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THERE’S just a few weeks left where you can get FREE kids tickets for some of the UK’s top shows.

London Theatre’s Kids Week is running until August 31 where kids can go for free – ideal for school summer holiday fun.

Any child aged 17 or under will go free to the theatre when accompanied by an adult who pays for a full- price ticket and two additional children can then also attend for half price.

In total, there are 54 shows participating in Kids Week and here are some of the top offers remaining before the promotion ends:

Wicked

Wicked has been around in the West End for a while, but thanks to the recent Hollywood blockbuster adaptations, there is no better time to go and see Wicked on stage than now.

You can expect amazing visuals, memorable and heartfelt songs and a storyline that is great for both kids and adults.

Travel Reporter Cyann Fielding said: “Wicked was the very first West End show I ever watched, and it did not disappoint.

“Not knowing what to expect from a West End show, Wicked blew me away.

“It has breathtaking sets, detailed costumes, emotional and inspiring songs and dramatic effects that will leave your mind blown.

“To date, it is still one of the best West End shows I’ve seen.”

Adult + child ticket costs from £46

The Tiger Who Came to Tea

Little kids will love The Tiger Who Came to Tea, adapted from the popular book of the same name.

You can expect songs and audience interaction throughout the show.

Adult + child ticket costs from £17.46

Six

Based on the six wives of Henry VIII but with a modern twist, Six The Musical is ideal if you love catchy songs.

The musical transforms the 500-year-old rhyme ‘divorced, beheaded, died, divorced, beheaded, survived’ into a competition about which of the wives deserves to be the group’s lead singer.

Adult + child ticket costs from £54.50

Matilda

Matilda is a great family option that will be loved by both kids and adults alike, with a powerful storyline about imagination andcourageg, and remains one of the capital’s most popular family shows for a reason.

Travel reporter Cyann Fielding, who recently saw the show, said: “I have to admit – while I loved Roald Dahl growing up, Matilda was not my favourite story of his.

“But any excuse to see one of his stories on stage, and I’ll be there.

“And now I take everything back – the stage show is better than the film and does the book justice, with an amazing stage set and catchy songs that will get your hips moving in your seat.

“The fact that most of the performers in this show are children just make it all the more impressive.

“Definitely will be loved by both parents and children alike.”

Adult + child ticket costs from £52.50

The Hunger Games

The Hunger Games: On Stage is one of the newer theatrical productions on this list.

The immersive show brings Suzanne Collins’ dystopian world to life, and you can expect special effects as well as aerial stunts.

Adult + child ticket costs from £36.88

Disney’s Hercules

You’ve not got long left to watch Hercules, as the West End production will end at the Theatre Royal Drury Lane on September 5.

Travel Reporter Alice Penwill said: “Zero to Hero, Go the Distance, I Won’t Say I’m in Love – I was hit with a wave of nostalgia when I went to see Hercules at Royal Drury Lane.

“The production of the Disney film has everything you want from a musical, fabulous dance routines, comedy, tragedy and a bit of cheese too.

“The highlight has to be The Muses, a group of five goddesses, and they have the voices of them too.

“Their incredible outfits dazzled with every number – and each time they took to the stage, they were met with rapturous applause.

“I’d go back purely to see them sing A Star is Born.”

Adult + child ticket costs from £41.66

Beetlejuice The Musical

Debuting earlier this year, Beetlejuice The Musical combines comedy with the storyline of Tim Burton‘s 1988 film.

You can expect a load of dark humour, neon sets and vibrant costumes.

Adult + child ticket costs from £40

Forget high prices or website glitches. With more than 12 million people registering for 2028 Olympics tickets, even getting a chance to browse the ticket shelves was hard to come by.

If you’re still stuck on the outside looking in after two unsuccessful ticket lottery drawings, there is hope.

LA28 said in a statement Friday that more opportunities to buy Olympic tickets will come in 2027, including the first first-come, first-served ticket sales.

The first two ticket drops this year drew historic interest, with fans from more than 200 countries registering. LA28 sold 4 million tickets in its first drop in April, and time slot notifications hit inboxes Wednesday and Thursday for Drop 2, which lasts from Aug. 10-20. The 48-hour purchasing windows were granted through random lottery, but even a guaranteed slot to purchase didn’t prevent headaches as the ticketing system was fraught with technical glitches and high website traffic.

The next year will bring significant movement in the Games ticketing process as Olympic sales continue, Paralympic tickets are made available for the first time and the official ticket resale platform opens.

Fans who have already registered for Olympic tickets are automatically entered into the Paralympic ticket process, which will begin with the same draw system that started the Olympic ticketing process. The Paralympics, which will come to L.A. for the first time, open on Aug. 15, 2028, at SoFi Stadium and close on Aug. 27 at the Coliseum.

AXS and Eventim are LA28’s official secondary ticket marketplace, and other verified resale platforms will include Ticketmaster and Sports Illustrated Tickets. The secondary market allows fans to re-sell their tickets, potentially opening chances to see sold-through or popular sports, but the prices could fluctuate drastically. Secondary ticket resale prices will not be capped, LA28 said in a statement, as the organization’s ticket process “will follow federal law and regulations.”

Ticket prices stayed consistent between the first and second drops. LA28 said it would not use dynamic pricing for the early stages of ticketing, but prices could change as the Games get closer.

LA28 expects to sell 14 million tickets between the Olympics and Paralympics, which would break a sales record, eclipsing the 12 million tickets sold for Paris 2024 Games.

Like most good stories, this one requires planning. Organizers with the L.A. Sports and Entertainment Commission spent nearly nine years preparing to bring the FIFA World Cup to L.A. The most popular sporting event in the world was just the start of a mega-event trilogy that turns the page to Super Bowl LXI at SoFi Stadium and will culminate with the largest Olympics ever in 2028.

“We are on the international stage for three years,” said Kathryn Schloessman, president and chief executive officer of L.A. Sports and Entertainment Commission, or LASEC, said. “What story are we telling and how are we doing that?”

The World Cup was a riveting first chapter. The 39-day tournament brought more than 560,000 fans to SoFi Stadium for eight matches, 250,000 fans to 10 official fan zones and a projected $892 million in economic impact across L.A. County, according to LASEC.

The expanded World Cup, with 48 teams and 104 matches over 16 venues in three countries, is only a logistical qualifying match compared to the 2028 Olympic and Paralympic Games. The first Olympics in L.A. in 44 years will welcome 11,198 athletes across 51 sports from more than 200 countries competing over 20 days. The 2028 Paralympics will come to L.A. for the first time with a 23-para sport schedule that will begin competition before the opening ceremony for the first time.

Despite the difference in scale, John Harper, chief operating officer of LA28, called the successful World Cup’s local matches “an immense learning opportunity for us in a lot of ways.”

Attending World Cup matches as a fan and behind-the-scenes observer, Harper was impressed by the transportation services provided by L.A. Metro. The agency said it provided more than 212,000 rides directly to and from SoFi Stadium and 15 parking and transit hubs in L.A. and Orange counties through an enhanced service. Harper was encouraged by the interagency work between different public partners that helped the eight matches go off without a major hitch.

But the biggest lesson was in the spirit of the fans who packed watch parties, streets and bars.

“It really demonstrated the power of sport,” Harper said. “Not only the energy in the stadium, but the energy in the city and L.A. being such a diverse city, you really saw the world come to life on the streets of L.A.”

The World Cup exceeded expectations, Schloessman said, delivering economic effects, local supplier opportunity and community engagement. LASEC hosted fan areas at 10 different locations, highlighted by the tournament-opening festival at the Coliseum. The City of L.A. hosted seven free “Kick It In the Park” watch parties. Sports bars and restaurants overflowed with customers who drank beer taps dry.

“It was just this six-week interlude of time when people liked each other and people were having fun together,” Schloessman said.

LA28 hopes to create a similar, harmonious energy during the Games with sports parks at major sports zones. Areas where multiple venues are clustered together, such as L.A. Live, Exposition Park, Long Beach, Inglewood and Carson, will have dedicated areas for pin trading, sport trials, entertainment zones and sponsorship activations.

While LA28 will be responsible for hosting official live sites for the Games, local communities can organize their own Games-time activities. LASEC worked with local organizations and businesses leading up to the World Cup to promote opportunities, including watch parties, meetups or themed decorations while still adhering to strict rules regarding FIFA broadcasts and logos. LA28 will provide similar guidance leading up to the Olympic and Paralympics Games.

“It is our responsibility, with the organizers, with the authorities, to create an Olympic experience for as many people as possible,” said Pierre Ducrey, International Olympic Committee sports director, who was impressed by the atmosphere of a FIFA fan event in Kansas City where he attended a match featuring his native Switzerland facing off against Argentina. “Whether they have a ticket to be in the stadium or they don’t, we want to create special moments for them that they can remember.”

LA28 sold more than 4 million tickets in its first ticket drop, and after last week’s presale, the second drop will resume Aug. 10. With 14 million tickets available, the 2028 Games could break the sales record set by Paris 2024, which sold 12 million tickets between the Olympics and Paralympics.

