Valley

Gina Gershon considers herself a storyteller, first and foremost. When we connect via video call, Gershon admits this is the first interview she’s done since submitting the manuscript for her latest book, “AlphaPussy: How I Survived the Valley and Learned to Love My Boobs.”

“I don’t have my spiel yet!” she warns, inquiring for the first of a few times what I thought of it and whether I enjoyed it. Despite the many decades Gershon has been treading the boards, starring in indie films and Hollywood star vehicles, and stalking the stage as a singer-guitarist, she still really cares about what you think, even if it won’t change her own mind. Perhaps that’s the key to her professional longevity.

“AlphaPussy” is neither a memoir nor a guide to self-betterment, but elements of both feed into Gershon’s stories. Each wittily titled chapter plunges readers into Gershon’s freewheeling 1970s childhood, defiant adolescence, burgeoning performance career and collaborations with some of the biggest names in film (including Sharon Stone, Paul Verhoeven and Tom Cruise). Most of the stories take place in the San Fernando Valley, where young Gershon was discovering weed, mushrooms and rock ‘n’ roll. This is not a titillating tell-all, and all the better for it.

“AlphaPussy” by Gina Gershon

(Akashic Books)

“This book realistically started during COVID,” Gershon explains from her New York home. “I’d told my book agent, a friend, some stories one day when we were drunk, and he kept prodding me to write a book. I was hesitant, though. I’m not a tell-all gal, that’s not my MO.”

She adds, “It was during lockdowns, and I think his mother was sick and he was having a hard time, so when he said, ‘Just write me stories to keep me cheered up,’ I started to write stories in no particular order, whatever bubbled up, because otherwise I figured I’d forget them one day.”

At the same time, Gershon had observed that young women weren’t feeling empowered to advocate for themselves in their personal relationships and workplaces.

“I noticed that especially with younger women friends of mine, they’d tell me about things they were going through on set or with their bosses, and I don’t know if it’s a millennial thing, but I said, ‘Why don’t you just look him in the eye and tell him to stop?’ and there was this sense [for me] of ‘Why can’t you do that? Because if you don’t, you’ll always be prey to these guys.’ ”

She clarifies that she means “annoying” men rather than abusive men.

“I’m not that tough,” admits Gershon. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”

In her new book, Gina Gershon recalls the industry vitriol toward her 1995 erotic film “Showgirls.”

(Evelyn Freja / For The Times)

And also to steer herself through well-intended advice, both personal and professional, to follow her instincts.

“Listen, it’s not like I’ve had the most normal career. I’ve done most of my projects despite warnings from other people and from my agents saying, ‘You can’t do this, you’ll ruin your career.’ I’m like, ‘Why? I like this project!’ ”

One of those projects, most infamously, was “Showgirls,” which gets plenty of mentions in the book.

As Gershon recalled, it was 1994, and an astrologer had predicted her major breakout role would arrive in October that year, testing the young actor and her ability to cope with notoriety. Great, thought Gershon, bring it on.

Months later, Gershon was hanging from the ceiling, dressed in bondage gear, reflecting upon her early acting goals to perform Chekhov, portray Medea and stun audiences into silence.

She was on the set of “Showgirls” (or “Survival of the Titties,” as she nicknames it), dressed in one of the many glittering, spangled, flimsy outfits that her character Cristal Connors parades about wearing as a veteran of Vegas striptease. That role, and the vitriol from within the industry toward the movie (a flop turned cult favorite), still stings.

“I was super excited going into ‘Showgirls.’ As I talk about in one of the chapters, it was just very different when I got there. It was a completely different show than I thought I was going to be doing. … I thought it was gonna be one of [director Paul Verhoeven’s] dark Dutch films.”

Realizing that it was something else, to say the least, Gershon pivoted.

“I learned how to deal with an insane environment while keeping focused on what it is that I was trying to achieve with the part, without getting swallowed up by the insanity, which is a valuable lesson, you know? I mean, it’s a good lesson to learn no matter what you’re doing.”

Last year, Gershon watched the movie for the first time in decades.

“I hadn’t seen it in a zillion years, and when I saw it, I understood it a little bit more. It made me feel tense, but I also thought, ‘Oh, interesting.’ Some scenes that I thought shouldn’t have been there and others that absolutely have to be there. I saw it with a different lens.”

