tragedy

The image of a grieving parent is not an uncommon sight on the dramatic stage. Euripides, whom Aristotle called “the most tragic of the poets,” returns to the figure of the grief-stricken parent in “Hecuba,” “Hippolytus” and “The Bacchae,” to cite just a few disparate examples of characters brought to their knees by the death of their child.

Shakespeare offers what has become the defining portrait of this inconsolable experience in “King Lear.” Cradling the lifeless body of his murdered daughter, Lear can do nothing but repeat the word “never” five times, the repetition driving home the irrevocable nature of loss.

In tragedy, the protagonist is often plagued by guilt for his own role, however inadvertent or inescapable, in the catastrophe that befell his loved one. Theseus in “Hippolytus” and Agave in “The Bacchae” both have reason to feel that they have blood on their hands. Lear, though “more sinned against than sinning,” recognizes only after it’s too late the error in judgment that led to the devastation from which there can be no return.

The difference with “Guac,” the one-man performance work at the Kirk Douglas Theatre, is that Manuel Oliver isn’t just playing a bereaved father. He is one.

Manuel Oliver in “Guac.”

(Cameron Whitman)

Oliver’s 17-year-old son, Joaquín, known as Guac to family and friends, was one of the 17 lives lost in 2018 at Marjory Stoneman Douglas High School in Parkland, Fla. The production, written and performed by Oliver, turns a parent’s grief into a theatrical work of activism.

Co-written by James Clements and directed by Michael Cotey, “Guac” has been sharing the story of Joaquín’s short but vividly lived life with audiences around the country. Oliver didn’t just love his son. He liked him. Guac was his best friend. He was also his trusted guide to American culture.

Immigrants from Venezuela, the family had made a new start in a country that Guac helped them feel was their home. To convey the meaning of Guac’s life, Oliver introduces his family members through a series of photo images he has crafted into artworks.

The last picture, and the one that remains staring at us throughout the performance, is of Guac. Oliver continues to enhance the portrait. While adding flourishes to the background and making adjustments to what his son is wearing, he tells us about the life they shared before it was tragically stolen.

Manuel Oliver works on a portrait of his late son in “Guac.”

(Donna F. Aceto)

The tragedy is overwhelmingly real. Oliver bears the weight of it by transforming his grief into fuel for activism. The performance makes the case for stricter gun law in America with the heartbreaking eloquence of a father whose life changed permanently after dropping his son off at school on a Valentine’s Day that started so promisingly.

What happened to Joaquín could happen to any of us, anytime, anywhere, in a country that has allowed its elected officials to deflect responsibility for their repeated failure to pass common sense gun legislation. While taking money from the NRA, these cynical politicians offer empty “thoughts and prayers” in place of meaningful reform. The result is that no one can go anywhere in public without eyeing the emergency exits and scanning the crowd for trouble.

Oliver isn’t a polished theatrical professional. He’s a dad, first and foremost. But it’s his comfortable ordinariness that allows him to make such a powerful connection with the audience. He’s onstage but could very well be exchanging a few neighborly words with us on our street.

Oliver summons his son by joyfully remembering his virtuosity on air guitar. Lynyrd Skynyrd’s “Free Bird” resounds throughout the Douglas while he enlivens the portrait with impassioned strokes. The words “I wish I was here” are added to Guac’s T-shirt, and it’s a sentiment we all devoutly, agonizingly share as Oliver brings his wife, Patricia, onto a stage that has urgently become an extension of our national reality.

In honor of Joaquín, the couple formed Change the Ref, an organization dedicated to raising awareness about mass shootings and empowering the next generation of activists through “creativity, activism, disruption and education.” “Guac” is a potent example of what can be done in the wake of a tragedy that can no longer be described as unthinkable.

The shooting of Charlie Kirk, a right-wing activist and founder of Turning Point USA, has attracted global attention. It didn’t take long for the media to rush to write narratives related to the shooting of Charlie Kirk. This tragedy is not only a sad news, it has transformed into a political stage that reveals the reality of how the world of news works. This, of course, raises a big question: how can a violent tragedy turn into a political conversation?

The Political Dimension of the Charlie Kirk Shooting

In a society often polarized by politics, an event is often responded to not by its substance but by who was involved in it. In this tragedy, the most widely reported information was related to Charlie Kirk’s political identity, his affiliation with Donald Trump and his close ties to conservative groups.

Violence against political figures in the United States is nothing new. However, Kirk’s case has become a turning point, demonstrating how vulnerable the public can be when political identities take precedence over human values. In its official statement on S. Res. 391, Congress honored Kirk’s commitment to the constitutional principles of civil discussion and debate among all Americans, regardless of political affiliation.

Facts about the Charlie Kirk shooting tragedy

On September 10, 2025, Charlie Kirk was shot and killed on the campus of Utah Valley University. At the time of the incident, Kirk was answering questions about transgender shooters and mass shooters at a public debate themed “Prove Me Wrong” and hosted by Turning Point USA. Panic ensued, and security officers immediately carried him out on a stretcher, but unfortunately, Kirk’s life could not be saved because the bullet hit his neck.

The FBI and Utah State Police are working together to gather evidence, release video of the alleged shooter, and even offer a $100,000 reward for information leading to the identity of the Kirk shooter. Campus CCTV footage shows a man jumping from the Losee Center building. Prior to the arrest of Tyler Robinson (the shooter), two other men were detained on the day of the shooting, but were soon released after their innocence was proven.

An affidavit of probable cause from the Utah prosecutor’s office outlines the charges and elements of the charges, one of which is the enhancement of victim-targeting related to the victim’s political views. Tyler Robinson was charged with Aggravated Murder under Section 76-5-202 (F1 Felony), Felony Discharge of Firearms under Section 76-11-210(2)(3C) and Obstruction of Justice-Capital/First Degree Felony Conduct under Section 76-8-306(2)+(3A).

The Shift from Tragedy to Narrative in Public Space

The threat of domestic violence and terrorism in the United States is driven by social, political, and global factors. A divided political environment and the proliferation of digital disinformation have fueled the radicalization of individuals, often targeting political activists, government officials, and ethnic and religious minorities.

In this context, Kirk’s shooting demonstrates how a real tragedy has become a platform for shaping public opinion. Framing Kirk’s position and the perpetrator’s position creates a polarization, with conservatives viewing the shooting as a form of silencing of the values ​​of free speech in the United States. While others view this event as a form of ideological hostility that has led to political violence, they believe it reflects extreme rhetoric. What ultimately creates two conflicting versions of the truth, so that society no longer sympathizes with the event but shifts to its ideological position.

