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Christa Miller, who plays consummate mother and opinionated neighbor Liz on “Shrinking,” has one piece of advice for parental dressing: Step away from the athleisure.

“You’re not going to feel confident in workout wear,” says Miller. She and the show’s costume designer, Allyson B. Fanger, are very intentional with Liz’s outfits, a master class in effortless yet accessible casual chic: Bold colors, layered tops, cheeky accessories and a liberal use of stripes. “The character totally could have been [in] Lululemon, but I didn’t want to fall into that trap.” Instead, Miller says they chose to spotlight Californian brands like Clare V, Jennifer Meyer, and fittingly, Mother, styled “a little off” for looks that have become so popular that Fanger created a LookLikeLiz hashtag on Instagram for fans.

Miller is just one of the stars pulling focus for their characters’ distinctive style on shows that are contenders in the Emmys race this year: Keke Palmer (“The ‘Burbs”), Sarah Snook (“All Her Fault”), Lucy Punch (“The Audacity”), Elle Fanning (“Margo’s Got Money Troubles”) and others all have fans buzzing about their fashion. And costume designers and style experts agree that the inspiration goes both ways.

“There was this expectation that once you became a mom, the attractive parts of you got set aside because you were just a mom,” says Shana Draugelis, founder and CEO of lifestyle and shopping website the Mom Edit, which recently ran a detailed feature on Liz’s wardrobe. “With the advent of Instagram, the whole style game has just completely leveled up.”

Liz’s looks, which Miller says are inspired by “Brentwood mom” style, reflect the character’s personality. “She’s not going to work, but she does want to have a certain element of presence,” says Fanger, who is a five-time Emmy nominee for her work on “Grace and Frankie.” “But there’s also a casual component to Los Angeles dressing. Mixing levels [of designers] lends itself to uniqueness, a strong point of view and a general coolness. You never look like you’re trying too hard.”

As Samira, a city native who moves to “The ’Burbs” with her husband and baby son, Keke Palmer stands out from the cul-de-sac crowd.

(Elizabeth Morris / Peacock)

Another character with a strong fashion POV is “The ‘Burbs” Samira (Palmer), a city girl and new mom who moves with her husband Rob (Jack Whitehall) and their baby son from the city to the idyllic (and fictional) Hinkley Hills. Clad in bright, slouchy-cool separates and statement accessories, Samira quickly makes a splash among her more blandly dressed neighbors.

“She’s the only Black woman in the neighborhood,” says the show’s costume designer, Trayce Gigi Field, who pulls quite a bit of, yes, Mother, but also likes to sprinkle in some lesser-known designers like Good ’Ol Whats-her-face jeans. She also paired Samira’s Howard University sweatshirt with biker shorts a la Princess Diana. “Showing her jewelry and her vibe and just having cooler clothes … it’s a great contrast to the other characters, except for Rob, [who] had the Black wife glow-up.”

Less brightly colored but no less interesting are Marissa (Snook) and Jenny (Dakota Fanning), who bond after the disappearance of Marissa’s son in an affluent Chicago neighborhood in “All Her Fault.” Their wardrobes are more subtle, yet show that there are different strata in the quiet luxury landscape. Publishing exec Jenny is well off, but nowhere near as wealthy as Marissa, who owns an accounting firm. (Perhaps not coatless “Succession” rich, but still.)

Sarah Snook, left, and Dakota Fanning connect as working moms in “All Her Fault,” albeit with subtle class distinctions between them.

(Sarah Enticknap / Peacock)

Costume designer Gypsy Taylor pulled “silks and beautiful fine wools and cashmeres” in warm toffee, chocolate and peachy tones by designers like Max Mara and Armani for Marissa, while Jenny “was a little bit more street: leather coats instead of cashmere. Or a beautiful J. Crew turtleneck as opposed to a Saks Fifth Avenue” one.

But perhaps the most amusing depiction was how Taylor contrasted the stay-at-home moms (and dads) with Marissa and Jenny, with most of the sartorial showdowns taking place during school pickups and dropoffs. “We just went hard yummy mummy on her,” says Taylor of PTA President Sarah Larsen (Melanie Vallejo). She used “too much Lululemon,” as well as Alo and PE Nation to round out the athleisure.

