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Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

I have been writing this newsletter, most weeks, for more than 10 years now. I wouldn’t even want to do the math on how many of them that would be, or just how many movies I have written about. That count is about to come to a close as this is the last one.

Don’t worry: I will still be covering the world-class scene of moviegoing in Los Angeles as well as writing about a broad swath of films and filmmakers, just finding new ways to go about it.

When this newsletter began, it was a catch-all for movie coverage and related events from The Times and eventually settled into a curated survey of the best new releases each week. We helped figure out what you should go see. As theaters reopened following the closures forced by the pandemic, the repertory scene in Los Angeles exploded, with new audiences turning out for old movies in astonishing numbers.

We followed their lead, flipping the focus of the newsletter to the rep scene while still keeping an eye on new releases. Venues around the city had a newly revived energy to match audiences’ enthusiasm. The Academy Museum opened with two gold-standard theaters, while the American Cinematheque expanded the number of screens it programs. (Just recently, it added the historic Village Theater in Westwood.) The Vista began bringing first-run films in 35mm and 70mm, along with classic movies. Vidiots opened in Eagle Rock, helping to redraw the map of L.A.’s movie-loving community.

The David Geffen Theater at the Academy Museum seats a thousand and is often fully attended.

(Ricardo DeAratanha / Los Angeles Times)

The city has also seen the rise of itinerant pop-up series such as Mezzanine, Acropolis Cinema and Hollywood Entertainment pulling off must-see events. Smaller venues such as Now Instant Image Hall, 2220 Arts + Archives, Eastwood Performing Arts Center, Brain Dead Studios and the Philosophical Research Society have made a home to all kinds of movies. The Laemmle and Landmark chains have continue to play traditional arthouse releases and international films, while the Frida and Gardena theaters bring great movies to the South Bay.

Entities such as Revival Hub and MovieTown do a vital job of collating extensive listings info. (We will also continue to give monthly overviews of the best movies to see.) This is simply an incredible time for going to the movies in Los Angeles, arguably the best ever.

My main takeaway from the experience of working on this newsletter is confirmation of my belief in the movies themselves and the community of people around them. I was recently at a sold-out screening of Akira Kurosawa’s “Ran” and the idea of sitting with nearly a thousand other people watching a Japanese movie from the 1980s, each connecting to the events on screen in their own way, was deeply inspiring.

Among my favorite recent developments is how many venues now name the show’s projectionists as part of a screening’s introduction, which is always met with an enthusiastic round of applause. It is a reminder that what this is really about is people, dedicated to something we love.

And since this isn’t really a goodbye, it seems fitting to turn to the movies once again, as another week demonstrates why the scene here in Los Angeles is so truly special.

A tribute to Sam Neill

Sam Neill and Nicole Kidman on the set of 1989’s “Dead Calm.”

(Michael Ochs Archives / Getty Images)

Anyone looking for an example of just how intimate the screening scene in Los Angeles can be should make their way to the New Beverly Cinema on July 24. The theater already had a three-night double-bill of Rob Reiner’s “Misery” and Phillip Noyce’s 1989 thriller “Dead Calm” booked when news broke last weekend that actor Sam Neill had died at age 78.

The New Bev quickly announced that it would make one of those screenings into a tribute to Neill, who co-stars in “Dead Calm.” Director Noyce, along with co-star Billy Zane and filmmaker Roger Donaldson (who worked with Neill on 1977’s “Sleeping Dogs”) will all be there to celebrate their friend and colleague.

“Dead Calm” is a tight thriller set within the confines of a small sailing boat. Reviewing the movie when it was first released in 1989, Sheila Benson wrote, “Neill is probably one of the screen’s most underrated actors … ‘Dead Calm’ was probably far and away his nastiest assignment physically, yet his presence, sexuality and all, is absolutely vital to the balance of the story.”

Remembering the actor as part of a rundown of his greatest performances, Glen Whipp described Neill in “Dead Calm” as “part Cary Grant, part MacGyver.”

Two by Ross McElwee

Documentary filmmaker Ross McElwee in his 1986 movie “Sherman’s March.”

(Music Box Films)

Documentary filmmaker Ross McElwee helped to reinvent the form with his 1986 film “Sherman’s March,” which comes with the explanatory subtitle of “A Meditation on the Possibility of Romantic Love in the South During an Era of Nuclear Weapons Proliferation.”

Ostensibly a film about Union General William Tecumsah Sherman’s campaign of destruction during the Civil War, the movie actually ends up being about McElwee revisiting old girlfriends and forging a few new ones along the way, reflecting on his own campaign of romantic misadventure. As charming as it is revelatory, the movie is being rereleased in a new 4K restoration.

McElwee’s latest film, “Remake,” reflects on the death of his son Adrian and whether the director himself had a detrimental effect on the boy’s life. Reviewing “Remake,” Tim Grierson calls it “especially revealing — both in terms of the glimpses we get of this father-son relationship and of unsolved mysteries that linger just outside the frame.”

A weekend with Robert Rodriguez

Quentin Tarantino, George Clooney and Salma Hayek in the horror movie “From Dusk Till Dawn.”

(Academy Museum)

The Academy Museum will present “A Weekend with Robert Rodriguez” to celebrate the 30th anniversary of “From Dusk Till Dawn” and the 25th anniversary of “Spy Kids.” It speaks to Rodriguez’s undersung range as a filmmaker that one movie is a bawdy, gory comedy about a criminals on the run who encounter an ancient den of vampires, while the other is a family-friendly tale of two siblings who discover their parents are secret agents and must rescue them from a supervillain.

Rodriguez will not only be present to talk about both movies, he will be performing music each day with a different band.

Reviewing “From Dusk Till Dawn,” which was scripted by Quentin Tarantino, Jack Matthews said it was “a film nerd’s fever dream, a Frankenstein’s monster of used movie parts, deliberately mismatched styles, and deliriously implausible characters.”

Elaine May’s secret success

Dustin Hoffman and Jessica Lange in the movie “Tootsie.”

(Everett Collection / Columbia Pictures)

One of the most exciting things about the ongoing revival of L.A.’s repertory scene is the upheaval of the notion of the “canon.” What are the most lauded movies of all time and who gets to do the lauding? Case in point is the now widely accepted coronation of Elaine May as a towering creative figure, no longer relegated to being merely a fringe character unfairly saddled with the commercial failure of “Ishtar.”

May is credited as director on only four feature films, though she’s an uncredited writer on a number of other projects, perhaps most notably 1982’s comedy “Tootsie,” starring Dustin Hoffman as a struggling New York City actor who finds success when he lands a part by secretly posing as a woman. Directed by Sydney Pollack, who also makes a tremendous turn as Hoffman’s agent, the movie will be playing at Vidiots on Saturday.

Finding new moves

Wiley Wiggins and Patrick Riester in the movie “Computer Chess.”

(Kino Lorber)

The very first thing I ever wrote under the banner of Indie Focus was about how independent filmmakers such as Andrew Bujalski and Alex Ross Perry were working on 35mm at a time when mainstream Hollywood was very much forcing the idea of shooting on digital. So it only seems appropriate that this final edition of the newsletter should include something on Bujalksi, who has long been one of my favorite contemporary American filmmakers.

“Computer Chess,” Bujalski’s oddball experiment in using antiquated video equipment to tell a heady, offbeat story about a weekend chess tournament in the early ’80s, will screen in a 35mm print at Brain Dead Studios on July 24, presented by Mezzanine. Bujalski will be present, along with Blair Barnes, a filmmaker who will be showing the L.A. premiere of his short “sitrep,” also shot on an analog-era tube camera.

New this week

Matt Damon and Zendaya in the movie “The Odyssey.”

