way

CHAMPAIGN, Ill. — The loose ball tumbled through the end zone, slipping through one set of fingertips, then another, blue-and-orange bodies clawing desperately aside cardinal-and-gold ones. So much had gone wrong for USC all afternoon, from its struggling secondary to its stifled pass rush to its inconsistent quarterback, but at the most critical moment in its season thus far, here was a particularly fortunate twist of fate, as linebacker Eric Gentry punched out a fumble and, somehow, some way, Christian Pierce had recovered it.

After a seamless 4-0 start to its season, the deck had seemed stacked against the Trojans all afternoon. Their starting left tackle was out. Their starting center soon joined him. Their top red-zone target was limited, and their defensive leader, Kamari Ramsey, was up all night puking.

For a while, that seemed to be the least of the problems facing USC on Saturday. The rushing attack couldn’t find room. Both lines were being blown off the ball, and the secondary was struggling to stop the bleeding. Then there were the self-inflicted mistakes, the very same ones that had marred the season to date.

All that, however, would be washed away with that loose ball in the end zone, the second fumble Illinois had coughed up that close to the end zone. A sliver of hope immediately turned to ecstasy as quarterback Jayden Maiava launched a rope to the corner of the end zone that found Makai Lemon for a go-ahead score with under less than two minutes remaining in the game.

But that hope was erased just as quickly, fading once again into the frustration, as Illinois drove the field for a game-winning field goal as time expired, beating USC, 34-32.

Illinois (4-1, 1-1 in Big Ten) gave the Trojans (4-1, 2-1) opportunities to take over the game. It fumbled on the goal line the first time just before halftime, and struggled to move the ball to start the third quarter.

Illinois quarterback Luke Altmyer (9) rushes for a touchdown during the first half in a win over USC.

(Craig Pessman / Associated Press)

But back-breaking mistakes continued to mar the Trojans on both sides of the ball. Driving with a chance to tie the score in the third quarter, Maiava threw an ill-advised pass over the middle that was intercepted.

USC’s defense forced a rare three-and-out on the next drive, only for its own offense to go three-and-out in response.

Illinois wouldn’t waste its opportunity after that, as Kaedin Feagin caught a swing pass, shook one USC defender, turned the corner and saw nothing but open field in front of him. His 66-yard touchdown would secure Illinois’ lead until that late fumble gave USC life.

The Trojans might have been in better shape before that if it weren’t for their defense, which struggled mightily throughout Saturday. USC gave up 502 yards and was generally picked apart by Illinois quarterback Luke Altmyer, who had 331 passing yards and two touchdowns.

The Trojans also struggled again with penalties, committing eight for 69 yards. The most crucial came on the final drive when cornerback DJ Harvey was called for a critical pass interference penalty.

USC’s quarterback was not exactly at his best on Saturday. Under more pressure than he’d faced all season, Maiava sailed several passes and missed multiple open receivers. He also threw his first interception of the season.

But he did make his share of eye-popping passes downfield, including hitting Lemon in the corner of the end zone for that 19-yard, fourth-quarter touchdown. Maiava finished with 364 yards and two touchdowns.

Lemon did his best to carry USC on his own, especially with Ja’Kobi Lane out because of an injury. He caught 11 passes for 151 yards.

From the start, it was a difficult day for the Trojans.

Just as USC started to find its stride early, Waymond Jordan burst through a hole on second down and lost control of the ball. The fumble, his second on an opening drive in three weeks, bounced right into the arms of Illinois defensive back Jaheim Clarke, and the Illini mounted a 10-play touchdown drive from there, striking with a 10-yard touchdown run from Altmyer.

In spite of the fumble, USC went right back on the ensuing possession to the rushing attack and Jordan, who punched in a one-yard score. But Illinois punched back with an even longer drive, capped by a trick-play touchdown from Altmyer.

USC pulled out a trick play of its own a few minutes later, as Jordan, running toward the sideline, tossed the ball to Maiava for a perimeter flea flicker. He immediately launched a pass downfield to Lemon, who juked two defenders out of their shoes on his way into the end zone.

But the 75-yard score was ultimately called back on account of backup center J’Onre Reed being too far downfield.

The penalty was nearly a devastating one. USC’s 13-play drive stalled just past midfield, as Maiava threw three consecutive incompletions, and the Trojans turned the ball over on downs. Illinois proceeded to march down the field, all the way to the USC two-yard line.

In desperate need of a break just before halftime, USC got a gift at the goal line. As Feagin tried to force his way through traffic, the ball came loose, and USC recovered.

The sequence was significant. Without enough evidence to overturn the call, the Trojans charged down the field in time to secure a field goal. What perhaps should have been a two-score lead for the Illini coming out of the half was instead just four.

Still, it proved too much for USC to overcome.

It was a particularly busy Thursday morning for the Bixby Knolls neighborhood of Long Beach.

The area, which is home to an array of independently owned businesses and small restaurants, both of which boast unique facades from storefront to storefront, saw hundreds of eager fans start lining up outside its doors as early as 8 a.m.

Many crowded around one store in particular: Fingerprints Music, which only recently began to call Bixby Knolls its home — in April — after a roughly 15-year residency in downtown Long Beach. As crowd control barricades began springing up and artist security personnel lingered outside the famed vinyl record shop, passersby and neighbors alike began to ponder what could be going on.

It was simple: Cardi B.

The “Bodak Yellow” singer managed to squeeze in a meet-and-greet event at the store to commemorate last week’s release of her sophomore album, “Am I the Drama?” A link to tickets dropped on Fingerprints Music’s website on Sept. 9, which fans barely gave a chance to breathe.

“I follow her on Instagram — I have hard notifications on every platform — so, as soon as the video went up, I rushed to the website and bought it,” said Gerardo Torres of Gardena. “I was probably one of the first few [to buy tickets], less than five minutes after she announced it I already had mine.”

Arlene Heaton, left, of Kern County and Gerardo Torres of Gardena hold a Cardi B flag.

(Allen J. Schaben / Los Angeles Times)

Torres stood near the front of the line, which he joined around 10:30 a.m. Next to him was Arlene Heaton of Rosamond, who had just driven three hours from the Kern County community to arrive at the same time. The two met in line and quickly became friends — she donning a rhinestone-studded ensemble and he draping a flag depicting Cardi B around his shoulders.

“If she would’ve been three hours away, I would have been there as well!” Torres added.

“It took about 10 minutes [to sell out],” Heaton said. “I love the album and I just had to get the CD… I wanted to support her and I came all the way from Rosamond to see this happen — history, this is history.”

Though the event was scheduled for a 2 p.m. start, it wasn’t until 2:30 that Cardi arrived on the scene. A few fans trickled out from behind the store, rejoicing that they’d seen her arrive.

Moments later, security formed a human barrier around the entrance, and Cardi stepped out of the store with a megaphone. Whatever she said was rendered unintelligible among the thunderous cheers of fans who surged forward, putting her entourage to the test.

“I do music myself, I’m not a fan of many, but her? Oh, my God, there was no way. I got up at like 8 in the morning; I set my alarm for 6:30,” said Curshawn Watts, who called herself the “Queen of Compton.” “I was out here! I didn’t care how early I had to be here — I had to be here!” Watts said.

Curshawn Watts, a rapper who calls herself the “Queen of Compton,” holds a CD of Cardi B’s “Am I the Drama?” at Thursday’s meet-and-greet in Long Beach.

(Allen J. Schaben / Los Angeles Times)

She’d been waiting since 10 a.m. and said the heat didn’t bother her: “It’s worth it all, baby!” she declared.

As fans made their way into the store, they were greeted by the sound of tracks from Cardi’s new album playing on the store speakers. “Am I the Drama?” vinyl records and CDs filled out the shelves, and portraits of Cardi stood above them.

Nestled in the back corner behind a black curtain sat the woman herself, visibly pregnant, in brown snakeskin heels, denim shorts, and adorning various gold statement pieces. She had confirmed in a CBS interview last week that she and NFL star Stefon Diggs were expecting a child.

An estimated 1,200 fans arrived on the blistering day in Long Beach, though only 800 were able to secure a guest list spot to see the 32-year-old hip-hop artist. Others assembled nearby, hoping for a chance to merely lay eyes on her or, perhaps, to get lucky enough to join the meet-and-greet.

Indeed, Fingerprints Music and Cardi B accommodated around 200 to 300 more people toward the tail end of the event from among those who didn’t make the list. The event lasted until well after 5 p.m.

By that time, the somewhat chaotic nature of the meet-and-greet’s afternoon heights had settled down. Street vendors no longer camped outside, artists wrapped up their pieces for sale, and the weather began to cool.

Cardi B prepares to take a photo with a fan at the meet-and-greet.

(Allen J. Schaben/Los Angeles Times)

“We don’t usually do that, but everyone seemed pretty chill,” said Rand Foster, owner of Fingerprints Music. “For somebody at that caliber to be that open was really refreshing.”

Cardi B even stayed overtime to do a surprise signing of an exclusive alternate cover of her album. Four photos from a courtroom appearance she made in August embellish that variant.

Foster said he considered Thursday’s event, the largest the store has held since moving to its new location, to be a resounding success. He noted that when the store was downtown, the store once hosted an Ozzy Osbourne meet-and-greet that had a roughly 2,300-person turnout.

At its location in Bixby Knolls, the store is still feeling out its neighborhood. Foster said not only did the event bring extra traffic to other businesses, but he “didn’t hear any neighbors put out by it.”

Cardi B could have easily opted for a location more central to Los Angeles, such as Amoeba Music, so many fans were surprised and happy to see Long Beach get some love.

One man, who called himself Mr. Boug’e and sported a uniquely curled beard, said it came down to Long Beach being “dope.”

Mr. Boug’e holds up two vinyl record variants of Cardi B’s latest album, “Am I the Drama?”

(Allen J. Schaben / Los Angeles Times)

“I call it Strong Beach,” he joked. “She got love everywhere — it don’t matter. It can be in an alley… or Alaska; they gon’ love her.”

Foster, whose shop has a long-standing relationship with its Hollywood peers at Amoeba, said the decision by Cardi B’s team to hold her meet-and-greet in Long Beach probably also came down to logistics.

“Anybody who is doing this kind of event and doing it with an eye towards longevity has to be respectful to the neighbors,” he explained. “Our line got about six blocks long; I think that would be tough on Hollywood Boulevard.”

Former UCLA quarterback Dante Moore warmed up amid windy conditions when Oregon played at Northwestern on Sept. 1 in Evanston, Ill.

(Michael Reaves / Getty Images)

Northwestern’s lakeside stadium might qualify Evanston, Ill., as the Windy City given the strong gusts that have changed the trajectory of passes.

