thriller

Before Paul Mescal became a blockbuster star in films like Gladiator II and Aftersun, he played a supporting role in a gripping Irish psychological thriller now streaming on Channel 5

Fans of the Heartthrob Irish actor, best known for his break out role in Normal People, should turn to this lesser known thriller for the perfect binge-watch.

Actor Paul Mescal who has since appeared in the likes of Gladiator II, Hamnet and Aftersun plays a supporting role in this TV series, portraying the character of Sean McKeogh, a local builder in Ireland and volunteer firefighter.

He serves as Ophelia, the protagonists’ confidant and the person she turns to for support as she attempts to uncover the truth behind a devastating death.

The Deceived, released in 2020, follows her time as a university student who becomes romantically entangled with her married lecturer Michael Callaghan, at Cambridge University. Although, her Irish lecturer is from the fictional village of Knockdara in County Donegal, where most of the show is set.

Inevitably, their affair spirals into tragedy, leaving her ensnared in an ever-growing web of deceit and gaslighting, caught up in a dangerous power struggle with her secret lover, and now, a murder case.

Written by the same writer behind the award-winning Irish television series Derry Girls, this show offers something entirely distinct, yet is every bit as deserving of a binge-watch session.

The Deceived is a 2020 mini-series that unfolds a psychological thriller across four episodes. Since its release, the Irish-British production has largely slipped under the radar, despite having a popular actor.

A review of the programme on IMDb compares the story to that of Rebecca, claiming that the show clearly draws on it as inspiration. They wrote: “This is a spooky thriller with obvious references to Rebecca by Daphne Du Maurier. I loved it.

“I don’t get the negative reviews. It had good twists and turns. I thought the acting was very good. I looked forward to each episode.

“It was rather unsettling at times, best watched in the company of someone else, not by yourself. If you like Rebecca you’ll love this. Loved the ending.”

Another reads: “This was a truly excellent four part drama, The Deceived is a smart, creepy, sinister series, which will have you gripped until its conclusion. I would agree with the comments about this having more than a hint of Rebecca about it, very much so, and despite being set in modern day, the story has a wonderful vintage feel to it, it could have been written in 1946.

“Very nicely produced, well made, very well acted indeed, Emmett J Scanlan gives a very good, captivating performance throughout.”

Joining Mescal in the cast are Emmet J Canlan as the lecturer and Emily Reid as the student, alongside Eleanor Methven, Catherine Walker and Ciara Berkeley. While critical reception has largely celebrated the performances of those involved, the majority of complaints appear to be directed at weaknesses in the script and storyline.

A critic points out: “The script is very underwhelming as some conversations are awkward and cut way too short with unanswered questions. It’s very unnatural and makes everyone seem odd and disconnected from each other.”

As a series that flew largely under the radar following its ill-timed release during the pandemic, it seems the show is still waiting to reach the wider audience it deserves. If nothing else, devoted Paul Mescal fans would do well to seek it out and witness one of his lesser-known early roles, before he rose to become the Hollywood heavyweight he is today.

All four episodes of The Deceived are available to stream now for free on Channel 5.

Bestselling author Jessica Knoll’s protagonists mostly follow a specific pattern: They are women who have learned Not. To. Flinch.

And, apparently, neither does Knoll. Talking over Zoom about her fourth novel, the erotic thriller “Helpless,” which is out this month, the author is blunt about the challenges it took to complete the book. “It takes a lot of skill to write good sex,” Knoll says. “I relied a lot on feedback from my editor and from my book agents saying ‘this is hot; this is not.’”

Knoll has written romantic scenes before, but “Helpless” needed to be enthralling and economic enough not to get her kicked off of Target’s bookshelves. In the end, the author says, “I went by what felt good and natural for these characters and maybe a little bit of the really unfiltered talk you have with your girlfriends after a couple martinis or are on a girls trip.”

Knoll’s successful career as a novelist rests on her knack for creating provocative page-turners that depict the absolute worst things one person could do to another — but in such a sensational, tongue-prickling-sour-candy kind of way that her books come off as devilishly evil beach reads. Since her debut bestseller, 2015’s “Luckiest Girl Alive,” — a master class in braided narration between a Machiavellian magazine editor and her younger self who endured so much emotional and physical trauma that it’s no wonder she grew up to be extremely calculating — to 2018’s reality TV-set “The Favorite Sister” and 2023’s “Bright Young Women,” a response to the public’s obsession with immortalizing serial killers while also not knowing the name of a single one of their victims. Knoll’s books are not only stories about women who do not care if you like them but also ones where disastrous results await the women who do follow our cultural conditioning to be agreeable to men.

Her “Helpless” heroine is not so different from a lot of her previous main characters: Type A overachievers with cutting inner monologues that let the reader know they’re always one step ahead in the social Darwinism that is female relationships. This time, she’s named Faye Heron, an Emmy-winning Hollywood multi-hyph who found cachet while working on one of those edgy premium dramedies that probably aired on HBO. Faye, and her husband/producing partner, have parlayed this notoriety into indie, cool-kid projects that are just commercial enough that some of the target audiences’ boomer parents may also watch.

When Faye’s beloved college professor dies suddenly and she’s asked to speak at a memorial ceremony, nostalgia and flattery make her drop everything and hightail it back to the leafy northeastern college town. The place is a time capsule with sketchy internet service, drunken frat boys, and — most crucially — Faye’s college boyfriend Henry, who is now married with two kids and still lives in the area. The clothing references and song choices are popcorn for those old enough to remember the aughts but young enough to party during them. The Elsa Peretti-designed Tiffany & Co. heart necklace that was the it-girl accessory of the time, and now is one that Gen Zers are fishing out of the bottoms of their parents’ jewelry boxes, factors significantly into the plot.

Although the story eventually spirals into other tropes of the Knoll-niverse — kidnappings, cover-ups, affairs, the laissez-faire security that only old money affords — Faye stands out because she wants to be told what to do. In a secure and mutually consenting relationship, of course. And preferably after she’s told her partner what she wants.

“Helpless” was influenced by the 1995 Susanna Moore thriller “In the Cut” as well as Sarah J. Maas’ currently uber-popular romantasy series “A Court of Thorns and Roses,” both of which discuss power imbalances and smart women who become enamored with dangerous lovers.

