Yemen’s Houthis have released a video showing their attack on the Magic Seas, a commercial ship they said had sunk in the Red Sea. The group says it’s targeting vessels linked to Israel in support of Palestinians in Gaza.
Published On 9 Jul 20259 Jul 2025
Cardi B, who wonders “Am I the Drama?” on her upcoming album, now faces a different question from curious fans: Did she split with Stefon Diggs?
The Grammy-winning “Bodak Yellow” rapper sparked breakup chatter this week after eagle-eyed followers noticed she had taken down photos featuring NFL star Diggs from her Instagram page. Cardi B, 32, and Diggs, 31, hard-launched their relationship during the NBA Playoffs in May and made things Instagram official in June.
Representatives for Cardi B and Diggs did not immediately respond to The Times on Tuesday.
In June, Cardi B flaunted her relationship with the New England Patriots wide receiver, sharing very intimate photos from a steamy boating trip in a since-removed Instagram carousel. “Chapter 5 ……Hello Chapter six,” Cardi B captioned the collection of photos, which is no longer publicly visible on her profile.
Cardi B and Diggs first sparked dating rumors in February, when TMZ published video of the pair arriving at a Miami hotel during Valentine’s Day weekend. In April, they were spotted together again partying it up at a Manhattan nightclub. Photos of the rapper dancing on the athlete’s lap spread online and even got a thumbs-up from the musician’s estranged husband, Migos rapper Offset.
Cardi B reportedly filed to divorce Offset in 2024. Since then, their relationship has been far from friendly as the pair — who share three young children — continue to spar on social media.
While Cardi B’s Instagram does not currently feature any photos of Diggs, it’s worth noting that they still follow each other on the app. Cardi B and Offset, on the other hand, are no longer Instagram mutuals.
Speculation about the status of Cardi B’s romantic life surfaced as she arrived at Paris Fashion Week sans Diggs. She appeared at the Schiaparelli showcase at Petit Palais wearing a body-hugging gown with a dramatic neckline and fringe. A live crow was perched on the “W.A.P.” artist‘s right hand, evoking imagery from her forthcoming album.
Cardi B revealed in late June that her long-anticipated sophomore album, “Am I the Drama?,” is set to drop Sept. 19, seven years after her debut, “Invasion of Privacy.” Her social media announcement included a look at the theatrical album cover: She wears an abstract red body suit and matching fishnet stockings, grabbing one heel as a dark bird rests on her shoe and more of them swarm around her.
Before the announcement, Cardi B reflected in a teaser on “seven years of love, life and loss” and trading in grace for hell.
“I learned power’s not given. It’s taken,” the Bronx native says in the video. “I’m shedding feathers and no more tears. I’m not back. I’m beyond.”
AN expert has analysed the awkward moment Brigitte Macron “refuses” her husband.
It comes several months after she appeared to slap Emmanuel as they prepared to disembark a plane in Vietnam.
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Emmanuel and his wife Brigitte have arrived in the UK ahead of tonight’s state banquet at Windsor Castle.
However, footage of the pair arriving suggests there could be tension between them according to body language expert Judi James.
After Emmanuel is safely on solid ground, he turns around to offer his arm to his wife as she descends the stairs from the plane.
Yet Brigitte refuses Emmanuel’s gesture, leaving him awkwardly holding his arm in mid-air.
The pair then begin to greet members of the Royal Family who have been awaiting their arrival.
Judi said: “Macron appeared determined to take a joyfully tactile approach to everyone he met today, with exception of his wife.
She added that Brigitte looked “less charmed by her husband’s attempts at a more tactile approach, refusing his offer of a hand to help as she stepped down from the plane”.
While Brigitte does smile at her husband once she’s by his side, the couple quickly begin greeting their hosts.
Emmanuel leads, greeting Prince William first.
Judi said: “His greeting ritual for William was almost intimate enough to suggest he was family.
“He clasped William’s hand for several long seconds, using his left hand to perform a volley of add-on pats and clasps as he did so, each one suggesting close bonding and familiarity.”
After placing his hand over William’s, he then moves it to the prince’s lower arm.
This “intensified the familiarity signals” according to Judi, as Emmanuel moves his hand above William’s elbow before moving it back down to the lower arm.
Emmanuel then moves on to greet Kate, while Brigitte in turn greets William.
In a “creakingly out of date ritual” according to Judi, Emmanuel leans down to kiss the back of Kate’s hand.
Judi said: “This gesture looks gallant but it leaves the woman being kissed with little option but to giggle prettily.”
While Emmanuel leaned down to kiss Kate’s hand, Charles instead raises Brigitte’s hand to his lips, as he “gazes adoringly” Judi said.
Calling back to the rumoured Vietnam slap, Judi said: “Was this the hand she shoved her husband with back in Vietnam?
“If so, Charles was clearly busy charming it into submission.”
In a similarly familial gesture, Emmanuel went on to pat Charles’ upper arm “in a gesture of macho unity”.
The procession precedes tonight’s state banquet in which 160 guests will dine at Windsor Castle to celebrate the relationship between France and Britain.
Princess Kate and Prince William will both be in attendance for the fabulous event.
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WASHINGTON — Jeffrey Epstein did not maintain a “client list,” the Justice Department acknowledged Monday as it said no more files related to the wealthy financier’s sex trafficking investigation would be made public despite promises from Atty. Gen. Pam Bondi that had raised the expectations of conservative influencers and conspiracy theorists.
The acknowledgment that the well-connected Epstein did not have a list of clients to whom underage girls were trafficked represents a public walk-back of a theory that the Trump administration had helped promote, with Bondi suggesting in a Fox News interview earlier this year that such a document was “sitting on my desk” in preparation for release.
Even as it released video from inside a New York jail meant to definitively prove that Epstein died by suicide, the department also said in a memo that it was refusing to release other evidence investigators had collected. Bondi for weeks had suggested that more material was going to be revealed — “It’s a new administration and everything is going to come out to the public,” she said at one point — after a first document dump she had hyped angered President Trump’s base by failing to deliver revelations.
That episode, in which conservative internet personalities were invited to the White House in February and provided with binders marked “The Epstein Files: Phase 1” and “Declassified” that contained documents that had largely already been in the public domain, has spurred far-right influencers to lambast and deride Bondi.
After the first release fell flat, Bondi said officials were pouring over a “truckload” of previously withheld evidence she said had been handed over by the FBI. In a March TV interview, she claimed the Biden administration “sat on these documents, no one did anything with them,” adding: “Sadly these people don’t believe in transparency, but I think more unfortunately, I think a lot of them don’t believe in honesty.”
But after a months-long review of evidence in the government’s possession, the Justice Department determined that no “further disclosure would be appropriate or warranted,” the memo says. The department noted that much of the material was placed under seal by a court to protect victims and “only a fraction” of it “would have been aired publicly had Epstein gone to trial.”
