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Video: $5 to sign a ballot petition with someone else’s name? California launches probe

A video circulating online appears to show signature collectors paying people to sign initiative petitions under other people’s names, according to officials, and now the state has opened an investigation.

The video, filmed by videographer JJ Smith, shows a long queue leading to a table set up at 6th and Mission streets in San Francisco. A man in line says they are being offered $5 to sign petitions. At the table, where there are lists with the information of apparent registered voters, a woman confirms the payment and — using a highlighter — instructs a person on the name and address that she is supposed to use.

“I get $5 too?” the videographer asks.

“Yeah,” says the woman.

“And what is it?”

“Just sign it,” she says.

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Petitions connected to at least three ballot campaigns — including the billionaire-backed effort to thwart California’s proposed billionaire tax — appear in the video.

“I approached some people and asked them what they were there for,” Smith told The Times. “They told me they didn’t know what they were signing for, that they just wanted the $5.”

Smith said he watched the scene for hours and estimated that a few hundred people cycled through the line over roughly two hours.

Those running the table did not ask for anyone’s identification and gave no explanation of what was actually being signed, he said.

The video showed voter data from San Luis Obispo County that was both visible and, as details were spoken aloud, audible in the footage.

The county acted immediately after becoming aware of the video and initiated an investigation through the fraud unit of the California secretary of state’s office, said Erin Clausen, public information officer for the San Luis Obispo county clerk’s office.

Clausen noted that, although voter registration data can be legally requested from county election offices, the data in this case may have been used inappropriately. The county is also planning on reaching out directly to voters who were specifically mentioned or identified in the video, according to Clausen.

“The activity shown in the video, if verified, would violate California election law,” County Clerk-Recorder Elaina Cano said in a formal statement released Wednesday morning.

The secretary of state’s office confirmed it had opened a formal investigation.

“Under California law, it is illegal to give money or other valuable consideration to another in exchange for their signature on an initiative petition,” a spokesperson said in a statement. “ Those who abuse our system will be held accountable.”

The office is working with local officials and encouraged anyone with information to file a complaint.

One political committee, Californians for a More Transparent and Effective Government, confirmed its petitions were among those whose signature gatherers were allegedly paying people to sign and moved quickly to distance itself from the activity.

“Under no circumstance do we tolerate this type of activity in the signature gathering process,” said spokesperson Molly Weedn. “We’ve taken immediate action and have demanded that the signature gathering firm identify these circulators and reject their petitions.” Weedn said the collectors were subcontractors, not campaign employees, and that attorneys were contacting authorities.

That committee is funded by another group, Building a Better California, which was also among campaigns that appeared in the video. The other was for a proposed initiative called the Retirement and Personal Savings Protection Act of 2026. Representatives for the latter two have not responded to requests for comment.

Smith said this was not the first time he had witnessed this type of activity in the area.

“I saw something similar with ballots three days ago,” he said.

The investigation is ongoing. Anyone with information can submit a complaint to the Office of the California Secretary of State or contact their local county elections office.

Times staff writer Seema Mehta contributed to this report.

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Tilly music video proves AI won’t be putting actors out of work soon

Just in time for the Oscars, Tilly Norwood, and by extension her creator, Eline van der Velden, gave actors at every level an unexpected gift — the chance to breathe a little easier.

AI will not be replacing you any time soon.

On Tuesday, the AI phenomenon known as Tilly debuted a single and music video titled “Take the Lead.” In it, Tilly sings a self-celebratory, pro-AI anthem with the big-eyed feisty longing of an algorithm marked “Disney princess: Big song” while she wanders through increasingly fantastic self-affirming scenarios that scream “Plus ‘Barbie.’”

Van der Velden was clearly trying to persuade actors to embrace the possibilities of AI but like Timothée Chalamet, who managed to prove that opera and ballet have many devoted fans by publicly suggesting the opposite, her attempt will likely backfire. The underlying message of the video, at least to performers, appears to be: Relax — AI hasn’t figured out how to lip sync properly, much less act.

It’s a bit of good news in a time of AI anxiety, some of which was Tilly-induced. Last year, Van der Velden, a Dutch actor and founder of the production company Particle6, debuted Tilly, via Instagram, as the “world’s first AI actress.” Around the time the account hit 50,000 followers, Van der Velden announced that several talent agents were interested in representing Tilly. Not Van der Velden, but Tilly Norwood, a “performer” who did not exist.

For a few minutes, Hollywood lost its collective mind. Not only were creators and performers facing a future in which their work, bodies and faces could be scanned and fed into an algorithm capable of imitating writing styles or creating images of actors doing things they never did (in a recent AI video, Tom Cruise and Brad Pitt duke it out on a war-torn rooftop), now some feared they would be competing for jobs with “actors” who could work 24 hours a day, required no health benefits and would never demand bowls of M&Ms with the green ones removed.

SAG-AFTRA, which had just ended a strike caused in part by concerns about AI, protested Tilly and the use of “stolen performances to put actors out of work.” Various actors were outraged and some called for the interested talent agencies to be identified. Even Emily Blunt was publicly disconcerted, begging Hollywood agencies to “please stop taking away our human connection.”

Van der Velden quickly responded, insisting that Tilly was “not a replacement for a human being, but a creative work — a piece of art … a new tool — a new paintbrush.”

Then, on Tuesday, “Tilly” released a music video that seems to argue the exact opposite.

In the video, which appears over the message “Can’t wait to go to the Oscars,” the computer-generated young woman trips through a montage of “famous person moments,” as Tilly insists that she is not a puppet but a star; she encourages all actors to embrace and use AI, to own their creativity and “be free.”

A note prefacing the video states that “18 real humans” were involved in its production (including Van der Velden who is the basis of the performance), who provide the subtext for Tilly warbling: “They say it’s not real, that it’s fake, but I’m a human, make no mistake.”

Whatever Van der Velden and her team hoped to achieve, one thing is very clear: Emily Blunt has nothing to fear from Tilly Norwood.

The questionable merits of the song, performance and production value aside, the video is the best argument yet for why AI “performers” are a limited threat. As Tilly walks the streets of London, poses for selfies, signs autographs, appears on talk shows, performs live in front of enormous audiences, interacts with photographers, we are reminded that Tilly could never do any of this. AI performances are, by their very nature, limited to a screen.