Oregon quarterback Dante Moore, who spent his freshman season with the Bruins, compared the experience to his high school stadium in Detroit, which also bordered the Great Lakes.

“Coming out in warm-up was like, ‘Holy s—, it’s windy,’ ” said Moore, who completed 16 of 20 passes for 178 yards and one touchdown with one interception during the Ducks’ 34-14 victory over the Wildcats earlier this month. “I am looking at Coach [Dan] Lanning, and Coach Lanning said, ‘It’s time to let it rip today.’ ”

So what’s a Southern California native like Iamaleava supposed to do to get ready?

“I don’t really think you can do anything to prepare for it when you’re out here,” cracked Iamaleava, alluding to warm temperatures and calm winds. “I played in a lot of windy games, for sure, and making sure to leave about ball speed and making sure that spiral is right, you know, to spin through the wind.”

My friend Deborah and I had already walked two miles around the Arroyo Seco, and I was beginning to worry we’d missed it.

Somewhere along this path lay a labyrinth. “Whenever I trail run here, it just kind of appears,” I told her, telling myself we couldn’t have missed it. And then, just when I started to lose faith, I noticed a clearing ahead.

“It’s there!” I said.

I was hiking with my dear friend Deborah Netburn, a Times reporter who covers faith, spirituality and joy. (Yes, we both have cool jobs!) We’d come to Lower Arroyo Seco Trail in Pasadena to see whether it could serve as a place for Jewish Angelenos observing Yom Kippur, one of the holiest day of the year in Judaism, to reflect on their past year in a natural space, rather than attending services in a synagogue.

Yom Kippur, which begins Wednesday evening, is the final day in the Ten Days of Awe, which also includes Rosh Hashanah. Yom Kippur is a time for deep reflection and atonement. You take a full accounting of yourself over the past year, looking beyond what you want to see or believe. You unearth any harm you’ve caused before seeking forgiveness, including from those you’ve harmed, from God and from yourself.

“It’s hard work,” said Deborah, who is Jewish. “But having a really honest accounting is a beautiful tradition and a valuable way to spend a day — one day. The religion does not ask you to do that all of the time. On one day a year, though … you unearth it all. You’re cleaning [yourself] out. And then you’re clean, and it feels really good.”

Some Jews can have this experience in their synagogues, but not everyone can, because they aren’t part of a community, they don’t feel comfortable where they are or they find traditional services too much of a financial burden for where they’re at economically.

“You can still have the experience [and] still do that work without being in a synagogue, and for a lot of people, the outdoors is a space that will support that work,” Deborah said.

Two years ago, Deborah wrote about L.A. Jews who don’t go to synagogue for Yom Kippur.

Rabbi Noah Farkas, president and chief executive of the Jewish Federation Los Angeles, told Deborah for that story that he wasn’t surprised that roughly half of the Jewish adults in L.A. choose to spend Yom Kippur outside of synagogue.

They’re “up in the mountains, they are riding bikes on the beach, they are meditating on the waves or meeting with friends to come up with creative rituals on how to let go of what is holding them down,” he said.

The La Loma Bridge, originally built in 1914, as seen from the Lower Arroyo Seco Trail.

(Jaclyn Cosgrove / Los Angeles Times)

Back at the labyrinth, Deborah instructed me to consider what I was carrying that I’d like to leave behind, our practice that day inspired by a Jewish ceremony known as Tashlich (or Tashlikh), typically performed between Rosh Hashanah and Yom Kippur, which I will explain more about later.

I immediately knew my answer. As a trans American, the current political rhetoric has made me feel unsafe in my own body, in my community, in this country.

Per Deborah’s instructions, I picked up a rock and started to imagine my fear flowing into it. I started slowly walking the path. I knew my fear wasn’t going to dissipate from just one trip through the labyrinth, but I imagined a hunk of rock falling off a mountain as I walked. I could at least chip away at it.

I started to internally chant, “This body is mine. In it, I’m safe.” I arrived in the middle and tossed my stone into a rock pile where presumably others had done similar.

Our feet crunched over the dirt and gravel as we slowly left the labyrinth. I exited feeling like I really had left a piece of my heartache behind.

Deborah and I hope the three hikes we selected, which are listed below, offer both Jewish and non-Jewish hikers opportunities to partake in practices that are most meaningful to them. And for those observing Yom Kippur, g’mar chatima tovah!

1. Lower Arroyo Seco Trail
Distance: From half a mile to 2.3 miles, depending on your route
Elevation gained: Less than 200 feet
Difficulty: Easy
Dogs allowed? Yes
Accessible alternative: See map for trail notes; the eastern side of this trail is wide and flat with few rocks, while the western side, where the labyrinth is located, is rockier. If you’d like a more accessible labyrinth, consider Descanso Gardens.

The sunset seen from the Ray Miller Backbone Trail in Point Mugu State Park.

(Jaclyn Cosgrove / Los Angeles Times)

2. Ray Miller Backbone Trail
Distance: 5.4 miles out and back
Elevation gained: About 1,000 feet
Difficulty: Moderate
Dogs allowed? No
Accessible alternative: Marvin Braude Bike Trail

The Ray Miller Backbone Trail, named after California State Parks’ first official campground host, is a 5.4-mile route through coastal sage scrub, including native plants like laurel sumac, coastal prickly pear and black sage. As lizards dart and butterflies flit across the path, take in the stunning views of the coastline. This is a great time to reflect on the past year.

Afterward, head over to the beach for a Tashlich ceremony, where you can symbolically cast out your sins — using natural elements like leaves, pieces of bark or sand — into the water. (Note: The concept of “sin” in Judaism is different from Christianity and what’s taught in the dominant culture.)

“That’s a really accessible ritual that’s Jewish, but it would work for anybody. The symbolism is universal, of casting out your sins,” Deborah said. “You wouldn’t traditionally do it on Yom Kippur because you’re at services, but it’s a great thing to do on Yom Kippur if you’re out in nature.”

The Vital Link Trail starts in Burbank’s Wildwood Canyon Park. It is one of the most challenging hikes in the L.A. area.

(Jaclyn Cosgrove / Los Angeles Times)

3. The Vital Link Trail
Distance: 3.8 miles out and back
Elevation gained: About 1,700 feet
Difficulty: Strenuous
Dogs allowed? Yes
Accessible alternative: Brace Canyon Park, which doesn’t offer the same level of difficulty but is in a geographically similar region of the county.

The Vital Link Trail in the Verdugo Mountains is one of the hardest hikes in L.A. County. It has limited shade and no on-trail water sources, so if you choose to tackle it, please pack extra water.

That said, this trail offers hikers an incredible physical challenge that doesn’t require a long drive into the mountains to reach.

Deborah and I wanted to offer a challenging trail option because, as she put it, “The experience of being in synagogue on Yom Kippur is a marathon, you are pushing yourself.”

For those who’d like a challenge on Yom Kippur, this trail delivers while offering expansive views of L.A. County. At the top, you’ll find the Willie Mann memorial chair, a lounger built in memory of a motion picture grip and hiker who loved this trail. It is a phenomenal meditation spot.

“At the end of Yom Kippur, you are exhausted, you are done, your head is killing you, you haven’t eaten, you haven’t drank anything,” Deborah said. “I wouldn’t do a hike like that on no food and no water, but I can see how it can give you that same sense of, ‘I’m clean, I just left a lot on the trail,’” even if you didn’t do a ritual like a labyrinth. The hike is the ritual.

Because of its steepness, sandy soil and some erosion, the trail is easier to navigate, especially on your way down, with trekking poles. It is easy to make a wrong turn because others have created off-trail shortcuts that can sometimes lead to dangerous drop-offs. Please download a map on your favorite outdoors app before going.

3 things to do

Coast live oaks shade the Canyon Trail in Placerita Canyon.

(Jaclyn Cosgrove / Los Angeles Times)

1. Join a hiking book club in Newhall
The Placerita Canyon Nature Center will host Books & Hikes from 9 to 11 a.m. Sunday at the nature area. The group will discuss “Assembling California” by John McPhee as participants hike along the Canyon Trail. Event details are regularly shared in the book club’s Facebook group. To register, email [email protected].

2. Walk, bike and stretch through Glendale
Walk Bike Glendale will host a community gathering from 9 a.m. to 1 p.m. Sunday at Verdugo Park (1621 Cañada Blvd.). Children can ride their bikes through a skills course, while adults can take learn-to-ride lessons. There will also be a bike repair station and maintenance class. Other activities include yoga, a trash pickup and 5K run. Learn more at the group’s Instagram page.

3. Yank invasive plants in Marina del Rey
The Ballona Wetlands Land Trust needs volunteers from 9 to 11 a.m. Saturday to yank invasive weeds from at Area A (13748 Fiji Way) in Marina del Rey. Participants should bring water and wear close-toed shoes and sun protection. No pets allowed. Learn more at the group’s Instagram page.

The must-read

The Point Arena Lighthouse on the Mendocino Coast in Northern California was built in 1908 to replace the original, which was built in 1870 and destroyed in the 1906 San Francisco earthquake.

(Myung J. Chun / Los Angeles Times)

Times staff writer Hailey Branson-Potts is on a quest to see all of California’s lighthouses. In the process, she’s learned a lot, and we, dear Wilder, are lucky that she’s willing to share that knowledge with us! Hailey penned a guide on visiting 14 of the state’s lighthouses. She outlines the nuts and bolts: how to see them, when they’re closed, how to get a stamp in your U.S. Lighthouse Society Passport. She also infuses every entry with charming local lore of each site. “In 1917, keeper William Austin and his wife moved in,” Hailey writes of the Point Fermin Lighthouse in San Pedro. “They had eight children. My favorite part of the tour is an upstairs bedroom from which two teenage daughters, Thelma and Juanita, slipped out a window, scurried across the roof and sneaked away to go dancing.” I am so eager to add some of these lighthouses to my list of places I’d like to visit in California!

Happy adventuring,

P.S.

Are you free tonight? Have you been thinking about volunteering your time in our mountains? The Arroyos and Foothills Conservancy will host a volunteer town hall from 5 to 7 p.m. at Taco Social (1627 Colorado Blvd.). You can get your questions about volunteering with the organization answered and enjoy free tacos with the new friends you’ll undoubtedly make! You can register here. Thanks for being a good human.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

Teresa Sánchez-Gordon was just a girl when federal immigration agents came for her.

She and her mother had been on their way to drop off a jacket at the dry cleaners when they spotted a group of suspicious-looking men, watching intently from down the street.