The biggest World Cup ever also boasted the highest attendance, but some of the tournament’s best parties came outside of stadiums.

Santa Monica put screens on every block of the Third Street Promenade for World Cup watch parties where patrons were allowed to carry alcoholic beverages within a specific area of the open-air mall. More than 40,000 people walked through a fan hub on the Santa Monica Pier. The city closed down more than a mile of downtown Santa Monica during the World Cup final for a block party that attracted 20,000 people.

And, Santa Monica Mayor Caroline Torosis proudly emphasized, it was free.

“I think major global events have an extractive history,” Torosis said. “We are trying to change that. We are also trying to use it as an opportunity to showcase the city itself. So how do we benefit our local community but also reintroduce Santa Monica to the region?”

Santa Monica balked at the chance to host competitions for the 2028 Games. Talks to host beach volleyball near the iconic pier broke down in 2025, six months after a study indicated that being a venue city could result in a net loss of $1.45 million, while not hosting the competition could still generate $10.65 million in profit because of the city’s status as a popular tourist destination.

Santa Monica already has deals in place to host hospitality houses for several countries in 2028, including France and Switzerland. Broadcast partners will set up studios on the city’s iconic pier. With plans for watch parties and other accessible celebrations for fans, Torosis envisions Santa Monica being “the place to be” during the Games.

“We are prepared for the influx of people that are going to be in the city,” Torosis said. “I think that FIFA was a great dry run.”

Inglewood was at the center of the World Cup with eight matches at SoFi Stadium. The city got an economic boost from an estimated 625,000 fans, including thousands who traveled to support their national teams without a match ticket, Inglewood Mayor James T. Butts Jr. said.

Fans from all over the world, sporting their country’s colors, flooded Market Street for the city-hosted Wood Cup festival to begin the tournament. Packed prematch marches stunned organizers who were unfamiliar with the tradition. While SoFi Stadium’s name was changed to “Los Angeles Stadium” per FIFA’s sponsorship rules, broadcasters still emphasized they were in Inglewood.

“It really gave a boost to community pride that Inglewood is now an international city,” Butts said.

Inglewood will remain the setting for the mega-event story. SoFi Stadium, in addition to hosting a second Super Bowl in five years, is the scene for the 2028 Olympic opening ceremony — which will be shared with the Coliseum — as well as Olympic swimming and the Paralympic opening ceremony. Neighboring Intuit Dome will host the Olympic basketball tournament.

The consistent stream of global events doesn’t faze Butts. In a city that will have hosted an NBA All-Star Game, eight World Cup matches and another Super Bowl in less than a calendar year, the Olympic chapter is already written.

“We do it time and time again,” Butts said. “This is what we do.”

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After 4 million tickets sold and maybe a million more headaches, the Olympic ticket booth opens again this week.

LA28 sold a record number of tickets during its first drop in April, signaling unprecedented interest in the Olympics as they return to Southern California for the first time since 1984. High prices, service fees and unavailable seats frustrated fans but did not deter them. In fact, interest in the Games has only grown since April’s first drop.

LA28 announced Wednesday that more than 12 million people from more than 200 countries have registered for tickets, a dramatic increase from the 5 million registrants the organizing committee boasted in late February before the first ticket drop.

Sports from the traditional standbys (artistic gymnastics) to the newest additions (flag football, lacrosse and squash) all sold through their first-drop availability. The second drop that begins Wednesday offers “refreshed inventory across all Olympic sports,” LA28 said.

Here’s what to know about the next ticketing phase:

Heathrow Airport will be allowed to charge airlines more for its services to recover money spent on the early stages of its third runway project.

The aviation regulator is permitting the airport to claw back up to £320m through higher airport charges to airlines for each passenger, which is likely to end up being added to ticket prices.

A bidder which unsuccessfully put forward a rival design involving a shorter runway, Arora Group’s Heathrow West, will also be allowed to recover £4.1m pounds in costs.

The Civil Aviation Authority (CAA) and Heathrow said safeguards would be put in place to protect consumers from unjustified costs.

At this stage, the costs being recovered are only for the early planning and design of the runway during 2025 and 2026.

Tim Johnson, the CAA’s director of consumers and markets, told the BBC: “We’ve announced that the first tranche of costs, which is to help with the planning of this, can be recovered from passengers. That’s up to a maximum of £320m.”

Heathrow airport will also be able to collect Heathrow West’s costs up to November last year by adding to its airport charges.

The CAA said allowing these costs to be recouped will result in the maximum airport charge per passenger increasing by around 15 pence in 2028, rising to an estimated 30 pence in the following years.

In November, the government announced it preferred the £33bn scheme put forward by the airport over Arora’s alternative plan.

At the time, the Department for Transport said Heathrow’s own proposal offered the most deliverable option, and the “greatest likelihood” of getting a decision on planning approval within this parliament.

The CAA’s director of consumers and markets, Tim Johnson, said today’s decision “strikes a balance between supporting the delivery of benefits to consumers through timely progress on Heathrow expansion, whilst also protecting them from undue increases in costs”.

The regulator said “safeguards” designed to monitor cost efficiency would include transparency and cost reporting requirements, and assurance by independent experts.

Airlines often complain that Heathrow is the world’s most most expensive hub airport, and have repeatedly voiced concern that the airport’s expansion plans will make it pricier.

The government hopes for a planning decision by 2029.

Plans for a third runway stretch back decades, with the government backing the plans in 2003.

However, the idea has also long faced opposition from climate campaigners, many local residents, and several politicians.

They worry an additional runway will increase air pollution, noise pollution, and breach the government’s legally binding climate commitments.

Growing up in Inglewood, Andrew Hernandez heard plenty about the Olympics. Since L.A. was awarded the Games almost a decade ago, the 18-year-old watched preparations slowly improve the infrastructure of his hometown. He still never thought he would ever be able to attend.

Until now.

LA28 and the Rams donated 1,000 free tickets to 10 nonprofit organizations Monday, giving local youth such as Hernandez a seat at Olympic flag football or swimming competitions in 2028.

The tickets are the first gifts from LA28’s community ticket program, which launched in November with a $5 million inaugural donation from the Rams. When Rams coach Sean McVay delivered the news to members of the nonprofits at Rams training camp Monday, kids’ jaws dropped as the group broke into applause.

Hernandez, a member of South L.A.-based Brotherhood Crusade, posed in the group behind a giant commemorative Olympic ticket.

“Having grown up in Inglewood, you don’t really have the funds to [go to sporting events],” Hernandez said. “So if it wasn’t for programs like this or the Rams giving out tickets, a person like me, I would have never had imagined I’d be in a stadium watching the game. It’s opened my eyes.”

In addition to Brotherhood Crusade, A Place Called Home, After School All-Stars, Al Wooten Jr. Heritage Center, Boys & Girls Clubs of Metro L.A., Heart of Los Angeles, Project Blue, Social Justice Learning Institute, Swim Up Hill and YMCA of Metro L.A. were selected by the Rams and LA28 for their investment in local youth and their presence in communities near Olympic venues.

“The local organizations receiving these tickets today are groups that we work closely with year-round to uplift and support our neighbors all across the Los Angeles region,” Rams president Kevin Demoff said in a statement. “This investment ensures that the people and nonprofits that commit themselves to Los Angeles are able to experience this once-in-a-lifetime event right in their hometown.”

The Boys & Girls Club Metro L.A. started increasing awareness about the Games about three years ago. Members, ranging from 6 to 18 years old, participated in youth Olympic events and met Olympic and Paralympic athletes. But as excitement for the Games grew, many kids were already saying they couldn’t afford to go. They asked Kim Washington, the club’s vice president of philanthropy and marketing, whether they could at least watch events on TV at the club.

“Having this opportunity to have tickets for these kids and families, it’s going to be beyond their wildest dreams,” said Washington, who volunteered in the opening ceremony at the 1984 L.A. Olympics.

Each organization will distribute tickets directly to members. The donated tickets are for two of the most in-demand Olympic sports. Flag football is making its Olympic debut and was among the new sports that sold out through its ticketing availability during the first ticket drop. Swimming, one of the marquee sports of the Summer Games, will take place in SoFi Stadium, which will be transformed into the largest Olympic swimming venue in history.

Paralympic swimmer Jamal Hill founded Swim Up Hill with a goal to teach underprivileged children how to swim. The 2021 bronze medalist primarily works with second to fourth-graders, with a significant number coming from the L.A. Unified School District. Some have already voiced ambitions to become Olympians or Paralympians.

“You see something happen, something that you consider magnificent or magical … it says, ‘Wow, now I want to do this,’” Hill said. “Whether or not you end up doing that, it puts you on a path of just thinking bigger, going above and beyond, having the incentive of self-driven goals that just ultimately build better community members.”

After selling a record 4 million tickets in the first drop this year, Olympic tickets go back on sale this week. Fans who registered for the ticket lottery with a Visa credit card received information Monday about time slots to purchase tickets during the Visa presale that runs July 29-31. Email notifications for time slots in the second drop that begins Aug. 10 and lasts until Aug. 20 will hit inboxes between Aug. 6-7.