Instagram fame is a real thing and can be monetarily beneficial, just as animated and digitally enhanced characters can connect deeply with audiences. But beyond her ability to raise the spectre of wholly coded “performers” constructed from borrowed bits of humans (which, as anyone who has read or seen “Frankenstein” knows, never ends well), Tilly doesn’t appear to have anything like star power.

And to consider her as existing separate from her creators is like imagining that the ventriloquist dummy Charlie McCarthy could have a career, and an agent, separate from the real performer Edgar Bergen.

Though Charlie did have the advantage of being able to be seen live and in person.

Watching Tilly, one is reminded that the magic of actors is that they are human. Audiences are, after all, human too and whether facing a stage or a screen, we are captivated by certain performers’ ability to bring all manner of characters and stories alive, while also being, as Us Weekly says, “just like us.”

People with bodies that age and change, people who fall in love, get messy, say dumb things, say smart things, fall prey to illness and accidents, shop at Trader Joe’s, end up in court or trip when about to receive an Oscar.

Their faulty, glorious humanity allows them to connect to their art, but it also connects them to us. We may never get an Oscar or be able to masterfully deliver a Shakespeare soliloquy on a chat show, but we know what it’s like to trip or say something dumb or experience aging, illness or accident.

You can’t replace actors with algorithms, even if/when someone comes up with something more convincing than Tilly, because actors are not just about performances. They are people who are alive in the world and no amount of coding can replicate that.

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Mickey Rourke evicted over $60,000 in unpaid rent after turning down $100,000 in donations

A judge recently entered an eviction ruling against actor Mickey Rourke who, despite owing nearly $60,000 in unpaid rent at his Beverly Grove home, rejected more than $100,000 raised in a GoFundMe campaign coordinated by his manager to keep him housed.

On Monday, a judge issued a default eviction ruling in favor of Rourke’s landlord, Eric Goldie, for possession of the home and termination of the rental agreement, according to documents in Los Angeles Superior Court. The default ruling means that Rourke failed to take action to defend against the eviction complaint within the time allowed by law.

Rourke, who was a leading man in the 1980s with movies including “Barfly” and “Angel Heart” and was later Oscar-nominated for his role in 2008’s “The Wrestler,” was served a three-day notice to pay rent or vacate the premises on Dec. 18 and failed to comply, according to court documents filed in Los Angeles Superior Court.

On Dec. 29, his landlord filed the eviction complaint, alleging that Rourke owed him $59,100 in back rent on the $7,000-a-month rental.

In January, Rourke’s management team set up a GoFundMe to help keep the actor in his home, with his representative Kimberly Hines listed as the benefactor. Hines did not immediately respond to a request for comment Tuesday.

“Mickey Rourke is an icon — but his trajectory, as painful as it is, is also a deeply human one,” read the description for the since-shuttered GoFundMe. “It is the story of someone who gave everything to his work, took real risks, and paid real costs. Fame does not protect against hardship, and talent does not guarantee stability. What remains is a person who deserves dignity, housing, and the chance to regain his footing.”

Fans quickly rallied to support the 73-year-old, with around 2,700 donors raising more than $100,000 within three days.

But Rourke refused to accept the money, denouncing the campaign in a Jan. 5 video posted on his Instagram as “humiliating” and stating he would rather shoot himself (in a rather graphic way) than accept charity.

Rourke said he was in a “really bad situation” after new owners purchased the home he had been renting for years and would not fix anything. “I said I’m not paying rent, because there’s mice, there’s rats, the floor is rotten, one bathtub there is no water,” he said in the video.

The “Iron Man 2” villain said he didn’t know who started the GoFundMe but assured fans he would speak to his lawyer and get to the bottom of it. He repeatedly urged anyone who donated to get their money back.

Hines, his manager of nine years, previously told the Hollywood Reporter that it was not true that he did not know who started the fundraiser, noting that she and her assistant ran the idea past Rourke’s assistant and everyone agreed it would be helpful.

“Nobody’s trying to grift Mickey. I want him working. I don’t want him doing a GoFundMe,” Hines told THR in January. She said she had arranged to move him out of the unit and into an apartment in Koreatown, noting that the Beverly Grove home had severe water damage and black mold.

An attorney for the landlord did not immediately respond to The Times’ request for comment Tuesday.

Times staff writer Christie D’Zurilla contributed to this report.



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Jesy Nelson shares adorable video of twin daughter’s ‘ballerina’ leg exercises amid SMA diagnosis

JESY Nelson has shared an adorable video of her daughter’s “ballerina” leg exercises amid her twins’ SMA diagnosis.

The singer gave birth to her little girls prematurely at 31 weeks last year.

Jesy Nelson revealed back in January that her twins had been diagnosed with SMACredit: Instagram/Jesynelson
Ocean Jade and Story Monroe were born prematurely at just 31 weeksCredit: Instagram/@jesynelson
Jesy shared a video of her daughter’s ‘ballerina’ leg exercises amid their SMA diagnosisCredit: Instagram

And, back in January, Jesy bravely revealed the twins, Ocean Jade and Story Monroe, have since been diagnosed with Spinal Muscular Atrophy Type 1 (SMA1).

It is a genetic condition that weakens the muscles by damaging motor nerve cells in the spinal cord.

It leads to progressive muscle wasting, and if untreated, the life expectancy of a baby with SMA Type 1 is just two years.

Jesy and her ex-fiancee Zion Foster have been told it is unlikely the girls will ever walk, and may face serious breathing and swallowing difficulties.

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The brave mum-of-two has been keeping her fans updated on the twins condition on social media.

Jesy, 34, has now shared a sweet clip of the twins doing their “ballerina” exercises to keep their legs mobile.

Speaking to one of the twins in the video, she said: “Are you gonna show them how you move your legs? Your a little ballerina, come on.

“Good girl. Little ballerina, yes you are.”

Progressive resistance training (PRT) with a little resistance band has the potential to increase strength and increase motor function in children and young adults with SMA, according to the National Institute of Health.

Jesy panned the camera up to her daughter’s face and she seemed super chilled as she bent and unbent her leg.

The tot was spotted with her feeding tube in her nose as it helps to clear their chests.

The former Little Mix singer recently released a fly-on-the-wall Amazon Prime documentary.

The series, which climbed to number one in Amazon’s viewing charts, follows her shock departure from Little Mix in 2020 and her journey to motherhood with her now ex-boyfriend Zion.

Since revealing her twins’ diagnosis, Jesy is now campaigning for the NHS to expand the standard heel prick test to screen for SMA1.