In “The Audacity,” Silicon Valley parents Duncan (Billy Magnussen) and Lili (Punch) portray a different kind of luxury, a casual minimalism that belies the residents’ mind-boggling net worth. “The focus is not so much showing off the wealth, but at least, you know, it’s still there,” says the show’s costume designer Farnaz Khaki-Sadigh. “So you see people like wearing a T-shirt, but it’s not your average T-shirt — more about the quality of the fabric than the designer name on it.”

As the wife of a tech magnate in “The Audacity,” Lucy Punch’s costumes tap into the ultra-minimalist luxury of Silicon Valley.

(Ed Araquel / AMC)

Finally, on the other side of the economic spectrum, there’s Margo (Elle Fanning) and her mother Shyanne (Michelle Pfeiffer) in “Margo’s Got Money Troubles.” When college student Margo unexpectedly becomes pregnant, Shyanne and Margo’s estranged father Jinx (Nick Offerman) step in; the series follows their struggle to support each other after baby Bodhi arrives.

Costume designer Mirren Gordon-Crozier says via email that her conversations with Fanning “centered around making Margo feel emotionally truthful rather than overly styled.” This meant vintage Levi’s, worn tees, thrift-store knits, “pieces that feel inherited or accumulated over time.” As for her mother, “Shyanne is much more performative. She understands the power of presentation and uses fashion almost as armor.”

But it’s not just the distinctive clothes that are uniting the people on these shows — it’s the fact that parenthood is just one aspect of these characters’ very full, very busy lives. “What does feel good to me is the fact that so many of these moms are being portrayed in Hollywood for something other than being a mom,” says Draguelis. “It just feels like being a mom is a continuation of who you are.”

Writer Octavia Lillywhite discovered the latest ‘moorcore’ trend with a wild and windswept escape in Bronte country, West Yorkshire

“Wuthering” is a Northern English term for a strong, roaring wind or a storm-lashed place, which is highly appropriate for Emily Brönte’s only novel – Cathy and Healthcliff’s tempestuous story of passion and revenge. It’s a harder sell for a holiday.

That hasn’t stopped ‘Moorcore’ from becoming the latest trend in UK breaks. And what is Moorcore? It’s a move-on from the cutesy cottagecore vibe (all roses round the windows, thatched roofs and cats curled by the fire). It’s wild and free. The feeling of standing atop a gritstone edge, a heathery moorland vista stretching to the horizon, tumbling waterfalls, fairy glens, fresh air in your lungs.

READ MORE: I found the perfect Tuscany Hotel for a week of incredible food and wine in Italy

There’s no better place to channel moorcore than on Haworth Moor – whose wild, heather-strews footpaths were well-traipsed by the Brontës. Two miles from their parsonage, Royds Hall Cottage is marked on maps from 1847, the very year Wuthering Heights published, and it’s likely it was a familiar sight for the sisters on their rambles. As we arrive, the breeze tusseling daffodils along the embankment and a buzzard hovering above, it feels magical.

Stay in the heart of the Yorkshire moors… near the pub

The kitchen is panelled on two sides with windows – a 180º view. There’s Ponden Reservoir shimmering, purple hills rising beyond and, in front, the owner’s horses tearing up the grass. The view changes moment to moment, as clouds scud across the sky, rolling shadows over the dale. You can watch the weather curl in from the east, like two days visible from the same window. I could marvel at it all day.

Just the right mix of old and new, the cottage sleeps four in two cosy rooms upstairs. Downstairs, the living room has the same vast view as the kitchen, exposed oak beams, a woodburner and sofas for cosying up in. And there’s a copy of Wuthering Heights if you forgot yours.

I’d had some concerns that wilderness could feel remote, but from the cottage’s kitchen window I could see the comforting sign of the nearest pub, and two more are a 10-minute walk away, in the village.

