win

A few months back, a discussion broke out in the De Los chat about whether or not Bad Bunny would win album of the year at the 68th Grammy Awards for his LP “Debí Tirar Más Fotos.”

I was firmly in the “yes” camp from the day the nominations were announced and I was right!

But if I’m being honest, I had my doubts that it would happen until the second that presenter Harry Styles called out the Puerto Rican singer’s name Sunday night.

Those in the “no” camp — who were still rooting for him to win — had history in their favor. It’s so rare for any major awards show, but especially the Grammys, to recognize artists at the peak of their powers. It’s almost as if these voting bodies feel that some (usually Black) artists must go through a weird humiliation ritual before being deemed worthy.

In 2015, Beyoncé’s self-titled LP lost album of the year in favor of Beck’s “Morning Phase.” She was overlooked again when Adele won album of the year for “25” over her seminal album “Lemonade” at the 59th Grammy Awards. Her club classic “Renaissance” also missed out on the top prize in 2023, with Styles’ “Harry’s House” taking home the award.

Rapper Macklemore won the rap album Grammy over Kendrick Lamar’s “good kid, m.A.A.d. City” at the 56th iteration of the award ceremony. At the 2016 Grammys, Lamar’s deeply layered LP “To Pimp a Butterfly” lost album of the year to Taylor Swift’s “1989.” Mumford & Sons’ “Babel” won album of the year in 2013 over Frank Ocean’s “Channel Orange.”

The anti-Blackness in the Recording Academy — the voting body that chooses Grammy winners — cannot be understated.

But in a rare move the voters, which included the Latin Grammy Awards’ voting body for the first time this year, chose the album that actually reflected the cultural zeitgeist.

Really it was less so that I believed Bad Bunny would win as much as I felt that he needed to win.

The past year has been exceedingly trying for the Latinx community as Immigration and Customs Enforcement raids have been conducted throughout the country. It has oftentimes felt as though being Latinx — looking a certain way, speaking Spanish, having certain names — is a crime. I don’t know how many times I’ve seen videos of or heard heartbreaking stories of Latinx people being separated from their families, harassed or even killed due to activities of federal agents.

So even if it was just a moment of recognition for Bad Bunny, I had a lot riding on one win for Latinx people. A win for an album that is unapologetically in Spanish, explored ideas of resistance toward colonization and dared to be joyful, would mean something to me.

When he won, I had the same reaction as him. I couldn’t believe it and I cried — genuine tears in my Latina eyes.

It felt like an acknowledgment that Latinx people exist and matter. I was also moved when he explicitly shouted out immigrant and Latinx communities. There was just something that felt radical, too, in him giving the majority of his acceptance speech in Spanish.

De Los writer Andrea Flores also had faith in Bad Bunny’s Grammys viability from the very beginning.

“I knew Bad Bunny was going to win big at the Grammy Awards the moment he released this album,” she told me. “Bad Bunny made music for Puerto Rico, and the world listened.”

“I cried when I saw that Bad Bunny won album of the year. For me, it felt like sweet vindication for Latinx artists — reggaetoneros, more specifically — who have long been ignored, and at times vilified, by mainstream media for so many years. But what made me even more emotional was seeing posts on X showing Bad Bunny in 2016 as a bag boy at a local Puerto Rican supermarket. He looks familiar in that picture, like a cousin, brother or childhood friend. That was only 10 years ago. It’s proof to me that so much can change if you believe in your art and in yourself.”

It’s weird that a Latinx artist from an American colony is the most powerful cultural figure in the country at the same time that Latinx people face the most tenuous situation in the U.S. that I’ve seen in my life.

When Bad Bunny takes the stage for the Super Bowl halftime show on Sunday, I wish he’d get up there and call out ICE again on an even-bigger stage or do some kind of spectacular act of protest against the vile political class that has always and continues to push through discriminatory policies against non-white communities.

It’d be awesome if that happens, but even if it doesn’t, there will still be something profoundly radical about him simply being there and performing exclusively in Spanish.

(Jackie Rivera / For The Times; Martina Ibáñez-Baldor / Los Angeles Times)

The latest on Trump’s immigration enforcement

(Joel Angel Juarez / Getty Images)

After killing two U.S. citizens, forcibly extracting immigrants and using force against protestors, some 700 federal agents are being pulled out of Minnesota. About 2,000 officers will remain in the state, White House border czar Tom Homan said early this week.

On Tuesday, immigration officers in Minneapolis pulled their guns on and arrested protestors who were trailing their vehicles, the AP reported.

Meanwhile, my colleague Gavin J. Quinton reported that the Senate isn’t “anywhere close” to reaching an agreement on ICE funding, as Democrats demand “nonnegotiable” ICE reforms.

In some good news, Liam Conejo Ramos — the 5-year-old from Minnesota who was famously photographed wearing a bunny hat and Spider-Man backpack while detained by ICE agents — and his father, Adrian Conejo Arias, were released from a detention facility in Dilley, Texas and are back home in Minnesota.

The duo was released thanks to a ruling from the U.S. District Judge Fred Biery.

“[T]he case has its genesis in the ill-conceived and incompetently-implemented government pursuit of daily deportation quotas, apparently even if it requires traumatizing children,” the judge wrote in his ruling.

Stories we read this week that we think you should read

Unless otherwise noted, stories below were published by the Los Angeles Times.

Politics and Immigration

Arts, culture and entertainment

Latin America

MILAN — Laila Edwards finally got out from under the spotlight and onto the ice for the U.S. women’s hockey team Thursday. It was a simple act, but one that made history.

Yet for Edwards, it was just another day at the office.

“It didn’t feel different at all,” she said. “It’s still hockey at the end of the day. Even though it’s the highest level, it’s still hockey.”

With her first shift in Thursday’s 5-1 win over Czechia, on the first day of hockey at the Milan-Cortina Winter Games, Edwards became the first Black woman to play for the U.S. national team in an Olympic tournament. On a team full of record-breakers, it was a significant milestone, one that has become a storyline for the world’s top-ranked team.

“Cameras constantly in her face. She does a good job of whatever she needs to do,” said teammate Tessa Janecke, who had two second-period assists. “It’s very inspiring for us as her teammates, but as well as the next generation.”

And that, of course, is the point.

“Representation matters,” Edwards said. “There’s been a lot of young kids or parents of young kids who have reached out or I’ve run into that say, ‘You know, my daughter plays sports because of you. And she feels seen and represented,’ and that’s just really motivating.”

Just 22, Edwards is already accustomed to breaking barriers and being the youngest this or the first that.

In 2023, she became the first Black player on the women’s senior national team in any competition; a year later, she became, at 20, the youngest player to win the MVP award in the World Championship.

But if doing that has been easy, talking about it has taken some work.

“I could not do interviews or not talk about it, but then the story doesn’t get out there,” she said. “And maybe a little girl doesn’t see me, who looks like her. So I think that’s what’s more important.”

