vulture

R&B icon Stephanie Mills revealed she had an unresolved beef with “Mother Monster” Lady Gaga.

During Wednesday’s episode of “The Jason Lee Show,” the Grammy-winning “Wiz” star didn’t hold back when she explained what went down between her and Gaga and how the experience left a sour taste in her mouth.

“I feel like Lady Gaga is a culture vulture,” Mills said. “Can I tell you something. … I don’t even know if I should say it now.”

But Mills went on and said it anyway.

She said she was approached by her former manager a few years ago and asked to fly to New York, where Lady Gaga was doing a fashion shoot. Mills’ megahit “Home” was Gaga’s favorite song, according to the manager, who asked Mills, “Would you come and surprise her and sing?”

“At first I said no,” Mills continued. “Why would I do that? And I was talked into it. Never let somebody talk you into something.

“I went,” Mills said. “She had a little black dog there, and all the other people, and so I sang for her. She didn’t smile. She didn’t do anything. She looked at me like I had two heads.”

Mills said she finished singing “Home,” and the stars took photos, but before she left, Gaga’s team stopped her at the elevator and insisted she delete the pictures. “And they did not let us leave until they saw every picture being deleted,” she said. “Very disrespectful.”

The Broadway star further explained that she thought Gaga was a culture vulture because she was managed by a Black man, Troy Carter, who also worked with John Legend, Eve, Nelly, Meghan Trainor and Charlie Puth. Carter is widely credited with ushering the “Born This Way” singer into superstardom in the aughts.

“I know who I am. I did it. I sang a song for her. I had admiration for her. I don’t any longer,” Mills said.

“I give everybody grace, and I’ve learned throughout the years to take my temperature down and not react but show them who I am later. … It’s like you don’t have to always react, but sooner or later you’ll get your chance to say, ‘Do you remember?’”

She followed the statement by looking straight into the camera and addressing Gaga, “I hope you watch, and I hope you remember what you did. And I feel like you owe me an apology.”

Reps for Gaga did not immediately respond to The Times’ request for comment, but the star — as well as many other musicians and actors — has a history of nixing photographs.

However, Jorge Galindo, director at the Esade centre for economic policy, says that available data makes it difficult to know exactly how many Spanish properties are owned by so-called “vulture funds” and being used for speculation.

He points to Bank of Spain figures from 2024 showing that only 8% of properties for rent are owned by companies.

Galindo says he concludes from the data available that there is not a notable accumulation of property to rent among a small number of owners in Spain.

“When it comes to explaining the rise in rentals, that is not the big cause,” he says. “What explains it is the shortage of supply compared to demand over recent years.”

The Bank of Spain appears to agree, and has estimated that the country has a housing shortfall of around 750,000 homes.

The institution’s deputy governor, Soledad Núñez, warned in September that by 2028 that could rise to one million.

There are 3.8 million empty properties in Spain, according to the National Statistics Institute (INE), but a large number of those are in depopulated rural areas and therefore have little relevance to the current crisis, which is most acute in urban hubs.

Other explanations for this high number include properties awaiting renovation, or legal disputes between family members who have inherited them.

Demographic changes play a major part in the imbalance between supply and demand.

Between 2021 and 2025, there were about 1.2 million new households in Spain, driven in great part by the arrival of migrants who have played a major role in the country’s recent economic growth.

However, house building has not kept pace, with fewer than half-a-million new homes during that period.

That was partly because Spain’s construction industry had shrunk in the wake of the Eurozone crisis, while the cost of materials rose substantially after Covid, and a lack of political consensus put legal obstacles in the way of building.

“It was not a priority for us to build new houses,” Galindo says. “But, once the demographic boom came, we realised how costly it was for us.”

He adds that short-term tourist accommodation, like Airbnb, which has been identified by both the Spanish government and many activists as a culprit, is likely to have had a more localised effect, pushing up prices in specific urban areas rather than having an overall impact.