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Unless they are in Maui, as they were last year, Rams coach Sean McVay annually opts to cancel mandatory minicamps after the initial report day.

This year, McVay avoided any pretense of suspense.

On Thursday, he announced to his players that after fulfilling some broadcast media responsibilities on Monday, they would not have a minicamp and break until they report to training camp at Loyola Marymount in late July, a Rams official said.

McVay’s announcement came about a week after San Francisco 49ers coach Kyle Shanahan canceled minicamp, and Seattle Seahawks coach Mike Macdonald did the same.

The Rams play the 49ers in their Sept. 10 season opener in Melbourne, Australia.

So Thursday’s final practice of organized team activities — the offseason program is voluntary — wrapped up the offseason for a team that advanced to the NFC championship game before losing to the eventual Super Bowl champion Seahawks.

Now, after trading for All-Pro cornerback Trent McDuffie and end Myles Garrett — a two-time NFL defensive player of the year — the Rams will enter the season as a favorite to play in Super Bowl LXI at SoFi Stadium.

“We’re not naïve to the things that are said,” McVay said this week, “but that doesn’t affect us and we have to be humble. … You acknowledge it, but you also understand that that means absolutely nothing.”

The Rams made news on several fronts while building what is arguably the NFL most star-studded roster.

In March, star receiver Puka Nacua checked into a rehab facility after several incidents during and after the season. One incident led to a civil lawsuit by a woman who alleges that Nacua made an antisemetic remark during a group dinner and later bit her during a ride in a vehicle.

The Rams sent the No. 29 pick in the 2026 draft and three other picks to the Kansas City Chiefs for McDuffie, and then gave him an extension that makes him the highest-paid cornerback in NFL history. The Rams also signed free agent cornerback Jaylen Watson, McDuffie’s former teammate on two Super Bowl championship teams.

The Rams then stunned many by selecting Alabama quarterback Ty Simspon with the 13th pick in the draft, leading to an awkward news conference that featured a dour McVay, who later explained that he was attempting to be respectful of quarterback Matthew Stafford’s status as the team leader.

A few weeks later, the Rams signed Stafford — the reigning NFL MVP — to a one-year, $55-million extension through the 2027 season.

And then came the trade for Garrett.

The Rams sent edge rusher Jared Verse, a 2027 first-round draft pick and future second- and third-round picks to the Cleveland Browns for Garrett, who last season amassed an NFL record 23 sacks.

“The biggest thing is that this organization really trusts and is buying into this year,” safety Quentin Lake said this week. “You look at how close we were last year, and it gives you the confidence to say what will take us the extra step.”

The Rams plans for a smooth transition to training camp, however, were roiled this week when veteran left tackle Alaric Jackson was arrested on suspicion of felony domestic violence.

In August 2024, the NFL suspended Jackson for two games for an unspecified violation of the league’s personal conduct policy.

Three months later, a woman filed a lawsuit against Jackson alleging that in May of that year he recorded her without her consent during sex. The woman alleged that Jackson repeatedly refused to delete the video and then taunted her with it. The woman reported the incident to the NFL, but the civil case was dismissed.

If the NFL were to determine that Jackson violated its personal conduct policy, he could be subject to a six-game suspension or banishment from the league, with an opportunity to appeal.

Jackson, who joined the Rams as an undrafted free agent in 2021, signed a three-year deal with the team in February 2025 that included $35 million in guarantees. He is scheduled to earn $18.4 million this season.

Warren McClendon Jr., a fourth-year pro who started in place of Jackson in the past, has mostly played right tackle, and he is expected to start at that spot now that Rob Havenstein has retired.

David Quessenberry is a nine-year veteran, but he played as a full-time starter only once — in 2021 — and has not started a game in the last two seasons. The Rams selected offensive lineman Keagen Trost in the third round

So the Rams have plenty to ponder before regrouping for training camp, the start of a process they aim to complete with another Super Bowl title.

Spanish painter Nieves González arrives in Los Angeles for her first U.S. solo exhibition having already experienced a taste of fame.

The 29-year-old caught the attention of the art and fashion worlds last year after being discovered on Instagram and commissioned to paint the cover of Lily Allen’s album “West End Girl.” Depicting the singer as a Baroque aristocrat clad in contemporary designer fashion, the portrait helped propel González onto an international stage.

Collectors have taken notice. The 13 paintings in “A Friendship Story,” opening Saturday at Richard Heller Gallery in Santa Monica, have already sold out, according to the gallery, with prices ranging from $4,000 to $20,000.

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Elle magazine dubbed González “Fashion’s Favorite New Artist,” while exhibitions in Rome, Paris, Belfast and Bilbao, Spain, expanded her reputation across Europe.

González developed her classic yet defiantly modern approach while studying at the University of Seville, where Spanish masters such as Diego Velázquez and Francisco de Zurbarán painted in the naturalist Baroque tradition. Drawing liberally from fashion, art history and everyday life, she often dresses the subjects of her portraits in puffer jackets — garments she wears herself during the cold winters of Granada, Spain, where she lives. The material, she said, recalls the sculptural rendering of fabric in paintings by Zurbarán and Velázquez: the folds, the volumes, the high shine.

Nieves González often dresses her subjects in puffer jackets.

(Genaro Molina / Los Angeles Times)

“It works beautifully from a visual standpoint,” she said, speaking Spanish during an interview at Santa Monica’s Bergamot Station a few days before the exhibition opened. Wearing blue jeans and a pink button-down blouse, she echoed the pastel blues and pinks that appear throughout many of the works surrounding her.

“Fashion inspires me,” she said. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same,” she said. “The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

This fall, González’s painting “La Sfida” (2025) will appear in the Städel Museum’s exhibition “Mary Magdalene. Sin. Pray. Love” in Frankfurt, Germany, alongside works by Lady Gaga, Marlene Dumas and Auguste Rodin. The painting depicts Mary Magdalene with long, flowing hair, draped in a regal red garment and clutching a skull — a contemporary interpretation of one of Christianity’s most enduring figures.

“Nieves González is the youngest of these artists and, at the same time, probably the one who most closely follows in the tradition of the Old Masters,” curators Bastian Eclercy and Stefan Roller wrote in an email.

The Santa Monica exhibition marks an evolution from the paintings that established González’s reputation. Earlier works often centered on solitary women posed with the self-possession of royal portraits or religious icons. “A Friendship Story” focuses on relationships between pairs of women, exploring friendship, intimacy, support and shared experience.

For González, friendship is one of the most profound aspects of women’s lives and a subject she felt deserved greater attention in painting.

Victoria Rios, a curator who works with González, said the artist’s paintings “rewrite the narratives of the past, rewrite the history of martyrdom and place women at the center.”

“Nothing in her painting is arbitrary,” Rios said in an email. “Every formal decision is also an ethical one.”

“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” Nieves González said. “It seemed like a way to elevate the concept of friendship.”

(Genaro Molina / Los Angeles Times)

González frequently turns art historical conventions on their head. In “Salir a robar caballos: Go out to steal horses,” she replaces the archetypal portrait of a gallant man on horseback with two young women dressed in puffer and vinyl jackets, posed like contemporary Amazons atop rearing horses.

“The horse elevates the art; symbolically, it carries connotations of elegance and nobility,” González said. “It seemed like a way to elevate the concept of friendship. It also has an element of play, adventure and fun, since having fun is part of the bond too.”

The artist also sees her work through a feminist lens.

“We live in a patriarchal society, and so, unfortunately, I belong to the oppressed segment of that society, and my work relates to that,” she said. “It stems from a struggle, an understanding and a process of redefining concepts that we have historically established as normal, natural and habitual.”

“I am interested in portraying us as brave and powerful, sometimes even with an air of haughtiness,” she said.

Another painting, “Something’s crossed over me and I can’t go back” (2026), captures González’s fusion of historical and contemporary references. Two women dressed in green and pink fur cradle each other’s heads, reimagining medieval depictions of cephalophores — Christian martyrs who carry their severed heads while continuing to preach or pray.

The title comes from a pivotal line in the 1991 film “Thelma & Louise,” marking the turning point for Geena Davis’ character Thelma, fully committing to her ultimately fatal adventure with Susan Sarandon’s Louise.

Nieves González, “Holding You,” 2026 (oil on canvas).

(Genaro Molina / Los Angeles Times)

González builds each painting from what she calls a “Frankenstein” — a digital composite assembled from archival photographs, found images and reference material. The painting process then takes over. A mid-project visit to the Prado Museum in Madrid, for instance, might send her back to the digital sketch to pull in a compositional element from Velázquez before returning to the canvas. “The final result often ends up being completely different from what I initially envisioned,” she said.

Heller began representing González, whom he calls an “original voice,” last year after being introduced to her work by another painter.

Staging her first U.S. solo exhibition in Los Angeles rather than New York reflects what he sees as a more relaxed environment for an emerging artist, without the glare and expectations of the New York art world.

“L.A. feels a little less constrained,” Heller said. “It feels a little more free.”

González’s portrait of Allen is currently on view at London’s National Portrait Gallery, hanging in the same room as a self-portrait by David Hockney. She said while it “has been very significant in terms of media exposure,” exhibitions and professional opportunities were already in motion before the album cover brought wider attention.

“I’ve always said that what I want to do in life is make a living from painting,” she said.

Mission accomplished.

Diversity in last year’s streaming films followed the same downward trend as theatrical releases, a new study found, with the percentage of people of color directing, writing and leading films diminishing.

In past years, streaming was considered a more accessible outlet for early-career female or BIPOC filmmakers, which was reflected in data about gender and racial representation. According to Part 2 of UCLA’s 2026 Hollywood Diversity Report, which was released Wednesday and analyzed all of the original English-language films distributed on major streaming platforms in 2025, that trend reversed across every category studied.

The share of streaming films directed by women declined to just over 23%, the lowest it’s been since 2022, when the annual study began analyzing streaming and theatrical films separately. Among those female directors, an overwhelming majority (81%) were allotted budgets below $20 million, while more than a quarter of the films directed by white men exceeded $50 million.

Only about 31% of streaming films last year had BIPOC directors, down 10% since 2024, when the proportion more closely reflected U.S. demographics.

“This is an industry in flux — and in reverse, especially when it comes to diversification,” Darnell Hunt, UCLA’s executive vice chancellor and provost and the report’s co-founder, said in a statement.

“Unfortunately, as we’ve seen with theatrical films, we’re now seeing the impact of this current political climate in very meaningful and concrete ways,” he continued. “As budgets tighten, opportunities for filmmakers of underrepresented backgrounds are always the first to be squeezed out.”

Despite losing ground behind the scenes and in front of the camera, women and people of color continued to drive streaming viewership in 2025, the report found.

The year’s biggest streaming hit, “KPop Demon Hunters,” was also the most-watched original Netflix film of all time, and according to Neilsen ratings, it was most streamed by women in Latinx households, followed by women in Asian and Black households. The report acknowledged the film as a “bright spot” in a disappointing year for diversity.

Michael Tran, a sociologist who co-authored the report, noted that the film’s impact and earnings potential could have been even greater with a theatrical release.

“It was a missed opportunity for theaters,” Tran said. “We’ve tracked how diverse films tend to succeed at the box office, here and abroad. For ‘KPop Demon Hunters,’ we could have been talking about record-breaking box office receipts in addition to topping the ratings.”

