tour

Tour de France fans have been urged not to attend the end of the third stage because of wildfires in the south of France.

Monday’s mountain stage will begin in Granollers, Spain, and conclude within 60 kilometres (37.3 miles) of some of the worst of the fires across the border in Les Angles.

While the 195.9km route is not expected to change, Tour organisers have asked fans and unessential personnel to stay away from the final 40km.

“An exceptional fire calls for exceptional measures for the Tour,” said race director Christian Prudhomme.

“We invite the public not to come to the edge of the race or to the finish site.”

Europe has been dealing with extreme heat and wildfires during the past few weeks, with a record-breaking heatwave recorded in June.

The fire that has affected the Tour is currently being contained within the Pyrenees-Orientales region, where aircraft have been deployed to battle the blaze.

A key stretch of the mountain pass providing access to the race will be closed.

Nearly 3,000 people were evacuated after a wildfire ignited near Perpignan on Thursday.

“We obviously think first of all of the populations who are affected by the fire, of all those who have to move, and then we also think about the people who would be here to host the Tour,” added Prudhomme.

Jonas Vingegaard holds a narrow lead over reigning champion Tadej Pogacar in the general classification standings after Isaac del Toro won stage two on Sunday.

TAKE That’s Gary Barlow has bid goodbye to the Circus tour in an emotional statement to fans.

The 55-year-old and his band mates Mark Owen and Howard Donald have been travelling the UK with their returning Circus tour this year that they first performed to audiences back in 2009.

But in a candid new statement, Gary revealed ‘with a heavy heart’ that it’s unlikely the Circus tour will ever return again as he opened up on the physical toll of the tour.

“Best tour ever – to say that 35 years into our career is saying something #circuslive,” he began. “And another tour comes to a close.

“Somehow, this one feels a little different. With the other tours, it’s always comforting to know there will almost definitely be a next time. But I’m pretty sure this tour won’t return.

“I was 38 when we originally did this show, and I have to say it’s been a whole other challenge doing it as a 55-year-old,” he admitted. “I just can’t see a way I could physically do this show again.

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“So, it’s with an extremely heavy heart that I leave The Circus in my past. I got to run away with The Circus twice. Now I’m running towards our next exciting, brand new show.”

The boy band concluded their tour in Dublin on Saturday night, having performed a number of sold-out shows in London, Manchester, Cardiff, Southampton and Coventry throughout the year.

Fans were quick to congratulate Gary on another brilliant tour reacting to his statement online.

“We came to the circus with you & you were phenomenal, one of the most magical days of my life, last Saturday in London,” wrote one user on X. “You boys did yourselves & the Circus proud.”

While another penned: “Thank you for bringing this amazing show again. Watched it back in 2009 and 16 yrs later you guys did not disappoint.”

Others agreed, calling it a ‘magical experience’ seeing it live again, with one fan thrilled at having seen it in 2026 having missed out on the 2009 experience.

“Utterly amazing,” they tweeted. “I didn’t get to the first Circus tour and vowed to try and get to every tour after watching on DVD. So glad you did a second Circus tour. Box ticked.”

Despite just finishing up the Circus tour, Gary, Mark and Howard have no plans to slow down as they begin promo on a new single.

Sweet July dropped on Friday and is available to stream now.

As someone with Cypriot roots and distant Greek heritage, I’m often asked the question: which is the best island? People lean in, expecting a secret – some tiny, untouched haven, known only to locals. My answer is always the same: Crete. With its fiercely proud identity, warm communities and exceptional food, it feels both deeply Greek and entirely itself.

For our anniversary weekend, my husband and I head to Lassithi, in the island’s far eastern corner. As a chef and food writer, I’m drawn to the area’s reputation for exceptional produce: Sitia extra virgin olive oil, creamy xigalo cheese, mountain honey and an abundance of excellent tavernas.

After an early start, we check into our hotel and freshen up. The Sand Suites is a new, adults-only retreat with just seven suites and a pathway leading directly to the wide, sandy Almyros beach and its clear shallow waters. Our suite is a serene hideaway with a private pool overlooking dramatic mountains.

For our first evening, we head to Karnagio in the pretty harbour town of Agios Nikolaos, a 10-minute drive up the coast (or a 45-minute walk). We’re told it offers the perfect introduction to the flavours of Lassithi. Despite a warning from Dimitri, the knowledgable manager at the Sand Suites, we order far too much food. We begin with Cretan classics: dakos (barley rusks softened with grated tomato, olive oil and mizithra cheese), alongside mizithropitakia (delicate mizithra-filled pies). More plates arrive. Spring onion-topped fava, tender horta (wild greens dressed generously with lemon), followed by melt-in-the-mouth sauteed lamb with locally made pasta and torched anthotyro cheese. Weeks later, and I am still thinking about that lamb.

Eventually, we admit defeat. Unfazed by the unfinished dishes, the waiters arrive with a tray of complimentary sweets. Then comes a small carafe of raki. “Only if you join us,” I tell our waiter in my Cypriot-Greek. He needs little encouragement. “Yamas!” we declare, raising our glasses before downing the fiery spirit. The glasses are refilled. I know I’ll regret it in the morning, but we drink again, buoyed up by good food and excitement.

The next morning, fuelled by a delicious breakfast of fresh juice, coffee, pastries and freshly cooked eggs, delivered to our room, we jump in the car and drive half an hour south-east down the coast to Evotry, a roadside bakery that we are told to visit early to stand any chance of getting the best of the day’s bakes. Inside, it is a treasure trove: cakes and biscuits, alongside trahana (cracked wheat fermented with yoghurt), are all made by Stefanos and his wife Maria. Like many families in Greece, they press their homegrown grapes each September to make petimezi – a dark, naturally sweet grape molasses. As well as being sold in bottles, it also forms the base of many of their bakes, most notably kalitsounia (traditional Cretan sweet cheese pies). Found all around Lassithi, here they are distinct: Stefanos does not use refined sugar, relying solely on his petimezi for sweetness. We leave with a box and some cookies, and regret travelling with hand luggage only.

En route to our next stop of Mochlos, we are told about a 3,000-year-old olive tree so make a detour. The road climbs into the mountains, winding and steep. The tree is exactly as expected – vast and commanding, yet somehow gentle, like a great grandmother rooted in the landscape. We sit beneath its branches and eat the kalitsounia, surrounded by birdsong and the hum of bees.

We carry on east to Mochlos, a peaceful fishing village steeped in Minoan history on the far side of Mirabello Bay, and settle into Ta Kochilia, a waterfront taverna, for lunch. Octopus hangs drying in the sun; the sea sits just beyond the edge of the path. We keep things simple: grilled squid, horiatiki (Greek salad) and bread with local olive oil. The squid is tender, slightly charred, perfect. As always, there is fruit at the end, followed by something sweet – here, halva dusted with cinnamon – and strong Greek coffee, which briefly resets us before we continue inland.

After a 10-minute drive into the hills above Mochlos, we arrive at Nektaria’s Kitchen, an open-air cookery school where every detail, from the rustic tables and benches built by Nektaria’s father Tassos, to the wood-fired oven and herb-filled demonstration kitchen, feels considered.

On Nektaria’s website a range of four-hour cookery classes are on offer, from vegetarian and meat menus to olive oil tours and local wine tastings. However, I get the impression that whatever it is you want to learn, Nektaria will be able to teach you.

Over coffee, we chat with Nektaria, her partner, her father, her best friend. We are offered homemade treats: more kalitsounia, this time perfumed with orange blossom, and mounds of biscuits – spiced melomakarona and almond honey patouda, both traditionally made for celebrations. A slow-cooked joint of pork is pulled out of the wood oven to entice us to stay and join them for a meal later on. And while the food is delicious, it is Nektaria herself who is the star of the show. Having left a career in finance just four years ago, it is clear what she has created is less a cookery school than a gathering point – a life reorganised around food, hospitality and community.