She says the test, which costs around £1, could have “saved their legs” by giving them access to treatment sooner.

If the twins had been tested and treated in time, there was a chance they would have avoided disability.

Former Little Mix star Jesy is campaigning for the NHS to include SMA1 testing in the standard baby heel prick testCredit: Shutterstock Editorial

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Madonna turns heads in white corset and suspenders for Dolce & Gabbana shoot in nod to hit Like A Virgin music video

QUEEN of pop Madonna is Like a Virgin all over again — in a throwback to her 1984 hit video.

The megastar, 67, wore a white bridal corset and suspenders for the shoot.

Queen of pop Madonna is Like a Virgin all over again – wearing white bridal corset and suspenders for a shootCredit: Instagram
The outfit was similar to the look she had for her Eighties song clipCredit: Everett Collection – Rex Features

Her outfit was similar to the look she had for her Eighties song clip — as she modelled and sang for Dolce & Gabbana.

Images posted online were captioned La ­Bambola — The Doll in Italian — a nod to the Patty Pravo 1968 hit Madonna recently covered.

Last week we told how Madonna was preparing to push boundaries yet again.

The 67-year-old singer will be filming her most X-rated music video to date, as she gears up to release her new album, dubbed Confessions Part 2.

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A 200-strong team descended on a top-secret location in the UK to start work on the adventurous video, which will accompany her lead single later this summer.

This video is the first of a new campaign, which comes off the back of her signing a massive deal with Warner Records — the label she launched her career with — last year.

And as well as ramping up the sex, Madonna is preparing to push herself to the extreme physically.

A source said: “Madonna is reclaiming her throne.”

Madonna posed in the white outfit as part of a campaign for Dolce & GabbanaCredit: Instagram

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Jaylen Brown, Beverly Hills police and video stoking racial bias claim

Boston Celtics star Jaylen Brown was in the middle of a brand event at a Beverly Hills mansion on Valentine’s Day when police showed up.

It was 7 p.m., and the music for the event — an invite-only gathering for his 741 Performance brand — had long been silent. Brown came down to talk to an officer, expressing confusion at why police had been called.

“We’re just trying to have an event — a panel talking about culture, talking about future, talking about leadership, and for whatever reason I feel like we’re being targeted,” Brown said in a video of the encounter posted on social media.

He asked the officer why the city was shutting it down. “It’s beyond my pay grade,” the officer replied. “They want it shut down.”

The video immediately went viral, with many questioning why the city shut down what appeared to be a calm event. The debate was framed by a series of incidents in recent years in which the local Police Department was accused of profiling Black people.

Beverly Hills officials issued a statement defending their actions. But it didn’t take long for the city to reverse course, issuing an apology to the NBA star and the owner of the home that hosted the event, Oakley founder James Jannard, for initially putting out inaccurate information.

Brown told ESPN he is considering legal action against the city, saying the episode tarnished his and his brand’s image.

“I feel offended by it,” he said. “It’s hard to say that you were not being targeted.”

Beverly Hills officials insist the city did not unfairly single out Brown and stressed the incident was a code-enforcement matter, not one involving policing issues.

The police’s presence at the event on Trousdale Place was prompted by a resident reporting “excessive vehicles on the street,” Beverly Hills Deputy City Manger Keith Sterling said in an email to The Times. A traffic control officer then found “high vehicular traffic, numerous parking violations (including a vehicle blocking a driveway and several vehicles parked in the wrong direction) and numerous people congregating in the driveway.”

“Code enforcement was on site for several hours and observed what they believed to be well in excess of 50 people congregating for an event, which would require a public assembly permit for the safety of event attendees,” he added.

There was also the sound of a generator, which would require a permit, a check-in table, a metal detector and a temporary wall with branding, Sterling said.

Brown’s function occurred during the NBA’s All-Star Weekend in Los Angeles. Sterling noted there were six other NBA-related events in the city at that time.

“The City was aware that the event was timed to coincide with NBA All-Star Weekend but did not have details on who was sponsoring or participating in the event,” Sterling wrote. “The event was shut down for safety reasons alone without regard to the event sponsor or participants.”

Still, the incident revived questions of policing in Beverly Hills — a majority white city in which Black residents make up about 2% of the population.

Some advocates called on Atty. Gen. Rob Bonta to investigate allegations of racial profiling in Beverly Hills. Bonta’s office declined to comment.

In 2020, the Beverly Hills Police Department launched a special detail — the Rodeo Drive Team — amid complaints over what residents and shop owners said was a “criminal element” along the famed shopping corridor. Officers were tasked with combating what officials said was a rise in thefts, people spending money obtained by defrauding the state’s unemployment system and quality of life issues like loud music and the smell of marijuana drifting into stores, according to a 2021 Times investigation. One document The Times reviewed that year showed about 90% of those arrested by the task force were Black.

The task force was disbanded after just two months.

Attorneys Bradley Gage and Benjamin Crump filed a class-action lawsuit against the city in 2021 that remains ongoing. The lawsuit claims none of the arrests led to convictions and some were never prosecuted because police lacked probable cause to make the initial arrest.

The department has denied allegations that it targeted Black shoppers, saying in a statement in 2021 that officers are “committed to keeping our community safe while enforcing the law with respect and dignity for all.”

Shortly after the task force was disbanded, Salehe Bembury, then the vice president of sneakers and men’s footwear for Versace, was carrying a Versace shopping bag and crossing Rodeo Drive next to the luxury store when police stopped him for jaywalking, told him to put his hands behind his back and searched him for weapons.

Body camera footage showed Bembury repeatedly said he was uncomfortable and thought the pat-down was “excessive,” adding he’d designed the shoes inside the bag he was carrying. He started recording on his cellphone.

“I’m getting f— searched for shopping at the store I work for and just being Black,” Bembury said in the recording, holding up the Versace bag. One of the officers involved in the stop disagreed, saying Bembury was changing “the narrative.”

“It’s a very dangerous, scary situation for people of color, and one that we want to remedy so everyone is treated fairly. I don’t know why that’s such a novel idea, but it seems to be a foreign concept for a lot of folks,” Gage said.

In his clients’ lawsuit against the city, two plaintiffs say they were arrested for riding a scooter on the sidewalk. Another allegedly was jailed for three days after officers pulled him and his friend over on their way to the beach for stopping about three inches over the limit line at an intersection. He never was charged with a crime, according to the complaint.

