Joe Wyatt, the third-year basketball coach at Sun Valley Poly, said goodbye to his son, JD, at the end of last season. He was one of the leading scorers in the City Section at 28.5 points per game and left for prep school at Academy of Central Florida, where he’s averaging close to 20 points.
So how did Poly end up going 12-0 this season in East Valley League play and extend its league winning streak to 28 consecutive wins without JD?
“I can actually coach a little bit,” Wyatt said.
Sun Valley Poly basketball coach Joe Wyatt.
(Eric Sondheimer / Los Angeles Times)
With seniors Kevin Lara and Angel Guerrero leading the way, Poly is seeded No. 6 in the City Section Division I playoffs and will open at home on Wednesday against defending Open Division champion Westchester. Lara had a big three last season when Poly defeated Grant 50-49 to win the City Division I title.
Wyatt had success at El Camino Real, winning a City Section Open Division title in 2014, his first season as head coach. He’s provided stability to the Parrots and knows how to adjust to personnel changes.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
The statements are objectively true: The Timbisha Shoshone have lived in what’s now popularly known as Death Valley for thousands of years. And they still live there, in a small village inside the national park that has about 30 full-time inhabitants.
In 2000, Congress officially recognized these two facts in the text of the hard-fought Homeland Act, which transferred nearly 7,800 acres of land, including the village site, back to the Timbisha Shoshone.
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But federal officials have now taken issue with those seemingly innocuous sentences, according to Mandi Campbell, tribal historic preservation officer for the Timbisha Shoshone and a resident of the village.
The rationale? Orders from President Trump and Interior Secretary Doug Burgum directing the National Park Service to review interpretive materials for content that the administration feels “inappropriately disparages Americans.”
Only certain types of Americans, as it turns out: The executive order also has been cited in a lawsuit by the city of Philadelphia as the presumptive reason the NPS removed an exhibit on enslaved people from Independence National Historical Park.
Participants take time out for a photo during a march organized by the Timbisha Shoshone to mark the 25th anniversary of the Homeland Act.
(Kim Stringfellow)
And it’s prompted Lowell National Historical Park in Massachusetts to stop showing films about women and immigrant textile mill workers, according to the New York Times, which also reported that plaques referencing climate change have been removed from Muir Woods National Monument in California and Fort Sumter and Fort Moultrie National Historical Park in South Carolina.
On top of that, Trump officials recently ordered the removal or editing of signs and other materials in at least 17 national parks in Arizona, Texas, Colorado, Utah, Montana and Wyoming, The Washington Post reports.
Back to Death Valley — a name that, by the way, members of the Timbisha Shoshone have never liked. Campbell told me that a celebration of the Homeland Act’s 25th anniversary that took place Friday at the national park’s Furnace Creek Visitor Center was supposed to include the unveiling of updates to its interpretive exhibit. The tribe had planned to place in a display case earrings and a medallion that members once gifted to former park Superintendent J.T. Reynolds to mark the passage of the act, along with some descriptive language, she said.
Ahead of the event, the Park Service submitted the additions to its parent agency, the Interior Department, for review. Campbell said that agency officials replied that not only could the new exhibit not include the new phrases “these are our homelands” or “we are still here,” but that similar language that’s been on display since 2012 would also be placed under review.
Interior Department spokesperson Elizabeth Peace said this is not true. “The Department has a long-standing history of working closely with tribal partners as part of exhibit development and review, and the park was never told they could not use that specific language or phrases,” she wrote in an email.
Peace went on to explain that although the new exhibit is under review pursuant to the executive and secretarial orders — both titled “restoring truth and sanity to American history” — the department hasn’t made any final decisions.
The review, according to Peace, is meant to ensure that parks tell “the full and accurate story of American history,” which includes addressing enslaved and Indigenous people, “informed by current scholarship and expert review, not through a narrow ideological lens.”
So, the 25th anniversary celebration went ahead without acknowledging the ongoing debate about the new exhibit.
There was a march from the village to the visitor center in which tribal members walked behind a banner that read, “We are still here,” which, Campbell said, was meant to echo a protest staged on Memorial Day in 1996 in which the Timbisha Shoshone demanded the restoration of their homelands after negotiations with the federal government broke down. That rally was widely credited with restarting the talks that eventually led to the passage of the Homeland Act.
Three decades later, the struggle continues. “Why do we still have to fight to be heard?” Campbell wondered earlier this week. “We weren’t even in history books. And we still can‘t tell our story. When do we get our chance?”
Despite the recent controversy, the tribe has a good relationship with the Death Valley-based NPS officials, Campbell said, and she’s confident they’ll be able to work through whatever happens next together.
