woman

Bill Cosby drugged and sexually assaulted a former waitress in 1972 after escorting her to one of his shows, a civil jury in California concluded Monday, awarding the woman $19.25 million in damages.

The verdict was the latest turn in a series of legal battles the disgraced entertainer, now 88, has faced since allegations that he repeatedly drugged and raped women exploded publicly about a decade ago. Since then, he served about three years in a Pennsylvania prison on sexual assault charges before the case was overturned in 2021.

Donna Motsinger, now 84, said in her lawsuit filed in Los Angeles County Superior Court that Cosby had given her wine and a pill that left her unable to move, and that she woke up in her house wearing nothing but her underwear, according to court records, and that “she knew she had been drugged and raped by Bill Cosby.”

Cosby has denied the allegations, as well as those brought by dozens of other women who claimed they had been drugged and raped. Coming in the early years of the #MeToo movement, a broad social media-inspired campaign to name and prosecute men accused of sexual misconduct, Cosby’s attorneys painted him as an unfair target of mass vigilantism gone awry.

Motsinger sued Cosby in 2023, alleging that, at the time, she was working at a Sausalito restaurant called The Trident that was popular with celebrities, including Cosby, according to the complaint her attorneys filed Sept. 27 of that year. One night, Motsinger accepted Cosby’s invitation to go with him to his show at the Circle Star Theater in San Carlos. Cosby picked her up at her home in a limousine, according to her complaint, and, on the way to the venue, gave her the wine and a pill that she thought was aspirin.

“Next thing she knew, she was going in and out of consciousness while two men attending to Mr. Cosby were putting her in the limousine,” the complaint said. “The last thing Ms. Motsinger recalls were flashes of light,” before waking up in her house in nothing but underwear.

Motsinger didn’t consent to Cosby’s sexual contact and, having been rendered unconscious by drugging, she couldn’t consent to it to begin with, according to the complaint. As a consequence of her ordeal, her complaint says she suffered lost wages, medical bills, pain and suffering and emotional distress.

A woman who found a secret compartment in a plane toilet was left gobsmacked by what she found inside – as some said other public toilets should do the same

Your next flight might be concealing some vital items in a “secret compartment” within the toilet. We’re all aware that air travel can be an uncomfortable affair. You’re squeezed onto an aircraft alongside a host of strangers and informed you can only bring a small bag containing all your essentials – and you’re likely to overlook something important.

While nothing will truly enhance the experience unless you splash out thousands of pounds for first class, one woman on social media has revealed that a hidden door in the bathroom could hold something which at least makes the journey tolerable for some passengers.

Rhonda Abdalla, from Florida, US, was travelling on a Southwest Airlines service from Tampa to Houston, Texas, en route to Las Vegas, when she unexpectedly started her period. She consulted a flight attendant who pointed her towards a small compartment in the aircraft toilet, which was stocked with tampons and sanitary towels.

The woman admitted she had no clue the compartment existed, and suspected other women would be equally unaware, so she turned to Threads to share the discovery and spread awareness.

She posted: “I’m a girls’ girl, so I have to share. Ladies! Did you know there’s a secret compartment in the airplane bathroom that has tampons and pads if you need them?! Because nobody wants to be caught off guard at 35,000 feet.”

Speaking to Newsweek, Rhonda revealed the flight attendant instructed her to take as many tampons as required, and even thoughtfully disclosed she had additional supplies if the stock in the lavatory proved insufficient.

Rhonda detailed that whilst the compartment does feature a sign indicating it can be opened, it “isn’t very noticeable”, so she believes she never would have considered looking there had the flight attendant not informed her about it.

Southwest Airlines has confirmed that sanitary products are something they ensure are stocked on all aircraft for any passenger who might require one urgently.

They told Newsweek: “Sanitary products are available on all Southwest aeroplanes in all lavatories. These items are supplied in case a customer needs one. Whilst we do supply them, they are not a relatively high-use item.”

Both flight attendants and passengers have reacted to Rhonda’s social media post, with numerous people expressing gratitude for her sharing the information, whilst others mentioned they always carry spare tampons for circumstances like hers.

One flight attendant commented: “The amount of times someone has come up to me in tears because on top of a stressful travel day, they started their period and all their products are in their checked bag. Baby, I got you. Tampons, chocolate and a glass of wine will be brought to your tray table immediately.”

Another contributed: “And if you don’t find them in the lavatory, ask a flight attendant. We always have some on board!” One grateful passenger responded: “That’s actually a really useful travel tip! Appreciate you sharing that with everyone.”

Rhonda later expressed her satisfaction at the positive feedback to her post, as she believes it’s important for everyone to be aware of the resources available to them when needed.

She stated: “The response has been really positive, and I’m glad it’s helping spread awareness. Getting your period mid‐flight is already stressful, so knowing there are resources available makes a big difference.”

However, it’s worth noting that some airlines may not stock sanitary products in their lavatories. You can always enquire with a flight attendant who may be able to assist, but it’s advisable to always carry a few emergency tampons or pads – either for your own use or to help someone else in need.

Mexico’s reigning pop princess is entering her femme fatale era.

Kenia Os played up her cute and cuddly side in her previous album, 2024’s “Pink Aura” — but with her upcoming album “K de Karma,” out Friday, Os is putting that era to bed.

Os, born Kenia Guadalupe Flores Osuna in Mazatlán, Sinaloa, has made an incredible leap from social media influencer to Latin Grammy-nominated pop star in under a decade. Yet at 26, she has weathered countless storms — whether facing incessant body-shaming online, or defending her pop music pivot from cynics in the comments.

In an interview with the L.A. Times, the Mexican superstar explains how she transmuted that energy into her most fierce and sexy musical offering yet.

“In that darkness, I found myself,” the 26-year-old says over Zoom from her hotel room in Los Angeles — where she’s traded her signature blood red dress for a black tank top and jeans as she prepares for her upcoming tour.

“This album is totally about empowerment. There’s an energy behind it of divine justice… What’s for you belongs to you.”

Os had plenty of examples of powerful pop divas to draw inspiration from. Though she fondly recalls her mother playing the music of the late Selena Quintanilla and Jenni Rivera, Os was tapped into American talents like Miley Cyrus — namely her “Hannah Montana” alter ego — as well as Demi Lovato, Ariana Grande and Selena Gomez.

“I’ve always been inspired by a lot of female artists,” she recalls. “The power that women wield has always been at the core of who I am an artist.”

As Os looks back on being a teen girl who shared her life gratuitously on YouTube, and later social media platforms like Instagram and TikTok, she still feels the sting of body-shaming comments. Os reveals during that time, her weight would fluctuate from dealing with hormonal issues such as PCOS (polycystic ovary syndrome) and endometriosis.

“It’s very difficult how people judge you for your body, if you gain weight, have a tummy, or whatever,” she says. “It was very complicated to grow from a young girl into a woman [in a world] where you are how you look. Currently, I feel at ease because thanks to the universe, I’ve had the opportunity to take care of my body, understand it, and heal from within. It’s made me a stronger woman.”

Another hurdle that Os had to overcome in her career is an ongoing stigma placed on influencers-turned-pop stars. Although artists like Addison Rae, Tate McRae, and Charli D’Amelio successfully forged their careers as performers on social media before taking center stage, Os sees Mexico as being less receptive to that kind of career transition as the U.S. or Canada.

“In Mexico, it hasn’t been that easy for people to understand that I am a singer,” she says. “I’m not the best, but I’m here, I have my fandom that I love and we’re doing incredible things together.” (Os is referring to her massive following online, which includes 26.3 million fans on TikTok and 18.2 million fans on Instagram.)

When Os first launched as a singer in 2018, some immediately took aim at her dance moves and the digitally augmented sound of her voice. Os admits that she’s come a long way since that first iteration with rigorous singing and choreography lessons; three years later, she signed a record deal with her current label Sony Music Mexico, and released her glossy debut album, “Cambios De Luna,” in 2022.

Since then, Os has come to rule the Latin pop scene in Mexico, boasting multiple sold-out tours of the country.

“It’s been difficult for people to understand that I started out making content — which I still love to do — and suddenly, I’m [also] a singer,” she says. “They try to devalue my work and what I do as an artist. At the end of the day, I’m still as hard-working as I [was] on day one. I’m on the charts with a lot of artists. I’ve put myself in a position where I can say that I’m fully dedicated to music. For me, it’s been a beautiful journey where I’ve learned a lot about myself and I’ve grown so much.”

Os achieved an international breakthrough with her visual album, 2022’s “K23.” The following year she scored a viral hit on TikTok with the flirty “Malas Decisiones,” which has over 340 million streams on Spotify. Os would soon tour the U.S. for the first time, and at the 2023 Latin Grammy Awards, “K23” was nominated in the category of long form music video.

“I loved that experience, and I believe it would be beautiful to win a Grammy, but now I’m more dedicated to my fans, my music and what I like without expecting an award,” she says.