When Olympic tickets went on sale in April, fans were shocked and frustrated at high prices, a 24% service fee and limited availability for key events. LA28 has tried to keep tickets affordable, but hearing that nearly half of the tickets are under $200, including the service fee, and 75% are under $400 is still a steep price for many fans. Half of the 1 million tickets priced at $28 were scooped up during the locals presale in April, but more will be made available in the next drop.

Individuals, organizations and community leaders interested in participating in LA28’s community ticket program can access more information at la28.org. The Rams’ initial $5-million donation is expected to fund several more ticket donations to local organizations in the coming months.

Although he grew up near SoFi Stadium, Hernandez, who will be a freshman at San José State in the fall studying civil engineering, had never attended a major live sports event until this year. Through Brotherhood Crusade, he went to a Rams game. It only made him more excited for future opportunities.

“It almost helped me with my goals,” Hernandez said. “I’m like, ‘You know what, I want to be in that space again.’ I want to be able to afford a ticket and go to games. That’s kind of why I want to go to college, want to get an engineering degree, and make sure that maybe I can take my kids one day to a Rams game. The next time the Olympics come back, I can be able to get my own ticket and go.”

It began as a whimsical idea that occurred to Daniel Leigh after an idyllic trip to the United States: Sell his family’s five-bedroom home in England and travel the world with his wife, Lauren Vaknine, and their two children.

So he was surprised when, a few months later, Vaknine and their children, Braxton, 10, and Viva, 7, agreed to go along with the plan.

“We’re not really travelers,” Leigh said. “We’ve always watched others travel.”

When they got back from their trip to America in March, they noticed that others had successfully raffled their homes on the British website Raffall. The online platform raffles everything from cars to homes, including one man who promoted his house to Americans last year as a “safe haven from Trump.” The couple decided to try it too.

In June, they put their house in Elstree, about 20 minutes from London, up as a sweepstakes prize online and began selling tickets for five British pounds each, or $6.75.

“While someone new makes memories in our home, we get to go and make some of our own,” said Leigh, who has worked in educational recruitment in London for more than 20 years.

Leigh got the idea after reading a New York Times article about Imelda Collins, who raised about $1.4 million last year by raffling her two-bedroom cottage in Ireland. She sold 206,815 tickets at $6.70 each, and in October, Collins sold her cottage to Kathleen Spangler, a 29-year-old U.S. Marine Corps officer from Dayton, Ohio, who had bought three tickets on a whim and promptly forgot about them.

Leigh and Vaknine, both 42, grew up in the same village and went to high school together.

But after their family trip to New Orleans; Asheville, N.C.; and South Carolina spots Charleston, Folly Beach and Lake Keowee, they began to wonder if they wanted to stay in the same town forever. Kayaking and seeing the beauty of the Appalachian Mountains made them rethink their life.

“Living on a lake was the most peaceful life I’ve ever had,” Leigh said. “It was perfect. In England, the kids spend most of their time indoors because of the weather, and we have to keep them busy with things like trampolines or indoor parks. Every family outing costs about $300. You can’t just go to the lake, the beach or hike in the mountains.”

Leigh said they have worked hard to build the life they thought they wanted, with two kids, their dog and a home. But after achieving professional success, they realized it was not the future they hoped for.

“We keep chasing goals that always seem just out of reach, simply because we feel we have to keep going,” he said. “There’s so much life to live. We’re seeing many of our parents and our friends’ parents pass away, and it makes you realize that life can feel like a conveyor belt. You either live or you just keep moving along.”

For Vaknine, a holistic wellness coach who was diagnosed with juvenile rheumatoid arthritis at age 2, selling their home and traveling the world carries even deeper meaning.

“I have been on a long journey,” said Vaknine, who has been in remission for the past decade. “From being head-to-toe disabled to being fully able-bodied, you don’t come through that without realizing that there is so much more to life than working, taking the kids to school and making dinner in the same house every day. For me, the extraordinary life isn’t about mansions, yachts or extravagance. It’s about experiencing life fully, finding deep inner joy, and I can’t do that if I stay within the same four walls in the same town I grew up in.”

Her husband added, “She lives a life of gratitude for everything. That’s what this is about: Let’s live life in the moment and do what we can when we are fully able.”

Their five-bedroom home, which is estimated at about $2 million, is on a quiet cul-de-sac with just five other houses in Hertfordshire, England. It has 2,226 square feet of living space, a south-facing garden, an open-plan kitchen, a dining and living room renovated in 2021, plus a home office and gym.

Leigh said they are not trying to make a profit, but they need to sell 550,000 tickets to cover the property’s costs, legal fees, taxes, prize money and raffle expenses.

“The ticket target has been set to cover all of the associated costs, so it’s unlikely there will be much left over,” he said. “If ticket sales exceed the target, then certainly, but that’s not the goal.”

If they don’t reach the ticket target, a winner will still be chosen and will get 50% of the money raised. They hope the winner gets the house.

One reason homes aren’t auctioned often on the site, he said, is that you have to promote them yourself. Leigh estimates they’ve spent about $17,000 so far and are about to spend another $15,000 on Meta advertising. They also have to pay for their own legal advice.

The raffle has become a family project, and their children have helped with promotion. In one video, Braxton asks what might be the most important question about their move: “Are we bringing the dog?”

“We may have to leave him with family for a while,” Leigh said of their dog Story. “He’s the size of a small pony, so traveling with him could be a challenge. He’d definitely be missed, though.”

Working together to promote their home has been a valuable lesson for their children, Leigh said, showing them “that if you put your mind to something, you can do it. I want them to see hard work. It’s not just fun to do videos. It’s staying up till midnight, getting up early, running two jobs and making sure you don’t miss an interview. And in the end, the kids will see that life can change, and there’s a world out there if you make it happen.”

The kids aren’t worried about losing their home, Leigh said. “They are excited about going on a holiday, which we hope will include Australia, India and every state in America.”

With a record number of Americans applying for British citizenship, the couple’s raffle may be well-timed. The winner, chosen randomly by Raffall on Dec. 7, will get a mortgage-free home with all legal fees and taxes paid, plus $45,000 for household bills. The property transfer may take up to 60 days or longer according to Raffall’s terms and conditions.

Part of every ticket sale will go to Solace Women’s Aid, a British charity supporting women and children affected by domestic violence. Leigh notes that not every state can take part in Raffall competitions because of different state gambling, lottery and consumer protection laws.

At a time when many people are trying to choose between traveling or saving for a house, the couple is offering raffle entrants a chance to do both.

That’s the point, Leigh said: “If not now, when? That question changed everything.”

One year ago, when tickets first went on sale for “The Odyssey” in Imax 70mm, nearly every screening sold out instantly.

The unprecedented ticket mayhem built hype — not just for the film, but for the format. By the time a second round of tickets were made available last month, buyers swarmed with such frenzy that they crashed the AMC Theatres app.

In Los Angeles, home base for cinephiles of every stripe, scoring one of these coveted opening weekend tickets was particularly challenging. Much of the excitement revolved around the fact that “The Odyssey” was the first feature shot entirely on Imax 70mm film, a technical achievement that involved the invention of a new camera.

For 28-year-old Van Nuys resident Chase Stanley, who tried and failed to secure a ticket, that milestone was top of mind.

“Ultimately, I’m just jealous that I’m not included,” he said. “Since it’s the first movie to capture the whole thing in 70mm Imax, it’s my due diligence to see it like that.”

Despite the enthusiasm from moviegoers, film projection has been considered a dying art since most movie theaters worldwide switched to digital projection in the early 2010s.

More than a marketing tactic, the scarcity of tickets for Imax 70mm screenings underscored both the dearth of theaters capable of projecting films in the premium large format — only 41 — and projectionists with the requisite skills.

A number of renowned directors, including “The Odyssey’s” Christopher Nolan, prefer to shoot on film and strongly encourage analog viewing. But because few theaters own the necessary equipment or employ full-time projectionists, coordinating a release as massive as “The Odyssey” is its own arduous journey.

Venues new and old

There are 25 theaters in the United States showing “The Odyssey” in Imax 70mm, eight of which are located in California. One of L.A.’s favorites is the Universal Cinema AMC at CityWalk Hollywood, where veteran Imax projectionist Taylor Umphenour has worked for the last three years.

On his Instagram page, Umphenour shares “projectionist POV” photos and videos with more than 22,000 followers, giving them a unique glimpse into the projection booth for movies like “Sinners,” “One Battle After Another” and “Project Hail Mary.” His company, Film Leader Co., supervises film restorations and runs technical operations for a smattering of cinema houses across the country.

In addition to his work at CityWalk, Umphenour has been busy for weeks overhauling the projection setup at the historic Alex Theatre in Glendale.

The 100-year-old venue opened in 1925 as a vaudeville and silent movie house where Walt Disney previewed his animated shorts, but it changed identities many times over the course of its history. Now, Umphenour and his team are working with Miles Williams, the theater’s artistic director, to transform it into a “premier cinema house” in time for “The Odyssey’s” release. It marks the first time the theater has been used for a first-run film release since “Terminator 2: Judgment Day” in 1991.