On Thursday, playing before Vice President JD Vance, Secretary of State Marco Rubio and a packed house at the Milano Rho Ice Hockey Arena, Edwards marked her Olympic debut by helping put the Americans ahead to stay, feeding Megan Keller in the high slot for a slap shot that Alex Carpenter redirected in a first-period power-play goal.

Second-period goals from Joy Dunne and Hayley Scamurra — both on assists from Janecke — and third-period goals from Scamurra and Hilary Knight, sandwiched around one from Czechia’s Barbora Jurickova, accounted for the final score in a game in which the top-ranked Americans outshot the fourth-ranked Czechs 42-14.

Still, the night belonged to Edwards, a player Knight calls “the future of the sport.” But she’s doing pretty well in the present too, having already won two national championships with Wisconsin and two world championship medals with Team USA.

Edwards started skating shortly after she learned to walk, then switched to hockey before starting kindergarten, when her father Robert, who played the game as a child, enrolled her and three siblings in a youth hockey program. By 8, she was so advanced she was playing with boys’ teams and for high school she left her native Cleveland Heights, Ohio, for the elite girls’ hockey program at Bishop Kearney High School in Rochester, N.Y.

Although she was a high-scoring forward in high school and college — she led the nation with 35 goals as a junior at Wisconsin — she’s proven versatile enough to play on the blue line in the Olympics. That’s a little like playing a running back at right guard.

“I couldn’t even imagine that,” forward Abbey Murphy said of Edwards, who skated a team-high 25 shifts Thursday. “She took it and she just kind of ate it up and she made defenseman look easy. She’s magic on the blue line.”

At 6-foot-1 and 185 pounds — making her the biggest and most physical player on the U.S. team — Edwards was well-suited for the move.

“She’s so dynamic, so athletic, you could put her in goal and she would perform,” said Caroline Harvey, a teammate in high school, college and now with the national team. “She’s just adjusted so well. It’s seamless. It doesn’t even seem like she’s switched positions.”

Edwards hasn’t made her journey to the Olympics alone, however, a fact she acknowledged after Thursday’s game. Although her father is responsible for her start in hockey, it looked like he wouldn’t be able to travel to Milan to see his daughter make history. So Edwards’ parents started a crowdfunding campaign to pay for flights and accommodations.

Jason and Travis Kelce, brothers and former Super Bowl players who also grew up in Cleveland Heights, learned of the campaign and quickly kicked in $10,000, allowing 14 members of Edwards’ family to come to Italy — where their cheers were audible every time her name was announced.

“They show support,” Edwards said. “And they’re really cool guys.”

After her Olympic debut Thursday, there are a lot of little girls who can say the same about Edwards.

Premier League Darts is played across 16 initial weeks in the league stage with quarter-finals, semi-finals and a final each night.

Each of the eight players is guaranteed to face the other seven in the quarter-finals in weeks one to seven and 9-15, with week eight and week 16 fixtures done off the table. It means we will get fourth v fifth in Sheffield on the final league-stage night, with the play-off spots potentially on the line.

Players earn two points per quarter-final win, an additional point if they win their semi-final and five for winning the night.

The top four players after the group stage progress to the play-off night at London’s O2 Arena on 23 May, with first facing fourth and second against third in a best-of-19-leg match. The final, which is the best of 21 legs, follows.

If players are level on points after the 16 weeks then places are decided by nights won and then matches won.

GB started with the hammer, took two in accomplished first end, and looked like they might enjoy a comfortable start to the day in Italy.

Estonia responded by doing the same, though, after a slight Dodds error with her last stone. “Sorry, Bruce,” said the 34-year-old, who was slightly errant again with her opening rock of the third end.

But Dodds, peerless against Norway, righted herself to deliver a magnificent final store and restore GB’s two-point advantage.

The Estonians should have pulled level again, but a Marie Kaldvee mistake ensured they still trailed at the break. “It’s been a bit of back and forth,” was how 2022 Olympic gold medallist Vicky Wright described it.

Kaldvee was slack again upon the resumption and Mouat – fuelled by an interval munch of mango – delivered with GB’s final stone to extend the advantage to 6-3 with three ends remaining.

Estonia – who overcame a four-point deficit in the final end against Switzerland in their opener – employed their powerplay in the sixth and moved back within one after capitalising on a rare Mouat error.

GB played their own powerplay in response and made full use of it, a furious double sweep by both Mouat and Dodds earning a decisive four points after some deliberation with the measuring stick.

That opened up a five-point chasm, which persuaded the Estonians to shake hands and concede defeat with an end to spare.

“That was better from me today. I had a few that slipped up, but I called myself a bad word, and moved on,” Mouat told BBC Sport.

“We’re very happy with how we’re performing and excited to get GB off on the right foot.”

Darius Garland could not have been more in transition than he was Wednesday night on his first day with his new team.

Officially traded earlier in the day from the Cleveland Cavaliers to the Clippers for 11-time All-Star James Harden, Garland talked about his upheaval during halftime of Wednesday’s game between his current and former teams, a game the Cavaliers won, 124-91.

“I knew about it. It wasn’t a shock, though,” the two-time All-Star said. “It’s the business of basketball. Cleveland was great to me and my family, and I have respect for all of those guys over there. … Seven years was a really long time, and it was great. I’m glad I’m here now. The next chapter in my book.”

Garland has been out since Jan. 16 with a big toe sprain on his right foot, and the Clippers have no timetable for his debut. But coach Tyronn Lue expects to implement a new game plan once the 26-year-old point guard is on the floor. Garland said he’s ready to go and waiting for the OK to play.

“He’s different from James and we can play different with a faster pace,” Lue said. “We can play him off the ball more. It’s going to be exciting. I’ve known DG for a while and having a young point guard under my tutelage, I think it’s the first time I have had one since Kyrie (Irving).”

Garland played more than 70 games just once in his seven seasons because of injuries. He’s on pace to play 42 games this season.

Garland’s uncertain availability, and the Cavaliers’ need to get star Donovan Mitchell more scoring help, motivated Cleveland to swap their young floor leader for Harden, who is 10 years older.

Cleveland got the scorer it needed, and one who can also run the point, while the Clippers managed to get younger as they head toward an offseason without a first-round draft pick.

Cavaliers coach Kenny Atkinson called Garland one of his favorite players. Yet that bond was not tight enough to prevent the deal for Harden, an 11-time All-Star and the player with the second-most three-pointers in NBA history.

“Those are the toughest calls you have to make, but he goes up on my favorites list,” Atkinson said. “I’m going to miss him. We had a great relationship.”

Atkinson seemed to take comfort in handing Garland off to Lue, who is known for getting the most out of his players.

“Ty is going to be great for Darius,” Atkinson said. “Ty was a point guard himself and understands the position. You know, my relationship with Darius, and to lose it, is kind of a tough day. But the positive is that he is coming to the Clippers and he will be with Ty. I expect him to be great here and I’m rooting for him.”

It might not have been the change Garland was looking, for but he was starting to embrace the possibilities of teaming with Kawhi Leonard.

