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Lily Allen’s phenomenal musical comeback with West End Girl caused quite the stir.

Lily Allen fans will see the star as “she’s never been seen before” in a “redefining” new documentary.

Pop star Lily Allen was a cultural icon in the noughties, and was recently catapulted back into the spotlight after an eight-year break, thanks to her scandalous hit album West End Girl.

Now, the Not Fair singer is at the heart of an upcoming biographical documentary “offering an intimate portrait of the life and career of a global icon and voice of a generation”.

Set to be released on Prime Video, the film will take a deep dive into her “extraordinary journey” and why she has remained a cultural force for the past two decades.

The special will feature interviews from those closest to the star to give subscribers a real insight into the musical legend’s life away from the cameras.

The official synopsis teases: “As a pioneering woman in modern music, Lily’s sharp wit and candid storytelling directly paved the way for a generation of today’s biggest female artists.

“This is a story of resilience, reinvention, and an artist reclaiming her narrative on her own terms.

“This is Lily Allen as she’s never been seen before. Raw, real, and redefining what it means to thrive in the spotlight.”

So far, a release date for the Lily Allen documentary hasn’t been confirmed by Prime Video but it will be sometime in 2027.

Her shocking fifth studio album West End Girl was written following the collapse of her marriage to Stranger Things star David Harbour.

The famous couple first started dating in 2019, got married the following year and separated in 2025.

In her 14-track West End Girl album, she accuses Harbour of infidelity and talks about their open marriage agreement.

Harbour has since addressed the album in an interview with Variety, saying “stories are complex” and that “it wasn’t my experience”. Nevertheless, he does “respect her creation of art to channel her experience”.

The Lily Allen documentary will air sometime in 2027 on Prime Video.

NewsFeed

Drone video shows the scale of a major wildfire in northern Spain where more than 150 square kilometres have burned across an 80-km perimeter.

A few weeks after lifestyle influencer Nara Smith revealed her daughter’s private cancer battle, the mom of four is sharing that Whimsy is in remission.

The content creator, well known for making elaborate meals from scratch while wearing glamorous ensembles, told her following of 12.6 million on TikTok and 4.9 million on Instagram on Friday that she and her husband, model Lucky Blue Smith, have spent the last eight months processing their 2-year-old daughter’s health battle.

The parents debated whether they should share such a private part of their lives and decided to wait until Whimsy had finished her treatments and doctors had a better grasp on the likely outcome.

“Now that she’s finally in remission, it felt like I could find the words to share,” Nara Smith said. “The whole point of me sharing our experience was to shed light on what so many families go through and battle privately. Going through chemo treatments opened my eyes to how expensive medical care is, and what a toll it takes on families specifically.”

“Lucky and I have been trying to return to everyday life and taking it day by day,” she continued. “I don’t know whether life will ever feel normal again, but we’re trying to navigate this next chapter the best that we can.”

Smith, 24, said in an Instagram video earlier this month that Whimsy was diagnosed with cancer late last year.

“When we saw something suspicious on her, we took her to the ER, and they didn’t quite know what to make of it,” she said in the video. “So when we took her into our pediatrician, I just remember him going really quiet and calm and my heart dropped in that moment. I don’t know whether it was my gut telling me something or just a mom’s intuition, but the first thing that I felt was she has cancer.”

The content creator said her daughter underwent numerous X-rays, ultrasounds and a biopsy before the hospital team confirmed the cancer diagnosis. Smith did not specify the type of cancer but said that the illness had spread and that Whimsy needed chemotherapy.

In recent weeks, Smith has shared heartwrenching glimpses into the family’s battle, including photos of Whimsy’s curls being shaved and her bald head bedazzled with gems.

“Cancer has a way of taking things you never realized you’d grieve,” she wrote alongside a video of the parents shaving Whimsy’s head. “The day I ran my fingers through her hair, strands coating them, I realized I wouldn’t be brushing Whimsy’s hair much longer. It’s such a small thing, until it isn’t.

“It wasn’t just hair. It was the little curls I tucked behind her ears, the wispy strands that caught the sunlight, and all the ordinary moments I never imagined I’d miss.

“If sharing these pieces of our story helps even one family feel less alone, or encourages one person to learn more about childhood cancer, then this vulnerable part of our lives is worth opening,” Smith wrote. “Today her curls are returning.”

In Friday’s video, Smith said that she’s been researching charities and foundations to support and included links to GoFundMe pages for children who are battling cancer.

Nara and Lucky Blue Smith, 28, married in 2020 and share four children: Whimsy Lou, eldest daughter Rumble Honey, son Slim Easy, and infant Fawnie Golden. Lucky Blue also shares a daughter with his ex-girlfriend, social media star Stormi Bree.

Times staff writer Alexandra Del Rosario contributed to this report.

CHARLI XCX is never one to shy away from being filmed or photographed.

But this time, the Brat hitmaker was mostly behind the lens as she played a director in her music video for new track Camera.

It is from her upcoming seventh album Music, Fashion, Film, which is set for release on Friday.

Dressed in a plunging blue shirt, Charli sat in the director’s chair as she instructed French actor Vincent Cassel in what appeared to be a desert.

The action-packed scene, filmed in a Kent quarry, showed ­Vincent’s character with a gunshot wound to his chest.

In scenes that could rival a Hollywood blockbuster, Charli stood in front of an overturned grey car that had ploughed into a sand dune, and was also seen crawling on all fours.

