was also sentenced to three years of supervised release following his house arrest and must perform 300 hours of community service.

Chavez was one of five individuals charged last year for their alleged roles in Perry’s October 2023 death. The others include Perry’s acquaintance Erik Fleming, personal assistant Kenneth Iwamasa, and Jasveen Sangha, a North Hollywood woman allegedly known as the “Ketamine Queen.” All have pleaded guilty to federal charges and await sentencing in the coming months.

During the sentencing, U.S. District Judge Sherilyn Peace Garnett brought up concerns about sentencing disparities between Chavez and Plasencia. Assistant U.S. Attorney Ian Yanniello argued that the government’s recommended sentence of six months of house arrest was due to Chavez’s cooperation with investigators.

“As doctors, their conduct was egregious,” Yanniello said. “The difference was what they did when they got caught.”

Before charges were brought against the five alleged distributors, Chavez surrendered his medical license and sought a plea deal with the government.

According to an indictment, Plasencia contacted Chavez to purchase ketamine after learning Perry was interested in depression-related treatments in September 2023. Chavez then supplied Plasencia with ketamine vials and orally transmitted “lozenges” that were fraudulently obtained under another patient’s prescription, his plea agreement said.

“If today goes well we may have repeat business,” Plasencia texted Chavez less than a month before Perry’s death.

“Let’s do everything we can to make it happen,” Chavez responded, court records show.

Chavez had faced a potential maximum of 10 years in prison, prosecutors said.

Prosecutors argued that Chavez improperly obtained authorization from the Drug Enforcement Administration to prescribe and administer medical ketamine.

Chavez purchased 22 vials of liquid ketamine, ketamine lozenges and other medical supplies from wholesale distributors to provide to Plasencia, who would personally deliver them to Perry, the judge said before her ruling.

During his Dec. 3 sentencing hearing, a federal judge castigated Plasencia for his medical malpractice and for teaching Perry’s personal assistant to administer the drug at the actor’s Pacific Palisades home. Chavez never met with Perry in person, but allowed Plasencia to continue the treatments despite knowing that Plasencia had “little” experience with ketamine treatments, according to his plea agreement.

According to the plea agreement, Chavez called Plasencia on the day of Perry’s death to inquire whether he believed they distributed drugs that may have killed him. Prosecutors said that ketamine was not supplied by the physicians.

Chavez offered a brief apology immediately before his sentencing.

“As a doctor, I’ve had a wonderful opportunity to help people’s lives, but I’ve also had to deal with the tragedies,” Chavez said. “My heart goes out to the Perry family.”

Chavez’s attorney said that he would reside in Mexico with his father after serving his sentence.

Throughout 2025, De Los has championed the rise of the Latino artists from their respective musical silos and into the broader global pop stratosphere. The 2026 Super Bowl halftime show headliner Bad Bunny and Inland Empire corrido kings Fuerza Regida scaled new commercial and cultural heights this year, as emerging acts like Silvana Estrada, Ela Minus and Netón Vega took exciting new detours in their sounds.

De Los recently did a team huddle to determine our personal best releases of 2025 — this is no garden variety Latin genre list, but a highlight reel of our favorite works by artists from Latin America and the diaspora.

10. Cazzu, “Latinaje”
Reeling from a romantic disappointment of mythological proportions and the lackluster reception of her previous album, Argentine trap queen Cazzu fired back with a maximalist travelogue that draws from salsa and cumbia, Argentine folk and electro-pop. Cazzu hails from the province of Jujuy, miles away from the musical snobbery that plagues much of Buenos Aires, and her genuine investment in a pan-Latino idiom is contagious. A sumptuous corrido tumbado about a red dress that went viral (“Dolce”) and an Andean-flavored ode to her daughter (“Inti”) are the emotional cornerstones of an album that refuses to harbor resentment and instead chooses to embrace plurality. Her absence from the main categories in this year’s Latin Grammys was nothing short of criminal. —Ernesto Lechner

9. Netón Vega, “Mi Vida Mi Muerte”
As one of música mexicana’s most in-demand songwriters, Netón Vega has crafted hits for every big crossover artist, from Xavi to Peso Pluma. Naturally, it’s about time that he delivered a full-length project of his own. Vega’s debut album, “Mi Vida Mi Muerte,” takes stock of the current sound of corridos tumbados and pushes it to its limits alongside the very collaborators that he helped top the charts. Vega’s chameleonic qualities as a songwriter allow him to bend the rules of what counts as “Mexican” music, and over 21 songs, he establishes that his vision includes Californian G-funk, blissed-out boom bap and even Caribbean reggaeton. Vega sounds equally as comfortable on the radio smash “Loco” as he does wailing over a bajo sexto, proving that the future of corridos, with him at the helm, can be more expansive than ever before. —Reanna Cruz

8. Juana Aguirre, “Anónimo”
If the music business thing doesn’t quite pan out for Juana Aguirre, Argentina’s newly anointed resident genius could find success as a film director — such is the palpable cinematic gravity of “Anónimo,” a stark masterpiece of digital mood conjuring. Aguirre builds her tracks slowly, armed with an unerring instinct for beauty and a ruthless, try-and-discard methodology. The results are childlike at times — parts of “La Noche” and “Lo_Divino” sound like nursery rhymes — while the nakedness of “Volvieron” brims with a solemn, ageless kind of grace. Her sonic spectrum is panoramic, from esoteric folktronica murmurs and camouflaged industrial noise to the cosmic stillness of “Un Nombre Propio” and the ritualistic piano of “Las Ramas.” Until “Anónimo,” the Argentine avant-garde had never sounded so intoxicatingly sensuous. —E.L.

7. Adrian Quesada, “Boleros Psicodélicos II”
At the height of the COVID-19 pandemic, multi-instrumentalist and producer Adrian Quesada enlisted some of the most enthralling vocalists in Latin music to record “Boleros Psicodélicos,” a love letter to Latin American psychedelic ballads from the ’60s and ’70s. The album, which featured original compositions alongside kaleidoscopic covers of the genre, was hailed as an instant classic after its 2022 release. Three years later, Quesada improved upon the winning formula by actually being in the same room as his collaborators — the first album was made in isolation. “There’s a little bit more life, energy to some of the songs,” Quesada told De Los of “Boleros Psicodélicos II.” That vibrancy is certainly felt in tracks like “Bravo” — Puerto Rican singer iLe’s voice is laced with plenty of venom to do justice to Luis Demetrio’s spiteful lyrics (“Te odio tanto / Que yo misma me espanto / De mi forma de odiar”) — and “Primos,” which has Quesada pair up with guitar vibemasters Hermanos Gutiérrez for the album’s only instrumental track. Here’s hoping that we get another installment of this brilliant series three years from now. —Fidel Martinez