“I hope T-Lue uses me like he did Kyrie in that championship run they had (in Cleveland),” said Garland, whose father Winston Garland played 1 1/2 seasons with the Clippers in the early 1990s. “But whatever T-Lue wants me to be, whatever position he wants me to be in, I’m going to do that. I’m here to win games.”

During Wednesday’s loss, Kawhi Leonard scored 25 points and John Collins had 19 points for the Clippers, who lost consecutive games for the first time since a five-game losing streak in December.

Rookie Yanic Konan Niederhauser scored 10 points and had eight rebounds for the Clippers, who are 17-5 since Dec. 20, although most of that success was with Harden. The Clippers were also without starting center Ivica Zubac, who was out for the birth of his child.

Following Bad Bunny’s landmark album of the year win at the 68th Grammy Awards for “Debí Tirar Más Fotos,” Ricky Martin penned a letter of appreciation to commemorate the moment.

In an opinion piece for the Puerto Rican newspaper El Nuevo Día published Tuesday, the Boricua hitmaker said Bad Bunny’s accomplishment stirred deep feelings within him.

“Benito, brother, seeing you win three Grammy Awards, one of them for album of the year, with a production entirely in Spanish, touched me deeply,” Martin wrote. “Not only as an artist, but as a Puerto Rican who has walked stages around the world carrying his language, his accent and his history.”

In addition to becoming the first all-Spanish album of the year winner, the “Nuevayol” artist took home the Grammy Awards for música urbana album and global music performance for the track “EoO” on Sunday.

Martin further called Bad Bunny’s achievement a “human” and “cultural” win, lauding him for not bending to the will of anyone who tried to change his sound in any way.

“You won without changing the color of your voice. You won without erasing your roots. You won by staying true to Puerto Rico,” Martin wrote. “You stayed true to your language, your rhythms and your authentic narrative.”

Martin, who first broke out as a solo musical act in the mid-’90s, became an international superstar off the back of his Spanish-language hits including 1995’s “María,” 1998’s “Vuelve” and “Perdido Sin Ti.”

He reached a new strata of stardom after his track “La Copa de Vida” was used as the official anthem for the 1998 FIFA World Cup. That song charted in over 60 countries and was translated into English. He landed his biggest hit with “Livin’ La Vida Loca,” which was the lead single from his 1999 self-titled English album.

When accepting his album of the year award Sunday night, Bad Bunny addressed the crowd predominantly in Spanish and spoke of the strugglesof the immigrant experience.

“I want to dedicate this award to all the people who had to leave their homeland, their country, to follow their dreams,” he said in English.

“Puerto Rico, believe me when I say that we are so much bigger than 100 by 35 and there is nothing that exists that we can’t accomplish,” the “Dakiti” artist said in Spanish. “Thank God, thank you to the academy, thank you to all the people who have believed in me throughout my whole career. To all the people who worked on this album. Thank you, Mami, for giving birth to me in Puerto Rico. I love you.”

The 54-year-old singer also showed love to Bad Bunny for using his platform to show solidarity for vulnerable communities.

“What touched me most about seeing you on the Grammys stage was the audience’s silence when you spoke,” Martin wrote. “When you defended the immigrant community, when you called out a system that persecutes and separates, you spoke from a place I know very well where fear and hope coexist, where millions live between languages, borders and deferred dreams.”

Martin concluded his letter by thanking Bad Bunny for reminding him and showing other Puerto Ricans that there is power in being true and authentic to yourself.

“This achievement is for a generation to whom you taught that their identity is non-negotiable and that success is not at odds with authenticity,” Martin wrote.

“This was for Puerto Ricans, for all our Latino brothers and sisters who dream in Spanish, for those crossing seas and borders wearing their cultures like a flag. From the heart, from one Boricua to another, with respect and love, I thank you for reminding us that when one of ours succeeds, we all succeed.”

Emma Finucane and Anna Morris won gold for Great Britain on day three of the 2026 UEC Track Elite European Championships in Turkey.

Olympic and former world champion Finucane, 23, came into the third day of action in Konya in fine form after setting a new world record for the women’s flying 200m time-trial on Monday.

In the final of the women’s sprint, Finucane’s time of 10.608 seconds was 0.045secs faster than team-mate Sophie Capewell to secure her second gold medal of the event.

Finucane said after her win: “Yesterday I wanted to execute my ride perfectly, and I did; I came away with a world record and I couldn’t believe it.

“But it doesn’t finish there, you still have to race races and the girls were really fast, there was lots of fast sprinting and to come away with this medal and with this jersey means so so much to me. “

Finucane’s Welsh compatriot, Olympic bronze medalist Morris, dominated the women’s omnium to win her third European Championship gold medal.

Morris, who said the “European jersey is really special”, finished 13 points in front of Norway’s Anita Stenberg.

Matt Bostock finished fourth in the men’s individual pursuit.

Great Britain have won seven medals in Turkey, including four golds.

In the old days, during the 1980s and 1990s, when the Notre Dame-Crespi basketball rivalry was in peak form, it would get so hot in Notre Dame’s sold-out gym that they’d have to open windows from high above or sweat would be everywhere. Then came the invention of air conditioning, but Friday’s Mission League tournament semifinals were also super hot in terms of intensity and top performances.

Notre Dame (20-6) was able to pull out an 82-78 victory over Crespi on the strength of four consecutive pressure free throws made by standout junior guard NaVorro Bowman Jr. in the final 14 seconds to earn the Knights a championship game appearance against host Sierra Canyon on Wednesday night.

Crespi (19-11), which went on the road to upset Harvard-Westlake on Saturday, gave the Knights plenty to sweat about. The Celts held a 70-67 lead with 4:46 left until a Josiah Nance three tied the score and started a 10-0 Notre Dame run. A three by sophomore Zion Lanier off an assist from Bowman with 1:10 left put the Knights on top 77-70. The Celts were forced to foul and never got closer than two points.

Notre Dame has produced some outstanding high school guards in the past five years, from Dusty Stromer to Mercy Miller to Angelino Mark, who’s a freshman at Rutgers and showed up Monday night to root for his former teammates. But Bowman is headed to rarefied air. From making threes to powering his way through defenders to converting layups to making a seemingly impossible off-balance shot Monday, he has been in a class by himself.

He’s averaging 23 points and finished with 32 points, eight rebounds and six assists.

“He’s a special player,” Notre Dame coach Matt Sargeant said. “He shows up in big moments. He’s super mentally tough.”

His father was an NFL player, and Bowman has the family genes to perform at his best when the team needs him the most. Crespi was trying to cover him closely in the first half. Notre Dame players kept setting him screens, but Bowman was a little bit off, missing six shots. In the second half, he couldn’t be stopped.

“I had to lock in,” Bowman said.

The game was briefly halted early in the second quarter when the officials gave a warning to Sargeant and Crespi coach Derek Fisher to stay in their coaching boxes. Adding to the drama, Fisher’s wife was asked to leave the gym by Notre Dame officials. Both teams plowed through the distractions to put on a terrific second half that went back and forth.