When “KPop Demon Hunters” did briefly screen in theaters — for two days last August, with over 1,750 locations domestically and more than 1,150 sold-out screenings — it was the No. 1 movie that weekend, earning about $18 million in ticket sales (though Netflix does not report exact box office figures).

Data from the report also indicated that streaming films with at least somewhat diverse casts tended to outperform in terms of audience and social media engagement.

However, overall cast diversity in streaming films declined in 2025. For the first time since 2022, films with a majority-BIPOC cast did not represent the plurality of streaming titles. Most notably, the percentage of lead actors of color dropped from a high of 51% in 2024 to 36% in 2025.

Report authors called it an “industry-wide chilling effect” reminiscent of a similar decline in diversity among theatrical films in 2024. That said, streaming films continued to star BIPOC leads more often than their theatrical counterparts, the study found.

The overall number of streaming films also declined. While the annual UCLA report typically examines the top 100 original, English-language movies across streaming platforms, this time, there were only 89 for researchers to analyze.

In addition to studying race and gender demographics in the film industry, the report also examined on-camera representations of disability. According to the study, while adults with a disability make up at least 26% of the U.S. population, actors with a known disability represented 6.5% of total streaming movie actors, which is in line with the previous year.

According to the study’s authors, streamers hoping to compete in a fast-paced, globalized market should increase their diversity efforts in light of these results.

“Kids under 18 are already majority BIPOC. There’s no going back if a studio wants to be profitable and relevant to Gen Z and Gen Alpha,” said report co-founder and co-author Ana-Christina Ramón. “Severing all brand loyalty now will only make it more difficult to regain long-term subscribers in the future.”

She was stopped as she was about to board a plane to leave the country

A woman has been arrested after reportedly posting a negative video about her holiday. Yass Naubelle was intercepted by border authorities on Saturday, June 13.

The influencer was placed in police custody just moments before boarding her flight back to her home country France. The 30-year-old content creator published a viral video that reportedly criticised local authorities – sparking hundreds of comments online.

The French-Algerian influencer reportedly slammed her holiday experience in Marrakech, Morocco. She allegedly criticised local law enforcement as well as general driving standards in the North African country.

Airport police at Marrakech Menara Airport executed the border stop as Yass prepared to clear security checkpoints for her return flight to France. Yass, founder of the Naubelle skincare line, was arrested under a national warrant after Moroccan authorities deemed her clip “defamatory towards Moroccan citizens” and “outraging to the forces of order”.

She was placed in police custody “to determine the real motivations behind these criminal acts”. State investigators confirmed she is being held on suspicion of publishing defamatory and insulting digital content directed toward citizens and undermining a public institution.

In the now-deleted video, filmed during her short break in Marrakech, she reportedly described the roads as chaotic. “I’ve never seen people drive like this. It’s super dangerous – cars, mopeds without helmets, with children on board, swerving suddenly,” she reportedly said.

When comparing the driving standards to Algeria, she reportedly said: “It’s less bad than here”. She also accused some traffic police officers of stopping women “for nothing” in order to extract money, it is claimed.

The content quickly triggered a national alert, leading to her interception at the airport. Yass, who has more than 20,000 TikTok fans, currently remains in custody in Morocco. No formal charges or court appearance details have been publicly confirmed beyond her initial arrest.

Marrakech, a popular destination for European tourists including many from France, relies heavily on holidaymakers but has seen occasional controversies involving social media content. British travellers to Morocco are advised to remain cautious with social media posts about local conditions as the authorities have reportedly acted swiftly in similar cases.

A federal immigration judge has granted asylum to a woman orphaned in Iran in the 1970s and adopted by an American war veteran, whom immigration officials threatened this year with deportation to the country with which the U.S. is now at war.

Judge Andrew Fishkin’s ruling probably ends a months-long ordeal for the California woman, one of thousands adopted from abroad who were never granted citizenship because of bureaucratic loopholes between adoption and immigration law.

The woman has lived in the United States since she was adopted by American parents as a toddler and has no criminal record. The Associated Press is not naming her because she worries her legal situation remains tenuous as the administration has time to appeal. A federal judge has allowed her to use a pseudonym, “Ms. S,” in her challenge to the government’s determination of her immigration status.

The woman received a letter from the Department of Homeland Security in February that ordered her to appear for removal proceedings, saying she is subject to deportation because she overstayed her visa in March 1974 at 4 years old.

The woman, 56, described what came next as a terrifying and humiliating few months.

She grew up in a Christian, military family on a farm in Wisconsin and was taught to be patriotic. But the documents she received from the government described her as an “alien;” some said she did not understand English, which is the only language she speaks.

Immigration officials told her she was being arrested, but was released and tracked with an ankle monitor. She bought new pants to try to hide it and taught herself not to cross her legs in work meetings, terrified it would threaten the corporate job in healthcare she’s held for almost two decades.

They fingerprinted her and took her DNA. She said she was obviously weeping in the mug shot they snapped of her.

She prepared herself to be detained: She put her bills on autopay and gave her friends a key to her home.

Her lawyer, Emily Howe, said the government had the power to agree she is an American citizen.

“Instead they treated her like a terrorist, like she was the worst of the worst criminals,” Howe said. “It felt very Big Brother, very Orwellian.”

The Department of Homeland Security declined to comment on the record on an individual case.

The Associated Press profiled the woman in 2024 as part of a story about how many international adoptees were left without citizenship because their American adoptive parents failed to naturalize them.

The woman’s parents were living in Iran, where her father was working for a U.S. government contractor, in the 1970s. He was retired from the Air Force as a lieutenant colonel. He’d been held for years a prisoner of war in Germany during World War II.

The couple found the toddler at an orphanage and returned to the U.S. with her in 1973 and soon completed the adoption. At that time, parents had to separately naturalize adopted children. The woman’s parents have since died.

She didn’t learn she hadn’t been naturalized until she applied for a passport at 38 years old. She still doesn’t know how the oversight happened. She searched her father’s papers and found a letter from a lawyer, dated 1975, that said he was working with immigration officials, “it appears this matter is concluded,” and billed her father for his services.

She filed a federal lawsuit this month trying to prohibit the government from removing her and forcing it to grant her citizenship.

She has long believed she should be considered a U.S. citizen: She has a Social Security card, and a driver’s license and has been legally allowed to work and pay taxes for decades. It’s only the immigration agency that denies she is a citizen. She suspects her paperwork was lost, probably when militants seized the U.S. Embassy in Tehran in 1979.

Fishkin seemed to agree: He wrote in his ruling that documents from that embassy are not available to her or to the U.S. government. He declared her a refugee, entitled to work in the U.S. His ruling puts the woman on a pathway to being recognized as a citizen.

She’d felt hopeful, she said, when she learned her court date before Fishkin was scheduled for her late father’s birthday. She always felt like she needed to protect not only herself but also her father’s legacy. He was a conscientious military official, she said, who would not have knowingly allowed such a glaring oversight that left his daughter in legal limbo.

Galofaro writes for the Associated Press.

June 13 (UPI) — A woman is in critical condition after a shark attack at a popular Sydney beach Saturday, and she was saved by a nearby lifeguard.

The 35-year-old woman hasn’t been identified. She had serious bite injuries on a leg and an arm from the morning attack at Coogee Beach, a police statement said. She and two friends were swimming about 100 feet from the shore, when she was bitten, ambulance official Michael Corlis said. Lifeguard Tony Waller said the shark was about 11 feet long.

Lifeguard Charlie Verco told The Sunday Telegraph in Sydney that he saw the shark while he was on his paddleboard.

“I saw the shark come out of the water and just the size of it shocked me,” Verco said. “I kept paddling towards her and the shark took her underwater and I was going, ‘What do I do now?’ A couple of seconds later, she popped up again.”

Verco said the victim was too weak to get onto the paddleboard, so he grabbed her arm and pulled her toward the beach. Other people helped them get to shore.

Ian Ferguson, an off-duty doctor at the beach with his family, said there was a “big cloud of blood in the water.”

Ferguson and other bystanders applied tourniquets and gave first aid to the woman on the beach. Her leg bite was about a foot wide, and her bone was exposed, he told The Telegraph. The wound on her arm was similar.

They got her to a nearby rugby field where she was flown by helicopter to a hospital.

This is the fourth shark attack in Australia in the past five weeks. Three men have been killed by sharks while spearfishing.

On June 6, a man, 35, died after he was bitten while spearfishing near Michaelmas Island on the western coast. A 38-year-old man died after he was bitten by a 13-foot shark on May 16, then a 39-year-old man was killed in Queensland, in the northeast part of the country, on May 24.

In January, a 12-year-old boy died in the hospital after being attacked by a bull shark in Sydney Harbor.

Since 1791, when records began, there have been nearly 1,300 shark attacks in Australia, with 260 of them fatal. Australia has averaged two to three fatal shark attacks per year since 2000, according to the Australian Shark Incident Database. There were five last year.

Shark attacks have become more common as water sports like surfing and scuba diving have become more popular.

The city witnessed Carl Lewis win four Olympic gold medals, cheered Valerie Brisco-Hooks’ historic golden double and watched Edwin Moses extend his 400-meter hurdles unbeaten streak. L.A. has history with track and field.

Now when Ato Boldon, a UCLA Hall of Famer and four-time Olympic medalist for Trinidad and Tobago, looks to this weekend’s L.A. Grand Prix and the city’s future with the sport, he wonders what it holds.

“I’ve always felt like L.A. needs a signature event,” Boldon said, “and with the Olympics coming up in two years, you look at the quality of this event this weekend, and you’re like, yeah, this is the kind of meet they should have all the time.”

At the halfway mark of the Olympic quadrennium, the USA Track & Field event serves as an important checkpoint for the sport’s hope to break out of the four-year popularity cycle.

The two-day event, which begins Saturday with the women’s hammer throw at the South Bay Athletic Club, features 18 Olympic or world champions competing primarily at USC’s Allyson Felix Field. Sunday’s marquee competition beginning at 1 p.m. will be televised on NBC.

With USA Track & Field building toward a home Olympics, L.A. has been a critical but stubborn market to conquer. Last year’s L.A. Grand Prix, which would have been the third edition of the meet, was canceled in April. The decision, USA Track & Field Chief Executive Max Siegel said, came down to another meet scheduled in the same venue within the same month.

But that competing event, part of Michael Johnson’s upstart Grand Slam Track league, was canceled only weeks before it was set to take place at UCLA’s Drake Stadium, leaving L.A. without a major track competition last summer.

“We knew last year when we canceled the meet that we had every intention leading up to the Olympics to be present in the L.A. market,” Siegel said.

The city knows great track. UCLA boasts legends such as Rafer Johnson, Jackie Joyner-Kersee and Florence Griffith-Joyner. USC, which boasts more Olympians than any other U.S. university, had athletes win nine Olympic medals in track and field at the 2024 Games in Paris, including double gold medals for Rai Benjamin in the 400-meter hurdles and 4×400-meter relay and a 4×100-meter relay championship for TeeTee Terry.

After Terry ran the second leg of the relay, Sha’Carri Richardson’s stare down at the end of her anchor leg became one of the iconic shots of the Paris Games, where 70,000 people packed Stade de France and millions more tuned in for one of the most-watched Olympics.

