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“WHO sang Bat Out Of Hell? Was it: A, Meatballs; B, Tom Jones; C . . . ?”

“A!” shouts my partner Sophie, and I duly push the button.

Speed, you see, is key to this quiz.

But, then again, so is the right answer.

We are aboard Tui’s Aria for its Dutch Delta Discovery sailing, taking in the waterways and canals of the Netherlands and Belgium.

And the quiz we are playing, where each team has a handset to record and time their answers, is just a small part of the nightly entertainment.

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Other fun includes cabaret, themed dance nights and musical bingo. And one of the joys is how laid-back it all is compared to the more glitzy shows of the huge ocean-going liners.

But while Aria, one of Tui’s quaint ships designed specially for river waterways, was significantly smaller than any ocean liner, it wasn’t less comfy.

With 96 cabins and enough room for 200 passengers, it feels spacious throughout.

There are two main communal areas: the bright Observatory Bar & Lounge on deck three, with floor-to-ceiling windows, and Verdastro restaurant below for plentiful breakfasts, lunches and dinners.

There is also a pool, covered at night to become the Reflections Italian restaurant.

The main package is Full Board Plus, which includes three meals a day and selected drinks, including wine and beer, with lunch and dinner.

And although you may not have a choice of restaurant every night, the changing menu covered all tastes, with elegant dishes of beef wellington, artichoke souffle and a fresh catch of the day.

Our cabin was large, with plenty of storage and huge glass doors from which to watch the river banks pass by. A daily joy was throwing back the curtains to see what port we had woken up in.

We began our six-night journey in Amsterdam then stopped in Rotterdam, Veere, Ghent and Antwerp before circling back to our starting point. Our favourite was perhaps Rotterdam, the Netherlands’ second city.

It’s built along the river and 99 per cent of the buildings on the north bank were flattened in 15 minutes during a World War Two bombing raid.

It was rebuilt from the Fifties onward and is known for its unusual architecture.

One example is the Cube House development, an eccentric array of 38 bright yellow, cube-shaped houses connected together at stark angles in the sky.

They look like they would be awkward to live in. But don’t just ponder on it from the outside. If you want to find out what it’s like inside, you can tour one for 3.50 euro — and it’s great value.

Aside from the architecture, a major reason Rotterdam delighted Sophie and me was because it was one of the two times we took advantage of the daily guided trips put on by Tui.

The trip was actually a 20-minute taxi boat ride away in Kinderdijk, home to 19 historic windmills from the 1700s.

Now, I knew the Netherlands was famous for windmills, but I was surprised to learn their purpose was not for grinding wheat — but as an ingenious water-management system.

With much of the country reclaimed from marshland, and below sea level, it is prone to flooding when heavy rains swell rivers and overwhelm drainage ditches.

To get round this, the windmills had huge wheels with paddles to scoop out the water from ditches and chuck it into a storage reservoir, which could then be let out into the rivers and sea.

But this aside, they are easy on the eye and it all feels so very Dutch.

If outdoor time is a big selling point for you, then you’ll love Veere in Zeeland (the next call on our trip), which is the region of islands and peninsulas that make up the west of the Netherlands.

If you feel energetic, I’d recommend hiring bikes for a scoot around the very flat landscape. There are lots of cycle lanes, which take you through gorgeous nature reserves and past vast lakes.

You can reward your efforts at the next port of call, Ghent in Belgium, as you sample beer, sausage and cheese on another Tui tour.

Ghent is a medieval gem with cobbled streets lined by fascinating, old-world buildings. It was so easy to immerse ourselves that we almost missed the boat before it set sail.

There’s no need to panic if you struggle to remember those daily timings, though. Tui’s own Navigate app will keep you up to date with the schedule and you can also use it to check menus or book trips.

With our cruise nearing an end, it was back to Amsterdam, a city renowned for its canals and laidback cafes.

You can’t run out of things to do but, in our short time, we opted to visit the Anne Frank Museum. Make sure you book it as soon as you pay for the cruise as you have to reserve weeks in advance.

The secret annex that hid Anne and her family from the Nazis is accessed through a doorway concealed by a movable bookcase. It is a sombre experience climbing into the hideout but a powerful reminder of one of history’s greatest terrors.

It left us feeling even more grateful for the evening feast we were about to tuck into back on board Aria.

A cheeseboard was a definite — I just wonder if they have any Meatloaf.

WASHINGTON — In the real world, President Trump is struggling to stop inflation, rout the Iranian government and restore American manufacturing with tariffs.