Sánchez-Gordon remembers her heart pounding with dread that the men were there to haul them away for being in the country without papers. Her mother grabbed her and they beelined back to their house. From their hiding place in a closet, they could hear loud knocks on their front door, Sánchez-Gordon recalled.

The agents’ demeanor turned “cordial,” Sánchez-Gordon suspects, only after her light-skinned father let them in.

“Dad could pass — he had blond hair, blue eyes,” she said in an interview earlier this year. “So when he opened the door and these agents are there, they just assumed he was an American citizen.”

Looking back decades later, Sánchez-Gordon, 74, said that that experience would shape her views and career. In her new role as president of the Los Angeles Police Commission, she will help guide a Los Angeles Police Department that faces questions about how to handle the Trump administration’s immigration enforcement campaign.

Sánchez-Gordon said she recognizes the fear and desperation felt by the immigrants even while living in so-called sanctuary cities such as Los Angeles, which try to shield immigrants from deportation unless they have committed serious crimes.

“Even my housekeeper today said, ‘I’m a U.S. citizen, but I’m even afraid to go outside and go to the market, because I’ve got the ‘nopal en la frente,’” she said, pointing to her forehead while using a popular expression for someone who appears to be of Mexican descent. “So my perspective, as an East L.A. girl: I’m horrified, I’m angry.”

After her close brush with deportation as a child, Sánchez-Gordon eventually gained citizenship. An early adulthood steeped in Latino activism led to a career in law, first as a federal public defender and later a Los Angeles County judge. She retired in 2017 after two decades on the bench and was appointed last October by Mayor Karen Bass to lead the Police Commission.

Much like a corporate board of directors, the commission sets LAPD policies, approves its multibillion-dollar annual budget and scrutinizes shootings and other serious uses of force to determine whether the officers acted appropriately.

Sánchez-Gordon was born in the western Mexico state of Jalisco. Her father, a butcher by trade, emigrated and found work as a bracero picking crops in fields up and down the West Coast. He sent for his family when Sánchez-Gordon was 3. She recalled how her mother bundled her and her siblings into a bus that took them to the border, where they hired a “coyote,” or human smuggler, to get the rest of the way. They eventually settled in East L.A.

The government granted a path to legal status to laborers like Sánchez-Gordon’s father that no longer exists. In recent months, she said she has been troubled by “the way that people are being treated and the separation of families in our community … and this level of hatred toward the immigrants, the people that sustain this city.”

Of particular concern for Sánchez-Gordon is the perception that LAPD officers are working closely with federal immigration agents.

“The optics of the military being here, the optics of the National Guard being in our city, the optics of our community seeing the LAPD in some of these raids is troubling,” she said.

Sánchez-Gordon said she is open to revisiting “certain language” in Special Order 40, the policy that bars officers from stopping people for the sole purpose of asking them about their citizenship status. But she doesn’t think it necessarily needs to be overhauled in order to add more protections.

At commission meetings, she has pushed harder than her colleagues to get answers from LAPD Chief Jim McDonnell about the department’s response to the immigration raids and the protests that ensued — but stopped short of openly challenging the chief.

Sánchez-Gordon replaces Erroll Southers, a former FBI agent who is now a security official at USC, as president of the commission. Southers may still remain on the body, pending a decision by the City Council.

The commission has been down a member for months, since former member Maria “Lou” Calanche resigned so she could run for City Council. A lack of quorum has led to the cancellation of roughly a third of its meetings this year. To fill Calanche’s seat, the mayor has nominated Jeff Skobin, vice president at Galpin Motors Inc. and the son of a former longtime police commissioner.

Activists have long denounced commissioners as being puppets of the Police Department who are disconnected from the everyday struggles of Angelenos. Week in and week out, some of the board’s most vocal critics show up to its meetings to blast commissioners for ignoring the threat of mass surveillance, hiding their affiliations with special interest groups and failing to curb police shootings, which have risen to 34 from 21 at this time last year.

Sánchez-Gordon said she was surprised at first by the intensity of the meetings, but that she also understands the desire for change. Early in her career, she organized to improve conditions for people who had moved to the U.S. from other countries as part of the AFL-CIO’s Labor Immigrant Assistance Project.

She got her first taste of politics volunteering for the City Council campaign of Edward R. Roybal, who would go on to serve 15 terms in Congress. She later enrolled at the People’s College of Law, an unaccredited law school in downtown, where she rubbed shoulders with other Latino political luminaries such as Gil Cedillo and future L.A. Mayor Antonio Villaraigosa.

She credits conversations around the breakfast table with her husband and father-in-law, both prominent civil rights lawyers, with inspiring her to pursue a law career. After working for several years as a federal public defender, she decided to run for judge at the prodding of a mentor. Like many activists of her generation, she thought that the best way to effect change was from the inside.

Since retiring from the bench, she has continued to work as an arbitrator and is a partner at a local injury law firm.

Sánchez-Gordon said her to-do list on the commission includes understanding the department’s ongoing struggles with recruiting new officers, and getting the department ready for the upcoming World Cup and Olympic Games. Once she gets settled, she said she intends to spend more time outside the commission’s meetings attending community events.

Given the recent rise in police shootings, she said it’s also important that officers have the right training and less-lethal options so they don’t immediately resort to using their guns.

She sees her new role as an extension of the work she’s been doing her whole career: “I just see it as what I’ve always done as a judge: You ask questions.”

“House of Guinness,” as in the famous Dublin brewery, begins with the disclaimer “inspired by true facts,” which is another way of saying, “Don’t believe everything you’ll see.” Or, in “Dragnet”-speak, “Names have not been changed, and we have no desire or obligation to protect the innocent. This is a drama, and anyway, you can’t libel the dead.” The framing may be sound, but the portraits are imaginary.

The unchanged names in the series, which premieres Thursday on Netflix, belong to the four children of Benjamin Lee Guinness, whose grandfather created the signature porter in 1778. They are Arthur (Anthony Boyle), Edward (Louis Partridge), Anne (Emily Fairn) and Benjamin (Fionn O’Shea). As we begin, it is 1868 and Benjamin Lee, just deceased, has left the brewery in equal shares to Arthur, who has been away in London for five years losing his accent and finding peace, and Edward, who has been pretty much running the place. Anne, only a woman, and a married one, is basically skipped over; and Benjamin, who has problems with drink and gambling, is given a small allowance, because, as expressed in his late father’s will, “I feel it wise not to burden Benjamin with the temptations that come with fortune.”

As seen here, neither Arthur nor Edward, whose professional expertise is mostly represented by signing papers and occasionally walking around his factory — you won’t learn anything about how Guinness is made — seems capable of running a brewery. But all that really matters to the show is that each is a tortured romantic and will have to find a way to thrive in their uneasy, unasked-for partnership.

Indeed, as a viewer in search of entertainment rather than enlightenment, it’s best to treat these characters, however much attached they are to the real people whose names they bear, as entirely fictional. There are also, of course, characters mixed up in this business who have no factual counterparts, and by virtue of their fates not being written in books or Wikipedia pages, are subject to the whims of series creator Steven Knight (“Peaky Blinders,” “A Thousand Blows,”), creating opportunities for suspense that might otherwise be lacking.

Prime among these creations are Sean Rafferty (James Norton), the Guinness family fixer, a handsome brute whom the ladies like, and the beautiful, brilliant Ellen Cochrane (Niamh McCormack), a Catholic firebrand who sees a better way toward Irish independence than throwing rocks at old man Guinness’ hearse or setting beer barrels on fire; for some reason, the Fenians, epitomized by Ellen’s “bonehead” brother Patrick (Seamus O’Hara), a grating presence and no advertisement for the movement, have decided that targeting Guinness (rich, Protestant) is going to get them somewhere.

James Norton as Sean Rafferty in “House of Guinness.”

(Ben Blackall / Netflix)

Apart from the politics, the family squabbles and the not particularly worrying fortunes of the family business — I mean, you can still order a Guinness — the main concerns of this historical melodrama, this stout opera, if you will, are beating hearts and heaving breasts. Skeptically accepting a meeting with Edward in the spirit of detente, Ellen feels electricity sparking between them, and vice versa. (More acceptably, Edward also has eyes for his cousin Adelaide Guinness, played by Ann Skelly, who has none for him.) Ben, meanwhile, is beloved by Lady Christine O’Madden (Jessica Reynolds), who foolishly believes she can reform him. Well, we’ve all seen that story.

But wait, there’s more! In this telling, at least, Arthur is gay, which is a problem for him as a person living in a super-religious country in the late 19th century and as a representative of the family and their eponymous product. If his orientation becomes known, it is suggested, the world will cease drinking his beer, and the family will be forced to subsist on the millions of pounds they have in the bank and whatever they can scrape off the several estates they own around the country. (Whenever contemporary figures are mentioned, screen-filling subtitles translate the sum into its 2025 equivalent, just so you realize how freaking rich these people were. The budget of the series is not sufficient to make that readily apparent.)

Arthur’s “complication,” which is no secret among his nonjudgmental siblings, has made him A) a target for blackmail, and B) a person in immediate need of a wife, especially as he’s about to stand for his late father’s seat in parliament. Enter Aunt Agnes Guinness (Dervla Kirwan), the story’s yenta, and marriage prospect Lady Olivia Hedges (Danielle Galligan), who is quite happy to settle for a maximum of freedom and a modicum of responsibility, and who curses in a most unladylike fashion. (But, really, the F-words and the Sh-words fly everywhere in this show.)

And what about Anne, saddled with a degenerative disease and a less-than-sexy cleric husband? She’ll sublimate her own romantic heartache in urban renewal and other good works. (Factually, the family had a philanthropic bent, and the company was so far ahead of its time in treating its workers well, including pensions beginning in the 1880s — that gets a moment here — and providing medical care to staff and their families, that much of this country still hasn’t caught up. They were less evolved, however, for many years, when it came to hiring Catholics.)

What else? There’s a curious Hobbit of a character named Byron Hedges (Jack Gleeson), an illegitimate cousin who arrives to sell himself as the man to represent their interests in America, into which Edward is keen to expand; we get some scenes set in New York. There’s Potter (Michael McElhatton), the droll, dry butler, who looks askance upon the younger Guinnesses but stays loyal, like butlers do. And Bonnie Champion (David Wilmot), a charismatic crime lord who’s also involved in the company’s export business.

There’s nothing subtle about “House of Guinness,” which makes its points in declarative sentences — sometimes gussied up with Irish-y prose — and gives its characters hardly a moment to relax and enjoy their porter, swelling the soundtrack with aggressive modern Irish rock and rap to make it exciting to the people of 2025. The show can border on the cornball; the characters are the sort you might have seen in the sort of dramas popular in 1868. But the actors inhabit their roles with commitment, so that even the bad company is good company. Good craic, as they say over there.

