tough

There are lots of coaches in the Southern Section Division 1 baseball playoffs glad to see that Villa Park is in the Division 2 playoffs because of the Spartans’ strong pitching.

Villa Park, the No. 1 seed in Division 2, has a terrific one-two starting duo in junior Logan Hoppie (10-1, 1.28 ERA) and senior Jack McGuire (6-2, 1.62 ERA).

McGuire is 6 feet 5 and has 82 strikeouts in 60 2/3 innings. He had a 16-strikeout performance this season. Hoppie has a two-hit shutout of Crestview League champion Cypress on his resume.

Villa Park finished the regular season at 19-8-1 under veteran coach Burt Call and in second place in league. If the Spartans can get some hitting help, the pitchers will handle the rest. Villa Park opens the playoffs on Thursday at home against Elsinore.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

To describe a movie as including a ski mask, a camcorder and $50,000 in cash would certainly lead one to imagine a specific type of story. Add two men and sex work and the brain might roll around more pointed scenarios.

But none of that can prepare you for what micro-indie “Blue Film” has in store. The nexus of perversion, pain and sexual purpose driving writer-director Elliot Tuttle’s dark, discursive chamber drama is of a stripe rarely attempted in even the most self-consciously daring movies. Should you need a self-imposed break afterward from intimate two-handers, even Tuttle might understand, then wink in the general direction of his Pasolini posters. (I’m guessing at this provocateur’s wall art.)

Is it clear yet that “Blue Film,” set primarily in a house in Los Angeles over the course of a revelatory night, isn’t for everybody? Some of that “everybody,” incidentally, includes the festivals and distributors who rejected the queer filmmaker’s debut feature, despite having critical buzz, Tony-winning actor Reed Birney as one of its stars and indie guru Mark Duplass as a mentoring producer.

But certain subjects (spoilers ahead) are bound to trigger a different kind of scrutiny. Initially, our attention is on macho-posturing tattooed camboy Aaron (“Boots” star Kieron Moore), graphically boasting to his followers online of the big payday he’ll receive that evening from a submissive client. What he later encounters, however, at the door of a Craftsman on a quiet street is a masked, polite, older host (Birney) with a camera and, once it’s turned on, a lot of personal questions, the kind that begin to crack the facade of a young man used to being in control of his transactional life.

Then his client’s face is revealed and Aaron recognizes it’s his middle school teacher Hank, a convicted pedophile who once coveted him. Hank, who completed prison time for the attempted assault of a different boy, has made a cross-country trip to seek out the adult version of someone who could have been his first victim. He is still processing what he is, wondering if desire, even love, is available to him anymore.

The question is, will you care? Even viewed through Aaron’s cautious, clear-eyed empathy, it’s a steep ask. But you should. Tuttle’s fearless inquisition won’t insult your intelligence, ask your mercy or hogtie your feelings. Honestly, it’s refreshing to be repulsed and intrigued by a movie willing to plumb these psychological depths when Hollywood won’t. In its commitment to unvarnished talk — even if that leads to a clunky staginess — “Blue Film” has thoughts about identity, choice, sin and salvation. There’s a sincere engagement with humanity’s more difficult realities.

Needless to say, this type of graphically articulated exchange wouldn’t work if the performances didn’t land. Thankfully, Moore’s affecting portrayal of jumbled masculinity mixed with situational curiosity is well-calibrated, while Birney, a pro with a challenge, eases us into Hank’s weary self-possession (if not always the nauseating facts of it) before coloring outside the lines with a believably interesting philosophy about reckoning.

But “Blue Film” is tough, make no mistake. Awkward and searching, it exists in a filmic space that you could argue was opened up by last year’s courageous documentary “Predators.” And sometimes that gaze is just discomfiting, full stop. Tuttle wants that. He has room to improve but he’s someone to watch, plumbing the hard-to-fathom.

EMMY award-winning actor William H. Macy has revealed the most difficult Hollywood stars, according to him.

The star, 76, has been acting for four and a half decades and has worked with the who’s who of Hollywood in his time.

He appeared on the We Might Be Drunk podcast with hosts Mark Normand and Sam Morril as they attempted to get some gossip out of him.

Mark asked: “We gotta ask, which actors do you really hate?,” before listing off some big names, including Tommy Lee Jones, who he acted in the 1994 film, The Client with.