Last year, Os also pulled a page from Taylor Swift’s playbook by releasing the concert film “Kenia Os: La OG” in theaters in both the U.S. and Mexico.

Now with “K De Karma” out, Os is finding strength in further harnessing a sexier and more defiant alter ego — which she introduced in her cinematic music video for “Belladona.” Directed by Daniel Eguren, the visuals emphasize the fatality of her femininity with a car explosion and suited-up businessmen bending to her will.

“It doesn’t feel like that I have to act or pretend to be sexy or sensual,” Os admits. “Now, this feels very natural. It feels very me. This is who I am at this moment as a woman.”

She adds that her album was also inspired by a marginalized group that stuck by her side through her ups and downs: the LGBTQ+ community. As a show of gratitude to the girls and the gays, Os transforms from “Belladona” to Primadonna in vogue-ready house bangers like “Slay,” “Problemática,” and “Boom In Your Face.”

“I wanted to do something fun and different for the LGBTQ+ community,” she says. “I’m very happy and grateful for the love they’ve given me. I believe they’re my most passionate fans — they’re the kind of fans that are there for you the most. To put on concerts where you know most of the crowd belongs to that community, it’s an incredible experience.”

A surprising collaborator on “K De Karma” is Mexican singer-songwriter Carla Morrison. She co-wrote the tender love song “Tú y Yo X Siempre” with Os; the two also collaborated on “Días Tristes,” which is reminiscent of the moody ‘80s pop anthem by Jeanette, “El Muchacho De Los Ojos Tristes.”

Os reveals that she and Morrison worked on a third song that they’re still putting the finishing touches on. “It was very magical to work with her,” she adds. “She’s an exceptional and incredible human being with a big heart. She told me very beautiful words that motivated me all of last year. Those were words that I needed to hear.”

On the personal side, Os is also relishing her relationship with Peso Pluma. After collaborating on the reggaeton track “Tommy & Pamela” in 2024, the two Mexican artists went public as an item last year. Os has even accompanied Pluma on a few stops of his recent Dinastía Tour.

“It’s very beautiful to know that you have a partner that knows what you go through and that can give you advice from his experiences as well,” Os says. “I love that I can count on someone that understands me completely and supports me.”

As for now, she is raring for the Mexican leg of her “K de Karma Tour” that kicks off on April 25 in her hometown. She is hoping to eventually add some dates in the States.

“I want to grow more internationally with this album,” says Os. “As long as my fans love and enjoy this album, that’s all that matters to me.”

WASHINGTON — Since becoming defense secretary, Pete Hegseth has found no shortage of ways to bring his strand of conservative evangelicalism into the Pentagon.

He hosts monthly Christian worship services for employees. His department’s promotional videos have displayed Bible verses alongside military footage. In speeches and interviews, he often argues the U.S. was founded as a Christian nation and troops should embrace God, potentially risking the military’s secular mission and hard-won pluralism.

Now the defense secretary’s Christian rhetoric has taken on new meaning after the U.S. and Israel went to war with Iran, an Islamic theocracy.

“The mullahs are desperate and scrambling,” he said at a recent Pentagon press briefing, referring to Iran’s Shiite Muslim clerics. He later recited Psalm 144, a passage of Scripture that Jews and Christians share: “Blessed be the Lord, my rock, who trains my hands for war and my fingers for battle.”

Hegseth has a history of defending the Crusades, the brutal medieval wars that pitted Christians against Muslims. In his 2020 book “American Crusade,” he wrote that those who enjoy Western civilization should “thank a crusader.” Two of his tattoos draw from crusader imagery: the Jerusalem Cross and the phrase “Deus Vult,” or “God wills it,” which Hegseth has called “the rallying cry of Christian knights as they marched to Jerusalem.”

Matthew D. Taylor, a visiting scholar at Georgetown who studies religious extremism and has been a frequent Hegseth critic, said, “The U.S. voluntarily going to war against a Muslim country with the military under the leadership of Pete Hegseth is exactly the kind of scenario that people like me were warning about before the election and throughout his appointment process.”

Taylor said Hegseth’s rhetoric and leadership “can only inflame and reinforce the fears and deep animosity that the regime in Iran has towards the U.S.”

When asked whether Hegseth views the war in Iran in religious terms, a Defense Department spokesperson pointed to a recent CBS interview in which Hegseth seemed to confirm as much.

“We’re fighting religious fanatics who seek a nuclear capability in order for some religious Armageddon,” Hegseth said of Iranian leaders. “But from my perspective, I mean, obviously I’m a man of faith who encourages our troops to lean into their faith, rely on God.”

Allegations U.S. military commanders cited biblical prophecies remain unverified

Generations of evangelicals have been influenced by their own version of Armageddon and the end of the world, circulated by books like the “Left Behind” series and “The Late Great Planet Earth,” or the horror film “A Thief in the Night.” Some evangelicals espouse prophecies in which warfare involving Israel is key to bringing about the return of Jesus.

Christian Zionist pastor John Hagee, head of Christians United for Israel, said of the Iran war, “Prophetically, we’re right on cue.”

The co-founder of Hegseth’s denomination, however, does not teach this theology. Pastor Doug Wilson of the Communion of Reformed Evangelical Churches identifies as a postmillennialist, meaning he believes most of the apocalyptic events of the Bible have already happened, paving the way for the gradual Christianization of the world before Christ’s return.

Hegseth has not said the Iran war is part of Christian prophecy. Yet days after the conflict began, claims went viral that U.S. military commanders were telling troops the war fulfilled biblical prophecies around Armageddon and the return of Christ.

The Associated Press has not been able to verify these claims, which stem from one source: Mikey Weinstein, the head of the Military Religious Freedom Foundation, a watchdog group. Based on allegations Weinstein said he received from hundreds of troops, 30 Democratic members of Congress asked the Pentagon inspector general to investigate.

In an interview with the AP, Weinstein declined to provide documentation or the original emails he received from service members. He said troops were afraid of retaliation, so they would not speak to the media, even if their identities remained protected.

Three major religion watchdog groups — the Freedom From Religion Foundation, the Anti-Defamation League and the Council on American-Islamic Relations — said they have not received similar complaints. The Pentagon declined to comment on the allegations.

Hegseth wants to reform the military chaplain corps

Hegseth’s church network, the CREC, preaches a patriarchal form of Christianity, where women cannot serve in leadership, and pastors argue that homosexuality should be criminalized. Hegseth last year reposted a video in which a CREC pastor opposed women’s right to vote. Wilson, its most prominent leader, identifies as a Christian nationalist and preached at the Pentagon in February at Hegseth’s invitation.

Both Wilson and Hegseth have questioned Muslim immigration to the United States. Wilson argues the country should restrict Muslim immigration in order to remain predominantly Christian. In “American Crusade,” Hegseth lamented growing Muslim birth rates and that Muhammad was a popular boys’ name in the U.S.

As head of the armed forces, Hegseth has overseen changes that are in line with his conservative Christian worldview, including banning transgender troops, curtailing diversity initiatives and reviewing women in combat roles.

Youssef Chouhoud, a political scientist at Christopher Newport University, said, “The intrusion of Christian nationalist policy, not just Christian nationalist rhetoric … that is what’s troubling.”

Hegseth has pledged to reform the military’s chaplain corps, which provides spiritual care to troops of any faith and no faith at all. He scrapped the 2025 U.S. Army Spiritual Fitness Guide and wants to renew chaplains’ religious focus, which he said in a December video message has been minimized “in an atmosphere of political correctness and secular humanism.”

Rabbi Laurence Bazer, a retired U.S. Army colonel and chaplain, said it risks making service members feel like outsiders when the language of military leadership draws exclusively from one faith tradition.

“The U.S. military reflects the full diversity of this country — people of every faith step forward to serve,” Bazer said in a statement. “That diversity is a strength worth protecting.”

Stanley writes for the Associated Press. AP reporter Peter Smith in Pittsburgh , and AP reporter Konstantin Toropin contributed to this report..

The photos currently flooding my social media stream are like a highlight reel of the life of Chicana civil rights icon Dolores Huerta.

The famous 1960s-era black-and-white shot of her looking like a bohemian in sweatshirt and black paints while she holds up a sign proclaiming “HUELGA” in the grape fields of California’s Central Valley.

Chanting at the front of picket lines, strands of gray in her hair, in the 1980s.

Beaming as President Obama awarded her the Presidential Medal of Freedom in 2012 for a lifetime of good work that expanded beyond the United Farm Workers union she co-founded.

What’s especially popular is admirers posting pictures of themselves with her — at protests, during art gallery openings, in classrooms, even dancing. It’s the type of public outpouring one usually sees when a celebrity dies. Sadly, there is grief involved in people sharing their encounters with her right now.

Someone didn’t die. But something did.