Mike Asfall, president of Beverly Hills/Hollywood Branch of the NAACP, said he’s been working behind the scenes with city officials and the police chief over issues of race and policing. Asfall was honored in February by the Beverly Hills City Council in recognition of Black History Month.

“I do know that we’ve had obstacles,” he said. “We shouldn’t have to walk on eggshells or tiptoe around things just because of the color of our skin. But what I’m not going to do is create more of a rift to give us a problem that’s going to create drama for us.”

Staff writer Cierra Morgan contributed to this report.



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Video shows projectile exploding near Ali al-Salem Air Base in Kuwait | Israel-Iran conflict

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Videos showed a projectile striking near Kuwait’s Ali al-Salem Air Base, which has hosted a substantial number of US forces. Earlier on Thursday, the United States announced it was closing its embassy in the country and is reportedly evacuating its staff.

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Ulysses Jenkins, L.A.-born godfather of video art, dies at 79

Ulysses Jenkins, the pioneering Los Angeles-born video artist whose avant-garde compositions embodied Black experimentalism, has died. He was 79.

Jenkins’ death was confirmed by his alma mater Otis College, where he studied under renowned painter and printmaker Charles White in the late 1970s and returned as an instructor years later. The Los Angeles art and design school shared a statement from the Charles White Archive, which said, “Jenkins had a profound impact on contemporary art and media practices.”

“A trailblazing figure in Black experimental video, he was widely recognized for works that used image, sound, and cultural iconography to examine representation, race, gender, ritual, history, and power,” the statement said.

A self-proclaimed “griot,” Jenkins throughout his decades-spanning career maintained an art practice grounded in the tradition of those West African oral historians who came before him. Through archival documentaries like “The Nomadics” and surrealist murals like “1848: Bandaide,” he leveraged alternative media to challenge Eurocentric representations of Black Americans in popular culture.

He was both an artist and a storyteller who sought to “reassert the history and the culture,” he told The Times in 2022. That year, the Hammer Museum presented Jenkins’ first major retrospective, “Ulysses Jenkins: Without Your Interpretation.”

“Early video art was about the problems with the media that we are still having today: the notions of truth,” Jenkins said. “To that extent, early video art was a construct that was anti-media … a critical analysis of the media that we were viewing every night.”

Born in 1946 to Los Angeles transplants from the South, Jenkins was ambivalent about the city, which offered his parents some refuge from the blatant systemic racism they encountered in their hometowns, but housed an entertainment industry that had long perpetuated anti-Black sentiment.

“What Hollywood represents, especially in my work, is the classic plantation mentality,” Jenkins told The Times in 1986. “Although people aren’t necessarily enslaved by it, people enslave themselves to it because they’re told how fantastic it is to help manifest these illusions for a corporate sponsor.”

Jenkins, who participated in a group of artists committed to spontaneous action called Studio Z, was naturally drawn to video art over Hollywood filmmaking. “I can address any issue and I don’t have to wait for [the studios’] big OK. I thought this was a land of freedom, and video allows me that freedom and opportunity that I can create for myself and at least feel that part of being an American,” he said.

Jenkins went on to deconstruct Hollywood’s vision of the Black diaspora in experimental video compositions including “Mass of Images,” which incorporates clips from D.W. Griffith’s notoriously racist “The Birth of a Nation,” and “Two-Tone Transfer,” which depicts, in Jenkins’ words, a “dreamscape in which the dreamer awakens to a visitation of three minstrels who tell the story of the development of African American stereotypes in the American entertainment industry.”

Jenkins’ legacy is not only artistic but institutional, with the luminary having held teaching appointments at UCSD and UCI, where he co-founded the digital filmmaking minor with fellow Southern California-based artists Bruce Yonemoto and Bryan Jackson.

As artist and educator Suzanne Lacy penned in her social media tribute to Jenkins, which showed him speaking to students at REDCAT in L.A., “he has been an important part of our histories here in Southern California as video and performance artists evolved their practices.”

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White House use of AI puts words in mouth of U.S. Olympic hockey star

Blame AI or the White House social media employee who put controversial, profane words in the mouth of U.S. Olympic men’s hockey star Brady Tkachuk.

Either way, Tkachuk doesn’t appreciate the doctored video published Sunday on the official White House TikTok account that made it appear he was disparaging Canadians in the aftermath of the stirring U.S. gold medal victory at the Milan-Cortina Olympics.

Tkachuk’s day job, you see, is star player and team captain of the NHL Ottawa Senators.

The video features footage from a year-old news conference, except that Tkachuk’s words are freshened through AI. With U.S. Olympics goal song “Free Bird” playing in the background, Tkachuk was made to say, “They booed our national anthem, so I had to come out and teach those maple syrup eating f—s a lesson.”

The clip included a disclaimer that it used AI-generated media. After it had been viewed by more than 12 million people, Tkachuk indicated the stunt annoyed him.

“Well, it’s clearly fake, because it’s not my voice, not my lips moving,” he said Thursday in Ottawa. “It’s not my voice. It’s not what I was saying. I would never say that.

“That’s not who I am, so I guess I don’t like that video because that would never come out of my mouth, and I never had that thought.”

In its efforts to celebrate the U.S. victory, the White House has come off as tone deaf to many of the players. Sportsmanship and maturity seem less important than disparaging Canadians.

The U.S. players have made it abundantly clear that they respect their Canadian brethren. Several U.S. players — including Tkachuk— play for NHL teams north of the border.

And the men’s players admire the U.S. Olympics women’s hockey team that also won gold despite their spontaneous laughter at President Trump’s attempt at humor during his congratulatory call.

Trump invited the men’s team to the State of the Union address, saying: “I must tell you, we’re going to have to bring the women’s team, you do know that,” adding with a laugh that if he didn’t also invite the women, “I do believe I probably would be impeached.”

It was as if the president was talking to third graders afraid they might get cooties from the girls. Tkachuk explained the wonderful relationship between the men’s and women’s Olympics players while expressing regret at the laughter.

“[We’re] just coming off the ice, and I think it was 15 minutes later, you have the President of the United States calling you,” Tkachuk told reporters Thursday. “You just can’t really believe, you’re still riding the high of being a world champion, and for the President to take the time and call.

“When it comes to the women’s team, one of my favorite memories from the Olympics is after we won and after the women’s team came back from the closing ceremonies, both our teams are just in the dining hall hanging out having fun, just kind of being on top of the world.

“You have two gold medalist teams just hanging out before we’re going back to our respective cities. And it was just great to hear their experience.”