The two-page memo bore the logos of the Justice Department and the FBI but was not signed by any individual official.
“One of our highest priorities is combatting child exploitation and bringing justice to victims,” the memo says. Perpetuating unfounded theories about Epstein serves neither of those ends.”
Conservatives who have sought proof of a government cover-up of Epstein’s activities and death expressed outrage Monday over the department’s position. Far-right influencer Jack Posobiec posted: “We were all told more was coming. That answers were out there and would be provided. Incredible how utterly mismanaged this Epstein mess has been. And it didn’t have to be.”
Conspiracy theorist Alex Jones wrote that “next the DOJ will say ‘Actually, Jeffrey Epstein never even existed,’ calling it “over the top sickening.” Elon Musk shared a series of photos of a clown applying makeup appearing to mock Bondi for saying the client list doesn’t exist after suggesting months ago that it was on her desk.
Among the evidence that the Justice Department says it has in its possession are photographs and more than 10,000 videos and images that officials said depicted child sex abuse material or “other pornography.” Bondi had earlier suggested that part of the reason for the delay in releasing additional Epstein materials was because the FBI needed to review “tens of thousands” of recordings that she said showed Epstein “with children or child porn.”
The Associated Press published an article last week about the unanswered questions surrounding those videos.
Multiple people who participated in the criminal cases of Epstein and former British socialite girlfriend Ghislaine Maxwell told AP that they had not seen and did not know of a trove of recordings along the lines of what Bondi had referenced. Indictments and detention memos also don’t allege the existence of video recordings and neither Epstein nor Maxwell were charged with possession of child sex abuse material even though that would have been easier for prosecutors to prove than the sex trafficking counts they faced.
The AP did find reference in a filing in a civil lawsuit to the discovery by the Epstein estate of videos and pictures that could constitute child sex abuse material, but lawyers involved in that case said a protective order prevents them from discovering the specifics of that evidence.
The Justice Department did not respond to a detailed list of questions from AP about the videos Bondi was referencing.
Monday’s memo does not explain when or where they were located, what they depict and whether they were newly found as investigators scoured their collection of evidence or were known for some time to have been in the government’s possession.
Epstein was found dead in his jail cell in August 2019, weeks after his arrest on sex trafficking charges, in a suicide that foreclosed the possibility of a trial.
The department’s disclosure that Epstein took his own life is hardly a revelation even though conspiracy theorists have continued to challenge that conclusion.
In 2019, for instance, then-Atty. Gen. William Barr told the AP in an interview that he had personally reviewed security video that revealed that no one entered the area where Epstein was housed on the night he died and Barr had concluded that Epstein’s suicide was the result of “a perfect storm of screw-ups.”
More recently, FBI Director Kash Patel and Deputy Director Dan Bongino have insisted in television and podcast interviews that the evidence was clear that Epstein had killed himself.
Tucker and Richer write for the Associated Press.
Melbourne’s Metro Tunnel is expected to open in late 2025. Described as the most significant overhaul of the city’s transport network since the City Loop opened in the 1980s, the tunnel has been taking shape beneath the city for the past eight years – with the bill ballooning to $14bn. With an eye on the 2026 state election, the long-serving Victorian Labor government – with its soaring debt of nearly $200bn – is banking on the project to turn its fortunes around. Guardian Australia’s Victoria state correspondent, Benita Kolovos, gets a look at the city’s newest train stations
Iranian media has released a video showing the moment an Israeli attack targeted Tehran during its conflict in June.
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UN Special Rapporteur has named dozens of companies implicated what she calls “an economy of genocide".
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Palestinians in Gaza have been using the viral ‘turmeric trend’ to talk about their hunger and Israel’s genocide in Gaza
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WASHINGTON — It was a surprising statement from Atty. Gen. Pam Bondi as the Trump administration promises to release more files from its sex trafficking investigation of Jeffrey Epstein: The FBI, she said, was reviewing “tens of thousands of videos” of the wealthy financier “with children or child porn.”
The comment, made to reporters at the White House days after a similar remark to a stranger with a hidden camera, raised the stakes for President Trump’s administration to prove it has in its possession previously unseen compelling evidence. That task is all the more pressing after an earlier document dump that Bondi hyped angered elements of Trump’s base by failing to deliver new bombshells and as administration officials who had promised to unlock supposed secrets of the so-called government “deep state” struggle to fulfill that pledge.
Yet weeks after Bondi’s remarks, it remains unclear what she was referring to.
The Associated Press spoke with lawyers and law enforcement officials in criminal cases of Epstein and socialite former girlfriend Ghislaine Maxwell who said they hadn’t seen and didn’t know of a trove of recordings like what Bondi described. Indictments and detention memos do not reference the existence of videos of Epstein with children, and neither was charged with possession of child sex abuse material even though that offense would have been much easier to prove than the sex trafficking counts they faced.
One potential clue may lie in a little-noticed 2023 court filing — among hundreds of documents reviewed by the AP — in which Epstein’s estate was revealed to have located an unspecified number of videos and photos that it said might contain child sex abuse material. But even that remains shrouded in secrecy with lawyers involved in that civil case saying a protective order prevents them from discussing it.
The filing suggests a discovery of recordings after the criminal cases had concluded, but if that’s what Bondi was referencing, the Justice Department has not said.
The department declined repeated requests from the AP to speak with officials overseeing the Epstein review. Spokespeople did not answer a list of questions about Bondi’s comments, including when and where the recordings were procured, what they depict and whether they were newly discovered as authorities dug through their evidence collection or were known for some time to have been in the government’s possession.
“Outside sources who make assertions about materials included in the DOJ’s review cannot speak to what materials are included in the DOJ’s review,” spokesperson Chad Gilmartin said in a statement.
Epstein’s crimes, high-profile connections and jailhouse suicide have made the case a magnet for conspiracy theorists and online sleuths seeking proof of a cover-up. Elon Musk entered the frenzy during his acrimonious fallout with Trump when he said without evidence in a since-deleted social media post that the reason the Epstein files have yet to be released is that the Republican president is featured in them.
During a Fox News Channel interview in February, Bondi suggested an alleged Epstein “client list” was sitting on her desk. The next day, the Justice Department distributed binders marked “declassified” to far-right influencers at the White House, but it quickly became clear much of the information had long been in the public domain. No “client list” was disclosed, and there’s no evidence such a document exists.
The flop left conservatives fuming and failed to extinguish conspiracy theories that for years have spiraled around Epstein’s case. Right wing-personality Laura Loomer called on Bondi to resign, branding her a “total liar.”