Earlier this week, Huerta’s disclosed to the New York Times that fellow Chicano civil rights icon Cesar Chavez raped her during the 1960s. It was part of a story that also interviewed two women who claimed the United Farm Workers co-founder sexually abused them when they were young teens in the 1970s.

One of the posts I saw soon after the story’s publication was an Instagram portrait Maricela Cueva took when the two met a few years ago during a conference in Burbank.

“Standing with Dolores Huerta,” said Cueva, president of the public relations firm VPE Communications, “means honoring her legacy in the farmworker movement as well as the victims who had the courage to come forward and acknowledging the personal sacrifices behind it.”

Former West Covina Mayor Brian Calderón Tabatabei shared on the platform formally known as Twitter a photo of him shaking hands with Huerta in Berkeley at a Working Families Party gathering for elected leaders in 2024, where she joined breakout sessions and listened to the next generation of leaders.

“I look at the folks who posted pictures and we are all children of the movement,” said Tabatabei, who’s also an El Monte High ethnic studies teacher. He kicks off each school year with a shout-out to Huerta. “She lived with that pain so we could be in these spaces. So we don’t have to be quiet.”

Together, the photos stand as a communal family album. It’s a show of love and solidarity to Huerta — but also a challenge to ourselves. Many of us immediately believed the longtime activist not just because of her stature, but because we’re sadly too familiar with the script playing out in real time.

A Latina abused by a trusted, powerful man. A terrible secret kept to not make him look bad and ruin his life. A need for the victim to consistently praise the abuser to others no matter what. A life of service in the form of sacrifice. Eternal grace masking an unimaginable pain.

Her story is the story of too many women I know and you know — and maybe the story of you.

Steely resolve in the face of suffering is not new in the Huerta story. For decades, reporters, activists, historians and others who formed the narrative of Chicano civil rights treated her as a modern-day Mary Magdalene — a woman who found purpose by following a man. Chavez was positioned as the Christlike figure who toiled for all of us at great personal cost and thus anointed the face of the farmworkers movement. Meanwhile, he and others relegated Huerta to sidekick status, both in the trenches and in the public — and the image makers followed his lead.

She found more prominence after his death in 1993, but Chavez’s shadow loomed over her for too long. Huerta became one of Chavez’s fiercest defenders even after revelations about his autocratic ways became public — but what else was she supposed to do when people tied so much of her identity to him?

Through it all, Huerta showed up not just for la causa but for those of others. People in Bakersfield, where Huerta lives, know she’s a supporter of arts and live music — she was seen dancing with family members at a Mardis Gras party just last month, gladly taking photos with well-wishers. I have run into her at my wife’s restaurant in Santa Ana, at movie theaters in Los Angeles, during online fundraisers for museums. My favorite memory is the time we both spoke to students at a high school summer conference. Afterward, the organizers told me her speaking fee was a pittance compared to that of a famous Latina author who demanded $25,000 for an hour-long chat.

That’s why Huerta’s recent revelations hit particularly hard — unlike the long-sainted Chavez, she always seemed more like one of us. Huerta has cycled through the stages of life in the public eye in a way that has seen Latinos relate to her over the decades as our daughter, our sister, our aunt. Our mother, grandmother and now great-grandmother in the winter of her years.

We all know women in one of those roles who suffered the same violations Huerta did. The same dismissals and insults. Who never spoke about their ignominies because they were afraid we wouldn’t be there for them.

Huerta was once one of them.

“I believed that exposing the truth,” Huerta wrote in a short essay, “would hurt the farmworker movement I have spent my entire life fighting for.”

By coming forward now, she’s speaking up for every woman who has kept their abuse private, every woman overlooked in favor of a man, every relative told to keep secrets lest they embarrass the family, every woman attacked for finally speaking up. By posting all those photos of Huerta — by herself, in a crowd, with others — people are publicly and unconsciously saying:

We can do better for the girls and women in our lives. We must do better.

“I have kept this secret long enough,” she concluded in her essay. “My silence ends here.”

May we all hear the Dolores Huertas in our lives. May we finally stand by them.

A woman has shared how she managed to travel the world without spending a single penny – and she is sharing her favourite things about the life-changing experience

In an ideal world, everyone would be able to live out their dreams without worrying about the costs involved. But while most of us work to earn a living, one woman has revealed how she has managed to travel the world without spending a penny.

Sarah, known on social media as @sarahmonaco99, explained how she achieved this lifestyle – revealing that her “entire salary is 100 per cent disposable income. No rent. No food. No bills.” She shared that she lives and works on a yacht, where “everything onboard is covered”.

She said: “Accommodation, three meals a day, toiletries, travel to and from the boat – I have not paid a single living expense in two years. My first full season, I saved enough to put a deposit on an apartment. I was 24. My friends doing 9-5s are still saving. I’m not saying this to brag – I genuinely couldn’t believe it was real.”

Explaining how she got into the industry, she added: “Most people find their first season through Yotspot, Bluewater, or Saltwater Agency. No experience needed for entry-level roles. Just show up willing to work hard.”

Commenting on her post, one user said: “If I didn’t have a cat, I would so do this.”

Others were curious about the reality of the job, asking questions about working hours and expectations onboard, with one user writing: “Are you obligated to party with guests?”

In another post, Sarah shared some of the wild experiences she’s had while working on yachts, including gifts and behaviour from ultra-wealthy guests.

She said: “Rating the most unbelievable things billionaire guests did on our yacht…”

Giving the first example an 11/10, she said: “Moved the boat at midnight because the stars weren’t ‘visible enough’. Woke the captain at 12am. We sailed for two hours. The stars were the same.”

She rated another moment 10/10, adding: “Ordered £4,000 worth of groceries for a five-day charter – Wagyu beef, fresh truffles, three types of caviar. Ate none of it. Left it all on the boat when they disembarked. We ate like royalty for a week.”

She also revealed that the crew were tipped £11,000 by one millionaire because they “seemed like they needed it”.

Finally, she recalled one guest complaining that the Mediterranean Sea was “too blue” and asking if they could find somewhere with a “more interesting” water colour.

In the comments, users shared their amazement at the lifestyles of the ultra-rich, with many wishing they could experience that level of luxury.

One user said: “Those drinks look good.” Another added: “How do I get this job?”

LA28 revealed the schedule Monday for an extended Olympic soccer tournament that will begin four days before the opening ceremony.

The soccer competition begins July 10 with four men’s group stage games across New York, Columbus, Nashville and St. Louis. The women’s tournament begins July 11 with games in all six of the preliminary round sites, including San José and San Diego.

The soccer competition, which will feature 12 women’s teams and eight men’s teams for the first time, has the longest competition window of any sport in Olympic history because the International Olympic Committee Executive Board wanted to give each team two extra rest days throughout the tournament.

Each team will have two days of rest between group stage games and three days between the final group game and the quaterfinal rounds. The men will begin their knockout round games on July 20 while the women start quarterfinal play on July 21, including one women’s quarterfinal match at the Rose Bowl.

The iconic stadium in Pasadena will host only five matches for the Olympics, including a men’s and women’s semifinal July 24 and the men’s gold medal match on July 28 and the women’s on July 29.

San Diego’s SnapDragon Stadium will have the most matches of any site with 11. In addition to three days of women’s group stage games, the home of San Diego State football, San Diego FC and San Diego Wave FC will host a women’s quarterfinal July 21, men’s and women’s semifinals July 24 and both bronze medal matches.

With the coast-to-coast soccer tournament shaping up, LA28 announced additional ticket opportunities for the competition, allowing fans interested in attending soccer matches to buy up to 12 soccer tickets in addition to the current 12-ticket maximum for all other Olympic events. The 12-ticket maximum for Olympic events includes the opening and closing ceremonies on July 14 and 30, respectively, which each have a four-ticket limit.

Ticket registration for the first ticket drop ends Wednesday at 11:59 p.m. PDT with the first tickets going on sale to locals in Southern California and Oklahoma beginning April 2. The first general ticket drop begins April 9. Fans who are randomly selected to participate in the first ticket drop will be notified via email between March 31 and April 7 with information and their assigned timeslot to purchase tickets.

More than 5 million fans have already registered for Olympic tickets, LA28 said, with Paralympic tickets going on sale in 2027. The organizing committee expects 14 million tickets to be available for the Games, which could eclipse the total ticket sales record set by Paris in 2024.

OLIVIA Attwood looked stunning as she enjoyed a wild night out with a host of Love Islanders this weekend in New York- with the star posing up a storm in knee high boots and a lace skirt.

It comes following the TV personality’s split from her footballer husband Bradley Dack, who was seen without his wedding ring for the first time this week.

Former Love Island star Olivia is across the pond to celebrate the launch of her collaboration with high street brand River Island.

She is joined fellow reality stars such as Toni Laites, Samantha Kenny. and Samie Elishi – who is also newly single following her split from Ciaran Davies.