Knoll has always been open about creating work that’s commercial. She famously wrote a 2018 New York Times opinion piece, titled “I Want to Be Rich and I’m Not Sorry,” that discussed her need to rank in money with an almost Scrooge McDuck fervor: “Success, for me, is synonymous with making money,” she writes. “I want to write books, but I really want to sell books. I want advances that make my husband gasp and fat royalty checks twice a year. I want movie studios to pay me for option rights and I want the screenwriting comp to boot.”

(Evelyn Freja / For The Times)

During our Zoom, with the background carefully faded behind her wavy blond bob, she promises that she doesn’t just copy and paste her subjects and settings from what sells.

“I’m just always looking on what the spin is; like, what the timely take is on something that happens to capture my attention,” she continues, citing a habit she credits to her early career working in women’s magazines like Cosmopolitan and Self. She adds that “I just happen to be interested in, like, really dark s—.”

“Helpless,” Knoll stresses, is a work of fiction; even though fans may be looking to draw comparisons to her life since “Luckiest Girl” was heavily influenced by her own career and childhood. Like the book’s Faye, Knoll went to a private liberal arts college. She’s spent time in the Adirondacks with the wealthy families who vacation in bare-basics cabins on the land they own. And she has dealt with her share of studio executives. Unlike Faye, Knoll is happily married to her husband, financial technology executive Greg Cortese. They share a young daughter. Last year, the family moved back to New York after some time in Los Angeles.

She does relate to Faye’s wealth dynamics. Her “Helpless” heroine grew up middle class but now has reached the “made it” level of nervous cockiness that happens when you combine new money and fame; the dream of so many who move to L.A. Henry, Faye’s ex, and his family are so comfortable in their generational wealth that he was raised to wear the same, now-bleach-stained, chambray button-down he had in college than buy a new one because clothes aren’t sound investments.

Knoll says she doesn’t want “things to feel didactic,” but concedes that class divides offer a treasure trove of stories.

“I just find myself going back to, again and again, this idea of someone who is the outsider because they don’t have the pedigree of their peers, but however many years later they’ve accomplished something and they think that they’re on more equal footing with these people from their past,” Knoll says. “Then something happens that brings them back into this environment where maybe they felt less-than years ago. They think that they’re going to go back and be like, ‘well, I’ll show you now because I’ve made it’ and those feelings of inferiority are still there.”

As she’s grown older and her career has become more stable, Knoll says she doesn’t think about success and fame the same way she did when she wrote her viral opinion piece or gave interviews where she talked about money and her own financial security. She says now that her priority is “the longevity of the career.”

Like her heroines, no one tells Knoll what to do. Unless she gives the OK.

Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.

The ITV drama made it’s highly anticipated debut tonight (July 12) but viewers were distracted

ITV The Dark viewers were quick to identify a problem just minutes into the new series.

The ‘scary’ new thriller, adapted from GR Halliday’s novel, From the Shadows, premiered on Sunday (July 12) night, yet viewers complained about the audio as they struggled to hear what was happening.

Starring Friends’ Helen Baxendale and Outlander’s Laura Donnelly, the six-part series follows a tense cat-and-mouse hunt for a twisted serial killer stalking the residents of a seemingly peaceful town in the idyllic Scottish countryside.

Laura leads the cast as DI Monica Kennedy, who teams up with new partner DC Connor Crawford (Mark Rowley) to hunt a serial killer stalking the Scottish countryside after a young man’s body is found eerily staged.

“As fear spreads through the rural community and secrets begin to unravel, Monica finds herself in a dangerous game of cat and mouse with the killer,” the synopsis continues.

“But when the case becomes intertwined with her own past, she must confront whether her personal history could put both the investigation and her family at risk.”

During the opening episode, DI Monica Kennedy’s family day out, is brought to an abrupt end when a mysterious woman from Monica’s past shows up.

With the threat of this reappearance hanging over her, Monica is called into investigating a chilling crime with her new partner – DC Connor Crawford.

A naked corpse of a young man in his late teens is discovered, posed in the middle of a remote Scottish glen.

Despite all the drama going on, viewers watching at home were quick to spot a major issue not long into the show.

Many insisted there was an issue with the sound as they also claimed that they were forced to use subtitles after struggling to understand the actors.

One viewer wrote: “#Thedark #itv I’ve had to put the subtitles on.. the audio is low, and I can’t understand them.”

Another commented: “Had to put subtitles on for #Thedark.”A third posted: “#thedark audio needs putting through Google translate and the unnecessary background music killing completely.”

Meanwhile many fans seemed to be enjoying the show but insisted that it would have been “perfect” if it was released in the winter.

One fan wrote: “Would have loved this for the dark, wintry rainy cold nights in autumn/winter!”

Another fan jumped in and agreed: “Oh yes that would have been perfect. Proper winter series #TheDark.”

The Dark is available on ITV1 and ITVX.

England hands Mexico their first World Cup loss at Estadio Azteca, winning 3-2 to reach the 2026 quarterfinals.

Jude Bellingham’s double inflicted a rare defeat on Mexico at their Estadio Azteca as 10-man England won a nerve-racking World Cup classic 3-2 to reach the quarterfinals.

Harry Kane also scored from the penalty spot as the Three Lions overcame Jarell Quansah’s red card, high altitude, and a fervent home support on Sunday to keep their quest for a first major tournament win in 60 years alive.

England have relied on Bellingham and Kane throughout the tournament, and the duo has carried them into a last-eight showdown with Erling Haaland’s Norway.

Bellingham struck twice in 98 seconds in the first half to condemn Mexico to just a third defeat in 90 matches at the Azteca.

Julian Quinones and Raul Jimenez reduced the Mexican arrears, but they fell short of a place in the quarterfinals.

Victory also helped to erase some of England’s nightmarish memories at the Azteca in the quarterfinals of the 1986 World Cup, when Diego Maradona scored a double for Argentina, including the infamous “Hand of God” goal.

Sunday’s match was delayed by an hour after a thunderstorm and heavy rain lashed the Mexican capital for hours before the planned 6pm (00:00 GMT) kickoff time.

Despite the sodden conditions, more than 80,000 fans crammed into the stadium to create a deafening noise.

England coach Thomas Tuchel was wary of a fast start from Mexico as his side adjusted to the altitude of 2,240 metres (7,350 feet) above sea level.

Mexico had flown out of the traps when they won a World Cup knockout game for the first time in 40 years against Ecuador 2-0 on Tuesday.

This time, England managed to keep Javier Aguirre’s side at bay, but they did need a crucial intervention from Jordan Pickford to deny Jimenez opening the scoring with a diving header that was headed for the bottom corner.

