Turner

CALLUM Turner’s bid to bag the role of James Bond has had a boost — he’s advertising luggage for a fashion brand with links to the films.

The 36-year-old actor is the face of Louis Vuitton’s new trunk collection.

Bond author Ian Fleming incorporated their suitcases into 1963 book On Her Majesty’s Secret Service.

And a set of the brand’s luggage appeared in 1985 Bond film A View to a Kill.

A source said: “Louis Vuitton is exactly the kind of fashion house Callum wants to associate himself with.

“The fact that Ian Fleming also mentioned Vuitton in his books is a clear indication that Callum is aligning himself with all the right campaigns.”

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Bond casting director Nina Gold was spotted at Bray Film Studios in Berkshire yesterday as screen tests for the role were understood to be taking place.

Callum’s odds of becoming Bond were 2/1 last night.

The Brit, who is married to singer Dua Lipa, 31, co-starred in the Fantastic Beasts movies.

Scottish actor Jack Lowden, 36, is the bookies’ favourite to take over as Bond with odds of 4/7, according to Ladbrokes.

Sinners actor Jack O’Connell, 36, and The Crown’s Josh O’Connor, 36, sit at 12/1.

Daniel Craig stepped down after the release of his fifth Bond film No Time To Die in 2021.

The Rams lost much more than a game to the Arizona Cardinals.

They lost four key players because of injuries.

Receiver Davante Adams suffered a ruptured hamstring and will be sidelined six to 10 weeks, defensive lineman Kobie Turner sustained a groin strain and will be out several weeks and defensive lineman Poona Ford suffered a season-ending triceps injury, coach Sean McVay said Monday.

Kicker Blake Grupe was placed on injured reserve after leaving Sunday’s 18-16 defeat because of a knee injury.

“These are adverse moments and we’ve got to be able to push through and do hard things,” McVay said during a videoconference with reporters, “and that’s exactly what this situation entails.”

The Rams are 2-4 heading into Sunday’s game against the Raiders in Las Vegas.

A team that began the season as the Super Bowl favorite now must engineer turnarounds similar to those they pulled off in 2023 and 2024 to qualify for the playoffs.

“There’s no sense of panic,” safety Quentin Lake said during a videoconference, “but I think for us now there has to be a sense of urgency.”

On Sunday, the Rams will once again be without edge rusher Myles Garrett, who has been on injured reserve following left knee surgery after the season opener. McVay said the Rams would not open Garrett’s 21-day window to return this week.

Rams defensive end Myles Garrett stands on the field before Sunday’s loss to the Cardinals at SoFi Stadium.

(Gregory Bull / Associated Press)

All-Pro cornerback Trent McDuffie, who sat out against the Cardinals because of a groin injury, is “progressing” and his status for the game against the Raiders will be determined late in the week, McVay said.

Adams, 33, is in his 13th NFL season. The three-time All-Pro, who led the NFL with 14 touchdown catches last season, has 30 receptions for 480 yards and four touchdowns.

Adams’ absence leaves the Rams with receivers Puka Nacua, Jordan Whittington, Konata Mumpfield, Tutu Atwell and rookie CJ Daniels.

McVay said the Rams would explore possibly adding a receiver.

Turner has made 22 tackles and has broken up two passes. Ford has 15 tackles, one for a loss.

Aaron Donald and Braden Fiske are the remaining starters, and Tyler Davis, Larrell Murchison and Ty Hamilton will assume larger roles.

Grupe, signed last week to replace Harrison Mevis, made a 44-yard field goal in the first quarter against the Cardinals. But he was injured during the ensuing kickoff when he knocked the returner out of bounds.

McVay said the Rams were making inquiries about available kickers.

“We’ve taken some shots this year,” McVay said of the rash of injuries. “We’ve got to be able to get up and keep swingin’.

“This is a good test.”

ANTHEA Turner has revealed that she has had bus drivers “think she’s too young for her bus pass”, following her £500 non-surgical facelift.

The Blue Peter legend, 66, has been wowing people with her timeless look, as she showed off the results of her procedure.