The singer took over London’s Scala nightclub on Tuesday for an intimate performance of tracks from her forthcoming album, including Camera.

In the lyrics, she sings: “It makes me question what I’m doing.

“Do I wanna make music? Am I being f*****g stupid. If I try to be a girl on the screen when I’m turning thirty-four?”

She also appears to reference the gunshot in the line: “’Cause that look, it’s a bullet.”

The film set then transformed into a photoshoot for Charli as she put one a white shirt and black knickers while proudly holding up the new album.

Charli also turned up the heat as she posed, lying on her back in the sand — though notably missing one of her black shoes.

Her 11-track album cover features three legends from the music, fashion and film industry as a nod to the themes in the record.

American filmmaker Martin Scorsese, fashion designer Marc Jacobs and Welsh musician John Cale grace the black-and-white sleeve.

The artwork was set in a kitchen and shot by Scottish photographer Aidan Zamiri.

It comes after Charli worked with John on the track House, which formed the soundtrack of Emerald Fennell’s film Wuthering Heights starring Margot Robbie and Jacob Elordi.

Of Charli, John previously told British Vogue: “I think we both have an unfaltering commitment to being true to oneself, no matter the cost, no matter who’s buzzing in your ear.

“Charli is fearless, stands her ground, takes no prisoners and is a real sweetheart.

“Her mind is made up, her tenacity ferocious.”

She declared the end of Brat Summer “forever” in September following the global phenomenon, named after her sixth album, which promoted a messy and party-loving aesthetic.

Now Charli is back in the driving seat and I am here for this new, chaotic ride.

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ACTRESS Scarlett Thomas has revealed she is a December 10 fan.

The teenage daughter of former Corrie actors Ryan Thomas and Tina O’Brien, was spotted at the band’s sold-out O2 Shepherd’s Bush Empire show in west London on Friday night.

It came as their debut EP On Your Side entered the UK Official Albums Chart at number five.

The band, comprising Cruz, Hendrik, Sean, Danny, Josh, John and Nicolas, was put together last year by music mogul Simon Cowell.

Netflix reality series The Next Act charted their emergence.

Sharing their top 10 award on Instagram, they wrote: “We’re just seven young lads with a dream and seven months ago we couldn’t have imagined this.”

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BOSS AXED IN SAM REVAMP

SAM SMITH has split from their management as the Too Good At Goodbyes ­hitmaker undergoes a huge rebrand.

Sam has parted ways from Jack Street, who founded Method Music.

A source said: “Sam is looking to overhaul their brand and is hoping new management will bring a new direction.”

The singer has also trademarked Sam Served following the success of their foodie Instagram page, which has garnered 309,000 followers.

It comes as Sam has announced ten UK headline shows this autumn in ­Manchester and London.

The gigs will support the release of the singer’s fifth studio album, Hazel Eyes, which is set to drop on August 21.

Sounds like Sam has quite a busy few months ahead.

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MODEL Jodie Kidd has hinted she could get behind the wheel again for the new Top Gear series.

She set a lap time of 1 minute, 48 seconds in the “Star in a Reasonably Priced Car” segment in 2003.

The BBC show is set to return, four years after Freddie Flintoff’s horror crash halted filming.

Asked if Top Gear bosses had approached her, Jodie told Biz on Sunday’s Emily at a fashion event at Silverstone: “I am not saying a word. That was big news.”

She said of former hosts Jeremy Clarkson, James May and Richard Hammond: “Their chemistry was extraordinary.”

Jodie is an ambassador for M&S which has partnered with Silverstone Circuit for the Formula 1 Pirelli British Grand Prix.

Shia LaBeouf’s alleged stalker has been arrested after posting a video of the actor asking to be left alone.

According to Orleans Parish Sheriff’s Office booking records, Alyssa Lee Couture, 40, was arrested Monday night and booked on a misdemeanor charge of stalking. Hours earlier, Couture had posted a video of a confrontation with LaBeouf in what appeared to be a grocery store parking lot. The “Honey Boy” actor is shown speaking to Couture through the window of a car.

“Leave me alone. God bless you. Leave me alone,” LaBeouf says calmly in the video. “You’re scaring my dad. You’re scaring my people. Leave me alone.”

Couture has posted more than 5,000 videos on her Instagram, most of which feature the woman addressing the embattled actor, whom she appears to believe is her husband. In a GoFundMe launched in May, Couture wrote that she was hoping to raise $70,000 to find permanent housing and that she had been living in her car and staying with family members. She also wrote that she had schizophrenia, among other disabilities.

Although the New Orleans Police Department does not identify Couture’s stalking victim as LaBeouf due to privacy policies, the timeline of her booking appears to line up with the confrontation with LaBeouf.

According to People, LaBeouf left Los Angeles after his split from actor Mia Goth last year and relocated to Louisiana to be closer to family.

In June, he pleaded guilty to three counts of simple battery, months after he went viral for his involvement in a Mardi Gras altercation in New Orleans. The actor, 39, was arrested in New Orleans on Feb. 17. At the time, New Orleans police confirmed LaBeouf was charged with two counts of simple battery for allegedly assaulting two men near a bar in the French Quarter. TMZ published bystander video of the incident and footage of LaBeouf walking through the French Quarter hours before the brawl.

The actor was released from jail shortly after his arrest and posted $100,000 in bond. More than a week after LaBeouf’s initial arrest, the New Orleans Police Department issued a second warrant for the actor’s arrest in connection with the same incident, and he racked up an additional simple battery charge. Prior to the second arrest, a New Orleans judge ordered LaBeouf to begin substance abuse treatment and undergo weekly drug testing.