Tuchel made three changes to the side that needed a heroic performance from Kane to prevent an embarrassing early exit to DR Congo.

Quansah was forced to deputise at right-back with Reece James not fit to start for a third consecutive game, opening up Tuchel to criticism over his decision not to select more specialist cover in the position.

Anthony Gordon and Bukayo Saka also started out wide, and both made telling contributions.

Saka’s cross picked out Bellingham to power in a header for the first goal Mexico conceded in five World Cup games.

The hosts failed to compose themselves, as within two minutes, the Real Madrid midfielder had doubled England’s lead.

Kane’s ball across fell perfectly for Bellingham to power in his fourth goal of the tournament.

Yet what should have been a comfortable lead was nearly wiped out by half-time.

Quinones blasted in his fourth goal of the tournament to spark the Mexico rally after England failed to clear a free kick.

Jimenez drilled wide and saw another header saved by Pickford before Bellingham made a last-ditch intervention to deny Cesar Montes a certain equaliser.

Nico O’Reilly nearly restored England’s two-goal cushion as his deflected shot cannoned off the post.

Quansah was shown a straight red card on 54 minutes after a VAR review for a mistimed lunge on Jesus Gallardo.

But just six minutes later, the 10 men had added to their lead when Gordon was wiped out by Mexico goalkeeper Raul Rangel and Kane emphatically dispatched the penalty.

The England captain’s sixth goal of the tournament puts him just one behind Haaland, Lionel Messi and Kylian Mbappe in the race for the Golden Boot.

The game took another huge momentum swing when, this time, Kane was penalised for a foul inside his own box and Jimenez slotted home the penalty to set up a frantic final 20 minutes.

England, though, stood tall, defending at times frantically to resist the Mexican wave during 11 minutes of additional time, and have reached a third consecutive FIFA World Cup quarterfinal.

Streaming service Netflix has started early production on your next thrilling TV obsession

Another bestselling thriller is coming to screens soon.

Netflix has lined up an adaptation of Lucy Clarke’s bestselling thriller The Surf House with a familiar name behind the scenes.

No casting has been announced just yet, but the upcoming drama is being helmed by director Ed Lilly, who was behind episodes of major TV titles such as Industry and Tell Me Lies.

Clarke’s novel is set in Morocco and follows a woman named Bea seeking sanctuary amongst a community of travellers.

However, Bea’s travels soon take a dark turn when she uncovers a sinister secret at the heart of the commune.

A synopsis via Deadline reads: “The Surf House is set high on the cliffs of Morocco and is based in a sanctuary for surfers and travellers chasing sunshine and waves.

“But the idyll hides a dark mystery, and when Bea washes in, seeking refuge after a dangerous encounter in Marrakesh, she soon gets caught in the current.

“A woman her age – who stayed in the same area, walked the same beaches, met the same guests – disappeared one year earlier, vanishing without trace, and her last known whereabouts was The Surf House.”

Author Clarke is quickly becoming a household name for thriller fans, with Deadline’s report describing her as a “British Liane Moriarty” (author of Big Little Lies and Nine Perfect Strangers).

Two of her novels, The Castaways and No Escape, have already been adapted by Paramount+, the former starring Sheridan Smith.

Another book, The Hike, has also been optioned by Urban Myth Films, which is backed by Studiocanal, so a big screen adaptation could be imminent.

In the meantime, The Surf House is shaping up to be another must-watch thriller for Netflix based on the original novel’s rave reviews from readers.

One Goodreads user gushed: “This is the perfect thriller. It had everything going on. The scenic beach front hostel in Morocco as the setting was amazing.”

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Another wrote: “I felt like I could not put this one down. I needed to keep reading to see what was going to happen. Also the last 60 percent has several twists and turns. Once I thought I had it figured out it kept changing up on me.”

“I could not get enough of this book,” someone else said. “I am going to buy all of this author’s books now. Such a perfect 5 star for me.”

And a final fan recommended: “If you like fast paced thrillers, multiple mysteries wrapped up in one story all in the back drop of a gorgeous destination and travel setting then this is absolutely for you.”

Netflix’s The Surf House does not yet have a release date.

Australia: Jock Campbell; Max Jorgensen, Joseph-Aukuso Suaalii, Len Ikitau, Dylan Pietsch, Carter Gordon, Ryan Lonergan; Angus Bell, Josh Nasser, Allan Alaalatoa, Jeremy Williams, Josh Canham, Rob Valetini, Fraser McReight, Harry Wilson (capt).

Replacements: Brandon Paenga-Amosa, James Slipper, Taniela Tupou, Lachlan Shaw, Tom Hooper, Tate McDermott, Ben Donaldson, Tom Wright.

Sin-bin: Shaw (76)

Ireland: Hugo Keenan; Jimmy O’Brien, Garry Ringrose, Stuart McCloskey, Jamie Osborne; Sam Prendergast, Jamison Gibson-Park; Tom O’Toole, Dan Sheehan (capt), Tadhg Furlong, Joe McCarthy, James Ryan, Cian Prendergast, Josh van der Flier, Jack Conan.

Replacements: Ronan Kelleher, Jeremy Loughman, Thomas Clarkson, Tadhg Beirne, Nick Timoney, Craig Casey, Ciaran Frawley, Bundee Aki.

Referee: Ben O’Keeffe (NZR)

Stranger Things favourites are back again as a father-daughter duo.

Stranger Things fans are getting hyped up over an unexpected Netflix reunion.

Netflix has confirmed that David Harbour and Millie Bobby Brown, who played Jim Hopper and Millie Bobby Brown in Stranger Things, are going to be working together again.

The iconic pair will be teaming up in an untitled father-daughter spy thriller, loosely inspired by author Paul Warner’s debut novel A Spy in the Blood.

What’s even more exciting is that this upcoming series will be created by none other than Jack Thorne, co-creator of Netflix’s Adolescence, as well as other hits like His Dark Materials and the Enola Holmes franchise.

Harbour and Brown will be returning to familiar territory in the new series as they will be portraying a dad and daughter, very much like the familial dynamic between Stranger Things’ Hopper and Eleven.

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In the freshly announced series, Harbour will be playing “disgraced FBI agent turned security expert Matt Wolfe” while actress Millie Bobby Brown is behind Rebecca, his estranged daughter and FBI agent.

However, Matt is drawn back into the world that he left behind when Rebecca “vanishes on a mission, forcing him back into a field that has evolved beyond him”.