Public Polarization and the Construction of Global Media Reality

Several media narratives also highlighted the affiliation of Tyler Robinson, a 22-year-old college student who was confirmed by the FBI as the perpetrator of Kirk’s shooting. However, public attention was no longer focused on the perpetrator’s motives, but rather on his ideological positions, social background, and political views. This further widened the gap in public polarization. Recurring narratives in the media reinforced certain images, one of which placed Tyler as affiliated with a political party. Most media outlets did not write narratives that showed the motives of the crime and the human aspects that could build public empathy. As a result, many people speculated that this was a political incident, not an ordinary shooting tragedy.

In an increasingly connected world, the line between local events and global issues is becoming increasingly blurred. The news of the Charlie Kirk tragedy has crossed borders and shaped broader debates about freedom of speech and democracy in the United States. This event has then become no longer seen as a domestic US issue but has evolved into a global reflection of narratives that are more often traded than conveying reality.

Kirk’s death should elicit empathy regardless of political affiliation or ideological views. Politics has taken over the media’s sense of humanity. Media plays a crucial role in distributing information, so it should be free from political elements that shape public opinion. When differing views are used as a source of conflict, the public sphere loses its function as a forum for discussion. Ultimately, the public can only be urged to think critically so that a tragedy is no longer used as a political commodity.

Bold claim, I know. But the Clown Motel is special. Owner Vijay Mehar has taken an old motel and filled it with clowns. Paintings, murals, dools, ceramic figures. Many of them frowning or shrieking.

What guests love, Mehar has learned, is fear, loathing, painted faces, circus vibes and hints of paranormal activity. To be afraid, basically.

“America’s Scariest Motel,” say the brochures by the register. “Let fear run down your spine.”

The 31 guest rooms teem with enough clown imagery to eclipse a Ringling Brothers reunion. The gift shop is vast and troubling. (Clown knife, anyone?)

And then there are the neighbors. The motel stands next to the Old Tonopah Cemetery, most of whose residents perished between 1900 and 1911, often in mining accidents.

Some guests sign up for ghost hunt tours or explore the cemetery after dark. Others settle in with a horror movie, perhaps one of the several made on site, along with countless Youtube videos.

When I visited in late 2024, Mehar said hundreds of people stop by the motel on busy days, mostly focusing on the gift shop and the crowded, dusty shelves of the lobby-adjacent clown museum.

“When we came here, there were 800 or 850 clowns,” Mehar said. “Right now, we have close to 6,000.”

Throughout the motel’s corridors, walls and no-frills guest rooms (rated at 3.5 stars by Yelp and Trip Advisor), the clowns continue against a color scheme of purple, yellow and red, augmented by polka dots of blue and green. Rates start at $99.

If you book Room 222, which highlights Clownvis (Elvis as a clown, basically), the motel warns that you may be awakened in the wee hours by a mysterious “malevolent entity.”

The hotel also advises all guests that, despite monthly pest-control visits, they may encounter “UFI’s (Unwanted Flying Insects),” because rooms open to the outdoors. (This part of Nevada is known for its many Mormon crickets.)

The TV star is passionate about helping young men to get support in their roles as new dads, after losing his own father at a young age

As a father of six kids aged between two and 17, Joe Swash knows a thing or two about parenting. But the TV star says that when he first became a dad, aged 25, he felt “vulnerable, under-prepared” and ignored by society.

And he fears that things might have got even worse since then, which inspired him to make a film to highlight the desperate situation that many young fathers trying to raise their children find themselves in.

Joe, 43, lost his own father when he was just 11 and had no role model to guide him through while he was raising baby Harry, now 17, with his former partner Emma Sophocleous.

READ MORE: Millie Gibson unrecognisable in Forsytes role after sudden exit from Doctor WhoREAD MORE: Bake Off’s ‘bingate’ sabotage returns to tent in dramatic show scenes

“From what I’ve found, there’s not a lot of support out there for young dads, and if there is some, it’s very, very difficult to find,” says Joe, who now has a large blended family with his wife Stacey Solomon.

“I’ve got six kids that I look after. Being a dad is a really big part of my life. And I remember being so vulnerable, so under-prepared for my first child, not really knowing anything, not really having anywhere to go for some help. My dad wasn’t around. There were no charities geared towards young dads.When I’d go to,a child parent club, it was always going to the mother-child club. I never felt really included.”

Joe’s relationship with Emma broke down just a few months after Harry’s birth and Joe wonders whether the large number of single parent families in the UK could be partly down to the lack of support for young fathers.

“I feel like it’s an area that’s been overlooked,” he explains. “There are lots of absent dads out there and I just want to know whether all of them are absent because they want to be or because there wasn’t enough support for them. If that’s the case then I want to shine a light on that and let people know that there’s got to be something done to make the situation better.”

In his new documentary, Joe meets several young men who are learning on the job and trying to be good dads to their kids. He believes that having positive male role models is not only beneficial for the children – it’s a massive help for men too. Without his own dad to learn from, Joe admits he found the transition into fatherhood really difficult. “I do think it sort of really shaped who I am as a person. You know, not having a dad. I didn’t really know there’d be any issues with it until I’ve got older. I struggle with my identity,” he admits. “What sort of man am I? Am

I expected to be an alpha male? There’s lots of things I struggle with because I never had my dad there.”

One young man in the film is Wyatt, who is currently living separately from his partner and their child because of their circumstances, but is determined to make it work out. Joe says: “I always get this feeling, you now, we should be celebrating people like Wyatt and his partner, because not only are they young but they’re doing a fantastic job and we should be celebrating these positive role models.

“I can definitely feel Wyatt’s pain, you know, because all he wants to do is be with his partner and his child, be a family.”

Looking at the young men who features in the one-off show, he recognises himself in all of them. “I can see a lot of the vulnerabilities in the young men that we met in this documentary because I felt that way,” Joe says. “It’s a real big gulf in your life when you haven’t got a dad or a positive male role model. I remember being young and just craving someone to sort of put their arm around me and look after me, but I never had one.”

Without these types of influences, Joe is concerned that there are plenty of young men who will make the wrong choices or take the wrong path. “That’s the danger,” he reasons. “They’ll fall into places with people that are not positive because they crave just someone looking out for them.”

He’d like teen dads, or those their twenties, to have somewhere to turn for help and advice. “It would help if there was more set up for young dads where they could be around other young dads and they can start the conversation,” he says. “When you first get a baby in your hands, it’s so delicate. You’re so scared of it. The thought of changing a nappy is quite daunting. You know, if you’re not taught it and no one’s showed you it, how are you going to learn it? So I just feel like there’s got to be more places out there for dads wanting to be dads.”