However, it’s a different story in the fantastical vision that he shares with supporters on social media. Over Labor Day weekend, Trump and the White House unleashed an extraordinarily heavy torrent of memes that portrayed the president as singularly powerful.

One video depicted Trump as a superhero wielding Green Lantern’s ring to effortlessly build a wall to keep out migrants and erect a slew of busy factories. Another post showed him in a U.S. hockey uniform looming over Canadian Prime Minister Mark Carney as Carney cowered on the ice. And another had Trump on a military ship as it bombarded an enemy fleet.

Trump’s allure has always relied on a mythical version of himself, from “The Apprentice” to the White House, but the gap between meme and reality has become glaringly stark ahead of the midterm elections. Most U.S. adults are unhappy with Trump’s handling of the economy and say the Iran war hasn’t been worth it, but Trump has responded with outlandish images of himself as unstoppable and omnipotent.

Memes risk sidestepping reality

Some of the pictures are generated with artificial intelligence, and the administration has previously defended the memes as funny and their critics as humorless. Yet the stakes right now are serious for congressional Republicans who have tied their own fate to a president with low approval numbers. Trump’s party will put him center stage at an unusual midterm convention on Wednesday and Thursday in Dallas in hopes of stoking voters’ enthusiasm.

Kevin Madden, a Republican strategist, said that Trump’s social media posts can energize his base of “Make America Great Again” followers, although the tradeoff is that he’s not talking about how to fix inflation.

The voters who are likely to determine control of Congress in the midterms “are not going to be won over with memes,” Madden said. “The affordability voter is driving this election cycle and the issues they care about are anchored in the economy.”

The White House press office did not respond to a request for comment. Trump sometimes plucks memes from a sprawling ecosystem of online conservative supporters, and sometimes his government staff produces them as part of their official messaging. Recently they created a series of old-school video games, such as a “Tetris” knockoff called “Build the Wall.”

“The memes will continue,” Kaelan Dorr, a member of the White House communications team, recently posted on social media. “The winning will continue.”

Aging presidents promote vitality online

The problem for Trump is that voters have other images they’re using to define him. Drivers can spot through their windshields that gasoline is averaging $4.15 a gallon, up nearly 30% from a year ago because of the Iran war. And social media is inundated with questions about the 80-year-old president’s health and vitality, spurred by pictures of his bruised hands or video clips of him appearing to fall asleep in meetings.

White House officials have said the bruising is caused by “frequent handshaking” and Trump’s aspirin regimen, and they’ve denied that he’s dozed off.

Trump’s predecessor, Joe Biden, is three years older and faced relentless scrutiny about his age while in office. His White House came to embrace a meme version of Biden with lasers for eyes, suggesting that he was powerful and focused rather than infirm.

Andrew Bates, who was a deputy press secretary for Biden, said that Trump’s memes seem to be about avoiding the actual responsibilities of governing. He said they risk angering voters who see Trump as more focused on redecorating the White House than bringing the Iran war to a successful end.

“When a president who ran on bringing gas prices under $2 a gallon is now saying, ‘You’re at four dollars, it’s OK,’ it unfortunately makes sense that he’s also posting fever dreams,” Bates said.

Some memes have caused trouble

The memes have occasionally gotten Trump into trouble. He posted an image of himself as Jesus in April, which caused a degree of consternation among some supporters. The president later claimed he thought the image showed him as a medical doctor — albeit a doctor in Biblical robes with light emanating from his hands.

In February, his account posted a racist video of former President Barack Obama and his wife, Michelle, as primates, which he deleted after a backlash.

Last October, Trump shared a video of him in a fighter jet dumping feces on Americans who were protesting his policies.

What the memes have not done so far is boost his wider approval ratings. Only 33% of U.S. adults approve of how he is handling the job of being president, according to a July AP-NORC poll.

But the polling also hits at a reason why he might be sending the memes to rally his core supporters. Just 15% of U.S. adults strongly approve of his presidency, the poll found, a slight decline from 22% shortly after he took office.

Boak writes for the Associated Press.

It’s never too late to go back to school. But after years of deferred admission, can a new generation of students at Hillman College score high at delivering a compelling, modern take on the groundbreaking sitcom “A Different World”?

The foundation for an updated version of the popular sitcom set at a historically Black college was set three decades ago. In the 1993 series finale, the show’s central couple — smart, bespeckled math whiz Dwayne Wayne (Kadeem Hardison) and high-maintenance Southern belle Whitley Gilbert-Wayne (Jasmine Guy) — were embarking on their next chapter as newlyweds, relocating to Japan and expecting their first child. Before their departure, a professor jokingly quips to Dwayne: “I can’t wait to have your child in my class in the year 2014.”