Times staff reporter Alexandra Del Rosario contributed to this report.

LEE Andrews’ ex has taken a savage swipe with a cringey video of him – as the conman is sent BACK to jail in Dubai.

Wellbeing and fitness coach Alana Percival dated self-styled businessman Lee, 43, before he wed Katie Price, 48, in a whirlwind romance.

Since her ex’s marriage to Katie was revealed, Alana has been vocal about Lee being a “liar” and a “conman” and her latest post is no different.

Taking to Instagram, Alana shared a series of cringe messages from her former flame that she still had on her phone.

In one video, Lee is seen licking his lips and doing something disgusting with his spit.

In another clip, Katie’s husband, who’s over-embellished stories have become legendary, even claimed he was off to the “royal office”.

Referring to our exclusive story today, where we revealed that Lee was back in a Dubai jail, she penned: “Well… that’s some genuinely good news… Delighted to hear lee is back to central prison. Where he belongs!

“Looking back through old messages has been eye opening. It’s incredible what you notice with hindsight …things that didn’t add up, stories kept changing, and claims that don’t sit right.

“This is just one about meeting the royal family? … the man is so delusional.”

Alana ended the caption with: “Funny how clarity comes with time. Once you start connecting the dots, you can’t unsee them. There’s a lot to come.”

It comes as The Sun revealed that Lee had been hauled back off to jail in Dubai, after only being released a few weeks ago.

On Saturday, we told how he was heading back behind bars after being arrested for unpaid debts.

Today sources told us he had arrived in the squalid prison, where he’ll be sleeping on a mattress on the floor.

Meanwhile, Alana dated Lee shortly before he wed former pin-up Katie, and became her fourth husband.

Lee connected with Alana on Facebook in March last year and she explained how he “love bombed” her with cash transfers, Louis Vuitton bags and Cartier jewellery.

The conman even popped the question to the fitness guru in September 2025, in the exact same way as he proposed to Katie this January.

Speaking about Katie to The Sun earlier this year, Alana expressed: “I just worry for her welfare.

“I worry he’ll maybe end up getting her arrested or a flight ban. He obviously has no remorse toward anyone.”

In her exclusive interview, Alana added: “Katie should run for the hills. Lee is a liar, a narcissist and I think he’s a manipulator. 

“Once I tried to leave him, he told me had a heart condition and was living on borrowed time. 

“Lee doesn’t know what’s fact and what’s fiction. 

“It’s worrying because I think he believes his own lies.” 

Two lawsuits already serve as backdrops to the unseemly sequence of events that led to Bryce Harper sending Thanksgiving wishes on behalf of FanDuel to an admitted sports gambling addict.

Could there be a third?

Legal experts say Harper might have grounds to sue FanDuel for false endorsement, misappropriation and invasion of privacy.

The Philadelphia Phillies All-Star first baseman said in a statement posted on Instagram that he created a personalized 21-second video on behalf of FanDuel but would not have done so had he known the online sportsbook allegedly intended to use it to entice VIP customer Terry Thompson to continue gambling.

“I did not know FanDuel would do this,” Harper wrote. “I did not consent to it, and FanDuel had no right to do it.”

Harper said he received a request on Cameo in November 2024 to read a message provided by FanDuel VIP host Bryttanni Morgan for a personal “holiday video for Terry.”

“Hey, Terry? What’s up, brother? Hey, man, your host Bryttanni from FanDuel wanted to make sure your Thanksgiving was extra special,” Harper says in the video.

Thompson sued FanDuel, Morgan, DraftKings and the NFL in March, alleging that the sportsbooks caused him to lose about $1.6 million while betting an estimated $18.5 million over a four-year period.

“Had I known FanDuel’s true intent, I would not have made the video,” Harper said. “The same is true had I known anything about Terry or his situation, or about any alleged ‘partnership’ between Cameo and FanDuel.”

The lawsuit filed by the nonprofit Public Health Advocacy Institute on behalf of Thompson and fellow gambler Christopher Sage alleges that FanDuel and DraftKings intentionally fostered addiction by providing enticements such as Super Bowl tickets, hotel accommodations and access to athletes and celebrities.

Thompson said his home fell into foreclosure after he took out second and third mortgages. He borrowed money from family and friends and burned through his savings, losing his last $10,000 on a DraftKings parlay bet in February.

He describes in the lawsuit feeling so desperate that he reached out to his therapist, who called police officers to his home to prevent him from harming himself.

Sportico legal analyst Michael McCann wrote that Harper likely has grounds to sue FanDuel over the video.

Harper, an eight-time All-Star and two-time Most Valuable Player, has earned nearly $252 million in salary over his 15-year MLB career and is owed another $75 million before his contract expires after the 2031 season. He also earns about $9 million a year in endorsements, according to Sportico.

In a legal action, Harper could seek monetary damages by alleging that the video tarnished his reputation. The perception that he urged a gambling addict to continue destructive behavior could negatively impact his ability to land endorsement deals.

“Section 43(a) of the federal Lanham Act prohibits false endorsements, including when a business draws from an athlete’s NIL and other identifying characteristics without permission,” McCann wrote. “There can be a viable claim when that unauthorized use leads consumers to believe the athlete endorses the business’s product or service.