Isaiah Barnes finished with 24 points and Cayman Martin had 20 points. Ilan Nikolov helped out Notre Dame with 19 points.

“This has been a rivalry for years,” Bowman said. “It feels good to win twice.”

Wednesday’s Mission League tournament final will also decide league MVP honors. The league champion gets to pick who the MVP is, so if Notre Dame wins, it surely will be Bowman.

Sierra Canyon 103, Loyola 74: The Trailblazers (22-1) received 30 points from Brandon McCoy and 23 points from Maxi Adams, both of whom were selected for the McDonald’s All-American Game in an announcement on Monday.

Mater Dei 92, Orange Lutheran 65: Luke Barnett scored 31 points to lead Mater Dei in an opening game of the Trinity League tournament.

JSerra 78, Servite 53: Ryan Doane had 16 points for the Lions.

Cleveland 61, Chatsworth 56: Harout Posheyan had 14 points and Charlie Adams 13 for Cleveland, which clinched the West Valley League championship. Aaron Krueger had 13 points for Chatsworth.

Brentwood 71, Viewpoint 56: Ethan Hill had 24 points and 20 rebounds for Brentwood.

Los Alamitos 68, Edison 61: Tyler Lopez led the way with 17 points.

History was made in more than one way at Sunday night’s 68th Grammy Awards.

Bad Bunny’s “Debí Tirar Más Fotos” won album of the year — the first Spanish-language LP to take the Recording Academy’s highest honor. Kendrick Lamar and SZA’s “Luther” was named record of the year, making Lamar the winningest rapper in Grammy history (and just the fourth artist to go back-to-back for the record prize). Then there were Billie Eilish and her brother, Finneas O’Connell, who took song of the year with “Wildflower”; they’re now the only songwriters with three wins in that prestigious category.

To go by demographics, the ceremony clearly embodied the diversity gains the academy has been saying proudly are happening among its 15,000 voting members. But if new kinds of faces are becoming Grammy darlings, the music they’re being recognized for still upholds many of the academy’s old values. A night for making history was also a night for reveling in it.

Take “Luther,” a soulful hip-hop slow jam built on a prominent sample of Luther Vandross and Cheryl Lynn’s 1982 rendition of a love song Marvin Gaye and Tammi Terrell recorded in the late 1960s — an intricate piece of lineage-making meant to bridge multiple generations.

Olivia Dean performs.

(Myung J. Chun / Los Angeles Times)

“First and foremost, let’s give a shout-out to the late, great Luther Vandross,” the producer Sounwave said as he, Lamar, SZA and the song’s other creators accepted their award at Crypto.com Arena. (Before they made it onstage, Cher misread the card identifying “Luther” as record of the year and said that Vandross himself had won.) Lamar added, “This is what music is about,” and expressed his gratitude for being allowed “the privilege” to use Vandross’ music as long as he and SZA promised the singer’s estate not to curse on their record.

You can hear a similar reverence for those who came before in Olivia Dean, the 26-year-old British singer named best new artist on the strength of her hit “The Art of Loving” LP, which looks back to the gleaming pop-soul of Diana Ross and Whitney Houston.

Even Bad Bunny, the Puerto Rican rapper and singer who became a superstar at the bleeding edge of reggaeton and Latin trap, achieved his Grammy breakthrough with something of a throwback move: “Debí Tirar Más Fotos” is an exactingly arranged tribute to his native island, with elements of Puerto Rican folk styles such as bomba and plena and more hand-played instrumentation than he utilized for 2022’s sleek “Un Verano Sin Ti,” which scored a Grammy nomination for album of the year but lost to “Harry’s House” by Harry Styles (who, as it happens, presented the album prize Sunday).

Part of Bad Bunny’s success this year can be attributed to the fact that he’s a far bigger celebrity than he was three years ago; indeed, his Grammy triumph impressively sets up the halftime performance he’ll give this coming weekend at Super Bowl LX. But not unlike Beyoncé’s rootsy “Cowboy Carter,” which finally brought her a win for album of the year in 2025 after a number of outrage-inducing defeats, “Debí Tirar Más Fotos” is also primo Grammy bait: a work steeped in tradition from a natural innovator.

SZA backstage.

(Allen J. Schaben / Los Angeles Times)

For years, the Grammys’ rearview gaze used to bum me out — and, to be honest, as lovely as Eilish’s “Wildflower” is, her song of the year win with the tender acoustic ballad felt like a failure of imagination among voters I wish had recognized the hurtling exuberance of “Golden,” from Netflix’s “KPop Demon Hunters.” (“Golden” did take the prize for song written for visual media, which made it the first K-pop tune to win a Grammy.)

Yet something about Sunday’s ceremony made it hard to get too worked up about all the historicizing. Perhaps it was how plainly yet passionately many artists used their time onstage to speak about the issues pressing on us right now. “Before I say thanks to God, I’m gonna say: ICE out,” Bad Bunny told the crowd as he accepted an award for música urbana album. “We’re not savage, we’re not animals, we’re not aliens. We are humans, and we are Americans.”

Lady Gaga on the red carpet.

(Christina House/Los Angeles Times)

Eilish said, “No one is illegal on stolen land.” Dean pointed out that she’s the granddaughter of an immigrant and that “those people deserve to be celebrated.”

I was also moved by how personal so much of the music felt — a cry of imperfection like Lola Young’s “Messy,” for instance, which she performed by herself on piano and which won pop solo performance in an upset over the likes of Lady Gaga and Sabrina Carpenter. “I don’t know what I’m gonna say because I don’t have any speech prepared,” she yelled into the microphone as she received her trophy. “Obviously, I don’t — it’s messy, do you know what I mean?”

Weirdly for a show with yesterday so heavily on its mind, a tribute to the late R&B trailblazers Roberta Flack and D’Angelo was a disappointment, with Lauryn Hill as bandleader moving way too quickly (in way too short an allotted time) through songs that require real space to unfurl.

That’s what Justin Bieber had for the evening’s most striking performance: a slow and radically stripped-down rendition of his song “Yukon” that he sang wearing only boxer shorts and socks, accompanying himself with a scratchy electric guitar riff he fed through a looping station.

“Yukon” is from Bieber’s impressive “Swag” album, which he released last year after a lengthy stretch in the pop-star wilderness; it’s an LP, kind of like “Messy,” about learning to forgive yourself for your flaws, and here he sang “Yukon” like a guy who’d figured out — maybe a guy figuring out — how to build a life outside the punishing expectations of celebrity. The music had the past in it, of course, but didn’t feel constrained by it.

Justin Bieber performs.

(Myung J. Chun / Los Angeles Times)

Angela Dugalic scored 22 points off the bench, Kiki Rice had 17 and Lauren Betts added 16 as the UCLA women’s basketball team recorded its eighth win against a ranked opponent with a dominant 88-65 victory over No. 8 Iowa on Sunday afternoon at Pauley Pavilion.