“What better opportunity to relaunch this venue than to open with Christopher Nolan’s ‘The Odyssey’? That’s why this project is on such a tight turn,” Umphenour said.

His team built an entirely new, massive booth in just three weeks to house sound equipment and projectors capable of running both 35mm and 70mm film. To secure the Alex a last-minute 70mm print of “The Odyssey” — which costs tens of thousands of dollars to manufacture, ship and distribute and runs about four miles long — Umphenour relied on his relationship with distribution executives at Universal.

The Alex will screen the movie in 70mm, which uses the same film stock as Imax 70mm but runs vertically instead of horizontally, making each physical frame roughly three times smaller than its Imax counterpart. Audiences seeking the larger-than-life Imax experience will have to look elsewhere — like CityWalk — but Umphenour believes that analog screenings will still draw a crowd.

“What’s special about these — about running on film, about running 70mm, about handling premium large formats — is that it does remind people how much they love going to the movies,” he said.

“What it’s all about is expanding that sense of scope and horizon, the analog color, that sense of immersion.”

Not a job for ‘popcorn projectionists’

In advance of “The Odyssey’s” release, Imax contracted 130 experienced projectionists and required each to attend an intensive, weeklong training program.

“I’ve said for years that the projectionist is the last performer in a long chain of people that started with an idea,” Umphenour said. “They are the final person to deliver the vision of the filmmakers to the audience, and therefore, one of the most crucial.” Far from simply pressing a button, film projectionists must actively guide a screening, threading and splicing reels and closely monitoring for mechanical issues.

But thanks in large part to the dwindling number of theaters projecting analog film since 2013, finding capable, actively working projectionists for releases like “The Odyssey” can be a struggle.

Sean McKinnon, director of specialty presentations and AV integration at Boston Light and Sound, is in charge of hiring these projectionists for about 60 venues across the country screening “The Odyssey” in 70mm. He did the same for “Oppenheimer” in 2023, which had the longest theatrical window of the year.

“It was pretty challenging finding people for ‘Oppenheimer,’ especially because the film was so amazing, it was in theaters for so long,” he said of the 122-day release. Staffing projectionists for “The Odyssey” has been “definitely easier,” he said, as the “word has gotten out.”

The talent pool McKinnon pulls from includes theater managers, retired projectionists, trainees from specialized college programs and even workers in other professions who take PTO for the occasion.

“We get people from really all walks of life,” he said. “It’s a special event and people want to be a part of it.”

Outside of big cities, the lack of local projectionists also means McKinnon’s company has to fly people to Morrow, Ga., or Valley View, Ohio, for instance, to run the booth for the duration of a film’s run.

Leah Saint Marie, a filmmaker and former projectionist at the Vista Theatre in Los Feliz, attributed the staffing struggle to the experience and knowledge divide between hobbyists and experts.

“Training is pretty easy if you want to be what they call a ‘popcorn projectionist,’” she said. They “can thread the movie and push start, but if there are any mechanical issues, they can’t fix it.”

“I don’t think anybody who’s going to run a 70mm Imax are popcorn projectionists, because it’s very technical,” she added. Each Imax film print of “The Odyssey” is 11 miles long and weighs roughly 600 pounds.

The most recent data from the U.S. Bureau of Labor Statistics estimated that in 2023, there were 2,610 motion picture projectionists employed in the U.S. — an increase from 1,900 in 2022. In 2012, the BLS estimated roughly 8,000 projectionists and predicted the number would decline by 26.5% in the next 10 years — but it ultimately decreased by 76%.

“If you want to maintain expertise in the field, what you want are enough [movie] theaters out there running film that somebody can try their hand at it and get better,” Umphenour said.

Why film matters

Could the overwhelming audience demand for Imax 70mm screenings translate into a resurgence of fully equipped theaters? According to Imax Chief Executive Richard Gelfond, it’s more complicated than that.

“The problem is they haven’t made new Imax film projectors in about 50 years,” Gelfond told Variety on Wednesday. “We build new projectors every day, but film projectors, using this film, it’s not practical. So we’ve got to find them and retrofit them and rebuild them, which is what we did for ‘Odyssey.’ But can all 2,000 of our theaters be film projectors? No. There’s just not that many around.”

That said, Cinemark reportedly installed Imax 70mm projectors at three of its theaters ahead of “The Odyssey’s” release, and there are 11 more theaters projecting “The Odyssey” in Imax 70mm than there were for “Oppenheimer.”

Saint Marie recalled working as a projectionist in Pennsylvania during the period when most theaters transitioned from film to digital. While training at a new theater, she was surprised to find an old film projector still stored in the booth, and even more surprised to learn it was for Nolan’s sake.

“When he releases a [movie] on film, we have to have the projector. A lot of places around the United States kept their projectors specifically for Nolan,” she said.

Nolan isn’t the only director with an affinity for large format film and analog media. Quentin Tarantino, Paul Thomas Anderson and Ryan Coogler (whose 2025 hit “Sinners” made quite a splash in Imax 70mm) are others associated with what Umphenour dubbed “the 70mm renaissance.”

According to Saint Marie, theaters worldwide transitioned from film to digital projection mainly because the cost of shipping a Digital Cinema Package is much cheaper than shipping a film release print. But the community of skilled laborers and enthusiastic audiences who champion analog projection say it’s worth it.

“I think there’s something to be said about what film gives you as an artistic community, versus what digital gives you is just consuming as a capitalistic society,” Saint Marie said. To McKinnon, it comes down to the “tradition of humans telling a story by flickering light” harking back to prehistoric times.

For Umphenour, the story of “The Odyssey’s” release and all of the 70mm fanfare is one of preservationists triumphing over countless obstacles.

“There are 70mm theaters running this film throughout the world that, frankly, have been kept alive through the deep devotion of people who care about this format,” Umphenour said. “They really do deserve to be celebrated because, like so many things in life, if you don’t have people that care about it, you don’t end up with a thing.”

“The results of all this work are not images projected on screen,” he continued. “It’s a community brought together to hear a story well told, which allows them to create a life memory they get to carry forward for years and years.”

The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.

The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.

Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.

“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”

The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.

The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.

More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.

PUSSYCAT DOLLS have cut their ticket sales in half across some of their UK gigs following their reunion tour axe. 

Back in May, the trio were forced to scrap their North American shows after failing to sell enough tickets. 

The girl group, featuring Nicole Scherzinger, 48, Ashley Roberts, 44, and Kimberly Wyatt, 44, are due to launch their comeback later this year. 

There are eight scheduled tour dates set up and down the UK for fans to enjoy but it has now been revealed that the price for four of them have been discounted. 

The sale is a part of a promotion for the AXS 2026 Summer Sale, and includes shows in Birmingham, Leeds, Newcastle and London. 

The sale will run till July 15, giving fans time to grab the discounted tickets but having slashed ticket prices before it remains unclear whether this will boost sales. 

For their tour across the pond, the girls struggled to sell tickets despite cutting prices to $30, and several dates still had as much as 80 percent of the seats available. 

They had planned 33 dates across the US and Canada, starting in Palm Desert, California, on June 5. 

Rehearsals were delayed and had not formally started before the plug was pulled.

They then went on to announce the news in a group statement, they said: “When we announced the PCD Forever Tour, we hoped to bring the show to fans across the world.

“After taking an honest look at the North American run, we’ve made the difficult and heartbreaking decision to cancel all but one of the North America dates.”

But speaking about the Europe and UK leg, they added: “We are putting everything into making this show a true celebration of the music and the memories.”

The European leg of the PCD Forever tour is due to begin in Copenhagen on September 9.

And Insiders have insisted their ticket sales have been far better in Europe than in North America, with shows in Warsaw and Paris already sold out.

The cancellation was another setback for the girl group, who also cancelled their last reunion tour.

They announced in 2019 that they were launching a comeback as a five-piece along with former members Carmit Bachar and Jessica Sutta, with shows across the UK, Europe, Asia, South America, Australia and New Zealand.

However, it was delayed due to Covid and was eventually axed due to a disagreement between frontwoman Nicole and the band’s founder Robin Antin, on which they reached a confidential settlement last September following a lawsuit.

The Dolls, who had eight Top Ten hits including No1s Don’t Cha and Stickwitu between 2005 and 2009, announced their return as a trio in March when they dropped their new single Club Song.

StubHub is getting a red card from some World Cup fans

Two World Cup customers are suing the New York-based ticket-selling company, alleging “false and misleading” advertising that left them without tickets or a refund for the World Cup games they paid to attend.

In federal court in New York last week, two Californians — Julia Reeker Moghal and Reuben Renteria — sued StubHub seeking monetary damages and a ban on the company selling World Cup tickets. The lawsuit aims to become a class action and comes after weeks of fierce criticism and complaints from customers regarding the company’s practices.

Throughout the World Cup, videos have emerged on Instagram and TikTok of StubHub customers describing their nightmare experiences with the ticket-selling platform.

Some said they had purchased tickets to World Cup games as early as November of last year, booked flights and hotels and arranged travel plans, then StubHub notified them days to weeks before the match of a refund for their tickets, which they never requested.