We begin our last full day in quaint Kritsa, one of Crete’s oldest villages, just a 15-minute drive inland from our hotel. A winding main street is dotted with a range of shops, traditional cafes and a fascinating natural history museum and tapestry centre.

We begin at the women’s cooperative, where biscuits and cakes are being prepared for nearby restaurants. A demonstration is also being set up in the outdoor kitchen and dining area. We stock up on boxes of syrupy sweet pastries and a bag of skioufichta, a type of rolled Cretan pasta, ready to recreate the lamb dish from Karnagio on our return home.

Our penultimate stop is an olive oil tasting at the family-owned Mourello, where visitors can book a range of olive oil experiences. Escaping the midday heat, we’re seated in a cool, quiet room overlooking valleys of olive groves. Over two hours, Eleni guides us through her family’s growing, harvesting and pressing process in such detail that I leave feeling I could semi-confidently turn my hand to making my own olive oil. We taste and compare different grades and types. Mourello’s Vedema oil is outstanding – peppery, punchy and silky. We leave with several bottles under our arms.

For our last evening we drive up into the hills again to the village of Kroustas. Sitting at 520m above sea level, the view over Mirabello Bay is dramatic. We’ve booked a table at Xatheri, a destination restaurant that feels deeply rooted in family life and is much loved in the area. Chef Konstantinos has built the menu around recipes from his parents and grandmother, who we are told has just stopped by to check in on service. We start with one of her recipes, dolmadakia, small, delicate stuffed vine leaves. Goat stew arrives rich and slow-cooked, tossed through spaghettoni and topped with aged graviera cheese. And finally gamopilafo, also known as “wedding rice”, which feels appropriate given it’s our anniversary. It is deeply comforting and impossibly rich.

Despite protesting, dessert appears – a generous slice of galaktoboureko, a just-set vanilla cream encased in crisp syrupy filo, which is somehow light enough to avoid being cloying. There is dessert wine, then raki, of course. We leave not just full, but slightly reoriented – already thinking about returning to this calm corner of Crete.

The trip was provided by Simpson Travel , which offers a week at the Sand Suites from £1,124pp B&B, including flights and car hire

A MAJOR US band has cancelled all of their UK tour dates including a massive headline festival appearance. 

The popular nineties group pulled out of their tour just hours before their first UK show due to “medical issues”, leaving fans devastated. 

The American punk rock band, Alkaline Trio, have revealed to fans the sad news that they are unable to continue on their UK tour. 

Frontman Matt Skiba, Dan Andriano and Tosh Peterson make up the Chicago originated group.

The trio were all set to perform last night in Birmingham but hours before the show was set to start, the band released a statement on social media.

It read: “We are immensely sorry but we must cancel our dates in England, including tonight’s show in Birmingham, due to medical issues Matt has been suffering from that have worsened.

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“He’s gonna be okay but needs to be treated stateside as soon as possible.

“We will be back healthier and stronger!

“Refunds are available at the point of purchase.”

Not only will the band miss their upcoming UK tour dates to return to the States, but they have also been forced to cancel their highly anticipated headline performance at 2000trees Festival. 

Frontman Matt went on to share a video to fans from London Heathrow Airport, expressing his gratitude for “all the love and support”.

He added: “You guys deserve a better show than I can throw right now. I got numbness in my feet, numbness in my hands as you can tell I’m losing my voice so I can’t really talk, walk, play or sing. But I’m okay.”

After the news broke fans rushed to the comments, one user said: “Sorry to hear this and get well soon.

“Have flights and accommodation booked for the Manchester gig on Wednesday as no Dublin date. Dang.”

Another added: “Gutted to hear this guys, was so looking forward to seeing you again in London tomorrow, but know this decision wouldn’t have been taken lightly. Get well soon Matt.”

“Me looking at my tickets for London and 2000trees (crying emoji) Get well soon, Matt! Wishing you a speedy recovery fam,” a third added.

“It is what it is. Just a shame cus I was literally about to leave my hotel when I saw the message,” penned a fourth.

The band, whose name derived from Matt Skiba simply flicking through a dictionary to find a cool word to stick in front of the “Trio”, was founded in 1996 and went on to sell over a million albums.

Matt is well known for serving as the co-lead vocalist and guitarist of Blink-182 from 2015 to 2022.

Alkaline Trio are best known for songs like ‘Stupid Kid’ and ‘Private eye’. 

The band shot to fame when they released their debut single ‘Sundials’, in 1997.

The bass legend and superproducer Don Was didn’t expect to be covering Curtis Mayfield’s Civil Rights-era anthem “This Is My Country” on the road in 2026. But lately, the chaos in the United States made the song seem regrettably apropos.

“It wasn’t supposed to still feel potent. It was supposed to be something that served a moment,” said Was, who included the defiant single on his 2025 album “Groove In the Face of Adversity.”

“It’s shocking to be here in 2026 and, whatever distance we traveled from 1966 until now, to see it all get reset,” Was said. “That song’s a more powerful statement now than it was then. It was inconceivable that it would still be relevant — this is supposed to be the utopian age of Aquarius. This is not the way it was supposed to turn out.”

Was remembers the tumult, violence and hope that came out of that era in his hometown of Detroit. The city’s music, famed for rough-hewn virtuosity from blues to soul to techno, is the spring that waters “Adversity.” It is, remarkably, the 73-year-old’s first solo album after a career spanning the pioneering electro-pop band Was (Not Was) and deep producer relationships with the Rolling Stones, Bob Dylan and Bonnie Raitt.

He also spent years in Bob Weir & Wolf Bros with the late Grateful Dead founder, and will play from the Dead’s landmark “Blues for Allah” on his tour that stops at Lodge Room on July 7.

With a backing band of studio killers dubbed the Pan-Detroit Ensemble, “Adversity” has an expansive modern atmosphere, yet a lived-in, filament-bulb quality in the playing that carries through funk, jazz, rock and R&B. It’s largely a covers record, but you wouldn’t know it from the depth of the revisions — veering from the Yusef Lateef standard “Nubian Lady” to Hank Williams’ “I Ain’t Got Nothin’ But Time,” closing with funk group Cameo’s “Insane.”

“I’ve been carrying it around in my head for 30 years,” Was said. “This first album to me is really a handshake, a ‘nice to meet you,’ this jambalaya of Detroit sounds.” While much of the source material comes from elsewhere, the cumulative mood is extremely personal to an artist who has spent his life helping the greats find true expression.

“I’ve come to admire artists who are willing to go in deep inside their most personal thoughts for the sake of helping the listener understand their own lives,” he said. “To help them deal with the trauma of being human — especially in these times, man.”

Tops on that list is the late Grateful Dead founder Bob Weir — who died in January at 78 — as a model for a band staying fearless and uncompromising. Was, still heartbroken about the loss of his friend and bandmate, recalled their first time on tour.

“When Bobby called asking me to play bass with the Wolf Bros, I thought at the very least, this is going to be a master class in losing self-consciousness and forgetting about fear,” Was said. “If the band stumbled, the audience wouldn’t walk out. They appreciated the fact that you were trying to do something new for them. Then there’d be a couple moments every night with an incredible exchange between the musicians and you can feel the audience becoming a member of the band.”

Playing the Dead’s “Blues for Allah” on this tour — an LP rooted in Middle Eastern scales, pirouetting time signatures and improvisational telepathy — put him in communion with his old friend.