And he points out that the biggest killer of young men is suicide. “We suffer in silence, we don’t open up or talk about our problems. But you put us in a room of other people that are going through the same sort of things, you don’t feel the pressure, you feel open, you want to express yourself. If we can get young dads in the room together, they would know that they’re not the only ones that are feeling these things, that are going through these emotions.

“I got to travel the length and breadth of the country meeting these young dads, listening to their stories, and the whole way along I just kept thinking to myself, ‘we’ve just got to get them talking, you know, open the conversation otherwise everyone’s just suffering in silence.”

Viewers who watch Joe’s film, Forgotten Young Dads, will see that while the group all have their individual struggles, they’re also pretty resilient. After meeting them, Joe feels both inspired and hopeful for the future. “From the time that I spent with them, I think that all of those kids are going to have great dads,” he smiles. “They were all completely hands-on. They’ve done everything from change nappies, feed them and put them to bed. And I just think that is the modern-day alpha male.”

Joe wants young men to realise that being a man isn’t about boozing and bust-ups – it’s about raising your family and getting properly involved in the next generation. “Anyone can go down to the pub and have a fight, or watch the football at the weekend. But not every man can change a nappy, get up in the middle of the night and do all the things that a real dad should do. I was very proud of them.”

– Joe Swash: Forgotten Young Dads, 8pm, Monday 20 October BBC3, Tuesday 21 October BBC1, and iPlayer

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

A massive, seven storey ship that was once used as a luxury hotel in a Thai resort was deserted after reports of a curse and the apparent death of one of its workers

It was supposed to be a luxurious and unique destination in one of Thailand’s most beautiful areas, but a catalogue of disasters led to the downfall of an infamous hotel that locals believed was cursed.

The Galaxy looked like a huge cruise liner that had come aground on the unspoilt banks of the shore, but it was actually a seven storey structure its owner hoped would attract thousands of tourists.

Following its demise, it became a hotspot for urban explorers desperate to get inside the eerie ship – to discover what remained of the once glamorous interior for themselves.

One of these was US social media influencer Joshua T Yozura. He visited the site which lies seven hours south of Bangkok on Thailand’s third largest island, Koh Chang.

READ MORE: The fabulous village with stunning river views crowned one of UK’s best places to liveREAD MORE: The beautiful ‘old soul’ town filled with cottages is one of UK’s best places to live

The blogger shared his findings with his followers on his YouTube series, Exploring with Josh, where he explained the dark and mysterious history behind the abandoned ship.

It started out as a US Navy vessel before it was converted to a traditional Thai ship. A resident billionaire then bought the boat because his dream was to own a floating hotel. It was originally supposed to be located in Phnom Pen, Cambodia, but after that didn’t work out it was placed on Koh Chang instead.

The resort, which is now abandoned, sits deep in the jungle on a beautiful lagoon known as Koh Chang Lagoona. Back in 1998 it was popular with tourists who could stay in the impressive bungalows dotted about or on the ship which dominated the area.

The hotel sat on land next to a long untouched beach and swimming pools in the area were designed to look like a ship’s deck.

Originally the seven storey hotel and its 70 guest rooms were said to be the height of luxury with plush carpets, chandeliers and highly trained staff. When Josh visited the site, he witnessed a dilapidated wreck, with the once gleaming white exterior marked with streaks of brown rust.

The structure remained in the original plot, surrounded by palm trees and lush vegetation but there was a spooky silence in the deserted area. He and his crew had hoped to get inside the hotel to see what remained of the accommodation but they were followed by a man who told them to leave.

He explained that a variety of factors led to the failure of the impressive hotel. Its bad luck began when a Banyan tree was knocked down so the ship could sit in its location in the lagoon. This angered the highly religious and spiritual locals who believed the tree was sacred to the land, as were the elephants who could no longer roam freely. This was the moment that the hotel’s reputation of being cursed was born.

Josh revealed that apparently when the hotel was active a lot of workers and guests became sick, had falls and even died. “There’s a lot of legends and rumours that say people used to jump from the top of the ship to the bottom,” he said. “I can’t prove that online, it’s always up in the air with stuff like this. There was an article I read that a Russian guy actually got hurt and fell and died on the ship – it’s hard to say [if it’s true].”

As well as the spiritual ‘curse’, the hotel was doomed by its tropical location. The area, which was surrounded by water, was infested with mosquitoes. This led to Dengue fever and malaria and meant guests were fearful of staying there. It was also extremely humid and the ship was difficult to keep cool, which made for a very uncomfortable holiday.

When it eventually closed to staying guests in 2012 it was possible for a time to buy tickets to explore the ‘haunted’ relic with its many decks. However after the pandemic, the resort itself closed down because of lack of finances and tourism.

Then in December 2024 the ship mysteriously caught fire and was destroyed. It was left to smoulder before workers set about dismantling the top sections and removing materials for scrap. All that remains of the bizarre, ‘supernatural’ hotel is the charred hull and a wealth of folklore and legends.

A THREE-month-old baby has tragically died just days after being found with serious injuries.

The child was taken to hospital in a critical condition after emergency services scrambled to a property in Eston, North Yorkshire, on Sunday.

But the tot has now sadly passed away, said Cleveland Police.

Bradley Thomas, 22, appeared in court on Tuesday after being charged with section 18 grievous bodily harm (GBH) with intent.

Thomas, of Grasmere Road, Redcar, did not enter a plea to the charge during a short hearing at Teesside Magistrates’ Court.

He was remanded in custody and will next appear at Teesside Crown Court on Wednesday, November 5.

A force spokesperson said today: “Our thoughts are with the family of the baby during this very difficult time.”

On Saturday, a home belonging to a South Carolina Circuit judge burned to the ground. Three people, including the judge’s husband and son, were hospitalized with serious injuries.

The cause of the fire was not immediately clear. An investigation is underway.

Obviously, the harm and destruction were terrible things. But what turned that particular tragedy into something more frightful and ominous is the fact the judge had been targeted with death threats, after ruling against the Trump administration in a lawsuit involving the state’s voter files.

Last month, the judge, Diane Goodstein, temporarily blocked South Carolina from releasing data to the U.S. Department of Retribution, er, Justice, which is turning over tables in search of “facts” to bolster President Trump’s lies about a stolen 2020 election.

Among those who criticized the decision, which was reversed by South Carolina’s Supreme Court, was Harmeet Dhillon, the San Francisco attorney who now heads the Justice Department’s beleaguered Civil Rights Division.

Here’s a short quiz. Using professional norms and human decency as your guide, can you guess what Dhillon did in the aftermath of the fire?

A) Publicly consoled Goodstein and said the Justice Department would throw its full weight behind an urgent investigation into the fire.