While the spy thriller has been given a straight-to-series order by Netflix, there has been no word on when subscribers can expect the series just yet.

Netflix Head of Scripted Series, US and Canada Jinny Howe said: “We are delighted to bring this spy drama to life with an extraordinary group of talent we’ve been fortunate to collaborate with before.

“Jack Thorne’s ability to find the deeply human story inside a thriller is unmatched, and watching Millie Bobby Brown and David Harbour reunite — this time as estranged father and daughter on opposite sides of a crisis — is something audiences are going to love.”

Harbour hinted at the collaboration in an interview with Variety, teasing: “You’ll see more of me and Millie. 10 years wasn’t enough,” referring to their time together on Stranger Things.

“There is a special bond there. I love her, she loves me.”

Brown also praised her former Stranger Things co-star for bringing them back together, telling the Happy Sad Confused podcast this week: “Father-daughter is where we live, but Netflix will always be our home.

“The David Harbour project is sooner than expected, and it’s David’s idea, so kudos to him.”

Stranger Things is available to watch on Netflix.

Netflix viewers will want to add this 2022 thriller to their watch lists

Fans say this gripping thriller ruined their sleeping schedules.

Netflix viewers have been completely hooked on Harlan Coben’s latest drama, and for good reason. I Will Find You landed on the streaming platform on June 18 and has already climbed to Number 1 on the most-watched TV show charts.

It centres on David Burroughs, a father wrongfully imprisoned for his young son Matthew’s murder. But when he discovers Matthew may be alive, David is forced to escape and uncover the truth.

The show only has eight episodes, which many viewers have already devoured over the last week.

Those on the hunt for another bingeable crime drama should look no further than Black Bird, streaming now on Apple TV+.

Starring Taron Egerton, the six-episode drama was inspired by the real story of Jimmy Keene. Once an aspiring sports star, Jimmy’s life takes a turn when he starts dealing drugs. He gets caught and is unexpectedly sentenced to 10 years in prison on drug and weapon charges.

But Jimmy is soon gets a life-changing offer from the FBI: he must befriend suspected serial killer Larry Hall and coax a confession out of him to help find the bodies of over a dozen women. If successful, Jimmy would have his criminal record wiped.

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The drama dives into the dangers Jimmy faces along the way, as well as convicted killer Hall’s (played by Paul Walter Hauser) chilling crimes.

Critics and casual viewers were completely captivated by the series when it first hit screens in 2022. It bagged a stellar 98% score from Rotten Tomatoes reviewers, alongside a slightly less-generous 95% rating from audiences.

These figures are significantly higher than I Will Find You, which has earned a 60% critical rating and 65% audience score.

Raving about Black Bird, one fan said: “It was a gripping thrill ride from start to finish. Beautifully acted and very well written. The worst part about the show was that it ended!”

A second praised: “Chilling but surprisingly heroic true-crime drama! The tension never lets up, pulled along by an incredible story and great performances.”

While a third fan added: “I literally watched all six episodes in a row because I needed to know what happened. It’s gripping, intense, and at some points I just wanted it all to be over because the psychological pressure on Jimmy becomes almost too much even I felt it— but in a way that keeps you hooked.”

And a final viewer gushed: “As a guy who thought he check out one episode, Black Bird absolutely wrecked my sleep schedule—in the best way.”

Black Bird is streaming on Apple TV.

The Icelandic Nordic noir thriller follows police officer Aníta as she investigates dark secrets

Black Sands is returning for a second series on U.

The Icelandic crime thriller, which devotees of ITV’s Broadchurch ought to appreciate, resumes 14 months following the startling events of the opening season, with the small coastal town of Glerársandar still grappling with the revelation that a serial killer had been concealed in plain sight amongst its inhabitants.

Central to the new series is police officer Aníta, who is adapting to life as a new mother while wrestling with a powerful urge to return to work.

Her world is thrown into turmoil when a woman perishes in what seems to be a suspicious car crash. Driven to unearth the truth, Aníta becomes embroiled in the investigation alongside her friend and colleague Fríða, who is heading up the official police inquiry.

As the case progresses, sinister secrets from the town’s past start to surface. The investigation traces back to a former foster home with connections to Aníta’s own family, revealing decades of concealed trauma and lingering questions, reports Wales Online.

What at first appears to be a tragic accident quickly evolves into a considerably more intricate mystery, with startling revelations and devastating ramifications for those caught up in it.

Throughout the eight-part series, viewers can anticipate twists as long-buried truths emerge, relationships are put to the test, and suspicion descends upon numerous residents. As the pressure intensifies, Aníta grapples with both the investigation and her own personal demons, paving the way for a dramatic finale.

Season two of Black Sands arrives on U on 20 June, with all episodes available to stream from launch day.

Fans who have already delved into the crime thriller have offered mixed verdicts on the programme, though it has garnered acclaim from critics.

Reviewer Kelly Luchtman commented: Black Sands is a very satisfying series with fantastic acting, especially by Steinunn Ólína Thorsteinsdóttir, who has mastered the dangerous charm of Elín’s character.

“We can feel the oppressive sadness of the town, and empathize with Aníta, even if it’s her own bad decisions that are the impetus for her return. People have criticised the running time of the series and the agonising slowness of solving the crime. I agree it could have been 6 episodes instead of 8, but I still binged it.”

Black Sands series two is available to watch on U.

Harlan Coben fans, another of his best-selling books is coming to Netflix.

Harlan Coben fans are eagerly anticipating I Will Find You, his next major Netflix drama.

Coben‘s novel adaptations have become hugely sought-after by Netflix subscribers, and I Will Find You is no exception, with the new series based on his 2023 novel of the same name.

The wait is now officially over as this latest thriller follows in the footsteps of his previous hits including Fool Me Once, The Stranger, Stay Close and Run Away.

Brace yourself for gripping drama, nail-biting chases and jaw-dropping twists, all brought to life by a brilliant star-studded cast.

Netflix I Will Find You release date

Thriller enthusiasts won’t have too much longer to wait as I Will Find You arrives on Thursday, June 18, on Netflix.

All eight episodes will drop simultaneously, giving subscribers the opportunity to binge-watch at their own pace.

Who stars in I Will Find You on Netflix?

Taking the lead role as David Burroughs, a father wrongfully convicted of murdering his own son, is Sam Worthington, widely recognised for his role in the Avatar franchise.