“I used to think that songs like ‘King Solomon’s Marbles’ were just jams and conversations on the spot. But when we really got into it, there’s a form underneath and you can take tremendous liberty with that form,” Was said.

Was’ production career was built on a similar principle.

His early band Was (Not Was) remains a visionary electro-pop act with subtle, salient politics. “Out Come the Freaks” is a favorite on Pride month dance floors — “If you just wanted to do poppers and dance all night, it worked, and if you wanted to think about the government careening out of control, it worked too,” Was said of the band’s club material.

The late Ozzy Osbourne sang on the band’s international hit “Shake Your Head,” alongside a winking, very game Kim Basinger. The actor was a replacement after Madonna backed out, leaving the proto-rave tune one of the era’s most unlikely collaborations.

He recalled Ozzy fondly. “In 1975, this folk group I was in booked us to open for Black Sabbath at the Toledo Sports Arena, playing for a bunch of 14-year-old white boys on amphetamines,” Was said. “They weren’t having it. I’ve heard the tape of that show, and the drummer was bleeding from being hit by so many bottles that we had to stop playing. That was my first exposure to Ozzy, so I was a little afraid to do the session, but he was up for an adventure.”

Don Was and the Pan-Detroit Ensemble

(Gemma Corfield)

A Stones confidant and producer from 1994’s “Voodoo Lounge” up until 2023’s “Hackney Diamonds” (where Andrew Watt took the helm), Was had nothing but praise for the band, and still admits to a twinge of fandom in their presence.

“There’s never been a day in the studio with the Rolling Stones where I didn’t look around the room and go, ‘Oh my God,’” he said. “I’ve known Mick for over 30 years, but the last time they played L.A. at SoFi Stadium, Mick came walking down that stage and I was like, ‘Wow, there he is, it’s 1965 again.’”

With Dylan, he recalled the mercurial genius’ impish side. “I was producing Dylan, and George Harrison came in to play guitar. Bob was messing with him, Bob pushed the engineer aside and he ran the tape machine. George had never heard the song before, didn’t know what key it was in, and Bob just starts the tape. George played a respectable solo, but clearly it was rough. Bob, just to be funny, stopped the machine and said ‘That’s it, perfect.’ George turns to me and said, ‘What do you think, Don?’ And Bob goes, “Yeah, what do you think, Don?’ I’m looking at these two guys and time slowed down. I remembered trying to sell my car to get a ticket to go to New York to see the Concert for Bangladesh. Now they’re asking me what I think. I was paralyzed.”

“A voice appeared in my head,” he said, “Telling me, ‘He’s not paying you to be a fan.‘ So I said to George, ‘It was good, man. Let’s see if we can beat it.’ You can’t allow the iconography to dictate the outcome in the studio. You have to put that aside.”

As president of Blue Note Records, the estimable jazz label he’s led for more than a decade, Was relentlessly looks forward. He’s released restless modern records by Domi & JD Beck, Fathers, Makaya McCraven and Julian Lage (the hotshot jazz guitarist now playing with Dylan). He’s refreshingly optimistic about challenging music in streaming’s ruthless economy.

“Don’t make music for the delivery system,” Was said. “I don’t think about streaming, I think about touching people. If you do that, nothing has changed fundamentally in the music business. If your purpose is to get under people’s skin and make them feel something, that’s the same job it was for Mozart. How people listen can keep changing, but I don’t think the palette of human emotion changes, and that’s who you’re addressing.”

Was came from a working-class industrial city, making music reflective of Detroit’s technological upheaval and economic neglect. “Adversity” is a beacon to keep playing in spite of everything.

“I think that the salvation of musicians is that no matter what happens, what technological advancements come along, there’s still nothing like the experience of being in the same room as people who are playing together,” Was said. “It’s always been tough, man. It’s harder these days to buy a Ferrari as a musician, but I don’t know that that’s necessary. I have total confidence that the opportunity is there for anybody who is willing to give the audience a meaningful experience.”

Four-time Tour de France winner Chris Froome has brought an end to his illustrious career in professional cycling.

The 41-year-old British rider has not raced since a serious crash in August 2025 when he collided head-on with a road sign at more than 30mph and suffered five broken ribs, a collapsed lung and a lumbar vertebrae fracture.

Froome’s wife later said doctors discovered a pericardial rupture – an injury where the sac that surrounds the heart is torn – during surgery and were able to repair it.

“Unfortunately, there was that crash last summer – that was not the way I wanted it to end. But even then, I knew it was over,” Froome told Belgian broadcaster Sporza.

The Kenyan-born rider retires as one of the most decorated cyclists in history, winning seven Grand Tours with Team Sky (now Team Ineos).

His four Tour de France victories came in 2013, 2015, 2016 and 2017. Only four men – Jacques Anquetil, Bernard Hinault, Miguel Indurain and Eddy Merckx – have won more Tour de France titles.

He also won the Giro d’Italia in 2018 and Vuelta a Espana in 2011 and 2017, and claimed two Olympic bronze medals in the individual time trial in 2012 and 2016.

Froome was made an OBE for his services to cycling in 2015.

Travelers Championship second round

-16 S Scheffler (US); -14 V Hovland (Nor); -12 E Cole (US), A Bhatia (US); -10 M Fitzpatrick (Eng), B Griffin (US), B Cauley (US)

Selected others: -9 J Rose (Eng), T Fleetwood (Eng); -8 R MacIntyre (Sco), W Clark (US); -7 A Rai (Eng), S Lowry (Ire)

Full leaderboard

Scottie Scheffler fired a 10-under-par 60 to hold the lead after the second round of the PGA Tour Travelers Championship.

The world number one made 11 birdies and a lone bogey on Friday to move to 16 under at TPC River Highlands in Cromwell, Connecticut.

That put him two shots clear of Norway’s Viktor Hovland, who also threatened a rare round of 59 as he fired a bogey-free 61 which included seven birdies and an eagle.

Jim Furyk holds the tour-record lowest round at 58, but Scheffler is one of 14 players to have made a 59, which for him came during the 2020 Northern Trust at TPC Boston.

The 30-year-old American had the chance to repeat the feat with a birdie at the 18th hole but missed from just outside 26 feet.

“It was a little tricky,” Scheffler said. “It actually went right to start, and there was a tonne of break right to left at the end.

“It was a tough read, but overall it was a really solid day. I was pretty happy with my execution.”

On his plans for the weekend, the four-time major winner added: “Hard to keep up that pace, but continue to execute, continue to give myself looks.”

Compatriot Akshay Bhatia sat four shots off the lead in a share of third place having matched his career-low round with a bogey-free 62, with fellow American Eric Cole alongside him after a 65.

England’s Matt Fitzpatrick lurked two strokes back on 10 under, having had to settle for a four-under 66 after two bogeys on his final three holes, with Justin Rose and Tommy Fleetwood a single shot further behind and Scotland’s Robert MacIntyre at eight under.

Lionel Richie brought the first stop on his summer tour with Earth, Wind & Fire to an abrupt stop Wednesday evening, citing his health.

The 77-year-old Grammy winner, hitmaker of “Hello” and “Say You, Say Me,” unexpectedly hit pause on the concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times during his performance of “Dancing on the Ceiling” and telling his audience he felt “dizzy,” according to videos shared on social media.

“What I have learned about my years of being in the business, when you are feeling dizzy, sit your a— down,” he joked, according to a TikTok posted Wednesday evening by user ynaffitmocha. “When you are feeling strange about yourself, sit your a— down.”

Moments later, saxophonist Dino Soldo informed the audience that the singer was “not feeling well” and would not continue the concert. A representative for the singer did not respond to a request for comment, but TMZ reported on Thursday the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution.