B) Drew herself up in righteous anger and issued a ringing statement that denounced political violence, whatever its form, whether perpetrated by those on the left, right or center.

C) Took to social media to troll a political adversary who raised concerns about the targeting of judges and incendiary rhetoric emanating from the Trump administration.

If you selected anything other than “C,” you obviously aren’t familiar with Dhillon. Or perhaps you’ve spent the last many months in a coma, or cut off from the world in the frozen tundra of Antarctica.

The cause of the fire could very well turn out to be something unfortunate and distinctly nonpolitical. Faulty wiring, say, or an unattended pot left on the stove. South Carolina’s top law enforcement official said a preliminary inquiry had so far turned up no evidence that the fire was deliberately set.

What matters, however, is Dhillon’s response.

Not as someone with a shred of sympathy, or as a dogged and scrupulous seeker of truth and justice. But as a fists-up political combatant.

The timing of the blaze, the threats Goodstein received and the country’s hair-trigger political atmosphere all offered more than a little reason for pause and reflection. At the least, Goodstein’s loss and the suffering of her husband and child called for compassion.

Dhillon, however, is a someone who reacted to the 2022 hammer attack on former House Speaker Nancy Pelosi’s husband not with concern but rather cruel and baseless conspiracy claims.

By then, Dhillon — a critic of Trump before he won the 2016 Republican nomination — had shape-shifted into one of his most vocal backers, a regular mouthpiece on Fox News and other right-wing media. Her pandering paid off with her appointment to the Justice Department, where Dhillon is supposed to be protecting the civil and constitutional rights of all Americans — not just those in Trump’s good graces.

There’s plenty of tit-for-tat going around in today’s sulfurous climate. Indeed, the jabbing of fingers and laying of blame have become something of a national pastime.

The administration asserts left-wing radicals are responsible for the killing of conservative activist Charlie Kirk and a sniper attack on the ICE field office in Dallas. Those on the left blame Trump and his venomous vassal, Stephen Miller, for the incineration of Goodstein’s home.

When Neera Tanden, a liberal think-tank leader and prolific presence on social media, suggested there might be a connection between the blaze and Miller’s hate-filled rhetoric, Dhillon responded like a juvenile in a flame war. “Clown … grow up, girl,” Dhillon wrote on X.

When a spokesman for Gov. Gavin Newsom pointed a finger at Dhillon and her criticism of the South Carolina judge, Dhillon seized on some over-the-top responses and called in the U.S. Marshals Service. “We will tolerate no such threats by woke idiots, including those who work for @GavinNewsom,” Dhillon said.

All around, a sad display of more haste than good judgment.

That said, there is a huge difference between a press staffer getting his jollies on social media and the assistant attorney general of the United States playing politics with personal calamity.

And, really, doesn’t Dhillon have better things to do — and better ways of earning her pay — than constantly curating her social media feed, like a mean girl obsessing over likes and followers?

Worse, though, than such puerile behavior is what Dhillon embodies: an us-vs.-them attitude that permeates the administration and treats those who didn’t vote for Trump — which is more than half the country — as a target.

It’s evident in the talk of shuttering “Democrat” agencies, as if federal programs serve only members of one party. It’s manifest in the federal militarization of Democratic-run cities and the cutting off of funding to blue states, but not red ones, during the current government shutdown.

It’s revealed in the briefings — on military plans, on operations during the shutdown — given to Republican lawmakers but denied to Democrats serving on Capitol Hill.

Dhillon is just one cog in Trump’s malevolent, weaponization of Washington. But her reflexively partisan response to the razing of Judge Goodstein’s home is telling.

When the person in charge of the nation’s civil rights enforcement can’t muster even a modicum of civility, we’re living in some very dark times indeed.

Sidoarjo, Indonesia – Sixteen-year-old Muhammad Royhan Firdaus had just finished praying on the first floor of the Al-Khoziny Islamic Boarding School in the East Javan city of Sidoarjo on Monday when something struck him on the head.

When he looked up, he saw pieces of the ceiling falling upon him and the other boys, all aged 12 to 18.

“I thought it was an earthquake,” he said. “We all started to run.”

But it wasn’t an earthquake.

For several weeks, construction work had been taking place at the school, where builders were pouring concrete on two upper floors. The weight of the concrete caused the building to collapse in layers that Indonesian officials described as resembling a “pancake”.

Muhammad fell several times as he fled and was hit by debris, including large chunks of crumbling cement. Fuelled by adrenaline, he said he felt “nothing at the time” but once he was outside and had collapsed on the ground, he realised his leg was broken. He had also fractured his shoulder so severely that doctors at Siti Fajar Hospital in Sidoarjo had to insert a metal pin to hold it together.

While more than 100 students managed to flee the building, as of Sunday, the number confirmed killed had risen to 40.

Rescue teams are still trying to recover bodies, with about 27 more students thought to be under the rubble. On Thursday, it was announced that thermal drones had found “no further signs of life”.

‘A tragic accident’

In the aftermath of the deadly incident, questions have been raised about the safety of the structure and why construction work was going on while students were inside.

But neither Muhammad nor his mother, Yuni, had any concerns about him returning to the school, where he had studied since he was 12.

“I am not scared to go back to the school,” Muhammad said as his mother expressed hope that he could continue his studies there once it has been rebuilt.

“We consider this a tragic accident,” Yuni added, explaining that she had no desire to blame school authorities.

All but one of the dozen parents Al Jazeera spoke to said they want their child to return to the school.

Syamsul Arifin, who teaches the sociology of religion at Muhammadiyah University in the nearby city of Malang, explained that Islamic boarding schools like Al-Khoziny play an important role in conservative religious communities, and it is against this backdrop that the reluctance to attribute blame must be understood.

“While parents may be understandably shocked or saddened by the incident, they are unlikely to want to blame the owners or leaders of the school where there is essentially a patron and client relationship,” he said.

These schools offer “a sacred canopy for students that protects and comforts them, which is why their parents submit to the leaders [of the schools] completely,” Arifin added.

‘Religious authority’

Indonesia has more than 30,000 Islamic boarding schools, known as pesantren, where students live in dormitories and study under religious scholars called kyai, or ustadz.

Pesantren focus on religious education, although many, like Al-Khoziny, also teach secular subjects.

In East Java province alone, there are almost 7,000 pesantren.

“Kyai and ustadz are incredibly well respected, particularly in [conservative areas like] East Java because they are considered people of great knowledge and wisdom,” Arifin explained.

They also play a central role in community life, with others regularly consulting them for spiritual guidance, he added.

“They are considered closer to God because of how religious they are, which is why people have such extraordinary respect for them.