She says, “Weirdly, I feel like I’m not supposed to be talking about ‘Showgirls,’ although I think I have five chapters about ‘Showgirls’ [in the book]. I did the ones that I thought were kind of funny and fun and had some sort of growth in it for me.”

Having recently wrapped filming on “an independent film, a trans love story” in Palm Springs, penned a script and midway through writing another, Gershon doesn’t intend on writing another book anytime soon. Still, “there’s so many stories I left out,” she concedes.

“I could write three more books with things, but I really wanted to stay on point with the themes of manipulation, survival, and moving around and being able to stand on your own two feet and know who you are and to have agency over your life, especially as a woman, especially as an actress, especially in this world.”

“I’m not that tough,” says Gina Gershon. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”

(Evelyn Freja / For The Times)

It’s late March and the villagers of the Jerte valley in Extremadura, Spain’s wild west, are twitchy – as if they’re hosting a party and wondering if all the guests will show up. The event they’re waiting for is the flowering of the valley’s cherry trees, which number about two million. So far, only a handful – a variety called Royal Tioga – have dared to don their frilly spring frocks. The rest are still clutching their drab grey winter garb.

One killed and 29 others wounded in latest Israeli attack in violation of ceasefire.

Israeli strikes on Lebanon’s Bekaa Valley have killed one person and wounded 29 others, the latest in a series of ceasefire violations.

Lebanon’s Ministry of Health announced that a “16-year-old Syrian boy was killed”, the National News Agency (NNA) reported on Thursday. He was named as Hussein Mohsen al-Khalaf and was killed in a strike on Kfar Dan near Baalbek, the L’Orient news outlet reported.

At least 13 air strikes were recorded, four in Shmestar, five in Boudai, two in Harbata and two in the Hermel and Nabi Chit mountains, according to NNA. Several shops were damaged in the Baalbek Souk in Tallet al-Ajami.

The Israeli military said it targeted eight camps belonging to Hezbollah’s special operations unit, the Radwan Force. It said weapons and missiles were stored there and training was conducted “as part of preparations for emergency situations, and to plan and execute terrorist plots”. It said this activity was a “violation of the understandings between Israel and Lebanon”.

Ceasefire violations

Israel’s military has continued to carry out attacks in Lebanon, despite a November 2024 ceasefire with the Lebanese armed group Hezbollah that sought to bring an end to more than a year of fighting. More than 300 people have been killed since then, including 127 civilians, according to the United Nations.

Last week, at least 12 people were killed in Israeli strikes on the Bekaa Valley and the Ein el-Hilweh Palestinian refugee camp near the city of Sidon. Israel said it was targeting Hezbollah and Hamas command centres.

Lebanon filed a complaint with the UN in January, detailing a total of 2,036 Israeli violations between October and December 2025 alone. It called on the UN Security Council to compel Israel to end these actions and to fully withdraw from its borders.

Israel continues to occupy parts of Lebanon, blocking the reconstruction of border villages and preventing people from returning to their homes.

Lebanon’s government has said it has almost completed its ceasefire commitment to disarm Hezbollah south of the Litani River. It said it will need four months to complete the second phase.

However, Hezbollah has rejected this, saying it believes the disarmament in the ceasefire agreement only applies to areas south of the river.

The San Fernando Valley is back in the spotlight, thanks in part to Bravo’s reality franchise “The Valley,” where viewers may recognize a slew of Ventura Boulevard staples (we see you, Rocco’s Tavern).

Much of the show is filmed in and around Studio City, a neighborhood just west of the Cahuenga Pass, about 10 miles from downtown L.A. and within the city of Los Angeles.

That last fact is what usually throws people off guard.

“Isn’t Studio City a separate city from L.A.?” they ask.

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This is when I must reply no and launch into an explanation on the expansiveness of the 818, the identity crisis it never asked for and how its lore has endured for decades on the silver screen, from “Fast Times at Ridgemont High” to “The Karate Kid” and “Licorice Pizza,” to name a few.

See, long before Kendall Jenner bottled our area code with her tequila brand or “The Valley’s” Golnesa “GG” Gharachedaghi created her Valley Girl jewelry line (a response to a castmate’s constant gripe that the area had no vibe), Studio City was already a vibrant L.A. hub. It claimed a roster of power players — “The Brady Bunch” soundstage, Laurel Canyon News and the iconic Studio City Hand Car Wash — all of which still transcend ratings or storyline.