6. Nick León, “A Tropical Entropy”
Hailing from Fort Lauderdale, Fla., just a hop, skip and a jump north of Miami, the electronic mixmaster Nick León broke through a busy pop music landscape this year as a producer with a distinctly Floridian point of view. In his latest album, “A Tropical Entropy” — the title harks back to a phrase from Joan Didion’s 1987 book, “Miami” — León crafted his moody “beach noir” sound by blanketing his dynamic assemblages of dembow, dancehall and other Afro-Caribbean rhythms with a foamy, oceanic ambience that flows and hisses throughout the record. Featuring the vocal talents of Ela Minus (“Ghost Orchid”), Erika De Casier (“Bikini”) and Esty (“Millennium Freak” with Mediopicky), it’s an audible feast for club kids whose afters entail collapsing on the sand and watching dolphins traverse the horizon at sunrise. —Suzy Exposito

5. Not For Radio, “Melt”
Released in October, “Melt” is the frosty solo album by María Zardoya, lead singer of Grammy-nominated L.A. band the Marías, who wrote and recorded 10 of her most soul-baring songs yet during a haunted winter sabbatical in the Catskills. Imbued with brooding elements of chamber pop à la Beach House, Broadcast and the Carpenters, there is much enchantment to be found in the details of Zardoya’s electric drama; like how the warm fuzz of an organ meets frosty chimes on opening track “Puddles,” or in the restless, skittish pulse of “Swan.” Zardoya’s yearning for a love lost crescendoes, and is most devastating, in the piano ballad “Back to You”; but it seems as though even her darkest, most melancholic moments are touched by the fae. —S.E.

4. Isabella Lovestory, “Vanity”
With 2022’s “Amor Hardcore,” Isabella Lovestory established herself as a neoperreo princess — the Ivy Queen for the Instagram era. The Honduran pop star’s follow-up album “Vanity” takes a different approach, trading sleazy sexcapades for campy vulnerability. As in her name, Lovestory is inherently a storyteller. Her lyrics are pulled from half-remembered dreams, speaking of herself in immersive, surreal contradiction. She’s a perfume bottle made of foam, or a strawberry made of metal. It’s a deceptively saccharine world, one that she sees as, in her words, a “poisonous lollipop.” And when the production falls somewhere between RedOne productions and Plan B deep cuts, that world becomes a post-cultural, hazy pop dystopia of both the past and a far-off, distant future. —R.C.

3. Fuerza Regida “111XPantia”
In summer 2024, while promoting the band’s previous album, “Pero No Te Enamores,” Fuerza Regida frontman Jesús Ortiz Paz assured me that the San Bernardino quintet was not abandoning the sound that made it one of the biggest acts in the música mexicana space. Simply put, JOP was scratching a creative itch by flirting with Jersey club, drill and house music. True to his word, the charchetas and tololoche are now back and on full display in “111xPantia.” Yet the band’s 9th studio album is by no means a rehash of their past work; Fuerza Regida is as experimental as ever, whether by incorporating a banjo on “Peliculeando” (what’s next, a collab with Mumford & Sons?) or sampling Nino Rota’s iconic theme song on “GodFather” (given the focus on excess, the lyrics are more Tony Montana than Michael Corleone). This year, JOP & Co. set a new benchmark for the ever-evolving genre, all while becoming the biggest band in the world; Fuerza Regida was notably the only non-solo act to crack Spotify’s end-of-year top global artist list. —F.M.

2. Silvana Estrada, “Vendrán Suaves Lluvias”
Estrada’s second full-length album is a musical masterclass in maintaining serenity through loss. With her head held high, the Latin Grammy-winning Mexican singer-songwriter soldiered through an extended period of grief to write “Vendrán Suaves Lluvias,” including a harrowing heartbreak and the shocking murder of a friend. The bones of songs like “Como Un Pájaro” and “Un Rayo de Luz” are folk ballads, which she initially wrote using her trusty cuatro; but with the mighty backing of an orchestra, Estrada’s compositions swell with a symphonic grandeur that bolster the songbird’s more empowered and optimistic stance in the face of disappointment. “¿Cuál еra la idea de aventartе sin dejarte caer? Qué manera tan desoladora de querer,” she sings with an arid, jazzy inflection on “Dime” — a plea to a half-hearted lover who cowers at the force of her integrity. —S.E.

1. Bad Bunny, “Debí Tirar Mas Fotós”
“Debí Tirar Mas Fotós” has managed to dominate conversation all year — from its No. 1 debut in January to this summer’s blockbuster residency and subsequent world tour. Much has been said already about Bad Bunny’s magnum opus; the album is a generation-spanning, full-throated celebration of boricua resilience, and simultaneously a pointed warning about the ongoing neocolonization of La Isla del Encanto. But perhaps, in the spirit of its title, its best function is as a series of timeless musical snapshots: There’s the sweeping voice of the jíbaro calling down from the mountains on “Lo Que Le Pasó A Hawaii.” Sweat from rum-soaked nights in Brickell and La Placita lingers on “Voy a LLevarte Pa PR” and “Eoo.” Hands fold together on “Weltita” as waves ebb and flow, and the warmth of a grandparent’s final forehead kiss lingers on “DTMF.” It’s a record that is designed to be intimately understood by Latinos, with Bad Bunny’s personal ethos of Puerto Rican independence managing to build a bridge between the island and those displaced from it. And with Benito’s Super Bowl victory lap right around the corner, “Debí Tirar Mas Fotós” is poised to dominate not just 2025, but the coming months as well, cementing him as — to paraphrase “Nuevayol” — el rey de pop, reggaetón y dembow.

Honorable mentions:

Reanna’s pick: Corridos Ketamina, “Corridos Ketamina”
There’s one night at the start of every Los Angeles autumn when you can begin to feel the chill of loneliness in the air. When I heard “V-Neno,” the opening track on Corridos Ketamina’s self-titled debut EP, I was taken back to the first time I felt it: walking around at 3 AM alone and moody as hell. The 14-minute EP is like if Lil Peep and Lil Tracy went down to Sinaloa for the weekend. Triple-tracked vocals drenched in reverb drift over sluggish guitar loops, all struggling to claw out of the K-hole. Yes, technically Corridos Ketamina are making narcocorridos (what you see is what you get: in an interview with the Fader, they put it simply, “Let’s make the first corrido about doing K”), but there’s something still warm and inviting at the core of these seven songs. Maybe it’s the familiar blend of emo, rap, shoegaze and corridos — or it’s the fact that this is a record that could only come out of Los Angeles, born out of late nights on empty freeways and in seedy apartments. —R.C.

Ernesto’s pick: Amor Elefante, “Amigas”
I dare you not to smile when you listen to “Hipnótico,” the synth-pop fantasia that kicks off “Amigas,” a welcome return to action for Buenos Aires quartet Amor Elefante. The band moves in the fertile periphery where sunshine pop meets dream rock, channeling the Police on the reggae vibe of “Universal Hit” and diving into Cocteau Twins ether on “La Vuelta.” If anything, “Amigas” illustrates the band’s bloom as composers of potential singles: drummer Rocío Fernández goes funky on the folk-driven “La Vuelta,” while keyboardist Inés Copertino flexes her disco diva status on the outro line to “Foto de una Coreografía.” In lead singer Rocío Bernardiner, Amor boasts one of South America’s most radiant voices. —E.L.