Anthea, who shot to fame in the late 80s hosting Top of the Pops, revealed before having the non-evasive treatment, she was starting to feel less confident about her looks.

“I think you get to an age where you suddenly stand in front of the mirror and start pulling your skin tighter around your face,” the TV star confessed.

Earlier this year, Anthea headed to her local aesthetic clinic, Bodyvie in Richmond, and underwent six monthly full face Focus Dual treatments, which is a facial rejuvenation procedure.

The system uses the micro-needling and radio frequency technology to boost the youthful appearance of skin.

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Anthea said the treatment has made her feel younger, and now people can’t believe her age.

“Since having these aesthetic treatments there have been quite a few occasions when I try to use my Freedom Pass and the bus driver asks, ‘You’re not, are you?’ and I have to persuade them that I am indeed 66-years-old!” she laughed.

Speaking about getting older, the star confessed: “I think that up until probably your mid to late 40s, you don’t really notice a huge amount.

“Everything seems to be going in the right direction, that’s okay.

“And then all of a sudden, as you approach 50 and beyond, you do notice changes.”

After shooting to fame on Top of the Pops in 1988, Anthea then got another big break when she landed a job as a presenter on Blue Peter in the early 90s.

After this, the stunning star became a household name and has continued to appear on TV ever since.

Movie stars are an endangered species. They still exist, sure. Their beautiful faces still fill 50-foot screens, beaming down on us. Yet, there is a shortage of, say, Michael Douglas. A man who, over the span of decades, played an American president, a troubled detective, and a Wall Street tycoon so convincingly that the FBI recruited the actor to do a PSA for investment bankers about the perils of financial fraud.

The night before I meet Michael Douglas on Zoom, I have a hard time sleeping. I want to be well-rested before I meet the leading man — perhaps one of the last leading men from an era in Hollywood that felt limitless. What do I mean by that? He’ll tell you. His new memoir details his movie-making career as a prolific producer and actor, along with his affair with his “Romancing the Stone” co-star Kathleen Turner, mudslides in Mexico, snorting cocaine with O.J. Simpson, encounters with Princess Diana and screaming matches with Paul Verhoeven that end in blood. In short: the life of a movie star.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” Michael Douglas says.

(David Urbanke / For The Times)

Halfway through our conversation, something unanticipated happens: Douglas reveals that he doesn’t quite see himself as a movie star. After gentle pushback, he elaborates. Instead, Douglas sees himself as a chameleon.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” he says.

He’s speaking from his home in New York. Behind him is a moody 18th-century Orientalist painting, its scene too indistinct for me to make out. His smiling face — which, like most American moviegoers, I had watched 50 feet tall in the dark — glows with warmth even on my laptop screen. It seems abnormal even to witness him in miniature.

To be clear: Michael Douglas is a movie star, whether or not he wants to cop to it over Zoom. It’s in his blood. His father, Kirk Douglas — born Issur Danielovitch to Russian Jewish immigrant parents — was a legendary actor whose shadow Douglas struggled to escape, as he details in the early chapters of his memoir. He spent his childhood on movie sets, watching his father spar with iconic directors like Stanley Kubrick. Michael Douglas was subject to violent and angry outbursts as well. “Dad’s volatility kept us on edge,” he writes. He felt suffocated by his father’s legacy, often hoping to shake the title of “Kirk Douglas’ son.”

Early in his career, Douglas left his starring role on TV’s “The Streets of San Francisco” after producing his first film, “One Flew Over the Cuckoo’s Nest,” which became a breakout success. On that film, he had to deliver the shattering news to his father that he was too old to play the lead — essentially, firing his father from his dream role. It was a betrayal. Instead, the role went to Jack Nicholson, who would later win an Academy Award for his humanizing portrayal of Randle McMurphy. The film won multiple Academy Awards, launching Douglas’ career as a heavyweight producer and later an actor. Escaping the shadow of being Kirk Douglas’ son has been a lifelong battle for the actor.