A spokesperson for the Saint Paul Fire Department did not immediately respond to a request for confirmation on Thursday.

Live Nation announced “American Idol” judge Richie and Earth, Wind & Fire’s joint tour in January, unveiling a 26-city circuit that includes stops in Chicago, Orlando, San Francisco and Los Angeles. Richie and the “September” group are next set to perform at the United Center in Chicago on Friday and again at Schottenstein Center in Columbus, Ohio. It is currently unclear whether Richie will resume performing for those concerts.

Richie and Earth, Wind & Fire are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin.

There are few things a Los Angeles local is less likely to do than take a Hollywood sightseeing tour on a big, garish bus. Only rush-hour traffic and $20 tacos inspire the same level of dread.

Yet nearly everyone aboard the open-air bus for a Tuesday night production of “California Gothic: A Bus Tour” was an L.A. resident. The show, which is produced by the aggressively hip New Theater Hollywood, recently wrapped its third “season” after debuting in February and returning for an April encore. Set on a moving bus, the 1.5-hour-long experience is part esoteric Tinseltown history lesson, part immersive theater. The narrative conjures meaning from the Los Angeles cityscape by fusing a hodgepodge of textbook theories about the sprawling metropolis onto the gritty reality of daily life.

“We originally organized this thinking there would be more people coming who aren’t from here,” said Oliver Misraje, the show’s writer and primary tour guide, as the bus pulled away from the curb at Santa Monica and Wilcox. “But this just goes to show how much people love the city and are from here, contrary to popular belief.”

In lieu of celebrity-hungry tourists, “California Gothic” has been packing its bus twice a night with rowdy young scenesters and in-the-know locals eager to absorb its heady mix of California history, public intellectualism and performance artistry.

While the show wrapped its latest run in mid-June, it will reopen its automated doors during the last week of October for a special “ghost tour” edition co-written by Misraje and New York it girl Ruby McCollister.

The bus arrives for New Theater Hollywood’s “California Gothic: A Bus Tour.”

My tour was far less steeped in irony than I feared. As the bus wound its way through the streets of Hollywood, starting at the New Theater’s doorstep before eventually circling the Hollywood Walk of Fame, Misraje led the audience through his take on the death of the “California dream” and the rotting carcasses of empty buildings and broken promises left in its wake. Along the way, we encountered a haunted-eyed Marilyn Monroe impersonator (Brooks Ginnan), a masked Hollywood legend known as the Duchess of Argyle (Shauna Frente) and a singing, swaggering “Rat Czar” with a lot to say about real estate developers (Loren Kramar).

Yes, it’s whimsical, and yes, it references Mike Davis’ “City of Quartz” more than any of the TMZ-type excursions it gently parodies, but it’s still, at its heart, a bus tour.

In a nod to classic Hollywood tour advertisements, the show’s winkingly all-caps poster declares, “You Will See: The Hollywood Sign, Marilyn Monroe, the Schizo City State.” There is also a stash of BuzzBallz ready-to-drink cocktails for trivia winners, but Misraje and his cast do not deliver their performances with smirks or smarm. They commit full-throatedly to playing out Misraje’s vision of a Hollywood haunted by the dreamers it’s wronged and the secrets it’s plastered over.

“Ultimately, we are trying to pay homage to the bus tour format, which is intrinsically ‘carny,’” Misraje said, likening himself to a carnival barker espousing aesthetic philosophy aboard an ever-changing “Ship of Theseus.”

Before the performers infiltrate the ship, “I’m trying to intentionally set up audience expectations to think they’re going to get this run-of-the-mill Hollywood death tour,” he explained. “I consider myself a kind of impish person, but still fundamentally sincere.”

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1. Tour guide Oliver Misraje begins the show. 2. Rat Czar, portrayed by Loren Kramar, performs during the bus tour. 3. Guests board the bus.

Given the show’s monologue-heavy format and bevy of literary references, it’s no surprise that the concept began as an essay. Misraje, a 27-year-old writer and self-described “Hollywood hustler” raised primarily in the Inland Empire, was inspired after the 2025 Palisades and Eaton fires to stage a piece he had written bridging his love of Gothic literature with his “welfare class” upbringing in a family of seven raised by a single mother, which he considered gothic in its own right.

“We were in the Inland Empire and it was the 2008 financial crisis,” he said. “There was all this imagery of things famously California-coded, like the suburban house, the pool, the strip mall, and when we were there, it was just, like, destroyed. There were abandoned housing subdivisions rotting in the sun.”

The perfect setting, he explained, for the kind of “literature that emerges after the failure of a historical project.”

After reaching out to New Theater co-owner Calla Henkel and conceiving the project, Misraje and his producers elected to turn the funhouse mirror onto Hollywood, framing the neighborhood with historical context and Freudian theory but ultimately letting it speak for itself.

The bus passes the TCL Chinese Theatre.

The highly mutable nature of street life and the participatory character of the show means its tone can shift drastically from tour to tour, even within the same night. Sometimes, the streets appear glittering; other times, seedy and dangerous. Once, there was a showdown with another tour bus — one presumably not carrying theatergoers. At a different show, a drunk pedestrian tried to board the bus during faux-Monroe’s speech. One particularly harrowing night, someone circled the bus on an electric scooter, shouting homophobic slurs at the all-queer cast.

“It’s almost like surfing,” Misraje said. “There’s so much chaos you’re confronting, and you have to find a way to ride it and let it be a part of the show.”

The show’s high production costs make bringing in a profit difficult, but Misraje said he and the New Theater Hollywood team plan to revive it periodically, with an evolving story and cast of characters.

On my tour, no performer better represented the blurred line between theater and street life than the Duchess of Argyle, a.k.a. the Mysterious Masked Lady of Hollywoodland, a.k.a. Shauna Frente, a busty Blanche DuBois figure in an eyeless flapper mask and gartered stockings. Just three days before, she had been evicted from a home on Argyle Avenue that once allegedly belonged to Cecil B. DeMille. This happened after a lengthy legal battle, during which the show helped raise money for temporary housing.

As the Duchess spilled neighborhood secrets, our bus repeatedly passed an Extra Space Storage facility painted with images of old Hollywood behemoths: Lucille Ball, Groucho Marx and the like. The intermingling smells of sizzling hot dogs, urine and marijuana wafted through the open windows.

Hollywood may be ghostly, the Duchess told us, but it was hers to haunt.

Duchess of Argyle (Shauna Frente) tells Hollywood stories during the tour.

(Carlin Stiehl / For The Times)

Sitting in the control room of their home studio known as the Centre of Mental Arts (COMA for short), Long Beach husband-and-wife duo Scott Montoya and Julia Kugel smile as they discuss new music they recorded for their band Soft Palms. Their new album, titled “In Echo,” has been in the works for over five years. The 10-song album, out Friday on Everloving Records, was inspired by their frustration about how they feel the world has devolved since 2020.

“The first record I was like, ‘I want to give the world a hug,’” Kugel says. “And then this one I was like, f— this world.”

For Kugel and Montoya, the album serves as the latest chapter of their creative and personal journey. The pair met in 2012 at a music festival in Dallas (“The most romantic city,” Kugel quips), while playing in the Atlanta-based band the Coathangers and Orange County’s the Growlers, respectively. They bonded over a shared disgust at gladiator shoes, and soon thereafter, were in a relationship.

By 2017, they were married and settled in Long Beach. Despite Kugel’s role in the Coathangers at the time (Montoya left the Growlers in 2016), the couple wanted to form a band. Previously, they recorded a pair of songs that constituted Kugel’s second solo seven-inch single. That experience made them comfortable knowing they could balance their professional and personal lives.