Walking in the footsteps of Wuthering Heights

On an energetic five-and-a-half mile loop from the cottage front door, we took in the waterfall at Lumb Beck (detailed in Charlotte’s letters to her friend, Ellen) and the desolate farmhouse at Top Withens – said to be the setting for Cathy and Healthcliff’s home. From there, across the moorland paths we discovered the Fairy Kirk at Ponden Clough (‘Penistone Crags’ in the novel), and beautiful Ponden Hall, which Emily Brontë used as Edgar Linton’s Thrushcross Grange and where her sister Anne set The Tenant of Wildfell Hall.

Around Top Withens and the waterfall, there were scores of walkers admiring the famous views but, only a crow-call beyond, we saw barely a soul – just swooping curlews with their strange warbling cries and a roe deer bouncing off into the distance. It’s easy to find both wild inspiration and, afterwards, scones and clotted cream at Ponden Mill.

In the other direction, Haworth village was less than an hour’s stroll. It’s the focal point of Brontë pilgrimage, so it was busy – yet still so beguiling, with a sense of the sisters at every turn. Visiting on foot meant we could skip the car park and enter the village – just as they would have – from the footpath at the end of Church Street.

Their house (now an unmissable museum) is the first you come to on the cobbled street. From the parlour table, the one Emily and her sisters worked at, you can still look out at the graveyard with its overcrowded, flat-lying gravestones.

The best places to eat and shop near Stanbury and Haworth

In Stanbury village, a 10-minute walk from the house, we found the Wuthering Heights Inn serves excellent pub food classics, is family and dog friendly and didn’t bat an eyelid at our muddy boots.

If you prefer to eat in, don’t miss Robertshaw’s Farm Shop at Thornton, 20 minutes by car. It’s packed to the rafters with local meats, dairy, vegetables and baked goods plus wine and Yorkshire ales. We loved it so much we stopped there again on the way home to pack the car with extras.

How to book this Yorkshire Moors cottage stay

Royds Hall Cottage sleeps four (a double room and a twin) and is available to book through booking.com or cottages.com, from £370 for 3 nights.

More ‘moorcore’ destinations to try in the UK, with great literary links

The wild places of Britain have been inspiring literary classics for generations, and Haworth is not the only place to find it.

Lorna Doone

Where to find it: Riverside Cottage overlooks dappling Badgeworthy Water, the river where John and Lorna meet, just at the ford in Malmesmead. In a seven-ish mile walk you can head up into their moorland valley among the rolling hills, or a 3-mile loop takes in the 13th-century church at Oare. Either way, you end back at your cottage, next door to The Buttery café. Further afield, don’t miss Tarr Steps (about 35 minutes by car) where a 1000-year old clapper bridge spans the river, and in summer families picnic on the grassy meadow before heading to Liscombe Dairy for the best ice creams.

How much? Riverside Cottage sleeps four from £699 for 7 nights, see nationaltrust.org.uk/holidays

The Secret Garden

Where to find it: Wood Cottage nestles in the rugged North York Moors, circled almost entirely by wild uplands with footpaths in any direction. One of the area’s most inspiring views, The Wainstones, is a 3-mile hike, and on the way back you can drop by The Buck Inn. The cottage is 200 years old but recently – and so prettily refurbished – with the living room upstairs for the best light and views. It’s set on a working sheep farm, so expect fluffy Herdwick lambs to visit at the back gate for your very own Dicken moment from the patio. Twenty minutes drive away, Hemsley Walled Garden could rival the garden Mary Lennox found, while right next door, Dunscombe Park served as Misselthwaite Manor in the 2020 Secret Garden film.

How much? Wood Cottage sleeps four from £697 for 7 nights, see sykescottages.co.uk

DECADES on from when ‘Ladette’ culture dominated the 1990s, the trend appears to be making a comeback – with popular TV stars at the forefront.

Olivia Attwood and Helen Flanagan are leading the charge as they rally against a polished media profile in favour of authenticity… just like original ladettes Sara Cox, Zoe Ball and Denise Van Outen.

From Olivia’s raucous holiday with Pete Wicks instead of her husband, to Helen starring in steamy dating shows with three kids at home, the girls are proving they won’t apologise for doing what they want – despite facing backlash over their part in the era’s resurgence.

It follows a spell of female stars in the spotlight – like Holly Willoughby – who took on the “good girl” image – with any suggestion of naughtiness carefully constructed for dramatic effect.