(Melinda Sue Gordon / Universal Pictures)

Sure to be one of the biggest movies of the year, Christopher Nolan’s adaptation of “The Odyssey” opens today. Los Angeles audiences have multiple venues to choose from that are showing the film in Nolan’s preferred Imax 70mm format — these theaters are among only a small number across the world that are doing this. Presenting a movie in Imax 70mm isn’t the easiest endeavor. Eloise Rollins-Fife has a report on how that’s actually done. Get your epic on.

Reviewing the movie, Amy Nicholson wrote, “Nolan refuses to tremble before the canon. Grabbing mighty scissors, he cuts and rejiggers Homer and a bit of Virgil to transform these classical texts into his type of tale: one fixated on memory, self-identity, destructive genius and the slippage of time. As ever, it’s light on sex, heavy on wine-dark angst.”

Kenneth Turan spoke to Nolan about the movie’s origins, saying, “I’ve been telling this story in all my films for years. It’s a family story, a love story, a revenge story, a war story, a coming-of-age story. It’s a very strong foundational text for me.”

Loose Women presenter Kaye Adams confirmed the ITV daytime show will be off air for several weeks.

ITV is undergoing a scheduling shake-up as Loose Women is set to be off air for several weeks.

During the programme on Friday, July 17, presenter Kaye Adams made an announcement and confirmed when the show would return.

The Scottish presenter was back on Loose Women alongside GK Barry, Oti Mabuse and Kelle Bryan, as they marked the end of the week, and the end of the programme for a short break.

Kate shared: “we’re done for the summer. We will not be gone for long though, we’ll be back in September. For now, have a fabulous weekend, a fabulous summer and we’ll see you very soon!”

The scheduling change follows a wave of budget cuts which impacted Good Morning Britain and Lorraine, alongside Loose Women.

It was revealed months ago that Loose Women would now only broadcast for 30 weeks rather than its customary 52, reports the Express.

During the shake-up, Lorraine Kelly’s show has been reduced to 30 minutes, and also operates on a seasonal schedule only.

The biggest change that faced Loose Women was the fact live audiences were scrapped, as well as several behind-the-scenes job.

Presenter Nadia Sawalha previously shared her devastation that warm-up performer Lee Peat was dropped, saying: “I am totally devastated by this fact, I can’t get over it at all. Not only because the audience is so important for the show, but also my dear friend Lee who I work with every day.”

Coleen Nolan also shared her concerns for the cast and crew, calling those redundancies “heartbreaking” and “devastating”.

Loose Women also relocated in January to a basement studio of a former private members’ club in Covent Garden, sharing the venue with This Morning and Lorraine.

Announcing the changes last year, Kevin Lygo, Managing Director of ITV’s Media and Entertainment Division, previously said: “Daytime is a really important part of what we do, and these scheduling and production changes will enable us to continue to deliver a schedule providing viewers with the news, debate and discussion they love from the presenters they know and trust as well generating savings which will allow us to reinvest across the programme budget in other genres.

“These changes also allow us to consolidate our news operations and expand our national, international and regional news output and to build upon our proud history of trusted journalism at a time when our viewers need accurate, unbiased news coverage more than ever.”

Loose Women can be streamed on ITVX

In Venezuela, the focus has shifted from rescue to rebuilding three weeks after devastating earthquakes killed at least 4,829 people. But for many affected communities, uncertainty remains over how and when the government’s reconstruction plan will take shape.

FANCY a last-minute break? You aren’t the only one. Holiday Hypermarket has found that one in five Brits are booking trips just two weeks before jetting off.

And there are plenty of great holiday deals too – and we’ve found some holidays all under £300pp.

Seven Hills Camping & Village, Italy

Set in the Italian countryside is Seven Hills Camping & Village which has bungalow-style accommodation.

It has an outdoor freshwater swimming pool and a sun terrace for soaking up the Mediterranean sunshine.

For food and drink, head to one of the three restaurants, café or poolside snack bar.

A seven-night stay including flights departing from Liverpool Airport to Rome Ciampino on July 27 returning on August 3 will set you back just £209pp.

Hotel Abades Benacazón, Spain

This beautiful hotel is a sophisticated retreat in the Aljarafe region.

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It has a fresh swimming pool with a sun terrace surrounded by sun loungers and parasols.

The rooms are modern, great for relaxing in after exploring the city of Seville which is a 15-minute drive away.

A seven-night stay including flights departing from Leeds Bradford to Jerez on July 26 returning on August 2 will set you back just £239pp.

Exe Sevilla Macarena, Spain

The Exe Sevilla is a four-star hotel in historic Macarena district of Seville directly opposite the historic Macarena Basilica.

It has a rooftop pool open during the warmer months and a poolside bar too.

The hotel can arrange bike rental to explore the area and set up guests on organised tours of Seville.

A seven-night stay including flights departing from London Luton to Seville on July 28 returning on August 4 will set you back just £289pp.

Maxwell Holiday Club, Turkey

Maxwell Holiday Club is a retreat in Marmaris on Turkey’s Turquoise Coast.

From the swimming pool to evening entertainment, there’s plenty for guests to do.

All rooms come with a private balcony with outdoor seating so the weather can be enjoyed well into the evening.

A five-night stay including flights departing from London Gatwick to Dalaman on July 20 returning on August 4 will set you back just £289pp.

Trabukos Beach Complex, Greece

Found on the main strip of Kavos in Corfu is the adults-only Trabukos Beach Complex.

It’s close to the city centre and within walking distance from lots of bars and nightclubs.

The hotel itself has a pretty swimming pool, and some of the spacious rooms have their own balcony.

A five-night stay including flights departing from Manchester Airport to Corfu Airport on July 27 returning on August 1 will set you back just £260pp.

Hotel Cappelli, Italy

Hotel Cappelli in Tuscany is labelled the ‘go-to spot for a chilled-out city break‘.

There’s an outdoor pool, terrace, lush garden and when it’s time to eat, Ristorante Giulio serves up classic Italian dishes.

If the Italian heat gets too much, there a cosy TV lounge inside.

A five-night stay including flights departing from Stansted Airport to Pisa on July 30 returning on August 4 will set you back just £245pp – including breakfast.

*Prices correct at the time of publication

EMINEM’S ex-wife Kim Mathers has been rushed to hospital after months of personal troubles.

The 51-year-old was pictured strapped to a gurney as paramedics wheeled her out of her home in Chesterfield, Michigan, per TMZ.

The 911 call came in around 8 pm on Tuesday for a person who was unconscious or fainting, according to a Chesterfield Fire/EMS report.

It lists the incident as “Hemorrhage/Laceration,” and says emergency workers responded along with the Chesterfield Police Department.

No further details have been released since the incident.

GRIM SHADY

Eminem’s ex Kim Mathers has puffy eyes and brassy hair in disheveled mugshot

SAD BUST

Eminem’s ex Kim Mathers arrested AGAIN on suspicion of DUI

The health scare comes after two warrants were issued for her arrest last month.

She was due in court for three hearings across two separate drunken driving cases — including a sentencing and bond violation hearing over a February hit-and-run crash, and a probable cause conference for a May OWI (operating while under the influence) arrest.

However, she failed to appear or contact the court, leading to the warrants being issued. The issue was later resolved.

Kim crashed her white Range Rover into a parked Dodge Ram pickup truck on February 16 near her home.

The impact was so severe it launched the truck 50 feet from where it was parked.

Officers who found her noted her slurred speech, glossy eyes, and a strong smell of alcohol.

Police also found empty and open alcohol containers in her vehicle.

In May, she pleaded no contest to operating while impaired and failure to stop after a collision.

Just two days later, Kim was arrested again after crashing into another parked car in Chesterfield Township.

Police body camera footage published by TMZ showed her slurring her speech heavily.

After claiming an oncoming vehicle’s high beams blinded her, she underwent field sobriety tests and blew a 0.20 per cent BAC on a breathalyzer — nearly three times the legal limit.

Kim’s recent hospital run also comes after her famous ex made a rare appearance on stage this week during one of Jay-Z’s concerts in New York.