Sharing a reel to her Instagram, Olivia was filmed as she told the camera: “First night in New York, going to town, RIP.”

She then said: “It all goes downhill from here…”

LEGGING IT ON OLI-DAY

Olivia Attwood shows off legs as ex Bradley Dack ditches wedding ring

SAy IT WITH CHEST

Love Island’s Samie shares snap of cryptic quote after split from Ciaran

Dressed in a satin mini skirt with a lace trim and knee-high boots, Olivia looked stunning for the night out.

She posed for a slew of snaps before hitting the town.

Olivia and the group were then filmed throughout the night as they hit the city’s clubs and let loose.

Sipping on cocktails and wine, the video showed the group as they danced together and even cheekily lifted up their tops and skirts – covering themselves with emojis.

Confirming that the girls had quite the time, Toni commented on the post: “downhill for sure”.

“A time was had,” said Sophie Piper.

The hangover seemed to hit hard too, as Olivia joked this morning that she was “hanging on by a thread”.

It comes as her estranged husband Bradley was pictured leaving training at League Two Gillingham, minus his gold wedding band this week.

The TV star split from footballer Bradley, 32, earlier this year following a “breach of trust” on his part.

Olivia is yet to divulge exactly what went on between them.

However, she did say that she would speak about her marriage breakdown when the time is right – insisting she had a “lot to process”.

The couple wed in 2023, four years after getting engaged.

When Julie Uhrman and a fledgling ownership group that would quickly grow to more than 100 announced plans to start a women’s soccer club in the summer of 2020, the goal was to build something unique and different.

And in that she was wildly successful: four years after its founding, Angel City became the most valuable team in the history of women’s professional sports while funneling millions of dollars to community programs throughout Southern California.

What the team hasn’t done is win. And that, Uhrman said, has to change.

“It’s time to win,” said Uhrman, who this month is stepping down as the team’s chief executive to take a new role as principal advisor. “We’re in L.A. We live in a city of champions and we want to be on the same mantle as them. It’s a process but we have the right team in place, on and off the pitch, to accomplish that.”

Angel City will kick off its fifth season Sunday at BMO Stadium against the Chicago Stars. Over its previous four seasons, Angel City lost 12 more games than it won, finished with a winning record only once and made just one playoff appearance. And it has used four coaches, three sporting directors and more than 70 players in its search for success.

So this year sporting director Mark Parsons and coach Alexander Straus decided to try a new approach.

“We needed to rip it up and start again,” Straus said.

As a result, more than half the players on the opening day roster weren’t with Angel City at the start of last season. And nine women who started at least a half-dozen games last season aren’t there this year.

“This is Angel City 2.0,” Parsons said. “We’ve gone through a huge amount of staff change. We’ve gone through a huge amount of roster change. And January 2026 has become Year 1.

“Year 5 is Year 1 of building what we believe is a sporting organization that can get to the top and stay at the top.”

That’s probably not what the team’s long-suffering fans wanted to hear. They wanted to hear that this is the year Angel City wins a trophy. But after watching his team finish 11th in the 14-team NWSL in 2025, Parsons said that’s not realistic.

“You don’t go from 11th to being a top-four team. I think you come from 11th and you become a playoff team ,” said Parsons who, as a manager, took a Portland Thorns team with a losing record to an NWSL Shield and a league title in his first two seasons. “Last year was a tough year. Now we’re in a better place. So we’re still on the journey.”

Angel City coach Alexander Straus watches over a practice session at the team’s training facility in Thousand Oaks in February.

(Damian Dovarganes / Associated Press)

So is the league. With the addition of expansion franchises in Denver and Boston, the NWSL entered its 14th season Friday with a record 16 teams, meaning each club will play a record 30 games. The top eight finishers in the table will make the playoffs.

For Angel City, the makeover to 2.0 really launched about six months before Parsons arrived when Disney CEO Bob Iger and his wife, Willow Bay, dean of the USC Annenberg School for Communication and Journalism, became controlling owners of the club and committed $50 million to improving it. Part of that investment paid for the purchase and renovation of a sprawling state-of-the-art training center at Cal Lutheran University and part of it allowed Parsons to come in and tear things up.

When he took over as sporting director last winter, Parsons quickly set about overhauling the roster, leaving Angel City with one of the youngest teams in the NWSL, averaging 25 years of age, this season. Two players are still in their teens and eight others have yet to turn 23.

A year ago, eight players on the roster were 32 or older.

Among the key offseason additions are defender Emily Sams, an Olympic champion with the U.S. national team, and midfielder Ary Borges, a Brazilian international. They will join a core that includes Japanese midfielder Hina Sugita and Zambian striker Prisca Chilufya, who joined the team at the end of last season.

Of the four, only Sugita, a two-time World Cup veteran, is older than 26.

“We’re getting closer to competing for trophies,” Parsons said. “But making [the] playoffs right now is a logical next step. This year is about showing that we’re going in the right direction. But we can’t jump from 11th to one. Those days are over.

“We have overachieved the last 12 months in building a sporting organization, staffing departments and [constructing a] roster. There’s going to be ups and downs this year, like there is every year.”

Goalkeeper Angelina Anderson, entering her fourth season with Angel City, making her one of the team’s longest-tenured players, believes in Parsons’ deliberate approach and is confident the team is about to turn the corner.

“Having that methodical approach is really smart and it gives us kind of an overview of like, we want to win the championship, we feel like we’re in a really good spot, but there are daily, monthly, season-long challenges that we’re going to have to overcome if that’s where we want to get to,” said Anderson, one of three team captains. “It’s actually a very smart way for all of us to manage our expectations.”

Uhrman agrees too but being realistic is hard. When she helped launch Angel City, it was with the vision of building a winning team and nearly six years later, she’s still waiting for that vision to be released.

“Our aspiration is to win the championship. Our goal is to make the playoffs,” she said. “And we feel very comfortable that we can do that. It is a process. We’re realistic about where we are in the process and what we need to do to develop and grow.

“Believing in the fact that it’s a process is comforting because we are being realistic about what we are. But that doesn’t change what we want to accomplish.”

CCTV shows the moment a car hits a Muslim woman in broad daylight in southeast London before the driver speeds away. The woman survived, and an investigation is ongoing, but no suspects have been arrested yet.

ACTOR Warwick Davis’s mystery lover is a woman named Yvette who he has been dating for a year.

The star, whose wife Samantha died in 2024, ­affectionately referred to his new partner as “Sponge” in a speech last year.

Pals said American-born Yvette, who Warwick said had helped him “to laugh and to love again”, was his ­formal date when he received his OBE from Prince William at Windsor Castle on Wednesday.

The Sun can reveal she also attended the Bafta Film Awards with the Harry Potter star, 56, at London’s Royal Festival Hall last month.

And they were also seen backstage together at a Madness concert in Cornwall last July.

A source told The Sun: ­“Warwick has been with Yvette for over a year now and they couldn’t be happier.

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“She has no interest in being a public figure and — although she has accompanied Warwick to events — Yvette does not court the limelight.

“Yvette is so proud of Warwick and loves to be by his side at events, but she will stand back and allow him to be in the ­spotlight.

“Yvette is close with his children and they have a lovely life together.

“All anyone wanted was to see Warwick happy and he has that with Yvette.”

Warwick revealed he had started dating again at the Bafta Film Awards in February last year.

After accepting the Bafta ­Fellowship on stage, he said: “Above all I’d like to dedicate and thank my wonderful wife Sammy, who died almost a year ago.

“Since then life has been pretty tough for me, but thanks to the support of our wonderful children Annabelle and Harrison, I’ve been able to continue working and engaging in life.

“A special mention too should go to Sponge, you know who you are.

“Thank you for showing me that life can still have meaning and helping me to laugh and to love again.”

This week at his investiture, Yvette was spotted in the background with his children while her partner spoke to William.

Warwick, who was born with a rare form of dwarfism called spondyloepiphyseal dysplasia ­congenita, was named in King Charles’ New Year Honours list.

He was praised for his work supporting people with dwarfism, co-founding the charity Little People UK in 2012 with Samantha.

Meanwhile, the Star Wars actor is to reprise his role as Professor Filius Flitwick in the upcoming Harry Potter TV spin-off.

A Woman of Substance is premiering tonight on Channel 4 starring Vera legend Brenda Blethyn and Outlander star Jessica Reynolds.

A Woman of Substance draws from author Barbara Taylor Bradford’s novel, widely regarded as amongst the best-selling books ever published.

Channel 4 unveils its fresh adaptation of A Woman of Substance tonight, Wednesday, March 11, featuring actress Brenda Blethyn in her debut role following the conclusion of ITV drama Vera.

Adapted from the identically titled novel, A Woman of Substance follows housemaid Emma Harte as she challenges societal conventions to establish a worldwide business empire.