He is accompanied by Severance star Britt Lower as David’s ex sister-in-law Rachel Mills, This Is Us favourite Milo Ventimiglia as her ex-boyfriend and trusted confidant, and Gotham actress Erin Richards as David’s ex-wife Cheryl.

Further familiar faces joining the I Will Find You cast include Westworld’s Jonathan Tucker, Dear White People actress Logan Browning and Pushing Daisies’ Chi McBride.

What is Harlan Coben’s I Will Find You about?

As stated earlier, I Will Find You on Netflix is adapted from the 2023 Harlan Coben novel of the same name.

It centres on father David Burroughs (portrayed by Sam Worthington) who is “wrongfully serving a life sentence for murdering his son”.

The official synopsis adds: “But when he receives word that his son may actually be alive, David embarks on a truth-finding mission that leads him out of prison and into a world of deceit and despair.”

However, will escaping from prison and becoming a fugitive truly result in him locating his son?

I Will Find You launches on Thursday, June 18, on Netflix.

The Fortune has come to an end on Channel 5, with Eleanor Tomlinson and Matthew Lewis starring in the gripping four-part thriller

Channel 5 thriller The Fortune has wrapped up, with a new programme set to take over its timeslot from next week.

Poldark star Eleanor Tomlinson led the cast alongside Harry Potter alumnus Matthew Lewis in the nail-biting drama.

The series centred on her character Amanda, a woman whose seemingly flawless life begins to unravel after she inherits a mysterious fortune.

The four-part series reached its conclusion on Wednesday, June 10, with Amanda uncovering the secrets behind the enigma as the truth finally emerged, reports Wales Online.

The Fortune ending explained

Amanda was concerned with the disappearance of her mother Linda from her care home, while also dealing with her husband Jimmy disappearing.

Initially, she feared the worst, and confronted Sandy about secret meetings with Jimmy, only to find out that he only wanted Sandy to pressure Amanda to keep the money.

As she struggles to know what to do, and is warned not to contact the police, Amanda tries to find clues from the box of photographs she was sent.

She also gets a call from Fiona, who wants to take 50% of the money from Amanda, and cut out Anthony from the deal.

Amanda eventually manages to track down Jimmy’s last known location but while hoping to find him, is threatened by Anthony, who wants more of the money’s share.

Secrets continue to disrupt Anthony and Fiona’s relationship, as at their home, she finds a shirt full of blood, though he offers no explanation.

Amanda, on her way to find Jimmy, locates her mum in an old fishing hut that was pictured in one of the photos, but Linda isn’t alone.

She finds a stranger there, later confirmed to be Barry, with Linda revealing that Barry is actually Amanda’s dad, who she thought was dead for decades.

All along, Barry had wanted Amanda to keep the money for herself, explaining that the money had originally been his, but Martin had taken it for himself.

Martin had also asked Boots to kill Barry, but Barry had set up a trap and escaped, leaving Amanda thinking he was dead.

Barry also reveals he had asked Jimmy to help him, who returns, apologising to Amanda for keeping secrets.

Going to meet Anthony and Fiona at their estate, Amanda gets a call from their lawyer, who informs them that Anthony isn’t really Martin’s son.

Confronting them, Amanda tells the truth about the Worrall’s money, that it actually came from her dad.

Though Fiona had no idea of the truth, Anthony tries to hide behind lies and denies killing Boots, but Barry walks in, a ghost from the past.

In a moment of despair, Anthony threatens to shoot Fiona and Barry, before pointing the gun at himself.

The final scenes, after Linda’s heartbreaking death in the fishing hut, see Amanda return to Sandy’s to ask for her job back, and revealing she accepted the money, but let Fiona keep the house.

The Fortune’s replacement confirmed

The Fortune has been airing on Channel 5 for two weeks, on Tuesdays and Wednesdays.

Next week on Tuesday, June 16, after Reuben Owens: Life in the Dales slots at 8pm, Little Disasters airs at 9pm on Channel 5.

Its synopsis reads: “As the investigation continues, shocking discoveries are made. Cracks form in the Carrisford family as their friends become increasingly involved, and hidden secrets come to light.”

Then on Wednesday, at the same time, a repeat episode of Surgeons: A Matter of Life or Death will air, as per Freeview.

The Fortune is available to watch on My5.

Nelly Korda watched someone else lift the trophy at last year’s U.S. Women’s Open.

This time, it was Korda — the 2025 runner-up — who did the heavy lifting.

The world’s No. 1 women’s golfer won for the fourth time in 2026 on Sunday and checked off the biggest item on her to-do list.

“To be hoisting this trophy, to hold it high and at such an iconic venue, is just a dream come true,” said Korda, the first American to win back-to-back majors since Juli Inkster in 1999.

Korda claimed her first U.S. Open title, pulling ahead on the back nine at Riviera Country Club, which was playing host to the major championship for the first time.

It was anything but a wire-to-wire win for Korda, who struggled on the tee and limped through the opening round at two over par. But she shot a pair of 67s on Friday and Saturday, then closed out the victory Sunday with a 69 on a postcard afternoon.

Korda’s scrambling was masterful. No one in the last 20 years won a U.S. Women’s Open hitting fewer greens, yet she got up and down for par 24 times out of 30.

The final putt — two feet, 10 inches — was appropriately dramatic, teetering along the left edge before curling back into the cup. With the victory comes a $2.5-million prize.

Korda gasped, covered her mouth, waved to the crowd and wiped away tears. She made her way to her family on the fringe of the green, was showered by champagne and took a swig.

She was locked in a four-way tie for first — Charley Hull of England, Gaby Lopez of Mexico and In Gee Chun of South Korea also at seven under — and broke free with a long birdie putt on No. 17.

There would be no playoff, not with Korda closing the deal with a par on No. 18. It was her fourth win in eight tournaments this year.

Hull and Lopez tied for second, one shot back.

Nelly Korda holds the Harton S. Semple trophy after winning the 81st U.S. Women’s Open at Riviera Country Club on Sunday.

(Gina Ferazzi / Los Angeles Times)

Korda, 27, is the youngest American player to win four majors since Mickey Wright in 1960.

What’s more, Korda is only the second American in the past 10 years to win the Open, joining former USC standout Allisen Corpuz, who won at Pebble Beach in 2023.

Korda has a championship pedigree. Her older sister, Jessica, was a six-time winner on the LPGA Tour, and brother, Sebastian, is a professional tennis player. Their father, Petr Korda, won the 1998 Australian Open in singles tennis. Their mother, Regina Rajchrtová, is a former professional tennis player who competed for Czechoslovakia in the 1988 Summer Olympics.