The former couple, who are said to be on good terms after a messy past, have a daughter, Hailie Jade, 30, along with an adopted daughter, Alaina, 33.

Alaina’s mother, Dawn, is also Kim’s sister, who died of a drug overdose in 2016.

Kim is mom to Stevie Laine, 24, whose biological dad died, and was also raised by the rapper, 53.

The rapper’s ex also has a teenage son, Parker, from a more recent relationship but she is believed to be single.

Eminem, whose real name is Marshall Mathers, first married Kim in 1999, but the couple divorced just two years later.

The pair later reconciled and walked down the aisle for a second time in 2006, but their marriage once again ended in divorce.

Kim has spoken publicly about her struggles with substance abuse over the years and was believed to have maintained her sobriety following a stint in rehab in 2023.

Her turbulent relationship with Eminem, which was frequently referenced in his music — including graphic lyrics about their relationship — contributed to some of her darkest moments.

She has also battled depression and addiction throughout her adult life.

In more recent years, the former couple have appeared to be on better terms and have become grandparents, although they are not believed to have a close or regular relationship.

Dutch football referee Rob Dieperink has died weeks after he was dropped from officiating at the World Cup following a police investigation in the UK.

Dieperink had been selected to be a video assistant referee (VAR) official at this summer’s tournament, but was removed from Fifa’s list of World Cup officials in May.

The 38-year-old was arrested by the Metropolitan Police in April following a report of a sexual assault against a teenage boy, but the case was dropped because of a lack of evidence.

The Netherlands’ football association, the KNVB, said they were “shocked and deeply saddened” by Dieperink’s death.

His cause of death has not been disclosed.

“With Rob, we lose a highly valued referee, but above all a kind and dedicated colleague,” the KNVB said in a statement.

“Our thoughts go out to his family, friends, and everyone who held him dear. We wish them much strength and support in processing this great loss.”

Fifa, football’s global governing body, said it learned of the news with “great sadness”.

“On behalf of the entire football community, we extend our sincerest condolences to his family and friends and the Dutch Football Association. May he rest in peace,” it said.

Dieperink had refereed in the Eredivisie since 2017 and was a VAR official at Euro 2024.

After he was dropped from the World Cup, Dieperink said he had been “wrongly accused” in an interview with Dutch newspaper De Telegraaf, external.

“It saddens me greatly that I have been wrongly accused,” he said.

“From the beginning, I have fully cooperated in the police investigation and also immediately gave full openness to Fifa, Uefa and the KNVB.

“I am grateful for the support I have received from the KNVB and the way in which they have dealt with this case. It is a pity that Fifa has decided not to appoint me for the World Cup any more, of course I am disappointed about that.”

Dieperink was the VAR for Crystal Palace’s 3-0 Europa Conference League quarter-final first-leg win over Fiorentina on 9 April.

A Metropolitan Police statement said: “On Thursday, 9 April, officers responded to a report of a sexual assault against a teenage boy, which occurred at an address on Wellesley Road, Croydon.

“A man in his 30s was subsequently arrested on suspicion of sexual assault.

“Officers completed a thorough investigation and reviewed all available evidence, including gathering CCTV and examining digital devices.

“Following these enquiries, they concluded that the evidential threshold had not been met. No further action will be taken.”

Keeping the item with you until you’ve got off the plane and collected your luggage on the other side is best

Millions of people are expected to go abroad during the six-week holiday, as the peak travel season typically sees masses of British families take advantage of the kids being off. With so many people set to pass through UK airports over the coming weeks, it is important to stay up to date with the latest guidelines and advice to ensure a smooth journey.

Jet2 is one of the most popular budget airlines in the UK, and welcomes around 20 million passengers on board each year. Jet2‘s website is full of information for passengers to read up on and keep in mind when travelling, including steps to take and things to do to minimise disruption and delays as much as possible, especially when bringing luggage to go into the aircraft’s cargo hold.

On its ‘Top Tips Before Travel‘ page online, the airline urges passengers to bring one particular item along with them on their journey, right until they collect their checked luggage at their chosen destination. By doing so, they can reduce the risk of longer delays should the worst happen

The airline explains: “At check-in, each item of checked baggage will be given a destination tag showing your flight number. Do not get rid of your checked baggage receipts (if given) until you pick up all checked baggage at your destination airport. Never carry unidentified items on behalf of other people.”

Why is it important to keep the luggage receipt with you?

It’s important to keep your checked baggage receipt because it helps you track down lost luggage, file for compensation, and prove ownership if security or customs officials need to check your bags. Usually, these are the small adhesive tags that get stuck to your boarding pass or passport after you drop off your luggage at the check-in desk.

When you check-in a bag, the barcode and receipt information are linked to your digital flight booking file. If your suitcase doesn’t show up, the barcode and the 10-digit number on your receipt help airline agents find your specific bag using global systems like WorldTracer.

If I lose my luggage receipt, will I face delays?

If your bag is lost and you have misplaced your checked baggage receipt, the airline can still look up your digital tracking information, but the process will require more manual verification and may face delays. Locating your profile manually can be time-consuming, particularly during busy travel times or when the booking system is experiencing delays.

If your bag is lost for good (missing for over 21 days), the airline or your travel insurance company may ask for more evidence of check-in. Misplacing the receipt can complicate the process of making a formal financial compensation claim, but your digital booking records usually serve as a valid paper trail, according to Citizens Advice.

Jet2 also urges passengers to label each piece of baggage with their name, flight number, and phone number. It adds: “Please ensure your baggage is strong and fit for purpose, to protect the contents and to withstand the normal baggage handling process. Soft sided cases and handles, wheels and locks can be particularly vulnerable.”

The airline also says: “Take care when claiming your baggage at your destination, as many suitcases look the same. It is best to always check the name on the baggage tag.

“You must contact the Jet2.com team at the airport (or our handling agents) immediately if your baggage is damaged or has not arrived. Irregularities must be reported immediately as claims cannot be processed once you leave the airport. Staff will help you to complete a Property Irregularity Report Form.”

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

One of the big discoveries for me at this year’s Sundance Film Festival was the erotic thriller “Night Nurse,” which opens in theaters this week. A remarkably confident feature debut from writer-director Georgia Bernstein, the film is hypnotic and entrancing, with a powerfully sustained sense of mood and menace. Brought to life by two assured lead performances, the story is about a young woman (Cemre Paksoy) who takes a job as an attendant at a senior living community and is assigned to help a man (Bruce McKenzie) who quickly ensnares her into an ongoing phone scam in which he swindles other residents.

Taking cues from the likes of Catherine Breillat and David Cronenberg, there are moments where you start to feel turned on and then feel weird about feeling turned on. It’s delightful stuff, full of the unexpected and unnerving, with shifting power dynamics that destabilize everything. See it with someone you maybe aren’t so sure about.

‘Hudson Hawk’ will have its day

Andie MacDowell and Bruce Willis in the 1991 movie “Hudson Hawk.”

(Columbia TriStar / Getty Images)

Its name has become synonymous with box office bomb, with tales of an out-of-control production leading to terrible reviews and rejection by audiences. Yet 1991’s “Hudson Hawk” is one of those movies that over the years has seen its reputation slowly turn around and is now en route to becoming a cult classic in the vein of “Ishtar” or “Showgirls.”

On Monday at Brain Dead Studios there will be a 35th anniversary screening of the film in 35mm with director Michael Lehmann and co-writer Daniel Waters in-person. Presented by Hollywood Entertainment, the evening could be ground zero for the next stage of the misbegotten movie’s revival.

The movie is a playful buddy-comedy / caper-heist hybrid, starring Bruce Willis as the title character, a master thief newly released from prison who reteams with his old partner (Danny Aiello) as they are drawn into a convoluted conspiracy involving the CIA, a villainous ultra-rich couple (played with maniacal, scene-stealing glee by Richard E. Grant and Sandra Bernhard) and ancient designs by Leonardo da Vinci. Upending action movie conventions, “Hudson Hawk” is simply a fun hang.