(Grand Central Publishing)

Occasionally, inheritance can be a burden. In his own life, Douglas details how he was a distracted father and husband who lost sight of his son, Cameron Douglas. During Cameron’s childhood, Douglas was elsewhere — on location in the Mexican jungle in “Romancing the Stone,” then a disastrous film production in Morocco for “Jewel of the Nile” that included a fatal plane crash that resulted in three crew members’ deaths. To cope with the breakneck pace of show business, Douglas sought refuge in women, cocaine and work.

Cameron’s troubled youth reached a crescendo when he was sentenced to five years in federal prison for drug smuggling, with an additional sentence for drug possession in prison — serving seven years in the end. It was enormously painful for Douglas, who also struggled with addiction, and had sought out treatment to provide an example to his son.

In a late chapter, he recalls confiding in Rob Reiner, who also had a son who struggled with addiction issues. In the memoir, Douglas addresses the killing of Rob and Michelle Reiner in December 2025; their son Nick has been charged with murder. “We both had sons with serious drug issues and we both, at times, had been at the end of our rope,” Douglas writes. “It was a heartbreaking confessional for us, but I know we gave each other some measure of comfort during the hard times.”

Why trudge through movie history, turning over every stone and every wound, in a nearly 500-page memoir? Because, according to Douglas, it’s time.

“Your 80s may be a good time to share,” the actor says, who recently turned 82. “People interested in movies, we give them a certain insight into the process, and maybe they could learn something. For others, it’s just gossip.” His battle with Stage 4 oral cancer brought the contours of his life into stark relief, sharpened by seven weeks of radiation and chemotherapy. His official diagnosis was tongue cancer, but he told the public he had throat cancer, hoping to stall speculation in the press about the possibility of disfigurement — and, more specifically, the prospect of losing his tongue. It was isolating, and Shane Salerno — the memoir’s co-author — stayed by Douglas’ side.

Michael Douglas.

(David Urbanke / For The Times)

As much as Douglas’ memoir, “One Helluva Ride,” is a revealing and delightful account of a life in show business, it is also a love letter to California — a place where Douglas spent much of his adult life, beginning at UC Santa Barbara. The college travel brochure read: campus by the sea. “I remember the cover of it was a guy walking down the beach with a surfboard, two girls in two-piece bathing suits. In 1963, I never saw a two-piece bathing suit back east.” He was sold.

The California years made an impression. Douglas is still, at heart, a hippie. Raised in stiff East Coast prep culture, he was reborn in the California sunshine. “I transferred into becoming a hippie, influenced by the Maharishi Mahesh Yogi, hallucinatory drugs, and the world that existed in the early ‘60s in San Francisco.”

Strangely, Douglas argued that some of the utopic sentiments of the 1960s are returning. “People are beginning to look back at that time, and realize how important family is — cooperation, sharing,” he says. “Socialism is not a four-letter word or something that’s terrible. There are other things to pursue in life other than just making money.”

“Your 80s may be a good time to share,” Michael Douglas says.

(David Urbanke / For The Times)

Like the characters he portrayed, Douglas is far from perfect. He admits that he struggled — in his first marriage, and later as a father. After marrying Diandra Luker, Douglas was unfaithful, having relationships with co-stars, most notably Turner on the set of “Romancing the Stone” in the Mexican jungle. The two denied the relationship for years. Now, with Turner’s blessing, Douglas writes about their involvement in his memoir.

Before Turner, there was Diane Thomas, the film’s waitress-turned-screenwriter, with whom Douglas had an affair. Thomas’ life was tragically cut short in a car accident involving a Porsche that Douglas had gifted her.

Then there were the rumors. On the set of “Basic Instinct,” some speculated that Douglas and Sharon Stone were having an affair. They weren’t, he explains. Douglas was instead locked in a power struggle with director Verhoeven, who, during one particularly heated argument with the actor, suffered a burst artery in his nose, turning the confrontation into a bloody scene. Douglas, meanwhile, was involved with another co-star, Jeanne Tripplehorn. “They were so focused on a possible relationship between Sharon and me, they missed the real relationship happening between me and Jeanne,” he writes.