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Jesy Nelson shares adorable new video of twins giggling amid ongoing SMA battle

JESY Nelson has shared an adorable new video of her giggling twin girls.

The pop star’s mum Janice can be seen holding one of the twins who erupts into laughter as her nan nuzzles her face into her neck.

Jesy Nelson has shared adorable new video clips of her baby daughtersCredit: Instagram
Jesy admires her girls’ hair in the videosCredit: Instagram

In another clip, Jesy, 34, can’t help but chuckle about her daughter’s little mullet hairstyle, while she likens the other to a Cabbage Patch doll as she runs her fingers through her hair.

Nine-month-old sisters Ocean Jade and Story Monroe look happy and well-loved in the sweet footage on Instagram.

The singer gave birth to her little girls prematurely at 31 weeks and is no longer with their music producer dad Zion Foster.

Last month, Jesy bravely revealed the tots have been diagnosed with Spinal Muscular Atrophy Type 1 (SMA1).

brave mum

Jesy Nelson reveals new video of twins holding hands after breaking down in tears


REALITY HITS

Jesy Nelson bursts into tears over struggle her twins are facing

The incurable condition causes muscles to waste away, but early detection and treatment can significantly improve prognosis. The girls have had gene therapy infusion to prevent their muscles from deteriorating, but damage already suffered cannot be reversed.

If untreated, the life expectancy of a baby with SMA Type 1 is two years.

Jesy and Zion have been told it is unlikely the girls will ever walk and may face serious breathing and swallowing difficulties.

Only around 50 children in the UK are born with the condition a year.

The former Little Mix star and mum-of-two has seen her Amazon documentary on her parenthood journey hit number one spot while continuing her fight for life-saving SMA tests.

Recently, she became emotional about the struggles her twins will face growing up.

Jesy revealed she “burst into tears” after receiving the special feeding chairs her daughters will need.

She admitted the arrival of the equipment brought home the reality of their condition.

She posted a photo of one of the special feeding chairs to her Instagram story.

Jesy documented her pregnancy and girls’ health struggle in a six-part Amazon Prime seriesCredit: Prime Video
Little Ocean Jade and Story Monroe were born last MayCredit: Instagram/@jesynelson

Spinal Muscular Atrophy: Signs and symptoms

Spinal muscular atrophy is a disease which takes away a person’s strength and it causes problems by disrupting the motor nerve cells in the spinal cord.

This causes an individual to lose the ability to walk, eat and breathe.

There are four types of SMA – which are based on age.

  • Type 1 is diagnosed within the first six months of life and is usually fatal.
  • Type 2 is diagnosed after six months of age.
  • Type 3 is diagnosed after 18 months of age and may require the individual to use a wheelchair.
  • Type 4 is the rarest form of SMA and usually only surfaces in adulthood.

What are the symptoms?

The symptoms of SMA will depend on which type of condition you have.

But the following are the most common symptoms:

• Floppy or weak arms and legs

• Movement problems – such as difficulty sitting up, crawling or walking

• Twitching or shaking muscles

• Bone and joint problems – such as an unusually curved spine

• Swallowing problems

• Breathing difficulties

However, SMA does not affect a person’s intelligence and it does not cause learning disabilities.

How common is it?

The majority of the time a child can only be born with the condition if both of their parents have a faulty gene which causes SMA.

Usually, the parent would not have the condition themselves – they would only act as a carrier.

Statistics show around 1 in every 40 to 60 people is a carrier of the gene which can cause SMA.

If two parents carry the faulty gene there is a 1 in 4 (25 per cent) chance their child will get spinal muscular atrophy.

It affects around 1 in 11,000 babies.

It showed a pink cushioned chair with straps, a headrest, a tray, a foot stand, handlebars, and wheels.

She wrote: “So the girls need special feeding chairs that came yesterday, and I couldn’t help but burst into tears yesterday when I saw them.

“It just made me feel so sad as it’s just another reminder of another obstacle we have to tackle. Do any other SMA mummies feel this way?”

In her first TV interview since revealing the twins had SMA, Jesy tearfully told This Morning hosts Cat Deeley and Ben Shephard: “I just want to be their mum. I don’t want to be a nurse. It’s hard.

“They’ve had their treatment, thank God. A one-off infusion. That puts the gene back in their body that they don’t have. It stops the muscles still working from dying. Any that have gone, you can’t regain them back.

“Now it’s down to constant physio. We’ve been told they’ll probably never walk or regain their neck strength. They’ll probably be in wheelchairs.”

Jesy revealed how the twins were going to Great Ormond Street Hospital twice a week.

“They’re still smiling, they’re still happy, and have each other. That’s the main thing I’m so grateful for because they could be doing this by themselves,” she continued. “All I can do is try my best to be there for them and give them positive energy, keep doing physio.

“My whole life has completely changed. If you came to my house, it looks like a hospital. My whole hallway is filled with medical stuff. It’s crazy how you can go from one extreme to the next.”

Since revealing her twins’ diagnosis, Jesy has called on the NHS to expand the standard heel prick test to screen for SMA1.

Large-scale trials are currently taking place, though Jesy is pushing Health Secretary Wes Streeting to speed up the process.

Jesy has split with baby daddy Zion FosterCredit: Shutterstock
She met Health Secretary Wes Streeting to campaign for change to heel prick tests for babiesCredit: ITV
She recently shared a snap of her daughter after she pulled out her feeding tubeCredit: Instagram

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Video: Palestinians in Gaza overcome hardships to celebrate Ramadan | Religion

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Ahmed Abu Naji is one of millions of Palestinians in Gaza who are clinging onto the traditions of Ramadan, despite the destruction from Israel’s war. Many are breaking their fast amid the rubble of their homes – and some have their iftar meals in graveyards as they mourn loved ones.

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TikTok star reveals how much money her biggest ever video made after 22m views

A MUMMY influencer lifted the lid on how much social media stars actually earn for their content.

On Tiktok, Charli Wooley documents her life with her hubby and young children, and also her incredible shopping hauls and skincare routine.

TikToker Charli Wooley poke about how much she earns on TikTokCredit: tiktok/@charli0191
She went viral in 2024 after sharing a compilation of her husband scaring their sonCredit: tiktok/@charli0191
The video got 22.2 million viewsCredit: tiktok/@charli0191

The mum-of-two has 89,000 followers on TikTok with a combined 9.8 million likes across her hundreds of videos.