Afterward, Bondi said an FBI “source” informed her of the existence of thousands of pages of previously undisclosed documents and ordered the bureau to provide the “full and complete Epstein files,” including any videos. Employees since then have logged hours reviewing records to prepare them for release. It’s unclear when that might happen.
In April, Bondi was approached in a restaurant by a woman with a hidden camera who asked about the status of the Epstein files release. Bondi replied that there were tens of thousands of videos “and it’s all with little kids,” so she said the FBI had to go through each one.
After conservative activist James O’Keefe, who obtained and later publicized the hidden-camera video, alerted the Justice Department to the encounter, Bondi told reporters at the White House: “There are tens of thousands of videos of Epstein with children or child porn.”
The comments tapped into long-held suspicions that, despite the release over the years of thousands of records documenting Epstein’s activities, damaging details about him or other prominent figures remain concealed.
The situation was further muddied by recent comments from FBI Director Kash Patel to podcaster Joe Rogan that did not repeat Bondi’s account about tens of thousands of videos.
Though not asked explicitly about Bondi, Patel dismissed the possibility of incriminating videos of powerful Epstein friends, saying, “If there was a video of some guy or gal committing felonies on an island and I’m in charge, don’t you think you’d see it?” Asked whether the narrative “might not be accurate that there’s video of these guys doing this,” he replied, “Exactly.”
Epstein’s suicide in August 2019, weeks after his arrest, prevented a trial in New York and cut short the discovery process in which evidence is shared among lawyers.
But even in a subsequent prosecution of Maxwell, in which such evidence would presumably have been relevant given the nature of the accusations against an alleged co-conspirator, salacious videos of Epstein with children never surfaced nor were part of the case, said one of her lawyers.
“We were never provided with any of those materials. I suspect if they existed, we would have seen them, and I’ve never seen them, so I have no idea what [Bondi is] talking about,” said Jeffrey Pagliuca, who represented Maxwell in a 2021 trial in which she was convicted of luring teenage girls to be molested by Epstein.
To be sure, photographs of nude or seminude girls have long been known to be part of the case. Investigators recovered possibly thousands of such pictures while searching Epstein’s Manhattan mansion, and a videorecorded walk-through by law enforcement of his Palm Beach, Fla., home revealed sexually suggestive photographs displayed inside, court records show.
Accounts from more than one accuser of feeling watched or seeing cameras or surveillance equipment in Epstein’s properties have contributed to public expectations of sexual recordings. A 2020 Justice Department Office of Professional Responsibility report on the handling of an earlier Epstein investigation hinted at that possibility, saying police who searched his Palm Beach home in 2005 found computer keyboards, monitors and disconnected surveillance cameras, but the equipment — including video recordings and other electronic items — was missing.
There’s no indication prosecutors obtained any missing equipment during the later federal investigation, and the indictment against him included no recording allegations.
An AP review of hundreds of documents in the Maxwell and Epstein criminal cases identified no reference to tens of thousands of videos of Epstein with underage girls.
“I don’t recall personally ever having that kind of discussion,” said one Epstein lawyer, Marc Fernich, who couldn’t rule out such evidence wasn’t located later. “It’s not something I ever heard about.”
In one nonspecific reference to video evidence, prosecutors said in a 2020 filing that they would produce to Maxwell’s lawyers thousands of images and videos from Epstein’s electronic devices in response to a warrant.
But Pagliuca said his recollection was those videos consisted largely of recordings in which Epstein was “musing” into a recording device — “Epstein talking to Epstein,” he said.
Complicating efforts to assess the Epstein evidence is the volume of accusers, court cases and districts where legal wrangling has occurred, including after Epstein’s suicide and Maxwell’s conviction.
The cases include 2022 lawsuits in Manhattan’s federal court from an accuser identified as Jane Doe 1 and in the U.S. Virgin Islands, where Epstein had a home, alleging that financial services giant JPMorgan Chase failed to heed red flags about him being a “high-risk” customer.
Lawyers issued a subpoena for any video recordings or photos that could bolster their case.
They told a judge months later the Epstein estate had alerted them that it had found content that “might contain child sex abuse imagery” while responding to the subpoena and requested a protocol for handling “videorecorded material and photographs.” The judge ordered representatives of Epstein’s estate to review the materials before producing them to lawyers and to alert the FBI to possible child sexual abuse imagery.
Court filings don’t detail the evidence or say how many videos or images were found, and it’s unclear whether the recordings Bondi referenced were the same ones.
The estate’s disclosure was later included by a plaintiffs’ lawyer, Jennifer Freeman, in a complaint to the FBI and the Justice Department asserting that investigators had failed over the years to adequately collect potential evidence of child sex abuse material.
Freeman cited Bondi’s comments in a new lawsuit on behalf of an Epstein accuser who alleges the financier assaulted her in 1996. In an interview, Freeman said she had not seen recordings and had no direct knowledge but wanted to understand what Bondi meant.
“I want to know what she’s addressing, what is she talking about — I’d like to know that,” she said.
Tucker and Richer write for the Associated Press. AP journalist Aaron Kessler in Washington contributed to this report.
For “Grease” fans in Los Angeles, recent summer nights had a surprise in store. We’ll tell you more, tell you more.
John Travolta, who brought life to bad boy heartthrob Danny Zuko in the 1978 classic, crashed the Hollywood Bowl’s sing-along event Friday. He surprised not just the audience, but also fellow “Grease” alumni as he sauntered on stage in his character’s signature pompadour and leather jacket.
“No one knew, not even the cast,” Travolta, 71, recalled of the moment in an Instagram post shared Saturday.
The “Pulp Fiction” and “Hairspray” star on Instagram shared a closer look at his Danny Zuko-inspired styling and posted a video of him reuniting with co-stars Didi Conn, Barry Pearl, Michael Tucci, Kelly Ward and “Grease” filmmaker Randal Kleiser. Video from the sing-along shows audiences cheering and celebrating Travolta with a standing ovation. His surprise appearance came before the beginning of the sing-along, according to Entertainment Weekly.
“L.A.,” he says to fans before referencing a memorable line from the movie. “I thought you were going back to Australia!”
In that scene from “Grease,” Danny excitedly greets his summer sweetheart Sandy, before quickly playing it too cool and aloof, saving face for his T-Birds greaser squad. Olivia Newton-John indelibly played the role of Sandy. She died on Aug. 8, 2022, at age 73.
During Friday’s event, Travolta and his co-stars led fans in singing “A-womp-bop-a-looma-a-womp-bam-boom,” a line from the “Grease” finale number “We Go Together,” according to video from EW. He and his cast then left the stage and the sing-along began.
“Thank you for a great evening,” Travolta added in his Instagram post.
Video shows an Israeli drone killing a Palestinian carrying a sack of flour in Gaza City. Israel has killed around 600 people trying to get food from sites operated by the Gaza Humanitarian Foundation, which has been condemned as “an abomination” and “a death trap” by the United Nations.