But the sport is back in the shadows like it always seems to be outside of Olympic years, said Boldon, now NBC Sports’ track and field analyst. There have been several attempts to penetrate the U.S. sports consciousness since the successful Paris Games. Reddit co-founder Alexis Ohanian launched Athlos, a women’s track and field meet that began in New York City in 2024 and added a stop in London to its 2026 schedule. Grand Slam Track, founded by the Olympic legend Johnson and touting major names including Gabby Thomas and Sydney McLaughlin-Levrone, filed for bankruptcy last year, after completing only three of four planned events in its first season, and is only now emerging from it.

This year’s inaugural USATF Tour aims to organize the fragmented sport by streamlining the calendar and working with existing event coordinators to provide resources, including prize money and travel for top athletes, marketing and drug testing. The tour, which was in College Station, Texas, last week for the Lone Star Grand Prix, has 17 events in 10 states.

American Tara Davis-Woodhall after winning the women’s long jump at the 2025 world championships in Tokyo.

(Ashley Landis / Associated Press)

“I feel like LA28 gives the country something to organize around,” said Siegel, who hopes track and field can rise to be among the five most popular sports in the United States. “People are paying more attention to athlete stories in anticipation of what’s going to happen on U.S. soil.”

There is no shortage of stories at the L.A. Grand Prix. Almost everyone who matters in American track and field will be there, Boldon said. Kenny Bednarek, the silver medalist in the 200 meters in Paris, will line up in the 100 meters against Botswana’s Letsile Tebogo, who took gold in the 200 in 2024.

Tara Davis-Woodhall, the reigning Olympic long jump champion, will compete in her signature event and race in the 100-meter hurdles for just the second time in the last five years. Her husband, Hunter Woodhall, will race in the 400 meters on Saturday, when Para athletes will be among those competing in the L.A. Distance Classic at Allyson Felix Field.

Richardson will run her first 100-meter race of the season. The 2024 Olympic silver medalist could be in line to end a three-decade gold medal drought in 2028. No U.S. woman has stood atop an Olympic podium for the 100 since 1996, when Gail Devers won in Atlanta.

Such a stacked field outside of an Olympic year on U.S. soil could be a sign of a changing tide for track and field, Boldon said. The L.A. Grand Prix is a gold-level event on the World Athletics Continental Tour, the second-highest tier of single-day international competition. As athletes vie for world ranking points, the event could be a true Olympic preview two years before the Games begin at the Coliseum.

“This,” Boldon said, “is not a normal week in our sport.”

Rams offensive lineman Alaric Jackson was arrested on suspicion of felony domestic violence Monday night in Los Angeles, according to a person with knowledge of the incident not authorized to speak publicly.

Jackson was arrested shortly before 11 p.m. after police responded to a call at a home in West Hills. Upon arrival, police determined that the woman involved in the incident had recorded the interaction and noticed scratch marks on her arms. Jackson was arrested and later booked into jail on a $50,000 bond, according to jail records.

The specific charge Jackson was arrested for is for a person who “willfully inflicts physical or corporal injury resulting in a ‘traumatic condition’ [such as a bruise, scratch, swelling, or internal injury] on an intimate partner.”

The Los Angeles County District Attorney’s Office is reviewing the case for potential charges.

“We are aware of the incident regarding Alaric Jackson, and we take these matters very seriously,” the Rams said in a statement. “Due to this being an ongoing legal situation, we cannot comment further at this time.”

Jackson, 27, entering his sixth season with the Rams as one of their anchors on the offensive line, was suspended by the NFL in 2024 for violating its personal conduct policy.

In November, a woman filed a lawsuit against Jackson alleging he recorded her without her consent during sex. The woman alleged that Jackson repeatedly refused to delete the video and then taunted her with it. The woman reported the incident to the NFL, but the civil case was dismissed.

Jackson, who joined the Rams as an undrafted free agent in 2021, signed a three-year deal with the team in February 2025 that included $35 million in guarantees.

Times staff writers Richard Winton and Gary Klein contributed to this report.

Lucy’s friends and family have not heard from her for a week

A UK woman has vanished in Paris after travelling abroad for a festival, with no contact with her family for over a week. Lucy Stemp has been reported missing by her loved ones. The woman, from Tonbridge, Kent, has been described as “very vulnerable” by her family.

She had travelled over to France for a festival in the city of Brest but her last known location is believed to have been Paris. Lucy is believed to have gone missing on May 30. Her loved ones are pleading with locals and expats to report any information they have on to the police or themselves.

Her last known location was the Bercy neighbourhood in the French capital. Lucy’s stepdad Sean said: “Lucy is my stepdaughter and is very vulnerable, she has been missing for over a week now.”

It is believed that Lucy will have no access to sorting how to get herself back home. The British embassy and Interpol are reportedly working together on a cross-border operation to help track her down.

Paul Arnott, who helps find missing Brits, said: “Lucy Stemp, from Tonbridge, Kent, has been missing in France for approximately one week and her family are becoming increasingly concerned for her welfare. Lucy had travelled to France for a music festival in the city of Brest and is believed to have subsequently been in Paris.

“No one has heard from her for the past week. Lucy is considered vulnerable and efforts to locate her are ongoing. The British Embassy, police authorities and Interpol are involved in the search.

“If you know Lucy, have spoken to her, seen her, or have any information that could help establish her whereabouts, please come forward as soon as possible.”

PORTLAND, Ore. — Former Sen. Bob Packwood, a moderate Oregon Republican whose reputation as a champion of women’s rights was tainted late in his career by a sexual harassment scandal, has died. He was 93.

Packwood’s death Saturday was announced in an obituary sent to media outlets by his family. The release didn’t include additional details.

As the scandal unfolded, Packwood initially refused to quit the chamber in which he had served for 27 years, saying he didn’t want to be remembered only for that.

Before the #MeToo era, Packwood stood out as an example of private behavior undermining a man’s public image. He previously had been praised by Planned Parenthood and others.

The great-grandson of a member of the 1857 Oregon Constitutional Convention, Packwood established himself as a social moderate and fiscal conservative who often voted across party lines. He considered running for president in 1980.

Elected to the Senate in 1968, Packwood was best known as the leading Republican advocate of abortion rights — at a time when the position had bipartisan support — and was widely admired by women’s groups throughout the country until the Senate Ethics Committee launched an investigation into the allegations of sexual and official misconduct in 1993.

More than two dozen women, former employees and acquaintances, accused him of making unwanted or uninvited sexual advances.

The allegations remained the target of an ethics inquiry that widened to include other alleged acts of official misconduct. He resigned in September 1995, and went on to start a lucrative lobbying business in Washington.

Democratic Sen. Ron Wyden, who replaced Packwood in 1996, said that although he should be praised for his record on abortion rights and tax reform, how Packwood treated women overshadows it all.

“His horrible history as documented in his own diaries will forever overshadow that public record. Simply put, historians’ first line about Bob Packwood must include those women who he abused and assaulted for years and years,” Wyden said in a statement.

As chair and then ranking Republican on the Senate Finance Committee, Packwood was a master of cutting deals and forging compromises needed to pass tax legislation through Congress. He was most proud of the lead role he played in a sweeping tax reform of 1986 that lowered the top income tax bracket and eliminated many itemized deductions.

Over his career, he was described as a blunt, independent, outspoken politician who was a boat-rocker, loose cannon, skilled partisan, and — for most of his career — political survivor.

“I think they probably all ring true,” Packwood told the Associated Press in December 1992.

“I would like to think that I am nobody’s lackey. I try to reach conclusions independently and then I’m willing to fight for those conclusions; if necessary, having to fight against my party or my party’s president,” he said.

Packwood won his first Senate election at age 36, narrowly defeating Democratic Sen. Wayne L. Morse, an Oregon legend who had held the seat for 23 years. He quickly grabbed attention as a rising star in the GOP. By 1980, he was elected chairman of the National Republican Senatorial Committee.

But he lost the seat when the White House backed a competitor after Packwood publicly accused President Reagan of alienating women, African Americans and Jews.

Just two weeks after Packwood’s reelection in 1992, the Washington Post printed allegations from former female employees and acquaintances that the senator had subjected them to uninvited sexual advances.

The Senate Ethics Committee also investigated allegations that Packwood solicited jobs from lobbyists for his ex-wife, used his staff to try to threaten the female accusers into keeping quiet and obstructed the investigation by altering his personal diaries.

The Senate held two days of extraordinary debate in 1993 over whether Packwood should have to comply with an Ethics Committee subpoena for his diaries, in which he reportedly made entries relevant to the investigation. The Senate voted 94 to 6 to enforce the subpoena.

Packwood took the case to federal court and lost, ending when Supreme Court Chief Justice William Rehnquist refused the senator’s request for the high court to intercede.

Packwood launched his lobbying business, Sunrise Research Corp., in 1997. By 1999, the firm was grossing $1.5 million a year. His business slowed in later years, but he told a City Club of Portland audience in 2010 that he was still spending about half his time in Washington lobbying for a number of clients.

It was interesting work, Packwood told the audience, according to the Oregonian, but “it is not as much fun as being in the Senate.”

As Congress became increasingly partisan after his departure, Packwood continued to advocate a centrist tack and in his 2010 City Club speech called for Oregon to create nonpartisan elections.

PARIS — Alexander Zverev is no longer one of the best players never to win a major title.

He’s finally a Grand Slam champion.

In his fourth major final, Zverev beat Flavio Cobolli 6-1, 4-6, 6-4, 6-7 (5), 6-1 for the French Open title on Sunday.

It was a unique opportunity for Zverev without Jannik Sinner or Carlos Alcaraz across the net and the third-ranked German took full advantage on the red clay of Roland Garros.

When Cobolli missed an overhead on the second championship point after more than four hours of the five-set encounter, Zverev dropped on his back to the clay and covered his face with his hands as he began sobbing. When he got up, with his shirt and arms covered in clay, Zverev put his hands back on his face before he lifted both arms in celebration.

When Zverev was handed the Coupe des Mousquetaires trophy, he lifted it with both hands and let out a liberating roar.

“This court is so special to me in so many ways. I’ve had the best moments of my life on this court; I had the worst moment of my life on these courts,” Zverev said, referring to when he was injured and pushed off on a wheelchair during a semifinal against Rafael Nadal in 2022.

“I was laying in that corner over there four years ago with seven broken ligaments and two fractured bones,” Zverev said. “I lost a Grand Slam final here two years ago but now finally it’s a happy end.”

Zverev has now joined an elite group of players that captured their first major in their fourth final: Eight-time major champion Andre Agassi, 2001 Wimbledon winner Goran Ivanisevic and 2020 U.S. Open champion Dominic Thiem.

No Sinner or Alcaraz

Zverev had been an overwhelming favorite for the title ever since the top-ranked Sinner struggled in the first week’s heat wave and wasted a two set and 5-1 lead against Juan Manuel Cerundolo in the second round. A day later, 24-time Grand Slam champion Novak Djokovic was also eliminated.

Alcaraz, the two-time reigning champion, withdrew before the tournament with an injured right wrist.

It was Zverev’s second French Open final, having wasted a lead of two sets to one against Alcaraz in the 2024 championship match.

Zverev had an even bigger advantage — two sets to none — in the 2020 U.S. Open final and lost that one, too, to Thiem. He was also beaten in straight sets by Sinner in the 2025 Australian Open final.