Spanning dual timelines, the eight-episode series chronicles Emma’s (portrayed by Jessica Reynolds) ascent from her formative hardships through to the present day, where she (Brenda Blethyn) confronts fresh, unforeseen challenges.

Where was A Woman of Substance filmed?

Captured during spring 2025, sequences depicting young Emma in the early 1900s were shot throughout Yorkshire, with the Grade I-listed Georgian residence Broughton Hall serving as Fairley Hall.

Broughton Hall previously featured as a filming venue in Channel 4’s original 1984 adaptation of A Woman of Substance.

Broughton Hall is the 16th Century manor house situated at the centre of the 3,000 acre Broughton Sanctuary estate.

Whilst the property remains unchanged, it’s now encompassed by the sanctuary, housing the Avalon Wellbeing Centre and offering holiday accommodation available for guest bookings.

Production teams were additionally observed at Ilkley Moor, Barnsley Town Hall and at Brodsworth Hall and Gardens in Doncaster.

Speaking about the use of Brodsworth Hall in the series, a representative from English Heritage said: “Last year we were pleased to welcome a production company, filming scenes for an adaption of Barbara Taylor Bradford’s A Woman of Substance.

“Filming took place within our Servants’ Wing, Laburnam Arch and Target House/Range and we are extremely excited and proud to see Brodsworth on the small screen!”.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Reynolds, who portrays the younger version of Emma Harte, shared her experiences of filming in Yorkshire with Country and Town House.

She said: ‘I know the crew worry about wind and rain, but I just love being able to have nature around me and working off the elements.

“I feel much less self-conscious, and freer.

“Some of the locations were just breathtaking and those are the images that stick in my mind today when I think back to filming; Yorkshire is just stunning.

“Those are some of Emma’s happiest moments too, when she’s so connected to the land – it’s a beautiful thing.”

Meanwhile, the contemporary scenes featuring Vera legend Blethyn, which are supposed to be set in New York, were actually filmed in Liverpool.

This isn’t the first time Liverpool has served as a stand-in for New York in film production, with major films including Fantastic Beasts and Where to Find Them and 2022’s The Batman also shot in the UK city.

A Woman of Substance premieres on Wednesday, March 11, at 9pm on Channel 4.

WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.

A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.

Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.

Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.

“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.

Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.

In an announcement video shared on Instagram, she said she wants to “set the record straight.”

The last chapter of her husband’s political career

In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.

Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.

Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.

The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.

“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.

During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.

Joe Biden ‘doing well’ after his cancer diagnosis

The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.

Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.

“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”

“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.

She said he visits Washington at least once a week for meetings or to give speeches.

A unique period in American history

The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.

Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.

Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.

Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.

Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.

Superville writes for the Associated Press.

A suspected Iranian attack on a high-rise residential building in Bahrain’s capital of Manama has killed a 29-year-old Bahraini woman and injured several others.

Caitlin Clark is excited to make her U.S. national team debut next week when the Americans play in an FIBA World Cup qualifier in Puerto Rico.

It will be Clark’s first game in about eight months since a multitude of injuries derailed her WNBA season with the Indiana Fever in July.

“It’ll probably take me a second to knock a little bit of the rust off,” Clark said Saturday. “I’ll probably be a little bit nervous, which I usually don’t get nervous but that probably comes from I haven’t really played basketball in a while. I’m sure after the first minute of running around on the court, I’ll be just fine. But more than anything, just really excited. I know how much work and how much time I put in to make sure my body’s as healthy as it can be and to get back.”

It’s been quite a journey for Clark, who played in 13 games last season. She had groin injuries and then a bone bruise in her left ankle. She’s been in the gym getting ready, working with the Fever medical team and player developmental staff over the last few months.

“I’ve always been a person that’s going to just rely on my work. I feel like it’s certainly made me work harder,” Clark said of the injuries. “But that’s also probably the part that kind of stunk about it, is I felt like I put in so much time and so much energy going into last season, and then obviously, only appeared in about 13 games.”

Clark has fond memories of playing with younger USA Basketball teams. She recalled being in Colorado Springs in her teens and going into a room filled with jerseys of past American greats.

“My eyes were so wide, thought it was the coolest thing in the world of all,” she said. “[To see] the senior national jerseys of great men’s players and women’s players. It’s a 15- or 16-year-old’s dream of doing that one day.”

Clark knows this is just her first step with the national team. There was an uproar when she didn’t make the 2024 Paris Olympic team. She eyes playing on the World Cup team next fall and then in Los Angeles on the 2028 Olympic squad.

“There’s a lot to get to that point,” she said. “Obviously that’s my goal, the World Cup before that. There’s a lot for me to learn.”

Feinberg writes for the Associated Press.

WASHINGTON — The Justice Department on Thursday released additional Jeffrey Epstein files involving uncorroborated accusations made by a woman against President Trump that the department said had been mistakenly withheld during an earlier review.

The department said last week that it was working to determine if any records were improperly withheld after several news organizations reported that the massive tranche of records that had been made public didn’t include some files documenting a series of interviews conducted in 2019 with a woman who made an allegation against Trump.

The accuser was interviewed by the FBI four times as it sought to assess her account but a summary of only one of those interviews had been included in the publicly released files.

On Thursday, the department said those files had been “incorrectly coded as duplicative,” and therefore were inadvertently not published along with other investigative documents related to the disgraced financier, who killed himself while awaiting trial on sex trafficking charges in 2019.

“As we have consistently done, if any member of the public reported concerns with information in the library, the Department would review, make any corrections, and republish online,” the department said in a post on X.

Trump has consistently denied any wrongdoing in connection with Epstein. The department noted in January that some of the documents contain “untrue and sensationalist claims against President Trump that were submitted to the FBI right before the 2020 election.”

The new disclosures come as Atty. Gen. Pam Bondi faces continued turmoil over the department’s handling of the files released under a law passed by Congress after months of public and political pressure. Five Republicans on the House Oversight Committee joined Democrats in voting Wednesday to subpoena Bondi, demanding that she answer questions under oath in a sign of mounting frustration among members of the president’s own party.

The Trump administration has faced constant political headaches since the rollout of the files began in December, with critics accusing the department of hiding certain documents or over-redacting files, or in some cases, not redacting enough. In some cases, the department inadvertently released nude photos showing the faces of potential victims as well as names, email addresses and other identifying information that was either unredacted or not fully obscured.

Department officials have defended their handling of the files, saying they took pains to release the files as quickly as possible under the law while also protecting victims. Department officials have said errors were inevitable given the volume of the materials, the number of lawyers viewing the files and the speed at which the department had to release them. The department has said it’s entitled to withhold records that exposed potential abuse victims, were duplicates or protected by legal privileges, or related to an ongoing criminal investigation.

Some of the new records published Thursday pertained to a woman who contacted the FBI shortly after Epstein’s 2019 arrest and claimed that a man named “Jeff” living in Hilton Head, South Carolina, had raped her there in the 1980s when she was around 13 years old. The woman told the agents she didn’t know the man’s identity at the time, but decades later concluded he was Jeffrey Epstein when a friend texted her his photo from a news story.

In a follow-up interview a month later, the woman added a host of other claims, including that Epstein had schemed to have her mother sent to prison, beaten her, arranged sexual encounters with other men and once flew her to either New Jersey or New York, where she claimed to have bitten Trump after he tried to sexually assault her.

Agents spoke with the woman two more times, at one point asking her to provide more detail on her supposed interactions with Trump, but reported that she declined to answer additional questions and broke off contact. There’s no indication that Epstein ever lived in South Carolina and it was unclear whether Trump and Epstein knew each other during the time period involved.

The woman’s report was one of a number of uncorroborated, sometimes fantastical, reports that federal agents received from members of the public alleging misconduct by Trump and other famous people in the months and years after Epstein’s arrest.

Richer writes for the Associated Press.

As a child in Newark, N.J., Narciso Rodriguez was often transported back to Cuba by the stories from his family and their friends. He walked the halls of El Encanto, a Havana department store and fashion mecca on the island — one that drew in celebrity clientele and featured haute-couture designs and fragrances from the far-flung fashion capitals of Paris and Milan.

“I don’t know that they could have afforded any of those things when they were in Cuba,” he tells De Los. “But they certainly filled my imagination with beautiful stories and laid the foundation for my work.”

It was the women in his life — the “amazing, powerful, loud, colorful dynamos,” as he describes them — who inspired him to pursue a career in fashion.

“Their stories, their lives, their power, their curves, it all influenced me,” he says. “They’re the reason I wanted to create things.”

Over the last three decades, the renowned designer has earned a reputation for sleek, flattering lines and effortless shapes, most famously seen on the career-launching dress he designed for his friend Carolyn Bessette-Kennedy to wear on her wedding day. The bias-cut silk slip has remained a source of inspiration for generations of brides since, and has been making waves again thanks to the FX series “Love Story: John F. Kennedy Jr. and Carolyn Bessette.”