Published On 30 Jun 202530 Jun 2025
Video shows residents in western Turkey desperately trying to stop the spread of wildfires.
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Citing a recent arrest by immigration agents that bloodied a man in the unincorporated area of Valinda, Los Angeles County Supervisor Hilda Solis said she wants the county to explore a legal counterattack against what she described as the federal government’s “unconstitutional immigration enforcement practices.”
In a statement Saturday, Solis said that she plans to co-sponsor a motion at Tuesday’s Board of Supervisors meeting asking the county’s attorney to explore “all legal remedies available to the County to protect the civil rights of our residents and prevent federal law enforcement personnel from engaging in any unconstitutional or unlawful immigration enforcement.”
Such conduct, the motion says, includes the “unlawfully stopping, questioning or detaining individuals without reasonable suspicion, or arresting individuals without probable cause or a valid warrant.”
“As these immigration raids continue to terrorize our communities, I’m deeply disturbed by the forceful detainment of a man in unincorporated Valinda. This incident raises serious concerns about the conduct and legality of these actions, and demonstrates a violation of constitutional rights and due process,” Solis, whose district stretches from Eagle Rock to Pomona, said in a statement.
The Trump administration’s ongoing crackdown on undocumented immigrants, the motion says, has sown widespread fear throughout the region and emptied out normally bustling public spaces, with people “avoiding going to work or visiting grocery stores and restaurants, skipping medical appointments.”
This has had a “tremendous negative impact” on not only the county’s economy, but also its “ability to provide for the health and welfare of our residents,” according to the motion.
The L.A. City Council introduced a similar motion earlier this month seeking to prohibit federal agents from carrying out unconstitutional stops, searches or arrests of city residents.
Federal officials have said their agents are defending themselves against increasingly hostile crowds, which in some cases are interfering with arrests.
Top officials, such as Department of Homeland Security Secretary Kristi Noem, have argued that the government’s raids are targeting “criminals that have been out on our street far too long.” A recent Times analysis suggested that the majority of those who were arrested in early June were not convicted criminals, however.
For weeks, social media has been flooded with videos of federal agents, their faces often shrouded by masks, violently arresting bystanders who are filming their actions, dragging a taco stand vendor by her arm and tossing smoke bombs into a crowd of angry onlookers. One widely circulated clip showed a military-style vehicle accompanying federal law enforcement officers during an apparent raid at a home in Compton earlier this month — part of what critics have called an alarming escalation in tactics.
Footage reviewed by The Times shows a person in the turret of the vehicle pointing what appears to be a less-lethal projectile launcher downward, but it’s unclear whether any shots were fired.
In her statement, Solis cited another federal operation that was at the center of a viral video.
That footage, shot by a bystander and obtained by ABC 7, shows federal agents in tactical vests and masks smashing the windows of a large white pickup truck before apparently pulling out a man from inside.
Several agents are later seen kneeling on top of the man who is bleeding from an apparent head wound, even as a crowd of onlookers demand that the man be released. In one clip, an agent is shown pushing the man’s face into the pavement.
For Ken Holland, the Kings’ decidedly old-school general manager, new isn’t necessarily better. Take the NHL draft, for example.
Holland presided over more than a quarter-century of drafts with the Detroit Red Wings and Edmonton Oilers, and they were generally held in one place, with everyone from the executives doing the drafting to the players being drafted on site.
On Friday, for the first time in a non-pandemic environment, the draft was conducted semi-remotely, with the top 93 draft-eligible players and their families filling some of the seats in the half-empty Peacock Theater in Los Angeles while team representatives made their selections from their home markets.
And whatever the league was attempting to accomplish with the decentralized format, other than saving on travel, it didn’t work.
After each pick was announced on a giant video board that took up two-thirds of the theater’s massive stage, players made their way up the aisle to be greeted by Commissioner Gary Bettman. They then pulled on a team jersey and hat before being led into the “Draft House” — a small virtual reality room in the center of the stage — for what amounted to a congratulatory Zoom call with the club’s brass.
The Peacock Theater in downtown Los Angeles hosts the NHL draft.
(Juan Ocampo / NHLI via Getty Images)
The young men were celebrating the biggest moment of their lives yet they came off like Dorothy speaking to the Wizard of Oz. Much of it was awkward, especially when James Hagens, the eighth selection, was left waving at Boston Bruins general manager Don Sweeney after the audio in the Bruins’ war room in Boston went mute. That was just one of multiple technical glitches that included echoes and timing delays that left players and executives talking over one another.
When it became obvious the painfully slow-paced event would plod past 4½ hours, the Draft House was closed to some teams.
Brady Martin, the fifth pick, didn’t even bother to come to L.A. So when Nashville announced his selection — via a celebrity video taped at a golf course — the NHL showed a video of Martin working on his family’s farm. Russian goaltender Pyotr Andreyanov wouldn’t even get that treatment. When he was announced as the 20th overall pick, the NHL had nothing to show, making Andreyanov the first no-show of the no-show draft.
Matthew Schaefer, a 17-year-old defenseman from Hamilton, Canada,, who was taken with the No. 1 pick by the New York Islanders, said being part of video draft did not spoil his big day.
Matthew Schaefer stands between Michael Misa, left, and Anton Frondell after being selected 1-2-3, respectively, in the NHL draft at the Peacock Theater in Los Angeles on Friday.
(Bruce Bennett / Getty Images)
“I’m just honored to be picked,” said Schaefer who cried, alongside his dad and brother, when his name was called. “I dreamt about it my whole life. It’s such an honor. Especially the first pick overall.”
For Holland, however, none of that counts as progress.
“I’m old and I’m old fashioned. So I like the old way,” said the Kings general manager, whose view was shared by other GMs around the league. “You draft some player in the sixth round and all of a sudden you hear ‘yay!’ way up in the corner. It’s him, it’s his family, and they’re all excited to hear [his] name announced by an NHL team.
“This weekend, to me, is about the young players.”
Aside from the technical difficulties, the actual draft went largely to form. The Ducks, as expected, took Roger McQueen, an 18-year-old forward from Saskatchewan, with their top pick, the 10th overall selection. The Kings, meanwhile, traded their first pick, No. 24 overall, to the Pittsburgh Penguins. After moving down seven spots they took right-handed-shooting defenseman Henry Brzustewicz, 18, a Michigan native, with the penultimate pick of the first day.
Round two through seven of the draft will be conducted Saturday.
Roger McQueen, second from right, poses for photos with NHL Commissioner Gary Bettman, right, and actors Joshua Jackson, left, and Marguerite Moreau, second from left, after being drafted by the Ducks at No. 10 overall.