There were similar complaints about last-minute cancellations from people who bought Coachella tickets on StubHub.

In the lawsuit, Moghal said she had purchased three tickets for nearly $2,000 for the June 18 match between Switzerland and Bosnia-Herzegovina at SoFi Stadium in Inglewood, which were then canceled by StubHub. Moghal said she was contacted by StubHub and told her tickets would remain canceled, then was later told the tickets would be available one hour before the game.

When the match began, Moghal said she was at SoFi Stadium, but the tickets never came.

Renteria said he paid around $2,300 for the June 18 Mexico versus South Korea match in Guadalajara, Mexico, but they were canceled

“Devoted soccer fans have traveled from around the world to attend World Cup matches — and they reasonably relied on StubHub to provide the tickets they paid for as well as on StubHub’s warranty,” Blake Hunter Yagman, the attorney representing the two, said in a statement. “Instead of rewarding their business, StubHub sold them World Cup tickets that they either could not provide or on speculation, only to be stranded, in many cases, at the stadium gates without any recourse.”

According to StubHub’s website, its Fan Protect Guarantee states the platform will deliver valid tickets or refund in the event of a ticket issue, and that it will “go out of our way to find replacement tickets” of a comparable value. The lawsuit alleges the replacement tickets many fans were given by StubHub were worse than their original tickets.

FIFA, the World Cup organizer, states in its terms and conditions that the FIFA Marketplace, its own ticket-selling platform, is the only authorized platform for World Cup tickets, and that only tickets purchased through it are guaranteed by FIFA to be valid.

Despite the risk of purchasing through a third-party platform such as StubHub, many fans opted to do so to avoid the 30% FIFA resale tax, believing that the Fan Protect Guarantee would safeguard their order.

Since World Cup tickets began selling on FIFA Marketplace last September, fans have expressed disappointment in the expensive price tag. FIFA utilized a dynamic pricing system for the sale, and as sales phases progressed leading up to the games, the cost of tickets increased tremendously. In March, the extreme cost of tickets prompted 69 members of Congress to write a letter to FIFA urging them to lower their prices.

Tickets for the upcoming Friday match between Spain and Belgium in Los Angeles are selling on StubHub for over $1,300.

StubHub said in various statements to the news and in legal proceedings that ticket cancellations were a result of transfer problems and issues with FIFA’s ticketing infrastructure.

StubHub did not respond to requests for comment.

A FIFA spokesperson responded to this accusation in a statement, saying, “FIFA has no visibility over, or control of, secondary market ticket transactions carried out on third-party platforms. The transactions facilitated on these platforms occur entirely independently of FIFA’s official ticketing platform. With reference to the reliability of the services available to fans on FIFA’s official ticket platform, FIFA rejects any suggestion that the functional issues being experienced by users of third-party platforms with respect to FIFA World Cup 2026 tickets are the result of FIFA’s ticketing infrastructure.”

The price for the final 2026 World ⁠Cup match in Seattle hit nearly $4,000 but dipped as low as $1,549 ⁠on Tuesday.

Ticket prices for ‌the United States’ highly anticipated round of 16 game against ⁠Belgium on ⁠Monday plunged by more than 30 percent before rebounding slightly early Saturday evening.

The get-in price for the final 2026 World ⁠Cup match in Seattle hit nearly $4,000 on June 1, according to ticket-tracking service TicketData.com. After dipping to as low as $1,549 ⁠on Tuesday, the get-in price spiked to $2,836 after the USA solidified their spot in the round of 16 with a 2-0 win over Bosnia and Herzegovina.

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However, the get-in price has steadily declined in the ‌days since. It dropped to $1,423 on Saturday afternoon – a 32 percent decrease over the past three days – but the get-in price rebounded to $1,635 at 6pm Eastern Time (23:00 GMT).

That late boost pushed the USA-Belgium game from the fourth-highest get-in price to the second-highest price among the eight round of 16 matches. Mexico’s game against ⁠England in Mexico City on Sunday sits ⁠at $3,574.

ROUND OF 16 TICKET PRICES*:

• Mexico-England, 7/5 (Houston): $3,574
• USA-Belgium: 7/6 (Seattle): $1,635
• Argentina-Egypt: 7/7 (Atlanta): $1,599
• Brazil-Norway: 7/5 (New Jersey): $1,537
• Portugal-Spain: 7/6 (Dallas): $1,367
• Switzerland-Colombia: $959 (Vancouver): $972
• Paraguay-France: 7/4 (Philadelphia): $914
• Canada-Morocco: 7/4 (Houston): $721

*TicketData.com as of 6 p.m. ET on July 4.

The significant drop in the ⁠get-in price for the US-Belgium game is somewhat surprising considering the Red Devils’ base camp ⁠is located just 16 kilometres (10 miles) south of Seattle ⁠Stadium at the Sounders FC Performance Center. Monday will mark Belgium’s third match in Seattle following a 1-1 draw with Egypt in the group stage and a ‌dramatic 3-2 comeback victory over Senegal in the round of 32.

Canada was the first team eliminated from the round of 16 ‌with ‌their 3-0 loss to Morocco on Saturday. The get-in price for that match dropped 14 percent from $838 over the final 72 hours.

Looking at a blank calendar for the six week summer holiday? With less than a month until the schools break up for the summer, here are some days out that will keep the kids entertained without costing a fortune

Most schools in England and Wales will break up for the six-week summer holidays in less than a month, leaving many parents scrambling to fill the days with things to do.

A theme park is a classic family day out, but it’s not exactly a cheap option, and some deals don’t cover peak summer holiday dates. But there are ways to cut the costs if you’re planning a day out at one of these attractions, and here are some of the parks with discounts you can use in July and August.

Flamingo Land Theme Park & Zoo – 58% off

Wowcher is currently running a deal for day tickets to Flamingo Land in Yorkshire, with 50% off single tickets and 58% off if you buy four. This means a family of four can enjoy access to the theme park, zoo, and a host of other attractions for £97. The offer includes full school holiday availability.

Flamingo Land includes a number of thrilling rollercoasters, Dino-Stone park, and the adorable Muddy Duck Farm where younger kids can visit Peter Rabbit and his friends. Flamingo Land also offers on-site accommodation for longer breaks, including lodges and cottages for those who want to spend multiple days in the park.

Gulliver’s – up to 99% off children’s tickets

Gulliver’s, which has four locations across the UK, is running a unique offer that could snag you up to 99% off children’s day tickets. The catch is that it’s tied to England’s World Cup performance. The discount will be based on the minute of England’s final goal in each group stage match.

So, as an example, if England’s final goal was at 75 minutes, the deal would mean these tickets were discounted by 75%. The deal will be live on June 24 from 10am after England vs Ghana, and June 28 from 10am after their match against Panama and available to snap up for only 24 hours.

However, if you don’t want to base your school holiday plans on the England team’s performance, there’s also a deal running on Wowcher for 50% off Gulliver’s tickets for all four of their locations in Milton Keynes, Rother Valley, Matlock Bath, and Warrington, with good availability across school holiday dates and prices from £11.50.

Alton Towers, Chessington, Thorpe Park – unlimited visits from £16.99 a month

If you live near an attraction owned by Merlin, such as Alton Towers, Chessington, Thorpe Park, or LEGOLAND, then a Merlin annual pass can work out excellent value for money. At the moment, the Merlin annual pass sale includes prices from £139 for the essential pass, while Gold and Platinum passes have £50 off, making them £189 and £249 respectively.

It’s worth noting that the essentials pass does exclude Saturdays in August, but you can still enjoy the parks on other days of the week. If you don’t want to pay in one go, you can also sign up for a monthly pass at Gold or Platinum level for either £16.99 or £20.99.

In addition to its theme parks, Merlin also operates attractions such as the London Eye, Cadbury World, and SEA LIFE centers, so you can ensure you make the most of your pass with a wide range of days out.

Drayton Manor – VAT-free tickets

Drayton Manor is one of the attractions offering VAT savings this summer as part of the government’s scheme to cut the prices of family days out.

If booked in advance, tickets start at £25.80 for peak dates such as the school holidays. Another option is the three-park ticket, although it is only valid until July 31. For £49.50, you get a day at Drayton Manor, one at West Midlands Safari Park, and one at Waterworld in Stoke-on-Trent, a huge indoor waterpark. This works out at just £16.50 per attraction, far below the usual gate price.

Blackpool Pleasure Beach – tickets and stay for £38.03 per person

A deal from Virgin Experiences means a family of four can enjoy a night in a Blackpool hotel, as well as tickets to its iconic Pleasure Beach for just a few pounds more than the usual admission cost.

A Blackpool Pleasure Beach Resort and Family Stay at the Big Blue Hotel costs £169, and if you use discount code DEAL10, this brings it down to £152.10, or £38.04 per person. Day tickets to the park alone usually start at £31.50, so this is a great deal if you want a night away at the seaside.

This deal is not available on bank holiday weekends or Saturdays in July and August, but can be redeemed for other school holiday dates.