On a recent video call together, there is a certain gallows humor shared by Lehmann and Waters over the film, which at the time threatened to derail both of their careers. Waters was already working on the script for Tim Burton’s “Batman Returns” by the time the movie came out, while Lehmann admits he spent some time in director jail — “I was in director federal penitentiary and death row for a while,” he says — before going on to direct films such as “Airheads” and “The Truth About Cats and Dogs.”

“You can’t escape a big failure in Hollywood,” he adds. “You have to be good-natured about the fact that you’ve made something that so many people hated when it came out, but that you feel still has some value — quite a bit of value, I think. And that eventually people would start noticing that.”

The project began as an idea between Willis and his friend Robert Kraft that snowballed into having action super-producer Joel Silver attached and a screenplay draft by “Die Hard” writer Steven E. De Souza. Eventually Lehmann became involved to direct and he helped bring on Waters, the two having worked together on the hit black comedy “Heathers.” (Waters had also worked with Silver on “The Adventures of Ford Fairlane.”) The reunited writer-director team set about subverting what began as a more conventional action movie.

“My intention was to turn that kind of movie on its head,” says Lehmann. “I thought people have seen these things so many times, they must be ready to see the truly odd version of it.”

“In the Olympics you can’t just go up and make any dive,” says Waters. “You tell the judges what dive you’re going to do and then they grade you. And ‘Hudson Hawk,’ we never told the judges what dive we were doing. I think people got angry: Wait a minute, you didn’t give us a Bruce Willis action movie.”

Leading up to the film’s release, there were reports of a shoot hijacked by a star whose ego was getting the better of him as he rode the wave of the success of the first two “Die Hard” movies. Lehmann admits the clash of personalities made for a complicated shoot.

“Of course, when you’re hired by Bruce Willis and Joel Silver to do what is essentially a vanity project of Bruce’s, you’re not going to have the kind of control that you have when you make a piece of personal filmmaking,” says Lehmann. “But it was really difficult to deal with somebody who, in theory, was one of my bosses as producer on the film and a big star, which is always a thousand-pound gorilla.”

Author David Hughes recently published “The Unmaking of Hudson Hawk,” a book on the film’s production, reception and afterlife. Calling from England, Hughes thinks the critical reappraisal and resuscitation of the movie has gained a bit of momentum — and is in danger of slipping.

“I feel like any day there’s going to be a headline that says, ‘Nope, despite what you’ve heard, “Hudson Hawk” is still s—.’ The pendulum is about to swing back the other way and people are going to start saying that it’s bad again. And when that happens, I think that will be the most perfect life cycle of the film.”

But for now two of the key people behind making the film in the first place want to enjoy a moment they have rarely been allowed.

“People are finally laughing with the movie, not at the movie,” says Waters.

Celebrating a fallen friend

Harry Dean Stanton, photographed in Los Angeles in 2013.

(Jordan Strauss / Invision / AP)

To celebrate the centennial of the birth of the beloved character actor Harry Dean Stanton, Vidiots will screen the 2013 documentary “Harry Dean Stanton: Partly Fiction” on Tuesday. Director Sophie Huber will be joined in conversation by actor Logan Sparks for an evening hosted by Cherry Jones.

The film is a tender portrait of Stanton, who found relative fame later in life with roles in films such as “Alien,” “Paris, Texas,” “Repo Man” and “Pretty in Pink.”

“He makes it look really easy,” said Stanton’s friend and frequent collaborator David Lynch around the time of Stanton’s death in 2017. “But it’s not that easy to be looking like it’s easy.”

A flaky love story

Gena Rowlands and Seymour Cassel in the 1971 movie “Minnie and Moskowitz.”

(Michael Ochs Archives / Getty Images)

One of my most memorable moviegoing experiences of the last few years was seeing John Cassavetes’ 1971 “Minnie and Moskowitz” for the first time. The movie has a joyful, unpredictable energy thanks to the openhearted, dynamic performances of its two leads, Gena Rowlands and Seymour Cassel, as two mismatched strangers who find temporary solace in each other. Romantic, funny and with lots of great L.A. locations and moments — I often think of a perilous U-turn across La Brea by Cassel — this is a singular gem.

It was just announced that a new restoration of the film will premiere later this year at the Venice Film Festival, but there is no reason to wait. The movie is showing tonight at the Philosophical Research Society as part of its “YesterdayLA” series celebrating the city. On Saturday there will also be a rare theatrical screening of 1972’s “Columbo: Étude In Black,” starring Cassavetes as an L.A. symphony conductor who may have committed the perfect crime until he catches the attention of Peter Falk’s rumpled detective.

On the road again

Maribel Verdú, left, Diego Luna and Gael García Bernal in the movie “Y Tu Mamá También.”

(Criterion Collection)

Playing as part of the American Cinematheque’s “Summer Breakdown” series, which, true to its name, features movies about car trouble, Alfonso Cuarón’s 2001 “Y Tu Mamá También” is showing tonight and tomorrow at the Los Feliz Theater in 35mm.

It stars Gael García Bernal and Diego Luna as two teenage best friends who set off on a road trip with an alluring older woman (Maribel Verdú) they don’t know particularly well. Emotions fly fast and furious among all three of them, as the film seems at times like a horndog teen comedy and at others like a subtle exploration of class and sexual dynamics. Of course, it is all of those things, made with a fresh sense of style.

As Kenneth Turan put it in his 2002 review, “Nominally a simple road movie about two Mexican teenagers taking off to look for a mythical beach in the company of a suddenly available woman of 28, ‘Y Tu Mamá’ manages to be comic, dramatic, erotic, sociological and even political, all without breaking a sweat.”

New this week

• Amy Nicholson calls the new movie “Gail Daughtry and the Celebrity Sex Pass” a “screwball joy … a sex comedy that’s as innocent as a Labrador puppy.”
• Less positively, Amy reviewed the live-action adaptation of “Moana,” noting “Every one of Disney’s remakes and spinoffs of its animated hits has been a naked cash grab.”
• The new “Evil Dead Burn” is brutal and not much else, per our reviewer Joshua Rothkopf: “The gore comes like a tide, shockingly for a mainstream studio wide release.”

David Kelly was flown home but could not be saved

A man has died after a holiday in Turkey when he suddenly fell seriously ill hours before flying home. David Kelly was at the airport when his health rapidly deteriorated.

Within hours, the joiner was rushed into intensive care and placed in an induced coma. He was kept alive on life support as he fought for his life miles from home. His devoted wife, Dawn, remained at his bedside in a Turkish hospital for four weeks.

A fundraiser set up with the permission of David’s family said: “What was meant to be a relaxing holiday in Turkey turned into a nightmare that none of us could have imagined. Just hours before his flight home, David suddenly became seriously unwell at the airport.

“Within a matter of hours, his condition deteriorated rapidly, and he was rushed to intensive care. Placed into an induced coma and kept alive by life support, David was fighting for his life thousands of miles from home.

“For four long weeks, his devoted wife, Dawn, remained by his side in a Turkish hospital, never leaving him as he battled with incredible strength and courage.”

David, from Barrhead, Renfrewshire, was eventually repatriated on 8 June aboard a specialist flying intensive care unit. He was taken to the Intensive Care Unit at the Royal Alexandra Hospital in Paisley.

The fundraiser said he continued his fight while receiving “outstanding care” from hospital staff. But David sadly died peacefully on 18 June surrounded by his family. The fundraiser added: “Despite everyone’s best efforts, our warrior David passed away peacefully on 18 June, surrounded by his loving family.”

His family later announced the devastating news through his business’ Facebook page, Barrhead Joinery. They said: “We would like to share the devastating news that sadly after fighting as hard as he could, our lovable, amazing David Kelly passed away on Thursday 18 June.

“Barrhead Joinery will now cease trading, as a family we’d like to thank you all for the work you all have given David over the years. Lots of love from his wife Dawn and daughters Gemma & Sophie.”