Suzy’s pick: Ela Minus, “Día”
Born in Bogotá, Colombia, and now based in Brooklyn, electronic artist-producer Gabriela Jimeno, or Ela Minus, first bonded with beats as a tween drummer in a hardcore band. That rugged punk rock intensity would later unify the vast, synth-laden sprawl that is her second album, “Día”: a chronicle of her displacement during the COVID-19 pandemic and subsequent ego death. She lets her listeners in with the vulnerable yet galvanizing dance track “I Want to Be Better,” which she has described as her “only love song” — but icily calls for the world’s end on the Latin Grammy-nominated club cut “QQQQ,” and rejects the parasocial worship of pop stars in “Idols,” chanting: “Chasing after phantoms / Bowing down to someone else’s idols.” Indeed — how embarrassing! —S.E.

Fidel’s pick: Cuco, “Ridin’”
Hawthorne’s own Cuco (real name Omar Banos) tapped into the soundtrack of Southern California’s lowrider culture — soul and R&B — to make “Ridin’” one of the best neo-Chicano soul albums in recent years. Tracks like “My 45” and “ICNBYH” (“I Could Never Break Your Heart”) are perfect accompaniments for slow drives down Whittier Boulevard. “Para Ti,” the only Spanish song on the LP, sounds like it could come out of one of your abuelo’s bolero albums. —F.M.

SACRAMENTO — Gov. Gavin Newsom unveiled a new state-run website Tuesday that tracks what his office calls the “criminal cronies” around President Trump — just the latest trolling tactic by the California governor that directly mirrors Trump’s own use of public resources for political score settling.

Newsom pegged the website’s rollout to recent crime statistics, which were released in early November showing falling rates of homicide and assault in California. The governor’s website catalogs what it calls the top 10 criminal convictions that were followed by pardons offered thus far by Trump — from Jan. 6 rioters to former politicians and business figures convicted of fraud, drug trafficking and financial crimes. The website calls Trump the “criminal in chief.”

The website features AI-generated portraits of such figues as Rod Blagojevich, the only Illinois governor to be impeached and removed from office; former Honduran President Juan Orlando Hernández, who was convicted of drug trafficking; and Ross Ulbricht, the founder of a dark-web drug marketplace who had been serving a life sentence without the possibility of parole. The images show the men standing in a lineup with the word “felon” stamped in red ink.

“With crime dropping — again — California is proving what real public safety leadership looks like,” read a statement from Newsom. “Meanwhile in D.C., Trump is a felon who surrounds himself with scammers and drug traffickers. We’re providing the public with a resource putting the facts in one place so Californians, and all Americans, can see who he elevates and who he protects.”

The launch is the latest escalation in Newsom’s increasingly aggressive digital campaign against Trump.

In recent months, the governor and his press office have turned social media into a near-daily forum for mocking and trolling the president by firing off all-caps posts, meme-style graphics and sharply worded rebukes aimed at Trump’s brash rhetoric, criminal record, policy proposals and political allies.

The crime data , which was released Nov. 3 by the Major Cities Chiefs Assn., found homicides across California’s major cities fell 18% year over year, robberies dropped 18% and aggravated assaults declined 9%. The association also found that violent crime decreased in every California city reporting data, with the steepest declines in Oakland, where violent crime fell 25%, and San Francisco, where it fell 21%.

Newsom’s new website highlights Trump’s sweeping use of presidential pardons to grant clemency to roughly 1,500 people charged or convicted for their roles in the Jan. 6, 2021, attack on the U.S. Capitol. The governor’s office said some of those individuals had prior criminal records and that others went on to be convicted of new crimes after receiving pardons.

The move mirrors tactics Trump and his administration have embraced. Most recently, Trump unveiled a website of “media offenders,” naming journalists and outlets he accuses of bias. Separately, the U.S. Department of Homeland Security under Secretary Kristi Noem has maintained a website highlighting what it calls the “worst of the worst” criminal immigrants arrested by U.S. Immigration and Customs Enforcement, framing the page as evidence that the administration is carrying out Trump’s promise of mass deportations.

The state’s website launch comes as Newsom seeks to cast California as a national leader in responsible governance of artificial intelligence.

Earlier Tuesday, the governor announced a slate of initiatives aimed at promoting ethical AI use in state government, including a new advisory council, partnerships with academic and nonprofit groups, and a generative AI assistant for state employees. Among the priorities outlined are strengthening safeguards for children online, countering image-based abuse and improving government operations.

“California is at the forefront of AI technology — and is home to some of the most successful and innovative companies and academic leaders in the world,” Newsom said in a statement. “We’re not going to sit on the sidelines and let others define the future for us. But we’re going to do it responsibly — making sure we capture the benefits, mitigate the harms, and continue to lead with the values that define this state.”

Scientists say up to 4,000 glaciers could melt annually if global warming is not curbed.

The world could lose thousands of glaciers each year over the coming decades unless global warming is curbed, leaving only a fraction remaining by the end of the century, scientists warn.

A scientific study published on Monday in Nature Climate Change warned that unless governments take action now, the planet could reach a stage of “peak glacier extinction” by midcentury with up to 4,000 melting each year.

About 200,000 glaciers remain in the world, and about 750 disappear each year. That rate could rise more than fivefold if global temperatures soar by 4 degrees Celsius (7.2 degrees Fahrenheit) from pre-industrial levels and accelerate global warming, according to the report, which predicted only 18,288 glaciers would remain by the end of the century.

Even if governments meet their pledges to limit warming to 1.5C (2.7F) under the Paris Agreement, the world could still end up losing 2,000 glaciers a year by 2041. At that pace, a little more than half of the planet’s glaciers would be gone by 2100.

That best case scenario appears unlikely. The United Nations Environment Programme already warned last month that warming is on track to exceed 1.5C in the next few years. It predicted that even if countries meet promises they have made in their climate action plans, the planet will warm 2.3C to 2.5C (4.1F to 4.5F) by the end of the century.

Monday’s study was published at the close of the UN’s International Year of Glacier Preservation with the findings intended to “underscore the urgency of ambitious climate policy”.

“The difference between losing 2,000 and 4,000 glaciers per year by the middle of the century is determined by near-term policies and societal decisions taken today,” the study said.

Coauthor Matthias Huss, a glacier expert at ETH Zurich university, took part in 2019 in a symbolic funeral for the Pizol glacier in the Swiss Alps.

“The loss of glaciers that we are speaking about here is more than just a scientific concern. It really touches our hearts,” he said.

WHEN it comes to A Place in the Sun most house hunters are on the lookout for a bargain along the Spanish coast.

But actually, there are plenty of affordable spots to be found outside of Europe – from beautiful Caribbean islands to cities less than an hour to huge theme parks.