In late 2024, Charli went viral thanks to her hilarious video showing a compilation of her husband scaring their oldest son.

The video has 2.9 million likes and racked up a whopping 22.2 million views.

She recently made a video speaking to the camera where she explained exactly how much she earned for going viral and explained she had joined TikTok’s Creator Fund, which pays content creators for their views.

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To join the program TikTokers must be 18 or older, have a minimum of 10,000 followers, a minimum of 100,000 views within 30 days of the video upload and run an account that follows TikTok Community Guidelines.

“So, I had a video that got 22.2 million views and I earned £3,500 from it,” Charli explained but then went into detail about how the rate of pay is calculated.

She told how TikTok pays a ‘rate per minute (RPM)’, but that rate change depending what time of the month the video is viewed.

“When it gets to near the end of the month in the Creator Fund, the RPM seems to drop. So if you do a video from the first to the 15th, my RPMs are normally about 50p, but when it gets past the 15th, it drops,” Charli said.

“And I think I did this video just after the RPM was lower and I’m pretty sure my RPM was only 20p. So, if my RPM would have been 50p, it would have been so much more but I’m super grateful anyway for what I got.”

Charli continued by saying “I would definitely advise joining” the Creator Fund because “it’s ridiculous that you can get that much money from one video.”

According to the TikTok official website, the Creator Fund “gives TikTok’s best and brightest the opportunity to earn money with their creative talent.”

While it is not a grant or ad revenue program, the Creator Fund provides payment to qualified TikTokers based on a “variety of factors” across their content.

“We want all creators to have the opportunity to earn money doing what they love and turn their passion into a livelihood,” the website continues.

With no limit on the number of qualified TikTokers who can join the fund, payments may increase or decrease at different times throughout one’s run on the platform.

Some factors affecting the funds a qualified TikToker may earn include number of authentic views per video, the amount of engagement, and whether or not the work falls within the Community Guidelines.

Charli said she earned a little more than £3,000 for the TikTokCredit: tiktok/@charli0191



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‘Aprende Peque,’ ‘Spanish with Liz’ teach kids Spanish on YouTube

Before the onset of YouTube, U.S. parents had very limited options when it came to video programs that helped teach their children Spanish.

There was, of course, the ever-popular Nickelodeon show “Dora the Explorer” and before that, the PBS show “Amigos,” that looked to instill the basics of Spanish into kids across America.

These programs — while useful, innovative and entertaining — never allowed for full-on Spanish-language immersion for viewers, relying heavily on English as their primary tongue.

Now, kid-friendly videos for language acquisition can be found on all corners of the internet with YouTube playing host to the lion’s share of the market, ranging from partially in Spanish to only in Spanish.

The Times spoke to three of the most viewed Spanish-language educators for children on YouTube to see what goes behind creating highly engaging children’s content.

Isa Muñoz — “Aprende Peque”

Isa Muñoz, 33, had known from a young age that she wanted to become a teacher.

Growing up in the Baja California city of Mexicali, Muñoz’s parents worked as teachers, as did many of her aunts and uncles. Seeing how fulfilling her family members’ careers were, she dedicated her life to educating young children.

After graduating with a bachelor’s degree and master’s in special education, she worked as a preschool teacher and a private tutor before one day receiving a call from veteran program producers Alexandra Cohen and Karen Garzon.

Born and raised in Venezuela, but now raising children in Miami, Cohen and Garzon were disappointed after scouring the internet for video tools to help them make learning Spanish fun and effective for their respective children and finding few helpful resources.

To fill this gap in the market, the duo teamed up with their lifelong friend Jessica Rutenberg to create the Spanish-only educational YouTube channel “Aprende Peque.”

As the idea came into fruition, the team searched for the perfect person to be the face of their channel — specifically someone who had experience working with kids and understood how to efficiently communicate with them.

Isa Muñoz from Aprende Pequesits in a black bean bag chair. She wears an orange sweater and blue jeans.

That’s where Muñoz came in.

As part of the auditioning process, she flew out to Miami from Mexicali to try out for the role. The trip resulted in two days of filming which produced three full episodes of the program that included 21 featured songs.

In the almost three years since “Aprende Peque” launched, the channel has gained 1.05 million subscribers on YouTube and posted more than 500 videos, which have amassed more than 500 million views.

The thumbnail of each video features Muñoz’s ever-emotive face, as well as her signature orange-and-white outfit and large orange head bow. More than just adding an energetic face to the videos, she also integrates elements from the latest studies on child education into each episode.

Interwoven between Muñoz’s warm, patient and interactive lessons are musical numbers that range from nursery range to rock to folksy with visuals that fluctuate between grounded and fantastical.

While Muñoz had always envisioned herself as an educator, she wasn’t as ready to be known for singing.

Muñoz works closely with the program’s musical director, Pablo Estacio, to craft the songs featured in each video. The Venezuelan native has served as the bassist and songwriter for the band Bacalao Men for over 27 years and earned a bachelor’s degree in music production and engineering from the lauded Berklee College of Music.

“Pablo has helped me tune, refine and shape my voice to the point that it’s at right now,” she said.

Those musical detours are crucial to breaking up the episodes into distinct sections and provide renewed points of interaction in videos that often last between 40 minutes and an hour.

The process of crafting such long and engaging videos often takes between three and five weeks, Muñoz noted.

“It takes about a week to write one script,” she said. “After that, we film the episode, which takes about 12 hours. Then comes the part that requires the most amount of time, which is editing and integrating any necessary animations.”

The team aims to complete two to three episodes monthly in order to have a constant stream of content year-round.

While making “Aprende Peque” episodes is creatively exhilarating, Muñoz said it’s the fan reaction and interaction that mean the most to her.

“We’re so lucky that our audience has so much love to give and that they send that love through their messages,” she said. “I personally get motivated by knowing that this whole project is actually helping children.

“For a person to reach a point where they believe that the program has worked so well that they feel compelled to write in to thank us is so wonderful,” she said. “That’s something that we’re so thankful for and something that inspires us.

On a personal level, Muñoz has also experienced moments of deep connection with her family thanks to “Aprende Peque.”

“My mom has joined me on several occasions at meet and greets and I’ve seen her shed tears of joy when she sees the impact that the program has had on kids,” she said.

Liz De León — “Spanish with Liz”

In contrast to Muñoz, Liz De León, 39, never really thought of entering the education space before kick-starting her YouTube channel “Spanish with Liz.”