Omari K. Chancellor as Gordon Henderson, from left, Sarah Pidgeon as Carolyn Bessette, Tonatiuh as Narciso Rodriguez in FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette”

(Eric Liebowitz / FX)

“Love Story” will follow the couple’s wedding in the latest episode, out March 5. (Rodriguez is portrayed by Tonatiuh on the show.)

After designing Bessette-Kennedy’s dress, Rodriguez launched his own label and a fragrance line, and has continued to create designs that are woven into the fabric of American history — Michelle Obama wore his dress on election night in 2008.

De Los spoke with Rodriguez about his career, upbringing and memories of designing Bessette-Kennedy’s dress.

You’ve spoken about how inspired you were by the women in your life growing up. Are there any “fashion icons” from your family or neighborhood that you could point to from your childhood?

You know, I’m so lucky because I was raised in a very Cuban household in a very culturally rich community in Newark. I mean, it was Italian, Spanish, Cuban, Puerto Rican, Black. It was everything. But I always think back to when I was very, very young, there was a kind of matriarch here in the neighborhood. Her name was Concha and she was kind of this lightning rod. My dad’s sister was married to her son, so when my parents came to the U.S., she gave them a place to stay. She would teach all of the young women how to cook and gave everyone a place to stay until they got on their feet. She was larger than life, she was like “Auntie Mame.” She had these great ‘60s beehive wigs in amazing wig boxes, she made these beautiful Chanel suits for herself, and had all these gold bangles, great lipstick and stilettos. When she came into the room, she just radiated power, joy and style. I always think of her as being my first signpost on the road.

They were all beautiful, you know? My aunts and my mom were the most beautiful, glamorous women. None of them were wearing designer clothes, but they took great pride and great care in how they looked, and that really made an impression on me.

How did that impression translate into a concrete passion? How did you go about actually pursuing a career in fashion?

I loved architecture. I loved building things, so I was always drawing, sketching and sculpting. Then I would see my mom take a piece of fabric and the way she could take something flat and shapeless and turn it into a garment was fascinating. By the time I was 13, I was doing fashion illustration, and I got a job in a tailor shop. Later, I enrolled myself in Saturday courses at Parsons [School of Design], and I kind of had to hide it from my parents at first. I felt like I couldn’t be a fashion designer, you know, because of the whole “macho” idea, but I just kept going. I was lucky that I was someone who always knew what they wanted to do, and that Parsons recognized I had talent for it at a young age.

I was exposed to really great people there, too. Donna Karan was a critic, Calvin Klein was a critic, Oscar de la Renta too. I got to do projects with all of them, and then I was hired after school by Donna Karan while she was still at Anne Klein. It was an amazing experience, and then I got poached by Calvin Klein, which was a very different experience.

How so?

It was incredible, but just very different. Whereas Anne Klein was this melting pot of creativity, Calvin was much more image-driven and precision-driven. He brought in great talents to collaborate with, so on any given day, you’d be working with the most amazing photographers, stylists and art directors. It was a really great finishing school as a young person.

You arrived at Calvin Klein during a period of reinvention for the brand. This was in the era of Kate Moss, and the famous “Marky Mark” print ads. We see a version of it in “Love Story,” but what was it like to actually be there?

When I got there, I think around 1989, it hadn’t really started to change yet. And I thought, “Wow, I made a really big mistake. This is not my aesthetic, not my thing.” But it changed very quickly, and it was very exciting. [Calvin] worked very hard. He was very focused, and he appreciated that I could keep up. Like everybody, there was a rough initiation period, but afterward, he gave me the opportunity to work on some tailored pieces that sold really well at retail, so I was rewarded with more opportunities.

But it was the ‘90s, and it was New York, and it was brilliant. It felt like the whole city was reinventing itself, and Calvin was a leader in that. All the best photographers, the most brilliant artists were there. Jacky Marshall, Zack Carr, Carolyn — the talent was endless. I was really fortunate to experience it and build friendships that were lifelong.

I’m curious if you remember your first impressions of Carolyn. How did you two connect?

We were quite friendly immediately, and then we became the best of friends. We lived in the same building, so the rest was history. You know, she’s an incredible person, and she had great style. She was bigger than life.

Carolyn has been regarded as a fashion icon, and especially now, everyone is trying to re–create her look. There was something more subtle and interesting going on than just “minimalist” fashion, so how would you describe what made her style so special?

Carolyn was so authentic in so many ways, and I think that she was very pragmatic about her choices. She had a great eye. She knew what worked for her, and she knew how to present herself. She never wanted to be uncomfortable. She was very connected to herself. I think so many people have this relationship to fashion and what they think they should look like based on the ideas they see in a magazine or being sold to you by the industry, and Carolyn never fell into that trap.

I have this conversation often with young designers, with people, with journalists. Today, everything that we see is inauthentic. Celebrities are paid to wear designer clothes. They’re styled by a stylist, and nothing is innate. That is the opposite of Carolyn. She was 100% real.

Narciso Rodriguez in 1997.

(Paolo Roversi)

We have to talk about her wedding dress. If you’re a bride, it’s impossible to look for inspiration without coming across her dress. What was it like to have a friend ask you to create something for such a special, important moment?

You know, until my children were born, Carolyn was the love of my life. We were very close, and she asked me, as you said, to make the dress that she would marry the love of her life in. It was very personal for me. It wasn’t a press event, it was a conversation between two people who were very close. I knew what looked good on her, she knew what looked good on her. I knew that she would never want to be bogged down with trains and lace. It wouldn’t be her.

What was the actual design process like?

It was an effortless collaboration. She came to fittings in Paris, we pulled the neckline down a bit lower, and the dress was born. I added the gloves, the veil and the shoe. It was just magical, and exactly the way it should be. It really made her the focus. You know, she was the one who pointed that out to me about my work. She always said, “You create a frame for a woman’s beauty and personality to shine through.” I’ve always thought that was a really beautiful thing that she gave me, because it’s true. I never want my work to be what you see first. I think the success of that dress is that you see her and her happiness and the purity of it all.

Everything about the wedding, including the dress, had to be kept a secret. Was it a challenge to make sure that no one knew what you were working on?

I was working in Paris, and I got approval from the owner of [Cerruti]. He was discreet about it. I worked with one pattern maker. I had a fit model who was lovely. Nobody knew who it was for. They always asked. But because I was working in Paris, they didn’t really connect me to her. I was also quite cautious when the dress was in work, I remember I had become quite friendly with Azzedine Alaïa. I asked, “Can I take this dress over to you and have you check it out to see what I’m doing?” I went over and he looked at the prototype, and said, “Why don’t you move this seam over the bum by a centimeter. I think it’ll be more flattering.” And I did, because he was the master, and he tortured me to know who it was for, but I never told him. Later, when it was all over the press, he would call and pretend he was a fancy lady looking for a wedding dress for her daughter. [Laughs] He tricked me a few times into believing some of his gags, but he was an amazing person.

It was just a magical time in all of our lives. And then I flew to America with the dress and went to the wedding, and it was that simple. You know, I’ve heard all these amazing stories about how the dress didn’t fit, and I had to sew her into it, and that she was hours late because of it, and none of this is true. But I love that people have made up all these stories.

Maybe the dress on her seems so effortless that people want to invent a way to complicate it.

[Laughs] I really have heard so many crazy stories, but when you look at the pictures, it certainly doesn’t look like it didn’t fit. That’s for sure.

As you mentioned, the dress was all over the press later. How did that moment impact your career?

Well, I went from Paris to my best friend’s wedding, and then I flew home to New York to do a pit stop at my apartment. When I arrived, there was a huge crowd outside the building with news trucks. I kind of walked through the crowd and into the building, and I said to the doorman, “What’s all that about?” And he looked at me, and he said, “They’re here to see you.”

Oh, wow.

It was a very big, kind of scary, unexpected change in my life. I remember going up to my apartment and trying to navigate that when Anna Wintour’s office called and said, “Anna would like for you to come to the Princess [Diana] benefit in Washington.” And I said I couldn’t go, I needed to be back in Paris, I didn’t even have a white shirt. And they said, “It’s Princess Di and Anna Wintour. You’re going. We’ll send you a shirt.” So I went, and I met Princess Diana, and it was really strange to be at such a big event and have so many eyes on me, because I didn’t expect that, and everyone was curious. I remember they were shady journalists trying to sit next to me and get information about where [John and Carolyn] went on their honeymoon. Life changed dramatically, but it brought great attention to the work that I was doing in Paris, and I was able to then go off and start my own business and do my own thing.

I’m sure you had an understanding through Carolyn about what it felt like to be hounded or followed by photographers and press, but did that firsthand experience in New York give you another layer of understanding for what she was going through?