William responded: “He was rough,” before adding: “I’m not letting out any secrets.”

The hosts then asked him what he thought about Jim Carrey, to which he replied: “I did not act with him, but I’ve just heard he can be really tough.

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“You know, there are a lot of actors out there, it p****s me off, who make life miserable for a lot of people and they don’t get busted for it and it p****s me off.”

William began his career on stage in theatre, before building his career by starring in small, independent films.

His breakthrough role was in black comedy crime film Fargo in 1996 which got him critical acclaim and a nomination for the Academy Award for Best Supporting Actor.

He went on to star in big Hollywood films in his career, including Psycho, Jurassic Park 3, Spartan and The Lincoln Lawyer.

William’s television work includes playing Dr. David Morgenstern in ER for 15 years and as Frank Gallagher on the US Shameless for 10 years.

He is a two-time Emmy Award and four-time Screen Actors Guild Award winner, and has been nominated for an Academy Award, a Drama Critics’ Circle Award, and five Golden Globe Awards.

The Hollywood star married actress Felicity Huffman in 1997 after dating on and off for 15 years.

The pair went on to have two children together – daughters Sophia Grace and Georgia Grace.

Felicity was jailed in 2019 for 14-days for her part in the college bribery scandal.

She admitted to paying $15,000 (£12,000) to rig her daughter’s SAT scores, tearfully apologising to the teen for not trusting her abilities.

The actress has a brand new ‘collab’ – playing a solicitor in Jeff Pope’s hard-hitting factual drama about the horrific sex attacks of John Worboys

She’s best known for her role as smiley Anne in Amandaland – but Philippa Dunne is taking an altogether more serious role in ITV’s new true crime drama about black cab rapist John Worboys.

Believe Me tells the story of how the victims of one of the most prolific sex attackers in British history fought back after being failed by the system. And Philippa, 44, plays the solicitor who represents three of the women, who decide to sue the Metropolitan Police under the Human Rights Act for their failure to properly conduct investigations into their allegations of sexual assault.

Worboys, played by Daniel Mays, preyed on women under the cover of being a “respectable” licensed taxi-cab driver. He would target solo women to pick up, claim he’d had a win at a casino or on the lottery, then offer them a drug-laced glass of champagne to help him celebrate – which would knock them out. The women often had little or no memory of what had happened to them.

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The drama, to air on ITV next month, focuses on Sarah (Aimée-Ffion Edwards) and Laila (Aasiya Shah), who reported sexual assaults by Worboys but felt they had not been believed by the police.

Phillipa plays Harriet Wistrich who joins forces with the women and with barrister Phillippa Kaufmann QC to sue the police over the handling of their complaints, claiming it led to them being subjected to degrading treatment and contributing to their distress. Not only did they win, they won twice after the Met appealed that judgment all the way to the Supreme Court.

Irish comedy star Philippa she had not previously worked with writer Jeff Pope, whose credits include Little Boy Blue, Philomena and See No Evil. “I just did a couple of auditions over Zoom – auditioning is still a big part of any actor’s life,” she explained. “And it was the most dialogue I’ve ever had to learn in my life so I was glad it was on Zoom because I had post-it notes everywhere.”

Once she’d landed the role, she continued to write down some of her more complicated lines. “Because of how jargon-heavy all the legal stuff is, I had a lot of it written on the paper in front of me,” she laughed. “So if you see me doing this at any stage, I am literally reading my script in front of the camera.”

Worboys, 68, was first convicted on 19 offences in 2009 and has since been found guilty of further sexual assaults. His next parole hearing is due to be held in public in June.

Speaking about writing the drama Pope – who will next tackle Sarah Everard’s story for the BBC – said he chooses his subjects carefully. “The first thing is – does something get you angry?” he explained. “Or really affect you? With this one I spent six months of my life being angry as I was pulling it together. Then there’s a long process of meeting the people involved, particularly the three main survivors – not to use the word victims. We spent a lot of time with them – as a man I had to understand a lot of personal, difficult, unpleasant stuff that they were telling me. And just listening and listening.”