It was the 25th title of Zverev’s career.

Cobolli’s first Slam final

The 14th-ranked Cobolli had never been past a Grand Slam quarterfinal until this week. He was attempting to become the first Italian man to raise the singles trophy at Roland Garros since Adriano Panatta 50 years ago.

Cobolli comes from the same tennis club in Rome as Panatta did and Panatta was asked by tournament organizers to present the trophy to the champion to celebrate the anniversary of his 1976 triumph.

The honors, however, went to Zverev.

Russian teenager Mirra Andreeva won the women’s singles trophy on Saturday.

Zverev took control early on

The match was played in perfect conditions and Zverev’s game was almost flawless at the start.

Zverev broke Cobolli’s serve in a long opening game when Cobolli shanked a forehand into the first row of the stands. The break came after Zverev had a bit of luck when a backhand return hit the net but dribbled over on game point for Cobolli.

A group of women in the stands held up letters to form Zverev’s nickname: “Sascha.”

Cobolli likes to stand way over near the corner of the court and hit big kick serves out wide into the ad court. Zverev knew what was coming and returned one such kick serve early in the first set with a backhand that he wrapped around the outside of the net post. Cobolli ended up winning the point, but it was a message from Zverev that he knew how to handle his opponent’s tactics.

The next time Zverev hit a wrap-around-the-net-post return, Cobolli couldn’t handle it and Zverev won the point.

Cobolli’s supporters in his box were all dressed in blue, the color of Italy’s national teams, and as Cobolli worked his way back into the match, there were chants of “Ole, Ole, Ole; Flavio, Flavio.”

After Zverev held for a 6-5 lead in the fourth, he had his upper right leg treated by a trainer. Then Zverev wasted a 3-1 lead in the tiebreaker, which Cobolli concluded with a forehand winner up the line that produced a roar from the crowd.

But Cobolli appeared to run out of energy in the fifth, running down a drop shot only for Zverev to then pass him up the line for a 3-0 lead and a double break.

Abuse allegations

Moments after Zverev’s previous Grand Slam final in Australia in 2025, a person in the stadium yelled out the names of two of his ex-girlfriends who accused him of physical abuse.

One case was resolved following an agreement between German prosecutors, lawyers for Zverev and his former partner. The ATP Tour investigated another case and concluded there was insufficient evidence.

Dampf writes for the Associated Press. Samuel Petrequin and Jerome Pugmire contributed to this report.

WASHINGTON — After Defense Secretary Pete Hegseth cut nine Navy officers, including all the women, from a promotion list, several female officers say they see the unusual intervention as a sign that their careers now have a ceiling and worry for the future generation of female military leaders.

The Navy had selected 31 sailors to promote from the rank of captain to one-star admiral, but Hegseth recently intervened to strike nine people from the list, including three women and two Black men, according to a Defense official who spoke on condition of anonymity to discuss information not permitted to be released publicly.

As a result, the Navy is not promoting a single woman to the one-star admiral rank this year even though women make up about one-quarter of all Navy officers and nearly one-third of the sea service’s midgrade ranks, according to military data from 2024.

The Associated Press spoke with eight female Navy officers of varying ranks and time in service after Hegseth’s cuts, which were reported earlier by the New York Times, became public. They spoke on condition of anonymity out of fear of retribution from their superiors.

The more junior officers said they saw the development as a sign that their careers would become politicized if they rose too far in the ranks, and some said they felt they now had a limit on how far they could be promoted. Some said it made them feel less valued within the military and wondered whether that wasn’t part of the intent.

The Pentagon has not offered any rationale on why the women, or any of the other six people, were removed from the promotion list.

Sean Parnell, the Pentagon’s top spokesman, said on social media last week that “military promotions are given to those who have earned them” and that the Pentagon “will never consider the color of a service member’s skin or their gender as a factor in promotions.” The Pentagon did not immediately respond to a request seeking further comment.

The Navy’s process for choosing which officers to promote to the one-star rank has been relatively constant and transparent over the years. The service convenes a group of officers, called a promotion board, that examines the records of eligible officers and chooses those deemed to be the most qualified.

The board that selected the initial slate of 31 officers for promotion was directed by then-Navy Secretary John Phelan, an appointee of President Trump, to “recommend for promotion the best qualified officers within their respective competitive category.”

The order from Phelan, who abruptly departed his post in April, said the board should consider an officer’s performance, competence and character, among other traits, as part of those qualifications.

It also said that given China’s prominence in the Trump administration’s National Defense Strategy, “special consideration shall be given to officers who have excelled in their knowledge of the political military affairs and U.S. strategic interests in the Indo-Pacific region, and operational contingency planning for Indo-Pacific war plans.”

Hegseth has long argued, without offering evidence, that women in the military benefit from preferential treatment and are not suited for combat roles.

“For too long, we’ve promoted too many uniformed leaders for the wrong reasons based on their race, based on gender quotas, based on historic so-called firsts,” Hegseth told hundreds of military leaders in September.

The approach, he asserted, made the Pentagon “less capable and less lethal.”

‘A break from tradition’

Phelan’s order said the Navy cannot discriminate based on criteria such as race and sex, and it specifically noted that “this guidance shall not be interpreted as requiring or permitting preferential treatment of any officer or group of officers on the grounds of race, religion, color, sex.”

The full list of 31 people to be promoted was approved by Phelan, other Navy leaders and the chairman of the Joint Chiefs of Staff, Gen. Dan Caine, before it reached Hegseth, who chose to make the changes, the Defense official said.

While Hegseth is within his rights to intervene in the list, “it’s just not the norm” and is “a break from tradition,” said Katherine Kuzminski, a researcher specializing in military recruiting and retention at the Center for New American Security think tank. She said that promotions historically have been seen as “the services’ business.”

Kuzminski noted that “this is a decision that’s not being made by the Navy — it’s being made by the secretary of Defense,” and she said Hegseth’s growing interference in operational aspects of the military services such as promotions is creating “tension” about what “normal” will look like going forward.

Some of the more senior Navy officers who spoke with the AP expressed concerns about the message it sends to the next generation of young sailors.

In addition to pulling the recent promotions of three women to admiral, Hegseth shortly after he took office fired Adm. Lisa Franchetti, the service’s top officer and the first woman to hold the job. He never explained his rationale.

Since then, he also has fired two other female three-star admirals without explanation.

Some of the officers who spoke to the AP said that while they were encouraging female sailors to stick with the Navy, they acknowledged that message is coming at a difficult time.

Kuzminski said the rhetoric and actions surrounding women in the military “affects individual service member decision-making and it also affects family unit decision-making,” including whether people make a career of the military.

Kuzminski said that following the months-long hold on military promotions by Sen. Tommy Tuberville (R-Ala.) during the Biden administration, surveys showed that partisan politics spilling into the day-to-day lives of troops affected their decision-making.

One officer said this impact was not confined to women.

In conversations with other sailors in her unit, she said that male sailors were hesitant to deal with what appears to be a growing politicization of simply following the orders of previous administrations.

Toropin writes for the Associated Press.

A federal judge sided with California and other Democratic states on Friday in a preliminary injunction that blocked the Trump administration’s attempt to condition food benefits on compliance with the president’s policies on gender and immigration.

Twenty states and the District of Columbia filed a lawsuit in March against the Trump administration in U.S. District Court in Massachusetts, arguing that the “unlawful” and “unconstitutional” funding requirements are vague and designed to force policies on states.

Billions in federal funding are ultimately at stake, including money for school lunch programs that provide meals to 30 million children nationwide and food stamps that support about 40 million Americans living in low-income households.

“As the Trump Administration tries to use essential programs and billions in funding as leverage to advance their hateful, discriminatory agenda, California continues to fight to uphold the law and ensure that our communities can continue to access the funding they need to thrive,” said California Atty. Gen. Rob Bonta in a statement.

The policy shift from the United States Department of Agriculture marks another effort by the president to force left-leaning states to submit to his positions on hot-button political and cultural issues to receive government funding. California’s current budget relies on $174.5 billion in federal dollars, or roughly one-third of the overall state budget funds.

Last year, the Trump administration canceled a sexual education grant to California after the state declined to remove gender identity from sexual education curriculum. The administration is also restricting federal funds in an attempt to force states to ban transgender athletes from competing in women’s sports.

The funding conditions from the USDA relate to gender ideology, women and girls’ sports and immigration, according to the lawsuit.

States argue that the conditions do not explain what activities are prohibited for entities that receive grants. The USDA did not cite any law allowing the organization to impose anti-discrimination policies that go beyond federal law, the suit states.

The states that joined the lawsuit contend that they are left with the “unlawful” choice of adhering to the conditions or risk losing up to $74 billion in collective federal assistance from the USDA.

U.S. District Judge Myong Joun approved a preliminary injunction Friday and is expected to issue a memorandum later explaining the decision, according to the Associated Press.

PORTLAND, Maine — Graham Platner, the insurgent Democratic candidate for U.S. Senate in Maine, will hold his first major campaign rally Friday night as reports continue emerging about his history with women.

Last weekend, his campaign wrestled with stories about sexually explicit messages that Platner sent to several women while he was married. Then on Thursday, The New York Times reported about his relationships with previous girlfriends. Some viewed him positively but others described him as volatile and insulting.

One woman said Platner twisted her arm during an argument and locked her in a room. Platner called that allegation untrue.

But with Maine’s primary around the corner Tuesday and Democrats desperate to rally behind a candidate who can defeat Republican Sen. Susan Collins in November, there’s been little sign of voters or political allies backing away from Platner, who has pitched himself as an imperfect person who has redeemed himself.

Some dismissed news of the text messages as a private matter, one that should be addressed solely by the married couple. Others argue that the need for Democrats to take back control of the U.S. Senate from Republicans is too important to cast aside imperfect candidates.

Yet they’re also wrestling with the question of whether more controversial information surrounding Platner could come out ahead of the November election.

“I think a lot of people are afraid,” said Deb Dagnan, chair of Maine’s Piscataquis County Democrats. “They’re waiting for the other shoe to drop after he gets the nomination. Then what do we do?”

Key to the Senate

Platner is key to Democrats hopes’ to take back the U.S. Senate this year. Yet he’s been bedeviled by near-constant controversies involving his disclosure of a since-covered tattoo of a Nazi symbol, his history of inflammatory online comments and the texting revelations.

Nevertheless, Platner’s most prominent supporters have continued to back the candidate, including Sens. Bernie Sanders, Elizabeth Warren and Ruben Gallego. Platner is scheduled to appear in Bar Harbor Friday evening with progressive Rep. Ro Khanna of California, as well as Democratic candidates for U.S. House and governor, as a part of a “get out the vote” rally in the coastal resort town.

The event is taking place just days ahead of the state’s June 9 primary election, where Platner is expected to secure the Democratic nomination. His top opponent, Gov. Janet Mills, suspended her campaign in late April.

He’ll do so under reignited scrutiny amid reports that he and his wife, Amy Gertner, have had marital difficulties and sought counseling after he allegedly sent sexually explicit text messages to other women.

According to The Wall Street Journal, Gertner had told the campaign in August about the messages, which she had discovered on his phone last year, to make sure they weren’t a liability to the campaign. Platner’s campaign team reportedly decided that the texts were private and being handled by the couple, who were married in 2023.