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But plans for a revival — the original series itself was a spinoff of “The Cosby Show,” centered on the Huxtables’ free-spirited daughter Denise (Lisa Bonet) — to suit that time frame were in limbo for years. Producer and director Debbie Allen, who joined the original series in its second season to help it better reflect the HBCU experience, actively pitched and tried to relaunch “A Different World” in the early 2010s, but those efforts were derailed by the highly publicized sexual assault allegations against the show’s creator, Bill Cosby.

“It’s very difficult,” Allen told The Times. “The biggest difficulty, just being totally transparent, was people’s hesitation to work with Mr. Cosby; to have anything to do with him. [But] we were so independent. He kind of put us on a boat and said, ‘Go.’ And that’s what we did. And he was happy to know that we were going on our way.”

In early 2023, another push began to revive the series while also distancing itself from Cosby. Now, its decades-long gap year finally complete, a new incarnation of “A Different World” is starting up classes this fall at Netflix. And it hopes to carry on the legacy of its predecessor, which was celebrated for its depiction of Black culture and life in a higher education setting during its six-season run on NBC, from 1987 to 1993, bringing HBCUs into the mainstream.

Rashida (Alijah Kai), left, Deborah (Maleah Joi Moon) and Hazel (Kennedi Reece) in Netflix’s “A Different World.” After years of trying to tell the story of a new class at fictional Hillman College, Debbie Allen, who returns as an executive producer and director, says the sequel arrives at the right moment: “If there’s any voice we need to hear from right now, it’s young people.”

(Daniel Delgado Jr. / Netflix)

Billed as a sequel series premiering Sept. 24, a Wayne offspring is our anchor for the freshman class at Hillman College, the show’s fictional historically Black college based in Virginia. Deborah Wayne (Maleah Joi Moon) is an aspiring artist forced to attend her parents’ alma mater on academic probation after her NYU acceptance is rescinded. As the youngest Wayne child, she continues the family’s legacy at the school: her older sister — the child Whitley was pregnant with at the end of the original series — and an older brother are both alums.

She’s joined by a mix of first-gen and legacy students: star quarterback Shaquille Johnson (Cornell Young IV), who is the only child of original character Ron Johnson (Darryl M. Bell); criminal justice major Rashida Duvall (Alijah Kai); psych major Amir Rodale (Jordan Aaron Hall); Ghanaian-Nigerian fashion merchandising student Kojo Achebe (Chibuikem Uche); and small-town pastor’s daughter Hazel Henry (Kennedi Reece).

Some of the show’s original creative team join Allen as executive producers, including Tom Werner, and original series writers Reggie Rock Bythewood and Gina Prince-Bythewood. (Mandy Summers of “That ’90s Show” is also an executive producer.) To shepherd this reimagined version of the sitcom, Allen enlisted her former “Grey’s Anatomy” colleague Felicia Pride, who was most recently part of the writing staff on “Bel-Air,” the dramatic reboot of ’90s comedy “The Fresh Prince of Bel-Air.” It was a dream call for Pride, who as a kid living in Baltimore recorded and rewatched episodes — namely, the one involving a step competition that she obsessively watched after school to learn the routine. But she was reluctant.

“I love the show so much,” Pride said, seated next to Allen inside a Netflix conference room in Los Angeles on a recent day. “I was like, ‘I don’t want to be the one to mess it up.’ But she [Debbie] was so adamant that the time was now to hear from young Black America — and that, I could get with.”

Allen remembers it this way: “I don’t have an ego. I begged her. It’s the truth. To get this show back up, we’ve tried for years. But this is the time that’s right … We had inspired all these kids, not just Black kids, all young people to go to college. This was a peep into college that had never happened before, where you saw young people being responsible and living their lives and being crazy, but still dealing with what is happening in this world. If the young people in the country don’t have a voice, that country is dead. And if there’s any voice we need to hear from right now, it’s young people.”

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1. The original “A Different World”: Dwayne (Kadeem Hardison), left, and Ron (Darryl M. Bell). 2. Jaleesa (Dawnn Lewis), left, Freddie (Cree Summer) and Whitley (Jasmine Guy). With Netflix’s modern take, showrunner Felicia Pride wanted the series to be intergenerational: “That’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart.” (NBCUniversal via Getty Images)

The show has been credited with boosting enrollment at HBCUs. While overall HBCU enrollment rose by 26% between 1976 and 1994, according to the National Center for Education Statistics, much of that increase occurred during the stretch of the show’s run.