The native Texan was born in El Paso, but spent the first few years of her life just across the Mexican border in Ciudad Juárez. She moved back to Texas for middle and high school before ultimately settling in California for work.

De León was inspired to start her YouTube channel after having kids of her own.

“Once my kids were born, I wanted them to grow up with my culture and my language and the roots that I value so much,” she said.

At first, De León thought she would be able to find plenty of helpful of educational videos online. But much like Cohen and Garzon, she soon found that many of the visual resources out there came up short when it came to teaching fundamental elements of Spanish.

“A lot of it was catered toward only grabbing the attention of the child with a lot of ice cream and candy and sweets and high energy,” she said. “It didn’t teach the true fundamentals of things moms worry about.”

De León’s husband was the one who first suggested that she record herself singing songs that she created to teach her kids. She began to consider it more seriously after a relative told her that her teaching style was similar to the uber-popular kids’ YouTuber Ms. Rachel.

“That’s when I was first introduced to an educator on-screen that I felt aligned with when it came to teaching — with clear pronunciation, a storyline, making sure everything that was spoken was foundational and root words,” she said. “I really liked her format and thought, ‘She’s just a regular person like me and she did it.’ So I just did it.”

Filmed in front of a green screen in one of the rooms of her San Diego home, De León’s videos aim at helping young children learn vocabulary for specific real-life situations.

Donning her signature pink T-shirt and rocking a slicked-back ponytail, she attempts to minimize the stress of things like going to the airport or a dentist visit by introducing kids to the many elements that factor into those experiences. She creates levity in the videos by having colorful animated backgrounds, through the use of puppets and by singing songs throughout.

Raised in a household that put a premium on education, De León had looked at life through the eyes of a student — which proved particularly helpful as a registered nurse specializing in anesthesia.

“If you ask any medical person, they are teachers. Half of your job is education and teaching people how to stay healthy and to take care of themselves,” De León said. “You have to learn to cater to what’s developmentally appropriate to each person. You learn about child behavior, child psychology and the formation of the brain and how they learn.”

Each episode is crafted with two very important subjects in mind for De León: her two kids, who are 4 and 5. As the kids develop, so does the show.

“They are now understanding the episodes at a deeper level,” she said. “For example, we just watched the Halloween episode a couple of months ago and they now understood that October is a month within the year.”

Her children are also her first round of critics and help her understand what works and what doesn’t. Perhaps most importantly, they are De León’s gauge for how engaging her songs are.

Liz from Spanish with Liz.

“They help me with the music, actually,” she said. “If they don’t learn it and it doesn’t stick with them I know it’s not good enough. Then I redo it. They’re very much my little co-creators.”

One of the reasons “Spanish with Liz” has reached more than 18 million views on YouTube is the obvious care and research that goes into every video. Being a nurse and having a physician husband, De León has extensive access to medical professionals that let her borrow tools and inform her on what they’ve seen be effective methods for working with children.

“Something unique about our channel, is that we’ve thought about the storyline, how we’re gonna say things, the phrases, what works, what doesn’t work, what kids are afraid of and how we’re gonna tackle all that,” she said. “ So much purpose goes into each episode and then we try to borrow the equipment that’s actually going to be used so they can see it.”

And when she doesn’t have an expert on a topic immediately at her disposal, De León seeks out professionals who can thoroughly inform her. For example, when working on an episode about potty training, she took a class from two potty training experts.

Being that making videos is her third job behind being a nurse and a mom, time is a fleeting asset for the YouTuber. Because of that, each video takes about two months to create from start to finish with De León serving as the writer, director, songwriter and preliminary editor. She is aided by her husband who helps record and occasionally functions as a puppeteer, an additional editor, a composer, a designer and a babysitter, whose help allows her the time to record.

But having a team like that doesn’t pay for itself and that’s where De León’s more than 78,000 YouTube subscribers come into play.

According to the content creator, all the money made from the channel goes into paying for the fees associated with production and the rest goes to donating to three different charities — one that helps immigrant families in the U.S.; another is an orphanage in Mexico; and the final one is World Central Kitchen, which provides food relief in response to humanitarian, climate and community crises.

De León still often finds herself shocked that she’s able to have a platform that helps empower people to achieve new goals and that she’s touched so many lives through her videos.

“Isn’t it crazy that YouTube can change someone’s life?” she asked. “I think of all the artists that came up from putting their music out there on YouTube. I feel like it’s a place the whole world can tap into, mostly for good.”

Miss Nenna — “Spanish for Minis”

From her early days of growing up in the L.A. area, Miss Nenna, 32, felt a deep connection to the universal language of math. So profound was her interest that she obtained a bachelor’s degree in civil engineering and now works at a utility firm in the San Diego area.

As an eighth grader, when she served as a math tutor, Miss Nenna thought about what went into becoming an effective teacher.

“I thought about how I could help someone learn to understand it and make it fun,” she said. “So it was always really fun trying to figure out what worked for some students and what what didn’t work for others.”

She has since taken that ethos and turned it into the YouTube channel “Spanish for Minis,” which has 289,000 subscribers and has amassed over 31 million views. As is popular in the genre, her videos are broken into segments that involve a mix of direct instruction, interactive conversation and exceedingly catchy sing-alongs.

Just like with De León, Miss Nenna first got into the video-making game based on a suggestion from her husband made back in 2022.

“He saw a lot of potential in me because I have a bubbly personality around kids,” she said. “He mentioned I should try teaching Spanish and science to kids and added that it would benefit our child.”

It wasn’t until the couple’s 16-month-old son was diagnosed with speech delay that she really got serious about making videos so that her son could interact with her when she was away.

When the project first began, Miss Nenna had no experience with shooting and editing videos.

“I just sat with my husband and we’d watch videos on how to edit, how to use different graphics, how to make sure it’s OK for us to use certain songs,” she said. “So a lot of trial and error and a lot of research, since it’s just the two of us.”

“Spanish for Minis” videos are filmed at the couple’s residence in front of a green screen and each episode takes about 40 hours to complete.

“None of it is ever scripted. I kind of just set the camera myself and all the lighting,” she said. “I get a basket and I put a bunch of toys in it from my kids’ playroom, then I walk into a room and I record myself.”

While filming, Miss Nenna imagines that she is speaking directly to her almost-4-year-old son or 1-year-old daughter in order to make sure she’s in the right headspace.

The topics of the videos aim to evolve with the ever-changing needs of her son. Most of the earlier “Spanish for Minis” videos were focused on babies and now they have transitioned into content for toddlers.