Genevieve McDonald, a former campaign staffer for Platner, told The Associated Press that the candidate was “sexting multiple women while married” and that “the campaign tried to assess that as an election vulnerability.”

Shortly after the news came out, Platner posted a five-minute video taken by Gertner, who avoided speaking directly about her husband’s reported texts but dubbed the broader coverage as “gossip” and said “being married is hard.”

Voters worry that more scandals lurk

Gertner’s emotional comments about working on her marriage have resonated with some women, who say they are shocked that a former campaign aide would betray someone’s trust and the issue should remain between the couple.

“It’s none of my business as far as I’m concerned,” said Joanne Mason, a local Democratic leader from south-central Maine. “And I would hope that people wouldn’t judge any one person on their own private marriage.”

Valerie Tate, a Democrat from Belfast, described Gertner’s honesty about trying to work on their mental health and marriage as admirable.

“That is not a scandal,” Tate wrote in an email. “That is integrity. Personal growth is not a disqualification from public life. For many of us, it is precisely what made us worthy of it.”

However, Tate conceded that her mind wasn’t fully at ease. With the public still learning about Platner’s past, there is a chance something could emerge as a dealbreaker for voters.

“Of course, there is that concern as there would be in any race with somebody we don’t know all the dramas and the journeys they’ve been on,” she wrote. “Something could come out that would be disqualifying.”

Past controversies simmer

This isn’t the first time Platner has faced questions about his past. He had a tattoo recognized as a Nazi symbol, which he had covered up after starting his campaign.

Platner has said he didn’t realize the meaning of the tattoo. However, a former girlfriend told the Times he joked about it being a Nazi symbol and called it “my Totenkopf.”

There’s also been much attention on Platner’s former Reddit posts, which were dismissive of military sexual assaults and used homophobic slurs, for which he has apologized.

Platner has never held elected office and has fashioned a straight-talking, progressive, populist-style campaign focusing on issues such as income inequality, lack of health care accessibility and the rising cost of housing. In return, he’s attracted thousands at his rallies and campaign events and collected millions in campaign funds to further boost his messaging.

“People want somebody new,” said Paige Zeigler, a former Maine Democratic lawmaker and head of the Waldo County Democrats, on why Platner’s staying power has remained strong. “They want somebody that they feel that they can embrace. And Platner is riding that wave.”

Whittle and Kruesi write for the Associated Press. Kruesi reported from Providence, R.I.

PARIS — Acclaimed Iranian-French cartoonist and filmmaker Marjane Satrapi, a prominent advocate for women’s rights, has died at 56, the French presidency said Thursday.

“Her passing marks the loss of a leading figure of French culture and an artist devoted to freedom, whose work carried a universal message and earned her immense international acclaim,” the French presidency said in a statement.

President Emmanuel Macron and his wife “pay tribute to a remarkable artist who transformed an Iranian childhood into a universal fable,” the statement said.

News broadcaster BFM TV and other French media reported Satrapi has “died of sadness” a little over a year after the death of her husband, Swedish film producer and actor Mattias Ripa, according to a statement from people close to the artist.

The French Academy of Fine Arts, of which she was a member, expressed its deep sadness in a social media statement, paying tribute to “a passionate advocate for cinema and film education” who earlier this year created a foundation to help international students come to Paris to study film.

Satrapi is best-known for her monochrome autobiographical comic book and film “Persepolis,” a coming-of-age tale set against the Islamic Revolution in her native Iran.

“Persepolis” won the Film Critics Grand Prix at the Cannes Festival in 2007 and the César Award for adapted screenplay in 2008, in addition to being nominated for animated feature at the 2008 Oscars.

The film, which details her life in Tehran as the willful daughter of intellectual Marxists, is a reminder that Iranians are just like everyone else, Satrapi told The Associated Press in a 2007 interview in Cannes.

“What we wanted to say is, if these people scare you, look closer: They have parents, they have lovers, they have hope, they have stories,” she said.

Iranian authorities at the time protested the movie’s inclusion at Cannes, sending a letter to the French Embassy in Tehran.

Satrapi was born on Nov. 22, 1969, in Rasht, Iran, but her parents sent her to Vienna, Austria, in 1983 to finish her studies because of the extremism in their country following the 1979 Revolution that brought Ayatollah Khomeini to power.

But Satrapi, who found Austria hostile and who desperately missed her parents, returned to Iran in 1989 to attend Tehran University, where she earned a degree in visual communications.

By the time she graduated, Satrapi decided she finally was ready to leave Iran and accept the opportunities her parents had been so desperate to give her a decade before. In 1994 she moved to France. She studied in Strasbourg and later moved to Paris.

Her graphic novels also include “Broderies” (“Embroideries”) and “Poulet aux prunes” (“Chicken with plums”), which also was adapted into a film. As a filmmaker, she has directed several works including “La Bande des Jotas” (“The Gang of Jotas”) and “Radioactive” (“Madame Curie”), a biography about the Polish physicist Marie Curie.

Satrapi in 2023 coordinated the book “Femme, vie, liberté” (“Woman, Life, Freedom”) together with a group of artists and academics to illustrate the revolts that occurred in Iran after the death of Mahsa Amini in 2022 at the hands of the so-called “morality police.” The work denounces the repression and lack of human rights that Iranian society, especially women, suffers at the hands of the Iranian regime, the foundation said.

Satrapi was elected member of the French Academy of Fine Arts in 2024. She also was offered France’s highest award, the Legion of Honor, that same year but declined it, arguing France was not doing enough to support Iranian people fighting for democracy.

“Supporting the women’s revolution in Iran cannot be reduced to photos or speeches,” she wrote in a January 2025 letter to French authorities. “When people are fighting for democracy, we should support them.”

In 2024, Satrapi won the Princess of Asturias Foundation award in Spain for communication and humanities. The organization said she was “an essential voice in the defense of human rights and freedom.” The judges described her as “a symbol of civic engagement led by women.”

Satrapi’s husband, Ripa, died in April 2025 at 53. On her Instagram page, only one message was left in a series of posts: “Because I have lost the love of my life.”

After all the buildup, fear and uncertainty, the most wide-open and unpredictable California gubernatorial primary in decades appears to have ended in the most consistent and predictable of ways.

California has never elected a female governor. That won’t change in November.

Voters have never much cared for rich people trying to buy the state’s highest elected office. They still don’t.

The California electorate has typically favored experience over youth, and favored bland and boring over razzle and dazzle. It continues to do so.

And for all the speculation about one political party or the other being shut out in Tuesday’s primary, the November runoff may very well turn out to be a thoroughly conventional Democrat vs. Republican matchup.

Here are five takeaways from a gubernatorial contest that was sedentary and sleepy until, suddenly, it wasn’t.

Flashback!

Three months ago, Xavier Becerra seemed so irrelevant he — along with a clutch of other weak-polling candidates — was conspicuously excluded from a scheduled debate at USC. Today, the Democrat has seemingly punched his ticket to November.

The obvious parallel is with another massive underdog, Gray Davis, who also came from far behind to win the last time a gubernatorial primary held this level of uncertainty and suspense. That was back in 1998.

Like Davis, Becerra has a political persona that could be marketed as a sleep aid. No one will ever mistake either of them for, say, Arnold Schwarzenegger. But Becerra’s even-keeled demeanor seemed the perfect prescription following the overnight implosion of Eric Swalwell’s scandal-scarred campaign while presenting a welcome contrast with the endless Sturm und Drang emanating from Washington, D.C.

Despite California’s star-struck reputation (perpetuated mainly by outsiders), the state has elected far more governors like Davis and Becerra than Schwarzenegger and Ronald Reagan. In fact, other than Schwarzenegger, who prevailed in an unprecedented recall campaign, every candidate following Reagan has successfully run for statewide office at least once before being chosen governor.

Becerra was elected attorney general before heading to Washington to join the Biden administration; his candidacy offered worn-out voters a safe harbor amid the Trumpian tempest.

Cha-ching!

There are things money can’t buy which, Tom $teyer — er, Steyer — is just the latest to discover.

The hedge fund billionaire turned Democratic activist sank more than $215 million — a record — into his gubernatorial bid, after spending nearly $350 million in a failed 2020 try for president.

With roughly 60% of the vote counted, he was running an unimpressive third and hoping a lopsided surge of still-to-be-counted ballots will push him into the top two.

Half a billion dollars, which makes for a pretty pricey, “Meh.”

California has a long record of rejecting money-bag candidates for governor and the U.S. Senate — a pattern stretching back more than half a century. Given that hostile history, Steyer would enter the runoff as a distinct underdog, notwithstanding the many added millions he is poised to spend.

“These filthy rich people who don’t have to deal with the kind of financial struggles that people have in connection with their daliy lives just don’t feel relatable,” said Garry South, who ran Davis’ successful 1998 campaign against the free-spending Steyer of his day, former airline executive Al Checchi.

Given the relentlessly negative campaign Steyer has waged, besieged voters could count on many more ugly months of brutality on the airwaves, on computer screens and in their mailboxes.

The only happy ones would be TV station managers and political consultants cashing Steyer’s super-sized checks.

A self-fulfilling prophecy

It was never likely. But the mere prospect of Democrats being shut out of the November runoff was enough to guarantee such a scenario would not happen in this reliably blue state.

With a large pack of Democrats running and just two serious Republican contenders, Democratic partisans feared their fractured vote would let the GOP nab both spots in Tuesday’s top-two primary.

Much of the freak-out was fed by polls supposedly showing Republicans Steve Hilton and Chad Bianco atop the field. But no candidate ever had much more than a paltry 20% support; for all the heavy breathing, the race was always pretty much a multi-candidate tie.

Fearing the worst, however, voters who normally couldn’t tell a “jungle primary” from a jungle gym began thinking a lot like gimlet-eyed political strategists. Democrats, in particular, held onto their ballots much longer than usual, waiting to see which candidate appeared strongest at the end.

“The decision matrix on this was not just the political insiders, but all the normies who heard there might be two Republicans,” said Paul Mitchell, a Sacramento political data expert who developed a popular online tool handicapping various election scenarios. “They’re talking to friends and families. It was kind of crazy.”

In the end, the race among Democrats became less a contest than a self-fulfilling prophecy. Becerra was seen as the candidate with the best chance of advancing to November, so many voters flocked his way — ensuring he would advance to November.

Now he waits to see whether his opponent will be Hilton or Steyer.

Sacramento still a boy’s club

More than 30 states have elected female governors. A few have done so multiple times. But come January, California — which perceives itself as oh-so-cutting edge on oh-so-many things — will install the 41st in the state’s unbroken line of male governors.

Things might have been different had Kamala Harris jumped into the contest. The former vice president, U.S senator and California attorney general would have been a prohibitive favorite to end that gendered streak. When she opted not to run, there were still a handful of female contenders. But Toni Atkins and Betty Yee eventually fell by the wayside, leaving just Katie Porter.

The former Orange County congresswoman and whiteboard wizard was making her second try for statewide office after a failed 2024 bid for U.S. Senate. Given her wide name recognition and national fundraising base, Porter started as one of the front-runners for governor. But a needlessly combustible TV interview and a leaked video that showed her profanely snapping at one of her aides played into persistent questions about Porter’s temper and temperament.

Unfair? Perhaps.