He said that what had surprised him the most was hearing from the many women in his life about what they’d had to put up with from men over the years. “I realised early in the process that there’s a whole world, and one half of the population really don’t know much about it and the other half live with it. Stuff like what women put up with just on a night out. Talking to my wife, my daughters-in-law, my sister and understanding what women go through in a normal day, it was such an education for me. I hope one half of the audience are going to go ‘yes, that’s what happens’ and the other half are going to go ‘what?’”

The drama will also feature Miriam Petche playing Carrie Symonds, now the wife of former Prime Minister Boris Johnson, who was targeted by Worboys in her youth but had a narrow escape. When he was first being considered for parole, she was working in the Conservative Party press team and put her career on the line to spearhead a campaign pushing for a judicial review of the Parole Board’s decision.

Philippa will also return as much-loved Anne in the second series of BBC1’s Amandaland from May 6. Speaking about the new run, the actress said: “Anne is still in SoHa, juggling her high-powered job while raising her kids, attending all of Darius’s soccer matches, volunteering for activities at school while also being at the beck and call of her best pal Amanda.”

Both she and Lucy Punch, who plays Amanda, have been nominated for Best Comedy Actress at the Bafta TV Awards alonside Jennifer Saunders, who appeared in the Christmas special. Amandaland – which this time has a guest role for Call the Midwife actress Pam Ferris – has also been nominated for the Best Scripted Comedy category.

The Jamieson Greer has told Mexican industry leaders that tariffs imposed by Donald Trump will remain in place, even as negotiations to revise the United States-Mexico-Canada Agreement intensify ahead of a July review deadline.

The remarks, delivered during meetings in Mexico City, signal a major shift from decades of tariff free trade under USMCA and its predecessor NAFTA.

End of Zero Tariff Era

According to multiple sources, Greer made it clear that the United States does not intend to return to a zero tariff framework.

This marks a fundamental change in North American trade policy, where free trade in autos and parts had been the norm for over 30 years. The introduction of tariffs, including a 25 percent duty on automotive imports, has disrupted deeply integrated supply chains across the region.

Impact on Key Industries

The implications for Mexico are significant:

• More than half of Mexico’s auto and steel exports go to the United States
• Vehicle exports have already declined, with job losses in the auto sector
• Steel and aluminum industries face steep duties, some as high as 50 percent

These pressures have weakened Mexico’s competitive position, especially as the United States has negotiated lower tariffs with other partners.

Shifting Trade Rules

U.S. negotiators are also pushing for stricter rules of origin.

Proposals include requiring 100 percent North American sourcing for key components such as engines and electronics, up from current thresholds of around 75 percent. This would force manufacturers to further regionalize supply chains, potentially increasing costs but aligning with Washington’s goal of boosting domestic production.

Mexico’s Position

The Mexican government, led by Claudia Sheinbaum, is seeking relief from tariffs as part of the USMCA review. Officials aim to secure at least partial reductions, particularly in the auto and steel sectors, before finalizing broader trade revisions.

However, the latest signals from Washington suggest that while some easing may be possible, a full rollback is unlikely.

Why It Matters

This development underscores a broader shift in global trade policy away from pure free trade toward managed trade and economic security.

For Mexico, the stakes are high due to its deep economic integration with the United States. Persistent tariffs could reshape manufacturing patterns, investment decisions, and employment across North America.

What’s Next

Formal negotiations are set to begin in late May, with both sides aiming to resolve key disputes before the July deadline.

Key areas of focus will include:

• Tariff levels on autos and metals
• Rules of origin requirements
• Broader economic security cooperation

The outcome will determine the future structure of North American trade.

Analysis

The U.S. position reflects a strategic recalibration rather than a temporary policy shift. By normalizing tariffs, Washington is prioritizing domestic industry and supply chain control over traditional free trade principles.

For Mexico, this creates a structural challenge. Its export driven model, built on open access to the U.S. market, now faces persistent barriers. While some adjustments may preserve competitiveness, the era of frictionless trade appears to be over.

Ultimately, the negotiations will test whether North America can adapt to a new trade paradigm or whether tensions will deepen within one of the world’s most integrated economic regions.

With information from Reuters.

The Kings looked nothing like a playoff team heading into the NHL’s trade deadline. They had lost six of their last eight games, had just fired their coach and had saw their second-leading scorer go down with a broken leg in the Olympic tournament.