It’s so funny because society today will do anything for that. But it was a very different time, and she was a very private person. I was a very private person. It’s very invasive, and I was kind of stuck in the middle, because while I needed to promote my work and my shows, and sort of be in the press, it wasn’t something that I was very comfortable with. I mean, I love doing the work more than I like the things attached to it. It can be debilitating, and it was difficult for me, but I adjusted, because I could hide behind my work, but as a private citizen, it was more difficult for her.

Narciso Rodriguez.

(Sølve Sundsbø)

You’ve been a part of fashion history on numerous occasions. Michelle Obama frequently wore your designs, but most famously, on election night in 2008, and then during her final appearance as first lady. How does it feel to have been a part of those moments?

It’s hard to put into words. You know, you spend so much time in it, and you have these amazing moments, like designing a dress that became legendary for brides, or getting to dress the first lady, and it wasn’t until COVID that I took a step back. I think about my mother and father coming here to give their son a chance to live out his dreams. And to have been able to sit with my friends on election night and watch her appear in my dress on such a historic moment — the first African American elected president of the United States — words fail. [Michelle Obama] is such an incredible human being who I admire so much, and to have been a part of that night, I feel so lucky.

I don’t talk about my work with my children, but the other day, when they were on the bus headed to school, they told one of their friends, “My dad went to the Obama White House.” They were proud of me. My parents’ dreams came true, and now I get to share that with my children. It’s very special.

It’s really powerful to hear you frame it that way — that these moments mean so much because of your experience being the child of immigrants. How does it feel to be in the midst of a revival right now?

It makes me want to create more. It means a lot to me that people remember these pieces, and that they’re still part of the conversation. But it also means a really great deal to me because I think it’s an important story to tell today. I think it’s important that young people hear that this kind of thing can happen to the children of immigrants, especially as I’m watching all of the horrible things happening to immigrants now.

I could never do what my parents did. When I think about it now, my parents were so much more successful than I could ever be, because they left behind their home for a cold climate, in a place where they couldn’t speak the language, and they really struggled for a long time before I was born. And now, the idea that we’re trying to take that opportunity away from people? It just blows my mind.

My parents faced so many hardships, their life wasn’t easy, but I can’t imagine if they had been put through what immigrants are put through today. I am the “American Dream,” right? I got the chance I got to do the work that I love and succeed because of them. I want that for everyone. I want that to be the world we live in.

From Hollywood actors to Olympic athletes and politicians, California’s newest Hall of Fame class runs the gamut in talent and achievements.

Academy Award-winning actress Jamie Lee Curtis and former governor/action star Arnold Schwarzenegger, Olympic champions Janet Evans and Carl Lewis, authors Riane Eisler and Terry McMillan, chef Nobuyuki Matsuhisa, groundbreaking ensemble Mariachi Reyne de Los Ángeles and former state Democratic leader John L. Burton all earned a spot into the assembly of distinct Californians, Gov. Gavin Newsom announced Tuesday.

This class, the 19th in state history, will be formally enshrined during a ceremony at the California Museum in Sacramento on March 19 as a “celebration of their contributions to civic life, creativity, and social progress,” according to Newsom’s office.

The inductees “have reshaped our culture and our communities. Resilient and innovative, these leaders and luminaries represent the best of the California spirit,” Newsom said in a statement.

To be inducted, candidates must have lived in California for at least five years and “have made achievements benefiting the state, nation and world,” according to the California Hall of Fame website. To date, 166 Californians have been selected by three governors since 2006.

Schwarzenegger, 78, served as the state’s 38th governor and last Republican head of state from 2003 to 2011. His renaissance man biography includes a career as a body builder, highlighted by his Mr. Universe titles, action film success, political stardom and even tabloid-fodder infidelity.

Curtis, 67, a Santa Monica native, is among Hollywood’s elite and teamed with Schwarzenegger in the action blockbuster “True Lies” in 1994. Her acting career dates to 1977, and she earned a Best Supporting Actress Academy Award in 2023 for “Everything Everywhere All at Once.”

Evans, 54, is a four-time Olympic gold medal swimmer and Fullerton native who attended Placentia El Dorado High School, Stanford University and USC. She serves as chief athletic officer for the 2028 Los Angeles Olympic Games.

Lewis, 64, is considered by many one of the greatest athletes of the 20th century. The track star won 10 medals, nine of them gold, in four Olympics.

Eisler, 88, and McMillan, 74, added multiple bestsellers to this Hall of Fame class.

Eisler’s critically acclaimed “The Chalice and the Blade: Our History, Our Future” examines roughly 20,000 years of partnership between men and women and male domination over the last 5,000 years. The futurist, cultural historian and Holocaust survivor who has degrees in sociology and law from UCLA said she was informed of the honor last year by Jennifer Siebel Newsom and recently was honored by the Austrian government with its Cross of Honour for Science and Art, First Class.

“I am very honored at this time in my life to be inducted into the California Hall of Fame,” Eisler wrote in an email. “I have worked tirelessly to help create a better world, and firmly believe that a new paradigm, a new way of looking at our world and our place in it, is crucial.”

McMillan has written a series of smash hits, including a couple that became major studio films in the ‘90s, “Waiting to Exhale” and “How Stella Got her Groove Back,” centered on Black women’s voices.

Matsuhisa, 76, know for his iconic Japanese restaurant Nobu, which has six locations in California, owns businesses across five continents.

Mariachi Reyna de Los Ángeles, founded in South El Monte, rewrote the rules of music, becoming the first all-woman mariachi ensemble that has entertained for more than three decades.

Burton, the former chair of the California Democratic Party who died last year at 92, boasted a political career that included time in the California State Assembly and Senate and the U.S. House.

“This year’s class embodies the very best of California — creativity, resilience and a spirit of community,” Siebel Newsom said in a statement. “These honorees remind us that innovation and courage flourish when people are lifted up by those around them.”

At least one NBA player objects to the Atlanta Hawks paying tribute to the famous Magic City adult entertainment club during their game Monday against the Orlando Magic.

San Antonio Spurs center Luke Kornet posted a statement on Medium asking the Hawks to call off the promotion “as to ensure that the NBA remains a safe, respectful, and welcoming environment for everyone involved.”

“The NBA should desire to protect and esteem women, many of whom work diligently every day to make this the best basketball league in the world,” Kornet wrote. “We should promote an atmosphere that is protective and respectful of the daughters, wives, sisters, mothers, and partners that we know and love.

“Allowing this night to go forward without protest would reflect poorly on us as an NBA community, specifically in being complicit in the potential objectification and mistreatment of women in our society. Regardless of how a woman finds her way into the adult entertainment industry, many in this space experience abuse, harassment, and violence to which they should never be subjected.”

The Hawks announced its “Magic City Monday” promotion last week. Hawks principal owner Jami Gertz was a producer on the docuseries “Magic City: An American Fantasy” that aired last year on Starz. Atlanta-based artist T.I. will perform at halftime. A collaborative hoodie will be available for purchase, and some of the club’s well-known wings will be served — including the lemon-pepper wings named after former Hawks player Lou Williams.

In 2020, while he was playing for the Clippers during the pandemic, Williams made headlines for visiting Magic City during an excused absence for personal reasons to return home to Atlanta. The NBA was finishing its season in a so-called bubble in Orlando meant to protect against COVID-19. Williams has said he was at the club just to pick up food.

In expressing his objection to the promotion, Kornet stressed that NBA teams should be held “to a higher standard of what they find worthy of promoting.”

“I and others throughout the league were surprised by and object to the Hawks’ decision,” Kornet wrote. “We desire to provide an environment where fans of all ages can safely come and enjoy the game of basketball and where we can celebrate the history and culture of communities in good conscience. The celebration of a strip club is not conduct aligned with that vision.”

BOSTON — Eight-year-old Martin Richard was a bright, sunny boy who loved to ride his bike and went “wild” when he played offense on his soccer team, scoring the winning goal in a championship game last year.

Krystle Campbell was the vivacious assistant manager of local steakhouse, the first to backstop fellow workers by running plates from the kitchen. She could instantly smooth over diners’ complaints with her smile.

They were both cheering on the sidelines of the Boston Marathon on Monday when two bombs went off with a thunderous boom and cloud of white smoke, claiming them as the first victims of the blast. Boston University officials confirmed the death of a third person Tuesday: a graduate student who has not been identified.

Friends and family members of the victims were still in shock after Monday’s chaos. Martin’s father, Bill Richard, who was tending to his wife and 6-year-old daughter, who were injured in the blast, released a statement thanking strangers for their prayers.

“We also ask for your patience and for privacy as we work to simultaneously grieve and recover,” he said.

Campbell’s mother, Patty, emerged briefly on the front steps of her family’s modest two-story home in Medford.

“We are heartbroken at the death of our daughter,” Campbell told reporters, her voice shaking between sobs. “This doesn’t make any sense.”