Sun Travel got the inside scoop from A Place in the Sun presenters Laura Hamilton, Jean Johansson and Craig Rowe on where Brits should look in 2026 for cheap property outside of Europe.

Jean told us: “If you can stretch to the Caribbean, St Lucia has blown me away – and it’s quite cheap compared to Europe to eat out.

“If you want a paradise lifestyle, you can fly out this time of year and get beautiful weather. It’s so laidback too and everyone slows right down.

“The last time I was there for A Place in the Sun, one couple had a budget of £200,000 and they bought an amazing two-bedroom apartment on a little island that you have to get to via a water taxi – it was just absolutely idyllic.

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“If you’re willing to have that Caribbean way of life and something a bit different, your money can go far.”

Another destination that is becoming more popular with Brits as being an affordable holiday spot is Thailand.

Craig said: “I’ve not done any shows in Thailand yet – I think the show may have gone there a long time ago, but that’s somewhere else I think has great value property.

“It might be far, around 14 hours on a plane, but in terms of investment, and perhaps if you’re retiring and can stay there for months at a time, it’s a great option.”

Property prices can vary in Thailand depending on the destination with Chiang Mai being more affordable than the beachside property in Phuket.

Once you get there, the likes of food are so much cheaper – you can pick up a meal from as cheap as 150baht (£3.55).

But out of all destinations, there was one that every presenter mentioned as being one of the best places to invest – and for a good price next year.

Laura told us: “Florida is a place offering exciting opportunities and it’s always been a place we’ve visited on A Place in the Sun.

“I filmed there just before Christmas and it’s quite interesting. In Florida there are lots of properties that 20 years ago were prime luxury houses along the 192 route which is within 30 minutes to the Disney Parks.

“The location is still amazing, but the houses are a bit tired, so the rental opportunities are incredible. In terms of being able to make properties over and add value to them, I think that’s an exciting market.”

Jean added that she did some Florida shows last year where she headed to Fort Lauderdale.

“I think Florida’s always been popular and it’s nice for us to get away from Orlando and away from the Disney parks.

“Fort Lauderdale is a dream with the classic American lifestyle up there – locals start their day with a coffee on the beautiful promenades and there’s a lovely community feel.”

According to Palm Paradise Realty Group, some of the most affordable areas in Fort Lauderdale include Lake Aire Palm View and Flagler Village where the average property price is $343,000 (£255,543).

New episodes of A Place in the Sun will return from Sunday 21 December, and you can catch up on previous episodes on Channel4.com.

A Place in the Sun experts reveal coastline worth buying on NOW where you can ‘still get bargains’ – and flights are £15…

When we asked Laura Hamilton, Craig Rowe and Jean Johansson where exactly Brits looking for a holiday home should buy right now in Europe – they all had the same answer.

Laura Hamilton, who has been working on the show since 2012, explained: “There are still places in Spain which are great places to invest, especially around Costa Tropical.

“The area has increased in value and is still going up. It’s the opposite side of Málaga to Marbella and Puerto Banús, and it’s much cheaper.

“If you go out to a bar or a restaurant, the prices will be significantly cheaper but still great quality.”

Laura revealed that the Costa Tropical has accessibility to both the mountains and the beach.

She added that it’s marketed so that “you can be on the slopes in the morning and beach in the afternoon”.

To get from the beaches to the base of the Sierra Nevada mountains takes just an hour and a half in the car.

Laura continued: “I love that part of Spain and the scenery around Granada is spectacular. If you love the beach, skiing and hiking then it’s a stunning part of Spain – but prices are on the rise.”

Also in southern Spain is the region that presenter Craig Rowe recommended and like Costa Tropical, the region sits between the coast and Sierra Nevada mountains.

Craig told us: “Costa Almería in Spain is really good, especially for anyone on a lower budget.”

Jean Johansson, who has been working on the show for seven years, the same question, she agreed with her colleagues.

Jean said: “It’s got to be Murcia and the south of Spain because you can still get bargains there.”

“When I started on the show seven years ago the area wasn’t as popular at all, but now people are really understanding the value for money.”

For those jumping in to buy a property abroad, one woman who was on A Place In The Sun and bought her dream Spanish home for £45k – I have one regret and need to warn others of pitfalls.

And another presenter from A Place in the Sun took on her own renovation project on the Costa del Sol.

Even though Visalia holds the title of being the oldest city in the San Joaquin Valley, it’s more likely a place you’ve passed through on your way to visit General Sherman or the infamous carved Tunnel Log. Many Angelenos don’t even know how to properly pronounce its name.

But Visalia (say it: vai-SAY-lee-uh) — a place long known as “the gateway to the Sequoias” for its proximity to Sequoia and Kings Canyon national parks — is becoming a destination in its own right.

The 151-year-old Central Valley city has been working hard to shed its bucolic stereotypes and reinvent itself as a cosmopolitan oasis with hip boutiques, craft breweries and a revamped downtown. Changes started happening about five years ago when the Darling Hotel opened in the bones of the former 1930s Tulare County Courthouse annex. The Art Deco boutique hotel offers chic accommodations, catering to design-savvy travelers. Nowadays, downtown’s East Main Street, which plays host to tchotke-laden antique stores and patio dining, is a vibrant, walkable hub. At First Friday Downtown Art Walks, people can groove to a steady playlist of popular tunes thanks to a speaker system the city installed along the sidewalks. And although its Chinatown has been dismantled for years, many Chinese restaurants and a sizable Asian population remain, along with some of the community’s original Asian-inspired architecture along Main Street.

With farmlands nearby, farmers markets are held not once, but twice a week in Visalia’s downtown area, while local farms offer pick-your-own visits and plenty of restaurants make use of the local and seasonal produce at their disposal (seek out the honey glazed shrimp made with locally grown walnuts at Canton Restaurant as well as the berry pies and fruit preserves at the Vintage Press Restaurante).

Counterculture types will find respite at music and vintage store Velouria Records, cult film fans can catch free and low-cost screenings at the historic Visalia Fox Theater and paranormal-enthusiasts can chase spirits on ghost tours or late-night jaunts to the notoriously haunted Visalia Public Cemetery. There is even an extensive underground tunnel system — once used to operate gambling joints and opium dens — that still exists below downtown. Some people still find their way into them — those who aren’t deterred by massive spiders or trespassing charges, that is.

The city comes together for annual events, such as the twice-yearly downtown Wine Walk, the culinary extravaganza Taste of Visalia or the wintertime tradition Candy Cane Lane Parade, which celebrates its 79th anniversary this month. Also notable: Visalia became the first city in the United States to be designated a Certified Autism Destination in 2022, training at least 80% of its guest and public-facing staff in autism and sensory disorders.

As the city continues shucking its former reputation as a drive-by dot on the map, SoCal residents seeking a weekend escape only a few hours away would do well to take note. There is plenty of natural beauty to be found in the area, and one doesn’t have to drive into the higher elevations of the Southern Sierra Nevada Mountains to get some adventure time in. Rent a boat or a kayak at nearby Lake Kaweah, strap on a helmet and do some whitewater rafting in Three Rivers or wander through preserved wetlands that have been untouched for centuries.