“There’s expectations that are put on a woman” that are different from those male candidates face, said Mindy Romero, director of the Center for Inclusive Democracy at USC. Toughness in a man can be seen as abrasive or off-putting in a women. Acting with authority can come across — at least to some observers — as overbearing.

“A woman’s version of a leader still has to be at least somewhat feminine,” Romero said. “That’s what our society expects. So you have to be tough, but do it with a smile.”

Clearly, there’s a double standard. There’s also apparently a different standard for the office of governor. California, after all, became the first state in history to send two women to serve at the same time in the U.S. Senate and is home to the first female House speaker, San Francisco’s Nancy Pelosi.

But in Sacramento, within the governor’s suite, California’s highest glass ceiling remains firmly intact.

Youth won’t be served

Last fall, over a plate of enchiladas in downtown San José, Mayor Matt Mahan emphatically ruled out a run for governor.

“I have a wonderful marriage,” Mahan said at the time. “I have two wonderful kids. I loved working in the private sector. I’ve got a lot of great friends … I genuinely want to make our city better, and I love the job.”

He should have stuck to those words.

Instead, Mahan and his wealthy Silicon Valley backers talked themselves into a rushed and premature campaign that was never remotely competitive. Investors might have thought they were getting in on the ground floor of the next Amazon. Instead, Mahan’s candidacy was more like Pets.com, a famous e-commerce flop that came to embody the heedless froth of the dot.com bubble.

But it would be equally premature to write Mahan off.

Decades ago, another youthful big-city mayor ran an ill-considered campaign for governor, finishing a distant fourth and failing to muster even double-digit support. That, however, didn’t hurt Pete Wilson’s political career. Four years later, he was elected to the U.S. Senate en route to two terms as California governor.

At 43, Mahan has plenty of highway ahead and a good deal of political potential. His time may yet come.

Since launching at the start of 2025, “The Pitt” has emerged as more than just a hyperrealistic depiction of an embattled American emergency department. Using its hospital setting as a social microcosm, HBO Max’s Emmy-winning juggernaut has explored various systemic issues — including the misogyny that women of color face in the workplace.

“Some of the stories from real physicians and nurses that I’ve spoken to are so crazy. The system feels like it’s 15, 20 years behind other industries,” says Sepideh Moafi, who portrays attending Dr. Baran Al-Hashimi. “There is still this older culture of a boundaryless style of work where [there’s] a lack of understanding and compassion,” with respect to pregnancy and childcare, for working women.

“The Pitt’s” depiction of such subjects includes unflinching attention to microaggressions and unconscious biases. Isa Briones, who plays second-year resident Dr. Trinity Santos, recalls hearing from qualified on-set doctors that “a lot of female physicians will wear their lab coats, because it makes them look like more of an authority.”

“We have a female, half-Asian doctor on our set who consistently says that people talk to the nurse in the room if they’re a white man instead of her,” adds Supriya Ganesh, whose character, fourth-year resident Dr. Samira Mohan, is mistaken for a nurse in Season 2, despite having “DOCTOR” emblazoned on her name tag.

Supriya Ganesh.

(Justin Jun Lee / For The Times)

Nor is the series reluctant to show the other side of the dynamic, as doctors Robinavitch (Noah Wyle) and Langdon (Patrick Ball) lash out against their colleagues in lieu of acknowledging their own flaws. Although the women of “The Pitt” would never compare acting to saving lives, Briones believes that the experiences of women — especially from marginalized communities — share commonalities across many male-dominated industries.

“The entertainment business constantly feels like a boys’ club that you cannot penetrate no matter what you do, because it’s still always going to be these older white men who are making all the decisions,” she says. “That’s why seeing the storyline with Langdon and Robby informed my performance so much, because I know this feeling of being like, ‘Why the f— are these men fist-bumping each other? I’m also here! I’m doing my job too!’”

“As a woman in any field, if you express emotion, if you make your opinion or your voice heard, then it’s like, ‘You’re talking too much. You’re being hysterical,’” Moafi says.

Sepideh Moafi.

(Justin Jun Lee / For The Times)

In holding up a mirror to the healthcare system, showrunner R. Scott Gemmill also wanted to explore the linguistic diversity of its practitioners, allowing his actors of color to reconnect with their mother tongues.

“Language shapes who you are, how you see the world,” Moafi says. Al-Hashimi became a polyglot — speaking English, Farsi and Armenian — in part to curb the effects of a seizure disorder on her temporal lobe, which is crucial for language comprehension. “[Language] connects you to different registers in the body. The rhythms are different, and the emotional access is more immediate.”

During Season 1, Santos — who, like Briones, is half-Filipino — surprised nurses Princess (Kristin Villanueva) and Perlah (Amielynn Abellera) by chiming in on their gossip session in Tagalog. But wanting to show “a more vulnerable side of Santos” this season, Briones worked with her own actor father, Jon Jon, to find a Filipino lullaby that she could sing to baby Jane Doe.

To reflect the 100-plus languages spoken in the Philippines, they selected a Hiligaynon lullaby called “Ili Ili Tulog Anay.” Briones advocated for the scene not to have subtitles: “It should be just this quiet moment that you don’t have to understand [the language] to understand, but also it’s a great moment for people who do speak it to feel that little secret joy.”

For Briones, speaking Tagalog at work has opened up difficult conversations with her immigrant father, who feels shame about not passing down enough cultural knowledge to his children. “I’ve been starting with Rosetta Stone, so I can start conversing with my dad and then he can help me, because I want to be able to talk to my lola and she doesn’t have to work through English,” she says. “This show has reminded me of how important that is to me.”

Isa Briones.

(Justin Jun Lee / For The Times)

Ganesh, who grew up in New Delhi, felt strongly that Mohan should not be fluent in Hindi because of its similarities to Nepali, the language that doctors struggled to identify when treating a patient in the first season. Instead, the actor chose to infuse her own heritage into the character, who uses Tamil as a way to feel connected to her late father.

“She chooses to speak it with her mom, because maybe that’s the only other person she has in her life who she can speak it to,” explains Ganesh, who recalls consulting multiple generations of her own family — and even her on-set coach’s family — for the Tamil dialogue. “She wants to preserve that as much as she can, even though it’s already filtered through her being American and being born in this country.”

That part of Indian American culture will be lost next season, with Ganesh officially departing at the end of Season 2. The actor reiterates that the “creative decision” to write Mohan off was made by executive producers Gemmill, Wyle and John Wells: “They work with such intention on the show and make all the choices that they make for that reason, so I think it’s better to ask them for answers.”

“I’m going to treasure all the memories I had working with these two and everyone else,” Ganesh adds. “It’s been so great just getting all the love from the fans. I feel sad for them, too, that they won’t get to see this character.”

“The representation that you brought to the show is so beautiful,” Briones chimes in. “Seeing the fans ride for you so hard and be like, ‘This was the first time I felt represented on camera,’ it’s really gorgeous to see everyone coming out and celebrating that and celebrating you.”

For her part, Moafi believes that Dr. Mohan will be remembered for the way “she won’t compromise humanity in how she delivers care.” “The power of strength comes from vulnerability, and in order to go fast, you have to slow down,” she adds. “That’s something that is so ingrained in us, as women.”

Malak Mahmoud, the heavily pregnant woman filmed being thrown to the ground by a Dutch police officer as her Palestinian husband from Gaza was detained, has spoken to Al Jazeera.

Police in Zeist issued a statement saying they are reviewing the use of force and have opened an investigation, but have not responded to Al Jazeera’s request for comment.

CLOVIS, Calif. — Jurupa Valley senior AB Hernandez stood on a hillside overlooking Veterans Memorial Stadium, a booklet of encouraging letters tucked under one arm and two gold medals hanging from her neck.

She rolled the medals between her fingers.

“I still feel like I’m gonna be here next year,” she said. “I guess I’ll process it overnight maybe, then tomorrow, I’m going to Disneyland.”

For most high school seniors, a state championship marks the end of a season.

For Hernandez, it marks the end of three years spent competing as a transgender athlete under a spotlight few teenagers could imagine.

On Saturday, she won state titles in the high jump and triple jump, capping her career as a four-time state champion. Days earlier, she had graduated from high school.

AB Hernandez leaps in the air during the CIF state track and field championship finals in Clovis on Saturday.

(Tomas Ovalle/For The Times)

Away from the spotlight, Hernandez likes swimming, spending time with friends and working on her makeup routine. During the past two years, politicians and activists stoked by President Trump have turned her into a symbol in the national fight over transgender athletes’ right to participate in girls’ sports.

“I feel like I’m always going to be in the public eye,” Hernandez said. “It’s never going to go away and that’s weird. But maybe someday it’ll be for something else.”

At the state championships, that fight was visible everywhere except where Hernandez seemed most comfortable: among the athletes competing in the stadium.

At the end of Friday’s preliminary competition, Hernandez and five other high jump contenders sprawled on their stomachs beneath the high jump tent, cheering on West Ranch junior Avery Prestridge and La Jolla junior Anastasia Volkov in a jump-off for the final qualifying spot.

AB Hernandez, second from right, laughs while standing on the first place podium alongside Monta Vista’s Leilani Laruelle after the CIF state track and field high-jump finals on Saturday.

(Tomas Ovalle/For The Times)

When Prestridge secured the berth, she and Hernandez exchanged a high-five and a smile.

“That’s what will stick with me,” Hernandez said. “Laying on the field, cheering for other girls, everyone being sweet.”

It was a stark contrast to the image detractors tried to paint earlier in the day.

While Hernandez warmed up on the track, anti-trans activists and politicians gathered across the street in an area marked by a CIF sign reading “free speech area.”

There, organizers who have protested women’s athletic events involving transgender participants across California delivered speeches demanding that the CIF prohibit Hernandez and other transgender athletes from competing. They were unmoved by CIF’s policy requiring that any transgender athlete who advances in track and field playoffs or places in competition be joined by the next cisgender girl in the rankings, with both advancing or receiving the same medal.

“The message being sent to female athletes is clear — your opportunities, your records, your placement and your hard work comes second to males,” former NCAA soccer player Sophia Lorey said during the rally.

California Republican gubernatorial candidate Steve Hilton spoke alongside the protesters.

“The first thing we have to do is overturn the law that set all this in motion, AB 1266, that was passed in 2013, that’s why we’ve been living with this for so long,” Hilton said to Fox News. “That law violates the California state Constitution. … I will immediately suspend the law while we begin legal proceedings to overturn it.”

Republican gubernatorial candidate Steve Hilton held a news conference outside the state track and field championships in Clovis denouncing CIF for allowing transgender athletes to compete alongside girls.

(Tomas Ovalle/For The Times)

Earlier in the day, Democratic gubernatorial candidate Tom Steyer posted a video on X with Hernandez.

“I’m so proud of you for what you’re doing,” Steyer told Hernandez. “So proud of you for succeeding. So proud of you for competing. That’s really the point. … And I’m going to hope like heck that you don’t just make state but you do really well there. Deal?”

Last year, Trump wrote on his social media platform, Truth Social, that, “As a Male, he was a less than average competitor. As a Female, this transitioned person is practically unbeatable.”

He also threatened to withhold federal funding from California if the CIF allowed Hernandez to compete. That came after he enacted an executive order in February 2025 barring transgender women and girls from participating in sports according to their gender identity.

Transgender participation in sports has become a central Republican talking point in recent years and it is impossible to separate Hernandez’s story from that political context.