“I’m proud to be part of this team,” Dugalic said. “It’s fun to play with these girls. We’re not taking any team for granted. At the end of the day, if you’re our next opponent, that’s who we’re concentrating on.”

The No. 2 Bruins (21-1 overall, 11-0 Big Ten) won their 15th straight game and improved to 10-0 at home. They lead the conference by one game over No. 9 Michigan, which beat No. 13 Michigan State in overtime Sunday.

Charlisse Leger-Walker finished with 10 points, five assists and five rebounds. Gianna Kneepkens added 10 points, four assists and four rebounds, and Rice dished out seven assists for UCLA, which improved to 3-1 all time against Iowa and 3-0 under coach Cori Close.

“I’m thrilled for Angela getting a career high today, but what I’m happy about most is how many different people are stepping up,” Close said. “We’ve got plenty of weapons. This group couldn’t have been more happy for Angela. I love the way they celebrate each other’s growth.”

Ava Heiden netted 19 points and Hannah Stuelke added 13 for the Hawkeyes (18-4, 9-2), who were trying to rebound from Thursday night’s 81-69 loss to unranked USC at Galen Center.

It was supposed to be UCLA’s toughest game since its defeat to No. 4 Texas in December. Instead the Bruins made it look easy by getting every player involved. They racked up 29 assists and were 50% from three-point range and eight for eight at the free-throw line.

UCLA guard Gabriela Jaquez drives to the basket against Iowa in the first half.

(Ronaldo Bolanos / Los Angeles Times)

No. 1 Connecticut routed No. 15 Tennessee by 30 to stay undefeated while Texas, No. 5 Vanderbilt, No. 6 Louisiana State and No. 7 Louisville also won Sunday.

Having lost to the top two teams in the country, Iowa coach Jan Jensen was asked to compare them.

“Both are outstanding at every position,” Jensen said. “Lauren [Betts] is so hard to guard. One difference is UConn’s full-court pressure. You could put your money on both of them to be there at the end. Maybe a slight edge to UConn, only because they press, but I have all the respect in the world for Cori and her staff. They do it the right way. UCLA is really good. They saw what we were trying to do and made us not play our best.”

Close said her team is not where she wants it to be quite yet.

UCLA guard Kiki Rice, right, looks for a pass in front of Iowa guard Chit-Chat Wright during the first half Sunday.

(Ronaldo Bolanos / Los Angeles Times)

“Losing to UConn in the tournament last year taught me that you can never be satisfied,” Close said. “The edge is a really good place and I want us to live on that edge every day, not rely on our talent.”

Rice’s layup capped a 6-0 run to put the Bruins up by 13 with 4:21 left in the first half. Iowa closed within eight before Kneepkens drained a corner three at the buzzer to give UCLA a 39-28 lead at halftime. UCLA outscored Iowa 28-10 in the paint in the half.

Betts’ jumper increased the Bruins’ lead to 22 with 3:10 left in the third, but she picked up her fourth personal foul two minutes later and Iowa took advantage while scoring the final five points of the quarter. Dugalic’s third three-pointer gave UCLA its largest lead, 86-59, with a little more than three minutes left.

“The confidence we have is mainly because we know we put in the work in practice,” Betts said. “Coach never lets up in terms of playing to our standard. We try to get ball inside because we have amazing post presence. We want to do that.”

UCLA hosts Rutgers on Wednesday before its showdown with Michigan next Sunday.

“Angela earned everything she got today,” Close said. “Sure, she benefits from how dominant Lauren is, but we posted her up, we ran plays to get her three … show me a more versatile forward in the country than her.”

Real Madrid earn a ⁠hard-fought football victory over their local ​rivals to move to within one point of league leaders Barcelona.

Kylian Mbappe stayed calm to roll home a 100th-minute penalty and grab Real Madrid a 2-1 win over nine-man Rayo Vallecano in a spicy La Liga football derby on Sunday.

Los Blancos cut Barcelona’s lead back to one point at the top of the table a day after the Spanish champions beat Elche.

Vinicius Junior scored early on for Madrid after Jude Bellingham limped off with an apparent hamstring injury.

Jorge de Frutos pulled Rayo level early in the second half as Madrid fans showed their anger at their team. But after Rayo’s Pathe Ciss was issued a red card, Mbappe netted from the spot at the death.

Pep Chavarria was also sent off for 17th-placed Rayo, who took a shaky Madrid to the wire before falling short.

After the hosts’ midweek defeat at Benfica, which forced them into the Champions League playoff round, the Santiago Bernabeu crowd was in an unforgiving mood.

Mbappe and Madrid coach Alvaro Arbeloa had begged fans to support the team, but, just as they did two weeks ago against Levante, they whistled at their own players.

Former Barcelona winger Ilias Akhomach fired narrowly wide early on, and the atmosphere would have been further soured had his effort crept inside Madrid goalkeeper Thibaut Courtois’ post.

Los Blancos suffered an early setback as England international Bellingham pulled up holding the back of his thigh, going off in agony.

Vinicius fired the hosts ahead in the 15th minute, showing tidy footwork just inside the area before firing high over Augusto Batalla and into the net.

Arda Guler came close to getting a second, with Batalla saving his effort and Vinicius turning the rebound wide.

Los Blancos were in charge, but though they took the lead, their fans were not appeased, and whistled the team in at the break.

Four minutes into the second half, Rayo pulled level. Alvaro Garcia nodded a cross down for de Frutos, a former Madrid youth player, to reach and drill home.

The visitors should have taken the lead after an hour, when Andrei Ratiu ran through on goal with only Courtois to beat. But the Belgian stopper made a superb save to deny him.

Mbappe came centimetres away from putting Madrid in front when Batalla rushed out of his goal, with the French forward knocking the ball around him but then hitting the bar from distance.

Rayo made life harder for themselves when midfielder Ciss was sent off for an ugly foul on Madrid’s Dani Ceballos.

Eduardo Camavinga headed against the post as Arbeloa’s side turned the screw, before nine minutes of stoppage time were added on.

With the clock ticking down, Madrid were awarded a penalty when Nobel Mendy clumsily fouled Brahim Diaz, and La Liga’s top scorer Mbappe dispatched the ball to snatch three points for his side.

Rayo finished the match with nine men after Chavarria was shown a second yellow card for shoving Rodrygo Goes.

PHOENIX — Kawhi Leonard scored 25 points and the Clippers, playing without James Harden, routed the Phoenix Suns 117-93 on Sunday night.

Leonard, who was left off the Western Conference All-Star reserves announced earlier Sunday, had eight rebounds as well as his 27th consecutive game with 20 or more points. Ivica Zubac had 20 rebounds as the Clippers bounced back from a loss at Denver on Friday and dominated the inside, outrebounding Phoenix 63-35 and outscoring the Suns 64-18 in the paint.

Jordan Miller had 20 points, John Collins scored 16, Zubac had 14 and Kobe Sanders had 12 for the Clippers, who shot 51.8% from the field. Sanders started for Harden, who missed the game for personal reasons.