When he and his current wife, actor Catherine Zeta-Jones, made it official, Douglas went to the other room to make breakup calls to five other women. (By this point in the memoir, Douglas has enough goodwill to pass this off as charming.) “From the moment I met Catherine, and we formed our family, I was a new man,” he writes.

The memoir enshrines Douglas’ petty show-business grievances too: a repaired grudge against David Letterman, a TV co-star who stole his longtime girlfriend, and a bouquet sent to Julia Roberts to apologize for his drunken buffoonery. In Douglas’ words: “There’s two or three people that I share my hostilities with.” He clashed with Brian De Palma, who was originally attached to direct “Fatal Attraction” and tried to have Douglas fired. De Palma underestimated Douglas and was replaced by Adrian Lyne. Years later, De Palma apologized, but Douglas rejected it.

It is impossible to tell the story of Douglas’ career without the women he encountered. The films he championed helped establish a new type of female lead — in all their powerful, morally ambiguous and deranged glory. “An actress was not allowed to play a villain,” he says. In “One Flew Over the Cuckoo’s Nest,” the actor struggled to cast Nurse Ratched. “A whole number of leading actresses turned that part down until we found Louise Fletcher, who went on to win an Oscar.”

For Glenn Close, Sharon Stone and Kathleen Turner, acting opposite Michael Douglas was transformative. After her role as a murderous, sex-crazed bisexual in “Basic Instinct,” Stone became one of the biggest stars of the 1990s and earned an Oscar nomination for Martin Scorsese’s “Casino.” Close‘s portrayal of the mistress-turned-lovesick psychopath in “Fatal Attraction” earned the actor her first lead Oscar nomination after three supporting nods. Turner went from being primarily known as the sexy femme fatale of “Body Heat” to a Golden Globe-winning star with box-office clout after her collaboration with Douglas. Sure, she sued him, too, but their friendship survived.

However, it wasn’t until his role as Gordon Gekko, the fast-talking, impulsive tycoon in 1987’s “Wall Street,” that Douglas was in full force, winning an Academy Award for lead actor. Directed by Vietnam veteran Oliver Stone, Douglas delivered an unforgettable performance about the dangers of unchecked capitalism and greed. At an early New York screening, Douglas recalls Wall Street traders being stunned by the film’s stinging accuracy. “A lot of the Wall Street characters were there, very cocky at the time; they all were shocked because we caught them.”

To his surprise, Wall Street financiers approached him on the street to praise Gekko — anointing him as their hero. “I said, ‘I was the villain.’ ‘No, no, no,’” he said. “So it showed me a lot.”

It speaks to Douglas’ gifts as an actor that he could transcend the caricature of white male entitlement he portrayed with such precision. In “Falling Down,” filmed during the 1992 uprising triggered by the Rodney King verdict, Douglas plays an unemployed defense worker, a man so consumed by disillusionment and blinded by his own sense of victimhood that he cannot recognize the harm he inflicts on others. The character would prove eerily prescient, anticipating an archetype that would take shape in the decades to come. An entire generation mistaking the actor’s brilliance as an invitation.

Perhaps that is the strange thing about being a movie star: Audiences decide who you are, and what you mean to them. For a chameleon, an actor who spent a lifetime resisting other people’s definitions of him, that might be the ultimate paradox.

As our conversation winds down, I remind him of his immense contributions to filmmaking, through producing and acting. It seems redundant, but I say it anyway. His response is polite.

“Quirky,” he said. “‘Falling Down,’ ‘The War of the Roses’ — I love those quirky films.”

“I’m proud of my movies,” he says. “I’m very proud of my movies.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

MICHAEL Douglas has denied he’s a sex addict and said he was a “healthy product of the Sixties” after his affair revelation with Kathleen Turner.

The actor, 82, confessed to having a relationship with Kathleen as they filmed their 1984 action flick Romancing The Stone.

At the time, Michael was married to his first wife Diandra Luker.

The Basic Instinct star opened up about his colourful love life and insisted he was not a “sex addict” despite his multiple flings.