It might not be the first place on your California vacation bucket list, but Visalia is worthy of a visit — and with its rapidly changing cityscape, will likely have more to offer with each passing year.

BBC Sports Personality of the Year is back for 2025, celebrating a phenomenal 12 months of sporting drama and triumph.

It has been a year to remember in sport, including England winning the Women’s Euros and Women’s Rugby World Cup, Team Europe winning the Ryder Cup, Liverpool’s Premier League title, Arsenal’s Women’s Champions League success, and the Lions’ series win in Australia.

There were also record-breaking moments in cricket, athletics, golf, tennis, rugby league and many more.

BERKELEY, Calif. — Mike White, who had a successful career as a college coach with California and Illinois and later coached the NFL’s Oakland Raiders, has died. He was 89.

Cal said White’s family confirmed that he died Sunday in Newport Beach.

White helped the Golden Bears win a share of the Pac-8 title in 1975, led the Illini to their first Rose Bowl in 20 years in the 1983 season and coached the Raiders in their first two seasons back in Oakland in 1995-96 after leaving Los Angeles.

He also worked as an assistant for the San Francisco 49ers and was on Dick Vermeil’s staff with the St. Louis Rams when they won the Super Bowl following the 1999 season.

“Mike was special,” said Burl Toler Jr., a linebacker who played at Cal under White from 1974-77. “He treated us like men and with a lot of respect. Mike was a very gifted and smart coach who loved Cal and loved being a coach, and he surrounded himself with a lot of like minds who instilled in us a will to succeed.”

White was a four-sport student-athlete at Cal in the 1950s and spent time as an assistant with the Bears and at rival Stanford before getting the head coaching job at his alma mater in 1972.

White had a 35-30-1 record in six seasons at Cal, with his biggest success coming in 1975 when he was named coach of the year after the Bears finished tied with UCLA for first place in the conference. Cal finished 14th in the nation with an offense that featured Chuck Muncie and quarterback Joe Roth.

White also coached quarterback Steve Bartkowski earlier at Cal and helped develop him into the No. 1 overall pick in the 1975 NFL draft.

He then left for the NFL, spending two seasons as an offensive line coach for the 49ers, before returning to college in 1980 with Illinois. He led the Illini to a 47-41-3 record with three bowl trips, including a loss in the 1984 Rose Bowl to UCLA.

That 1983 Illinois team went 9-0 in the Big Ten and is the only team in conference history to beat every other conference opponent in the same season.

White then returned to the NFL in 1990, spending five seasons as an assistant with the Raiders before taking over as head coach. He had a 15-17 record before getting fired after the 1996 season.

Dubow writes for the Associated Press.

Anthony Geary, the Daytime Emmy winner who played half of “General Hospital’s” supercouple Luke Spencer and Laura Baldwin, died Sunday. He was 78.

“The entire #GeneralHospital family is heartbroken over the news of Tony Geary’s passing. Tony was a brilliant actor and set the bar that we continue to strive for,” “GH” executive producer Frank Valentini wrote on Monday in two posts on X. “His legacy, and that of Luke Spencer’s, will live on through the generations of #GH cast members who have followed in his footsteps. We send our sincerest sympathies to his husband, Claudio, family, and friends. May he rest in peace.”

The actor died of complications a few days after having planned surgery in Amsterdam, the city he and spouse Claudio Gama called home, Soap Opera Digest reported.

“It was a shock for me and our families and our friends,” Gama told TV Insider exclusively Monday, saying that for more than three decades Geary had been his friend, companion and — for the past six years — his husband.

Geary notched almost 2,000 episodes on “General Hospital,” where he started as a cast member in 1978. Along the way he took a number of breaks from the show before wrapping up his “GH” career in 2015.

Even with those breaks, Daytime Emmys voters nominated Geary 17 times in the lead actor category. He took home the trophy eight times, in 1982, 1999, 2000, 2004, 2006, 2008, 2012 and 2015.

Despite their plot line beginning with Luke drunkenly raping Laura — played by Genie Francis — only to have her fall in love with her rapist, their love story became insanely popular in the early 1980s, appealing to a younger audience and saving the series from cancellation. The characters got married in November 1981. The audience for the wedding, which aired over two days, was around 30 million viewers and remains the highest-rated soap opera event in history.

Tony Dean Geary was born on May 29, 1947, in the town of Coalville, Utah, and raised in the Church of Jesus Christ of Latter-day Saints. After studying theater at the University of Utah, he began his acting career with roles on shows including “Room 222,” “All in the Family,” “The Partridge Family” and “Mod Squad” in the early 1970s. “General Hospital” cast him in 1978, but not before he added shows including “Barnaby Jones,” “The Streets of San Francisco” and “Marcus Welby, M.D.” to his resume. He racked up dozens more credits in his career, but nothing that brought him the fame that “GH” did.

When Geary left “GH” for good in 2015, some former colleagues talked to The Times about working with him.

Jane Elliot, who played another Spencer love interest, Tracy Quartermaine, recalled in 2015 that she acted with Geary when he first screen-tested for the role that was supposed to be only a 13-week arc.

“It’s always awkward with an actor you don’t know,” she told The Times. “I was walking down this flight of stars, and I pass Tony, who is doodling on a piece of paper. He’s doing tic-tac-toe. I immediately know what kind of actor he is, doing something real in an unreal setting. I went up to him, put an O next to his X, and our relationship was established.”

“Tony’s friendship and guidance has meant the world to me,” said actor Jonathan Jackson, who was only 11 when he started on the soap as Lucky Spencer, Luke’s son. “He was always extremely warm and very present, there was nothing condescending in him. He never treated me like a kid. We clicked right away.”

The “Nashville” actor returned to the show after many years away to help Geary wrap up the Spencers’ story.

”When I found out he was leaving, I knew I had to come back,” Jackson said at the time. “He was great. Having those last scenes with me were everything I hoped it would be.”

Meanwhile, on Monday, co-star Genie Francis, who is still on “GH,” remembered her former on-screen love on social media.

“This morning I woke up and went into my husband’s arms. In my sleep, my life was flashing before me and I was afraid of death.” An hour later, she wrote on Facebook, producer Valentini called to tell her that Geary had died.

“I immediately felt remorse, I hadn’t spoken to him in years, but I felt his life end in my sleep last night, and with it a big part of me, and mine,” Francis continued. “He was a powerhouse as an actor. Shoulder to shoulder with the greats. No star burned brighter than Tony Geary. He was one of a kind. As an artist, he was filled with a passion for the truth, no matter how blunt, or even a little rude it might be, but always hilariously funny. He was the anti-hero, always so irreverent, but even the most conservative had to smile. Working with him was always exciting. You never knew what might happen.

“He spoiled me for leading men for the rest of my life. I am crushed, I will miss him terribly, but I was so lucky to be his partner. Somehow, somewhere, we are connected to each other because I felt him leave last night. Good night sweet prince, good night.”