PR and Entertainment expert Lynn Carratt said: “The ladette era was famous in the late 90s, early 00s as an era in which women ruled supreme.

“And now it appears the boozy and unfiltered 90s trend is enjoying a second wave.

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“TV stars Olivia Attwood and Helen Flanagan appear to be leading the revival with the same throwback energy – loud, emotional, unpredictable, and unapologetically visible – like Sara Cox and Zoe Ball, back in the day.”

While Holly Willoughby was famous for juggling being the nation’s sweetheart on This Morning, alongside her role as a doting wife and mother of three, younger female celebrities don’t feel the need to pretend they have it all figured out.

The 45-year-old would feign shock and giggle behind her hand at any filthy humour on her ITV2 show Celebrity Juice, which aired after 9pm, but her hangovers after the National Television Awards became a well known skit.

In 2016, dressed in her ballgown from the night before, Holly hosted This Morning alongside Phillip Schofield in a tux, telling viewers: “I haven’t been home yet. I came straight here.”

It became a running joke every year about Holly’s “wild” night out – but those behind the scenes suggest it was all carefully curated.

Then, along came former Love Island star Olivia who has become ITV‘s newest darling – presenting a host of shows including Bad Boyfriends and Getting Filthy Rich.

The 34-year-old has recently separated from her husband of three years, footballer Bradley Dack.

She says the split has made her feel “incredibly passionate” about being self-sufficient.

“Navigating what I’ve been going through, the fact I have my own place and car, I can’t even imagine not being able to look after myself,” she says.

Last summer, she ended up in the doghouse with her then-husband Brad when she was pictured cuddled up to close pal Pete on a yacht in Ibiza.

The pair have since struck up a secret romance following her marriage split in January. Pals insist “there was no overlap”.

Soon after her wild week with pals in Ibiza where she was spotted dancing on a boat in a thong bikini, downing shots and posting hungover pics, Olivia was back on This Morning presenting.

Lynn added: “You have to hand it to Olivia Attwood, she has managed to do what few reality stars achieve to do and turn notoriety into a high-profile media career.

“She is a permanent fixture on ITV with presenting roles and prime-time appearances, she has built a success podcast brand, as well as appearing on Kiss.

“She one of reality TV’s most in-demand personalities and has developed a polished media profile. But sitting alongside that something far more chaotic behind the scenes: headline-making holidays, relationship drama and brutally honest social media posts that regularly ignite debate and she likes to party.

“One minute she’s fronting glossy TV projects, the next she’s dominating tabloid headlines with candid revelations about love, life and everything in between.

“It seems like controlled chaos, but it’s working for her.”

Meanwhile mum of three Helen has recently come under fire for being on Celebs Go Dating and Celebrity Ex on the Beach.

She has been outspoken about the criticism she’s faced for taking part, particularly as a mother.

‘I find it empowering,” Helen said previously.

“There have been comments on social media suggesting I shouldn’t be doing a show like that as a mum of three, but no one would say that about a dad.

“Women should be allowed to have fun and enjoy themselves too.”

Lynn added: “Helen has stepped firmly back into the reality TV spotlight and is currently appearing on Celebrity Ex on the Beach, enjoying herself in a villa under 24/7 filming, sun-soaked conditions and constant emotional scrutiny.

“The former soap star and mum of three was filmed constantly in bikinis, drinking, flirting and kissing on screen, embracing a level of unfiltered reality television that feels ripped straight from the early 2000s.

“Helen’s comments strike at the heart of the debate surrounding modern ladette culture: who gets to be seen as ‘wild’, and who gets judged for it.”

So why now is there a resurgence of the 90s ladette era?

Lynn continues: “In an era of heavily curated Instagram perfection and tightly managed celebrity branding, audiences are increasingly drawn to the opposite – unpredictability, imperfection and personalities who don’t play it safe.

“Olivia Attwood and Helen Flanagan sit at the centre of this shift.

“One balancing mainstream ITV success with headline-grabbing personal drama, the other embracing high-emotion reality television where nothing is off-limits.

“And right now, they are doing anything but staying quiet.”