Have a story you want to share? Email us at webtravel@reachplc.com

“Hitting customers with hidden fees is illegal. It’s not fair to draw people in with what looks like a good deal, only for them to find the real price is higher when they get to the checkout due to extra charges that can’t be avoided,” said Emma Cochrane, executive director of consumer protection at the CMA.

ATLANTA — Bina Ramroop broke down in tears when she realized she wasn’t going to get the World Cup tickets she had bought for her grandson’s 13th birthday.

As thousands poured into Atlanta Stadium on Monday to see Spain face Cape Verde in what turned out to be a remarkable scoreless draw, Ramroop stood outside, increasingly stressed as she went back and forth for hours between StubHub representatives on the phone and FIFA representatives in the ticket booth. Each blamed the other.

No one could figure out why the tickets Ramroop bought months ago on StubHub for $485 apiece couldn’t be transferred from the original seller to the FIFA ticketing app. StubHub offered her a refund and, as Ramroop heard the crowd roar for the start of the match, she knew she had no choice but to give up and take the offer.

“I didn’t want a refund, I didn’t want my money back,” Ramroop said. “I wanted to go to the game.”

The World Cup has delivered thrills on the pitch, but fans have flooded social media with complaints about tickets that never arrived, orders that were canceled at the last minute and hours they spent trying to sort out problems between FIFA’s ticketing system and outside resale platforms.

The vast majority seem to be about industry titan StubHub, but people who bought through competitors such as SeatGeek and Vivid Seats have also reported issues. Interviews with fans and industry experts show that some cases stem from technical glitches in the transfer process, while others could involve sellers who never had tickets to deliver in the first place, though StubHub denies such sales happen on its platform.

A grandmother’s disappointment

FIFA has urged fans to buy resale tickets through its own marketplace, where it slaps a 30% surcharge on every resold ticket — 15% each from the buyer and seller. But many fans bought through other resale sites, either out of habit or because those sites have lower prices or are easier to navigate.

Ramroop didn’t realize she was taking a risk when she bought through StubHub, which she had used in the past without issues.

As she and her grandson Elijah Gomes took the long, lonely train ride back to the Atlanta suburbs, Elijah followed the score on his phone. The match had ended scoreless, and he tried to cheer up his devastated grandmother by telling her they hadn’t missed much after all (Cape Verdeans would beg to differ ).

“He’s telling me, ‘Grandma, it’s OK, Grandma.’ And he’s trying to console me,” Ramroop said the next day.

She was hardly alone. An Associated Press journalist witnessed more than a dozen frustrated fans at the match who said they were stuck in similar situations.

StubHub blamed FIFA for the transfer problems that buyers like Ramroop have experienced. In a statement, it said FIFA has “poor technology infrastructure,” enacted last-minute transfer restrictions and didn’t launch its new ticketing app until a few weeks before the tournament. The company also called out organizers that “take anti-competitive actions” that limit where fans can buy and sell tickets.

Asked about the technical issues, FIFA on Wednesday reiterated that sales through its official site are guaranteed to go through.

An industry’s longstanding problem

Industry observers say the problems appear to stem from more than one cause. For some, it may indeed be technical glitches — an issue that StubHub says is “very, very rare” and one that it is hard at work to solve. For others, they say it’s likely a more longstanding scourge: speculative sellers.

Scott Friedman, an industry veteran and co-founder of a consultancy called the Ticket Talk Network, said some sellers list tickets before they actually have them, betting that prices will fall closer to the event so they can buy the tickets at a better price later. But because World Cup ticket prices have surged since the tournament began, those sellers have been forced to either buy expensive tickets to fulfill their orders or cancel and accept penalties from resale platforms. StubHub’s penalties are typically 200% of the ticket price, Friedman said.

“This is not new at all,” said Friedman, pointing to other high-profile events where frustrated fans were left empty-handed, including Taylor Swift’s Eras tour. “This has been going on, but it’s making global news because it’s the World Cup.”

StubHub says it requires sellers to prove they have tickets before they list them.

But regardless of the reason for the canceled sales, Friedman said “StubHub should fill every single order to make sure fans get in the biggest global sporting event that happens every four years.”

That’s what many fans say they expected when they purchased through StubHub.

StubHub’s FanProtect Guarantee promises replacement tickets or a refund if tickets fail to arrive. But the policy repeatedly says those remedies are provided at StubHub’s “sole discretion,” meaning the company can choose a refund instead of securing replacement seats.

“That is pretty explicit language,” said Michael McCann, a sports law expert at the University of New Hampshire. McCann noted that a buyer could try to challenge the language under state consumer protection laws, but it would be an uphill battle.

A father’s regrets

Pape Ndaw is crestfallen that the high school graduation gift he got for his son — tickets for them to see the Netherlands and Japan near their home city of Dallas — never arrived.

He bought the tickets for about $550 apiece in December. Then, two days before the June 14 match, he received an email from StubHub telling him, “The seller can’t deliver your original tickets.”

Ndaw accepted store credit rather than a refund, thinking he would use the funds to quickly get replacements, only to then realize that the cheapest last-minute tickets were going for more than $1,500 each. Not only were they not going to get to go to the game, but Ndaw said StubHub rejected his belated request for a refund instead of store credit.

Breaking the news to his soccer-obsessed son was brutal, Ndaw said.

“It was a disastrous thing,” he said. “He had told all his friends that he was going to that game. He literally cried. I mean, he is a 17-year-old kid, but he cried.”

A family’s attempt to make the best of it

Others fared somewhat better.

Patrick O’Neil of Pittsboro, North Carolina, traveled to Atlanta with his wife, son and relatives after purchasing five tickets through StubHub for the Spain-Cape Verde match. Two tickets transferred successfully, but three never arrived.

O’Neil’s 15-year-old son and his uncle ended up using the two tickets, while O’Neil, his wife and another relative watched from a nearby bar.

After local media caught wind of their ordeal, O’Neil said StubHub contacted the family and offered tickets to another game. Since the family had already bought tickets to one, though, he and his wife asked the company to instead give the seats to local nonprofit Soccer in the Streets so they could go to people who otherwise might not be able to attend a match.

“StubHub is not evil, but they’re part of the whole system that makes it really hard for just normal kids and people who might want to see a match get to go,” O’Neil said.

On Thursday, a StubHub representative confirmed to the AP that the company would honor the O’Neils’ request and send tickets to the nonprofit.

Rico and Megnien write for the Associated Press.

Tickets to watch the U.S. dominate Paraguay 4-1 on Friday night at Inglewood’s SoFi Stadium cost a fortune. But roughly nine miles north, fans such as Jose Santiago and Ivan Gonzalez enjoyed the match at a fraction of the price.

The pair each paid $10 for a ticket to watch the Stars and Stripes flourish in their first World Cup game on home soil in 32 years on big screens at the packed Coliseum on Day 2 of the Los Angeles FIFA Fan Festival.

“We bought these tickets [at the] last minute, not knowing what to expect,” said Santiago, of Fullerton. “And so far, we’ve been blown away. We definitely want to come back.”

“It’s dope,” added Gonzalez, of Yorba Linda. “You feel it. You feel the game. You feel the atmosphere. It’s fun. Everyone’s into it right now.”

Food and drink options. Pop-up tents featuring brands such as Galaxy and LAFC. A rare on-field experience at the home of USC football. And, of course, some good ‘ol collective effervescence.

“It makes you still feel like you’re a part of it,” Santiago said of his viewing experience. “It still makes you feel like you’re at the stadium, because we’re all watching the game.”

The U.S. took care of business in its World Cup opener. Presumably, those who could afford the intimidating ticket and parking prices at SoFi Stadium considered the experience worthwhile.

Santiago and Gonzalez, however, spoke for many who cherished their inexpensive night at the Coliseum, in the City of Angels itself, during their nation’s statement victory.

Several other attendees would agree — even those who aren’t backing the U.S.

Take Charlotte Cabeca, a 37-year-old from downtown L.A., is primarily rooting for Colombia — as well as “anybody from South America” — but was still grateful for the opportunity to watch the beautiful game with other fans at a bargain.

“It’s so fun,” Cabeca said with a laugh, as “USA” chants rang in the background. “It’s a really kid-friendly and family-oriented [environment.] It’s not as hectic as I had anticipated.”

Cabeca said she’ll attend more fan events in L.A. throughout the tournament, as Friday marked “the closest we can get [and] that we can afford” compared to actually attending a World Cup match.

Perhaps more important, though, Cabeca appreciates the community engagement unfolding before her eyes.

“I love that the city is coming together,” Cabeca said. “I feel the unity. And even these fanfests, they bring us together. So even if we’re not at the game, it still brings all of us together as a country.

“It’s awesome. The traffic is not helpful, but other than that, it’s exciting. I really feel like everybody is for soccer right now, and that’s what we need right now to heal and be happy together.”

While Friday was a night of smiles, chants and relative affordability, there remain fans who wish FIFA and the U.S. would do more to make the World Cup more accessible, particularly by making everything, well, cheaper.