Focus on the Family, Family Research Council and California Family Council have invested years and millions of dollars into messaging, advocacy and legal efforts surrounding the issue. According to ProPublica and public filings, those organizations collectively reported hundreds of millions of dollars in revenue in 2024.

Transgender athlete AB Hernandez, center, poses with other athletes at the CIF state track and field championships in Clovis on Saturday.

(Tomas Ovalle/For The Times)

As a result, a California athlete who confirmed her transgender status became the focus of a national political fight.

“The voice of the kid who’s been targeted gets lost,” said activist Daisy Gardner, who spoke at a news conference supporting Hernandez before Saturday’s meet. “We’re up against a million[-dollar] machine on the other side who has launched the ‘Protect Girls’ Sports’ campaign, and we need to have a little ray of sunshine pushing through the darkness.”

The Trump administration’s Executive Order 14201, titled “Keeping Men Out of Women’s Sports,” was issued on Feb. 5, 2025, and was followed the next day by an NCAA ban on transgender athletes participating in women’s sports.

AB is not sure whether she will find a way to continue competing in college.

“I don’t think any child should have to go through this,” AB’s mother Nereyda Hernandez said. “These are adults willingly doing this to a minor child. This is a kid, a breathing human, a child. It’s not what people are making this out to be.”

For the first time during Friday’s preliminary competition, the clouds broke and the Clovis sun beat down on the field.

AB, who had posted the top regional mark, needed only one jump to qualify for the next day’s finals. She went last in the second flight.

As she prepared for her attempt, the public address announcer’s voice echoed through the stadium.

“In girls’ long jump, here comes AB Hernandez.”

A ripple of applause spread through the crowd from those who recognized the name. Nereyda and family friend Trevor Norcross were among the loudest.

Transgender athlete AB Hernandez won the high jump title during the state track and field championships in Clovis.

(Tomas Ovalle/For The Times)

Two hours later, after completing her triple jump qualifying leaps, Hernandez headed to the high jump, where she again found herself among the final competitors remaining.

During the long wait between events, Nereyda was interviewed by ABC30. At the same moment, AB was preparing for a high jump attempt.

Gardner, the activist, hurried over, tapped Nereyda on the shoulder and pointed toward the pit.

Nereyda quickly turned her phone sideways and hit record.

“Let’s go AB!”

The night before qualifying, AB, Nereyda and friends sat in a hotel room making bracelets. At first, they strung rainbow-colored beads. AB shook her head. Her colors were pink and gold.

“I know what looks good on me,” she said. “I want something that represents me. People see a flag, and that’s not me in my entirety. I want something that is me personally, me entirely.”

While Nereyda felt the familiar butterflies about what the next day might bring, AB focused on what mattered to her. She decided how she wanted to wear her hair and prepared the custom-made letterman jacket she got last year with money donated by supporters.

Transgender athlete AB Hernandez wears a letterman jacket funded by her supporters and waves during the CIF state track and field championships in Clovis.

(Tomas Ovalle/For The Times)

AB Hernandez’s mom, Nereyda, shows a friendship bracelet she made alongside supporters of her daughter that reads “I stand with AB.”

(Tomas Ovalle/For The Times)

“She said, ‘I want my letterman jacket,’ and I was like, OK,” Nereyda said. “And she said, ‘I want that to be a reminder every time I wear it, I want it to be a reminder of the people who supported me,’ and that’s what she did.

“It was a daily reminder that she wasn’t alone.”

Those are the memories Nereyda says will stay with her more than the vitriol she and her daughter have faced during the past two years. AB is a reluctant transgender athlete pioneer who prefers to be known for so much more than just her gender identity, but the prospect of hiding because she was relentlessly attacked didn’t feel right, either.

“I’m always going to think about how hard she tried to be here,” she said. “She didn’t quit. Despite all the pressure, you can’t change my kid.”

The night before AB’s final competition, Nereyda felt sick. She suspected it was stress over what the next day might bring.

But Saturday passed with minimal disruption.

AB’s long jump did not meet her usual standard. She finished third with a mark of 20 feet, 2 1/4 inches, a result she described as “bittersweet.”

“It was a little nerve-wracking,” Nereyda said. “I could see it was a different vibe when she got into the high jump and triple jump.”

In those events, Hernandez delivered the top performances of the day to repeat as a state champion.

She leaped 42-8 3/4 in the triple jump, comfortably ahead of Los Altos senior Daniela Hughes, who finished at 41-1 before sharing the podium. Standing together atop the first-place position, the two posed for photos with Hughes’ arm draped around Hernandez.

“I’m just happy with my performance,” Hughes said when asked about sharing a podium. “I wanted to win a championship.”

Transgender athlete AB Hernandez clinches her fists and reacts after completing a high jump during the CIF state track and field meet in Clovis.

(Tomas Ovalle/For The Times)

About 30 minutes after the high jump medal ceremony, AB walked toward her mother.

Nereyda spotted her and threw her hands into the air.

“My baby!”

The two embraced, away from the crowd, the cameras and the ire.

“She did it,” Nereyda said. “With everything else, it didn’t matter, she did it.”

Brooke Mayo was just 4 when she started playing soccer. She was about 4½ when she started fantasizing about participating in the World Cup.

“I just fell in love with the game,” she said. “Like any soccer player, you dream about the World Cup, you know?”

That dream came true three years ago, though not quite in the way Mayo had imagined. Although she took part in four matches at the 2023 Women’s World Cup, she did so as an assistant referee, not a player, running up and down the field with a flag in her hand, not a ball at her feet.

Yet Mayo made history just the same, joining Tori Penso and Kathryn Nesbitt as the first American officials to work a World Cup final as a trio. More importantly, they performed so well they have been invited to officiate in the men’s World Cup this summer, where they will make more history as just the second all-female crew to work a game in the men’s tournament.

And while Mayo appreciates the barrier breaking, for the three women it’s just another day at the office.

“For us, it’s just business as usual,” she said. “I think there’s still a lot of places in the world that need to see this and that’s why it’s still important. But our colleagues are used to seeing women around.”

Mark Geiger, a two-time World Cup referee who is now general manager of the Professional Referee Organization (PRO), which manages officials for MLS, agrees. After decades of seeing U.S. and Canadian referees given little respect by FIFA — nor by international soccer in general — Geiger says the biggest takeaway from this summer’s tournament isn’t the gender of the domestic officials selected, but rather the number, 11, making it the largest contingent to work a World Cup.

In addition to Mayo, Penso and Nesbitt, the list includes Ismail Elfath, Armando Villarreal, Kyle Atkins, Corey Parker and Drew Fischer, who took part in the 2022 men’s tournament. Nesbitt, Elfath, Parker and Atkins all worked the final of that World Cup four years ago, Elfath as the fourth official, Nesbitt as the reserve assistant referee and Parker and Atkins as video assistant referees.

With Mayo’s team working the 2023 women’s final — alongside Villarreal, who was in the video booth — seven MLS officials have worked the last two World Cup finals and at least one PRO official has been assigned to 19 of the 32 knockout games in the most recent men’s and women’s tournaments.

No other league or country in the world is even close to that.

“Over the past few years I think we’ve shown that the quality of football and the quality of the officiating in the United States and Canada is at a really high level,” said Geiger, who made history of his own in 2014 when he became the first American center referee to work a Round-of-16 match in the men’s World Cup.

“We are in the normal conversation of knockout-stage games, we’re in the normal conversation for Tori to do the final. It’s not out of the realm of possibility.”

Another thing that makes this World Cup special for the PRO officials is that with the U.S., Mexico and Canada sharing host duties, the tournament will be played at home. The only other time the men’s World Cup was played in the U.S., in 1994, Arturo Angeles, a Mexican-born naturalized citizen, was the only American referee selected and he supervised just one group-play game.

“Any World Cup game anywhere is going to be special on some level,” said Fischer, a 45-year-old Canadian who has been a FIFA referee for 11 years. “It’s definitely a special feeling when you get to play host. It’s a little bit of welcoming the world into your backyard.

“There’s a certain hometown pride. So I’m definitely looking forward to that aspect of it.”

Joe Dickerson, U.S. Soccer’s reigning male referee of the year, received the FIFA international badge he needed to work major competitions just three years ago. Yet he will be a replay official in this World Cup, the first one he was eligible to work.

“This kind of happened so fast in the last couple of years,” said Dickerson, who became a professional referee in 2013, then began targeting the World Cup when it was awarded to the U.S., Mexico and Canada in 2018. “To work the biggest sporting event in the world in front of friends and family is really cool. And being a part of the celebration of culture happening in your own country and, as much as we can, celebrate our own culture, is really cool.”

It also makes things much easier on family and friends. When Mayo officiated her first group-stage game in the 2023 tournament in New Zealand, her wife, Falon Catalano, flew in for the match.

Referee Brooke Mayo looks on during a CONCACAF Nations League third place match between Jamaica and Panama in March 2024.

(Julio Cortez / Associated Press)

“I told her like hey, it’s our first World Cup. So she came to that and then went home,” said Mayo, 37, who wasn’t sure she’d get another game.

When she was assigned the England-Australia semifinal in Sydney, she called Catalano back.

“I said ‘this might be the biggest appointment in my entire career, in Australia in front of 75,000 fans. You’ve got to come to this,’” she pleaded.

So Catalano came then went before Mayo found out she would be doing the final. That led to another call. “I said, ‘well, you’ve gotta come back.’”

An exhausted and broke Catalano said no to the expense and fatigue of another 38-hour round trip, but after a group of MLS officials passed the hat to buy the ticket, Catalano surprised Mayo by making the match after all.

Making it to the semifinals — much less the final — was far from guaranteed since the World Cup is a meritocracy for officials as well as for the players. In fact, it’s harder to make the final as an official: There will be 170 officials from 50 countries taking part in this summer’s tournament as opposed to 1,248 players — or one referee for every 13 players.

“A lot of people underestimate how difficult it is for us to get there,” said Dickerson.

Referees are graded after every game and those who don’t measure up in their first match don’t work another one. Those who excel, however, continue to advance — as Mayo did in 2023.

“Just like teams try to kind of hit their stride in a tournament setting, that was similar with us. We just went in there focused on only one game in front of us,” she Mayo, who got her FIFA badge in 2018. “Our goal was to earn another game after that, do everything we can to clean up our communication. We’re like micro-managing ‘how could we have done this better?’

“You are just operating in sync. You’re spending every minute together. You’re together at breakfast. You’re together at training. You’re together at lunch. You’re traveling together. By the end, if they even sigh on the field, I know what that means.”

Mayo, like most officials, came to the game as a player — one good enough to play four years at Tennessee Tech. As a teenager she was moonlighting as a referee, raising enough money to fund a trip to South Africa to watch the 2010 World Cup as a fan.

“But I didn’t take reffing seriously,” she said. “Once I finished playing, I missed that competitive edge. When I realized I could do it in reffing, I was like, ‘Oh, this scratches that itch that I miss.”

Taking part in a World Cup remained a dream, however, and she got to scratch that itch three years ago. Now she’s working the tournament at home, where her family, who live in Colorado, will be just a few hours away should there be any frantic last-minute flights to catch.

Having already worked one World Cup final, anything short of the final this summer could feel like a failure.