“So when something like this happens that raises questions about a potential lack of safety, parents revert to theology and a very traditional way of thinking about religious authority.”

Al-Khoziny was established in 1927, and several of the “founding fathers” of Nahdlatul Ulama, the largest Muslim organisation in the world, taught or studied there, Arifin said. This helped to cement its position “as a centre of religious knowledge and spirituality”.

‘Hoping for a miracle’

Muhammad Ali studied at Al-Khoziny just as his father had before him. That was why he chose to send his own son, 14-year-old Muhammad Fajri Ali, to the school.

The boy was in the school when it collapsed and has not yet been found. Ali has been camping at the site since he heard about the collapse on social media on Monday.

“I am hoping for a miracle,” he said.

Ali explained that senior members of the school’s leadership had met with the parents and apologised.

“Before we gathered to see them, we [the parents of the missing students] held a meeting and decided as a group that we would not blame the school or anyone else for what happened,” he said.

“I shook hands with [the school leadership] and they hugged me,” Ali said, adding, “It was the will of God.”

Mohammad Abduh, a lecturer in civil engineering at Muhammadiyah University, has analysed images of the destroyed building and believes it is likely that the construction work on the school’s upper floors caused the collapse.

“This immediately caused a weakness in the structure, particularly when pouring things like cement, which causes vibration and takes time to dry,” he explained, adding that it was also possible that the pillars used to support the structure were not big enough to hold up the upper floors.

“Often in Indonesia, we see a phenomenon of ‘living structures’ where floors or rooms are added to existing buildings over time. This can become a problem if it was not the plan from the outset,” he said.

“In this case, it may have been that they wanted to add bedrooms or classrooms, but without thinking of the added weight of the floors.”

The school was reportedly building a prayer room and ablutions area on the upper floors.

“Whatever the case, when building works are ongoing, no one should be doing any other activities inside,” Abduh explained.

A HUGE search operation has tragically recovered the body of an 80-year-old man from a popular UK beach.

Police, Coastguard, Lifeboat crews, and South West Ambulance Service responded to Sidmouth beach in Devon yesterday after a person was spotted on the rocks.

A lifeboat was sent to the rocky shore near Jacobs Ladder to save the person and bring them back to the beach.

Sadly, the man was pronounced dead after being recovered by emergency crews.

His family have been informed of the tragedy.

The beach was closed off while emergency services raced to save the man from the rocks.

In a statement, Exmouth Police said: “This morning officers from Exmouth patrol and Rural East Devon patrol supported Exmouth and Beer Coastguard Search & Rescue Teams, Sidmouth Independent Lifeboat, the Coastguard helicopter and South West Ambulance Service, attended an incident at Big Picket Rock under High Peak between Ladram Bay and Jacobs Ladder beach at Sidmouth.

“A person was recovered by Sidmouth Independent Lifeboat’s ‘Speedy Sid’ inshore lifeboat, and was conveyed to Sidmouth beach but unfortunately had passed away.

“The family have been informed and our collective thoughts are with them at this difficult time.

“Whilst eventually it finalised in Sidmouth, thank you for your patience and understanding around short closures and emergency vehicle obstructions on Sidmouth seafront as well as the CG helicopter landing on the seafront.”

1

Haiti’s transitional leader Laurent Saint-Cyr told the 80th UNGA Haiti faces a “modern-day Guernica,” with rampant killings, rapes, and mass hunger. He urged urgent, large-scale international action to defend democracy, protect children, and secure Haiti’s right to peace.

The airline said crew did everything they could to help the passenger

An easyJet passenger has died on a flight to Lanzarote. Crew members did everything they could to assist during the medical emergency, the airline said.

A distress signal was issued as part of the airline’s procedures. The incident occurred on Tuesday, the airline told Le Parisien.

The flight on which the incident happened was travelling from Nantes in France to Lanzarote in the Canary Islands. French media reports say the incident occurred on flight EJU4775.

The captain issued a distress signal before “making a routine landing in accordance with standard procedures”. “Our crews are trained to respond to medical emergencies and did everything they could during the flight,” the airline told Le Parisien.

“Our thoughts are with the passenger’s family and friends, and we offer them our full support and assistance at this difficult time. The wellbeing and safety of our passengers and crew are always easyJet’s top priority.”

Ouest-France said the incident caused major delays for the return flight from Lanzarote to Nantes. The return flight, which was scheduled to land at 2.45 pm in Nantes, eventually landed at around 11 pm.

Donald Trump is waging war on California the way Rome did on Carthage.

He ordered the National Guard and the Marines to occupy parts of Los Angeles, over the objections of Gov. Gavin “Newscum” and Mayor Karen Bass. He’s demanding that my alma mater, UCLA, pay a $1-billion fine over allegations of antisemitism. His Justice Department has sued the state on issues including transgender athletes, big-rig emission standards and cage-free eggs.

Now, Trump is going after our history.

Last month, the White House issued a news release titled “President Trump Is Right About the Smithsonian,” flagging a grab bag of museum exhibits as offensive — basically anything that highlights racism or is sympathetic toward LGBTQ+ people and undocumented immigrants.

Buried in this trash heap of whines is a complaint that reflects how hell-bent Trump is on bending California to his will.

Describing a “Californio” family as losing their land to Anglo “squatters,” which the yet-to-be-built National Museum of the American Latino does on its website, is apparently a DEI thought crime, according to the news release.

My query to the White House, asking what exactly is so offensive about this characterization of the Mexicans who stayed in California after it became part of the U.S., was acknowledged yet not answered.

But the focus on “Californio” and “squatter” — and putting those words in quotes, as the news release did — suggests the underlying issue, said UC Santa Barbara history professor Miroslava Chavez-Garcia, who specializes in 19th century California.

“They’re trying to question the legitimacy” of the Californios, she said. “Who matters as an American? [To Trump], it’s not people who come from Mexico. It’s people who came from the East.”

“The level of minutiae on this — it’s not him,” she added of Trump. “He’s not a reader. It must be a vast team doing this.”

Worrying about scare quotes around two words in a White House news release might seem like distracting piffle compared with Trump’s other anti-California volleys.

But how the U.S. government frames our yesteryear is one of this administration’s main battlefronts and something I’ve repeatedly warned about in my columna. History is written by the victors, goes the cliche, allowing them to shape a people’s sense of self and decide who’s important and who isn’t.

That’s why Trump and his goons have tried to remake our nation’s past as a triumphalist, so-called Heritage American story, in which people of Western European heritage are always the main actors and the heroes. They’ve done it with the obsession of a pharaoh chipping away all mentions of his predecessors from obelisks.