David was described as a much-loved husband, father, brother, uncle and friend. The fundraiser said: “He was someone who was always there to lend a hand, offer support, and put others before himself. Now it is our turn to be there for those he loved most.”

Tributes have also poured in from members of the local community. Noreen McHugh wrote: “I am devastated to hear this sad news about Davie. He was an excellent professional who I counted on over the years.

“But upmost a wonderful human being who was always friendly and honest. My sincerest condolences to you and your daughters. A huge loss for you all. RIP Davie, you will be sorely missed.”

Another person added: “So sorry to hear this very sad news. David did some work for me when I moved into my home in Newton Mearns some years ago. Such a lovely, lovely man. Sending you all my heartfelt condolences. x”

A fundraiser has been launched to help ease the financial impact of David’s emergency medical treatment abroad and specialist repatriation. Money raised will also support Dawn and the family, help with funeral expenses and fund donations to Kidney Research UK and the Intensive Care Unit at the Royal Alexandra Hospital.

The appeal said the donations would recognise the “exceptional care and compassion” shown to David and his family.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

July is another month absolutely packed with essential repertory screenings at venues all over Los Angeles. It’s genuinely impossible to attend everything that feels like a must-see. Joshua Rothkopf and I compiled a list of the 10 movies you need to see in L.A. this month to help in making some tough decisions.

On Monday at the Academy Museum will be a 30th anniversary screening of Wes Anderson’s debut feature, “Bottle Rocket,” which introduced the world to his still-evolving mix of whimsy and melancholy with an unmistakably specific sense of style. Anderson will make a rare Los Angeles appearance at the event, along with actor Luke Wilson and producer James L. Brooks.

The New Beverly will have a double bill on July 9 and 10 of Paul Brickman’s “Risky Business” and Steve De Jarnatt’s “Miracle Mile,” two neon-drenched artifacts of the 1980s that both feature scores by the German electronic group Tangerine Dream. (Be sure to also note the screening of “Sorcerer,” featuring another of their pulsing scores, below.)

John Travolta in Brian De Palma’s 1981 thriller “Blow Out.”

(Criterion Collection)

On July 10 there will be a 35mm screening at the Academy Museum of Brian De Palma’s paranoid 1981 thriller “Blow Out,” starring John Travolta as a sound recordist who accidentally captures a political assassination. Anyone who still hasn’t gotten enough from the Fourth of July will want to see this for the thrilling fireworks display as part of its finale.

On July 12 at the American Cinematheque’s Los Feliz Theatre will be a screening of Alexander Mackendrick’s show-biz noir “Sweet Smell of Success” in 35mm with an introduction from filmmaker Shane Black, who presumably learned a thing or two about snappy, acid-drenched dialogue from the film. Black will also be appearing at the Culver Theater on July 22 for a 10th anniversary screening of his crime comedy “The Nice Guys.”

As part of the American Cinematheque’s ongoing 70mm festival, on the 22nd there will be a screening of Damien Chazelle’s 2022 “Babylon,” a bold and ambitious look at the early days of Hollywood starring Margot Robbie and Brad Pitt. It was a box office disaster when it came out but has already seen a passionate fan base grow around it.

Have a killer holiday

Richard Dreyfuss, left, Roy Scheider and Robert Shaw in the 1975 movie “Jaws.”

(Universal Pictures)

There is something rather wholesome about the fact that Steven Spielberg’s 1975 seaside horror-thriller “Jaws” has become the official unofficial movie of the Fourth of July. Set amid a beach community suddenly beset by a great white shark as the town prepares for the holiday, the movie is a mix of ’70s-style ramshackle, good-natured ease and precison-tooled action that prefigures the blockbuster era of the ’80s. Even now at more than 50 years old, there is something undeniable about the movie’s ability to entertain, delight and terrify an audience.

This weekend “Jaws” is playing at venues all over the city, including the Frida Cinema and the Academy Museum, as well as Vidiots, the Gardena Cinema and other theaters.

An underground masterpiece

An image from Ken Jacobs’ 2004 movie “Star Spangled to Death.”

(Los Angeles Filmforum)

When acclaimed avant-garde filmmaker Ken Jacobs died last year at age 92, the world lost one of its most singular voices. In tribute to Jacobs and as a celebration of the 250th anniversary of America, on Sunday at 2220 Arts + Archives, Los Angeles Filmforum will show his “Star Spangled to Death,” a six-and-a-half-hour masterpiece that took decades to complete.

Beginning work on the project in the 1950s, Jacobs would eventually premiere the film in 2004. It is an epic compilation of his own imagery, some of it of his longtime friend and colleague Jack Smith, along with found footage that coalesces into a grand statement on nothing less than the state of the nation. Jacobs himself described the film as a portrait of “a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.”

A tribute to Marjane Satrapi

An image from the 2007 movie “Persepolis,” directed by Marjane Satrapi and Vincent Paronnaud.

(Sony Pictures Classics)

In tribute to Iranian French cartoonist and filmmaker Marjane Satrapi, who died at age 56 last month, the Los Feliz 3 will have a 35mm screening of her 2007 animated film “Persepolis” on Thursday. Director Ana Lily Amirpour will introduce the movie, which was nominated for an Oscar for animated feature.

Based on Satrapi’s own autobiographical graphic novel, “Persepolis” is about a young girl coming of age during Iran’s Islamic Revolution told with bold line drawings and a belief in the freedom of the imagination.

Love, crime and sweat

Katy O’Brian, left, and Kristen Stewart in the 2024 movie “Love Lies Bleeding.”

(Anna Kooris / A24)

Some movies arrive seeming ready made as cult revival objects. Ross Glass’ 2024 “Love Lies Bleeding” was overlooked when it was first released but seems ripe for rediscovery. In a story that knowingly plays with the motifs of classic film noir and crime dramas, Kristen Stewart plays a hapless, easily manipulated loner in a small dead-end town who falls in with a mysterious and charismatic drifter played by Katy O’Brian. Their chemistry is electric and gives the film a real charge.

The film will show on Thursday at the Frida Cinema as part of its ongoing Nu-Classics series, along with a conversation between actors and online personalities Maggie Mae Fish and Abigail Thorn.

In an interview at the time of release, Glass talked about the film’s appeal, saying, “It’s people meeting each other and falling in love for the first time and those whirlwind sort of first few weeks. Going into it, I don’t think I was specifically thinking of it as horny, but I definitely knew going into it that I wanted it to feel sweaty and intense.”

Road to nowhere

An image from William Friedkin’s 1977 adventure movie “Sorcerer.”

(Criterion Collection)

Though it is a movie we have talked about here before, it is always worth mentioning when there is a screening of William Friedkin’s 1977 “Sorcerer.” It will be playing tonight in the main room at the Academy Museum in a recent 4K restoration, which should be big and loud. The score by Tangerine Dream should be even more brain-rattling than usual in that venue.

The film notoriously first opened a week after “Star Wars” in 1977 and was left in the dust, though it has more recently become revered as one of Friedkin’s best — a movie of relentless, ratcheting tension. An adaptation of the novel that also inspired 1953’s “Wages of Fear,” Friedkin’s film is about a group of desperate men, each on the run from something, who must transport a truckload of nitroglycerine through a dangerous South American jungle.

New this week

• Amy Nicholson found “Minions & Monsters” to be a “delightful dingbat homage to Tinseltown set during the transition from silents to sound.”
• Carlos Aguilar spoke to Minions creator Pierre Coffin about all the old-school movie homages in the new film and its cameo from no less a film figure than George Lucas.
• Katie Walsh reviews Jon Erwin’s “Young Washington,” calling it “propaganda in the form of a history lesson wrapped in a summer blockbuster.”
• Tim Grierson reviews “Romería,” an autobiographical tale from Spanish writer-director Carla Simón starring newcomer Llúcia Garcia, noting “Simón and her star bracingly recall the electricity of youth.”