On a recent Friday afternoon in London, Jarvis Cocker, 62, is musing over the suit he’s just picked up from the Portobello Road Market: “I’m quite pleased with it,” he says.

He’s also grabbed some clogs — not to wear but to look at — and he notes that his wife “hates them,” but he’s happily in awe of the pair.

The outing represents a blissful break for Pulp’s leading man; it’s been a little more than two months since the group’s eighth studio effort, which debuted at No. 1 on the U.K. album charts. “More” comes more than two decades after their last project, “We Love Life,” released in 2001.

“I’ve come to realize over 24 years that I enjoy making music,” Cocker says. “It’s a main source of enjoyment. I mean, I enjoy being with my wife and stuff like that. But in terms of creativity, it’s my favorite thing to do.”

When Cocker first started making music — around “15 or 16” — he saw forming a band as a way for him to “navigate the world at a safe distance.”

“I was always quite a shy kid, so it was difficult for me to talk to people,” he recalls. “To talk to people from a stage, rather than to their faces… that worked to a certain extent.”

Though generally considered the “underdogs” of Britpop, Pulp produced some of the most intriguing sounds of the ’90s.

(Tom Jackson)

But the band’s early attempts to make the grade had fallen flat on its face. Unlike some of the group’s Britpop peers, Pulp had been around since the ’80s — Blur, Oasis, and Suede all released their debuts in the first half of the ’90s.

“It” came out as a mini-LP of sorts, under Red Rhino Records, with a short 31-minute run time over eight tracks.

“It was a deafening silence,” Cocker says of its reception. “It really didn’t sell anything at all … We played a few concerts, and then the band fell apart.”

He adds that at that point, he was considering giving up music, shipping off to Liverpool and studying English. He’d been offered entry into a program there, but two months before he was due to start, he got a call from Russell Senior.

“[He] asked me what I was doing, and I said, ‘Oh, I’m giving up music, it’s not working out’” he says. “We had a rehearsal just him, me, and Magnus Doyle [brother of Candida Doyle, Pulp’s eventual keyboardist], and it was exciting.”

Notably, he remembers thinking, “I don’t want to go read English. I’m going to stay in Sheffield and see what happens.”

Though the group would inch closer to what we now know as Pulp’s lineup, the musicians faced similar problems: They “didn’t sell anything” and were “quite ignored.” In fact, it wasn’t until Cocker went off to college to study filmmaking at Central Saint Martins — taking a sabbatical from Pulp and then returning in 1991 — that the band was asked to play a concert in ’92 and gained some traction.

Later that year, Britpop fame followed, as they were asked to play a Parisian festival alongside some would-be familiar faces: Blur and Lush.

“It was like we had some friends at last,” he jokes.

A historic run of releases came in the following decade, with “His ‘n’ Hers,” “Different Class” and “This Is Hardcore” all concocted in a period of four years.

“Having been a real … wilderness for a long time, and feeling very out on a limb … to be considered part of a movement, at least at first, was exciting,” he recalls.

“Once we actually got a chance to become popular, especially after ‘Common People’ had been a hit … then we had to record ‘Different Class’ very quickly to kind of capitalize on that.”

But the grind began to slow down to a halt. He confesses that after Pulp released “This Is Hardcore” in 1998, he began contemplating whether he “should still be in a band.” In the face of growing popularity, Cocker’s image became more well known, and the lens began to close in.

“It just put me into a different kind of social situation that I didn’t really enjoy,” he remembers. “So, I was conflicted.”

Around 2002 — one year after the release of “We Love Life” — the group quietly disbanded. In the more than two decades in between, Cocker positioned himself as a bit of a renaissance man, while pulling away from the Pulp lifestyle and delving into a solo career.

He waded into broadcast media, serving as a host on BBC Radio 6 Music’s “Jarvis Cocker’s Sunday Service,” wrote a memoir titled “Mother, Brother, Lover,” and made a cameo in “Harry Potter and the Goblet of Fire” in 2005 as part of the fictional band the Weird Sisters. His bandmates? Jonny Greenwood, Jason Buckle and Pulp bass guitarist Steve Mackey.

“I have written a book, and I presented radio shows, and I enjoy those. But music, to me … it’s a way of me making sense of what has happened to me in my life,” he says. “I write about things that have happened, and I, in a way, dramatize them by putting music to it.”

“I fell in love with music at a very early age, and so it feels like a magical thing to be able to make something that you like so much,” he adds.

In this lengthy love affair with music, it was inevitable that he would return to his first love: Pulp.

“More” returns to the band’s sonic roots, with thoughtful tunes such as “Grown Ups” and “A Sunset.”

(Tom Jackson)

When the band began working on “More,” Cocker’s main concern was that his bandmates would have thought they were “being sentenced to three years’ jail time.”

“I was loath to say to the band, ‘Let’s make an album,’ just because the last two Pulp albums that we’ve done, ‘This Is Hardcore’ and ‘We Love Life,’ had taken so long to record,” he explains.

For further context, “This is Hardcore” took around three years to record. “More” would only take three weeks and was released on June 6.

“There were songs that I knew could be good, but we’d never managed to realize them properly,” he says. “And then there were newer songs, and some songs that I’d done that I tried to play in the band, “Jarvis,” but hadn’t quite worked out.”

“The thing that makes a song good … You can’t control it, and sometimes it works easily, and sometimes it doesn’t work at all … we were just lucky, maybe because we’d left it for a long time.”

He also credits the album’s swift completion to working with music producer James Ford, who previously refined tracks for a seemingly endless list of artists. Some recent highlights include Blur’s “The Ballad of Darren,” Fontaines D.C.’s “Romance” and “Forever, Howlong,” by Black Country, New Road.

“He created a really good environment for us to record in, and everybody felt quite relaxed,” Cocker says. “It seemed like it was ready. So, it was just, ‘OK, it’s ripe. Just pick it from the tree and eat it.’”

Fresh off the June release, Cocker also kick-started a tour with dates across the U.K. and Ireland. In September, he landed in Atlanta for its North American leg, which features two shows in Los Angeles.

In particular, these stand out because Pulp will play alongside LCD Soundsystem at the Hollywood Bowl on Thursday and Friday. Simply put, Murphy said, “We’re playing at the Hollywood Bowl, would you like to come play with us?” — to which Cocker replied, “That would be good.”

It’s all been going relatively swimmingly for him, who simply sticks to his ways. But who is Jarvis Cocker in 2025?

He pauses a moment before speaking.

“It’s hard to put it into words, but I came to the realization that I wanted to live, or attempt to live, more in a world of feelings than in a world of ideas,” he says, thoughtfully. “So yeah, that’s my experiment at the moment. I’ll let you know how it goes.”

In the push to expand as quickly as possible, U.S. Immigration and Customs Enforcement is aggressively wooing recruits with experience slapping handcuffs on suspects: sheriff’s deputies, state troopers and local cops.

The agency even shelled out for airtime during an NFL game with an ad explicitly targeting officers.

“In sanctuary cities, dangerous illegals walk free as police are forced to stand down,” the August recruitment ad warned over a sunset panorama of the Los Angeles skyline. “Join ICE and help us catch the worst of the worst.”

To meet its hiring goal, the Trump administration is offering hefty signing bonuses, student loan forgiveness and six-figure salaries to would-be deportation officers.

ICE has also broadened its pool of potential applicants by dropping age requirements, eliminating Spanish-language proficiency requirements and cutting back on training for new hires with law enforcement experience.

Along the way, the agency has walked a delicate line, seeking to maintain cordial relations with local department leaders while also trying to poach their officers.

“We’re not trying to pillage a bunch of officers from other agencies,” said Tim Oberle, an ICE spokesman. “If you see opportunities to move up, make more money to take care of your family, of course you’re going to want it.”

But despite the generous new compensation packages, experts said ICE is still coming up short in some of the places it needs agents the most.

“The pay in California is incredible,” said Jason Litchney of All-Star Talent, a recruiting firm. “Some of these Bay Area agencies are $200,000 a year without overtime.”

Even entry level base pay for a Los Angeles Police Department officer is more than $90,000 year. In San Francisco, it’s close to $120,000. While ICE pays far more in California than in most other states, cash alone is less likely to induce many local cops to swap their dress blues for fatigues and a neck gaiter.

“If you were a state police officer who’s harbored a desire to become a federal agent, I don’t know if you want to join ICE at this time,” said John Sandweg, who headed ICE under President Obama.

Police agencies nationwide have struggled for years to recruit and retain qualified officers. The LAPD has only graduated an average of 31 recruits in its past 10 academy classes, about half the number needed to keep pace with the city’s plan to grow the force to 9,500 officers.

“That is a tremendous issue for us,” said Brian Marvel, president of the Peace Officers Research Assn. of California, a professional advocacy organization.

A person walks near the stage during a hiring fair by U.S. Immigration and Customs Enforcement on Aug. 26 in Arlington, Texas.

(Julio Cortez / Associated Press)

ICE, too, has long failed to meet its staffing targets. As of a year ago, the agency’s Enforcement and Removal Operations — it’s dedicated deportation force — had 6,050 officers, barely more than in 2021.

As of Sep. 16, the Department of Homeland Security said it has sent out more than 18,000 tentative job offers after a summer recruitment campaign that drew more than 150,000 applications.

It did not specify how many applicants were working cops.

At an ICE career expo in Texas last month, the agency at times turned away anyone who didn’t already have authorization to carry a badge or an honorable discharge from the military.

“We have so many people who are current police officers who are trying to get on the job right now and that’s who we’ve been prioritizing,” one ICE official at the event said.

But the spirited pursuit of rank-and-file officers has sparked anger and resentment among top cops around the country.

“Agencies are short-staffed,” said David J. Bier, an immigration expert at the Cato Institute. “They are complaining constantly about recruitment and retention and looking every which way to maintain their workforce — and here comes along ICE — trying to pull those officers away.”

Law enforcement experts say that outside of California, especially in lower income states, many young officers take home about as much as public school teachers, making the opportunity for newer hires to jump ship for a federal gig even more enticing.

Some fear the ICE hiring spree will attract problematic candidates.

“The scariest part keeping me up at night is you hear agencies say we’re lowering standards because we can’t hire,” said Justin Biedinger, head of Guardian Alliance Technologies, which streamlines background checks, applicant testing and other qualifications for law enforcement agencies.

At the same time, the Trump administration is finding ways to deputize local cops without actually hiring them.

The Department of Homeland Security has dramatically overhauled a controversial cooperation program called 287(g) that enlists local police officers and sheriff’s deputies to do the work of ICE agents.