Trump’s campaign started on Inauguration Day, when he signed an executive order renaming the Gulf of Mexico the Gulf of America. Secretary of Defense Pete Hegseth has removed the name of LGBTQ+ hero Harvey Milk from a Navy ship and restored the names of Army bases that had honored Confederate officers. The Department of Homeland Security keeps posting images and artwork that celebrate Manifest Destiny — the idea that white people, and white people alone, saved this savage continent.

Next up: a review of exhibits at national memorials and monuments to ensure they don’t “inappropriately disparage Americans past or living,” an “extraordinary celebration” for this country’s 250th birthday and a National Garden of American Heroes to “reflect the awesome splendor of our country’s timeless exceptionalism.”

In Trump’s mind, the United States has never done any wrong, and anyone who thinks so hates this country. It’s not surprising that casting Californios as victims of rapacious gringos might offend him or his lackeys. But this isn’t wokoso propaganda — it’s well-documented history.

Pio Pico State Historic Park in Whittier was home to its namesake, the last governor of California when it was part of Mexico.

(Ringo Chiu / For The Times)

In 1850, Sacramento’s sheriff and mayor died while attempting to remove white squatters, in what was quickly deemed the Squatter Riot. The following year, the U.S. government forced Californios to prove they owned the land they lived on, even though the Treaty of Guadalupe Hidalgo, which ended the Mexican-American War, had ensured their property rights. In the meantime, white settlers could largely claim rancho land as they pleased.

California’s most famous historians — Hubert Howe Bancroft, Kevin Starr and Robert Glass Cleland, to name a few — wrote extensively about so-called squatterism, with Bancroft describing what happened to the Californios as “oppressive and ruinous.”

A new generation of scholars has focused on the writings of Californios, including “The Squatter and the Don,” an 1885 novel by María Ruiz de Burton based on her family’s fight to keep their rancho in what’s now San Diego County.

This was the book described on the National Museum of the American Latino website, prompting the ignominious “Californio” mention in the White House news release.

Until now, “there’s never been much opposition, really” to the narrative of the Californios’ decline, Chavez-Garcia said, calling it “foundational” to the state’s mythology. She cited festivals in mission towns, such as Santa Barbara’s Old Spanish Days Fiesta, where people dress up like the Californios of yore to remember a romanticized era that was destined to end badly.

“The thinking was that the state’s prosperity was never meant to happen” to Californios, she said. “They were meant to die off.”

As a high school student in San José, Chavez-Garcia knew none of this history — “we learned more about the Homestead Act in the Midwest,” she joked. At UCLA, when she finally learned about the Californios, she was “outraged” and questioned why her beloved high school history teacher “didn’t teach us this basic thing.”

“Many people … don’t know our history, so whatever the government tells them to read, they’re going to accept,” she said. “You can’t just let someone take an eraser and erase these histories willy-nilly lo que no le gusta [what someone doesn’t like] and then put in whatever the hell you want because it makes you feel good.”

It can’t fall only on scholars such as Chavez-Garcia and nerds such as me to push back against Trump’s ahistorical assault. All Californians need to stand up to people who not only want to remain willfully ignorant about the bad parts of our history but also want to stop others from learning about them. Speaking only about the good prevents us from doing better and leads to a juvenile worldview that’s sadly taken hold in the White House and beyond.

We must take the stance expressed by Doña Josefa Alamar, a protagonist of “The Squatter and the Don.”

At the end of the novel, she is living in exile in San Francisco. Her husband has died from the stress of trying to keep their rancho, her sons live in hardship and her daughter is married to a white man. A friend urges her to stay silent and not malign the “rich people” who caused her so much grief. But Doña Josefa refuses.

“Let the guilty rejoice and go unpunished, and the innocent suffer ruin and desolation,” she replies. “I slander no one, but shall speak the truth.”

THE body of a man has been found on the shoreline of a popular UK beach.

Police raced to Rhossili beach on the Gower Peninsula on Wednesday evening after reports that a body had been discovered.

1

South Wales Police said that the man’s next of kin had been informed.

The circumstances aren’t believed to be suspicious, the force added.

No formal identification process has yet taken place but it’s believed the man, 63, was from Bristol.

HM Coastguard revealed it had responded to an incident on Rhossili beach after receiving reports at around 19.30.

A rescue team from Rhossili Coastguard, a coastguard search, rescue helicopter and a lifeboat Burry Port RNLI were all at the scene.

A WOMAN has tragically died in hospital after she was pulled from the sea at a popular UK beach.

Emergency services raced to the scene on the Promenade, opposite the Belvedere Hotel in Blackpool yesterday.

3

3

Lancashire Police, HM Coastguard and the town’s beach patrol all responded to the incident.

Officers have confirmed that a woman in her 30s was rushed to hospital after receiving treatment on the scene.

She has since sadly passed away and her next of kin has been informed.

Cops said the tragic death is not being treated as suspicious, a file is being prepared for the coroner.

A spokesperson for the force said: “We were called at about 10am today, August 25, following reports a woman had been pulled from the sea opposite the Belvedere Hotel at Blackpool.

“Despite the best efforts of emergency services at the scene and at the hospital, the woman sadly later died.

“Following enquiries, the woman, in her thirties, has now been identified and her next of kin has been informed.

“Our thoughts are with her loved ones.

“The death is not being treated as suspicious, and a file will be prepared for HM Coroner.”

3

TWO married couples are dead after their British car veered off the road and smashed into trees in Germany.

The horrific accident happened shortly after midnight on Saturday near a highway in the Kassel district, north of Hesse in central Germany.

3

3

3

The 32-year-old male driver and three female passengers aged 30, 31 and 32 all died at the scene despite the best efforts of German emergency services.

The vehicle had a British number plate, but The Sun understands UK officials have not been contacted for assistance in relation to the crash.

The car appears to have veered off the road at around 12:30am on Saturday.

It shot into a coppice of trees around 30m from the road, according to the Kassel police department.

One of the victims’ phones sent an automatic alert to the emergency services, who sent an ambulance to the scene.

Fire engines, more ambulances and police vehicles were all dispatched when the severity of the accident became clear.

The car was on its side and wedged between two trees when crews arrived.

Emergency workers only discovered there was a car full of people when they removed the roof.

All four people were pronounced dead at the scene after being pulled from the wreckage.

Those who worked on the victims were immediately supported by the specialist mental health workers.

A fire department spokesperson said: “The situation on scene was that a car was lying on its side, wedged between several trees.

“Initially, we assumed there were only two people in the wreckage.

“A crew was therefore dispatched to explore the wider area to search for any occupants who might have been ejected during the impact.

“At the same time, the vehicle was stabilized and a technical rescue using hydraulic rescue equipment was initiated.