“Harper could also sue over unauthorized use of his name, image, voice and other uniquely identifying features. To that end, he could argue the video constitutes misappropriation or invasion of privacy.”

FanDuel, in turn, could counter by pointing out that Harper agreed to create the video as part of his relationship with Cameo, a company that connects fans with celebrities and creators for personalized digital interactions.

“False endorsement and misappropriation, FanDuel could insist, are inapplicable to a personalized video setting where the video’s talent voluntarily assents in exchange for compensation,” McCann wrote. “Further, FanDuel could assert that Harper was, or should have been, aware of a potential connection between the video and FanDuel and, more generally, sports betting.”

FanDuel issued a statement after the Harper video came to light in an investigative story published July 9 in the Philadelphia Inquirer.

“We are committed to fostering a culture of responsible gaming and protecting our customers,” the statement said. “Unlike illegal offshore sportsbooks, FanDuel employees are trained to recognize and flag signs of problem gambling and offer resources and tools, and we continue to review and strengthen our policies to ensure we have the industry’s strongest consumer protection initiatives.”

FanDuel and DraftKings, the leading sportsbooks since the U.S. Supreme Court ruled in 2018 that states could legalize sports betting, have developed lucrative partnerships with leagues in all major sports. The 2022 MLB collective bargaining agreement opened the door for players to do promotional work for sportsbooks.

Yet the collaborations have not come without problems. The MLB players union’s licensing and marketing arm filed a lawsuit in 2024 that accused DraftKings, FanDuel and Bet365 of using without permission or compensation photos of players on its betting app and in social media posts.

Coincidentally, Harper became embroiled in that lawsuit, in which the plaintiffs pointed to images of Harper’s face on the DraftKings app as evidence. The two sides reached a settlement in April ahead of trial.

NewsFeed

The Israeli Army has released footage of what it says are hidden tunnels under Lebanon’s historic Beaufort Castle, where it says Hezbollah’s command centres were housed. Israeli soldiers recaptured the 900-year-old fortress in June.

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The Israeli military has released video showing huge explosions and detonations in villages in southern Lebanon. Israel says they were targeting Hezbollah infrastructure and tunnels. Meanwhile a US military delegation has met with Lebanon’s army in Beirut to discuss Israel’s planned withdrawal from a ‘pilot zone’ in occupied territory.

Dublin manager Ger Brennan has called for the GAA to introduce video technology to assist officials make key decisions following his team’s All-Ireland SFC semi-final defeat by Kerry.

Brennan felt three big decisions went against his side including Kerry’s early penalty, the Kingdom’s second goal that could have been called back for a ‘square ball’ and Ross McGarry’s fisted effort that may have gone fully over the line before Kerry cleared.

While also acknowledging his team’s poor return in front of the posts was also a contributing factor in their four-point loss, Brennan feels it’s time for the GAA to bring in a VAR/TMO system for key moments.

“I feel strongly both sets of players today, all inter-county players and in hurling as well, video assistant technology has to come into play for key decision,” Brennan said.

“There were three key decisions that didn’t go our way today and if the officials had an opportunity to have a quick look, take 30 seconds out and stop the clock, those decisions would have went in a different direction.

“Congratulations to Kerry. They were a bit more accurate. We had 10 more shots but just didn’t go over or in.

“Kerry took their opportunities and we finished around 55% shot [accuracy] rate and they were in the high 60s, so we had enough opportunities despite the decisions that didn’t go our way.”

Tomi Adeyemi, the author of the bestselling fantasy “Children of Blood and Bone,” isn’t planning to see the forthcoming film adaptation — even though she co-wrote it.

Over the weekend, the Nigerian American author posted a video on TikTok addressing fans who have been asking her the same question, “Why don’t you post about the adaptation of your first film adaptation anymore?”

“There is a reason I will not post anything about the adaptation of my work,” the author wrote in what appear to be screenshots of a group chat. “I have not seen the film, and I will not watch it.”

The adaptation of the first installment of Adeyemi’s “Legacy of Orïsha” fantasy trilogy is slated to hit theaters in January 2027. Gina Prince-Bythewood — who wrote and directed “Love & Basketball” and helmed “The Woman King” — is directing. The film stars Amandla Stenberg, Thuso Mbedu, Tosin Cole, Damson Idris, Cynthia Erivo, Lashana Lynch, Regina King, Idris Elba, Chiwetel Ejiofor and Viola Davis.

Alongside the screenshots of her comments in the group chat, she shared a February 2025 exchange with Stenberg that shows the author severing ties with the actor.

Adeyemi shared only her final message to Stenberg, which reads, “Do not ever use my name in an interview or video again. Do not text me. Do not call me.” That exchange is followed by a notification that she blocked Stenberg, who plays Princess Amari in the upcoming fantasy flick.

The message from Stenberg that preceded Adeyemi’s reply is not shown in full.

Stenberg, who played Rue in “Hunger Games,” Starr Carter in “The Hate U Give” and, recently, Verosha “Osha” Aniseya and Mae-ho “Mae” Aniseya in Disney’s “Star Wars” series “The Acolyte,” had been getting flack from readers of the series, who claimed colorism was an issue while casting the movie.

In February 2025, Stenberg posted a since-deleted nine-minute TikTok addressing the controversy and told followers that Adeyemi had given the actor her blessing when cast as the series’ princess.

“I am four months into training for ‘Children of Blood and Bone’ and I am getting my ass whooped,” Stenberg joked in the video, per BET.