Since starting the season 6-21, the Clippers have won 17 of 21 and are just two games under .500. The Suns had won three straight before Sunday, and are still 15-7 since Dec. 21.

Grayson Allen led the Suns with 23 points and eight assists, and Dillon Brooks scored 22 points. Phoenix shot just 33.3% from the field and was held under 100 points for just the sixth time in 50 games this season. Collin Gillespie and Jordan Goodwin each finished with 12 points.

The Suns were without Devin Booker (right ankle sprain) and Jalen Green (right hamstring, left hip). Booker was selected as a reserve for his fifth All-Star Game earlier Sunday.

The teams split the season series 2-2.

Up next for the Clippers: vs. Philadelphia at Intuit Dome on Monday night.

GRAMMYS viewers were left in stitches after Lola Young accidentally said the F-word in their acceptance speech.

The British singer, who brought Bad Bunny and other Grammy Awards attendees to tears with her Best New Artist performance, won for Best Pop Solo Performance for their hit single Messy.

Lola, 25, took the stage to accept the award and deliver her speech to a packed audience of her peers, including Justin and Hailey Bieber, Jelly Roll, Chappell Roan, and more.

Many fans believed the musician, who goes by they/them pronouns, would win Best New Artist, but they were edged out by Olivia Dean, who accepted the award from The Subway singer.

It quickly became clear to Grammy Awards viewers that Lola – who performed early in the show due to a change in format – hadn’t expected to win, and did not prepare a speech.

They went off the cuff, and in her nervousness and excitement they let the F-word slip.

STRIPPED DOWN

Justin Bieber performs in UNDERWEAR for first Grammys performance in 4 years

KLUM’S BUM

Heidi Klum bares all with mold-style dress showing off body at Grammys

CBS’ censors, typically on a delay to prevent these mishaps, bleeped her too early and missed the actual curse word.

“I don’t know what to say. Thank you so much,” Lola began, smiling while holding her statue.

The bleeping began as they continued speaking, cutting off just as they said, “f**king.”

They immediately began waving her hands, apologizing profusely.

“Sorry! Sorry! Sorry!” they yelled into the camera.

The USC women’s basketball team rolled to a 71-39 win over Rutgers on Sunday at Galen Center.

The Trojans (13-9, 5-6 Big Ten) got off to a slow start, ending the first quarter trailing by three points. Rutgers (9-13, 1-10) held the lead until the 5:39 mark in the second quarter when Kara Dunn hit a pair of free throws. USC picked up its defensive pressure in the second quarter, which helped ignite its offense. The Trojans held a six-point lead at halftime and extended it during a second-half surge.

Dunn led USC with 18 points and six rebounds. Jazzy Davidson contributed 16 points, nine rebounds and five assists, while Kennedy Smith added 11 points and four assists. Laura Williams anchored the glass with 11 rebounds and Malia Samuels finished with seven points and four rebounds.

Imani Lester scored 11 points and grabbed six rebounds for Rutgers. Zachara Perkins recorded 12 points and four rebounds and Faith Blackstone added six points.

USC outscored Rutgers 23-8 in the third quarter and kept the pressure up in the fourth, outscoring the Scarlet Knights 19-8. The Trojans dominated the battle on the boards, 57-32. USC made the most of Rutgers’ 20 turnovers, scoring 21 points off the miscues.

USC will look to extend its two-game win streak at Northwestern (8-14, 2-9) at 6 p.m. on Thursday. The game will air on the Big Ten Network.

Luke Littler won the World Masters for the first time and became the joint-third most successful player in PDC history with a 6-5 win over Luke Humphries.

The teenager now has 11 major PDC titles, leaving him level with James Wade and behind only Michael van Gerwen (48) and Phil Taylor (79).

The win for Littler, which followed on from beating Gerwyn Price 5-4 in a terrific match in the semi-finals, has left the European Championship as the only major television PDC title still to be won by the two-time world champion.

A high-quality finale saw 25 maximums thrown as the lead changed hands multiple times before Littler eventually nailed his favourite double 10 to seal the £100,000 first prize.

After a semi-final that saw Price miss a match dart, Littler upped his level from the start. A stunning 153 checkout laid down the gauntlet to Humphries, but the world number two came into the final having beaten Gian van Veen 5-0 in the last four and continued in that form by winning the opening set.

Littler, who averaged 104.72 to Humphries’ 105.51 in the final, then powered into a 3-1 lead, hitting a 121 finish along the way. But Humphries did not want to concede the title he won last year and levelled the match.

With the score at 3-1 to the world champion, Humphries rallied with 10 and 13-dart legs on his way to levelling the match.

Littler missed three darts to move into a 5-3 lead and Humphries capitalised to level again before hitting his first 100-plus checkout on his way to moving one set away from another title.

But Littler was not done there. The 19-year-old reeled off legs in 13 and then 12 darts to force a deciding set.

A break of throw in the first leg of the deciding set gave Littler control and he did not let it slip. One dart at double 10 was all he needed to land his first World Masters title.

All four of the semi-finalists will be back in action when the 2026 Premier League starts in Newcastle on Thursday.

FORT WORTH — Democrat Taylor Rehmet flipped a reliably Republican state Senate district in Texas in Saturday’s special election, continuing a string of surprise victories for Democrats across the U.S. in the year since President Trump returned to the White House.

Republican Lt. Gov. Dan Patrick called it “a wake-up call for Republicans across Texas,” where the GOP controls every statewide office.

“Our voters cannot take anything for granted,” Patrick wrote on X, while noting low-turnout special elections are always unpredictable. “I know the energy and strength the Republican grassroots in Texas possess. We will come out fighting with a new resolve, and we will take this seat back in November.”

Rehmet, a labor union leader and veteran, easily defeated Republican Leigh Wambsganss, a conservative activist, in the Fort Worth-area district, which Trump had won by 17 points in 2024. With almost all votes counted, Rehmet was leading by more than 14 percentage points — a more than 30-point swing.

“This win goes to everyday working people,” Rehmet told supporters.

Rehmet’s victory added to Democrats’ record of overperforming in special elections so far this cycle, beginning in March — when they prevailed in a Pennsylvania legislative district made up of suburbanites and farmers that Democrats hadn’t held in a century — and continuing through November, when they dominated candidate and ballot contests from Maine to California. Zohran Mamdani, a Democratic socialist, was elected mayor of New York City, a Democratic stronghold that saw the highest voter turnout in a mayor’s race in 50 years.

The showings come as Trump’s approval ratings hover around or below 40%. A January AP-NORC poll found that a majority of U.S. adults disapprove of the way he’s handling foreign policy, trade negotiations and immigration, as well as the economy.

Democrats said Saturday’s results in Texas were further evidence that voters under the second Trump administration are motivated to reject GOP candidates and their policies.

Texas Democratic Party Chair Kendall Scudder said Rehmet won by standing with working people and talking to Texans about the future.