(Damian Dovarganes / Associated Press)
The Ducks, who had a top-10 pick for a seventh straight year, see the 6-foot-5 McQueen as a raw talent who can develop into a top-line center.
“He has a big body. But what goes along with that is his skill and skating ability,” said general manager Pat Verbeek, whose team has 10 picks this weekend.
For the Kings, this draft was the first public move in what could be an intense couple of weeks. Defenseman Vladislav Gavrikov and winger Andrei Kuzmenko are unrestricted free agents and the team would like to re-sign both before they hit the open market Tuesday.
“If we re-sign Gavrikov, there’s not going to be a ton of change,” Holland said. “If we don’t, then there’s going to be change.”
Gavrikov, 29, emerged as a solid presence on the blue line, playing a career-high 82 games and posting the best goals-against average of the 17 defensemen to play at least 1,500 minutes. Former Kings GM Rob Blake made Gavrikov a contract offer last March, said Holland, who has since sweetened the deal twice. Replacing him, the GM said, could require a couple of signings.
Kuzmenko, 29, reenergized the offense after coming over from Philadelphia at the trade deadline, with the Kings going 17-5 and averaging nearly four goals a game down the stretch.
Kings fans cheer after Henry Brzustewicz is drafted by the team at No. 31 overall.
(Damian Dovarganes / Associated Press)
“We like Kuzmenko. Kuzmenko likes it here; he likes his role,” Holland said. “I’m talking to him. I talked two, three, four times this week with his agent. So we’ll see.”
Signing both players would put a big dent in the Kings’ $21.7 million in salary-cap space.
“We have a lot of cap space but it doesn’t take much and it’s gone,” Holland said. “We’ve got to figure out how we want to spend our money and they need to figure out how much money they can get.”
Aside from Gavrikov and Kuzmenko, the Kings don’t have many loose ends to tie up. The team is confident it can get forward Alex Laferriere, a restricted free agent, to agree to a short-term deal and it has to decide whether to re-sign David Rittich, an unrestricted free agent, as the backup to starting goalkeeper Darcy Kuemper.
Two players who could be moving on are forward Tanner Jeannot and defenseman Jordan Spence, both of whom are looking for more ice time and may have to leave to get it.
Dwight Howard is devastated.
And he wants answers.
The former NBA great and current player for the Big 3’s L.A. Riot on Wednesday wrote on Instagram that his dog, Sunday, died in an apparent hit-and-run accident on June 18 in Suwanee, Ga. Howard said that he was visiting New York when he received the tragic news that his beloved Belgian Malinois “got loose and was hit by a car that kept going.”
“I’m devastated because you were the dog that never left my side, the dog that stuck to my hip at all times, and the one time you wander off without me being there someone takes you away from me,” Howard wrote. “Who could be so heartless to do this to such an innocent girl with no remorse.
“I’ve been trying to hold this in. … I really have but it’s killing me inside to get answers! I need answers and I won’t stop searching until I find out what happen to my beautiful Sunday.”
Howard implored his 3.7 million followers to share any information they might have about the incident. The majority of his post, however, was a tribute in words, photos and videos to a dear pooch who sounds as though she was one man’s best friend.
“From the moment I got you, Sunday, you were more than just my dog. … You were my peace. My protector. A reminder of everything beautiful and calm just like those early Sunday mornings,” wrote Howard, a three-time defensive player of the year who won an NBA title with the Lakers in 2020 and is set to be inducted into the Naismith Basketball Hall of Fame this fall.
“You hugged like no other. Barked at nothing like it meant everything. And every time I called your name, you came running full speed like your only mission was to love me. You waited at the door for me every single day, just to wrap your paws around me. And I’m gonna miss those hugs more than I can put into words.
“You were joy. You were warmth. You were my girl. And your life was cut short too soon. You helped me Smile through all the Storms I’ve been through but what do I do now that my Sunday Sunshine is gone.”
In the wacky political world of Southeast Los Angeles County — where scandals seem to bloom every year with the regularity of jacarandas — there’s never been a mess as pendejo as the one stirred up this week by Cudahy Vice Mayor Cynthia Gonzalez.
How else would you describe an elected official telling gang leaders, in a video posted to social media, to “f— get your members in order” and take to the streets against Donald Trump’s immigration raids?
Gonzalez’s rant has set off a national storm at the worst possible time. Conservative media is depicting her as a politician — a Latino, of course — issuing a green light to gangs to go after la migra. On social media, the Department of Homeland Security shared her video, which it called “despicable,” and insisted that “this kind of garbage” has fueled “assaults” against its agents.
Gonzalez later asked her Facebook friends to help her find a lawyer, because “the FBI just came to my house.” To my colleague Ruben Vives, the agency didn’t confirm or deny Gonzalez’s assertion.
The first-term council member deserves all the reprimands being heaped on her — most of all because the video that set off this pathetic episode is so cringe.
“I want to know where all the cholos are at in Los Angeles — 18th Street, Florencia, where’s the leadership at?” Gonzalez said at the beginning of her video, which was quickly taken down. “You guys tag everything up claiming ‘hood,’ and now that your hood’s being invaded by the biggest gang there is, there ain’t a peep out of you!”
Gonzalez went on to claim that 18th Street and Florencia 13 — rivals that are among the largest and most notorious gangs in Southern California — shouldn’t be “trying to claim no block, no nothing, if you’re not showing up right now trying to, like, help out and organize. I don’t want to hear a peep out of you once they’re gone.”
The Cudahy council’s second-in-command seems to have recorded the clip at a party, judging by her black halter top, bright red lipstick, fresh hairstyle and fancy earrings, with club music thumping in the background. She looked and sounded like an older cousin who grew up in the barrio and now lives in Downey, trying to sound hard in front of her bemused cholo relatives.
The Trump administration is looking for any reason to send in even more National Guard troops and Marines to quell what it has characterized as an insurrection. If inviting a gang to help — let alone two gangs as notorious as 18th Street and Florencia — doesn’t sound like what Trump claims he’s trying to quash, I’m not sure what is.
Perhaps worst of all, Gonzalez brought political ignominy once again on Southeast L.A. County, better known as SELA. Its small, supermajority Latino cities have long been synonymous with political corruption and never seem to get a lucky break from their leaders, even as Gonzalez’s generation has vowed not to repeat the sins of the past.
Cudahy Vice Mayor Cynthia Gonzalez
(City of Cudahy)
“In her post, Dr. Gonzalez issued a challenge to the Latino community: join the thousands of Angelenos already peacefully organizing in response to ongoing enforcement actions,” her attorney, Damian J. Martinez, said in a written statement. “Importantly, Dr. Gonzalez in no way encouraged anyone to engage in violence. Any suggestion that she advocated for violence is categorically false and without merit.”