“This year was mostly defined for me, honestly, by contending with what it felt like to receive racist death threats just for existing in the ‘Star Wars’ universe, and that was a really difficult thing for me to move through,” she continued. “But honestly, it feels so much more painful for me to feel like I’m at odds with my own community.”

Stenberg said that she considers her skin tone when navigating her career choices and would “never go after a role” she didn’t feel well suited for. “I know that colorism is an insidious system that relentlessly impacts every facet of entertainment.”

The actor continued that it was actually a meeting with the “Children of Blood and Bone” author that gave her the confidence to pursue the role.

“I had the opportunity to meet Tomi, the novelist, for the first time. … And she goes, ‘Amandla, I want you to know that when you were a little girl and you were cast as Rue in “The Hunger Games,” and people said that Rue’s death wouldn’t be as sad because you’re a Black girl — that inspired me to write this series so that Black girls like you and Black girls of all shades could have a story written about them,’” Stenberg said in the video. “We started crying, and I said to myself, ‘God wants me here.’”

Representatives for Stenberg, Adeyemi and Prince-Bythewood did not immediately respond to The Times’ request for comment.

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Iran’s Revolutionary Guard Corps released a video of what they say were missiles launched by their naval forces in retaliation of US strikes. US-Iran tensions have been escalating in the Strait of Hormuz leading to its closure and exchange of strikes between US and Iran.

SYDNEY Sweeney looked sensational as she stripped off to cut away lingerie in a sizzling new video. 

The actress, 28, put on an eye-popping display while showing off the latest drop from her lingerie brand SYRN.

In the steamy clip, Euphoria star Sydney was seen shrugging off a fur coat while looking out over a balcony.  

Leaving almost nothing to the imagination in the daring lingerie, Sydney posed up a storm as she showed off her incredible figure. 

Sharing the clip on Instagram, she simply captioned the post: “Did you get your @syrn yet?”

Fans rushed to comment, with one writing: “Jaw on the floor.”

Another said: “The most prettiest girl in the world.”

And a third joked: “You should not be allowed to post this.”

Sydney recently defended stripping off to play her Euphoria character Cassie in the latest season of the HBO hit. 

Creator of the show Sam Levinson thought it needed to be toned down, whereas Sydney did not.

“When I first wrote it, I was like, ‘Maybe we shoot all of this, and we don’t have any nudity. Maybe there’s ways to shoot around certain things?’” he told the New York Times.

“Are you kidding?” Sydney reportedly told him.

“I’m playing an OnlyFans model. You’re telling me you’re going to, like, skirt around it?”

And not long after the finale aired, she defended sexy scenes with a slew of snaps from the show and a caption that read: “It’s called… acting.”

Obsidian Entertainment, a subsidiary of Microsoft Corp.’s Xbox, has canceled multiple projects and will begin working on a new game in the popular Fallout franchise as part of the division’s broader restructuring, according to people familiar with the matter.

The video-game studio, based in Irvine, California, also laid off around a quarter of its workforce, said the people, who asked not to be identified because they were not authorized to speak to the press.

As part of the shake-up, Obsidian has canceled a planned sequel to the 2025 roleplaying game Avowed along with other unannounced projects.

Under the new plan, studio design director Josh Sawyer will lead a new title in the Fallout universe — a series of roleplaying games that take place in an alternate history in which the U.S. has been ravaged by nuclear war. The emerging strategy is still in flux, the people said, and could still change.

Previously, Sawyer had been directing a roleplaying game that was similar structurally and thematically to Fallout but was not part of the franchise.

An Xbox spokesperson declined to comment.

The shifts take place as Xbox Chief Executive Officer Asha Sharma executes what she has called a “reset” of the organization. On Monday, Sharma announced plans to cut 3,200 jobs and divest five studios. She’s said she’ll invest more in the company’s biggest franchises, including Fallout, which has sold tens of millions of copies and led to a hit show from Amazon.com Inc. that is currently filming its third season.

Despite its critical and commercial success, the Fallout video-game series has not seen a new entry since 2018’s online title Fallout 76 because its primary developer, Xbox’s Bethesda Game Studios, has been focused on other projects. Bethesda has also regularly updated and created new content for Fallout 76, which has reached more than 23 million players.

The only Fallout game in the last two decades to not come from Bethesda was 2010’s Fallout: New Vegas, developed by Obsidian and directed by Sawyer. Although New Vegas has become a fan favorite, Bethesda has maintained control over the franchise. The Rockville, Maryland-based studio will work with Obsidian on the new project, the people said.

Obsidian released three games last year, two of which did not meet sales expectations, including Avowed, the company told Bloomberg Businessweek. The studio had been hoping to build on Avowed by developing a sequel in a shorter timeframe using the world and technology that it had already created.

Progress on the sequel was going well, and it was on track to be announced within the next year. But in the end, it did not fit into Sharma’s overall strategy, according to people familiar with the game’s development.

Some Obsidian employees will continue working on the Avowed sequel as they wait for new projects such as Fallout to be ready, perhaps in hope of one day reviving the game, the people said.

Obsidian will also continue to develop downloadable content for last year’s The Outer Worlds 2, the people said, and will also still work on its live-service multiplayer survival game, Grounded 2.

Schreier writes for Bloomberg.

The fatal shooting of a Houston man by a federal immigration officer Tuesday marks at least the eighth death during the Trump administration’s immigration enforcement campaign, and the first fatality amid a newly intensified push by the administration to carry out its mass deportations agenda.