When the tournament started, the focus was on Korda’s feet. She was gifted a pair of Nike Victory Pro 4 golf shoes from LeBron James but changed out of them after six holes because they felt too roomy. It was a bad day for her as she was spraying her tee shots.

The focus then shifted to her head. She has worked on her mentality this year after going winless in 2025.

“I’ve tried to have a mindset shift,” she told reporters Saturday. “I’ve tried to have the attitude of instead of saying, `I’m screwed in this position. Oh, here we go again,’ I’m just going to embrace the challenges, and I’m not going to walk off the golf course. I’m just going to figure it out.”

Korda, who had the fewest bogeys of anyone in the field (seven), was typically steady Sunday, saving pars when she needed to despite crosswinds that picked up in the afternoon and made putting trickier.

There were plenty of compelling story lines taking shape as the sun began to dip on the legendary course.

Lopez, who made a great birdie putt on 18 to claim a share of the lead, was looking to become the first Mexican woman to win the Open and the second to win a major behind her mentor, Lorena Ochoa, who won the Chevron in 2008.

After making par on each of the first nine holes, Lopez made her move on the back with four birdies.

“I’ll say that at the beginning of the day I felt way more nervous than at the end,” Lopez said. “At the beginning it’s all the energy, you’re trying to get a run, but the U.S. Open it’s about waiting and waiting and waiting, and once you get your chance you kind of ride the wave.”

Hull, a runner-up in a major for the fifth time, was looking to become the third English woman to win the Open, matching Laura Davies (1987) and Alison Nicholas (1997).

Amazingly, Hull nearly missed the cut after over-par rounds of 73 and 72 on Thursday and Friday. On Saturday, she shot a 65 — the lowest round of anyone in the field on any day — and followed with a 67 on Sunday.

Gaby Lopez sinks a birdie putt on No. 18 to briefly move into a share of the lead during the final round of the U.S. Women’s Open on Sunday.

(Gina Ferazzi / Los Angeles Times)

According to Elias Sports Bureau, Hull matched the U.S. Women’s Open record for the lowest 36-hole score in the final two rounds (132), set by Meg Mallon when she won in 2004.

“It’s frustrating,” Hull said. “Another second place.”

She added: “I love the feel of being under the gun, under pressure. It’s not like a life-and-death situation, but you know that adrenaline that you get…”

Chun had a chance to win her fourth major and bookend Open victories, as she won this tournament in 2015. That would have been the second-biggest gap between Open victories.

Novak Djokovic’s wait for a record 25th Grand Slam singles title goes on after teenage star Joao Fonseca produced a stunning fightback to win a five-set epic in the French Open third round.

The Serb was the only player left in the draw who had won a major title and was arguably the favourite to go all the way after world number one Jannik Sinner lost on Thursday.

But after winning the first two sets, Djokovic was gradually overpowered by 19-year-old Fonseca, who hit back to force a decider.

In front of a raucous crowd, Fonseca battled back from 3-1 down in the fifth set to win 4-6 4-6 6-3 7-5 7-5 after a gruelling four hours and 53 minutes.

Fonseca is the first teenager to beat the Serb at a major – a testament to the coolness he showed under pressure against one of the game’s all-time greats.

It is only the third time in 22 appearances that Djokovic has failed to reach the second week at Roland Garros.

With Sinner out and Carlos Alcaraz skipping the clay-court major with injury, Djokovic will be left wondering if his best opportunity of winning that elusive 25th Grand Slam has been wrenched from his grasp.

Fonseca, who will face either two-time finalist Casper Ruud or American 24th seed Tommy Paul in round four, is joined in the second week by fellow 19-year-old Rafael Jodar, who has emerged as a genuine title contender after winning 18 of his 21 clay-court matches in 2026.

This “gripping” missing child thriller is brought to life by Slow Horses and Murders At White House Farm creators.

Crime thriller fans shouldn’t miss out on this “addictive” drama with an all-star cast.

Apple TV has given fans a first-look at its upcoming six-part drama Last Seen, based on Ryan David Jahn’s best-selling 2011 novel The Dispatcher.

The series follows Detective Ian Ridley (played by Patrick Brammall) whose life is turned upside down when his young daughter Maggie disappears.

Fast forward to the present day and Detective Ridley answers a call from a distressed teenage girl and becomes convinced it’s his daughter.

The official synopsis goes on to add that “he will stop at nothing to find her and reunite his broken family, whatever the cost.”

The Last Seen cast will be headed up by Glitch and Devil Wears Prada 2 star Patrick Brammall as Detective Ridley.

He will be joined by Shameless, The Village and Three Girls star Maxine Peake, as well as Dune: Prophecy actor Brendan Cowell, Mickey 17 Daniel Henshall and Mr Inbetween Jessica Wren.

Thankfully, the wait isn’t too long before Last Seen premieres with the six-part series coming out on Wednesday, September 9.

Only the first two episodes are going to be released on this initial release date with the remaining episodes coming out weekly until Wednesday, October 7.

It isn’t just about the cast that fans should be excited about either as Last Seen was written by The Murders at White House Farm creator Kris Mrksa.

He’s also backed by executive producers from Slow Horses and Down Cemetery Road.

Given that Last Seen is based on Jahn’s best-selling book The Dispatcher, the drama already has a fanbase ahead of its release.

Describing the series on Good Reads, someone called the novel an “adrenalin rush” as another shared: “When I sat down to start reading this book which has closer to 400 pages than 300, it was early in the morning and little did I know I would be in the same spot that evening tapping to the final pages of this addictive read.”

Meanwhile, a third commented: “This book is right up my alley- gritty, violent, brutal, psychologically thrilling and fast paced.”

Last Seen premieres on Wednesday, September 9, on Apple TV

Fans claim the brutal thriller from MobLand writer is as good as Homeland

New episodes of a ‘ gripping’ spy thriller fans say is just as good as Homeland are coming soon.

The Agency made its debut near the end of 2024 and is finally returning with new episodes. According to its synopsis, the series follows Martian, a covert CIA agent ordered to abandon his undercover life and return to London Station.

When the love he left behind reappears, romance reignites. He soon finds that she is in trouble and he will do anything to try to save her, even past the point of treachery. The only way out is deeper in. A knife-edge Martian must walk if he is to save love, life, and his mission.