U.S. Department of Homeland Security Secretary Kristi Noem speaks at a news conference at the Wilshire Federal Building in June in Los Angeles.

(Luke Johnson/Los Angeles Times)

As of early September, according to the program website, 474 agencies in 32 states were participating, up from 141 agencies in March.

Some states such as Georgia and Florida require their agencies to apply for the program. Others, including California, forbid it.

But that, too, could soon change.

The administration is exploring ways to force holdouts to comply, including by conditioning millions of dollars of funding for domestic violence shelters, rape crisis hotlines and child abuse centers on compliance with its immigration directives. In response, California and several other states have sued.

Even in so-called sanctuary jurisdictions such as Los Angeles, where local laws prohibit cops from participating in civil immigration enforcement, police officers have found themselves tangled up in federal operations. The LAPD has drawn criticism for officers responding to the scenes of ICE arrests where confrontations have erupted.

“We get called a lot to come out and assist in providing security or making sure that it doesn’t turn violent,” said Marvel, the police advocacy organization president.

“The vast majority of peace officers do not want to do immigration enforcement because that’s not the job they signed up for,” Marvel said. “We want to protect the community.”

Among the agency’s most vocal critics, the push to beef up ICE is viewed as both dangerous and counterproductive.

“Punishing violent criminals is the work of local and state law enforcement,” said Ilya Somin, law professor at George Mason University and a constitutional scholar at the Cato Institute. “If we were to abolish ICE and devote the money to those things, we’d have lower violence and crime.”

The cash and perks ICE is dangling will inevitably draw more people, experts said, but some warned that newly minted deportation officers should be careful about mortgaging their future.

The potential $50,000 hiring bonus is paid out in installments over several years — and the role may lack job security.

At the same time Trump is doubling ICE’s headcount, he’s also rewriting the rules to make it far easier to ax federal workers, said Sandweg, the former Obama official.

That could come back to haunt many agency recruits four years from now, he said: “I think there’s a very good chance a future Democratic administration is going to eliminate a lot of these positions.”

Zurie Pope, a Times fellow with the Ida B. Wells Society for Investigative Reporting, contributed to this report.

Spider-Man and a Hollywood tour guide were having it out.

They stood right outside Jimmy Kimmel’s studio on Hollywood Boulevard, arguing about whether ABC was right to yank the host’s TV show off the air last week after he commented on the political response to right-wing activist Charlie Kirk’s killing.

“I like Kimmel!” said the Spider-Man impersonator, who wore pink Nike sneakers and leaned in close so he could hear through his thin, face-covering costume. “What he said is free speech.”

A tour bus drives past what was Jimmy Kimmel’s studio on Hollywood Boulevard on Sept. 18, 2025.

(Genaro Molina/Los Angeles Times)

Todd Doten, a tour agent for Beverly Hills Tours of Hollywood, pushed back. He said he believed broadcasters are held to a different standard than private citizens, and that the Federal Communications Commission — which pushed to get Kimmel’s show canceled — “has somewhat of a point.”

The men verbally sparred beside singer Little Richard’s cracked star on the Walk of Fame. Then Doten patted the selfie-hawking superhero on the back and they parted ways amicably.

The scene on Friday afternoon captured the Hollywood that Kimmel embraced and aggressively promoted: Weird, gritty and surprisingly poignant.

Ever since he began filming at the El Capitan Entertainment Centre in 2003, Kimmel has been one of the famed neighborhood’s biggest ambassadors. He drew tourists to the storied Hollywood Boulevard, which — despite being home to the Academy Awards, TCL Chinese Theatre and the Walk of Fame — has long struggled with crime, homelessness and blight. He used his celebrity to help homeless youth and opened a donation center on his show’s backlot for victims of the January wildfires.

And he filmed many a sketch with Hollywood itself as the bizarro backdrop — including one returning bit called “Who’s High?” in which he tried to guess which of three pedestrians was stoned.

Protesters in front of Jimmy Kimmel’s theater a day after ABC pulled the late-night host off air indefinitely over comments he made about the response to right-wing influencer Charlie Kirk’s death.

(Genaro Molina/Los Angeles Times)

Now, locals and entertainment industry officials alike worry what will happen if Kimmel’s show permanently disappears from a Hollywood still struggling to recover from the writers’ and actors’ strikes of 2023 and the COVID-19 pandemic that literally shut the neighborhood down. While his suspension has sparked a roiling debate over free speech rights nationwide, in this neighborhood, the impact is more close to home.

“A hostile act toward Jimmy Kimmel is a hostile act toward Hollywood itself and one of its great champions,” former Los Angeles Mayor Eric Garcetti told The Times on Friday.

“Hollywood is both a place and an idea. It’s an industry and a geography. Jimmy is always big on both. He actually lives in Hollywood, at a time when not a lot of stars do.”

Miguel Aguilar, a fruit vendor who often sets up near Kimmel’s theater, said Friday that business was always better on the days “Jimmy Kimmel Live!” filmed because so many audience members bought his strawberries and pineapples doused in chamoy. He was stunned when a Times reporter told him the show had been suspended.

“Was it canceled by the government?” Aguilar asked. “We used to get a lot more customers [from the show]. That’s pretty scary.”

A man holding a sign advertising at a nearby diner said he worried about Kimmel’s crew, including the gaffers and makeup artists.

“How many people went down with Kimmel?” he asked.

And Daniel Gomez, who lives down the street, said he feared that nearby businesses will suffer from the loss of foot traffic from the show, for which audience members lined up all the way down the block.

“Tourists still will come to Hollywood no matter what, but a portion of that won’t be coming anymore,” Gomez said as he signed a large canvas outside the theater on which scores of fans and free speech advocates wrote messages about the show being axed.

Protesters in front of Jimmy Kimmel’s theater in Hollywood.

(Genaro Molina/Los Angeles Times)

“It’s pretty bad that he got shut down because of his comments,” Gomez added. “Comedians should be free to say whatever they want.”

In a joint statement, a coalition of Hollywood labor groups including the International Alliance of Theatrical Stage Employees and Screen Actors Guild–American Federation of Television and Radio Artists, said the kind of political pressure that Kimmel faced as a broadcaster “chills free speech and threatens the livelihoods of thousands of working Americans.”

“At a time when America’s film and television industry is still struggling due to globalization and industry contraction, further unnecessary job losses only make a bad situation worse,” the statement read.

During his monologue Monday, Kimmel made remarks about Tyler Robinson, the Utah man accused of fatally shooting Kirk. He said the “MAGA gang” was “desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it.”

Ingrid Salazar protests outside of the “Jimmy Kimmel Live!” studio on Thursday.

(Juliana Yamada/Los Angeles Times)

While Kimmel’s remarks could be interpreted in different ways, Kirk’s supporters immediately accused the talk show host of claiming Robinson was a Trump ally, which many of Kimmel’s supporters reject. Kimmel himself has not publicly responded.

Kimmel also mocked President Trump for talking about the construction of a new White House ballroom after being asked how he was coping with the killing of his close ally.

Nexstar Media Group responded on Wednesday, saying it would pull the show from its ABC affiliate stations because of Kimmel’s comments. Walt Disney Co., which owns ABC, then announced it would suspend “Jimmy Kimmel Live!” indefinitely.

Nexstar’s decision to yank the show came after FCC Chairman Brendan Carr, a Trump appointee, threatened to take action against ABC and urged local ABC affiliate stations to stand up the network.

“We can do this the easy way or the hard way,” Carr told right-wing podcast host Benny Johnson. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or, you know, there’s going to be additional work for the FCC ahead.”

Trump wrote on his Truth Social account: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED. Congratulations to ABC for finally having the courage to do what had to be done.”

He also targeted late-night hosts Jimmy Fallon and Seth Meyers, calling them “total losers.” He pressured NBC to cancel their shows, writing: “Do it NBC!!!”

The president this summer praised CBS’s decision to cancel “The Late Show With Stephen Colbert” after this season, writing on Truth Social on July 18: “I absolutely love that Colbert’ got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next.”

Pedestrians walk across the street from the “Jimmy Kimmel Live!” theater a day after ABC has pulled the late-night host off air indefinitely.

(Genaro Molina/Los Angeles Times)

While the show is in limbo, it is unclear what will happen to Kimmel’s iconic theater in the historic former Hollywood Masonic Temple, a neoclassical 1921 building fronted by six imposing columns.

Disney owns the building, as well as the adjacent 1920s office building that contains the El Capitan Theatre and the Ghirardelli Soda Fountain and Chocolate Shop. Kimmel’s production company, 12:05 AM Productions, occupies four floors — 26,000 square feet — in the six-story office building, according to real estate data provider CoStar.

Disney did not respond to a request for comment.

Garcetti, who long represented Hollywood on the L.A. City Council, said Kimmel was a major advocate for renovation of the old Masonic lodge and other revitalization Hollywood projects.

And after the Oscars returned for good to the Kodak Theatre (now Dolby Theatre) across the street in 2002 after several years outside of Hollywood, Kimmel “helped usher in what I call Hollywood’s second golden age, when the Academy Awards came back and people saw actual stars in nightclubs and restaurants,” Garcetti said.

When Garcetti was showing off the city to officials with the International Olympic Committee years ago in an effort to host the Games, Kimmel met their helicopter on the roof of a Hollywood hotel to brag about the neighborhood.

Jimmy Kimmel, host and executive producer of the late-night talk show, “Jimmy Kimmel Live!” celebrates as he receives his star on the Hollywood Walk of Fame Jan. 25, 2013.

(Reed Saxon/Associated Press)

At the 2013 Hollywood Chamber of Commerce ceremony awarding Kimmel a star on the Hollywood Walk of Fame, Garcetti quipped: “When you came here to Hollywood Boulevard, this place was full of drug dealers and prostitutes, and you welcomed them with open arms.”

Kimmel joked that his parents brought him to the Walk of Fame as a 10-year-old and left him there to fend for himself.

“I’m getting emotional,” he said during the ceremony. “This is embarrassing. I feel like I’m speaking at my own funeral. This is ridiculous. People are going to pee on this star.”

Kimmel’s star is by his theater, near the stars for rapper Snoop Dogg — and Donald Duck.

On his show in May, pop star Miley Cyrus told Kimmel she developed a serious infection after filming on the Hollywood Walk of Fame last year, where she rolled around on the sidewalk. Part of her leg, she said, started to “disintegrate.”

“Have you been to the Walk of Fame in the middle of the night?” she asked.

“I live here,” Kimmel said.

“I thought it was my last day,” Cyrus responded.

Hundreds of protesters have gathered outside Kimmel’s theater in recent days, decrying the suspension of his show.