Department of Homeland Security officials said in a statement that Lorenzo Salgado Araujo, a Mexican national, ignored commands while trying to evade arrest during an enforcement operation. They say he attempted to ram his car into an agent, who opened fire in self-defense.

Araujo’s family said he was on his way to work at a construction job. He died on the way to the hospital.

The fatal shooting drew immediate criticism from immigrants rights groups and some Democrats who called for an independent investigation and for all footage, communication and evidence to be preserved.

Video footage in several previous shootings has contradicted the accounts of federal officers. No immigration officers have been charged in those fatal encounters.

Man shot during vacation trip traffic stop

A fatal late-night traffic stop in Texas in March 2025 marked the earliest deadly shooting by federal officers during the nationwide immigration crackdown. It took almost a year for records in the fatal shooting of the 23-year-old U.S. citizen to be disclosed.

A Homeland Security Investigations team was conducting an immigration enforcement operation with local police when agents stopped Ruben Ray Martinez, who was on his way from San Antonio to South Padre Island. Family members said he had just turned 23 and was with his best friend on his way to celebrate.

DHS officials said Martinez was told to exit the vehicle, but he refused and instead “intentionally ran over” an agent. Another agent fired shots through the open driver’s window, striking Martinez, who died at a hospital. The HSI agent was treated for an undisclosed knee injury.

Martinez’s mother said she was contacted by investigators with the Texas Rangers who told her there was video that contradicted the account given by federal agents. Federal and state authorities have declined to comment on potential discrepancies.

Nurse shot during Minneapolis protest

A Border Patrol officer shot and killed Alex Pretti, a 37-year-old nurse, during a Jan. 24 protest against the Metro Surge immigration operation in Minneapolis.

Federal authorities immediately described Pretti, a U.S. citizen, as an armed agitator who was a threat to officers. But bystander video showed Pretti was on the ground and had been holding a cellphone during the interaction with officers.

The video showed an officer appearing to pull a gun from Pretti’s waistband and step away before the first shot was fired by another officer, followed by more shots. Pretti had a permit to possess a firearm.

State and local officials pushed back against the federal officials’ initial characterizations of Pretti, with Gov. Tim Walz calling the comments “despicable.”

Driver shot behind the wheel of an SUV

Renee Good, a U.S. citizen, was repeatedly shot by an Immigration and Customs Enforcement officer in Minneapolis on Jan. 7. Videos show she was turning the wheels of her car away from an officer, Jonathan Ross, when he opened fire. Trump administration officials have repeatedly defended Ross, claiming his life was at risk from the moving vehicle.

Good’s death caused a firestorm across the country. The U.S. Justice Department said it wouldn’t share information on the shooting with state authorities.

State and local officials subsequently sued to try to stop the immigration sweeps. Protesters with whistles trailed officers who, in response, deployed tear gas and other chemical irritants.

Cook from Mexico shot during a traffic stop

ICE agents fatally shot Silverio Villegas González during a traffic stop Sept. 12 in suburban Chicago. Relatives said the 38-year-old line cook from Mexico had dropped off a child at daycare that morning.

At the time, DHS officials said agents were pursuing a man with a history of reckless driving who was in the country illegally. They alleged Villegas González evaded arrest and dragged an officer with his vehicle.

Homeland Security said the officer opened fire fearing for his life and was hospitalized with “serious injuries.” However, local police videos showed the agent walking around and dismissing his injuries as “nothing major.”

DHS has said the death remains under investigation.

Farmworker fell from greenhouse roof during ICE raid

Authorities were arresting dozens of farmworkers July 10 at Glass House Farms in Camarillo when Jaime Alanis fell from the roof of a greenhouse and broke his neck. The 57-year-old laborer from Mexico died at a hospital two days later.

Relatives said Alanis had spent a decade working at the farm. During the raid, Alanis called family to say he was hiding. Officials said he fell about 30 feet from the greenhouse roof.

Homeland Security said Alanis was never in custody and was not being chased by immigration authorities.

Man struck on California freeway after running from officers

A man fleeing from immigration officers outside a Home Depot store in Monrovia died after being hit by an SUV as he tried to cross a freeway on Aug. 14.

Monrovia police said ICE agents were conducting enforcement operations when the man was hit while running across the eastbound lanes of the 210 Freeway.

The man, identified by the National Day Laborer Organizing Network as Carlos Roberto Montoya Valdez, 52, of Guatemala, died at a hospital.

Homeland Security said Montoya Valdez wasn’t being pursued by immigration authorities when he ran.

Gardener from Honduras killed on Virginia interstate

A pickup truck fatally struck Josué Castro Rivera on a highway in Norfolk, Va., as he tried to escape authorities during a traffic stop on Oct. 23.

Castro Rivera, 24, of Honduras, was heading to a gardening job with three passengers when ICE officers pulled over the vehicle, according to his brother, Henry Castro.

State and federal authorities said Castro Rivera ran away on foot and was hit by a pickup truck on Interstate 264.

Homeland Security said Castro Rivera’s vehicle was stopped as part of a “targeted, intelligence-based” operation and that Castro Rivera had “resisted heavily and fled.”

Bynum and Lauer write for the Associated Press. Bynum reported from Savannah, Ga. Lauer reported from Philadelphia. AP reporters Ed White in Detroit; Sophia Tareen in Chicago; and Michael Biesecker in Washington contributed to this report.

Lost luggage? Tarmac delays? Rental-car blues? No whining about measly travel headaches with the mother of all bad-trip sagas looming on the big screen.