They were backing away from the playoffs, not heading toward them. So general manager Ken Holland did the prudent thing and largely stood pat, trading a couple of veterans for draft picks and making only a pair of minor acquisitions.

Turns out he wasn’t waving a white flag but rather a green one because the Kings hit the gas after that, gathering points in 16 of their final 20 games, finishing the regular season as one of the hottest teams in the NHL. That earned them a fifth straight trip to the playoffs and a first-round meeting with the Colorado Avalanche, the league’s winningest team, beginning Sunday in Denver.

The Ducks, meanwhile, advanced to the postseason for the first time since 2018 but they stumbled in, losing eight of their last 10 and blowing a five-point lead in the Pacific Division and the home-ice advantage that went with it over the final three weeks. The Ducks, the third-place team in the Pacific Division, will start on the road in Edmonton on Monday.

Kings interim coach D.J. Smith during a game in March in Boston.

(Charles Krupa / Associated Press)

“It’s been a climb. Probably didn’t look very good a while ago,” said Kings interim coach D.J. Smith, who could lose the interim part of that title after going 11-6-6 after replacing Jim Hiller behind the bench with 23 games to play. “It’s a credit to the guys, the leadership. They played playoff hockey for a while now. And it’s allowed us this opportunity.”

Actually, crediting the Kings with playing playoff hockey isn’t necessarily a compliment since the team hasn’t won a postseason series since hoisting the Stanley Cup in 2014. But it’s been more than a decade since the Kings have entered the playoffs carrying this kind of momentum and they have a few people to thank for that.

Anton Forsberg has been key for the Kings down the stretch.

(Ronald Martinez / Getty Images)

Journeyman goaltender Anton Forsberg, who spent most of his first season in Los Angeles backing up Darcy Kuemper, won five straight starts in April to key the Kings’ fast finish. Russian winger Artemi Panarin, acquired from the New York Rangers just before the Olympic break and a month before the trade deadline, contributed nine goals and 18 assists in 26 games, helping make up for the loss of forwards Kevin Fiala and Andrei Kuzmenko to injuries. And Quinton Byfield scored 10 times in his final 13 games to set a career high with 24 goals.

“Since the break I feel like we’ve really come together as a group,” Byfield said.

The team displayed uncommon grit as well, going to overtime an NHL-record 33 times. (They lost 20 of those games; if they have gotten the second point in just a third of those, they would have won the division.)

And finally, the Kings were also fueled by a desire to give captain Anze Kopitar one more chance at a title. Kopitar, who announced in September that this season would be his last, gave an emotional good-bye speech to the fans after the final regular-season home game. His teammates were determined to give him an encore in the playoffs.

“That had a lot to do with it,” Smith said. “Guys were playing for him. He gets one more chance to play at home.

“We found a way.”

Kopitar, however, credited his coach for the team’s fast finish.

“Once Smithy came in, he just changed the energy a little bit and we’re trying to be a little more aggressive versus sitting back,” said Kopitar, the Kings’ all-time leader in games, points and assists.

Cutter Gauthier is the first Duck to score 40 goals in a season since Corey Perry in 2013-14.

(Melissa Majchrzak / Associated Press)

For the Ducks, they’re not only returning to the playoffs for the first time in eight seasons — only the Detroit Red Wings have a longer active postseason drought — but they also posted a winning record for the first time since 2018.

Troy Terry, who played two games as a rookie that season, is the only Duck remaining from that team.

“This year has just felt different from the start,” he said. “It was less question marks about the potential of the team. We knew what we could be.”

Which isn’t to say it’s been easy. The team had two seven-game winning streaks but also weathered losing streaks of nine and six games.

“We had a couple of roller coasters there, starting and then slowing down and getting back on it,” said coach Joel Quenneville, who has taken five teams to the NHL playoffs, winning three Stanley Cups in Chicago.

The Ducks’ 273 goals this season are the most in franchise history but the 288 they allowed is third-worst all time, leaving the team with the second-highest goal differential of any playoff team. (Only the Kings are worse at -22.)

Speaking of history, winger Cutter Gauthier, with 18 goals in the final 23 games, is the first Duck to score 40 goals in a season since Corey Perry in 2013-14. At 22, he’s also the second-youngest to get there, trailing only Paul Kariya.