TV drama

The five-part series, penned by a Booker Prize-winning author, has been praised by critics and viewers alike and boasts a smashing 100% rating.

A five-part British crime noir series is earning high praise and, fortunately, it’s available to stream for free on Channel 4.

The limited series Get Millie Black was crafted for television with a screenplay penned by Booker Prize-winning author Marlon James, who wrote A Brief History of Seven Killings.

This crime thriller marks Marlon’s screenwriting debut and first premiered on HBO in the United States on November 25, 2024. It then made its UK premiere on Channel 4 on March 5, 2025.

Get Millie Black has been steered by Tanya Hamilton – the show’s lead director – while Annetta Laufer directed two episodes and Jean Luc Herbulot directed one. The series was penned by writers Theresa Ikoko and Lydia Adetunji.

The plot revolves around the unparalleled Millie-Jean Black, a Jamaican-born police detective who is forced to leave Scotland Yard and her troubled life in London and return home to Jamaica, where she joins the Jamaican Police Force.

Once back in Kingston, Millie and her partner Curtis start investigating a missing persons case which intersects with another — bringing Scotland Yard detective Luke Holborn to Millie’s doorstep. The show grapples with complex themes and delves into the painful and troubled legacy of slavery, racism, classism, sexuality, and generational cycles of trauma in the post-colonial Jamaican and British landscape.

Get Millie Black features the brilliant Tamara Lawrance in the starring role, alongside Joe Dempsie, Anjli Mohindra, Gershwyn Eustache Jnr, Chyna McQueen, Nestor Aaron Absera, and Peter John Thwaites.

The five-part mini series is available to watch without charge on Channel 4, with episodes running for an hour on average, reports the Express.

Discussing Get Millie Black and how Millie’s character came to life, Marlon revealed: “My mother was one of the first policewomen in Jamaica to make detective. Storytelling has always struck me first and foremost as a mystery to be solved – which I’m sure I got from her. Millie, from the second she appeared in my imagination, was a brilliant, mercurial, hilarious, unpredictable force of nature; someone who was always there, just waiting for her story to be told. I didn’t create her, I found her.”

Boasting a perfect 100% score on review aggregator site Rotten Tomatoes, Get Millie Black has received endless praise from critics, with one penning: “Get Millie Black lives and breathes. This might be a crime thriller, but it isn’t just a crime thriller. In the right hands, a crime thriller can contain multitudes.”

Meanwhile, another reviewer commented: “We got more story in the first 300 seconds than some series manage in an hour-long episode.”

In another glowing review of the series, a third critic remarked: “Crime shows, especially missing girl shows, often feel barren, or at least frozen in their Scandinavian snowscapes. Millie, on the other hand, feels abundant.”

And yet another impressed reviewer said: “Get Millie Black works well as a gory whodunit (with a genuinely unnerving twist at the centre). But the outstanding performances and the crimes in this setting make the show unique.”

Audience reviews follow in a similar vein, with one viewer writing: “All I’m going to say is wow. Watched all episodes in one sitting. Terrific detective series.”

While another audience member commented: “Worth a good watch if you’re interested in crime dramas. Especially if you want something original like this one, which takes place in Jamaica. Matter of fact, you don’t see many Jamaican movies/tv shows nowadays, and I’m glad that I’d checked it out. Great acting, good writing, and pacing that makes the series sort and simple since this is a limited series.”

Get Millie Black is available to stream for free on Channel 4.

The square root of absolutely nothing happens in each episode, but I’m still watching every week!

A lavish sci-fi series with characters so bad you find yourself rooting for the evil aliens plotting to conquer Earth, Apple TV’s Invasion is the latest show that outstays its welcome after some early success.The first series was held together by a group of child actors, the second was held together by stunning visuals, but the third season is held together by… nothing at all.

At best, Apple TV’s Invasion is a victim of its own success and has been drawn out for one or two seasons too long. With an undeserved 6.2/10 on IMDB, it’s absolutely not worth your time – but for me, it is too late.

The third season boasts the usual high production values you get from an Apple series, but the script is abysmal (featuring timeless quips like the age-old “In English, please?!”) as it follows the violent spikey black aliens who, out of nowhere, have re-launched their invasion on Earth.

I have recently found solace in a community on Reddit dedicated to trashing the programme. One person wrote: “Every single episode makes me wonder, ‘Did I fall asleep watching the last episode and miss something? Did I accidentally skip an episode?’”

I agree with them. But sifting through the exasperated posts, it seems we have more than our hatred in common. We all, like a dog with a bone, return each and every Friday for another hit of this endlessly disappointing series.

Another wrote: “The season is almost over and nothing has happened yet. We saw one clear alien with a wounded leg, who seemed to be about as aggressive as a stoned jellyfish, and three hunter killers in a hole in the ground.

“I think it’s safe to say that this isn’t a sci-fi as much as it is an unfunny sitcom with annoying characters who are always whining about the invisible aliens winning a war.” Very true.