After Friday’s march, tribal council members and park officials gave a series of speeches at the visitor center saluting their strong partnership and all the work that it’s taken to get to this point. Then they took pictures and ate cake.
More recent land news
If you’re a regular reader of this newsletter, you probably are aware of how lawmakers have been using the Congressional Review Act, which enables Congress to overturn recent federal rules with a majority vote, to revoke specific Bureau of Land Management plans that limit mining and drilling in specific places. This was unprecedented until last year but has since been used to throw out BLM plans in Alaska, Montana, North Dakota and Wyoming.
Now, a decision by the Government Accountability Office has cleared the way for Congress to throw out the BLM plan for Utah’s Grand Staircase-Escalante National Monument, which protects the land from mineral extraction, limits grazing and prioritizes conservation. Experts expect Republican Rep. Celeste Maloy or another Utah member of Congress to introduce a bill to do so this year, according to Caroline Llanes of Rocky Mountain Community Radio. If it passes, it would mark the first time the act has been used to roll back protections in a national monument.
Four former U.S. Forest Service chiefs are speaking out against the agency’s move to repeal the Roadless Area Conservation Rule. The 2001 rule protecting 58 million acres of national forests from road building and logging was supported by both political parties, and is needed to protect sensitive wildlife and maintain clean drinking water, argues an op-ed published in the Hill.
The Forest Service has revised its oil and gas leasing rules to “streamline” the permitting process by replacing parcel-by-parcel environmental reviews with a broader review that can sometimes cover millions of acres, reports Jake Bolster of Inside Climate News. Environmental groups told Bolster that the move will increase the likelihood that the agency misses sensitive habitat when deciding where to allow drilling.
Some environmental advocates are concerned about a new order from Interior Secretary Burgum that seeks to expand hunting and fishing access on federal public lands. “It flips conservation on its head and treats wildlife protection as the exception,” said Michelle Lute, executive director of nonprofit Wildlife for All. Others say the directive is more of a statement of values than something that will result in drastic changes on the ground. “It’s a nice nod to the hunting and angling community that acknowledges ‘we know these areas mean a lot to you,’” said Ryan Callaghan, president and chief executive of Backcountry Hunters & Anglers.
A few last things in climate news
Much has been made of a record-setting rainy season that’s helped lift California out of drought. But an extraordinarily warm January has left the snowpack across the Sierra Nevada and much of the Western U.S. far smaller than usual, Times water and climate change reporter Ian James writes. That means more hard times for the snowmelt-fed Colorado River, which provides water for farms and cities across seven states.
Peninsular bighorn sheep seeking to migrate back and forth across the California-Mexico border, as they’ve long done, are now being hampered by razor wire installed by U.S. Customs and Border Protection in the Jacumba Wilderness, according to our wildlife and outdoors reporter Lila Seidman. Similar scenarios are playing out across the Southwest, where the 1,954-mile border cuts through the habitat of more than 80 threatened and endangered species.
This is the latest edition of Boiling Point, a newsletter about climate change and the environment in the American West. Sign up here to get it in your inbox. And listen to our Boiling Point podcast here.
Before we see elephants at Elephant Valley in the San Diego Zoo Safari Park, we come face to face with destruction, only the wreckage is beautiful. A long, winding path takes guests around and under felled trees. Aged gray tree hunks form arches, for instance, over bridges that tower over clay-colored paths with hoof prints.
The design is meant to reorient us, to take us on a trail walked not by humans but traversed and carved by elephants, a creature still misunderstood, vilified and hunted for its cataclysmic-like ability to reshape land, and sometimes communities.
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“It starts,” says Kristi Burtis, vice president of wildlife care for the Safari Park, “by telling the story that elephants are ecosystem engineers.”
Elephant Valley will open March 5 as the newest experience at the Escondido park, its aim to bring guests closer than ever to the zoo’s eight elephants, which range in age from 7 to 36, while more heavily focusing on conservation. The centerpiece of the 13-acre-plus parkland is a curved bridge overlooking a savanna, allowing elephants to walk under guests. But there are also nooks such as a cave that, while not previewed at a recent media event, will allow visitors to view elephants on their level.
In a shift from, say, the Safari Park’s popular tram tour, there are no fences and visible enclosures. Captive elephants remain a sometimes controversial topic, and the zoo’s herd is a mix of rescues and births, but the goal was to create a space where humans are at once removed and don’t impede on the relative free-roaming ability of the animals by keeping guests largely elevated. As an example of just how close people can get to the herd, there was a moment of levity at the event when one of the elephants began flinging what was believed to be a mixture of dirt and feces up onto the bridge.