THE Rolling Stones have called off plans for a UK and European tour next summer.

It would have been their first string of live dates since their huge Hackney Diamonds tour in the US in 2024 – which sold almost one million tickets.

It’s understood the band – who’ve sold over 250 million records worldwide – were looking at plans to play huge stadiums across Europe and the UK after pulling the plug on dates in 2025.

An American music critic said Keith Richards, who turns 82 on Thursday, told his bandmates Mick Jagger, 82, and Ronnie Wood, 78, he couldn’t commit to the trek at this time.

They added: “The Rolling Stones had all the big promoters throwing loads of ideas and dates at them for next summer.

“But when they properly sat down to discuss the tour, Keith said he didn’t think he could commit and wasn’t keen on a big stadium tour for over four months.”

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A spokesperson said at the time: “The band were looking to tour earlier this year but couldn’t make it work either.

“It’s hard for their fans but The Stones will get back onstage when they’re good and ready.”

In September, Ronnie confirmed to The Sun that he was waiting on the nod on the 2026 tour dates.

He also confirmed they had been working on their next album, which was recorded at Metropolis Studios in Chiswick, west London.

Ronnie said: “You will be getting new music from the Rolling Stones with an album next year. It is almost done. ”

Their last album, Hackney Diamonds, came out in 2023 and was their first record of original material in 18 years.

The album went straight to No1 in the album charts and spawned hits including Angry, which had Sydney Sweeney in the official music video.

Michele Singer Reiner, who was killed along with her husband, filmmaker Rob Reiner, on Sunday at their home in Los Angeles, was a photographer who moved from still images into filmmaking and later into producing, with work that blended performance, politics and persuasion. She was 70.

Singer Reiner was gigging as a photographer in the late 1980s, visiting film sets as part of her income. One of those sets was “When Harry Met Sally …,” the romantic comedy Rob Reiner was directing in New York, a film that would go on to become one of the era’s defining hits. Having divorced actor and director Penny Marshall eight years earlier, Reiner said he noticed his future wife across the set and was immediately drawn to her.

Scripted by Nora Ephron, the film was originally written to leave its central couple, played by Meg Ryan and Billy Crystal, separate, crossing paths over the years without ending up together. But after meeting Singer Reiner, Reiner reconsidered. He rewrote the final scene so the characters reunite and marry, an ending that helped make the film a beloved classic.

The two married in 1989, months after the film’s release. They went on to have three children: Jake, born in 1991; Nick, born in 1993; and Romy, born in 1997.

Hours after the couple were found dead at their Brentwood home, Nick Reiner — who had struggled for years with substance-abuse issues — was taken into custody and booked into Los Angeles County jail on suspicion of murder, according to jail records. He had spoken publicly about getting sober by 2015, when he worked with his father on “Being Charlie,” a semi-autobiographical film about addiction and recovery that Rob Reiner directed and Nick co-wrote.

After their marriage, Singer Reiner worked on several of Reiner’s films, as a special photographer on “Misery,” his 1990 adaptation of the Stephen King novel, among others. Their marriage also became a working partnership. As Reiner’s career expanded beyond studio films into documentaries and political projects, Singer Reiner — who earlier in her career had photographed the cover of Donald Trump on the photo of his 1987 bestseller “The Art of the Deal” — was closely associated with those efforts, collaborating on films and advocacy campaigns that increasingly overlapped.

Their civic strand emerged early. In the 1990s, she and Reiner started the I Am Your Child project, an effort aimed at raising awareness about early childhood development and expanding access to support services for parents.

The initiative coincided with Reiner’s emergence as one of Hollywood’s most prominent political voices. He was a founding board member of the American Foundation for Equal Rights, which led the legal fight to overturn Proposition 8, the California ballot measure that banned same-sex marriage. He was also a central figure behind Proposition 10, the California Children and Families Initiative, a landmark policy that created an ambitious statewide early childhood development program.

In the last decade, Singer Reiner moved more fully into producing. Her credits included such Reiner-directed projects as “Shock and Awe” (2017), “Albert Brooks: Defending My Life” (2023) and this year’s “Spinal Tap II: The End Continues,” as well as “God & Country,” a 2024 documentary examining Christian nationalism in the United States.

As news of their deaths spread, tributes emphasized the Reiners’ shared public life. Laurie David, an environmental activist and documentary filmmaker who was a close friend of the couple, wrote on Threads that “Rob & Michele — always referred to as Rob & Michele — were an extraordinary couple who worked side by side to make the world a safer, fairer and more just society.”

Former President Bill Clinton and former Secretary of State Hillary Clinton also issued a joint statement calling the couple’s deaths “heartbreaking” and pointing to what they described as the Reiners’ “active citizenship” in defense of “inclusive” democracy. “They were good, generous people who made everyone who knew them better,” the statement said.

Former House Speaker Nancy Pelosi called the loss “devastating,” writing that while Reiner was creative, funny and beloved, Singer Reiner was his “indispensable partner, intellectual resource and loving wife” in all of their endeavors.

Rob Reiner, a writer, director, producer, actor and political activist whose career in Hollywood spanned more than six decades and included some of the most iconic titles in movie history, was found dead Sunday with his wife, Michele Singer Reiner, at the home they shared in Brentwood. He was 78.

“It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner,” a spokesperson for the family said in a statement Sunday. “We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time.”

Reiner will be remembered as the director of the seminal 1980s rom-com “When Harry Met Sally,” the actor whose character “Meathead” faced off regularly against Archie Bunker, and the political activist who backed early childhood programs in California and railed loudly for years against President Trump.

The oldest child of comedian Carl Reiner and singer Estelle Reiner, Robert Reiner was born March 6, 1947, in the Bronx, N.Y. Raised by a father who won 11 Primetime Emmys and a Grammy in addition to the Mark Twain Prize for American Humor, Rob Reiner attended Beverly Hills High School and studied film at UCLA. He then went to work in Hollywood as an actor and writer before moving on to directing and producing.

Reiner’s writing credits in the 1960s included “The Smothers Brothers Comedy Hour,” “The Glen Campbell Goodtime Hour” and the TV movie “Where the Girls Are.” In the 1970s, he wrote several episodes of “All in the Family” as well as the Primetime Emmy Awards telecast in 1978 and episodes of “The Tonight Show Starring Johnny Carson.”

Reiner married Penny Marshall, star of TV’s “Laverne & Shirley,” in 1971 and adopted Tracy, the daughter Marshall had from a previous marriage. Reiner and Marshall divorced in 1981.

He wrote for the first “Comic Relief,” hosted by Robin Williams, Billy Crystal and Whoopi Goldberg. That and the dozen “Comic Relief” telethons that followed raised awareness and money to fight poverty in the U.S. and elsewhere.