The neighborhood was originally formed around film producer Mack Sennett’s studio, which later became Republic Studios and then CBS Studio Center. With the studio as the focal point, the U.S. Postal Service designated its branch in that area as the Studio City Post Office, formalizing the name Studio City. Not exactly poetic, but it stuck. By the 1940s, Studio City developed into a “just over the hill” refuge for Hollywood’s working families, with new restaurants and bars abuzz.

My first memories of Studio City were hanging out with a childhood friend whose parents worked at CBS, and back then, it felt like the ultimate suburban dream. Fast forward to the mid-aughts and I got to live it myself, renting an apartment a few blocks from Tujunga Village, the neighborhood’s own “small-town U.S.A.” I spent countless weekends perusing food stands and trendy coffeehouses, the flaky bread and baked goods reviving me after hours of line dancing at Oil Can Harry’s or a booze-soaked late night at Page 71.

As one of the Valley’s most social enclaves, where nature is within reach, strip mall sushi is world-class and shaded residential streets feel worlds away from the Sunset Strip, Studio City still feels like the perfect remedy. Sure, finding parking after 6 p.m. can feel like something out of “The Hunger Games,” but on any given weekend you’ll still find me channeling my inner Katniss, circling blocks and deciphering cryptic signage all to revisit one of the L.A. neighborhoods that raised me.

Studio City must be the place. Then again, it always was.

Nestled in the Cheviot Hills, College Valley in Northumberland is home to wild ponies, roe deer and ancient ruins including Iron Age stone circles, hillforts and a well-preserved Romano-British settlement

Tucked away in the Northumberland hills lies the lush College Valley, teeming with stunning wildlife and ancient ruins.

Maintained by the College Valley Estate, this expanse of countryside is immaculately kept and readily accessible for both walkers and cyclists.

Wandering through the meadows, you’ll encounter wild ponies, roe deer, hares and wild goats, according to Northumberland National Park.

Hethpool

Leaving your vehicle at the Hethpool car park, you can discover remnants of an Iron Age stone circle. The area offers picnic spots along Great Hetha, with ancient fortifications perched above the Hethpool Linn Pools, where you can take a refreshing dip during summer, reports Chronicle Live.

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Come autumn, you can witness sea trout and salmon jumping upstream towards their spawning grounds.

Approximately 2,800 years ago, during the Iron Age, communities built timber roundhouses surrounded by substantial wooden palisades. Opposite Hethpool House sits a well-preserved Romano-British settlement.

History

People have lived in this area at least 7,000 years, with traces of late Stone Age farmers.

During the early Bronze Age, when temperatures were warmer than today, farming reached higher altitudes. Various terraced fields and numerous burial cairns survive from this era.

Given its closeness to Scotland, the valley suffered significant devastation during battles between English and Scottish armies throughout the 14th to 16th centuries. Border Reiver raids resulted in the land being plundered.

Hillforts

Northumberland claims Britain’s highest concentration of hillforts, and College Valley is no different. Scattered across the Cheviot Hills, these ancient Iron Age fortifications provide a glimpse into prehistoric settlements.

As an added benefit, they also offer spectacular vantage points overlooking the undulating hills.

Wildlife

Covering more than 12,000 acres, College Valley hosts an abundance of wildlife including flora, trees, birds and even Exmoor ponies to admire.

Bear in mind – mobile phone signal is virtually non-existent and only 12 vehicles are permitted entry daily. If you fancy a longer break surrounded by nature, you can reserve one of the numerous holiday cottages on offer.

Visitors can see everything from the extinct volcano Cheviot Massif to the enchanting Collingwood Oaks.

Tucked away at the valley’s head, just a mile from the Pennine Way, lies Mounthooly Bunkhouse.

Housing 24 guests across three rooms, this charming bunkhouse offers walkers, cyclists and all visitors unique accommodation in a beautifully remote part of the valley.

With beds starting from £17 per night, you may be inclined to prolong your visit and discover more of what the valley has to offer, safe in the knowledge you can return to hot showers and a log burner.

One TripAdvisor review stated: “What a wonderful valley to visit, either walk or to drive through, they only allow 12 cars a day to drive through and you need a permit £10 you can book online.

“It was so peaceful and in May the colour of the gorse it just beautiful. The memorial to the pilots that crashed during WW2 over the Cheviot Hills is so moving.”