JOSH Duggar has been moved to a new federal prison more than 100 miles closer to his wife and family after leaving a medical facility, The U.S. Sun can exclusively reveal.

The disgraced TLC reality star, 38, is currently serving more than 12 years after being convicted of receiving and possessing child sexual abuse material following his arrest in April 2021.

Official records show he has been transferred to the Federal Transfer Center in Oklahoma City after a short stay at the Federal Medical Center in Fort Worth, Texas.

A Bureau of Prisons spokesperson previously said inmates may be transferred for a variety of reasons, including medical concerns, or other measures designed to maintain institutional safety and inmate protection.

Duggar is now about 218 miles from the family’s home in Tontitown, Arkansas — compared to the roughly 350-mile journey to FCI Seagoville in Texas, where he had been incarcerated since 2022.

The new facility serves as a temporary processing hub for federal inmates being moved between prisons, which means Duggar could be transferred again before serving out the remainder of his sentence.

The U.S. Sun has reached out to the bureau and Duggar’s lawyers comment.

He has been incarcerated since his conviction on federal child pornography charges stemming from downloads made at the used car dealership he operated in Springdale, Arkansas.

In December 2021, a federal jury found him guilty of receiving and possessing child sexual abuse material after investigators traced illegal downloads to a password-protected computer at his business.

Prosecutors argued Duggar was the only person with the knowledge and access needed to download the files.

In May 2022, he was sentenced to 151 months — more than 12 years — in federal prison, followed by 20 years of supervised release.

He was also ordered to pay a $10,000 fine.

Ever since, Duggar has unsuccessfully fought to overturn his conviction, arguing that errors were made during his trial and that evidence should not have been admitted.

Federal appeals courts have rejected the arguments, leaving his conviction and sentence intact.

His wife Anna has remained publicly loyal to her husband throughout his imprisonment despite the scandal that ended the Duggar family’s reality TV empire.

She has regularly visited him in prison and attended court hearings during his legal battle, while continuing to raise the couple’s seven children in Arkansas.

They have been married since September 2008 and have seven children together.

The Bureau of Prisons has not disclosed why Duggar was transferred or where he will ultimately be sent next.

Federal inmates are commonly moved because of security classifications, institutional needs, programming opportunities, medical reasons or other administrative decisions.

For now, Duggar remains in Oklahoma City as officials determine his permanent placement.

His projected release date remains October 2, 2032, according to Bureau of Prisons records.

Meanwhile, his racy messages to his wife Anna while he was in custody in Arkansas were revealed in a report by PEOPLE.

“[I] miss you my lover. i miss being in the shower with you scrubbing, i miss watching you try on clothes, I miss watching you being sexy,” Josh wrote.

He also congratulated his wife for “making the scale numbers lower than expected” and suggested she buy herself “something low cut” to wear in the shocking text.

He continued, “[O]r you can try on clothes and send me a pic of you in your bra and panties 😉 or try on ‘go to the private pool for sun’ swimsuit? btw you should order you a 2-piece swimsuit since summer is coming on soon, get something hot and fun.”

Josh then signed off, telling her he would love her forever and calling her “sexy.”

He wrote a similar sign-off in a message sent to Anna, 38, days later, and added, “p.s. – send pics asap as requested, imlied (sic), inferred or otherwise stated lol. nice one(s) with your twos in it! (OvO).”

OLIVIA Attwood has revealed how Pete Wicks is making sure she doesn’t forget him while she’s partying in Ibiza.

The presenter shared a huge bouquet of red roses sent by Pete, along with a note saying they were to “make her feel better” as she battled a monster hangover.

The 36-year-old also admitted she was relying on an IV vitamin drip to nurse herself back to health on the party island.

The TV star is currently in Ibiza filming the latest series of Bad Boyfriends and is expected to be away for four weeks.

When she’s not filming, Olivia has been letting her hair down at some of Ibiza’s biggest superclubs.

Meanwhile, Pete, 37, has spoken publicly about their romance for the first time after the pair were pictured packing on the PDA during a recent holiday.

RED HOT

Olivia Attwood slips into VERY revealing dress on set of Bad Boyfriends in Ibiza

Speaking on his Staying Relevant podcast with Sam Thompson, Pete opened up about the couple’s trip to St Tropez.

Joking about the loved-up snaps, Sam asked: “Question, if you don’t mind, why have I never been locked in an embrace with you in a pool?

“I’ve never been in that position with you before. You looked so comfortable and relaxed.”

Deliberately dodging the question, Pete replied: “I had a very, very lovely holiday.”

He added: “It was delightful. Switched off from the world as much as I could.

“We had lots of plans, we had lots of different things going on, we had a whole itinerary.”

Pete and Olivia are believed to have been dating since the presenter split from footballer husband Bradley Dack in January.

After their split, Olivia claimed Bradley had “lied and cheated” during their relationship and admitted she felt like a “f*****g idiot”.

The presenter was later linked to her radio co-host Pete after they were spotted kissing in March.

Since then, Olivia has admitted she would get married again.

Speaking on Gogglebox, she said: “I’ve decided now I am going to get married a few times, or engaged, because I like the ring.”

MOLLY-MAE Hague has shared some sweet new snaps of baby Midas, and they look absolutely adorable.

The reality TV stunner and her beau Tommy Fury welcomed their second child together four weeks ago.

Now marking the milestone of four weeks as a family of four, Molly-Mae took to her Instagram story to share a series of unseen baby photos.

In the first snap Tommy is cradling tiny Midas in his arms and laughing with glee.

The couple’s daughter Bambi, 3, is sitting playfully on Tommy’s leg and looking up at him as he laughs.

Over the top of the photo Molly-Mae penned: “One month as a crazy family of four,” followed by emojis of a laughing face, white heart and a family.

Read more Molly-Mae Hague

FAMILY FURY

Why Molly-Mae’s second baby has created new rift with Tommy Fury’s family

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Molly-Mae reveals first look at Midas’ chic nursery with £1.6k designer blanket

A second snap shows Midas being held outside on some patio furniture.

The little one is swaddled up in a white blanket, sleepily keeping his eyes open.

Above his head, Molly-Mae gushed yet again: “4 weeks of you.”

A final snap shows Molly-Mae holding Midas while still in a hospital bed.

Tommy is looking down at his son with his hands held up to his face in disbelief and joy.

Molly-Mae said of the moment: “One of the best moments of my life. Will never get over it.”

The new photos come less than a week after Molly-Mae posted a sentimental post about Tommy’s first Father’s Day as a father of two.

Molly-Mae had set up a beautiful balloon display and filmed Tommy’s shocked reaction as he walked down the stairs. 

The sweet clip also showed Bambi as she passed a card to her father, full of giggles. 

Vucic is under ⁠pressure after months ⁠of antigovernment protests.

Serbia’s President Aleksandar Vucic says he will step down within “weeks”.

Vucic announced his plan to resign on Saturday, paving the way for early presidential and parliamentary ‌elections.

This follows months of youth-led protests that shook his term as president.

“I will be president for only a couple of weeks, ⁠and then I will ⁠resign,” Vucic told his supporters ⁠at a pro-government rally ⁠in ⁠the capital, Belgrade.

“We will win more convincingly than ever before,” he said, telling the crowd he will help his right-wing Serbian Progressive Party at the upcoming elections and that this was probably the last time he would address them as Serbia’s president.

Vucic did not specify exactly when he would resign or when an election – for Parliament or for a new president – would be held.

The president’s second and ‌last mandate was set to expire in mid-2027.

Vucic has gradually tightened his grip on power since his populist party took over the Serbian government 14 years ago.

The news of his resignation comes against the backdrop of months of student-led mass antigovernment protests that have rattled the country.

Tens of thousands of people have been rallying across Serbia since November 2024, when the Novi Sad rail station disaster killed 16 people and sparked mass anger at the government.