“He’s super easy to work with,” Kugel says of Montoya, who sits beside her, trying to hide a smile. She looks at him and continues, “he’s very talented and very patient.”

“When we were in our other bands, we used to meet up on tour,” Montoya, who also produces and engineers for other artists, says. ”You see the absolute worst of people on tour … so this is nothing.”

To kickstart Soft Palms, Kugel drew from a batch of songs she had previously written that had no home. Being able to record in their own studio allowed the pair to craft songs without feeling any pressure to meet a deadline.

By late 2019, the pair put the finishing touches on their self-titled debut. When the record was released in July 2020, the pandemic was still in full force. The pair were disappointed and upset by the state of the world, and after a few years of stewing, Kugel and Montoya got started on a second album.

Don’t be fooled by its breezy ’60s-analog vintage pop sound. Soft Palms are angry, and that informs the spirit of “In Echo.”

The pair points to “Radio” as the album’s bellwether. First released in 2025, the song rails against how, over the past handful of years, people have fought for the sake of fighting, with no end in sight.

More strikingly, on the biting “Nervous as Hell,” Montoya points to Fox News as “infecting everyone’s parents.”

“I did some digging because I couldn’t believe something that hateful existed,” he says of the network, specifically its landmark $787-million settlement with Dominion Voting Systems. “It turned it from this horrible thing into this s— business that has taken advantage of the elderly and destroyed families.”

That anger continues on the angsty rocker “The Wedding Song.” Kugel points to attending a wedding where a family member married a “total raging maniac,” and how they dealt with the buildup of delicately balancing being cordial yet firm.

“He [the family member] goes, ‘I just want you to show up and shut up!” she says. “I was like, ‘Well, firstly, f— you. Then secondly, this is a song — you just handed me gold.”

Since settling in Long Beach, for the last 10 years Kugel and Montoya took it upon themselves to help foster a positive, artistic community. It’s that mindset that pushed them to found and operate their 501(c)(3) nonprofit called Studios for Schools with the goal of providing recording equipment to underprivileged schools.

Their DIY work ethic in entertainment was also the driving force behind Happy Sundays, a free Long Beach-based music festival. Running for 10 years, the fest created a block party in the city’s Zaferia neighborhood that eventually expanded into a full weekend of shows across stages set up at local businesses to host a diverse lineup of veteran and up-and-coming area bands. Though the event was paused this year so they can focus on the new album and book, the couple plan to bring it back in 2027.

“It was like a statement in that way of like f— these giant prices, VIP experiences and all of that stuff,” Kugel says. “It’s the anti-music festival and a celebration of community.”

Keeping with that spirit, and drawing from the experiences of their two-decade careers, last month the pair released a book titled “How to Be Self-Reliant in the Music Business.” The genesis of this self-published guidebook occurred when the pair realized they were not receiving a portion of a royalty stream they were owed. They knew that if they were in the dark on the issues they thought they knew, others likely were as well.

“We decided to turn it into a book because we realized there’s so much stuff that few artists know about on their own,” Montoya says. “I want people to understand the scope of what they’re actually getting into, and the reality of their situations.”

“It’s a very thorough overview,” Kugel adds.

The book includes information beyond what one would find in Donald S. Passman’s longstanding industry bible “All You Need to Know About the Music Business.” With assistance from a lawyer friend and a CPA family member, the pair addresses topics ranging from backstage etiquette to managing social media to dealing with record labels and publishing companies. They hope that it will provide a blueprint for bands old and new to better navigate music’s notoriously choppy waters. Their accessible, snack-size chapters move fluidly as they explain the realities artists face in 2026.

Battling through the disappointment of the first part of the decade allowed Kugel and Montoya to find their creative way. Armed with this infusion of activity across various disciplines, the couple is inspired to continue to shake their way out of the past. Though focused on their impending U.S. and European tour, the duo promise that the next Soft Palms album won’t take as long and are mulling over their next music-industry book project. For now.

“It’s a lot to keep up with all of these projects,” Montoya says. “We work all day, every day. And it’s been cool to see signs that it’s paying off.”

JAMES Bourne is made of sterner stuff. The Busted rocker stepped back from the public eye in September after falling ill and ten weeks ago told his fans was awaiting major surgery to extend his life.

And now, James tells me he’s used his time to finish a project which has been 13 years in the offing – and on July 1 will release new album Murder At The Gates, which he created for a brand new musical with legendary American playwright Steven Sater.

“I didn’t want my health to stop me from promoting this project because I’ve put 13 years of my life into it,” James tells me from his home in the UK.

“There was a fear of not finishing it. But I knew I had to finish it and give this to the people. “There’s like a few people that have been waiting for it. There are hardcore fans who show to up for everything – and I have been speaking about this for a long time.

“It feels so good to now have this as a finished product. And it’s the first album I’ve ever produced. So I’m proud of it.”

James, who has racked up eight top ten singles including four No1s with Busted, pulled out of the McFly V Busted tour last September citing his health.

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But rather than wallowing, James threw himself into the 13-track album – which features big name screen stars, including Stranger Things actor Gaten Matarazzo, on vocals.

“This album definitely has a different feeling to all the others,” James explains.

“With everything going on with my health, I have been given the gift of time.

“I was given a lot of time back when I wasn’t touring. It was like turning a negative into a positive. It was such a shame to have to drop out from the tour, because I love touring so much.

“But  you have to turn negative into positive. They’re the conversations I’ve had with my closest friends.

“I wanted to take the time I’d been given and deliver this album.”

James’s last musical, Loserville, earned an Olivier nomination back in 2013 and when he was tapped up by Steven, who earned a Grammy and a Tony award for his cult-hit musical Spring Awakening, he jumped at the chance to get involved.

“Musicals are a very difficult thing to do well and to do properly and to develop properly,” James explains.

“And this one’s been developed on the highest level with the most talented people.

“Steven was looking for a composer and that is when Loserville was in the West End.

“He invited me to his place and I knew immediately how I would do it.

“I’d never done a project where someone else did the words because he’s a lyricist.

“But as I was reading the lyrics, I could hear the music. And we partnered on the project.

“To work on this with someone on Steven’s level has been a dream.”

Of the score he’s created, James adds: “I knew I wanted it to be a very solid piano vocal score to begin with and I knew I wanted it to be orchestral but with a rock band at the heart of it.

“But I don’t think it is a rock musical in the way that rock musicals are presented.

“Rock musicals like We Will Rock You or Rock of Ages tend to veer more towards classic rock and this isn’t what Murder At The Gates is.

“I think a big part of what sold Steven’s show Spring Awakening so well was how contemporary the score was.

“The music is very customised. This is tailormade for Steven’s words and the world that he imagined and the characters that he imagined

“The score had to represent that world, you know.”

James adds: “We wrote about 50 songs for the show and whittled it down to 13.

“Some are old, some have been rewritten, some are completely new.

“It’s a long process that you can’t complete unless there’s a lot of passion involved.

“With songwriting in the pop world, you can blag it. Go into the room with a producer you’ve never met before and come out with something amazing.

“But if you don’t get anything great, you’ve not lost much. With a project like this, it’s a life commitment.”

James admits all of his spare time since 2013 has been dedicated to this project, with him missing dates on the McBusted tours with One Direction in 2014 and 2015 to get his teeth into it.

After stepping back from their tour last September, James was able to focus fully on getting the project finished – and spent time flying from his home in the US to New York to record the tracks.

“We’ve got amazing people like Gaten on board, he was definitely one of the top people on our list,” James explains.

“It was a total cherry picking situation. Steven has so much recognition from Spring Awakening – he’s like a rock star in his own right. He is a genius.