As federal investigators chased leads in the effort to find the perpetrators, doctors at Boston’s trauma centers tended to the more than 170 people wounded in the explosions, many of whom have been released. Dr. George Velmahos, the leader of the trauma team at Massachusetts General Hospital, said that although many of its surgeons trained on the battlefields of Iraq and Afghanistan, they were confounded by the severity of the injuries they confronted as waves of patients arrived at the emergency rooms Monday.

Some of the patients were in surgery for hours as doctors tried to remove metal fragments, spiky metal pieces that looked like nails without heads, and pellets that had shredded their limbs. But the positive outlook of many of them left Velmahos “moved and really amazed.”

“Some of them woke up today with no legs and told me they were just happy to be alive,” Velmahos said. “Some of them said they thought they were lucky.”

Among the relatives and friends who kept watch at Mass General was 39-year-old Corey Comeau, who was visiting his cousin and his cousin’s girlfriend Tuesday afternoon.
Comeau, a chef at Stephanie’s restaurant on Newbury Street, near what is now a crime scene, said his cousin was “still a little shellshocked” but that his cousin’s 24-year-old girlfriend suffered worse injuries.

“They say they can save her leg,” Comeau said as he stood outside the hospital after visiting.

“I can’t believe I’m even saying that. It’s not normal conversation.” Still, he said, the mood inside the hospital was “much calmer today than last night” with doctors going from patient to patient and conferring with families.

“These are some of the best hospitals in the world. The staff has been unbelievable,” he said.

At the same time, Monday’s chaos bred confusion, as in the case of Krystle Campbell.

Campbell had been watching the marathon alongside her friend Karen, her grandmother Lillian Campbell said, and the family at first believed that she had survived with serious injuries to her legs. But the family learned Tuesday morning that it was Karen who lived.

Lillian Campbell said her granddaughter stopped by her house for the last time last Thursday afternoon, when they drank tea and talked for several hours about work, friends and life.

“She loved being around people. She loved doing things for people,” said Lillian Campbell, 79, who noted that her granddaughter moved in to take care of her after she underwent surgery a few years ago. “She was hard worker. She was bubbly all the time.”

Nick Miminos, who had recently hired Campbell as an assistant manager at Jimmy’s Steer House in Arlington, Mass., said the 29-year-old “had one of those personalities that belongs in hospitality.”

“The wait staff loved working with her,” Miminos said. “She would run food for them, clear the tables for them. She wasn’t just a figurehead. She enjoyed getting her hands dirty.”

Not far away in the Ashmont section of Dorchester, neighbors and friends of the Richard family grieved at a candlelight vigil for young Martin. Bill Richard had been a force in restoring the historic neighborhood. His wife, Denise, who suffered critical injuries Monday, was a librarian at the Neighborhood House Charter School, where Martin and his 6-year-old sister, Jane, were enrolled.

Twins Andreas and Alejandro Calderon, 10, came by the Richard house to place a soccer ball, signed with their names, on the family’s porch. The boys recalled Martin hopping around the playground at recess and unleashing his energy on the soccer field.

“When we put him on defense and goalie he would do good, but he would save his energy so when we put him on offense he would go wild,” said Andreas, whose father coached the team.

Other friends posted their memories of Martin on Facebook and Twitter. Among the more searing images was a picture of Martin, with his gap-toothed smile, holding a blue sign he had made with magic markers.

“No more hurting people,” his sign said. “Peace.”

ALSO:

Boston Marathon bombs: Crude, unsophisticated but still deadly

Dad of 8-year-old Boston bombing victim: ‘Please pray for my family’

After Boston twin bombings, a nation offers its support and solidarity

alana.semuels@latimes.com

molly.hennessy-fiske@latimes.com

andrew.tangel@latimes.com

Also contributing were Times staff writers Maeve Reston and Alan Zarembo in Los Angeles.

In a rare case of “Saturday Night Live” bringing on a guest host at the exact right moment, Connor Storrie of the hit Canadian hockey romance “Heated Rivalry” brought sexy charisma to the show, even if a lot of the sketch material didn’t rise to occasion.

“SNL” parodied the show last month by mixing it with “Harry Potter,” but with Storrie, and all the attention hockey got with Team USA’s gold medal wins at the Winter Olympics, this hosting appearance felt especially well-planned. And that was even before members of the men’s and women’s teams dropped by, as did Storrie’s co-star on “Heated Rivalry” Hudson Williams, who showed up to a raucous audience reaction for a sketch, showing that a lot of people have caught up with the series since it debuted on HBO Max in November.

As for Storrie’s performance, it was perhaps the best thing on the show, which had a lot of weak sketches, from a fairly obvious cold open to an early piece that seemed like an excuse for Marcello Hernández to play a goofy teacher with an exaggerated accent.

Things got a little better with a pre-taped period piece about gentlemen giving glove slaps and Williams’ appearance in a sketch about a man’s marriage proposal going sideways because he keeps getting distracted by a group of happy men ice skating at Rockefeller Center. Storrie also played a cool teen trying to extend kindness to his extremely dorky tutor (Ben Marshall) and his equally dorky parents (Ashley Padilla and James Austin Johnson), a man who helped his friend out with his absurd leg-lengthening surgery, and an office worker who proposes a romantic office dance. Best of the night for Storrie, perhaps, was one in which he played a very injured stripper at a Las Vegas bachelorette party.

What was clear was that across a pretty broad range of character types, Storrie held his own and brought some smoldering looks and playfulness that the show, for the most part, didn’t know what to do with.

Musical guests Mumford & Sons, along with Aaron Dessner from the National, performed “Rubber Band Man” with Hozier and “Here” with Sierra Ferrell.

This week’s cold open tackled the very recent attack on Iran with President Trump (Johnson) addressing why he acted at 2 a.m. on a Saturday: “It’s after the stock market closes for the weekend and it’s to cause immeasurable fear, rage and chaos in the ‘SNL’ writers’ room,” he explained. Trump sang, “War! What is it good for? Distracting from the Epstein Files!” before introducing Secretary of Defense Pete Hegseth (Colin Jost), who chugged a non-alcoholic Four Loco and showed off his knuckle tattoos for “EPIC FURY.” After a brief aside for Trump and Hegseth to complement the underappreciated Nintendo GameCube console (on which Hegseth said he played the game “Prince of Persia: Sands of Time”), Hegseth said, “We took out a horrendous, horrible leader who was opposing his own people.” Trump cut in: “But don’t get any ideas!”

In his monologue, Storrie joked about the cultural appeal of “Heated Rivalry,” which he said, “taught a lot of people about hockey… and taught a lot of straight women that their sexuality is actually gay guy.” Storrie discussed growing up in Texas, working as a waiter before he was cast in the series, and how little time he had to prepare to play a Russian hockey player for the show. He was then joined by Jack and Quinn Hughes of the men’s Olympic hockey team. But the reaction to the Hughes brothers was topped considerably in audience reaction by women’s team players Hilary Knight and Megan Keller, who came on stage. “It was just gonna be us, but we thought we’d invite the guys, too,” Knight said. “We thought we’d give them a little moment to shine,” Keller added.

Best sketch of the night: How dare they save the best jokes for a video sketch!

At a posh London gathering in 1892, things get out of hand (literally) when two men (Mikey Day and Storrie) engage in a war of words that escalates to cries of “How dare you!” followed by slaps with a glove. Others get involved, but it really gets out of hand when one man violates the so-called “gentleman’s code” by using a fist. Soon, a dog and a baby are involved in the increasingly silly slapping. Storrie’s comedic timing is particularly good in this one and the sketch resists the “SNL” trope of going straight to hardcore violence and bloodshed that it’s been doing in a lot of video sketches of late.

Also good: Tipping is appreciated for dancing while hurt

At this point, “SNL” has probably done 100 bachelorette party sketches, but none of them had Storrie showing off his abs or getting his tearaway pants pulled off. Apart from the eye candy for those seeking it, the sketch offered some solid physical comedy with Storrie playing a stripper who shows up at a hotel suite severely injured after getting hit by a car. He pushes on to fulfill his job duties, but can barely stand. Storrie does a nice job flailing and flopping, throwing his bloodied-up body around the stage and around the bachelorettes (Padilla, Sarah Sherman, Veronika Slowikowska and Jane Wickline), who don’t know whether to be repulsed or turned on.

‘Weekend Update’ winner: Advice to future maids of honor — avoid headlines

Unfortunately, both “Weekend Update” character segments felt underbaked this week. Sherman played another oversexualized pop-culture meme in an elaborate costume — the negligent mother of Punch, the baby monkey — hitting on Jost in hopes of getting pregnant. A little better, but still rough, was Slowikowska as Katie, the maid of honor at a wedding who makes jokes about the proceedings that play off of major news headlines, like cartel violence in Mexico, the Epstein files or the ongoing war in Ukraine. This one feels like it probably sounded really funny and smart at the table read, but it landed with a thud for the audience because the premise was so muddled.