Hundreds of people were detained and Serbia’s police were accused of excessive force and arbitrary arrests by the European Union. The protests eventually led to the resignation of then-Prime Minister Milos Vucevic in January 2025.

Vucic, who has dominated Serbian politics for over a decade, has repeatedly called protesters “foreign agents”, accusing them of “fuelling divisions” and seeking to overthrow the government.

In response to Vucic’s rally, students are set to hold their own gathering on Sunday in Kraljevo, central Serbia, also promoting national unity while renewing calls for early elections.

Two Weeks in August’s cast is led by none other than a Call the Midwife legend.

Two Weeks in August is drawing to a close, but the BBC has already revealed what’s stepping in to fill the gap.

Call the Midwife star Jessica Raine heads up the cast of black comedy Two Weeks in August, an eight-part series following a group of old friends who reunite for a well-deserved holiday in Greece.

However, a stolen kiss triggers a “chain reaction of infidelity, breakdowns, and escalating chaos”.

The final two 45-minute episodes air tonight, Saturday, June 27, on BBC One, with the complete boxset also available to watch on BBC iPlayer.

Ahead of its BBC One broadcast, it has now been confirmed that not one but two programmes will be stepping into its coveted Saturday primetime slot next week.

The first of the two shows taking over from Two Weeks in August on Saturday, July 4, at the slightly earlier time of 8.30pm, is The Weakest Link.

With comedian Romesh Ranganathan assuming hosting duties from the iconic Anne Robinson, celebrity contestants will include JLS star JB Gill, actress Helen Flanagan and singer Toyah Willcox.

The Weakest Link will run for 45 minutes before BBC News and Weather, paving the way for the second replacement programme at 9.30pm.

Rounding off the evening, football enthusiasts will be treated to Match of the Day Live: Fifa World Cup 2026, as the BBC broadcasts coverage of the second round-of-16 match at the Philadelphia Stadium in the US.

The official description reads: “Lionel Messi made his 1,000th career appearance and scored a 789th career goal as he inspired Argentina to a 2-1 victory over Australia at this stage in Qatar in 2022.

“Julian Alvarez capitalised on an error by Aussie goalkeeper Mathew Ryan to double Argentina’s lead in the second-half, but the Socceroos halved the deficit when Craig Goodwin’s strike took a huge deflection off Enzo Fernández with a little under 15 minutes left, and if not for the excellence of Argentine goalkeeper Emiliano Martínez could have found a late equalizer.”

Match of the Day’s broadcast will run for three hours, with the special edition due to wrap up at 12.30am.

Two Weeks in August is available to stream on BBC iPlayer.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Two of my favorite movies of the year so far are opening in Los Angeles today and they both benefit from being seen with a proper audience. You will find yourself surprised by what you are laughing at, curious about what other people are laughing at and then feel the air in the room collectively shift as both films take unexpected turns toward more genuine emotional moments.

The third feature directed by Olivia Wilde, “The Invite” is a biting look at modern relationships. Wilde stars as one half of a struggling couple, unhappily married to a character played by Seth Rogen. She invites over a couple from the apartment upstairs, played by Penélope Cruz and Edward Norton, and soon all sorts of feelings start flying around.

I reviewed for the paper, noting, “It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.”

Wilde will be making appearances around L.A. over the weekend, including at the Vista, where the movie is playing in 35mm.

Also opening this weekend is “Maddie’s Secret,” the debut feature as writer-director from comedian and actor John Early, who also stars as the title character, an aspiring L.A. food influencer battling bulimia. It is a truly astonishing performance, one that walks a difficult tightrope between sincerity and parody. Early will appear for Q&As around town this weekend.

I spoke to Early about the film when it played as part of the Los Angeles Festival of Movies about its unusual tone — somehow earnest, tender and very funny all at once. Joshua Rothkopf reviewed the film, which he calls the indie arrival of the year, comparing it to movies by John Waters, Todd Haynes and Douglas Sirk.

Jack meets the maestro

Jack Nicholson in the 1975 movie “The Passenger.”

(Sony Pictures Classics)

One movie I feel obligated to note whenever it plays it Michelangelo Antonioni’s “The Passenger.” Jack Nicholson stars as a disaffected journalist who assumes the identity of a dead man in an attempt to start over, only to find that his new life is even more complicated than his own. It is a powerful examination of middle-aged malaise that has Antonioni’s trademark mystery but, thanks to Nicholson, also has a directness that makes it accessible to wider audiences.

Nicholson made the film in between “Chinatown” and “One Flew Over the Cuckoo’s Nest,” at the height of his fame in the 1970s, a time when going to Europe and Africa to shoot a movie with an esoteric art-house filmmaker was a huge risk. He would personally purchase the rights to the film in the early 1980s and essentially treated it like owning an art object, very rarely allowing it to be shown publicly. It reentered circulation in 2005 with a rerelease but still has a certain air of rarity around it. The film will be showing at the New Beverly in 35mm on Saturday and Sunday.

Nicholson sat for an extended interview with The Times’ Patrick Goldstein around that 2005 reissue of the film, calling the production “the most vivid filmmaking adventure I’ve ever had.” He described his relationship to Antonioni by saying, “He’s been like a father figure to me. I worked with him because I wanted to be a film director and I thought I could learn from a master. He’s one of the few people I know that I ever really listened to.”

When the Italian filmmaker died in 2007, Nicholson got on the phone with us to say, “I don’t know how to put this: He’s just a maestro, and everybody loved him. … He was a man of joy and impeccable taste. His whole life was dedicated to modestly being a brilliant artist.”

Truffaut’s humanist warmth

Delphine Seyrig and Jean-Pierre Léaud in the movie “Stolen Kisses.”

(Janus Films)

Richard Linklater’s “Nouvelle Vague” last year didn’t exactly start a renewed wave of interest in the French New Wave of the 1960s, but then again, those movies never really went away. They’ve been inspirational to generations of film fans for more than 60 years now.

But one French director who has perhaps fallen out of favor slightly is François Truffaut. Long seen as one of the quintessential New Wave filmmakers, he has become taken for granted a little of late. Which is why it is exciting to see Brain Dead Studios showing his 1968 film “Stolen Kisses” in 35mm on Sunday.

The third in the series of films Truffaut returned to throughout his career, including his 1959 breakthrough “The 400 Blows,” the film again stars Jean-Pierre Léaud as Antoine Doinel, Truffaut’s alter ego through the stages of his life. Discharged from the army, Antoine drifts through a series of jobs. His real concern is juggling his busy love life, making the film something of a male-centered rom-com while capturing Truffaut’s warm, humanist worldview.

Rohmer’s caustic cynicism

Jean-Claude Brialy in the 1970 movie “Claire’s Knee.”

(Janus Films)

Conversely, a filmmaker of the French New Wave who has seen his stock rise during the last few years is Eric Rohmer, championed by Noah Baumbach among others. His more caustic view of the world may resonate better with more cynical modern audiences.

The American Cinematheque will begin showing Rohmer’s cycle of “Six Moral Tales” at the Los Feliz Theatre this weekend with a 35mm screening of “My Night at Maud’s” and continuing with other screenings through the end of July. Other films in the series include the sultry, summertime tale “La Collectionneuse,” the ethical dilemma of “Claire’s Knee” and the tale of infidelity “Love in the Afternoon.”

Writing about “Claire’s Knee” in 1971, Charles Champlin noted, “What redeems Rohmer’s films from a defeating sameness is the quite extraordinary charm, believability and complexity of his characters and his meticulous attention to detail and his refusal to go for gross events at the expense of the subtle shadings of human relationships.”

Honestly, if a trip to France isn’t happening for you this summer, this series makes for a not-bad substitute.

Reconsidering ’90s comedy

An image from the 2025 documentary “We Are Pat.”