The cancellation occurred right after Dianne Hall and Michael Talbur of Kansas City got tickets to a live taping of the show and traveled to Los Angeles. So, they attended a protest Thursday instead.

Hall said she was expecting Kimmel’s monologue “to be something rude toward the [Kirk] family” but was surprised when she actually listened to it.

“I kept thinking, ‘Surely something bad was said for him to get fired,’ ” Hall said. “But it was nothing like that.”

Hollywood resident Ken Tullo said he’s “not a protesting type of guy, but enough’s enough” and he did not want his daughters to grow up with a fear of speaking freely.

“The current administration cannot laugh at themselves,” Tullo said, “and they don’t want anybody else to laugh.”

Times staff writer Roger Vincent contributed to this report.

When I wrote last week about how immigration raids are targeting far more laborers than criminals, and whacking the California economy at a cost to all of us, I was surprised by the number of readers who wrote to say it’s high time for immigration reform.

The cynic in me had an immediate response, which essentially was, yeah, sure.

Bipartisan attempts failed in 2006 and 2014, so there’s a fat chance of getting anywhere in this political climate.

But the more I thought about it, nobody has done more to make clear how badly we need to rewrite federal immigration law than guess who.

President Trump.

Raids, the threat of more raids, and the promise to deport 3,000 people a day, are sabotaging Trump’s economic agenda and eroding his support among Latinos. Restaurants have suffered, construction has slowed and fruit has rotted on vines as the promised crackdown on violent offenders — which would have had much more public support — instead turned into a heartless, destructive and costly eradication.

I wouldn’t bet a nickel on Trump or his congressional lackeys to publicly admit to any of that. But there have been signs that the emperor is beginning to soften hard-line positions on deportations of working immigrants and student visas, sending his MAGA posse into convulsions.

“His heart isn’t in the nativist purge the way the rest of his administration’s heart is into it,” the Cato Institute’s director of immigration studies, David J. Bier, told the New York Times. Despite the tough talk, Bier said, Trump has “always had a soft spot for the economic needs from a business perspective.”

So too, apparently, do some California GOP legislators.

In June, six Republican lawmakers led by state Sen. Suzette Martinez Valladares (R-Santa Clarita) sent Trump a letter urging him to ease up on the raids and get to work on immigration reform.

“Focus deportations on criminals,” Martinez Valladares wrote, “and support legal immigration and visa policies that will build a strong economy, secure our borders and protect our communities.”

Then in July, a bipartisan group of California lawmakers led by State Sen. Rosilicie Ochoa Bogh (R-Yucaipa), followed suit.

Ochoa Bogh urged “immediate federal action … to issue expedited work permits to the millions of undocumented immigrants who are considered essential workers, such as farmworkers who provide critical services. These workers support many industries that keep our country afloat and, regardless of immigration status, we must not overlook the value of their economic, academic, and cultural contributions to the United States.”

State Sen. Suzette Martinez Valladares (R-Santa Clarita) sent President Trump a letter urging him to ease up on raids and focus on immigration reform.

(Rich Pedroncelli / Associated Press)

Ochoa Bogh told me she heard from constituents in agriculture and hospitality who complained about the impact of raids. She said her aunt, a citizen, “is afraid to go out and carries a passport with her now because she’s afraid they might stop her.”

The senator said she blames both Democrats and Republicans for the failure to deliver sensible immigration reform over the years, and she told me her own family experience guides her thinking on what could be a way forward.

Her grandfather was a Mexican guest worker in the Bracero Program of the 1940s, ‘50s and ‘60s, ended up being sponsored for legal status, and eventually moved his entire family north. Since then, children and grandchildren have gone to school, worked, prospered and contributed.

If Trump were to respond to her letter and visit her district, Ochoa Bogh said, “I would absolutely have him visit my family.”

Her relatives include restaurateurs, the owners of a tailoring business, a county employee and a priest.

“We don’t want undocumented people in our country. … But we need a work permit process” that serves the needs of employers and workers, Ochoa Bogh said.

Public opinion polls reflect similar attitudes. Views are mixed, largely along party lines, but a Pew study in June found 42% approval and 47% disapproval of Trump’s overall approach on immigration.

A July Gallup poll found increasing support for immigration in general, with 85% in favor of a pathway to citizenship for immigrants brought to the U.S. as minors, and 60% support among Republicans for legal status of all undocumented people if certain requirements are met.

State Sen. Rosilicie Ochoa Bogh, shown with Senate Republican Leader Scott Wilk in 2022, says constituents in agriculture and hospitality have complained about the impact of raids.

(Rich Pedroncelli / Associated Press)

So it’s not entirely surprising that a bipartisan congressional immigration reform bill, the Dignity Act of 2025, was introduced in July by a Florida Republican and a Texas Democrat. It would allow legal status for those who have lived in the U.S. for five years, are working and paying taxes, and have no criminal record.

Victor Narro, project director at the UCLA Labor Center, isn’t optimistic, given political realities. But he’s been advocating for immigration reform for decades and said “we need to continue the fight because there will be a time of reckoning” in which the U.S. will “have to rely on immigrant workers to assure economic survival.”

“Germany had to resort to guest worker programs when birth rates declined,” said Kevin Johnson, a former UC Davis law school dean. “We may be begging for workers from other nations in the not too distant future.”

“No side wants to give the other a victory, but there have got to be ways to close that gap,” said Hiroshi Motomura, a UCLA immigration scholar whose new book, “Borders and Belonging: Toward A Fair Immigration Policy,” examines the history and causes of immigration, as well as the complexities of arguments for and against.

“Practically and politically, there’s potential” for reform, Motomura said, and he sees a better chance for rational conversations at the local level than in the heat of national debate. “You’re more likely to hear stories of mixed families … and that kind of thing humanizes the situation instead of turning it into a lot of abstract statistics.”

Ochoa Bogh told me that when she wrote her letter to Trump, the feedback from constituents included both support and criticism. She said she met with her critics, who told her she should be focused on jobs for citizens rather than for undocumented immigrants.

She said she told them she is all for “American people doing American jobs.” But “we have a workforce shortage in the state in various industries,” and a U.S.-born population that is not stepping up to do certain kinds of work.

“I said to them, ‘You can’t keep your eyes closed and say this is what it should be, when there are certain realities we have to navigate.”

So what are the chances of progress on immigration reform?

Not great at the moment.

But as readers suggested, a better question is this:

Why not?

[email protected]

Clayton Kershaw blew a kiss to his family, pounded a fist in his glove, then made the familiar trot from the Dodgers’ dugout to the Chavez Ravine mound.

This time, however, he did it alone.

In what was his final regular-season start at Dodger Stadium, coming one day after he announced that he would retire at the end of this year, Kershaw took the field while the rest of his teammates stayed back and applauded.

• Share via Close extra sharing options

On a night of appreciation for his 18-year career, the moment belonged to him — and an adoring fan base that has watched his every step.

The first time Kershaw ever pitched at Dodger Stadium, he was a much-hyped and highly anticipated 20-year-old prospect. His talent immense. His Hall of Fame future in front of him.

When he did it for potentially the last time on Friday night, he was a much-beloved and long-admired 37-year-old veteran. Hardened by the failures that once defined his baseball mortality. Celebrated for the way he had learned to overcome them.

Few athletes in modern sport play for one team, for so long. Fewer still experience the emotional extremes Kershaw was put through, or manage still to weather the storm.

When Kershaw was asked about Dodgers fans during his retirement news conference Thursday, that’s the dynamic he quickly pointed to.

“It hasn’t been a smooth ride,” he said. “We’ve had our ups and downs for sure.”

Between boundless cheers and intermittent boos, historic milestones and horrifying heartbreaks, triumphant summers and torturous falls.

In regular-season play, baseball has maybe never seen a more accomplished pitcher. Kershaw’s 2.54 ERA is the lowest in the live-ball era among those with 100 starts. He is one of the 20 members of MLB’s 3,000 strikeout club. He is one of four pitchers to win three Cy Youngs and an MVP award.

In October, however, no one’s history has been more checkered. There were implosions against the St. Louis Cardinals in 2013 and 2014. The infamous fifth game of the 2017 World Series against the sign-stealing Houston Astros. The nightmare relief appearance in 2019 against the Washington Nationals. Nine trips to the playoffs in his first 11 seasons, without winning a championship once.

In those days, it made Kershaw’s relationship complicated with Dodger Nation. He was heroic until he wasn’t. Clutch until the autumn. It didn’t matter that he was often pitching on short rest, or through injuries and strenuous workloads, or in situations no other pitcher would have ever been tasked. He was the embodiment of the Dodgers’ repeated postseason failings. The face of a franchise that could never clear the final hurdle.

1

2

3

4

5

1. Clayton Kershaw reacts after getting San Francisco’s Jerar Encarnacion to hit into a double play in the third inning Friday night at Dodger Stadium. 2. Kershaw acknowledges the cheers from the Dodger Stadium crowd after exiting the game in the fifth inning. 3. Kershaw acknowledges the crowd after leaving the game in the fifth inning. 4. Kershaw is congratulated by his teammates as he exits the game. 5. Kershaw is embraced by Dodgers manager Dave Roberts as he leaves the game in the fifth inning. (Gina Ferazzi / Los Angeles Times)

“It’s almost like a relationship, right?” Kershaw said. “You’ve been in it 18 years with them. There’s some great times, and then there’s some times where you probably want to break up for a minute.”

In his case, though, that’s how such an enduring bond was built.

He persevered through such struggles. He kept coming back every season. He finally got over the hump with World Series titles in 2020 and 2024. He never shied away from even his darkest moments.

“With that responsibility as the ace, you’ve got to take on a lot of scrutiny or potential failures,” manager Dave Roberts said. “Everything wasn’t optimal for him. But he never complained about it. Never made an excuse for it.

“I think the fans, certainly at his highest moments, have shown their love for him and support. In those other times, I think it’s just, the fans have been hurting along with him. Wanting so much for a guy that’s been such a stalwart and a great citizen and person for this city and organization.”

“I think the respect, the universal respect, is certainly warranted 10 times over.”

Over a 6-3 win against the San Francisco Giants that ended just minutes after the Dodgers clinched their 13th consecutive postseason berth, that’s what was celebrated from Kershaw’s first pitch to his last.

The left-hander threw 4⅓ innings of two-run ball, striking out six batters on four hits and four walks, but it wasn’t his stats that mattered. He struggled with his command, averaged only 89 mph with his fastball, and left the mound with the Dodgers trailing, but the memories from this night will go far beyond that.

From the moment Kershaw emerged on the field at 6:23 p.m., fans rose to their feet. They cheered and chanted his pregame routine in the outfield and bullpen. They roared when his name was introduced shortly before first pitch.