“Obviously, football is a very hard sport to monetize, because we don’t have the breaks like the NFL,” Kunal Mehrotra, a 25-year-old soccer fan from Koreatown, prefaced before saying, “Without the fans, it isn’t really a World Cup. So, it is disappointing from the U.S., and it’s not just the tickets. … It really shows that the U.S. is in it for the money and not at all for the football, which is disappointing.”

“It’s pretty ridiculous,” added Monica Unzueta, a Maywood resident and fan of Mexico and Spain. “But aye, at least FIFA’s holding some events. I mean, they should be free. But, I don’t know — that’s just FIFA.”

While they’d rather attend a World Cup game live, as Mehrotra and Unzueta noted, that isn’t realistic for most residents.

So, nights such as Friday at the Coliseum are the next-best thing.

And for fans such as Tyler David, a 24-year-old from Tampa, Fla., the trip to the home of the Trojans couldn’t have gone better.

“Beyond belief,” David said. “And it’s so cool to see everybody and the cultures colliding. Love it.”

Oh, and the USA’s big victory was splendid for fans too.

“Dude, absolutely magnificent,” David said, in disbelief of the U.S. leading 3-0 after 45 minutes against Paraguay. “Christian Pulisic, [coach Mauricio] Pochettino, all the guys, [Timothy] Weah. They’re playing at the top of the charts right now. I love to see it on the home soil in L.A.

“It’s getting me fired up; the fan base, the environment, the atmosphere — through the freaking roof.”

WASHINGTON — As Bill Clinton struggles with his draft history and President Bush his tax promises, they might look back wistfully at something that happened 40 years ago last week. Richard M. Nixon, in much worse trouble, talked his way out with a single TV appearance that became famous as the “Checkers” speech.

On Sept. 23, 1952, the newly minted vice presidential candidate of the Republican Party faced allegations that threatened to force him off the ballot and end his political career–the disclosure of an $18,000 fund set up for him by rich businessmen.

Nixon, a first-term senator from California, dealt with the crisis dramatically, gambling everything that the public could be won over to his side with a mixture of pathos and candor in a single speech.

He denied any impropriety in using the private fund. But that part is hardly remembered.

“One other thing I probably should tell you, because if I don’t, they will probably be saying this about me, too,” Nixon told a television audience of 60 million. “We did get something, a gift, after the nomination.”

He explained it was a black-and-white cocker spaniel that 6-year-old Tricia Nixon had named Checkers. “I just want to say this, right now,” said Nixon, in a fight to stay on the ticket with Dwight D. Eisenhower, “regardless of what they say about it, we are going to keep it.”

The “Checkers” speech also included Nixon’s famous reference to wife Pat’s “Republican cloth coat” to point out that she didn’t wear mink. He ended it with a defiant vow not to quit. He urged listeners to tell the Republican National Committee “whether you think I should stay on or whether I should get off.”

The outpouring of sympathetic support cemented his spot on the ticket.

The fund had been set up by Dana Smith, a Los Angeles lawyer who had been finance chairman for Nixon’s successful 1950 race for the Senate. Smith intended it to pay for Nixon’s political travel, printing and mailing of speeches and clerical help, which would not be reimbursed by the Senate.

Once the existence of “the millionaire’s club” exploded in headlines, it ballooned and overshadowed everything else in the 1952 campaign. Eisenhower’s advisers urged the general to dump Nixon and find himself a new running mate.

Nixon got scant comfort from Eisenhower, who told him: “I have come to the conclusion that you are the one who has to decide what to do,” Nixon recalled, in his book “Six Crises.” “I think you ought to go on a nationwide television program and tell them everything there is to tell, everything you can remember since the day you entered public life. Tell them about any money you have received.”

To others, Eisenhower insisted that Nixon prove himself “clean as a hound’s tooth.”

The GOP and the Senatorial Congressional Campaign Committee pledged the $75,000 to buy a half-hour in prime time for Nixon’s speech, which was broadcast from the 750-seat El Capitan Theater in Los Angeles–the same hall where the “Colgate Comedy Hour” and “This Is Your Life” originated.

An hour before he left for the theater, came a call from Thomas E. Dewey, a two-time losing candidate for president and then a member of Eisenhower’s inner circle. He insisted that Nixon end his broadcast with his resignation–and even resignation from the Senate.

“If they want to find out they’d better listen to the broadcast,” Nixon shouted at Dewey. “and tell them I know something about politics too.”

Nixon went on the air in the empty theater. “Not one cent of the $18,000 or any other money of that type ever went to my personal use,” he said. “Every penny of it was used to pay for political expenses that I did not think should be charged to the taxpayers of the United States.”

He listed his assets and his debts, in detail, then said of his wife, “Pat doesn’t have a mink coat. But she does have a respectable cloth coat. And I always tell her that she’d look good in anything.”

The next day, Nixon flew to Wheeling, W.Va., to meet with Eisenhower. Just as he was about to leave the plane, Eisenhower came up the steps.

“You didn’t have to come down here to meet me,” said Nixon.

“You’re my boy,” said the general. And Nixon wept.

LA28 reserved the first Olympic tickets for locals. To kick off the second round of ticket sales, it’s a sponsorship connection that could help fans get to the front of the line.

Before the second Olympic ticket drop officially begins Aug. 10, LA28 announced Wednesday there will be a presale for Visa cardholders that will run from July 29-31.

Visa has sponsored the Olympics for 40 years and is the only credit card accepted for payment in Olympic zones. For a chance to be selected for the presale, fans need to first confirm their status as a Visa cardholder. Fans who have already registered can log into their existing LA28 ticket account, check the “Visa presale box” and save changes. New registrants must select the Visa cardholder option during the registration process. All ticket sales during the presale must be completed with a Visa credit card.

Fans can register for the second ticket drop at tickets.la28.org until July 22. Those who already registered for Drop 1 but weren’t selected or didn’t purchase their full 12-ticket allotment do not have to sign up again and are automatically entered into the lottery for Drop 2, which will run from Aug. 10-20.

Fans who are randomly selected for the Visa presale will be notified of their time slot on July 27. Those who aren’t selected for the presale remain eligible for a time slot in Drop 2. Email notifications for Drop 2 time slots will go out from Aug. 6-7.

The second ticket drop will offer tickets across all Olympic sports at a range of price points, LA28 said in a statement, subject to inventory availability. Prices start at $28 for individual tickets, but of the total 1 million $28 Olympic tickets, half were scooped up during the Drop 1 presale that was reserved for locals living near venue cities in Southern California and Oklahoma City.

April’s ticketing debut frustrated fans who were surprised by high prices, a 24% service fee on every ticket and limited inventory for key events. Still, LA28 sold 4 million tickets across 85 countries, a historic number that had International Olympic Committee officials giddy for the potential of the 2028 Games.

“What we thought we were going to sell, and what we thought we were going to get for people who registered for interest, we exceeded those by magnitudes,” LA28 Chief Executive Officer Reynold Hoover told The Times on June 4 after IOC members visited L.A. “We were able to set Olympic records in terms of sale, but I think the broader picture about all of that is people want to be a part of something really big and be part of something here in L.A., a part of history.”

LA28, the organizing committee behind L.A.’s first Olympics in 40 years, expects to generate $2.5 billion in ticketing and hospitality to support what has been advertised as a privately funded Games. The estimated $7.1-billion operations budget is also buoyed by $2.5 billion in expected sponsorship revenue. LA28 already has $2 billion in domestic partnership money.

NEW YORK — Donald Trump is set to be the first sitting U.S. president to attend an NBA Finals game, bringing strict security measures that will require New York Knicks fans to navigate an extensive safety perimeter around Madison Square Garden and an expected lengthy wait to get inside the building.

The security for Game 3 between the Knicks and San Antonio Spurs and the scene around the arena more closely resembled New Year’s Eve in Times Square, and for fans, it might seem more akin to a trip to the airport. They were asked to get to the game two hours early and will be required to provide a ticket to get past various checkpoints along with passing through a TSA-style magnetometer.

Trump’s appearance led the New York Police Department and Secret Service to establish a multi-block security perimeter around the arena, cancel a watch party outside and institute a no-bag policy for ticket-holders. Fans had gathered around the Garden to watch games during this playoff run, during which the Knicks have won 13 games in a row to reach the final for the first time since 1999 and move two victories from their first NBA title since 1973.

“The NYPD in coordination with the Secret Service made the decision for Game 3, where we have a presidential visit, that we could not support watch parties right outside of the Garden,” Police Commissioner Jessica Tisch said at a news conference Monday. “We are looking forward to bringing back watch parties for Game 4. But I think New Yorkers are used to presidents coming to town, and they understand that that generally means lockdowns of areas and that’s what you’re going to see tonight at the Garden.”

Trump has attended several major sporting events in his time as president, and the security measures have created major hassles for fans.

Thousands of fans missed the start of last year’s U.S. Open men’s singles final between Carlos Alcaraz and Jannik Sinner because of lengthy security lines. Even though the U.S. Tennis Association pushed back the start of the match by a half-hour, many fans still couldn’t get in because added measures meant that they had to go through screening not only when they arrived at the Billie Jean King National Tennis Center but again in front of the steps into Arthur Ashe Stadium, where Trump watched from a suite.