“All of the people who sang on it were busy, many of them were on Broadway so I would fly to New York for each vocal.”

And like all the best projects, James had kept his cards close to his chest – with not even his Busted bandmates Matt Willis and Charlie Simpson hearing the finished product.

“They might have heard something a very long time ago when we were doing promo for one of our tours,” James explains. “But apart from that, I haven’t played it for anyone.

“Even the actors who have done workshops with us over the past decade haven’t heard it.”

Once the record is released, Steven will get to work with James in getting the production green lit.

And James admits he is excited to see what comes of the project.

“We don’t have an opening night yet for the show but we’ve got the album and we’re saying, ‘This is a great representative of what the show is,’”James explains.

“There are still some bonus tracks to come later on. I’m just incredibly proud of it.

“When you do these projects, you strive to create things that can be timeless in a way.

“Classic musicals go on for years and years, and we’ve definitely been really striving to create something amazing.

“When I make albums with Busted, you’re making music for yourself to perform.

“With a project like this, you’re giving something to the community. This show is original, memorable and I don’t think there’s another show like it.

“I just can’t wait for people to hear it, then see it.”

Somaliland’s President Abdirahman Mohamed Abdullahi is on a ‘historic’ tour of Israel, where he’s opened an embassy and visited the Knesset. The landmark trip comes months after Israel became the first country to recognise Somaliland as an independent nation.

Klugman first rose to prominence when she won the prestigious Orange Bowl junior championships in Florida as a 13-year-old. Past winners include world number seven Coco Gauff and 18-time major singles winner Chris Evert.

In 2025, she became the first Briton in almost 50 years to reach the French Open girls’ final, losing in straight sets to Lili Tagger.

She has also contested two Grand Slam girls’ doubles finals at Wimbledon in 2023 and the 2025 Australian Open.

She made her WTA Tour main-draw debut in Nottingham last year and made her first Wimbledon appearance a few weeks later, losing both singles matches.

Klugman’s serve was particularly impressive against Dart, with the teenager hitting six aces to zero double faults and winning 77% of first-serve points.

After a strong first set, Klugman found herself 4-2 down in the second, but reeled off four games in a row to secure victory.

The only Briton to make the second round in Nottingham, Klugman will face fourth seed Marie Bouzkova next.

Fellow Briton Alicia Dudeney, who also received a Wimbledon main-draw wildcard, lost 6-4 7-6 (7-2) to Ukraine’s Dayana Yastremska.

The U.S. Air Force Weapons School at Nellis Air Force Base, in Nevada, recently completed its final weapons instructor course for the A-10 Warthog. Despite an extension in service for three A-10 squadrons to 2030, and recent combat operations in the Middle East, the Weapons School has shuttered its elite training course in line with USAF divestment plans for the type, which were previously set for the end of 2026.

TWZ’s Jamie Hunter recently visited the 66th Weapons Squadron (WPS) and got a detailed cockpit and walk-around tour of an A-10C with “Trippin,” an experienced instructor pilot attached to the unit.

A full episode that goes in-depth with the A-10 Weapons School will kick-off TWZ’s first season of Special Access on YouTube soon, so stay tuned!

A-10 Cockpit And Walk-Around Tour With A Warthog Weapons Instructor

Teenage batting sensation Vaibhav Sooryavanshi has received his first international call-up by making the India T20 squad to tour England and Ireland.

If he plays, the 15-year-old would break Sachin Tendulkar’s record as the youngest man to play for India. Tendulkar was 16 years and 205 days when he played a one-day international against Pakistan in 1989.

The call-up comes on the back of Sooryavanshi ‘s stunning Indian Premier League campaign, where he scored 776 runs in 16 innings at a strike rate of 237.30 for the Rajasthan Royals.

The left-hander was named the IPL’s Most Valuable Player and also picked up the emerging player award and the Orange Cap, given to the highest run-scorer.

He also scored 175 in February as India beat England in the final of the Under-19 World Cup.

“We’ve seen what he can do, almost single-handedly carrying Rajasthan Royals towards the play-offs,” said selection panel chairman Ajit Agarkar.

“He had a great start and backed it up in a competition that is as competitive and high-pressure. He’s a game-changer. We’ve got high hopes of him. He has picked himself.”

India play two matches in Ireland later this month, then five T20s in England in July.

Meanwhile, Shreyas Iyer has been named as the new captain, replacing Suryakumar Yadav, who has been dropped from the squad.

Suryakumar led India to victory at the T20 World Cup in March but the 35-year-old struggled with the bat at the tournament and at the recent IPL.

“It’s a tough one, having just won the World Cup, but as happens after most World Cups, you try to reassess what your best way forward is,” Agarkar said explaining Yadav’s omission.

“We thought this was the best way forward.”

Shreyas has not played a T20 international since 2023 but he led the Kolkata Knight Riders to the IPL title in 2024 and captained Punjab Kings to a runners-up finish in 2025.

Fast bowler Jasprit Bumrah and all-rounder Hardik Pandya have been rested, with uncapped fast bowler Prince Yadav called up.

Full squad

Shreyas Iyer (captain), Abhishek Sharma, Sanju Samson, Ishan Kishan, Shivam Dube, Tilak Varma, Nitish Reddy, Axar Patel, Washington Sundar, Varun Chakravarthy, Mohammed Siraj, Arshdeep Singh, Prince Yadav, Vaibhav Sooryavanshi

Start sending out “Smoke Signals.” Phoebe Bridgers finally announced her upcoming phone-free arena tour, and it includes two spooky nights in the Los Angeles area.

Bridgers shared details about the Lost Tour on Friday morning, following a sold-out show the previous night at Madison Square Garden in New York City and a series of secret pop-up shows across the United States.

The tour will kick off in Indianapolis in September and cap off the North American run with back-to-back shows at Inglewood’s Intuit Dome on Oct. 30 and 31, fitting dates for the skeleton suit-wearing singer-songwriter. A European leg will follow in November.

All tickets for Bridgers’ surprise acoustic show at Madison Square Garden were sold for $20 or under, and proceeds were donated to the Community Justice Exchange’s Immigration Bond Freedom Fund, which provides bail support to ICE detainees. For the Lost Tour, Bridgers will donate $1 from every ticket sold for North American concerts to RAINN, the nation’s largest anti-sexual violence organization and operator of the National Sexual Assault Hotline.

A phone ban was also instituted at the MSG show and Bridgers’ previous pop-up sets, with attendees storing their devices in Yondr bags, which physically lock using magnets. The same policy will be in effect throughout the upcoming tour.

At the Intuit Dome, home of the Los Angeles Clippers, guests may not need their phones at all to access tickets or purchase concessions, since the arena is equipped with “GameFace ID” facial recognition technology.

The Lost Tour is Bridgers’ first full-band solo tour since Reunion Tour in support of her 2020 album “Punisher” wrapped in April 2023, though she has since toured as a member of the supergroup Boygenius. “Punisher” is her latest solo album, and her debut album with Boygenius, “The Record,” came out in 2023.

Though she debuted eight new songs at Thursday’s MSG show, she has yet to announce a new album.

Singer-songwriter Alex G will provide support on the tour’s North American leg, including the Inglewood dates, while former Black Country, New Road frontman Isaac Wood will support in Europe. The tour’s eerie imagery was created in collaboration with fine art photographer Gregory Crewdson.

In an effort to get tickets in the hands of fans, rather than scalpers or bots, there will be two days of presales before the general sale. Fans can register from now until midnight Sunday for lottery access to the Day 1 presale taking place Tuesday. There will be another presale Wednesday. Tickets go on sale to the general public June 12.