“This Is Spinal Tap” in 1984 further established Reiner’s comedic sensibilities in the American milieu. His work took a dramatic turn when he directed the 1986 adaptation of Stephen King’s novella “Stand by Me,” which starred Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell, but he returned to comedy with 1987’s “The Princess Bride” starring Cary Elwes, Robin Wright and Mandy Patinkin. Also in 1987, he co-founded production company Castle Rock Entertainment.

Then he directed what would emerge as one of the most beloved rom-coms ever — “When Harry Met Sally,” starring Crystal and Meg Ryan.

On the set of the movie he met photographer Michele Singer and the two married in 1989, the year the film came out. They went on to have three children, Jake, Nick and Romy, born in 1991, 1993 and 1997, respectively.

Reiner was finally nominated for a best picture Academy Award in 1994 for “A Few Good Men,” starring Jack Nicholson and Tom Cruise, though the movie lost out that year to Clint Eastwood’s Western “Unforgiven.”

Reiner’s work had sweeping cultural impacts. Three of his movies, “When Harry Met Sally,” “The Princess Bride” and “This is Spinal Tap,” are on the National Film Registry. The phrase “up to eleven,” coined in “This Is Spinal Tap” during an improvised sequence between Reiner and Christopher Guest, is in the Oxford English Dictionary.

“It’s weird that something that we just threw off like that suddenly becomes part of the lexicon of our lives,” Reiner said on NPR’s “Fresh Air” in September. “It’s very strange how these things have taken root.”

In 2015, Reiner was the producer on “Being Charlie,” a drama based on his family’s struggles while son Nick was addicted to hard drugs and rotating in and out of rehabs and homelessness.

“It was very, very hard going through it the first time, with these painful and difficult highs and lows,” Reiner told The Times in 2015. “And then making the movie dredged it all up again.”

Growing up, Reiner balanced conflicting feelings about his relationship with his own father, who was someone he strongly admired. But he also felt as though his father didn’t fully know him. That dichotomy inspired a scene in “Stand by Me” when Gordie declares his father hates him.

“Loving your father and looking up to your father doesn’t necessarily mean you’re feeling that back,” Reiner said on “Fresh Air” in September, recalling how writing that scene made him cry. Reiner, added, however, that he had two “great guides” in his life, his father, who died in 2020, and “All in the Family” creator Norman Lear.

Reiner was a writer on “The 40th Kennedy Center Honors” in 2017, capping a career that included myriad variety show writing credits. “Spinal Tap II: The End Continues,” which he directed, was his final project as a scribe. “Spinal Tap at Stonehenge: The Final Finale,” due out in 2026, was his final directing credit.

Reiner was nominated five times for supporting actor Emmys for his “All in the Family” work, winning in 1974 and 1978. He was up for two Emmys in 2024 for the documentary “Albert Brooks: Defending My Life.”

A staunch liberal, Reiner also emerged as a force in California politics and child welfare and education issues, and campaigned for presidential candidates including former Vice President Al Gore, endorsed former Secretary of State Hillary Clinton for president and spoke up for President Biden’s reelection. Reiner was also an unapologetic critic of President Trump.

He campaigned in California against tobacco use and in 1998 saw the passage of Proposition 10, which called for a tax on tobacco products to be spent on early childhood programs. Reiner became chairman of the First 5 California Children and Families Commission in January 1999. He resigned in March 2006 amid accusations that the commission had used tax money to boost his campaign for the ultimately unsuccessful Proposition 82, which would have raised income taxes on wealthy Californians to pay for preschool for 4-year-olds. An audit later concluded that he and the commission had not violated state law.

“Rob Reiner has always put California’s kids first, and I thank him for the great work he has done over the last seven years,” then-Gov. Arnold Schwarzenegger said in a statement at the time. “Because of Rob’s efforts, California has become a national leader in providing early childhood health and education services for our youngest children and their families.”

Times editor Brittany Levine Beckman contributed to this report.

I have made a point of escaping Christmas for as long as I can remember. Not escaping for Christmas, but avoiding it altogether – the stressful buildup, consumer chaos, panic buying, the enforced jollity and parties. When the first festive gifts start appearing in the shops in September, it’s time to confirm my travel plans, ideally to include New Year’s Eve as well.

Sometimes I travel independently, but more often in a group, and while it’s not always possible to avoid the tinsel and baubles – even in non-Christian countries thousands of miles away – I just relish not being at home at this time of year.

It’s not that I crave a week in the sun, although the Canaries or Madeira always appeal. My favourite Spanish city of Granada is a regular escape for Christmas, for despite the surprisingly cold temperatures compared with the Costa del Sol, the skies are always a dazzling blue, so I never tire of a stroll up to the Alhambra. I always stay high up in the Albaicín, the old Moorish quarter, where a walk along the winding, narrow, cobbled streets feels as it might have during the middle ages. I like the fact that even on Christmas Eve the squares are full of locals eating and drinking, wrapped up well in blankets and coats. The Spanish do love eating outside in all weathers.

Nor is it a case of bah humbug! I still send 80-plus Christmas cards by post and enjoy buying gifts for family and friends. When my parents were alive, I would always travel over to see them in Northern Ireland just before or just after the festivities. But everything changed in 1990 when my brother Brian, whose birthday was on Christmas Day, tragically died aged 45 the month before. Getting away appealed more than ever.

Over the years I’ve had some very memorable times. Travelling with a group of friends in Myanmar, after Aung San Suu Kyi had been released and encouraged tourism, I came down for breakfast on Christmas Day to find the receptionists wearing Santa hats, a fake tree in the lobby, and cotton wool for snow on greenery in the garden. The temperature was 30C.

That was the start of three days sailing down the Irrawaddy River, before exploring the Buddhist temples at Bagan, many held together by thick jungle vines. These cover 67 sq km (26 sq miles) and were built over a period of 230 years, until the city was overrun by Kublai Khan and the Mongols in 1287 and many were destroyed. For a bird’s-eye view, I went up in a hot-air balloon at sunrise on New Year’s Day and descended to a champagne breakfast.

As a vegetarian, turkey and all the trimmings are not for me, and while I’m very happy with the local diet wherever I am, somehow it’s assumed that, being far away from home, I long for a traditional British meal. After travelling by boat through the Sundarbans of Bangladesh, watching boatmen send otters on a leash into the water to corral fish into nets, we arrived at our next port of call to find the table laid for Christmas dinner – in my case, cauliflower cheese with yorkshire pudding, followed by tinned fruit salad and custard.

Other unusual festive dinners have included a packed lunch of pakora with cold chips, a cheese sandwich and a boiled egg (India); “warthog on spit” in Eswatini (I opted for rice and beans); and soggy pizza in Cuba – but then you don’t go there for the food; Cubans have to queue for basics such as rice, oil, sugar and eggs. Hunger pangs were forgotten when we scrambled up the hills to explore Fidel Castro’s hideout.