“Shortly after the start of operations, we identified another person in the back seat.

“Once we had almost completely removed the roof, we discovered another person in the car.

“The emergency doctor checked the vital functions of the occupants, but unfortunately could only confirm that all of them were dead.”

Reflecting on the night’s horrors, the spokesperson said: “This high number of deaths is an extraordinary operation for our Reinhardshagen Volunteer Fire Department.

“For some of the emergency personnel, it is the first time they have been confronted with death in this way.

“Therefore, a great deal is being done to help us process these images.

“We will also discuss this among ourselves and within families, because not everyone can easily shake off what they have seen.”

A police investigation into the crash is ongoing.

Everyone can use an editor, and Shakespeare is no exception. Fortunately, he married one.

Tired of being cooped up with the kids in Stratford-upon-Avon, Anne (Teal Wicks), wife of the great playwright, pops down to London to see the first performance of “Romeo and Juliet.” The new tragic ending that Shakespeare (Corey Mach) proudly previews to the company strikes her as completely wrongheaded.

“What if … Juliet doesn’t kill herself?” she proposes. As strong-willed as her husband, she doesn’t wish to argue the point. She merely wants to put her idea to the test.

Behold the premise of “& Juliet,” the euphoric dance party of a musical that updates Shakespeare with a dose of 21st century female empowerment. The production, which opened Friday at the Ahmanson Theatre under the fizzy direction of Luke Sheppard, reimagines a new post-Romeo life for Juliet while riding a magic carpet of chart-toppers from juggernaut Swedish producer Max Martin, who has spun gold with Katy Perry, Britney Spears and the Backstreet Boys, among other pop titans.

Teal Wicks, left, and Rachel Webb in the North American Tour of “& Juliet.”

(Matthew Murphy)

This good-time jukebox musical relies as much on its wit as on its catalog of pop hits. The show’s music and lyrics are credited to Max Martin and friends — which sounds like a low-key cool table at the Grammy Awards. The clever book by Emmy winner David West Read (“Schitt’s Creek”) creates a world that can contain the show’s musical riches without having to shoehorn in songs in the shameless fashion of “Mamma Mia!”

Take, for instance, one of the early numbers, “I Want It That Way,” a pop ballad made famous by the Backstreet Boys. Anne starts singing the song when Shakespeare initially resists her idea of giving Juliet back her life. She wants him to go along with her suggested changes not because she’s sure she’s right but because she wants him to trust her as an equal partner. The song is redeployed in a way that has little bearing on the lyrics but somehow feels coherent with the original emotion.

Obviously, this is a commercial musical and not a literary masterpiece on par with Shakespeare’s tragedy of ill-starred lovers. “& Juliet” would have trouble withstanding detailed scrutiny of its plot or probing interrogation of Juliet’s character arc. But Read smartly establishes just the right party atmosphere.

Juliet (a vibrant Rachel Webb), having survived the tragedy once scripted for her, travels from Verona to Paris with an entourage to escape her parents, who want to send her to a nunnery for having married Romeo behind their backs. Her clique includes Angélique (Kathryn Allison), her nurse and confidant; May (Nick Drake), her nonbinary bestie; and April, her newbie sidekick out for fun who Anne plays in disguise. Shakespeare casts himself as the carriage driver, allowing him to tag along and keep tabs on the cockeyed direction his play is going.

In Paris, the crew heads directly to the Renaissance Ball, which has the look and feel of a modern-day mega-club. Entry is barred to Juliet, but not because she’s ridiculously underage. Her name isn’t on the exclusive guest list. So through the back door, Juliet and her traveling companions sashay as the production erupts in “Blow,” the Kesha song that encourages everyone to get their drink on and let loose.

Rachel Webb and the North American Tour Company of “& Juliet.”

(Matthew Murphy)

The dance setting — kinetically envisioned by scenic designer Soutra Gilmour, lighting designer Howard Hudson, sound designer Gareth Owen and video and projection designer Andrzej Goulding into a Dionysian video paradise — provides the all-purpose license for Martin’s music. It’s the atmosphere and the energy that matter most. Paloma Young’s extravagant costumes raise the level of decadent hedonism.

In this welcoming new context — imagine “Moulin Rouge! The Musical” suffused with girl power — there’s never anything odd about the characters grinding and wailing like karaoke superstars. The ecstatic motion of Jennifer Weber’s choreography renders dramatic logic irrelevant.

But love is the name of the game, and both Juliet and May fall for François (Mateus Leite Cardoso), a young musician with a geeky sense of humor who’s still figuring out his identity. May doesn’t expect romance to be part of their fate. In the Spears song “I’m Not a Girl, Not Yet a Woman,” they give powerful expression to an inner confusion this musical romance is determined to sort out with an appropriate partner.

Unlike for the original characters, a happy ending is no longer off-limits. Shakespeare and Anne wrestle to get the upper hand of a plot that seems to have a mind of its own. Shakespeare pulls a coup at the end of the first act that I won’t spoil except to say that what’s good for the goose proves dramaturgically viable for the gander.

Teal Wicks, left, Rachel Webb, Nick Drake and Kathryn Allison in the North American Tour of “& Juliet.”

(Matthew Murphy)

This spirited competition stays in the background, but their marital happiness matters to us. Mach’s Shakespeare has the cocky strut of a rapper-producer with a long list of colossal hits. Wicks gives Anne the heartfelt complexity of one of her husband’s bright comic heroines. There’s a quality of intelligent feeling redolent of Rosalind in “As You Like It” in Wicks’ affecting characterization and luscious singing.

But the musical belongs to Juliet, and Webb has the vocal prowess to hijack the stage whenever she’s soaring in song. If Juliet’s character is still a work in progress, Webb endows her with a maturity beyond her years. She makes us grateful that the Capulet daughter is getting another crack at life. When the big musical guns are brought out late in the second act (“Stronger,” “Roar”), she delivers them as emancipatory anthems, fueled by hard-won epiphanies.

Allison’s Angélique is just as much a standout, renewing the bawdy earthiness of Shakespeare’s nurse with contemporary sass and rousing singing. If the supporting cast of men doesn’t make as deep an impression, the festive comic universe is nonetheless boldly brought to life.

“& Juliet” bestows the alternative ending everyone wishes they could script for themselves — a second chance to get it right. This feel-good musical is just what the doctor ordered in these far less carefree times.

A MAN and a woman have been arrested following the death of a three-month-old baby.

Cops have confirmed an investigation is ongoing after the newborn died at a home near Canterbury, Kent, on Sunday morning.

2

Emergency services were scrambled to an address on Athelstan Road, in Thanington, at around midday.