I think the reason for our slot-machine addiction to Invasion is the promise of the first season. That was almost entirely down to the young acting prowess of Billy Barratt (Caspar Morrow), India Brown (Jamila Huston) and Paddy Holland (Monty Cuttermill). We see them overcome school bully and victim dynamics, traverse the English Channel and unlock communication with the terrifying morphing alien beasts.

The sparkly performances from all three casts a Goonies-like magic on the plot and has you gunning for the humans – unlike some of the other characters who make you wonder if it’s actually time for an alien takeover.

Huston’s performance is certainly an anchor in the third season, but she is outnumbered by griege special effects and gaping plotholes, while the loss of her schoolmates is palpable. I am convinced that some distant promise of a reunion of the young stars is what is keeping us locked in.

One Redditor wrote of Barratt’s unexplained absence in the third season: “My guess is they have left it open for him to come back. I hope he does. But, with the quality of the show in decline, the actor may decide he doesn’t want to, especially if he is getting other offers.

“With the poor quality of script writing and character development, I can’t imagine it’s a very rewarding acting experience for the cast.”

For now, we are left with an indistinguishably twisty plotline that follows some of the most annoying characters on screen, even though I will be tuning in for every single episode and beyond!

Reach Screen Time spoke exclusively to Mudtown stars Tom Cullen and Erin Richards

A gripping new TV drama is set to hit our screens this month, promising viewers a captivating tale brimming with tension and conflict, reports Wales Online. This comes as audiences are binging another crime drama.

Mudtown, set in Newport, Wales, centres around magistrate Claire Lewis Jones (portrayed by Erin Richards), who finds herself in a dilemma when her childhood friend’s daughter is accused of arson.

Claire’s personal and professional worlds collide as she attempts to preside over the case. Adding to the complexity, her ex-lover and local gangster Saint Pete (Tom Cullen) re-enters her life, seeking her assistance in court.

She finds herself torn between divided loyalties and ensuring justice is served.

Mudtown was co-created by Keeping Faith actor and writer Hannah Daniels along with real-life magistrate Georgia Lee.

In an exclusive chat with Reach Screen Time, lead stars Cullen and Richards shared their thoughts on joining the series.

READ MORE: ‘Fantastic’ crime drama fans say will ‘tear your heart out’ is streaming for freeREAD MORE: New crime drama branded ‘exceptional’ now available to stream for free

Cullen confessed he’d been extremely hesitant about accepting the role of crime boss Saint Pete, despite having portrayed real-life gangster Johnny Palmer in BBC’s The Gold.

He revealed: “On a personal level, Pete is a character that I’ve never really got to play before and when they offered it to me, I was absolutely terrified and confused as to why they wanted me to play this character.

“And I was absolutely terrified of the prospect of playing because I thought it was way beyond my reach, capabilities as an actor and for that reason, also, I decided to do it, to scare myself.”

Explaining his decision to join Mudtown, Cullen said: “Lots attracted me to the show. Just on a script-level, I found it really interesting.

“I thought that its themes really resonated with me and the socio-political aspect to it about the choices we make and what choices do we have when we grow up in certain areas, and the different paths a certain decision can make, I found that really interesting. I also thought that the characters were so complex.”

He revealed he was also attracted to the project due to the opportunity to work in his native Wales, which he rarely got to do and “work with friends” he’d “known for years”, describing it as a “joyous experience”.

The Crown and Gotham star Richards confessed she had similar motivations for joining Mudtown, admitting she was also drawn to the chance to work in Wales and be near her family.

“It was such a dream and it was the first job I did since having my son, who is now two-and-a-half, but was one, and just the ability to come home every night and see him and sleep in my own bed, and travel to Newport which is somewhere I’ve never been before but obviously visited a lot,” she said.

Richards and Cullen have been friends for years after starring in a film together when they were just 16, which she confessed boosted their on-screen spark and transformed her acting.

The actress revealed: “I had a specific idea of who Claire was and I was playing her a certain way, and then when I would do the scenes with Tom, she would like change a little bit and I didn’t plan for that to happen.

“But I think just because of the history that Tom and I have and how much we know about each other, it really reflected how Claire and Saint Pete were together. It was a really dynamic we had as friends but also had as characters.”

The programme was filmed back-to-back in English and Welsh, like numerous Welsh productions including the aforementioned Keeping Faith and The Light in the Hall.

Recording simultaneously in both languages meant the Welsh-speaking actors would begin in one tongue for a scene and then switch to the other language for the following scene depending on the take.

Richards confessed: “It was a real mind-bending thing at the beginning, but then halfway through I got used to it and my brain would just do it and click into place.”

The performer got ready for the part by observing magistrates courts in both Cardiff and Newport, discovering how it operated and acknowledged she was “surprised” that more programmes about the court hadn’t been created. Addressing the possibility of a second season, Richards teased: “I think the final episode, the final scene leaves it open to another series. I would love to do one. Cullen added: “I’d love to do one. We’ll see how it goes, fingers crossed.”

Mudtown is available on U&alibi from August 29 at 9pm, available on Sky, Virgin Media and NOW