Bridgers last played in L.A. as part of a secret show at all-ages venue the Smell in February 2024, where Boygenius announced its hiatus.

In addition to touring, Bridgers has a role in the upcoming A24 feature “Primetime,” directed by Lance Oppenheim, which hits theaters in September.

Bridgers, who grew up in Pasadena and attended the Los Angeles County High School for the Arts, told The Times in 2022 that her music taste was shaped in part by her upbringing in L.A., where she attended massive music festivals and local Día de los Muertos celebrations alike.

“I learned that there can be fun in the darkness,” she said.

Serena Williams has added another stop to her comeback tour: the Berlin Tennis Open.

Just a day after announcing her return to professional tennis, the 23-time Grand Slam singles champion has been added to the 16-team doubles field at Germany’s WTA 500 event.

“Every tournament I add to my schedule right now feels special, and Berlin is no exception,” Williams said in a statement shared by the event on Tuesday. “I’m excited to compete in front of the German fans and continue building momentum throughout the grass-court season.”

Williams is set to play in the doubles tournament at the HSBC Championships at London’s Queen’s Club, which kicks off June 8. On Thursday, 19-year-old Canadian rising star Victoria Mboko confirmed on Instagram that she’ll be Williams’ partner at the event. The Berlin Tennis Open will begin June 13 and Williams’ partner has yet to be named.

The 44-year old tennis great is returning to the sport after almost four years away from competition. She firmly denied rumors of her return on social media just last year.

Williams appeared to poke fun at her own turnaround with a short ad video posted to X on Thursday captioned “I changed my mind.”

Despite prior rumors, Williams’ sister Venus seemed just as surprised as everyone else that Serena was returning to the competitive circuit.

“I think she hits every now and then,” Venus Williams, who also still competes professionally, said during a recent interview at Roland-Garros. “I never see her on the court that often, so I don’t know when she’s been practicing, honestly.”

Despite not having seen her practice first-hand, Venus Williams is not worried about how Serena will play at the upcoming competitions.

“She’s, I think, a little bit of a natural,” she said with a laugh. “She has a pretty good record. She knows what she’s doing. She’s very tenacious. I’m not worried about how she’s going to play, even though I really haven’t seen her play. It’s so crazy.”

BUSTED star James Bourne has become centre to quite the mystery as it’s been revealed his Instagram account has disappeared.

This comes just six months after he pulled out of the band’s huge tour with a serious illness.

When fans click through to scroll his profile, it’s completely gone.

It shows a blank white page with the words, “Sorry this page isn’t available.

“The link you followed may be broken, or the page may have been removed.”

This message usually pops up when Instagram has removed the account or the account holder has deleted their page.

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James pulled out of the group’s tour alongside their pals McFly last September, just hours before they were due on stage.

The 42-year-old confessed he would not be tearing up the stage with the rest of his band –  Charlie Simpson and Matt Willis.

He cited the reason for pulling out as “health” problems and said he “hoped to come back further down the line”.

James said in his statement: “The VS tour kicks off tomorrow night in Birmingham and as excited as I’ve been all year for this tour to begin, I’m really sorry to say that over the last 8 days it has become clear that I am not in good enough health to play these shows.

“There’s a lot of information I still don’t have about my condition but my bandmates, management and I are unanimous in deciding that I should focus on medical stuff for now.”

None of the boys wanted to let fans down and so they decided to push ahead with a replacement on guitar.

Bassist Matt told the Birmingham crowd: “You may have noticed our best friend is not here tonight. James Bourne is really f***ing sick and we love him and we miss him.

“This is the first show we’ve ever played without him and it’s really weird but we’re going to do the best we can.

“This happened really fast, y’know, health is wealth.”

The remaining Busted stars explained to their fans that they’d asked James if they should continue and he agreed saying, “you totally should.”

Back in April James opened up to Busted fans, sharing he was having a major surgery in the hopes it would extend his life expectancy.

“Hopefully [the surgery will] make me well enough to come back to what I love the most which is touring and making music. It really sucks to be out of the game,” admitted James on his Instagram story.

The singer, who shot to fame when Busted arrived on the pop scene in 2002 with What I Go To School For, is yet to reveal what illness he is battling.

Busted confirmed their split in an emotional press conference on January 13, 2005.

However they thrilled fans when they got back together ten years later, and have been going strong ever since.

The group have continued to rack up hit after hit.

MUSIC star Frankie Valli has sadly cancelled his upcoming 2026 tour dates amid ongoing health issues. 

The Four Seasons frontman, 92, made the decision to end his highly anticipated farewell tour early, leaving fans devastated. 

The singer, who had been embarking on his tour The Last Encores, took to his Instagram to reveal that he would now be ‘focusing on health’ before performing again.

In a touching statement alongside a photo of him onstage, he penned: “I’m so sorry to disappoint the folks who have purchased tickets to my shows.

“But I have decided to take the rest of the year off from touring to focus on my health.”

He went on to reveal that he would hopefully will be back once his health returns. 

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“I’m looking forward to getting healthy and seeing you all again soon. Thank you for all your good wishes,” he added.

The music legend was met with floods of comments from fans sending him well wishes. 

One user said: “Stay healthy! We will work around whatever schedule keeps you going! You are a treasure.”

Another added: “Thank you for all these years of fabulous music. It’s been wonderful. Sending prayers that we will once again see you in concert next year!”

“No need to apologize. You’ve given us some of the greatest songs ever written. Take care of yourself,” wrote a third.

With a fourth commenting: “We love you, Frankie! (heart emoji)”

Valli is known as one of the founding members of the 60’s group The Four Seasons. 

The group dominated the music industry and delivered classics such as Can’t Take My Eyes Off You, December, 1963 (Oh, What a Night) and Sherry.

Valli’s rep Victoria Varela in a statement to Variety revealed the decision was made to keep fans out of ‘limbo’, as the star continues to regain his health.

She said: “Promoters want to prolong things and not give people their money back, but he needs to not keep rescheduling these shows. 

“He realized he needed to take a break and get his health in order, and that is the true issue – he wants to get better without prolonging, through the rescheduling process, the pain of people who’ve bought these tickets.” 

She also confirmed that throughout the next six months Valli will be spending time getting well and may well consider touring again in 2027.

THEY are set to release their new album Foreign Tongues in July — and it seems The Rolling Stones could also be heading to foreign shores.

After abandoning plans to hit the road on a UK and European tour this summer, I can reveal that Start Me Up hitmakers Mick Jagger, Keith Richards and Ronnie Wood are now looking into playing five nights in Buenos Aires, Argentina, next year.

A source told me: “The band are discussing options for a residency.

“They love the thrill of doing a huge stadium tour around the globe, but the physical demands are immense.

“A residency would mean they can still bring their best to the fans, without the toll that comes with travelling.”

This summer would have been the rockers’ first string of live performances since their Hackney Diamonds tour in the States in 2024 — which sold almost one million tickets.

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A US music critic has said that Keith told bandmates Mick and Ronnie he couldn’t commit to their UK and European trek’s planned shows.

The band will release their new 14-track album on July 10 after recording it at Metropolis Studios in Chiswick, West London, over four intense weeks.

It features a cover of the song You Know I’m No Good by Amy Winehouse, who Mick performed with at the Isle of Wight Festival in 2007, four years before she died aged 27.

The track Hit Me In The Head includes old recordings in LA with the late Stones drummer Charlie Watts, who died in 2021, aged 80.

In April, the band released album track Rough And Twisted on vinyl under pseudonym, The Cockroaches.

Earlier this month, at the launch in New York, Mick confirmed the newrecord spans a number of genres, saying: “We have the ability to do ballads, country and dance music.”

He added: “It’s not stuck in one ­particular style.”