They knew this could be his Dodger Stadium send-off, a sentimental opportunity to say thank you for all he accomplished and all he endured.

Kershaw felt a swirl of emotions, as well, sitting teary-eyed in the outfield while taking in the scene before the game began.

“You’re trying to focus on the night and getting outs, but it’s a special day,” Kershaw said. “It’s the last time here, potentially, and this place has meant so much to me for so long. I didn’t want to not think about it.”

At the start of the first inning, his teammates made sure he wouldn’t. As Kershaw headed to the mound, the Dodgers’ fielders made an impromptu decision to stay back and let him be serenaded with an extended ovation.

“I didn’t love it,” Kershaw joked. “But it was a great gesture.”

And as he stood on the mound alone, he smiled and waved at a moment 18 years in the making.

“This is one of those moments where Dodger fans, you all have seen him for 18 years and watched his career grow and everything that he’s gone through,” Roberts said. “People are going to back and go, ‘I was there for the last time he started a home game at Dodger Stadium.’”

From there, the night was surprisingly tense.

Kershaw gave up a home run on the third pitch of the game to Heliot Ramos. He spent the next four innings battling traffic, stranding two runners later in the first, another two in the second, and two more in the third after a Wilmer Flores RBI single.

By the fourth, it was clear Kershaw was not long for the evening. His pitch count was rising. The bullpen was active. And with two outs in the inning, Willy Adames was extending a two-strike at-bat.

On the ninth pitch of that battle, however, Kershaw finally got a whiff on a slider. For the first time since the first inning, Dodger Stadium erupted once again.

Watch Dodgers pitcher Clayton Kershaw’s full start against the San Francisco Giants at Dodger Stadium on Friday night.

Kershaw returned to the mound in the fifth, and struck out Rafael Devers with a fastball at the knees.

With that, his night was over, along with maybe his Dodger Stadium career.

“I feel like the moments that we have right there in front of us, it’s history,” second baseman Miguel Rojas said.

“You had to just kind of be there to really feel the emotions,” shortstop Mookie Betts added.

In the stands, applause echoed through a sell-out crowd of 53,037 — which included former teammates Austin Barnes, Andre Ethier, Russell Martin, Trayce Thompson and AJ Pollock; as well as other Los Angeles sports icons from Magic Johnson to Matthew Stafford (a childhood friend of Kershaw’s from Texas).

After receiving hugs from his infield, and embracing Roberts with an apology (“I’m sorry I pitched so poorly tonight”) and a request (“Not trying to be disrespectful, but I’m keeping this ball”), the pitcher then made the slow walk back from the rubber.

Dodgers pitcher Clayton Kershaw makes a hugging gesture as he walks off the mound to a standing ovation at Dodger Stadium on Friday night.

(Gina Ferazzi / Los Angeles Times)

He took a deep breath. He gave a hugging motion to his family sitting in the loge level. He donned his cap, and repeatedly said thank you to a crowd that never ceased to cheer.

“It hasn’t always been a smooth ride, but you guys have stuck with me,” Kershaw, who also re-emerged from the dugout for a raucous curtain call, reiterated in a postgame on-field interview.

“Dodger Stadium is a super special place, and the fans are the main reason why,” he added in his postgame news conference with reporters. “They continue to come out and support us. Every night, it’s 50,000 people. I wish I had better words other than I’m just so honored and thankful to hear those ovations. I’ll never take that for granted.”

Now, one more October awaits — with the Dodgers (87-67) officially clinching a postseason berth Friday after roaring to the lead on back-to-back home runs from Shohei Ohtani and Betts in the bottom half of the fifth.

Kershaw’s role in this last title chase is uncertain. With a loaded rotation, but shaky relief corps, the Dodgers’ best use for him could come out of the bullpen. Roberts said he envisions Kershaw fitting somewhere on the playoff roster. Kershaw said he can “do the math” and is prepared “to do whatever I can to help.”

Either way, his legacy with the Dodgers, and its forever indebted fan base, had already long before been graciously cemented.

“I’m kind of mentally exhausted today, honestly, but it’s the best feeling in the world now,” Kershaw said. “We got a win, we clinched a playoff berth, and I got to stand on that mound one last time. I just can’t be more grateful.”

“Perfect night,” he later added. “It really was.”

These are dark times, the average cynic might argue.

But do not despair.

If you focus on the positive, rather than the negative, you’ll have to agree that the United States of America is on top and still climbing.

Yes, protesters gathered Thursday outside “Jimmy Kimmel Live” in Hollywood to denounce ABC’s suspension of the host and President Trump’s threat to revoke licenses from networks that criticize him, despite repeated vows by Trump and top deputies to defend free speech.

You can call it hypocrisy.

I call it moxie.

And by the way, demonstrators were not arrested or deported, and the National Guard was not summoned (as far as I know).

Do you see what I mean? Just tilt your head back a bit, and you can see sunshine breaking through the clouds.

Let’s take the president’s complaint that he read “someplace” that the networks “were 97% against me.” Some might see weakness in that, or thin skin. Others might wonder where the “someplace” was that the president discovered his TV news favorability rating stands at 3%, given that he could get caught drowning puppies and cheating at golf and still get fawning coverage from at least one major network.

But Trump had good reason to be grumpy. He was returning from a news conference in London, where he confused Albania and Armenia and fumbled the pronunciation of Azerbaijan, which sounded a bit more like Abracadabra.

It’s not his fault all those countries all start with an A. And isn’t there a geography lesson in it for all of us, if not a history lesson?

We move on now to American healthcare, and the many promising developments under way in the nation’s capital, thanks to Trump’s inspired choice of Robert F. Kennedy Jr. as chief of the Department of Health and Human Services.

Those who see the glass half empty would argue that Kennedy has turned the department into a morgue, attempting to kill COVID-19 vaccine research, espousing backwater views about measles, firing public health experts, demoralizing the remaining staff and rejecting decades worth of biomedical advances despite having no medical training or expertise.

But on the plus side, Kennedy is going after food dyes.

It’s about time, and thank you very much.

I’m not sure what else will be left in a box of Trix or Lucky Charms when food coloring is removed, but I am opposed to fake food coloring, unless it’s in a cocktail, and I’d like to think most Americans are with me on this.

Also on the bright side: Kennedy is encouraging Americans to do chin-ups and pushups for better health.

Are you going to sit on the radical left side of your sofa and gripe about what’s happened to your country, or get with the program and try to do a few pushups?

OK, so Trump’s efforts to shut down the war on cancer is a little scary. As the New York Times reported, on the chopping block is development of a new technique for colorectal cancer prevention, research into immunotherapy cancer prevention, a study on improving childhood cancer survival rates, and better analysis of pre-malignant breast tissue in high-risk women.

But that could all be fake news, or 97% of it, at least. And if it’s not?

All that research and all those doctors and scientists can apply for jobs in other countries, just like all the climate scientists whose work is no longer a national priority. The more who leave, the better, because the brain drain is going to free up a lot of real estate and help solve the housing crisis.

Thank you, President Trump.

Is it any wonder that Trump has been seen recently wearing a MAGA-red hat that says “TRUMP WAS RIGHT ABOUT EVERYTHING!”

Well, mostly everything.

Climate change appears to be real.

The war in Ukraine didn’t end as promised.

The war in the Middle East is still raging.

Grocery prices did not go down on day one, and some goods cost more because of tariffs.

As for the promise of a new age of American prosperity, there’s no rainbow in sight yet, although there is a pot of gold in the White House, with estimates of billions in profits for Trump family businesses since he took office,

But for all of that, along with an approval rating that has dropped since he took office in January, Trump exudes confidence. So much so that he proudly wears that bright red hat, which he was giving out in the Oval office, and which retails for $25.

It’s another ingenious economic stimulation plan.

And there’s an important lesson here for all of us.

Never admit defeat, and when things don’t go your way, stand tall, adjust your hat, and find someone to blame.

We should all have our own hats made.

Doctors could wear hats saying they’ve never gotten a diagnosis wrong.

Dentists could wear hats saying they’ve never pulled the wrong tooth.

TV meteorologists could wear hats saying — well, maybe not — that they’ve gotten every forecast right.

I’m having hats made as you read this.

LOPEZ IS RIGHT ABOUT EVERYTHING!

Please don’t have me fired, Mr. President, if you disagree.

As for Jimmy Kimmel, I’m offering this idea free of charge:

If you ever get your job back, you, your sidekick Guillermo, and the entire studio audience should be wearing hats.

KIMMEL WAS RIGHT ABOUT EVERYTHING!

[email protected]

Jimmy Kimmel’s show is gone. So is Stephen Colbert’s. And if President Trump has his way, Seth Meyers and Jimmy Fallon will be next.

In the MAGA establishment’s ongoing censorship campaign against Trump’s critics, “Jimmy Kimmel Live!” became its latest victim when ABC announced Wednesday that it was pulling the show “indefinitely.” The network’s abrupt announcement followed an outcry from Trump’s supporters that the show’s host — a longtime critic of the president — had inaccurately described the political motivations of Tyler Robinson, the suspect in last week’s killing of right-wing activist Charlie Kirk.

The network’s announcement came hours after Brendan Carr, the Trump-nominated chairman of the Federal Communications Commission, targeted Kimmel on a right-wing podcast and suggested the FCC could take action against ABC because of remarks made by the host. He said Kimmel’s remarks were part of a “concerted effort to lie to the American people,” and that the FCC was “going to have remedies that we can look at.”

“Frankly, when you see stuff like this — I mean, we can do this the easy way or the hard way,” he told the podcast’s host, Benny Johnson. “These companies can find ways to change conduct and take action, frankly, on Kimmel, or there’s going to be additional work for the FCC ahead.”

The alleged “lies” cited by Kimmel in his Monday night monologue? That MAGA was trying to paint Robinson as “anything other than one of them.”

“We hit some new lows over the weekend with the MAGA gang desperately trying to characterize this kid who murdered Charlie Kirk as anything other than one of them and doing everything they can to score political points from it,” Kimmel said. “In between the finger-pointing, there was, uh, grieving on Friday — the White House flew the flags at half-staff, which got some criticism, but on a human level, you can see how hard the president is taking this.”

Kimmel then cut to a clip showing Trump taking questions from reporters, and when the president was asked how he was holding up, he said, “I think very good, and by the way, right there where you see all the trucks, they just started construction of the new ballroom for the White House.” Trump went on to discuss the plans for the ballroom and said the results will “be a beauty.”

It wasn’t Kimmel’s best work, but it certainly wasn’t a bombshell, either. Yet in today’s environment, it was enough to spook ABC into pulling a late-night franchise that’s endured for decades.