Asked his thoughts on Trump attending, Knicks center Mitchell Robinson said: “Cool, I guess. We can still get out there and play (no matter) who’s here and who’s not.”

Mayor Zohran Mamdani and other dignitaries are also expected to be at the game Monday night.

It was already hard enough for Knicks fans to get inside Madison Square Garden because of astronomical ticket prices. The get-in price for a ticket is higher than the average cost of monthly rent in New York, surging over $6,000. The best seats are tens of thousands of dollars. Mamdani said he bought his ticket for about $1,000 directly from Madison Square Garden.

The difficulty of seeing the game in-person has prompted fans to crowd bars, streets and watch parties all over the city. The watch party near the Garden has become a major event all through the playoffs, but with Trump attending, that event will be moved a few blocks away outside the security perimeter, at Bryant Park.

“We improvise,” said Knicks guard Jose Alvarado, who is a New York native. “We’re New Yorkers. We’re going to find a way to watch a game, and that’s what we’re doing.”

Whyno writes for the Associated Press. AP writer Brian Mahoney contributed to this report.

NEW YORK — Donald Trump was booed loudly by fans inside Madison Square Garden when he was shown on video screens during the national anthem prior to Game 3 of the NBA Finals on Monday night.

Trump was shown for several seconds giving a military salute. The boos ended when the U.S. flag followed him on the screens, and fans cheered when New York Knicks players were shown. Mentions of the San Antonio Spurs also elicited loud boos.

Trump is watching from Knicks owner James Dolan’s suite, along with granddaughter Kai, personal adviser Boris Epshteyn and Cabinet secretaries Lee Zeldin, Sean Duffy and Doug Burgum. He is the first sitting president to attend an NBA Finals game.

Trump’s Marine One helicopter flew from his home in New Jersey and landed near Wall Street before his motorcade made its way up through Manhattan and to the arena roughly an hour before tipoff. He encountered a handful of people making rude gestures, and outside the area, one group held signs saying “Trump must go.”

He settled into Dolan’s suite shortly afterward.

During the afternoon before Trump’s arrival, the New York Police Department and the U.S. Secret Service set up a large perimeter surrounding Madison Square Garden. Fans lined up to get inside the arena more than four hours before tip-off, in a scene more closely resembling New Year’s Eve in Times Square than the usual leadup to a basketball game.

They were required to provide a ticket or pass to get past various checkpoints, along with going through a Transportation Security Administration-style magnetometer. Secret Service personnel and police were positioned at every corner and in large numbers. Daily commuters, tourists and fans were all confounded at various times as they tried to maneuver the security.

New Yorkers forced to adjust

After traveling from his new home in Florida for the game, Knicks fan Greg Weldon said the main inconvenience he’s faced so far has been the lack of information.

“We’ve asked so many cops, Secret Service, guys with machine guns, what to do, where should we go,” he said. “Nobody knows.”

Knicks coach Mike Brown and Spurs counterpart Mitch Johnson downplayed any concept of being inconvenienced by the closures and enhanced security because of Trump.

“There’s a lot going on, and I’d much rather be a part of it than not,” Johnson said.

With security stepped up, a watch party outside was canceled, and ticket holders were not allowed to bring bags inside the Garden. Fans had gathered near the arena to watch games during this playoff run, during which the Knicks have won 13 games in a row to reach the Final for the first time since 1999 and move two victories from their first NBA title since 1973.

“We are looking forward to bringing back watch parties for Game 4,” Police Commissioner Jessica Tisch said at a news conference Monday. “But I think New Yorkers are used to presidents coming to town, and they understand that that generally means lockdowns of areas and that’s what you’re going to see tonight at the Garden.”

Incidents heighten attention to Trump’s security

This is the latest major sporting event Trump has attended during his time as president, and the security measures have created major hassles for fans.

Thousands of fans missed the start of last year’s U.S. Open men’s singles final between Carlos Alcaraz and Jannik Sinner because of lengthy security lines. Even though the U.S. Tennis Assn. pushed back the start of the match by a half hour, many fans still couldn’t get in because added measures meant that they had to go through screening not only when they arrived at the Billie Jean King National Tennis Center, but again in front of the steps into Arthur Ashe Stadium, where Trump watched from a suite.

Federal law enforcement officials have been reexamining Trump’s security in light of three incidents in the past two years: a shooting at a 2024 rally in Butler, Penn.; the discovery of a man armed with a rifle as Trump played golf in West Palm Beach, Fla., later that year; and the recent shooting at the White House Correspondents’ Assn. dinner.

Asked Sunday his thoughts on Trump attending, Knicks center Mitchell Robinson said: “Cool, I guess. We can still get out there and play [no matter] who’s here and who’s not.”

New York City Mayor Zohran Mamdani and other dignitaries were also at the game.

It was already hard enough for Knicks fans to get inside Madison Square Garden because of astronomical ticket prices. The get-in price for a ticket is higher than the average cost of monthly rent in New York, surging over $5,000. The best seats are tens of thousands of dollars. Mamdani said he bought his ticket, which he said was standing room only, for about $1,000 directly from Madison Square Garden.

The difficulty of seeing the game in person has prompted fans to crowd bars, streets and watch parties all over the city. The watch party near the Garden has become a major event all through the playoffs, but with Trump attending, that event was moved a few blocks away outside the security perimeter, at Bryant Park.

“We improvise,” said Knicks guard Jose Alvarado, who is a New York native. “We’re New Yorkers. We’re going to find a way to watch a game, and that’s what we’re doing.”

Whyno and Price write for the Associated Press.

The first film by Canadian filmmaker David Cronenberg to be shot partly in the U.S. is, perhaps not surprisingly, a freaky satire of Hollywood. Its take on fame has only grown more accurate in the years since its premiere in 2014. Julianne Moore, Mia Wasikowska and Robert Pattinson star in a demented tale of family, celebrity, ambition, ego and limousines. Funny and perverse, the film captures the uncanny cocktail of mean-spirited malignancy, self-obsessed delusion and just plain obliviousness that runs rampant around town. Presented by the screening series Mezzanine and the local literary magazine the Big One, the evening will be introduced by the film’s screenwriter, Bruce Wagner, a longtime chronicler of Los Angeles.

“Maps to the Stars” is playing June 14 at Brain Dead Studios. Tickets here.

Start sending out “Smoke Signals.” Phoebe Bridgers finally announced her upcoming phone-free arena tour, and it includes two spooky nights in the Los Angeles area.

Bridgers shared details about the Lost Tour on Friday morning, following a sold-out show the previous night at Madison Square Garden in New York City and a series of secret pop-up shows across the United States.

The tour will kick off in Indianapolis in September and cap off the North American run with back-to-back shows at Inglewood’s Intuit Dome on Oct. 30 and 31, fitting dates for the skeleton suit-wearing singer-songwriter. A European leg will follow in November.

All tickets for Bridgers’ surprise acoustic show at Madison Square Garden were sold for $20 or under, and proceeds were donated to the Community Justice Exchange’s Immigration Bond Freedom Fund, which provides bail support to ICE detainees. For the Lost Tour, Bridgers will donate $1 from every ticket sold for North American concerts to RAINN, the nation’s largest anti-sexual violence organization and operator of the National Sexual Assault Hotline.

A phone ban was also instituted at the MSG show and Bridgers’ previous pop-up sets, with attendees storing their devices in Yondr bags, which physically lock using magnets. The same policy will be in effect throughout the upcoming tour.

At the Intuit Dome, home of the Los Angeles Clippers, guests may not need their phones at all to access tickets or purchase concessions, since the arena is equipped with “GameFace ID” facial recognition technology.

The Lost Tour is Bridgers’ first full-band solo tour since Reunion Tour in support of her 2020 album “Punisher” wrapped in April 2023, though she has since toured as a member of the supergroup Boygenius. “Punisher” is her latest solo album, and her debut album with Boygenius, “The Record,” came out in 2023.

Though she debuted eight new songs at Thursday’s MSG show, she has yet to announce a new album.

Singer-songwriter Alex G will provide support on the tour’s North American leg, including the Inglewood dates, while former Black Country, New Road frontman Isaac Wood will support in Europe. The tour’s eerie imagery was created in collaboration with fine art photographer Gregory Crewdson.

In an effort to get tickets in the hands of fans, rather than scalpers or bots, there will be two days of presales before the general sale. Fans can register from now until midnight Sunday for lottery access to the Day 1 presale taking place Tuesday. There will be another presale Wednesday. Tickets go on sale to the general public June 12.

Bridgers last played in L.A. as part of a secret show at all-ages venue the Smell in February 2024, where Boygenius announced its hiatus.

In addition to touring, Bridgers has a role in the upcoming A24 feature “Primetime,” directed by Lance Oppenheim, which hits theaters in September.

Bridgers, who grew up in Pasadena and attended the Los Angeles County High School for the Arts, told The Times in 2022 that her music taste was shaped in part by her upbringing in L.A., where she attended massive music festivals and local Día de los Muertos celebrations alike.

“I learned that there can be fun in the darkness,” she said.