Boasting a stellar cast, the line-up includes X-Men actor Michael Fassbender as Martian. He is joined by The Last of Us actor Jeffrey Wright, Richard Gere, The Crown’s Dominic West, and Downton Abbey’s Hugh Bonneville to name a few.

Billed as a fresh take on the critically acclaimed hit French drama Le Bureau des Légendes (The Bureau), it was co-created by award winning writer Jez Butterworth who also penned all episodes of crime drama MobLand.

It is now confirmed that Season 2 will arrive on June 21. Its first season is streaming now for viewers to catch up on Paramount+. The service can be accessed either via its own dedicated app, or via an add-on subscription through the Prime Video platform.

An explosive new trailer was also released by the streamer ahead of the second season’s release. It looks to crank up both the tension and action on offer as Fassbender’s character embarks on a dangerous and desperate mission.

The Agency comes approved from notable audiences. In an interview a few months after it was made available, Lauren Cohan who plays Maggie in The Walking Dead and its spin-off, gave it her backing.

Asked for her own streaming recommendations at the time she admitted: “I’m also watching The Agency with Michael Fassbender and it’s on Paramount Plus. It’s great, it’s, it’s a really good show.”

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Plenty of viewers agree with the actor as one fan dubbed The Agency “bold, intense and gripping.” While another went so far as to claim that it is “as good as Homeland”.

Someone else posted online: The Agency is a must watch for anyone a fan of spy thrillers. First of all, the cast is absolutely amazing. It stars Michael Fassbender, Jeffery Wright, Richard Gere and Katherine Waterston. That cast right there is reason enough to give this a try and on top of that it’s a really good show too.”

One advised that it is perhaps not one for a casual viewing and would need some concentration. They said: “This is one of the better new shows so far this year. The Agency is a show where you can’t be playing on your phone, cooking dinner or doing something else, it requires your undivided attention. It’s a show that never gets stale. I can’t remember ever being bored, even for one episode. I loved every second of every episode.”

Another fan agreed by adding: “The writing is spectacular and brought to life by several A-listers. This is not a series you can watch while playing games on your phone. The series develops multiple, complex plots, many of which come together in later episodes and some that are well developed (and brutal at times).”

While some noted there is a slow build-up of tension as it begins, that doesn’t mean people make way through all episodes at record pace. One person said: “This is a great series – amazing performances from all the cast The special effects are great and the dialogue is spot on, hopefully there will be a second season. I binged it in one day.”

The Agency is streaming on Paramount+.

A brand new thriller series from the creator of one of the most successful crime drama franchises of the past decade has become a huge Netflix hit

Fans of the wildly popular Power series won’t want to miss this.

A new Netflix crime drama has shot to the number two position on the streamer’s chart of top 10 TV shows, despite some disappointing ratings.

The new series from Power creator Courtney A. Kemp and co-creator Tani Marole currently has a Rotten Tomatoes audience score of just 49 percent, though critics have been more generous and awarded it an impressive 90 percent rating.

Its eight-part first season follows two rivals from opposite sides of the law who are at each other’s throats when a daring heist in Los Angeles opens up old wounds.

Nemesis then follows an exhilarating game of cat-and-mouse as an LAPD cop desperately tries to hunt down a criminal mastermind behind a string of robberies.

Matthew Law (Abbott Elementary) portrays LAPD Robbery-Homicide Division Lieutenant Isaiah Stiles, while Y’lan Noel (Insecure) is career criminal Coltrane Wilder.

After being released on Netflix just a few days ago, on Thursday, 14th May, the series has very quickly proven popular amongst UK fans, beating out hit thriller Man on Fire and true crime documentaries such as Should I Marry a Murderer? in this week’s charts.

A synopsis for this must-watch series reads: “What starts as a subversion of the heist genre, amped by thrilling life-or-death stakes, family dynamics, and explosive action, becomes an exploration of what drives us, sustains us, and ultimately destroys us.”

Despite its less-than encouraging audience score on RT, a strong fanbase has already formed around the show and is especially recommended for fans of Kemp’s previous TV hit, Power and its various spin-offs.

One RT user gushed: “Kept me engaged and not sure whose side I was on. Binge watched twice. I need season 2.”

Someone else exclaimed: “Love it!!! Courtney does it again!!! can’t wait for season 2!!!”

“Binged in one sitting- very authentic catchy story line. I hope there is a season two!!! Excellent show,” another agreed.

Rave responses continued on IMDb, where one fan said: “Ugh…this was a masterpiece! The rollercoaster, amount of cliffhangers, and overall writing was top notch!

“I pray they have a season 2, because this gave me all the entertainment I needed for this year! I am looking forward to how they are going to make it through this.”

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows.

This includes the brand new UK drama Unchosen, starring Asa Butterfield and Christopher Eccleston.

For the time being, Netflix has not confirmed whether or not Nemesis will return for a second season, but co-creator Marole revealed to Decider that he and Kemp “have an arc in mind” for a follow-up.

“We need the numbers to go up so we can get a renewal guy. So run it up, guys. Run it up,” he added.

“There are no episodes off. Every episode moves forward. This is not a second viewing situation. This is first screen viewing. Put your phone down. Eyes up. Enjoy. Surround systems up.”

Nemesis is available to stream on Netflix.

Victor Wembanyama outduelled Shai Gilgeous-Alexander to lead the San Antonio Spurs to an epic 122-115 double-overtime triumph over the Oklahoma City Thunder in game one of the NBA Western Conference finals.

Wembanyama scored 41 points and pulled down 24 rebounds in the thrilling game on Monday. He forced the second overtime with a dazzling three-pointer and delivered nine of the Spurs’ 14 points in the second overtime as San Antonio handed the defending champions their first defeat of these playoffs.

“It was, like, sheer willpower,” 22-year-old Wembanyama told broadcaster NBC after the game.

The French star played 49 minutes, producing a pair of dunks and a crucial block late in the second overtime to seal the victory.

With the triumph at Oklahoma City’s Paycom Center, the Spurs stole home-court advantage in the best-of-seven series that will send the winners to the NBA Finals.

Gilgeous-Alexander’s MVP motivates Wembanyama

Wembanyama admitted the sight of Thunder star Gilgeous-Alexander receiving his second straight Most Valuable Player trophy before the game made the clash more personal “for sure”.

He earned Defensive Player of the Year honours but finished third in the MVP voting announced on Sunday.