“It’s a lot of skill, but it’s also a lot of luck. You have to be in the right place at the right time,” Mayo said. “There’s not that much that separates people at the top.

“We’re up against amazing referees. We’re going to fight for every game, one game at a time, knock it out of the park and hope for the best.”

This article contains spoilers for the series finale of “Hacks.”

After five seasons and (thus far) 12 Emmys, “Hacks” has come to an end. The story of how Deborah Vance (Jean Smart), a 70-something comedian of the Joan Rivers type, and Ava Daniels (Hannah Einbinder), a prickly 20-something comedy writer, came together to resurrect both their careers was a roller coaster ride of intergenerational judgment, wins, setbacks, ruthless behavior, personal growth, power reclamation and much general hilarity.

Deborah sees Ava as entitled and self-righteous, Ava sees Deborah as washed-up and boring. Eventually, of course, they realize they are kindred spirits who do their best work together.

In Season 5, Deborah attempts yet another comeback. Having walked off her late-night show rather than fire Ava in Season 4, she is determined to rewrite her premature obituary by playing Madison Square Garden. When that too is snatched away, she pivots (with much difficulty and hilarity, including a show-stopping monologue by Laurie Metcalf’s tour manager Weed) to Central Park, where she is finally allowed a moment of glory, basking in the adulation of applauding thousands.

But that is not the end of “Hacks.” In the final episode, Deborah reveals she has cancer and rather than undergo treatment, she is choosing to “go out on top” with the aid of a Zurich clinic. She asks Ava to accompany her, after they take a girls trip to Paris. After an emotional meltdown, Ava agrees, hoping to persuade Deborah to change her mind. She does, but only after Deborah realizes that she cannot bear to walk away from the jokes she could write about dying. And so the show ends, with the two women walking arm in arm, first in Paris and then in Las Vegas, working on Deborah Vance’s final show.

Here, Times TV and culture critics Robert Lloyd and Mary McNamara discuss the ending, and legacy, of “Hacks.”

Deborah, left, decides she doesn’t want to get treatment for cancer despite Ava’s protests. Deborah changes her mind when she realizes she could write jokes about dying.

(HBO Max)

Mary McNamara: Hey there, Robert; are you as devastated as I am that we have no more “Hacks” to look forward to? The only solace I can find is the news that creators Lucia Aniello, Paul W. Downs and Jen Statsky are planning to release a DVD box set of the series. And the possibility that there could be a movie sequel — I for one want to see Deborah Vance’s death tour, especially since you know she’ll beat the odds and survive.

Seriously, though, sad as I am to contemplate life without “Hacks,” I am equally thrilled that the show so thoroughly stuck its landing. Finales are always a crap shoot and I appreciated how this season managed to show growth and cosmic justice while never tipping into treacle. I love that everyone ended on a win — including Marty! (Christopher McDonald) — and I didn’t even mind that suddenly Deborah had cancer (what?), was choosing assisted suicide (double what?) or that we were whisked to Paris (sure, I guess, why not?) because it made just enough narrative sense to set up Deborah’s decision to live because she just couldn’t leave good material on the table. “I may not have 30 years, but I do have one more hour,” may be the best line from a TV finale ever.

It is too easy to think of people like Deborah as clawing back their careers for fame, validation or money rather than a deep and essential love of their art. Having Deborah decide to prolong her life with chemo because she could not resist mining this final seam of comedic gold was a coup de grace.

What did you think?

Robert Lloyd: Hail, Mary. Reviewing the first-season finale, I wrote that the series was at heart a romantic comedy. And though many timely points were made along the way about artificial intelligence, the fate of late-night television and the awfulness of rich jerks who control media companies — Deborah’s Madison Square Garden show was undermined by the network head she named on national television in her resignation speech — the show asserted itself as a love story once again in the end. Where earlier seasons had depended on creating friction between Deborah and Ava, this one was mostly of concord, their only real clash being Deborah’s decision, introduced late in the season, to end her life (in a clean, posh way); her climactic change of heart spared us a medical tearjerker, but, believe me, I shed plenty of tears along the way. Unlike most seasons of “Hacks,” the fifth and final was orchestrated very much as a feel-good experience — “Ted Lasso” has nothing on it. A fairy tale, almost, as you point out, full of fairy-tale endings and plot points that were as good as magic. It could be contrived and improbable and old-fashioned in its triumphs snatched from the jaws of defeat, and I completely loved it.

Deborah Vance (Jean Smart) didn’t get the Madison Square Garden show she imagined, but she did get one at Central Park.

(HBO Max)

McNamara: The series had a lot to say about a lot of things (including vengeful power brokers/network executives) that feel particularly pointed now. But I deeply appreciated that while underlining the real obstacles Deborah and Ava faced, the writers showcased and explored how the bad choices each women had made, and defended, also contributed to their situations. Obviously having the great Jean Smart in the driver’s seat helped a lot — she revealed the woman beneath the diva even in Deborah’s most outrageous actions. The writers did not shy away from calling attention to the blatant sexism female comedians faced (and continue to face) or how the “woke” women of Ava’s generation are often able to see that kind of injustice more clearly.

It was, as you say, more rom-com than morality play, and rom-coms are often based on discovering that the differences that initially divide are too often based on, well, to put it in its original form, pride and prejudice. So while there was some hilarious and spot-on commentary about intergenerational miscommunication, there was also a clear message of how important it is for people with vastly different experiences to listen to, and learn from each other, which also feels incredibly important at this moment in time, especially given the show’s essential, and deeply human, respect for creative work. What motivated Deborah and Ava, and virtually every character in “Hacks” — agent Jimmy (Downs), his assistant Kayla (Megan Stalter) and later Randi (Robby Hoffman); Deborah’s staff, including Marcus (Carl Clemons Hopkins), Damien (Mark Indelicato) and Josefina (Rose Abdoo) — was a belief in the importance, and difficulty, of the creative process. It’s something that is rarely, if ever, the work of a single individual — as Deborah finally acknowledges at the opening of the Diva casino. Or as Laurie Metcalf’s Weed makes clear in her hilarious monologue before the Central Park gig.

1

2

1. Creativity isn’t the work of a single individual: Damien (Mark Indelicato), Marcus (Carl Clemons-Hopkins) and Deborah (Jean Smart) at work on the casino. (HBO Max) 2. Deborah’s crew at her Central Park show. (HBO Max)

Lloyd: In a way Deborah’s speech summed up what we’d already been seeing through an especially generous season that served as “Hacks’” tribute to itself and its people. It was a party to which most every significant and many minor characters were invited, including Metcalf and McDonald; Luenell as comedian Miss Loretta; Poppy Liu as Deborah’s personal blackjack dealer, Kiki; Jane Adams as Ava’s mother, Nina; J. Smith-Cameron as Deborah’s estranged sister, Kathy; and Kaitlin Olson as Deborah’s daughter, DJ, who finally got her mom to partner with her on “The Amazing Race” and was allowed to sell her detachable earrings on QVC.

Gifts were distributed widely, including a previously unseen interview with Deborah’s late husband and co-star, Frank (Peter Strauss), giving her credit for their success — credit he had previously accepted for himself — and thus removing a giant thorn that drove the early plot. These kind-hearted acts of closure were performed both for the benefit of these very real, made-up people, and for We the Viewers, who have made them our family. Declarations, or at least demonstrations of love, were abundant, not merely between Deborah and Ava, with the characters acting as our proxies, feeling what we want them to feel, and what we feel for them ourselves. (There are moments this year when Einbinder — whose brilliance Smart could seem to outshine, but who was never less than an equal partner — absolutely killed me, just in the tender way she gazed upon Deborah.) That’s why it’s so hard to let go of a show like this, even when we know it’s time to say goodbye. You can only stretch an arc so far before it breaks.

McNamara: You’re right, of course. But I still want to see the “Hacks” movie.

A Delaware Court of Chancery judge delivered a blow to wrestling impresario Vince McMahon and other World Wrestling Entertainment officials earlier this week.

Judge J. Travis Laster, vice chancellor of the Delaware Court of Chancery, issued sanctions for “spoliation of evidence” in the shareholder lawsuit over the 2023 merger between Ultimate Fighting Championship and WWE.

Laster ruled on Tuesday that WWE executives destroyed evidence by using the auto-delete setting on the messaging app Signal, enabling potentially relevant communications to be deleted.

The ruling means the court will operate under the assumption that five potentially damaging statements are true while allowing the defendants to rebut them.

The statements, according to the ruling, include that McMahon’s decision on the merger was “influenced” by Endeavor Executive Chairman Ari Emanuel’s “promise” to provide him with a continued role at the company and to indemnify him and provide legal support as federal investigators were looking into claims of alleged sexual misconduct.

McMahon pursued a deal with Endeavor in 2022 before WWE initiated its strategic review process, and both McMahon and then-WWE President Nick Khan worked with The Raine Group, a strategic financial advisor, “to steer the process to Endeavor and away from other potential bidders,” the ruling states.

In September 2023, entertainment giant Endeavor, the parent company of UFC, acquired WWE and merged the two sports entities to form a new, publicly traded company, TKO Group Holdings, in a deal worth $21.4 billion.

A month later, a group of shareholders filed suit against McMahon and other company officials in Delaware Chancery Court, claiming McMahon orchestrated a “sham sale process.”

Representatives for McMahon, WWE and TKO were not immediately available for comment.

According to the suit, McMahon, WWE’s controlling shareholder, turned down higher offers and excluded other bidders who would have ousted him and instead chose a deal that favored Endeavor’s Emanuel, a “close friend and longtime ally,” enabling McMahon to continue running WWE and shielding him from federal investigations related to a raft of sexual misconduct claims.

The complaint also alleges that the $21.4-billion deal undervalued the company and was “far below the offers” WWE’s board could have received from other interested parties had they “made any effort to negotiate in good faith.”

The litigation is related to the 2022 investigation by WWE’s board that found that McMahon made at least $14.6 million in payments between 2006 and 2022 for “alleged misconduct.” McMahon has denied claims of misconduct.

The settlements were made to women, including WWE employees, who alleged that McMahon initiated unwanted sexual contact and coerced women into performing sexual acts on him. In one case, first reported by the Wall Street Journal, a woman claimed that McMahon sent her unsolicited nude photos of himself.

McMahon’s alleged misconduct became the subject of ongoing investigations by the Securities and Exchange Commission and the U.S. Department of Justice.

“I am confident that the government’s investigation will be resolved without any findings of wrongdoing,” McMahon said in a statement to The Times in 2023.

Last January, the SEC announced it had settled charges against McMahon alleging he had violated federal securities laws by failing to disclose a pair of settlement agreements to WWE worth $10.5 million.

McMahon agreed to pay more than $1.7 million in a civil penalty and in reimbursement to WWE, without admitting or denying the agency’s findings. Federal prosecutors also have dropped their criminal investigation.

In January 2024, McMahon resigned as executive chairman of the board of TKO Group, one day after a former WWE employee, Janel Grant, sued the company, McMahon and former head of talent relations John Laurinaitis, alleging sexual assault, trafficking and emotional abuse.

Grant claimed that McMahon agreed to pay her $3 million in exchange for her silence.

The shareholder trial is set to begin on June 8. McMahon, Emanuel, Khan, TKO President Mark Shapiro, and WWE Chief Content Officer Paul “Triple H” Levesque are expected to testify.