“This win shows what is possible in Texas with strong organizing, great candidates and strategic investments,” he said in a statement. “People are noticing that Democrats have the workers’ backs and are delivering results.”

Democrats’ other recent state victories included wins for governor in Virginia and New Jersey and in special elections in Kentucky and Iowa. And, while Republican Matt Van Epps won a Tennessee special election for a U.S. House seat, the relatively slim margin of victory gave Democrats hope in the district for this fall’s midterms.

With that backdrop in mind, Trump and Vice President JD Vance have pushed states to redraw their political maps to Republicans’ advantage headed into those contests, which will determine partisan control in Washington. Some Democratic states — most notably California — have countered with their own redistricting efforts.

The Texas Senate seat was open because the four-term GOP incumbent, Kelly Hancock, resigned to take a statewide office. Hancock easily won election each time he ran for the office, and Republicans have held the seat for decades.

The district is redder than its home county, Tarrant. Trump won the county by 5 points in 2024, but Democrat Joe Biden carried it in 2020 by about 1,800 votes out of more than 834,000 cast.

Trump posted about the race on his social media platform earlier Saturday, urging voters to get out to support Wambsganss. He called her a successful entrepreneur and “an incredible supporter” of his “Make America Great Again” movement.

Rehmet had support from national organizations including VoteVets, a veterans group that said it spent $500,000 on ads. Rehmet, who served in the Air Force and works as a machinist, campaigned on lowering costs, supporting public education and protecting jobs.

Wambsganss warned her party not to be complacent.

“The Democrats were energized,” she said in a statement. “Too many Republicans stayed home.”

Rehmet’s victory allows him to serve until early January, and he will face Wambganss again in the November general election to try to keep the seat for a full four-year term. The Texas Legislature is not set to reconvene until 2027, and the GOP still will have a comfortable majority.

Hanna and Smyth write for the Associated Press.

Carlos Alcaraz has rewritten tennis history by becoming the youngest man to complete the career Grand Slam with his victory over the great Novak Djokovic in the final of the Australian Open 2026 in Melbourne.

Alcaraz, 22, overcame a first-set loss to complete a 2-6, 6-2, 6-3, 7-5 triumph over the 24-time Grand Slam champion at the Rod Laver Arena on Sunday. In the process, he denied the 38-year-old a chance to become the only player with 25 Slam titles.

While the world number one later admitted his “legs were shaking” as he served for the title, he seemed to have the upper hand as the match wore on and finished after three hours and two minutes.

The top seed now has an Australian Open trophy to add to his two French Open, Wimbledon and US Open titles each, also making him the youngest to garner seven Slams.

Djokovic, from Serbia and a 10-time champion in Australia, was the quicker of the two out of the blocks and broke his younger rival twice to swiftly claim the opening set.

But Alcaraz, of Spain, didn’t waste time in pulling back and claiming the second set with the same scoreline in a display of speed, power and finesse.

In breaking the career Slam record, Alcaraz surpassed his idol and compatriot Rafael Nadal – who watched from the stands and who was two years older when he did the same.

It was a first defeat for Djokovic in a Melbourne final after he won all 10 previously, leaving him still searching for a landmark 25th major to better Australia’s Margaret Court, who was also watching on.

Gladiatorial contest

Both men battled through five long sets in their semifinals, Alcaraz against Alexander Zverev and Djokovic against Jannik Sinner, and recovery was always going to be key after their physical struggles.

But they showed few signs of fatigue in another gladiatorial contest.

They both opened with comfortable holds before a double fault and netted forehand presented the first break point chance for Djokovic at 2-1.

Alcaraz saved it, but the aggressive fourth seed kept pressing and converted on his third, then consolidated for a 4-1 lead.

Djokovic was reading Alcaraz’s serve well, and once he got in the rallies, he was authoritative, with a sensational forehand winner earning him two set points.

He claimed the set in a statement 33 minutes after a ninth unforced error from the top seed, having dominated the big moments.

It was vintage Djokovic, but Alcaraz came storming back, upping the tempo to break for 2-1 in the second set, pumping his fist when he saved a break point and held in the next game.

Djokovic put drops to his eyes and began rubbing them, unable to tame a now rampant Alcaraz, who broke again for 5-2.

There were some sensational rallies that had the crowd on their feet in set three, which went with serve until Djokovic slapped a forehand wide under pressure to slip 2-3 behind.

He gamely saved four set points at 3-5, but, with his energy level dropping, was unable to save a fifth as the Spaniard took control.

On the back foot, Djokovic then saved six break points in an 11-minute opening service game in set four to stay alive and kept fighting hard.

But Alcaraz ground him down and pounced as Djokovic served to stay in the match to seal a maiden Australian championship.

It ensured he remained world number one and Sinner two, with Djokovic moving up a place to three ahead of Zverev.

Australian Open win ‘means the world’ to Alcaraz

Despite his heartbreaking loss, Djokovic was gracious in defeat as he walked around the net to congratulate Alcaraz on his side of the court.

Plenty of pats on the back and smiles were exchanged in a passing-of-the-baton moment between the two tennis icons.

Afterwards, Alcaraz told the host broadcasters that his legs were shaking as he served for the championship.

“I was telling myself, at least put it [the serve] in and then let’s see what happens,” the champion said with a laugh.

The man from Murcia, southeastern Spain, said the elusive win in Australia was something he had been working hard for.

“It means the world to me and shows that all the hard work paid off,” he said.

Alcaraz’s seventh Slam put him alongside John McEnroe and Mats Wilander and one behind Andre Agassi, Jimmy Connors and Ivan Lendl.

However, the young champion was quick to dismiss talk of overtaking his heroes Nadal and Djokovic, and said 22 or 24 titles were “too far away” at the moment.

“I know how difficult it is to win a Grand Slam,” he said. “I know what it takes, so I just want to enjoy each one because I don’t know if it’s going to be my last one.

“I want to keep going and working hard to feel this emotion again.”

Meanwhile, Djokovic did not make any explicit statements on his career but did admit he’s not sure whether he will return to Melbourne for next year’s Australian Open.

“I tried to give it back with good tennis over the years. This is my 22nd year coming to Australia,” he said at the presentation ceremony.

The Serb said he didn’t think he’d be “standing on a Grand Slam final podium again”.

“God knows what happens tomorrow, let alone in six or 12 months,” the 2023 champion said.

“It has been a great ride, and I love you guys.”

Teenage star Lamine Yamal opens the scoring after six minutes to set the foundation for a convincing Barcelona victory.

Lamine ‌Yamal scored one goal and created another as Barcelona extended their lead at the ‍top of La Liga with a 3-1 victory over Elche on Saturday.

Barcelona moved to 55 points from 22 matches, four ahead of Real Madrid, who have a game in hand. Elche remained in 12th place with 24 points from 22 games.

Yamal opened the scoring for the visitors ⁠before Alvaro Rodriguez equalised for Elche in an end-to-end first half.

Ferran Torres and Marcus Rashford struck ​to complete the win, sparing the blushes of wasteful Barca, who had 30 efforts ‍on goal in the match.