I can’t wait to hear it.

FROM 10 TO THE ONE

DECEMBER 10 are the latest Gen-Z heartthrobs ­– but Danny Bretherton is set to break fans’ hearts, as I can reveal he is dating influencer Tallulah Metcalfe.

The singer has even introduced her to his family in Chorley, Lancs.

A source said: “Danny has been spending lots of time with Tallulah. He is very family-orientated so taking her to meet his family was a big deal.”

This month, Tallulah shared a TikTok of her and Danny dancing in the street to his band’s song Infinity (123), captioned: “Look who I bumped into.”

Seems Danny has a new No1.

BIOPIC BOYLE

SUSAN BOYLE is working on a biopic, I have heard.

The film will chart her rise to global fame from her humble beginnings in Scotland to appearing on Britain’s Got Talent in 2009.

It comes as the singer is planning a comeback with new music.

A source confirmed: “Susan is working on a film and is hoping that a streamer will snap it up.”

I wonder who SuBo, above, has in mind to play her?

Raising awareness

ROXY HORNER is turning her hand to documentaries.

The model, who married comic Jack Whitehall last month, is believed to be in talks with a company to make a film about living with Type 1 diabetes, which she was diagnosed with in 2021.

A source said: “Roxy has been amazing at raising awareness of living with the chronic condition.

“She now wants to delve deeper and speak to experts.”

Shakira’s miami mini break

SHAKIRA looked her very zest as she stepped out in a bright orange outfit.

The Colombian singer flaunted her toned legs in a mini dress at Miami Swim Week.

She was attending an event on Thursday for her haircare brand Isima.

We’ll soon be humming Shakira’s track Dai Dai, the official anthem for the 2026 Fifa World Cup that she made with Burna Boy.

KELLY SET FOR MIGHTY COMEBACK

KELLY OSBOURNE is preparing for her first performance since dad Ozzy died last year.

The TV presenter and singer will join headliners Scissor Sisters at Mighty Hoopla festival in South London’s Brockwell Park today.

A source said: “Kelly is excited to get back on stage and doing it with the Scissor Sisters is a huge honour.”

Black Sabbath legend Ozzy passed away last July, with Kelly and her mum Sharon Osbourne honouring him at The Brit Awards.

Kelly and Sharon accepted the Lifetime Achievement gong for Ozzy at Manchester’s Co-Op Live arena in February.

Speaking to Biz on Sunday’s Emily at the ceremony, Kelly said: “A Lifetime Achievement award is such an honour, I couldn’t think of anyone else more deserving.

“It’s bittersweet.”

I am sure Ozzy would be proud of Kelly today.

Heidi hi, Nat & Nic

HALF of All Saints performed as Appleton at the Mighty Hoopla yesterday.

Nicole and Natalie Appleton took to the stage at the festival in Brockwell Park, South East London, in their typical cool girl style of tracksuits.

Nicole said: “Guys, you have to realise it’s been quite a long time that Nat and I have sung as Appleton.

“But we are so emotional that it’s our first festival.”

Nicole, left, and Natalie, right, were joined by their pal and ex-Sugababes member Heidi Range, centre, for a surprise performance.

Gene, Nicole’s son with ex Liam Gallagher, watched from the side of the stage along with Nat’s hubby, Liam Howlett from The Prodigy.

The duo release Ready To Begin next month, and their Appleton EP will be out in September.

Welcome back, ladies.

It’s go for pro with ex

HE failed to find The One on Channel 4’s Celebs Go Dating, but it seems Professor Green is back with his ex Karima McAdams.

I am told the couple who have five-year-old son Slimane, have been taking things slowly after their split in 2024.

Karima shared an Instagram snap of the lad with Pro Green – real name Stephen Manderson – referring to the chart star as her “partner”.

Explaining her little boy had a suspected wrist fracture after falling from a zipwire, she said: “Son is coming back in plaster and partner medium rare.”
Looks like the rapper is back in the game . . . 

The prodigal “Daughter From Hell” returns: Gracie Abrams just announced her upcoming tour, and it includes four nights in her hometown of Los Angeles.

The 64-date Look at My Life tour hits arenas across North America and Europe starting Dec. 2 in Denver, before the singer lands in L.A. later that month. Abrams will take the stage at Inglewood’s Kia Forum for four nights: Dec. 14, 18, 19 and 20. The North American leg of the tour concludes in Brooklyn in March, and she kicks off the European leg in April.

The tour will follow the release of Abrams’ third studio album, “Daughter From Hell,” which drops July 17 via Interscope Records. Abrams took to Instagram to share her upcoming tour dates, teasing fans with the caption, “we’re baaaaaack.”

At the Kia Forum, Abrams will be supported by openers Rachel Chinouriri and Holly Humberstone, both popular British singer-songwriters. Fans can sign up on Abrams’ website for access to the June 2 pre-sale for all dates before tickets go on sale to the general public June 5.

Abrams most recently played in L.A. as part of a three-night residency at the Kia Forum in August 2025 for the Secret of Us Deluxe tour. There, she brought out surprise guest Audrey Hobert, Abrams’ longtime best friend and collaborator. Abrams’ other frequent collaborator, musician and producer Aaron Dessner, co-wrote and produced her latest single, “Hit the Wall,” which dropped in mid-May in advance of her new album.

“There’s nothing I wouldn’t tell either of them, so it makes it easy to be completely open when writing,” Abrams told The Times of Hobart and Dessner in 2024.

Her September 2024 shows at L.A.’s Greek Theater sold out so quickly that the singer-songwriter had to add two additional dates to meet demand. At the time, Abrams told The Times that she would keep performing if the fan support continued.

“As long as they’ll have me, I’ll do this,” she said.

A HUGE British band has been forced to cancel their UK tour after one of the member’s revealed a devastating diagnosis.

Popular indie duo Seafret have scrapped the remainder of their current UK tour after the band’s lead guitarist Harry Draper was diagnosed with a debilitating eye disease that will eventually cause him to go blind.

The band, who consist of Harry alongside frontman Jack Sedman and first formed in 2011, shared the news in a statement on the band’s social media on Tuesday afternoon.

Harry explained he had been diagnosed with Stargardt, which is a rare genetic eye condition that causes progressive central vision loss.

The post read: “Hey everyone, I’m so sorry to have to do this, but I’m afraid I’m going to have to cancel the remainder of the tour.

“I’m going to be totally honest with you, I’m struggling. I’ve recently been diagnosed with an eye disease called Stargardt, which will sadly mean I’m going to go blind.”

OFF STAGE

Legendary UK band cancel Radio 1 event as member battles mystery illness

No Show

Mystery as huge UK band cancel two gigs just hours before they’re due on stage

The musician said he was going to take some time out but thanked his fans for their support and insisted “I won’t let this stop me”.

“It’s been so much to get my head around, and I’ve really struggled to see last few nights on stage,” the statement continued.

“I just need to take a bit of time out to get my head around all of this.

“I won’t let this stop me, but I do just need a little time.

“I know you’ll understand, you’re the best fans in the world. From the bottom of my heart, I’m so sorry. Harry xx.”

The band’s fans rushed to show their support for the musician following his statement regarding his diagnosis. 

The duo kicked off their huge UK and European tour last week and were due to visit a number of cities around the UK before heading over to Europe next month. 

The band first achieved chart success in 2016 when their debut album charted on the official album charts.

They then went on to release a number of singles and EPs. Their biggest success came in 2022, when a sped-up version of their song “Atlantis” went viral on TikTok.

Following this, they released an official version of the song, leading it to chart all across Europe and pass over 400 million streams on Spotify.

While their monthly listeners on the platform increased to over 13 million.