Speaking to The Times, he was asked if he ever wondered why he had slept with so many women.

Michael replied: “I don’t know if I slept with so many women, I don’t see it that way. No, not me, no. I was a healthy product of the Sixties.”

He added: “My curiosity is why, of all countries, of all the press that I do, why are the Brits so consumed with the issues of sex?”

In the nineties, it was reported that Michael had entered rehab for a sex addiction.

But Michael has said in an excerpt from his upcoming memoir One Helluva Ride: “I was never a ***ing sex addict.”

Shared by People, Michael dished about his extramarital romance with Kathleen.

Michael penned: “Kathleen was smart, funny, and sexy with a deep, sultry voice that became her signature.

“I instantly liked her, and we were immediately attracted to each other.”

Michael then claimed that his marriage to Diandra “was in a bad place” and that he had been having an affair with Romancing The Stone screenwriter Diane Thomas prior to meeting Kathleen.

In the book, he described himself as “technically married, but separated” as he had an affair with Kathleen.

He noted that audiences spotted their chemistry, and they were forced to deny everything and put it down to them both being “terrible flirts” due to him being married.

“It was a lie meant to protect my wife and son, a lie we told the world for 40 years.”

In his book, Michael confessed: “The truth is that during the production of Romancing the Stone, Kathleen and I fell hard for each other and began a relationship.”

He said that their relationship “grew naturally” and noted how much they respected and cared for one another, “and how attracted we were to each other”.

Michael added: “Like every other guy in the world at the time, I was knocked sideways by Kathleen….”

They continued their romance until it fizzled out when his wife visited on set and made it clear to Kathleen they were still married.

Diandra warned her off and Kathleen “didn’t want to interfere”.

Although their romantic relationship was over, they continued to star in movies together until 1989.

His first marriage to film producer Diandra Luker lasted from 1977 to 2000.

After 18 years together, Diandra filed for divorce in 1995, leading to a protracted legal separation which was finalised in 2000.

Michael is now smitten and happily married to Catherine Zeta Jones.

Catherine and Michael first met in August 1998 at the Deauville American Film Festival in France.

Heading into the Birmingham-Cleveland high school football game on Friday night, something had to give in the West Valley League opener. The host Patriots hadn’t lost a league game since 2017 and had beaten Cleveland 13 consecutive times, by an average score of 40-8.

Cleveland, however, was undefeated and looking for its first 6-0 start since 2004.

It wasn’t pretty, but a superlative defensive effort and two impressive first-half drives gave the Cavaliers just enough to defeat the Patriots 14-9. Birmingham fell to 1-5.

Neither team’s most potent offensive weapon was able to take over the game.

Cleveland running back Moyosoreoluwa Odebunmi did most of his damage early, rushing for 40 yards on the Cavaliers’ opening drive, which ended with quarterback Julio Avalos’ one-yard touchdown run.

Odebunmi again carried much of the load on Cleveland’s second drive, contributing 39 yards and scoring on a two-yard run to give the Cavaliers a 14-0 lead.

While Odebunmi was producing for Cleveland, the Cavaliers largely stifled Birmingham’s top offensive threat, wide receiver Paul Turner.

Turner’s biggest play was a 45-yard punt return that set up the Patriots’ lone touchdown, a six-yard pass from quarterback Daniel Kakooza to Aidin Irizary late in the third quarter that cut Cleveland’s lead to 14-9.

“We knew that was one of the keys to getting the win, containing him,” Cleveland coach Mario Guzman said of Turner. “We knew he’d get his catches. That’s inevitable — the kid’s a baller. But we knew if we could contain him, rally and tackle, we’d be in a good position.”

The fourth quarter turned into a comedy of errors. Birmingham blocked a punt to take over at the Cleveland 11, only to have Cleveland block the ensuing field-goal attempt. The Patriots later got another opportunity when Chris Barrera recovered a fumble.

Kakooza then rediscovered Turner, connecting with him six times on the drive as Birmingham drove to the Cleveland three-yard line. But the Patriots again came away empty.