For their part, Cudahy officials said that Gonzalez’s thoughts “reflect her personal views and do not represent the views or official position of the City of Cudahy.”
Raised in Huntington Park and a graduate of Bell High, Gonzalez has spent 22 years as a teacher, principal and administrator in the Los Angeles Unified School District. In 2023, after Cudahy — a suburb of about 22,000 residents that’s 98% Latino — became the first city in Southern California to approve a Gaza ceasefire resolution, she told The Times’ De Los section that Latinos “understand what it means to be left behind.”
A few weeks ago, Gonzalez appeared alongside Los Angeles Mayor Karen Bass and elected leaders from Los Angeles and Ventura counties to decry the immigration raids that were just ramping up.
“I want to speak to Americans, especially those who have allowed our community to be the scapegoat of this administration that made you feel that your American dream hasn’t happened because of us,” Gonzalez said, adding that corporations “are using our brown bodies to avoid the conversation that this administration is a failure and they do not know how to legislate.”
Last week, she announced that she will be running for the Los Angeles Community College District Board of Trustees for a third time, urging Facebook followers to forego donating to her campaign in favor of organizations helping immigrants. “Our priorities must reflect the urgency of the times,” she wrote.
In those settings, Gonzalez comes off as just another wokosa politician. But the feds now see her as a wannabe Big Homie.
Trying to enlist gangs to advocate for immigrants comes off as both laughable and offensive — and describing 18th Street and Florencia as “the Latino community” is like describing the Manson family as “fun-loving hippies.” Gang members have extorted immigrant entrepreneurs and terrorized immigrant communities going back to the days of “Gangs of New York.” Their modus operandi — expanding turf, profit and power via fear and bloodshed — will forever peg Latinos as prone to violence in the minds of too many Americans. Transnational gangs like Tren de Aragua and MS-13 are Trump’s ostensible reason for his deportation tsunami — and now a politician thinks it’s wise to ask cholos to draw closer?
And yet I sympathize — and even agree — with what Gonzalez was really getting at, as imperfect and bumbling as she was. Homeland Security’s claim that she was riling up gangs to “commit violence against our brave ICE law enforcement” doesn’t hold up in the context of history.
For decades, Latino activists have strained to inspire gang members to join el movimiento — not as stormtroopers but as wayward youngsters and veteranos who can leave la vida loca behind if only they become enlightened. El Plan Espiritual de Aztlán, a manifesto published in 1969 at the height of the Chicano movement, envisioned a world where “there will no longer be acts of juvenile delinquency, but revolutionary acts.” Its sister document, El Plan de Santa Barbara, warned activists that they “must be able to relate to all segments of the Barrio, from the middle-class assimilationists to the vatos locos.”
From Homeboy Industries to colleges that allow prison inmates to earn a degree, people still believe in the power of forgiveness and strive to reincorporate gang members into society as productive people. They’re relatives and friends and community members, the thinking goes, not irredeemable monsters.
Gonzalez’s video comes from that do-gooder vein. A closer listen shows she isn’t lionizing 18th Street or Florencia 13. She’s pushing them to be truly tough by practicing civil — not criminal — disobedience.
“It’s everyone else who’s not about the gang life that’s out there protesting and speaking up,” the vice mayor said, her voice heavy with the Eastside accent. “We’re out there, like, fighting for our turf, protecting our turf, protecting our people, and like, where you at? Bien calladitos, bien calladitos li’l cholitos.”
Good and quiet, little cholitos, which translates as “baby gangsters” but is far more dismissive in Spanish.
Her delivery was terrible, but the message stands, to gang members and really to anyone else who hasn’t yet shown up for immigrants: if not now, when? If not you, who?
It’ll be a miracle if Gonzalez’s political career recovers. But future chroniclers of L.A. should treat her kindly. Calling out cholos for being cholos is easy. Challenging them to make good of themselves at a key moment in history isn’t.
John McCain’s presidential campaign Tuesday accused the Los Angeles Times of “intentionally suppressing” a videotape it obtained of a 2003 banquet where then-state Sen. Barack Obama spoke of his friendship with Rashid Khalidi, a leading Palestinian scholar and activist.
The Times first reported on the videotape in an April 2008 story about Obama’s ties with Palestinians and Jews as he navigated the politics of Chicago. The report included a detailed description of the tape, but the newspaper did not make the video public.
“A major news organization is intentionally suppressing information that could provide a clearer link between Barack Obama and Rashid Khalidi,” said McCain campaign spokesman Michael Goldfarb. “ . . . The election is one week away, and it’s unfortunate that the press so obviously favors Barack Obama that this campaign must publicly request that the Los Angeles Times do its job — make information public.”
The Times on Tuesday issued a statement about its decision not to post the tape.
“The Los Angeles Times did not publish the videotape because it was provided to us by a confidential source who did so on the condition that we not release it,” said the newspaper’s editor, Russ Stanton. “The Times keeps its promises to sources.”
Jamie Gold, the newspaper’s readers’ representative, said in a statement: “More than six months ago the Los Angeles Times published a detailed account of the events shown on the videotape. The Times is not suppressing anything. Just the opposite — the L.A. Times brought the matter to light.”
The original article said that Obama’s friendships with Palestinian Americans in Chicago and his presence at Palestinian community events had led some to think he was sympathetic to the Palestinian viewpoint on Middle East politics. Obama publicly expresses a pro-Israel viewpoint that pleases many Jewish leaders.
In reporting on Obama’s presence at the dinner for Khalidi, the article noted that some speakers expressed anger at Israel and at U.S. foreign policy, but that Obama in his comments called for finding common ground.
It said that Khalidi in the 1970s often spoke to reporters on behalf of the Palestine Liberation Organization. Khalidi later lived near Obama while teaching at the University of Chicago. He is now a professor of Arab studies at Columbia University in New York.
PAIGE SPIRANAC was forced to make a statement after a viral video did the rounds online.
Influencer Paige cleared the air after a bizarre clip showing a woman falling off a golf buggy was shared online.
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In the clip, a blonde lady sipped a can of beer while clinging onto the side of a moving cart.
She seemed to be loving life as she vibed while clutching a handle.
But in a painful moment, things went south as the woman fell off the buggy.
The video ended with her landing on the ground and her sunglasses flying off her head.
The beer also didn’t make it, with the woman’s can spilling all over the green.
Her identity was not revealed on social media.
Yet she bore an uncanny resemblance to fan favourite Paige, leading some to speculate it was the golf goddess herself.
But Paige quickly went online to put the rumours to bed.
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She fired out a defiant statement insisting it was not her in the clip.
However, Paige still managed to see the funny side as she ended her statement with a hilarious quip.
She declared: “I would like to clear up the speculation. This is not me.