In Europe, many countries celebrate on the 24th, so Christmas Day is thankfully quiet and relatively normal. In Prague one year, under communism, the family I stayed with followed the Czech tradition of buying a live carp from a barrel in the street and keeping it in the bath until Christmas Eve, when they prepared breaded fillets, served with potato salad, for their meat-free dish in reverence to Christ. (I don’t remember how the bathtub fish was dispatched.) New Year’s Day required lentils for prosperity, and pig’s knuckles. I ate a lot of lentils on that visit in the 1980s, before the Velvet Revolution, when the only other vegetarian food I could find was Olomouc cheese (aroma of sweaty socks) and knedlíky (dumplings) with sauerkraut, when not doused in goose fat.

During a walking week on the Greek island of Evia on a group tour, it was a joy to find all the tavernas in the town of Karystos open over Christmas, despite it being the low season. We dined in a different one each day with “real people” then returned to a family-run hotel, our base for the duration. Our guide went the second (or seventh) mile after our day’s hike on the 25th by showering us with gifts, which were local and thoughtful; definitely worth taking home.

I like small group tours – fewer than 12 or you never remember their names – and I always pay for a single room. I’ll join the group dinners, but often head off alone to dine and discover something new (there is always one annoying person in the group – if you think there isn’t, it’s probably you). I like the fact I am only responsible for myself and don’t have to worry if my friend is having a good time. You can dip in and out of company but also have time to yourself, and privacy. The organised trips are usually a mix of couples, friends and solos like me.

The nearest I have experienced to a firework-free New Year was in 1999 in the mountain kingdom of Bhutan, a Buddhist country with a Buddhist calendar – there it was already 2542. The turn of the millennium was another reason to get away that year. I spent 31 December hiking up to Tiger’s Nest Monastery, one of the holiest sites in the Himalaya, on a cliff above the Paro Valley at an altitude of about 3,000 metres. This was followed by a restorative stone bath, with large stones heated for four hours and rolled into a wooden tub fragranced with lavender and herbs. It’s a ritual that beats any expensive spa treatment back home.

So this year, on 18 December, I’ll be hanging my age-old recycled wreath on the front door and heading off to Gran Canaria, hoping for like-minded escapers with walking boots and definitely no Santa hats. Merry Christmas!

AFTER nearly two decades of filling Saturday lunchtimes with her wit and warm charm, Zoe Ball is stepping away from her BBC Radio 2 show.

The beloved presenter will air her final programme on December 20, bringing an end to a chapter that has made her a fixture of British radio.

Her announcement comes after she was included in the BBC’s “Golden Ten” shortlist of presenters tested for the perfect on-screen partnership to replace Claudia Winkleman and Tess Daly.

The Sun revealed that Zoe Ball was one of the ten stars put through their paces in order to find the perfect on screen partnership in a top-secret chemistry test.

The news has sparked excitement that Ball could be in the running to replace Tess and Claudia as Strictly Come Dancing host.

Earlier this series, the duo dropped a bombshell, revealing they would be stepping away from the beloved BBC dance show for the final time.

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Bookies have now suspended betting on who the replacements could be following Ball’s announcement.

Amid all these changes, there have also been personal developments in her life.

Zoe revealed she has a mystery “lodger” who, she joked, has “won more awards” than her.

The Radio 2 presenter dropped the hint on her “Dig It” podcast, confessing that her multimillion-pound pad now has a very special new resident.

While Zoe has hinted at a mystery man, the status of their relationship remains unclear.

Her last public romance was with construction worker Michael Reed, which ended in 2023.

Zoe was married to DJ Norman Cook (better known as Fatboy Slim) for 18 years, before splitting in 2016.

The couple, who co-parent their children Woody and Nelly, have stayed close since their split, with Norman even calling Zoe his “soulmate.”

It comes after Zoe quit the Radio 2 breakfast show at the end of 2024 following the heartbreaking loss of her mum, Julia Peckham, to cancer in April last year.

She left the coveted slot she’d held for six years to “focus on family,” and took a four-and-a-half month break from the radio following her mother’s death.

At the time, Zoe shared a touching tribute to her late mum on social media, saying: “Sleep tight dear Mama. 

“Thank you for teaching us how to love unconditionally, to always show courage and empathy, and how, even in the darkest of days, laughter is the greatest of gifts.”

Opening up about her grief, Zoe revealed she found the first birthday of her mum, Julia, since her death especially hard.

She said: “It’s a year and a bit since we lost mum, and I found her birthday this year, the toughest, the toughest, you know, a whole year later.

“That was brutal. It was a week of absolute weeping, I still get quite emotional sort of talking about mum, even now.”

Speaking on her podcast, Zoe choked back tears as she admitted suffering an “emotional breakdown” during a this “brutal” period of her life last year.

The presenter bravely told how she was left unable to move on the kitchen floor after being struck down with grief following her mum’s passing.

It’s been a chaotic time for Zoe and her family with her dad, TV legend Johnny Ball, revealing earlier this year he had been secretly fighting prostate cancer.

The 87-year-old broadcaster endured three brutal months of daily radiation treatment back in 2022, but is now “through it” and feeling”fine”.

She has admitted she occasionally questions whether leaving her flagship BBC Radio 2 Breakfast Show was the right move, after stepping down to spend more time with her teenage daughter.

This year brought another blow when a yob smashed Zoe’s car window and stole her handbag while she was appearing on The One Show.

“Someone had smashed the front window of my car, that’s never happened to me before,” she revealed.

Initially frozen from the shock of the attack, she said: “I got in and I had a massive cry.”

Despite leaving her regular radio show, she promises fans she isn’t disappearing completely, with special broadcasts lined up over the festive season and into the new year.

The 55-year-old broadcasting favourite is set to be replaced by presenter Emma Willis.

She said: “I have loved being betwixt my dear friends Romesh (Ranganathan) and Rylan (Clark), and you know, I love you all to bits, but I’m not disappearing completely.

“Obviously, it’ll be Christmas Crooners and I’m doing an eras show in the new year, more on that later.

“But I am thrilled to tell you that you will be in the safest of hands, because there is a superwoman who is no stranger to you all, but this does mean that she will officially become a member of the Radio 2 family.“

The adored host first took to the air as co-host of the Radio 1 Breakfast Show nearly thirty years ago, before becoming the first female DJ to host the primetime slot solo.

Zoe was the BBC’s second-highest paid presenter while she was hosting the coveted morning slot, pocketing £950,000 between April 2023 and 2024, just behind Gary Lineker.

Zoe had been one of the contenders to replace the much-loved pair on Strictly, amongst others including Alan Carr and Rylan Clark.

After quitting her radio show, the mum-of-two is now pipping the rest at the top.

Emma Willis, who is due to replace Ball on her Radio 2 show from next weekend, said:

Willis said: “I’m a huge fan of Radio 2, so I’m absolutely chuffed to be joining the family, and it’s a real honour to follow in the huge footsteps Zoe leaves behind, who’s someone I admire and adore.

“I’m very much looking forward to spending my Saturday lunchtimes with the Radio 2 audience and I’ll happily be the filling to a Romesh and Rylan sandwich!”