Six police cars and four ambulances are understood to have been called to the property.

The two suspects, both in their 30s, were both taken into custody and have since been released on bail.

Kent Police told KentOnline that the pair were arrested in connection with the death.

A spokesperson for the force said: “Inquiries into the circumstances surrounding the death are ongoing.”

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us from our main Twitter account at @TheSun.

2

A SIX-year-old boy died in his sleep after accidentally bumping his head while racing with friends at school, an inquest heard.

Mohammed Yaseen Uddin, who attended Marlborough Primary School in Small Heath, Birmingham, died on December 11 last year.

3

3

He had been playing with pals during his lunch break the day before and accidentally bumped his head on a wall.

The youngster told a school receptionist: “I was running really fast, racing my friend and bumped into the wall.”

As reported by Birmingham Live, an inquest heard how Yaseen picked himself up and appeared to behave normally after the fall.

A paediatric school first aider applied an ice pack to a visible bump on the pupil’s forehead.

Yaseen’s mother and sister were given a letter with medical advice upon picking him up.

The inquest, held today at Birmingham Coroner’s Court, heard the youngster appeared to be acting normally after going home.

He had attended a local mosque after school and celebrated his sibling’s birthday with cake.

Later in the evening, Yaseen told his father he didn’t feel well, and he was given some Ibuprofen.

At around 11pm, the little boy complained about head pain “out of nowhere” and started to throw up.

His family were on their way to the hospital but took him back home to change after he vomited again.

The inquest heard they tried to leave again but Yaseen told them he just wanted to sleep, so they put him to bed.

Dad Simriel Uddin said he looked in on his son at 3am and again at 5am when he got up for work, both times Yaseen was asleep.

But the youngster was tragically found dead a few hours later.

Heartbroken dad Simriel Uddin previously told the Mail: “He was a bright, joyful spirit and he was a beautiful, kind-hearted little boy.

“He had a head collision in school -the school told my wife ‘Oh, your son has bumped his head.’

“When she asked if it was anything serious they said, ‘No it’s nothing serious, it’s just a bump’.”

The inquest heard how Yaseen’s brother Khalil performed CPR while waiting for an ambulance.

Paramedics rushed Yaseen to hospital at around 11am but the six-year-old was pronounced dead at 12.08pm.

Guirish Solanki, a consultant paediatric neurosurgeon, concluded Yaseen had suffered a “traumatic head injury when he struck his head on the wall.”

Yaseen’s cause of death was given as a traumatic right frontal extra-axial haemorrhage, which means a bleed outside of the brain but within the skull.

Louise Hunt, the Senior Coroner for Birmingham and Solihull said: “Yaseen was a six-year-old little boy who was normally fit and well.

“He was described as happy and engaged when he came to school, a big character, who was always bubbly.”

She confirmed Yaseen had been playing with his friends before falling at around 12.29pm.

The coroner was also satisfied the family had been given a letter outlining medical advice, despite the fact they previously disputed this.

She said: “This was a tragic accident and I record in conclusion this was an accident.

“I’d like to reiterate and offer my condolences to all the family. It must be very hard for all of you and I’m very sorry if today’s inquest has made things more difficult. I’m so very sorry for your loss.”

Speaking after the inquest, Yaseen’s sister Sumaya told BirminghamLive: “Thank you to everyone for their support.”

In a previous statement, Razia Ali, the executive headteacher at Marlborough, said: “Our school community has been left devastated by the tragic passing of one of our wonderful and much-loved pupils.

“Yaseen was an incredibly helpful, kind and caring pupil who brought a smile to the face of everyone who came across him.

“I know I speak for everyone when I say he will be deeply missed. All our thoughts and prayers are with Yaseen’s family and friends.”

3

KATIE Price has revealed a pet tragedy after her cat gave birth to “so many” kittens.

The former glamour model, 46, is proud owner of Sphynx cat Doris, and previously made a witty social media post about how their figures were the same.

5

5

5

Katie welcomed three of the bald cats into her home back in October – despite being blasted by animal charities for doing so.

On her Snapchat page on Friday, the mum of five told how Doris had given birth, and has now revealed she’s swerved a holiday to the Isle of Wight to look after the new litter.

Yet instead of kicking back and relaxing, she is keeping her house cosy with electric blankets and regular feeding patterns for the new arivals.

In a video which showed her in a cream jumper and her dark hair in a straight style, she added the caption “sad news” and four emotional Emoji icons.

In the clip, Katie told her followers there had been a death and said: “An update on the kittens, one unfortunately died.

“That’s the one wrapped in tissue, two hours after we fed it.

“Luckily I’m trying to help the kittens latch on to the mum, two are just about doing it but I’m having to put them on it, because they are so premature.

“As you can see how knackered I am, every two and a half hours through the day and through the night I’m feeding them for the mum.

“She’s a good mum, and then she keeps bringing one to the bed with her, she did that earlier, I think that was a sign to come and look in the box as one had died.”

Katie added: “But that’s good because she trusts us and loves us so thats good.

“So I’ve got two latching on to her now, so thats the update.”

She then panned the camera to new parent Doris, sitting on her bed, as she cooed: “Hey Doris good girl.”

CHARITY BACKLASH

Katie forked out for Doris and two other cats last year.

She showed her affections for the trio, even pushing them around in a pram.

Yet, at the time, she could not escape backlash from charity PETA (People for the Ethical Treatment of Animals).

They called for the need for an injunction to be put in place, stopping Katie from owning pets completely.

They had previously offered Katie £5,000 to stop buying pets, which she had not responded to. 

PETA UK founder Ingrid Newkirk told The Sun: “If there was a way to file an injunction to stop this serial animal killer, PETA would do so, as this woman doesn’t care about the lives she wastes or listen to vital advice and is still treating live animals like stuffed toys: as disposable.

“If William Hill took totally tasteless bets, the odds would favour those betting on how little time this kitten has on Earth, given the hideous track record of animal deaths in Price’s custody. No one could call it ‘care’.”

The new additions to the family came just a few months after she revealed she had to put down her last “designer” cat, Frog, after being diagnosed with a neurological disease.

She had bought Frog in February for £1,200, naming him in a sweet tribute to her son, Harvey, who loves frogs, but came under fire months later when she shared a video of the pet wrestling with a dog.

Katie had eight pets die in just six years – including four dogs and a horse all getting hit by cars. 

She has also given away pets, including an out-of-control Alsatian called Bear for attacking other animals.

At the beginning of 2024, Katie gave away a puppy called Tank because he ‘no longer looked cute on Instagram’.

She also currently has a pet pug, named Captain, and avidly looks after horses.

5

5