Los Tigres Del Norte’s Tiny Desk performance is radical Latinidad
Los Tigres Del Norte will perform this Saturday at Anaheim’s Honda Center. Ahead of rocking the Pond with its classic hits, the famed norteño band brought its signature sound and activism to NPR’s Tiny Desk Concert. The performance closed out the series’ Hispanic Heritage Month celebration, dubbed as “El Tiny.”
Composed of the Hernández brothers (Jorge, Hernán, Eduardo and Luis) and cousin Óscar Lara, Los Tigres Del Norte was founded in the late 1960s in the Sinaloan town of Rosa Morada and settled in San José. It has sold millions of records worldwide with songs about the drug trade, unrequited love and immigrant life in this country.
That theme of immigrant struggle within the U.S. was top of mind when the group performed at NPR’s Washington, D.C., offices.
The group was recently honored by the city of Minneapolis in September for defending the rights of immigrant communities for decades, and for standing in solidarity with the city following the large-scale immigration enforcement campaign that took place there earlier this year. Minneapolis Mayor Jacob Frey proclaimed Sept. 9 Los Tigres del Norte Day.
“[Following the Immigration and Customs Enforcement raids], they told the people of Minneapolis, the Latino American community that we are one, that we are united and that we’re going to do everything possible for the people that we love,” Frey said in a September news conference.
Los Tigres’ director and lead vocalist Jorge Hernández told The Times the honor came as a surprise to the group, who was in town for the 39th annual Hispanic Heritage Awards to present the people of Minnesota with the Humanitarian Award for their collective acts of solidarity with the immigrant community throughout the ICE raids.
The frontman said he was humbled by the action and was touched to spend time with members of the Minneapolis community who worked on the front lines during the ICE surge.
“There were Latinos present who set an example for how to support people in [a time of chaos],” Hernández said. “Those who were documented brought food to families who were undocumented so that they didn’t have to go outside to face the problems that were made possible due to [the Trump administration]. It’s because of action like those that we showed up for the city.”
Immediately after its time in Minnesota, the band flew out to film the Tiny Desk set.
The performance was a long time coming, according to Hernández.
“It was something beautiful and historic for us which should’ve happened 10 to 15 years ago,” he said, blaming conflicting schedules for the delay.
Though postponed, the 73-year-old musician knew the band’s messages would land with as much timeliness as ever.
In his introduction for Los Tigres Del Norte, NPR’s “Alt.Latino” host and “El Tiny” coordinator Felix Contreras spoke about why he wanted the band to perform as part of Tiny Desk’s month-long celebration of Latinidad.
“Our community is under attack and it’s not the first time … and it takes away our humanity,” Contreras said before Los Tigres kicked off the set with their hit “Somos mas Americanos.” “And for as long as I can remember, these gentlemen have been giving us back our humanity.”
Opening with the 2001 track was notable as the song flips jingoist U.S. narratives about who can call themselves American. The lyrics assert that Mexicans are more American than “gringos” and highlight how a large swath of the U.S. once belonged to Mexico.
Los Tigres let their songs do all the talking as they played straight through a series of tunes from across several decades, including 1995’s “Golpes en el Corazón,” 1997’s “Quiero Volar Contigo,” 1989’s “Ni Parientes Somos” and the 1986’s bittersweet single “La Puerta Negra.”
Hernández said the group wanted to use the platform to bring further awareness to the struggles immigrants continue to face in this country with an audience that notably skews more American than Los Tigres is accustomed to.
“We performed songs that talk about the problematic systems [in the U.S.] that have been around for years, but that are right now worse than ever before,” Hernández said. “The songs we sang [for Tiny Desk] have a lot to do with our society. I hope the wider public can listen to it and translate the songs to English so that they can connect to the lyrics.”
He said he hopes that the band can set an example for younger people that political messaging through music can empower artists, not hinder them.
“We’ve been singing songs since the ’70s about immigration and problems our community faces,” Hernández said. “As an artist, if you see a problem that affects your community, no matter how much you ignore it, you must realize that you are an active participant. You can’t stay quiet, your songs should talk about your problems so that through your work you can connect with and inform people.”
One thing that has continued to surprise and inspire Hernández over the last few years is seeing younger generations of fans celebrate his group’s music.
“They are the future and we sing our songs to them so that they can hear about the problems in our community that have existed and that persist,” he said. “At some point in life you will face big problems and it will be important that you know your history, what you stand for and how to defend yourself. We want to help people know their rights and be prepared to know how to act in difficult times like right now.”