(The Film Collaborative)

Fresh off its world premiere at the recent Tribeca Film Festival, Ro Haber’s documentary “We Are Pat” will screen at Vidiots on Sunday. Haber will be there along with comedians Julia Sweeney and Harper Steele and, for good measure, Alan Cumming.

“We Are Pat” examines the afterlife of Sweeney’s character from “Saturday Night Live,” a confusingly genderless person who no one can ever quite figure out how to engage with. The way Pat has been picked up by a new generation of genderfluid comedians shows how influence and inspiration can come from the unlikeliest of places, and also how comedic ideas can transform over time.

Ali in Africa

Muhammad Ali fights George Foreman in the 1996 documentary “When We Were Kings.”

(Gramercy Pictures)

Released in 1996, “When We Were Kings” depicts the 1974 boxing match in Zaire between Muhammad Ali and George Foreman known as “The Rumble in the Jungle.” Director Leon Gast was unable to complete the film at the time, so the footage languished for years until he got an assist from filmmaker Taylor Hackford in shooting contemporary interviews with the likes of Norman Mailer, George Plimpton and Spike Lee. “When We Were Kings” would go on to win the Academy Award for documentary feature. It will be screening at Vidiots on Saturday.

The core of the movie is watching the thrilling, inspiring footage of Ali training and interacting with the locals. As Kenneth Turan wrote in his original review, “Because a classic heavyweight championship fight, especially with these protagonists, epitomizes the drama inherent in sport, ‘When We Were Kings’ always compels our interest.”

New this week

• Amy Nicholson wasn’t crazy about “Supergirl,” but reserves praise for star Milly Alcock as the “one reason to see the film.”
• Johnny Knoxville and friends are back for another round of stunts and pranks in “Jackass: Best and Last.” Age has finally caught up with them, Amy Nicholson laments.
• It seems a little odd that a movie starring Angelina Jolie, “Couture,” is just sort of sneaking into theaters, but that’s movie business in 2026. We spoke to Jolie at last year’s Toronto International Film Festival about the film.

MAYA Jama’s ex-boyfriend Ruben Dias appears to be moving on from their split as he sets his sight on a new romantic interest.

And the Manchester City footballer, 29, controversially seems to be pursuing a connection with a fellow star from within the Love Island family.

This week Ruben followed Joanna Chimondes on Instagram, the season 5 stunner who appeared on screens back in 2019 and returned for All Stars in 2024.

Tellingly, Joanna, 29, has followed the Premier League player back on the social media platform – so watch this space.

The Sun has reached out to representatives of Ruben and Joanna for comment.

Joanna is earned a spot in the Love Island history books when she stole the affection of scouser Michael Griffiths during Casa Amor – when he was coupled up with Amber Gill.

WHIT WOO

Rosie Huntington-Whiteley flashes major sideboob as she ditches bra to party

MORE MAYA!

Maya Jama hits back at fan claims she’s on ‘zero hours contract’ on Love Island

The fireman returned to the main villa with Jo, much to Amber’s disgust who branded her villa rival ‘a dead ting’ upon learning of the betrayal.

Joanna and Michael’s romance didn’t go the distance though, as she was booted from the villa separately with Michael controversially deciding to stay.

It seems Ruben has a thing for Love Island stars having dated stunning host Maya, 31, for 18 months before The Sun exclusively revealed their split last month.

The pair first began dating in December 2024 after meeting at the MTV Europe Music Awards in Manchester the month prior.

Their relationship is understood to have ended before Maya jetted off to Scotland to film Celebrity Traitors and ahead of all new Love Island.

Ruben was accused of following women online whilst loved-up with Maya Jama and sending seedy late night requests to influencers on Instagram.

Known as “toe dipping” – fans allege Ruben has a habit of following a woman in the evening, then unfollowing them the next day.

Post break-up, the football ace has also been linked to his actress ex Daniela Melchior.

In May the defender was cheered on by Daniela in the crowd of Portugal‘s World Cup qualifier with Chile, winning 2-1.

He’s also liked snaps of his ex online – cuddling an inflatable alien, and wearing a sexy leopard print dress.

June 23 (UPI) — The June 2021 partial collapse of a Miami Beach oceanfront condominium tower that killed nearly 100 people began three weeks before the building completely failed, federal investigators announced Monday.

The four-decade-old Champlain Towers South condo in Surfside, Fla., collapsed June 24, 2021, prompting the deployment of first responders to scour the rubble for survivors. In total, 98 people were killed and many others were injured, making it one of the deadliest structural disasters in U.S. history.

The National Institute of Standards and Technology, which launched an investigation into the incident within days of the collapse, said Monday that it determined the collapse began in early June 2021, when two connections between garage columns and the building’s pool deck failed.

“These initial column failures caused cracks to grow and loads to redistribute in the pool deck over the next three weeks, resulting in the transfer of their loads to adjacent slab-column connections that were not strong enough to support them,” NIST said in a statement.

“This led to the larger catastrophic collapse on June 24.”

The 12-story Champlain Towers South building was constructed in 1981 under required codes and standards intended to ensure builders could support more load than they were expected to bear. But, Judith Mitrani-Reiser, who was a co-lead on the investigation, said the tower’s “margins against failure were not too narrow from the start.”

The investigators believe that the failure of the two connections then spread to other elements of the pool deck and street-level parking structure before unseating the southern edge of the pool deck slab from a supporting wall.

When the pool slab eventually broke away, it damaged two connections supporting that part of the tower, causing the failure to travel through the middle of the tower.

The investigators also found that loads added to the structure over the building’s lifetime, such as pool deck modifications, further narrowed the margins against failure on top of long-term degradation caused by corrosion.

The investigation team said it is now working on compiling a final report that will include recommendations for changes to standards, codes and practices, among other suggestions.

The announcement came after NIST in September released an update into its investigation stating that the condo had shown visible signs of structural strain weeks before the collapse, starting with the pool deck.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

BROOKLYN Beckham spoke about struggles he was facing with his hot sauce business, Cloud23, just weeks before his controversial World Cup ad.

The aspiring chef appeared to have cashed in on his ongoing family drama this week as a new advert to promote DoorDash – a food delivery service – was released.

The big-money ad – which saw Brooklyn hint at his reason for not attending the World Cup, which his dad is currently enjoying – has been widely received as a swipe at his famous family.

Swipe or not, the payday could have come at a good time for Brooklyn, who revealed just weeks before its release that he was ‘figuring out’ things in his business.

The eldest child of David and Victoria launched hot sauce brand Cloud23 in October 2024, and has admitted he has faced ‘ups and downs’ with the brand since.

Speaking at the Tribeca Festival in New York last week, Brooklyn explained of his company: ‘I didn’t really know what I was getting into when I was creating this.

Read more on the Beckhams

PAW PATROL

Romeo Beckham pulled over in Porsche for driving with loose dog & using phone

BECKLASH

Brooklyn Beckham’s ad ‘could backfire disastrously & tar him as nepobaby FOREVER’

“There have been a lot of ups and a lot of downs. There are things we’ve had to figure out.

“I’m still learning every single day. I’m going to continue to learn forever.”

Brooklyn also detailed how he wanted the brand to be much more than his famous name, which was built by his footballer dad and popstar mum.

“When I was creating this, I didn’t want to create another celebrity brand. I wanted to create the cleanest hot sauce there is with the most beautiful bottle,” explained the 27-year-old.

Brooklyn’s DoorDash ad has been widely seen as a nod to his estrangement from famous parents David, 51, and Victoria, 52, as well as his brothers and sister and wider family for over a year.

In the ad, he says to the camera: “You’re probably wondering why I’m watching the FIFA World Cup 2026 from home…”

Smirking Brooklyn then laughs: “It’s a long story.”

He goes on to throw down his tickets onto the coffee table.

The advert then says: “It’s complicated. More soon.”

Beloved England player Becks famously played in three FIFA World Cups in 1998, 2002 and 2006.

He’s out in America promoting the World Cup – watching the opening match with Tom Cruise.