Pride said she rewatched the original series, paying particular attention to the shift that materialized in Season 2 when Allen was brought on to overhaul it, as a starting point. Allen had a document of ideas detailing the types of characters she wanted to see depicted, including a star athlete, the first out queer character in the show’s universe and an African student. One major detail was a nonnegotiable: Allen wanted the show to revolve around Dwayne and Whitley’s daughter. (How they arrived at the character’s name — Deborah (pronounced Deb-OR-ah), which also happens to be Allen’s first name — is fuzzy. Pride remembers the name already being set by Allen; Allen recalls being amused upon seeing it on the page, thinking Pride had chosen the name.)

And just as in college, legacy matters on TV.

“I wanted the show to feel of now,” Pride said. “I also wanted it to be intergenerational. That was important to me, and that’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart … These [characters] were like my friends. I felt comfort in them. I felt like I could be them. It was also culture in a way that I hadn’t seen before, represented by people who look like me.”

Several familiar faces from the original make their way into the sequel, some taking on the mentor role of the older characters from the original, others representing how one gives back to the community that shaped them. Hardison and Guy lead the cast from the original series who reprise their characters, along with Bell, Cree Summer as Freddie Brooks, Charnele Brown as Kimberly Reese Boyer, Ajai Sanders as Gina Deveaux, Karen Malina White as Charmaine Brown, Jada Pinkett Smith as Lena James, Jenifer Lewis as Dorothy Dandridge Davenport and Allen as Dr. Langhorne.

Several original “A Different World” cast members reprise their roles in the new version of the series, including Charnele Brown, left, Jasmine Guy, Kadeem Hardison, Darryl M. Bell and Cree Summer.

(Quantrell Colbert / Netflix)

“They were so happy to be back,” Allen said. “There was a day they were all together —”

“That was the day where I felt like, ‘Oh, this is history,’” Pride added.

“In between takes, it was just chaos,” Allen continued. “They just laughed and acted up. It was just wonderful.”

To make the new characters and their stories resonate in a deeper, more contemporary way required as large a commitment to reflecting HBCU life as the original had under Allen’s guidance. The creative team assembled two paid student councils from various HBCUs — one to advise the writers’ room on storylines and campus issues; the other worked on the show’s Atlanta set, with students hired as production assistants that had working schedules tailored to their classes. The background performers filling up scenes in the quads, classrooms and parties feature 59% HBCU students and grads. And some key characters are portrayed by HBCU alumni who bring their lived experience to the screen, including Reece, who went to Howard University.

The freshman season will explore issues that Gen Z is grappling with such as financial insecurity, learning struggles, activism in the age of social media and matters of mental health, as well as bigger systemic issues like uncertainty around funding for HBCUs and immigration enforcement. The series also doesn’t shy away from its real-world backdrop — while it doesn’t explicitly mention President Trump by name, there is reference to the state of affairs under his administration.

Actors Jordan Aaron Hall, left, Cornell Young IV, Chibuikem Uche and Dasan Frazier are part of the new class of students at Hillman College in “A Different World.”

(Eli Joshua Ade / Netflix)

But this version of “A Different World” departs from its source material in its narrative format and tone. The original series was a multi-camera sitcom taped in front of a studio audience — and Allen initially thought any sequel of it would follow that same blueprint. But when the new series found its home at Netflix, it became a 10-episode single-camera dramedy. (Allen directed three episodes in the season, including the premiere, which set the cinematic style of the series.) As if to signal this iteration hasn’t completely deviated from its roots, in the show’s opening moments, Deborah Wayne coolly flicks the iconic flip-up frames made famous by Hardison’s Dwayne. And its memorable theme song that had versions from Phoebe Snow, Aretha Franklin and Boyz II Men hasn’t gone anywhere: Brandy was tapped to give a fresh spin on it that helps straddle the line between generations.

Now, Allen and Pride are on the cusp of seeing how this long-gestating idea will fare in the streaming world.

“You play the cards you’re dealt,” Allen said. “It took a while, but it was right for it not to happen until now. Right now is when we need it. Young people are struggling to find hope and inspiration and guidance, connection …”

Allen’s hope is that the show will have enough seasons to let the characters evolve: “On Netflix, not too many shows go past three, maybe four [seasons],” Allen said. What’s the goal? “At least three.”

Pride isn’t thinking ahead to graduation just yet. She’s still thinking about surviving the first day of school with this different (but familiar) show made for a different world.

“I came to understand we can never re-create the original show, and … even trying to pursue that is just not the thing to do,” Pride said. “It was a different time. It was a different everything, and it should stand on its own. What I wanted to do, personally, was just [focus on]: How can we capture that spirit and hopefully have a show that young people today can see themselves in, and that people [who watched the original] can also enjoy and be proud of?”