Production on Miss Nenna’s videos has slowed down in recent months as she has focused her time on raising her children, but she has goals to put out two videos each month in 2026.

One of the more rewarding aspects of “Spanish for Minis” is the interactions that Miss Nenna has with parents and children who watch the program.

“I get messages every day, and I try my best to respond to as many as I can because I love connecting with the parents online,” she said. “I also have Cameo where I make personalized videos. Those are a lot of fun because I always message the parents and it’s like, ‘Hey, give me every single detail about what your kid loves. I want to make sure this is a really personalized video and that they enjoy it.’”

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Lindsey Vonn says she almost lost her leg after Olympics crash

Lindsey Vonn says her left leg almost needed to be amputated following her horrific crash while competing at the Milan-Cortina Olympics earlier this month.

In a video posted to Instagram on Monday, the U.S. ski racing legend said she has been released from the hospital more than two weeks after suffering a complex tibia fracture and other damage that led to compartment syndrome in the leg.

Vonn credited Dr. Tom Hackett, an orthopedic surgeon who works for Vonn and Team USA, for salvaging the limb. She also gave some indirect credit to the complete rupture of the anterior cruciate ligament in her left knee that occurred during another crash on Jan. 30, just a week before the start of the Winter Olympics.

“I always talk about everything happens for a reason,” Vonn said. “If I hadn’t torn my ACL … Tom wouldn’t have been there. He wouldn’t have been able to save my leg.”

Vonn has won 84 World Cup races and three Olympic medals, including gold in the downhill at the 2010 Vancouver Games. She returned to competitive skiing last year after a six-year hiatus. Vonn did not allow the torn ACL to prevent her from competing in what she has called her “fifth and final Olympics.”

Despite completing multiple test runs, Vonn’s Feb. 8 downhill race lasted 13 seconds before she crashed. She was airlifted from the Olimpia delle Tofane course in Cortina d’Ampezzo, Italy.

In addition to the previously reported complex tibia fracture, Vonn said Monday that she also fractured her fibular head and tibia plateau on her left leg during the crash.

“Just kind of everything was in pieces,” said Vonn, who added that she also broke her right ankle during the accident.

Vonn said that all the trauma in her left leg caused a condition called compartment syndrome, which involves excessive pressure building up inside a muscle, either from bleeding or swelling, and can restrict blood flow and possibly lead to permanent injury.

“When you have so much trauma to one area of your body that there’s too much blood and it gets stuck, and it basically crushes everything in the compartment so all the muscle and nerves and tendons, it all kind of dies,” Vonn said.

“And Dr. Tom Hackett saved my leg. He saved my leg from being amputated. He did what’s called a fasciotomy, where he cut open, like both sides of my leg, and kind of filleted open, so to speak, let it breathe. And he saved me.”

At one point since the crash, Vonn said, she received a blood transfusion to raise her hemoglobin levels.

“I can’t tell you how painful it’s been,” she said.

Vonn still has a long road to recovery. She said she’s “very much immobile,” confined to a wheelchair for the time being and then on crutches for at least two months.

“It will take around a year for all of the bones to heal and then I will decide if I want to take out all the metal or not,” Vonn wrote in the Instagram post, “and then go back into surgery and finally fix my ACL.”

She added in the video: “We have to take the punches as they come, so I’ll do the best I can with this one. It really knocked me down, but I’m like Rocky. I’ll just keep getting back up.”

The Associated Press contributed to this report.



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Melissa Joan Hart divides fans after PUNTING Salem the Cat in new video 22 years after Sabrina the Teenage Witch ends

MELISSA Joan Hart has sparked an online debate after posting a video of herself punting her former co-star, Salem the Cat.

The actress’s talking black cat, Salem – voiced by Nick Bakay – was a staple character on the ABC sitcom Sabrina the Teenage Witch, on which she starred from 1996 to 2003.

Melissa Joan Hart sparked a debate online after filming herself punting Salem the Cat across the roomCredit: Instagram/melissajoanhart
The actress explained that she prefers dogs over cats, setting off a string of mixed reactions on InstagramCredit: Instagram/melissajoanhart

However, it turns out Melissa, 49, wasn’t a big fan of the cuddly creature and made it known in a shocking Instagram clip.

In the video shared on Thursday, the TV star filmed herself stroking a fake black cat perched on her lap.

She wore casual attire of blue jeans and a skintight red tank top, with her blonde hair flowing straight down.

The words, “When people ask me if I’m a cat person,” were written over the clip.

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Things then took an unexpected turn when a white blast of glitter appeared, and Melissa suddenly threw the cat in the air and kicked it out of sight.

The scene then magically turned into Melissa, formally dressed in a white dress and her hair in a ponytail, while petting a large dog at her feet.

“No Salems were harmed in the filming of this silly video. PS I like cats, but I love dogs!” the TV star clarified in her caption.

Although Melissa made it clear that the cat in the video wasn’t real, nor did she have magical powers like her character, Sabrina, fans had mixed reactions to her stance on cats vs. dogs.

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“Not going to lie this was a bit heartbreaking, poor Salem lol,” one person commented.

“Cats are the absolute best in this world, amazing creatures that should be treasured,” demanded another.

“Dyyying. Sorry cat people! Love kitties too. That was just the right kind of wrong Melissa,” said a third

“No! It’s okay to LOVE them both…” insisted a fourth.

“This just broke something in me,” reacted a fifth.

“I’m ok you not loving cats but saying it like that was just not funny for me,” added a sixth.

“This was unnecessary. People hurt black cats every day. This is not nice. Tasteless…” someone else wrote.

“That hurt. You can love both cats and dogs. No need to choose one,” chimed in another.

“Awwww but we all got black cats because of you!” one more pointed out.

Sabrina the Teenage Witch ran on ABC for seven seasons and was a part of the Friday night (TGIF) lineup.

Melissa’s co-stars on the show include Beth Broderick, Caroline Rhea, Nate Richert, Jenna Leigh Green, Lindsay Sloane, Elisa Donovan, and Martin Mull.

In June 2024, Melissa led the cast in paying tribute to Martin, who played Principal Willard Kraft, after his death.

Salem the Cat was a staple character on the ABC sitcom, Sabrina the Teenage WitchCredit: Alamy
Melissa starred on the series throughout its seven-year run from 1996 to 2003.Credit: Alamy
Her co-stars also included Beth Broderick and Caroline RheaCredit: Alamy



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