“The Odyssey,” Christopher Nolan’s epic take on the Trojan War’s fallout, debuts July 17. Spoiler alert, if you somehow avoided Homer in community college: Nobody, save biblical Job, has had more misery hurled at them.

Outflanked by cruel and fickle gods at every turn, legendary Greek hero Odysseus outsmarted a one-eyed giant, suffered through the bewitching Sirens’ song and braved the Underworld’s dead denizens. He battled oversize cannibals, outmaneuvered a witch and lost scores of men at every turn. Then made it back to Ithaca after 10 years only to find his home overrun by suitors wooing his wife.

It’s a tale packed with bad decisions, failure, heartbreak and death. Perfect story fodder, given how much we love bad-trip stories. We consume lists of the worst airports and wonder at accounts of illness-plagued cruises. We scroll through videos starring unruly passengers or mangled bags, and read about the last resting place for lost luggage.

Hollywood has created a whole franchise around road trips gone wrong. Think of “The Hangover” or “Sideways” or “Little Miss Sunshine.” Screenwriter-director John Hughes perfected the big-screen comedic treatment of travel gone south with classics such as “Home Alone,” “National Lampoon’s Vacation” and “Planes, Trains and Automobiles.”

Let’s not even talk about the “three-hour tour” that left Gilligan and friends stranded on a deserted island for 98 episodes, or how Jack Dawson’s voyage ended aboard 1997’s “Titanic.”

A significant body of evidence even indicates that travel makes us sick. Trip-related problems are so common, in fact, that consumer advocate Christopher Elliott has stitched an entire career out of resolving them — from timeshare scams to horrible airline customer service and beyond.

Still, we keep buying tickets and packing our bags to sail into the great unknown, across Homer’s wine-dark sea. Why? Elliott attributes it to what he terms “traveler’s amnesia.”

“It amazes me that travelers are not up in arms about the way they get treated,” he said. “They take a trip, have a terrible experience, and forget about everything that went wrong and only remember what went right.”

He suggests that avoiding a bad trip starts with choosing companies noted for strong customer service. He cited some name-brand examples: Marriott for hotels, Alaska Airlines, and Enterprise Rent-A-Car. He avoids cruises as much as possible.

Which is funny, because when I think about cruising, I don’t revisit the miserable 36 hours that norovirus confined us in our cabin. I instead recall coasting past a flotilla of icebergs in Alaska’s Glacier Bay.

When I think about Mexico, I don’t wallow in memories involving Montezuma and his gastrointestinal revenge. But I do cherish thoughts of snorkeling with playful sea lion pups.

And when I consider airports, I blot the memory of the woman next to me at Gate 66 who insists on blaring a video call at maximum volume. Instead, wielding my noise-canceling earbuds, Odysseus-like, I plan to smother this screeching sound to preserve my sanity. But before I can insert them, a voice speaks to me.

To all of us, to be technically correct, since it emanates from the speakers of Los Angeles International Airport’s Terminal 6.

“It’s time to play TSA’s favorite game!” says the voice, mimicking a game-show host’s hustle. “You lost it, we found it!”

The speaker explained that someone had left a laptop computer at a checkpoint. The two were reunited moments later, which set my feet in motion, wondering whose voice it was. There at the checkpoint I met Carl Revis, a TSA supervisory officer with a penchant for comedy.

“You don’t have to be a jerk to get things done,” he told me. “I think reaching people through comedy is a lot easier than screaming and yelling at them.”

Taken together, my trip recollections probably qualify me as living proof of Elliott’s traveler’s amnesia theory. The final diagnosis should be clear soon. I’m retiring from full-time work this year, and people inevitably ask what’s next.

It’s not completely clear, I tell them. But I’ll definitely have more time to travel. Maybe sail across the Aegean … what could go wrong?

Netflix is going bite-sized. In a pivot toward the short-form content dominating TikTok and YouTube, the streaming giant announced it will start hosting three- to 20-minute videos from top digital publishers right on its homepage starting Aug. 3.

The streamer said U.S. customers will see “fan-favorite videos” from brands run by digital publishers, including BuzzFeed Studios, Condé Nast, Hearst Magazines, PMX (a subdivision of Penske Media), People Inc. and Tastemade. The videos will cover a variety of topics, including gardening tips, travel and celebrity profiles.

The rollout comes as Netflix competes for audience time from YouTube and social media platforms such as TikTok that have viral videos that can occupy users for hours. By bringing series such as BuzzFeed Celeb’s “30 Questions,” on which celebrities provide answers, or Vanity Fair’s “Lie Detector,” on which celebrities are hooked up to polygraph machines, Netflix users can learn more information about the people they already watch on the streamer, but in shorter videos.

“Members don’t just want to watch a show or film and move on. They want to keep exploring the stories and personalities they love long after the final credits roll,” said John Derderian, a Netflix vice president overseeing the initiative. “These partnerships help us deepen fandom and create more ways for members to carry those stories with them throughout their day.”

Netflix said it will offer licensed archival and ongoing series, including Harper’s Bazaar’s “Burning Questions,” Billboard’s “24 Hrs With” and People’s “My Life in Pictures” that provide an inside look at celebrities.

The videos from digital publishers will also be available to Netflix customers in Canada, the United Kingdom, Ireland, Australia and New Zealand on Aug. 3.

The Los Gatos, Calif., streamer over time has been expanding its library of content, adding games, live programming such as boxing matches and football games, alongside movies and TV shows.