The FCC unsurprisingly did not apply the same standards to an outburst Monday by Greg Gutfeld, Fox News’ conservative answer to network television’s thinning herd of late-night hosts. Gutfeld cursed on air, demeaned the loss of life from another assassination earlier this year and cited information that was incorrect to back his tirade.

On Fox’s show “The Five,” Gutfeld asserted that political violence in the U.S. was only going one way — from left to right — during a conversation with co-host Jessica Tarlov. When she pushed back on his argument by bringing up the June assassination of the Democratic speaker of the Minnesota House of Representatives, Melissa Hortman, and her husband, Mark, Gutfeld exploded.

“What is interesting here is, why is only this happening on the left and not the right?” he asked. “That’s all we need to know.”

“You wanna talk about Melissa Hortman?” he shouted at her. “Did you know her name before it happened? None of us did. None of us were spending every single day talking about Mrs. Hortman — I never heard of her until after she died.”

“So, it doesn’t matter?” Tarlov asked.

“Don’t play that bulls— with me!” Gutfeld shouted. “You know what I’m talking … What I’m saying is there was no demonization, amplification about that woman before she died. It was a specific crime against her by somebody who knew her.”

No evidence has been publicly presented that the alleged killer of the Hortmans, Vance Boelter, knew the couple. According to the U.S. Department of Justice, Boelter “had a list of possible targets,” and investigators have suggested that the suspect’s right-wing political views played a role in the attacks.

Carr’s assail of Kimmel is the latest attack against the media by Trump and his administration. Trump sued ABC last year in a case that the network paid $15 million to settle. On Monday, the president filed a $15-billion defamation lawsuit against the New York Times and four of its reporters.

In July, CBS also canceled storied network franchise “The Late Show With Stephen Colbert,” claiming that the cancellation was a financial decision, but the timing also suggests it was done to placate Trump while Paramount was awaiting the FCC’s approval of a major merger between CBS’ owner Paramount and Skydance Media. A few weeks after CBS agreed to pay $16 million to settle Trump’s lawsuit against CBS News’ “60 Minutes,” the merger was approved.

Ratings for late-night television have been slipping over the last decade due to a number of factors, including the decline of linear TV as a whole and changing viewing habits with the advent of streaming and online engagement. In the 1990s, for example, Johnny Carson’s final episode in 1992 drew 50 million viewers. Letterman averaged around 7.8 million viewers in the same year. In the second quarter of 2025, “The Late Show With Stephen Colbert” topped the 11:35 p.m. hour with an average of 2.417 million viewers. “Jimmy Kimmel Live!” came in second with an average of 1.772 million viewers. NBC’s “The Tonight Show Starring Jimmy Fallon” finished third with an average of 1.188 million viewers.

On Wednesday, Trump posted a celebratory comment about Kimmel’s show being pulled: “Great News for America: The ratings challenged Jimmy Kimmel Show is CANCELLED. Congratulations to ABC for finally having the courage to do what had to be done,” Trump wrote. “Kimmel has ZERO talent, and worse ratings than even Colbert, if that’s possible. That leaves Jimmy and Seth, two total losers, on Fake News NBC. Their ratings are also horrible. Do it NBC!!! President DJT”

But the true loser here isn’t Trump’s critics or his enemy, the left. It’s freedom of speech.

Many of the treks to reach the San Gabriel Mountains’ highest peaks are arduous slogs up steep hillsides, all-day affairs that, while rewarding, are not simple day hikes.

But then there’s Throop Peak (pronounced “troop”).

Reachable via a four-mile, round-trip hike over moderate terrain, this 9,138-foot summit offers panoramic views of Los Angeles County and beyond, with some hikers reportedly seeing not only the Pacific Ocean but also Death Valley from this mountaintop.

A few reminders before we dive in:

• Always check the weather before leaving, especially right now when L.A.’s weather patterns are flip-flopping between autumnal 🍂 and summer. 🥵
• Pack more water than you think you need; there is none on this trail (although Little Jimmy and Lamel Springs — seasonal water options — are nearby).
• Print this form, place it on your vehicle’s dash and remember to share a digital copy with a loved one before you leave.

A view of Mount Lewis and the Antelope Valley from the trail near Throop Peak.

(Jaclyn Cosgrove / Los Angeles Times)

You’ll start your trek to Throop Peak at Dawson Saddle, a mountain pass that’s about an hour-and-a-half northeast of downtown L.A. There are no toilets at the trailhead, so make sure to stop beforehand if needed, perhaps at the nearby Jarvi Vista Overlook, which you’ll pass if you’re taking Angeles Crest Highway to reach the trail.

A view of the Antelope Valley, including Three Sisters and Black Butte, from the Dawson Saddle trail.

(Jaclyn Cosgrove / Los Angeles Times)

You’ll find the trailhead across the highway from a large maintenance shed. Please take good care as you head up the first third of a mile of the trail, which is narrow and slippery. Hiking poles would be helpful here.

Need to catch your breath as you get acclimated? Turn and appreciate the immediate views of the Antelope Valley to the north!

Soon, you’ll reach a ridgeline that you’ll take south past fallen logs, green pine trees and thick manzanita. From here, about half a mile in, you can look to the southeast and see where you’re headed. Throop Peak will be already visible! The trail is fairly moderate from here.

The trail to Throop Peak includes a lush segment through pine forest.

(Jaclyn Cosgrove / Los Angeles Times)

About 1.25 miles in, you will notice on your map that you can take one of two paths to reach the summit.

Mostly out of curiosity, I took the more direct route: a third of a mile up steep terrain where I crushed over sandy, rocky soil that at times was unstable. I wished I had trekking poles, but in what seems to be my curse, I forgot them at home (again!).

Just before reaching the summit, I followed the path through a thick stand of manzanita. I crossed through, although doing so always gives me the willies because snakes love shady shrubs.

The other path to the summit is twice as long, but only two-thirds of a mile, so still a short jaunt. With either path, you will gain just over 460 feet in elevation, and either path will reward you with increasingly stunning views.

I was blown away when I reached the summit, quickly noticing nearby Mt. Baden Powell, which I’ve hiked many times. Farther out, I observed layers of mountains seemingly stacked against each other, like views a painter using aerial or atmospheric perspective employs to show depth.

Layers of peaks visible from the Throop Peak summit.

(Jaclyn Cosgrove / Los Angeles Times)

I read the plaque at the summit that identifies its namesake, Amos G. Throop, founder of “Throop University in 1891,” which eventually became CalTech. (For transparency, Throop founded a Universalist group in Pasadena that exists now as the church I attend; hence I knew how to pronounce the peak’s name.)

The official and unofficial signs that mark the summit of Throop Peak.

(Jaclyn Cosgrove / Los Angeles Times)

One of the nice parts of this hike is that it isn’t terribly crowded. I encountered only five people and three dogs on my late afternoon hike last week. I had the summit to myself, which meant I could sit and really appreciate not only the surrounding vistas but also its native plants, including thick patches of yellow rabbitbrush, some lupine and maybe a bit of San Bernardino beardtongue, if my plant identification app is correct.

If you’d like to continue hiking, you have the option — as long as you have a good map — to keep hiking, hitting Mt. Baden Powell, Mt. Hawkins or any number of other surrounding peaks.

On my way down, I listened to two Clark’s nutcrackers calling back and forth to each other, and then later, the echoing squawks of ravens communicating as they foraged together.

The view from Throop Peak, a less popular hike in Angeles National Forest.

(Jaclyn Cosgrove / Los Angeles Times)

Given its short distance, moderate difficulty level and high payoff, this is one of my new favorite hikes. I’d like to return soon with friends to watch the moon rise from the summit, as the clear views to the east offer excellent opportunity for that. With every new adventure comes inspiration for the next one. May you find the same!

Throop Peak via Dawson Saddle
Distance: 4 miles
Elevation gained: About 1,200 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: For desert vibes, the Prime Desert Woodland Preserve; for views, Mount Wilson Observatory

3 things to do

Beachgoers enjoying the sun at Bluebird beach.

(Jacqueline Pinedo / Los Angeles Times)

1. Hunt for “trashure” along L.A’s coastline
The California Coastal Commission’s annual coastal cleanup day will be from 9 a.m. to noon Saturday, with cleanup events across the coastline. Several volunteer events are scheduled in L.A. County from Malibu to Long Beach. This year, volunteers can participate in what the commission has dubbed the “world’s largest scavenger hunt.” Various “trashure,” which can be redeemed for prizes including hotel stays, sporting event tickets and gift cards, will be hidden at cleanup sites. Learn more and sign up at coastal.ca.gov.

2. Begin your birding journey in Huntington Beach
Bolsa Chica Conservancy in Huntington Beach will host a beginner birder workshop from 9 a.m. to noon Sunday at its interpretative center (3842 Warner Ave.). Participants will learn how to use binoculars and how to spot and identify local birds. The class is $20 per person. Space is limited. Sign up at bolsachica.org.

3. Hike near herons in Harbor City
Los Angeles City Department of Recreation and Parks will host a nature hike from 8 to 10 a.m. Saturday through Ken Malloy Harbor Regional Park in Harbor City. Ryan Kinzel, the park department’s junior urban ecologist, will guide participants on this free trek near Machado Lake, home to more than 300 species of migratory birds, including multiple species of herons. Register at eventbrite.com, although walkups are welcome.

The must-read

A coyote at Ayala Cove located on Angel Island, a state park in the San Francisco Bay Area, on Aug. 29.

(California State Parks)

At first, the dog-like creature swimming through the San Francisco Bay looked to be a seal or sea lion. Times staff writer Alex Wigglesworth reported that onlookers, including seasoned wildlife scientists, were amazed to discover that it was instead a coyote, swimming a quarter mile off the coast of Angel Island. Coyotes have lived at Angel Island State Park since 2017, when scientists observed the first one to arrive. That ’yote may have howled enough pleas for companionship across the bay to entice more to join it. Brett Furnas, an environmental scientist with the California Department of Fish and Wildlife, pointed out that the coyote recently spotted was swimming away from the island. “That’s consistent with dispersal,” he said. “I think some of those coyotes are now saying, ‘Hey, we want our own territory,’ and they’re trying to swim back to Marin.”

Happy adventuring,

P.S.

Our local parks are for everyone. That’s why it’s so important that as many residents as possible weigh in on the city of Los Angeles Park Needs Assessment. Is your community in dire need of green spaces? Does your local park need better lighting? What’s missing? What’s your dream for your neighborhood park? You can submit your comments at needs.parks.lacity.gov to help shape the future of our green spaces and more. On the website, you can also learn about when the next community meeting is scheduled near you.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.