“We got three more points. We continue to grow as a team. We haven’t reached our peak yet,” Barcelona midfielder Frenkie de Jong said.

“We usually have people who finish well. There are times ‍when they fail. ⁠The important thing is that we have them [chances].”

Yamal sets the tone

Barcelona took the lead within six minutes when Dani Olmo played Yamal through on goal, and the 18-year-old rounded goalkeeper Inaki Pena to score his 13th goal of the season in all competitions.

Olmo struck a shot against the crossbar midway through the first half, and within a minute, Elche were level.

German Valera slipped former Real Madrid forward Rodriguez in behind the Barcelona defence, and he raced clear to score.

The visitors should have retaken the lead when Torres struck ‌the crossbar again from six yards out with a poor miss. The ball rebounded to him, and he then steered it against the post in a comical sequence of play.

Torres got his goal in 40 minutes when de Jong found space in the box and, rather than shoot himself, laid the ball back for the forward to fire into the roof ‌of the net from 15 yards.

It should have been 3-1 ⁠minutes later when Fermin Lopez somehow skied the ball over the crossbar from six yards with the goal gaping.

Barcelona continued to create chances in the second half, with substitute Rashford guilty of a poor miss when he put his shot wide ‌with just the goalkeeper to beat.

Rashford got his goal in 72 minutes, however, when Yamal’s low cross was not cleared by the Elche defence, allowing the England forward to blast the ball ‍into the roof of the net from close range.

“Barca attack very well,” Rodriguez said. “They have very good players, and it wasn’t to be. We will continue working to do better.”

MELBOURNE — Elena Rybakina finally won her second Grand Slam title with a victory over top-ranked Aryna Sabalenka at the Australian Open on Saturday, and it was something of a testament to quiet achievers.

After some tumult at the start of 2025, including the suspension of her coach, Rybakina finished off last year with a title at the WTA Finals in November. And now she has started the new year with a major championship.

Her low-key celebration was symbolic of her understated run through the tournament: a small fist pump, a quick embrace with Sabalenka, a handshake with the chair umpire, a smile, and a few hand claps on the strings of her racket and a wave to acknowledge the crowd.

It happened quickly after Rybakina closed with an ace to cap a third-set comeback and a 6-4, 4-6, 6-4 win over a regular rival who beat her in the final here in 2023.

“The heart rate was definitely beating too fast. Even maybe [my] face didn’t show, but inside it was a lot of emotions,” the 26-year-old Rybakina, who was born in Moscow but represents Kazakhstan, said of her calm and clinical finish.

She knew she had to capitalize quickly this time, after she acknowledged getting tight and needing almost a half-hour from her first match point to her match-winning point in a semifinal win over Jessica Pegula.

Elena Rybakina plays a backhand return during the women’s singles final at the Australian Open on Saturday.

(Dita Alangkara / Associated Press)

Three years ago, Rybakina won the first set of the Australian Open final but lost the match in three.

This time, after breaking in the first game and taking the first set, she rallied after losing the second set and going down 3-0 in the third. She won five straight games to regain control.

“It gives me a kind of relief,” she said, “also, a lot of confidence for sure for the rest of the season.”

It was a second major title for fifth-seeded Rybakina, who won Wimbledon in 2022 and entered that Australian final three years ago as the only major winner in the contest.

While Sabalenka went on to win another three majors, including back-to-back triumphs in Australia and the 2024 and ’25 victories at the U.S. Open, Rybakina’s results dipped and she didn’t reach another major final until this tournament.

Career change

A win over Sabalenka at the season-ending WTA Finals has changed her career trajectory. She has the most match wins on tour since Wimbledon, and is now on a roll of 20 wins in 21 matches.

“Last year I didn’t start so well,” she said. “I qualified for the [WTA] Finals late. I just hope I can carry this momentum. Do a good job with the team and continue this way.”

Rybakina is 10-0 in her last 10 matches against top-10 players, and she’ll return to No. 3 in the rankings.

Kazakhstan’s flag was unfurled on the court at Rod Laver Arena after Rybakina had paraded the trophy around and posed for photos with her team.

Coaching team

She paid tribute to her coach, Stefano Vukov, who spent time under suspension last year by the women’s tour. Vukov received a silver plate from the tournament organizers for being the champion’s coach.

“Of course I would like to thank my team,” she said. “Without you it wouldn’t have been possible. Really. We had a lot of things going on [last year]. Thank you to all of you, and hopefully we can keep on going strong this year.

“It’s a win for all the team, all the people who support me,” she said. “I just hope that I can carry this moment throughout the whole season and keep on improving.”

She said she’d been working with Vukov since 2019 and she finds it helpful to hear the constant stream of technical and tactical advice he conveys from his seat beside the court. The more, the better, she said, because eventually she listens.

“We won many titles together,” Rybakina said. “And even last year in Ningbo, WTA Finals, and now this trophy I felt just, again, proud and thankful to my team for the work.”

Win some, lose some

Aryna Sabalenka reacts after winning a point against Elena Rybakina in the women’s singles final at the Australian Open on Saturday.

(Dita Alangkara / Associated Press)

For Sabalenka, it’s back-to-back losses in the final in Australia after going down in an upset last year to Madison Keys.

“Of course, I have regrets. When you lead 3-love and then it felt like in few seconds it was 3-4, and I was down with a break — it was very fast,” she said. “Great tennis from her. Maybe not so smart for me.

“But as I say, today I’m a loser, maybe tomorrow I’m a winner. Hopefully I’ll be more of a winner this season than a loser. Hoping right now and praying.”

Rybakina went on the attack from the start and her serve was strong, with six aces and — apart from the two breaks at the end of the second set and the start of the third — she fended off six of the breakpoint chances she faced.

While Sabalenka’s emotions intensified, Rybakina maintained a determined quietness throughout.

In the end, she let her tennis do the talking.

In a meeting between two of the biggest hitters on the women’s tour, Rybakina neutralised Sabalenka’s trademark power with clean ball-striking and clutch serving, before digging deep in the deciding set.

Sabalenka has spent 75 weeks at the top of the rankings and remains the dominant player in the women’s game – particularly on hard courts, with this her seventh consecutive major final on the surface.

But Rybakina has emerged as the Belarusian’s kryptonite after winning seven of their past nine hard court encounters.

Having appeared on course for an impressive comeback win, Sabalenka sat with her towel over her head as she contemplated that yet another final had slipped from her grasp.

Rybakina, meanwhile, was able to celebrate a hugely impressive run to the title, having also overpowered world number two Iga Swiatek and sixth seed Jessica Pegula on her way to the final.

She has now won her past 10 matches against fellow top-10 players and is the first player to claim the title by defeating three top-10 players in each round from the quarter-finals onwards since Naomi Osaka in 2019.

Rybakina is undoubtedly the form player on the WTA Tour, boasting more wins than anyone else since the end of Wimbledon last year (38) and losing just once in her past 21 matches.