Continuing my summer observations looking back at memorable moments in covering high school sports since 1976, you can’t find a better, more beloved action-packed night than Feb. 24, 2017, at USC’s Galen Center when you got to see two great high school basketball games for the price of one in the Southern Section Open Division semifinals.

Anyone who was there remembers the long lines to get in, the sold-out crowd and drama involving Sierra Canyon against Bishop Montgomery and Mater Dei against Chino Hills.

Enjoy the memories from the video looking back.

A woman who previously dated Maine Senate candidate Graham Platner said he drunkenly forced her to have sex after she told him to stop, according to a Politico report released Monday.

Platner denied the allegation and said he would be considering next steps for his campaign.

“Regardless of the inaccuracy of the reporting but mindful of the political reality it will inflict, we’re taking the time to reflect on the best path forward,” he said in a video released on social media.

Jenny Racicot, who lives in Maine, told Politico that Platner entered her home in 2021 while drunk and assaulted her. Racicot said she had been in an on-and-off relationship with Platner, but she cut off contact with him after that night and told him the incident wasn’t consensual. A voicemail left at a number listed for Racicot seeking comment did not receive an immediate response.

An email and phone message from the Associated Press seeking comment were sent to Platner’s campaign on Monday.

“Any accusation of non-consensual behavior is categorically false,” Platner said in his video.

As of Monday, Platner had canceled a handful of campaign town halls planned in Maine.

Several lawmakers and groups that have supported Platner, including Sen. Bernie Sanders and the organization he founded, Our Revolution, as well as Rep. Ro Khanna, did not immediately respond to requests for comment.

Khanna has supported Platner through several scandals but said last month on CBS’ “Face the Nation” that “if there was evidence of violence, I would not support him. If there was evidence of sexual assault, I’d have zero support for him.”

Platner secured the nomination to become Maine’s Democratic Senate candidate last month, but state law does include a provision for Democrats to replace him ahead of the general election.

According to the statute, party officials may select a new nominee if a candidate who won the primary withdraws by 5 p.m. July 13. The replacement candidate must be named by July 27.

The Associated Press generally does not name victims of sexual assault, but in this case Racicot spoke in an interview with Politico.

Kruesi writes for the Associated Press.

The Autry’s current exhibition, “Life, Liberty, and Los Angeles” is an excellent show that takes a deep regional dive pegged to its 250th American anniversary programming. Of all the pieces, See Lee’s meticulously stitched “Hmong Story Cloth” (circa 1980) is a poignant chronicle of making the journey to an unknown future in the United States. Utilizing the traditional paj ntaub embroidery format, the textile documents Lee’s family fleeing war-torn Laos and resettling in Long Beach during the 1970s. The narrative unfolds in sequential sections depicting military violence at a chaotic crossing of the Mekong River; lower panels remember Thai refugee camps, a rescue airplane and a Greyhound bus. This visual testimony shares striking cross-currents with Latin American arpilleras and paños Chicanos, linking disparate diasporic traditions through the shared language of quietly political, deeply personal needlework — in this case, preserving a crucial chapter of Southeast Asian migration to Southern California.

🗓️ On view through Jan. 31, 2027

A post-game fireworks show went awry at BMO Stadium on Friday night, when fireworks set off on the playing pitch sent flares streaming into the stands, forcing fans to scatter to safety.

Angel City FC played the Orlando Pride at BMO Stadium, coming back from a month-long break to win the match 2-0. But it was the promised post-game fireworks celebration that made the biggest splash.

Videos of the pyrotechnics display show the pitch filling with tall showers of sparks and dense smoke as dozens of fireworks launched upward. At what was to be the climactic finale of the show, however, fireworks began to take off horizontally, headed into the half-filled stands.

From her club seat with her friends, season ticket-holder Jade Greenhut captured the center circle spectacle. She said she took out her phone and started recording after the first errant missile from the fusillade sped directly toward the Angel City team bench.

“Oh my god!” a woman’s voice on Greenhut’s video screams as at least two fireworks launched into the stands nearby, sending fans scrambling to get clear. Two more fireworks bounded across the field and into the stands. Off-camera, a man says, “Everybody’s running!”

A spokesperson for the soccer club said the organization had no information “of any serious injury” from the wayward pyrotechnics.

“A third party vendor was hired to facilitate the pyrotechnics,” said Stephanie Rudnick, head of communications for the Angel City Football Club, from her home in Australia.

“A fireworks malfunction did occur during last night’s post-match celebration at Angel City FC’s game vs. Orlando at BMO Stadium,” the team said in a statement to The Times. “Our medical and safety teams were on site and ready to respond. Stadium operations confirmed the venue was secure and guests, staff, players, and crew were able to depart safely.

“We are working closely with our pyrotechnics vendor to review the incident and evaluating appropriate next steps.”

Greenhut was nonplussed about the post-match mayhem. She said many fans had already left in the 20-minute interlude between the end of the game and the fireworks show, leaving the stands relatively empty and reducing the likelihood of injuries.

The air was already clearing by the time the stadium was evacuated. Her ticket ambassador approached her afterward to apologize. “He was like, ‘We did this for the [Los Angeles Football Club], and everything was fine,’” she said. “I don’t blame them at all.

“Honestly, the game was great. We played phenomenal,” Greenhut said.

But perhaps next time, she said, Angel City could go with drones.

—Lila Seidman contributed to this story.