“We all know I wouldn’t be wearing a polo.”
Fans were quick to react to Paige’s message.
One said: “You would have stuck the landing.”
Another declared: “Sounds like something someone who fell off a golf cart would say.”
One noted: “We were worried for a moment.”
Another added: “I’m glad you cleared this up, too funny!”
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Johnny had Ed. Conan had Andy. And Gov. Gavin Newsom? A single-use plastic water bottle.
In most of the YouTube video recordings of Newsom’s new podcast, “This is Gavin Newsom,” a single-use plastic water bottle lurks on a table nearby.
Sometimes, it is accompanied by a single-use coffee cup. Other times, it stands alone.
Typically, such product placement would raise nary an eyebrow. But in recent weeks, environmentalists, waste advocates, lawmakers and others have been battling with the governor and his administration over a landmark single-use plastic law that Newsom signed in 2022, but which he has since worked to defang — reducing the number of packaged single-use products the law was designed to target and potentially opening the door for polluting forms of recycling.
Anti-plastic advocates say it’s an abrupt and disappointing pivot from the governor, who in June 2022, decried plastic pollution and the plague of single-use plastic on the environment.
“It’s like that whole French Laundry thing all over again,” said one anti-plastic advocate, who didn’t want to be identified for fear of angering the governor. Newsom was infamously caught dining without a mask at the wine country restaurant during the COVID-19 lockdown.
Newsom’s efforts to scale back SB 54, the state’s single-use plastic recycling law, has dismayed environmentalists who have long considered Newsom one of their staunchest allies.
“Our kids deserve a future free of plastic waste and all its dangerous impacts … No more,” Newsom said in 2022, when he signed SB 54. “California won’t tolerate plastic waste that’s filling our waterways and making it harder to breathe. We’re holding polluters responsible and cutting plastics at the source.”
Asked about the presence of the plastic water bottle, Daniel Villaseñor, the governor’s deputy director of communications, had this response:
“Are you really writing a story this baseless or should we highlight this video for your editor?” Villaseñor said via email, attaching a video clip showing this reporter seated near a plastic water bottle at last year’s Los Angeles Times’ Climate Summit. (The bottles were placed near chairs for all the panelists; this particular one was never touched.)
More than a half-dozen environmentalists and waste advocates asked to comment for this story declined to speak on the record, citing concerns including possible retribution from the governor’s office and appearing to look like scolds as negotiations over implementing SB 54 continue.
Dianna Cohen, the co-founder and chief executive of Plastic Pollution Coalition, said that while she wouldn’t comment on the governor and his plastic sidekick, she noted that plastic pollution is an “urgent global crisis” that requires strong policies and regulations.
“Individuals — especially those in the public eye — can help shift culture by modeling these solutions. We must all work to embrace the values we want to see and co-create a healthier world,” she said in a statement.
On Thursday, Newsom dropped a new episode of “This is Gavin Newsom” with independent journalist Aaron Parnas. In the video, there wasn’t a plastic bottle in sight.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
Among this week’s new releases is “28 Years Later,” the third film in the series that dates back to 2002’s “28 Days Later.” The new project reunites the core creative team from the first movie: director Danny Boyle, screenwriter Alex Garland, cinematographer Anthony Dod Mantle and producer Andrew Macdonald.
This time out the “rage” virus that turns people into crazed cannibal monsters has been isolated to the U.K., which has been quarantined from the rest of the world. A small community of uninfected survivors live on a coastal island and make their way to the mainland to hunt and for supplies. A teenage boy (Alfie Williams), having made one expedition with his father (Aaron Taylor-Johnson), goes back with his ailing mother (Jodie Comer) in search of a doctor (Ralph Fiennes) rumored to be able to help them.
In her review of the film, Amy Nicholson wrote that it “has a dull central plot beefed up by unusual ambition, quirky side characters and maniacal editing. It’s a kooky spectacle, a movie that aggressively cuts from moments of philosophy to violence, from pathos to comedy. Tonally, it’s an ungainly creature. From scene to scene, it lurches like the brain doesn’t know what the body is doing. Garland and Boyle don’t want the audience to know either, at least not yet.”
Screenwriter Alex Garland, left, director Danny Boyle and cinematographer Anthony Dod Mantle, photographed in London in June.
(Jennifer McCord / For The Times)
“28 Years Later” is the first film in a planned trilogy, with the second film, directed by Nia DaCosta, having already been shot.
I spoke with Boyle, Garland, Mantle and Macdonald for a feature story that will be in print on Sunday. Whereas the original “28 Days Later” was notable for its use of consumer-grade digital video cameras, this time the production used modified iPhones to capture most of its imagery. The result is a fresh and distinctive look with both a sense of immediacy and an unexpected beauty.
“What was great about the script is that although you were inheriting some DNA from the original film, it was a completely original story,” said Boyle. “And deserved to be treated like that.”
Norm Macdonald, left, and Artie Lange in the 1998 movie “Dirty Work,” recently restored to an extended “Dirtier Cut.”
(Jack Rowand / MGM)
This week the boutique home video label Cinématographe is participating in screenings all over town, further cementing the evolving relationship between physical media and the local revival scene.
Curated and produced by Justin LaLiberty as an offshoot of the Vinegar Syndrome label, Cinématographe is among a handful of companies that create releases meant to look as nice on your shelf as they do onscreen. With beautiful restorations presenting the titles as optimally as possible, the releases come with many extras highlighting their production and what makes them special, alongside new critical essays on the films. Among the titles released by the company so far are John Dahl’s “Red Rock West,” Paul Schrader’s “Touch,” Robert Altman’s “Thieves Like Us” and Martha Coolidge’s “Joy of Sex.”
“Cinématographe has a very specific kind of curatorial approach,” said LaLiberty in a Zoom call this week from his home in Connecticut. “And it also has a mission in that it’s trying to shine a light on these movies that have fallen into obscurity for one reason or another.”
Working in conjunction with the local screening collective Hollywood Entertainment in pulling together some of the local events, LaLiberty got a sense of the current repertory scene in L.A. and hopes that putting on Cinématographe screenings here is something that can become a regular occurrence.
“What I like about L.A.’s cinema scene, without being there, is seeing how the spaces cater to different audiences,” said LaLiberty. “It happens in New York to an extent too, but I’ve noticed it a lot more with L.A. where I think just by virtue of geography, those theaters have to build a community that’s a lot more specific to whatever their mission may be or whatever audience they’re trying to cultivate is. So that’s what I tried to do with these screenings is kind of hone in on what demographic those spaces are going to reach and what film made the most sense for each one.”
The cover art for the Cinématographe home video release of Jim McBride’s 1983 remake of “Breathless.”