Who’s house? Angels’ house!

To all you long-suffering Halos fans, light that baby up, because salvation is at hand.

His name is Stan Kroenke, and he’s Rams tough, and he’s just spent a record $4 billion to transform your slumbering baseball organization into something that dazzles like Matthew Stafford and dominates like Myles Garrett.

Kroenke, whose illustrious ownership of the Rams resulted in their move to Los Angeles, a $5.5-billion stadium, and a Super Bowl championship, has agreed to take control of the Angels’ carcass from Arte Moreno in the franchise’s best move since Darin Erstad caught that fly ball on Oct. 27, 2002.

Rams owner Stan Kroenke holds up the Lombardi Trophy after his team beat the Bengals to win the Super Bowl at SoFi Stadium in 2022.

(Wally Skalij/Los Angeles Times)

This is huge. This is landscape altering. This is like Southern California just added an expansion team led by one of the best owners in sports.

For the Angels, currently the second-worst team in baseball and on track to finish a league-worst 12th consecutive season out of the playoffs, this is downright life changing.

Kroenke builds. Kroenke spends. Kroenke wins.

The sale is not expected to close until early 2027, so change will come slowly, but buckle up, because a bumps-be-damned renovation is coming.

First, the Angels are getting a new stadium. Kroenke hasn’t confirmed it, but it’s surely happening. He’s a real estate guy at heart who loves turning empty lots into palaces and that’s what he’ll do in Anaheim.

You think SoFi is nice? Here’s guessing the new Angels stadium will be nicer, and surrounded by the sort of commercial baseball village sprouting up all over the major leagues. The stadium and its environs will offer everything the Dodgers can’t, and may just steal a few fans in the process.

Second, the Angels are getting new swashbuckling leadership. Don’t know who, but expect the new general manager to be the kind of leader who will boldly sacrifice the future to win now, because that’s what Kroenke does, he wins now. Think baseball’s version of Les Snead.

Third, the Angels are getting one of the game’s bright young managers. Don’t know who, but he will be a guy who’s big on analytics and even bigger on the human touch, and he’ll probably be very young and very anonymous and eventually very successful. Think baseball’s version of Sean McVay.

The overall theme of Kroenke’s leadership will be championship or bust. He hates finishing second, and has left no stone unturned in giving the Rams every opportunity to succeed.

When he brought the Rams back to Los Angeles in 2016, he gave the team all of 13 games before firing then-coach Jeff Fisher after going 4-9. Soon thereafter he made 30-year-old McVay the youngest coach in NFL history and they’ve since become arguably the most admired franchise in the NFL.

Kroenke wins both on the field and in the community. His entire operation, which also owns the Denver Nuggets of the NBA, the Colorado Avalanche of the NHL, the Colorado Rapids of MLS and Arsenal of the Premier League, is led by Kevin Demoff, a lifelong Angeleno who understands and works the local market as well as any sports executive ever. The community has become saturated with Rams, and the same will be happening with the Angels as they increase their reach into Los Angeles County, something Moreno tried but could never pull off.

The name will remain the Los Angeles Angels, not because Kroenke doesn’t like Anaheim, but because he knows his investment must expand out of Orange County to eventually reap rewards.

“The Angels are a storied franchise anchored in a great market,” Kroenke said in a statement. “We look forward to an exciting future with the Angels organization.”

Storied. Anchored. Exciting. Those are words you rarely heard about the Angels under Moreno, whose 23-year stewardship began with a cheer and ended with a whimper.

Angels owner Arte Moreno has agreed to sell the team to Rams owner Stan Kroenke.

(Sean M. Haffey / Getty Images)

Remember how, in his first news conference after buying the team from Disney, he lowered beer prices? He was fun, he was innovative and he was the first Latino majority owner in major American team sports. It was all so cool, and the team responded with five American League West titles and two appearances in the American League Championship Series.

But he eventually made some terrible free-agent decisions — bringing in Albert Pujols, Josh Hamilton and Vernon Wells — and slowly lost touch with a winning formula.

The last straw was four seasons ago when he refused to trade star Shohei Ohtani and eventually lost him to the Dodgers in a free-agent bidding war he reportedly could have won.

In the end, fans were chanting for him to get out and this columnist wrote that he should sell the team … to Stan Kroenke.

Somebody listened!

It’s a sweet marriage, a perfect match, an outcome that deserves to be accompanied by the words of the late, great Rory Markas.

“Just another Halo Victory!”

Is it ever.