An aerial view of Elephant Valley at the San Diego Zoo Safari Park, home to eight elephants.
(Allen J. Schaben / Los Angeles Times)
“Our guests are going to be able to see the hairs on an elephant,” says Kristi Burtis, vice president of wildlife care for the Safari Park.
(Allen J. Schaben / Los Angeles Times)
“Our guests are going to be able to see the hairs on an elephant,” Burtis says. “They can see their eyes. They can see the eyelashes. They can see how muscular their trunks are. It’s really going to be a different experience.”
Elephant Valley, complete with a multistory lodge with open-air restaurants and bars, boasts a natural design that isn’t influenced by the elephant’s African home so much as it is in conversation with it. The goal isn’t to displace us, but to import communal artistry — Kenyan wood and beadwork can be found in the pathways, resting spaces and more — as a show of admiration rather than imitation.
“We’re not going to pretend that we’re taking people to Africa,” says Fri Forjindam, now a creative executive with Universal’s theme parks but previously a lead designer on Elephant Valley via her role as a chief development officer at Mycotoo, a Pasadena-based experiential design firm.
“That is a slippery slope of theming that can go wrong really fast,” she adds. “How do we recognize where we are right now, which is near San Diego? How do we populate this plane with plants that are indigenous to the region? The story of coexistence is important. We’re not extracting from Africa, we’re learning. We’re not extracting from elephants, we’re sharing information.”
But designing a space that is elephant-first yet also built for humans presented multiple challenges, especially when the collaborating teams were aiming to construct multiple narratives around the animals. Since meetings about Elephant Valley began around 2019, the staff worked to touch on themes related to migration and conservation. And there was also a desire to personalize the elephants.
“Where can we also highlight each of the elephants by name, so they aren’t just this huge herd of random gray creatures?” Forjindam says. “You see that in the lodge.”
Two of eight elephants eat during an Elephant Valley preview.
(Allen J. Schaben / Los Angeles Times)
That lodge, the Mkutano House — a phrase that means “gathering” in Swahili — should provide opportunities for guests to linger, although zoo representatives say reservations are recommended for those who wish to dine in the space (there will also be a walk-up, to-go window). Menus have yet to be released, but the ground floor of the structure, boasting hut-like roofing designed to blend into the environment, features close views of the elephant grazing pool as well as an indoor space with a centerpiece tree beneath constellation-like lighting to mimic sunrises and sunsets.
Throughout there are animal wood carvings and beadwork, the latter often hung from sculptures made of tree branches. The ceiling, outfitted with colorful, cloth tapestries designed to move with the wind, aims to create less friction between indoor and outdoor environments.
There are, of course, research and educational goals of the space as well. The Safari Park works, for instance, with the Northern Rangelands Trust and Loisaba Conservancy in Kenya, with an emphasis on studying human-elephant conflict and finding no-kill resolutions. Nonprofits and conservation groups estimate that there are today around 415,000 elephants in Africa, and the African savanna elephant is listed as endangered by the International Union for Conservation of Nature.
Water areas in Elephant Valley have been redesigned with ramps and steps to make it easier for the elephants to navigate. The hope is to inspire play.
(Allen J. Schaben / Los Angeles Times)
Studies of the zoo’s young elephants is shared with the Reteti Elephant Sanctuary in the hopes of delivering care to elephant youth to prevent orphanage. Additionally, the Safari Park has done extensive examination into the endotheliotropic herpes virus. “The data that we collect from elephants here, you can’t simply get from elephants in the wild,” Burtis says.
One of the two entrances to Elephant Valley is outfitted with bee boxes; bees are known to be a natural elephant deterrent and can help in preventing the animals from disrupting crops or communities. To encourage more natural behavior, the plane is outfitted with timed feeders in an attempt to encourage movement throughout the acreage and establish a level of real-life unpredictability in hunting for resources. Water areas have been redesigned with ramps and steps to make it easier for the elephants to navigate.
The view from Elephant Valley’s Mkutano House, a two-story dining destination in the new space at the San Diego Zoo Safari Park.
(Allen J. Schaben / Los Angeles Times)
With Elephant Valley, Forjindam says the goal was to allow visitors to “observe safely in luxury — whatever that is — but not from a position of power, more as a cohabitor of the Earth, with as much natural elements as possible. It’s not to impose dominance. Ultimately, it needed to feel natural. It couldn’t feel like a man-made structure, which is an antiquated approach to any sort of safari experience where animals are the product, a prize. In this experience, this is the elephant’s home.”
And the resulting feel of Elephant Valley is that we, the paying customers, are simply their house guests.