(Cinématographe)
On Sunday at Brain Dead Studios there will be a restored 4K screening of the exuberant 1983 remake of “Breathless” with director Jim McBride in person. That will be followed by the Los Angeles premiere of the 4K restoration of Bob Saget’s 1998 comedy “Dirty Work,” starring Norm MacDonald, in its newly created “Dirtier Cut,” which restores the film to a version screened for test audiences before it was chopped down to earn a PG-13 rating. Co-writer Frank Sebastiano will be in attendance.
On Monday, LaLiberty will be at a pop-up at the Highland Park video store Vidéotheque, selling discs from Cinématographe, Vinegar Syndrome and affiliated titles from OCN Distribution — including some that are out of print. (Discs will be on sale at all the events too.)
On Tuesday at Whammy Analog Media, 1994’s essential lesbian rom-com “Go Fish” will show in a 4K restoration with director and co-writer Rose Troche in person. On Wednesday, there will be a 45th anniversary screening at Vidiots of the 4K restoration of Ronald F. Maxwell’s 1980 “Little Darlings,” starring Tatum O’Neal and Kristy McNichol as two teenage girls having a private competition at summer camp to lose their virginity.
On Thursday, in conjunction with Cinematic Void, the Los Feliz 3 will host a showing of John Badham’s 1994 action-thriller “Drop Zone” starring Wesley Snipes, with the director in person.
And while it may seem counterintuitive for a home video label to be encouraging people to go see movies in theaters, for LaLiberty the two go hand in hand.
“My ultimate mission is for these films to find an audience,” LaLiberty said. “‘Little Darlings’ is one of those movies that was out of circulation for so long that now that it’s back and people can find it — to me that’s the work. The end goal is that these films are brought back and that they’re available for people to see and talk about and share. Theaters can play them and have them look great. I don’t see it as cannibalizing. I see it as just being a part of the job.”
Shu Qi in Hou Hsiao-hsien’s 2001 film “Millennium Mambo.”
(Kino Lorber)
The American Cinematheque is launching a series looking at films from Southeast Asia made around the turn of the 21st century and shot through with the energy of specific Y2K anxieties. These were films that felt cutting-edge and of the moment when they were released, but now perhaps function at least in part as memory pieces of their time and place. This is a sharp, smartly put-together series that contextualizes a group of films and filmmakers.
Kicking off with Wong Kar-wai’s 1995 “Fallen Angels,” the series also includes Hou Hsiao-hsien’s 2001 “Millennium Mambo,” Tsai Ming-liang’s 1992 “Rebels of the Neon God,” Fruit Chan’s 1997 “Made in Hong Kong,” Shunji Iwai’s 2001 “All About Lily Chou-Chou” Jia Zhangke’s 2002 “Unknown Pleasures” and Lou Ye’s 2000 “Suzhou River.”
Writing about “Fallen Angels” in 1998, Kevin Thomas called it “an exhilarating rush of a movie, with all manner of go-for-broke visual bravura that expresses perfectly the free spirits of his bold young people. … Indeed, ‘Fallen Angels’ celebrates youth, individuality and daring in a ruthless environment that is wholly man-made, a literal underworld similar to the workers’ realm of ‘Metropolis’ — only considerably less spacious. Life proceeds at a corrosive rock music beat.”
‘Dogtooth’ in 4K
An image from Yorgos Lanthimos’ movie “Dogtooth.”
(Kino Lorber)
Greek filmmaker Yorgos Lanthimos’ second feature, “Dogtooth,” was his international breakthrough, winner of the Un Certain Regard section at Cannes and nominated for an Oscar. Yet even its most ardent admirers at the time would likely never have imagined Lanthimos would become the maker of commercially successful, Oscar-winning (and still weird) films such as “The Favourite” and “Poor Things.”
A new 4K restoration of “Dogtooth” will screen at the American Cinematheque at the Los Feliz 3 on Saturday, Tuesday and Sunday the 29th. The story feels abstracted and fractured, as a family lives in comfortable isolation, creating their own rules and language as the parents attempt to keep their children, now young adults, in a state of arrested development.
When it was first being released, “Dogtooth” struggled to find screens in Los Angeles. In my January 2011 review, I referred to it as “part enigma, part allegory and even part sci-fi in its creation of a completely alternate reality.”
When the film had its local premiere as part of the Los Angeles Greek Film Festival some seven months earlier, I spoke to Lanthimos, who perhaps pointed the way to some of his future work when he said, “It’s much more important to me for the audience to be engaged and to think about things themselves. If they miss any information, I’m OK with that instead of explaining every little detail and telling everyone what they should be thinking and how exactly things are.”
Lanthimos added, “People ask me if the film is about home-schooling or if it’s political, about totalitarian states or the information we get from the media. And of course all those things were not in our minds as we were making the film, but it was intentional to make the film so people can come in and have their own thoughts about it.”
‘The Seven Year Itch’ 70th anniversary
Marilyn Monroe and Tom Ewell re-create a scene from 1955’s “The Seven Year Itch” on the Fox Studio Lot on Stage 9.
(Twentieth Century Fox)
On Wednesday the Laemmle Royal will present a 70th anniversary screening of Billy Wilder’s “The Seven Year Itch” introduced by film writers Stephen Farber and Michael McClellan. Starring Marilyn Monroe and Tom Ewell, “Itch” was written by Wilder and George Axelrod, an adaptation of the hit Broadway play that also starred Ewell.
Though the movie does include the iconic scene of Monroe standing over a subway grate, it deserves to be remembered for much more than that. It’s a bracing satire of midcentury masculinity, with Ewell playing a mild-mannered family man who lets himself be taken away by fantasies of what may happen while he is on his own for a summer with a young single woman living upstairs from his New York apartment.
Writing about the movie in June 1955, Edwin Schallert said, “This picture is nothing for the moralists, though it may not quite satisfy the immoralists either, whoever they are.”
Tom Cruise, Dolly Parton among honorary Oscar recipients
Tom Cruise and Dolly Parton will be honored at the upcoming Governors Awards.
(Evan Agostini / Invision / Charlie Riedel / AP)
This week the motion picture academy announced four honorees for the Governors Awards in November. Dolly Parton will receive the Jean Hersholt Humanitarian Award, while honorary Oscars will go to actor, dancer, choreographer and director Debbie Allen, production designer Wynn Thomas and actor and producer Tom Cruise.
As always, it must be noted how disappointing it is that these awards will be bestowed at an untelevised ceremony and not as part of the Academy Awards telecast itself. The idea of giving an award to Tom Cruise, who has recently refashioned himself as nothing less than an international ambassador for movies and Hollywood in general, and not putting it on TV is just beyond reason.
Here is hoping that Cruise will perhaps be able to do what his co-star in “The Color of Money” Paul Newman once did, which is win a competitive Oscar after already being given an honorary one.