Spurs coach Mitch Johnson said the sight of Gilgeous-Alexander lifting the MVP award “100 percent” motivated his star.

“He’s competitive,” Johnson said. “If you’re a competitor and you see another competitor get rewarded with what you want.”

But Wembanyama said the main message of the night was that the young Spurs “are ready to go in any environment, in any place, against anybody”.

“And even though we’ve still got a lot to learn, our effort should be over anybody else’s and tonight we were relentless.”

Rookie Dylan Harper, starting in place of injured De’Aaron Fox, scored 24 points and snagged seven steals for San Antonio. Stephon Castle added 17 points and 11 assists as the Spurs extended their season dominance of the Thunder.

Oklahoma City, trying to become the first team to repeat as champions since Golden State in 2017 and 2018, piled up a league-best 64 regular-season wins but dropped four of five contests against the Spurs, who won 62 regular-season games to return to the playoffs for the first time since 2019.

Gilgeous-Alexander was limited to 24 points, shaking off a sluggish start to key the Thunder’s bid to rally from a 10-point fourth-quarter deficit.

‘Wasn’t able to bring my best game’

Alex Caruso scored 31 points to lead the Thunder and Jalen Williams returned from a six-game injury absence to score 26.

Oklahoma City trailed by 10 in the fourth quarter, but the Thunder clawed back, and it was knotted at 99-99 with 33.2 seconds left when Wembanyama spun in for a basket that put San Antonio up 101-99.

Gilgeous-Alexander then tied it up with a layup and Chet Holmgren blocked Wembanyama’s potential game-winner at the buzzer.

Gilgeous-Alexander’s dunk put the Thunder up 108-105 with 57.6 seconds left in the first overtime.

But Wembanyama drilled a transition three-pointer to tie it, and they went to the second extra session.

“I know what my teammates are capable of, what we’re capable of as a team when we bring it,” Gilgeous-Alexander said. “It’s just unfortunate I wasn’t able to bring my best game tonight.

“But that’s how it goes sometimes … you’ve got to roll with the punches, don’t get discouraged and stay true to who you are.”

The Thunder, who swept the Phoenix Suns and LeBron James’s Los Angeles Lakers in the first two rounds, will try to bounce back when they host game two on Wednesday before the series shifts to San Antonio for games three and four on Friday and Saturday.

The series winners will face either the New York Knicks or the Cleveland Cavaliers in the NBA Finals.

CANNES, France — The movies of Na Hong-jin aren’t hard to love — they’re as obsession-worthy as the stylish rigor with which they are made. His 2008 debut, “The Chaser,” found new febrility in the post-Fincher serial killer thriller. “The Wailing” somehow added ghosts, demon-possessed children and inky black crows to the mix with a near-crazed sense of showmanship.

That was 10 years ago. Na, 51, now sits on the other side of a project that has consumed him for years, a sci-fi action film called “Hope” that arrives with expensive CGI, a pair of A-list stars (Michael Fassbender and Oscar-winner Alicia Vikander) and James Cameron-sized franchise ambitions. It will undoubtedly make Na’s gallows-humor-inflected brand more global, even if it lifts him out of the cult niche that’s nourished him to date.

Cannes is an unlikely place to launch “Hope.” That could be seen as a sign that the festival’s increasing accommodation of blockbuster bigness doesn’t need Hollywood. Na sits in the corner of a Côte d’Azur waterfront lounge on a glorious midday, the sky an almost abstract blue. He tugs at his goatee distractedly. His world premiere is tonight.

Neon, the distributor currently enjoying a six-year Palme d’Or winning streak, will release “Hope” in America sometime after its summer bow in Na’s native South Korea. The following conversation has been edited for length and clarity. It also contains significant spoilers.

A scene from the movie “Hope,” directed by Na Hong-jin.

(Neon)

When did you realize that you had a big sci-fi alien monster movie in you?

The idea came to me in 2017 in Seoul. The premise started off with somebody watching news in a diner or a small restaurant. It was that image that I had in my head. So I started developing that initial image in more detail. By 2018, I was able to write my first draft.

“Hope” brings to mind several genre classics, from “Jaws” and John Carpenter movies like “The Thing,” to something more homegrown such as Bong Joon Ho’s “The Host.” Were those inspiring to you?

I must have looked all the genre films that I could find, including the ones you mention, before I went into filming. And, as I hope you noticed, I was looking more at films from before 2000 and I tried to reflect that look.

It seems like you’re using Cannes as a moment to pivot or reinvent yourself. Is that intentional?

I didn’t intend for this to be a turning point in terms of style or direction going forward. I never thought of it that way. What I really dwelled on was thinking about how to tell this story in a way that was approachable and entertaining for people.

Why did you set the story in the demilitarized zone?

If you look at it from a universal perspective, what happens in this very shabby, humble, small, insignificant space potentially creates an impact that can go on infinitely. I think none of the characters in the film do anything with any malice. I guess the underlying story I want to tell is that there is no reason for evil intention behind anything, but innocent acts can build up to something tragic.

Michael Fassbender and Alicia Vikander are wonderful surprises in the movie as some rather dignified aliens. What led you to them?

When I was casting the alien roles, I had a bigger story in mind. I don’t know whether there’ll be a sequel after this one, but if so, that sequel is going to be centered around them. So picking the right actors was very important for me. We asked them to learn this invented alien language, which they prepared and came onto set knowing.

How important to you is comedy and releasing tension with laughs?

Very. I try to really think it through and if it comes out the way I intended, that gives me such a thrill. I tried to incorporate it in many places.

A lot of the movie feels like a virtuoso chase sequence, people barreling down the road, guns blazing. But it took me a minute to realize that the more interesting question is: Who’s doing the chasing? Is “Hope” meant to make us examine our own violence?

Yes, very much so. And two of the major chase scenes were designed so that what starts off as righteous somehow tilts toward being unjust. I wanted the action to bring up that transition in perspective.

You’ve premiered at Cannes before but, in a way, it feels like the wrong festival for a movie like this. You’re laughing because I think you agree with me.

It goes without saying. I’m incredibly nervous. And I feel so grateful that you’re treating me so nicely and gently.

A scene from the movie “Hope,” directed by Na Hong-jin.

(Neon)

Why did it take you 10 years to make this film?

There was a pandemic in the middle of that. But except for the pandemic where everything stopped, I was working my ass off before and after. It still took this long. I’m a little concerned myself, like: How did this happen?

With “Hope,” are you saying goodbye to the filmmaker you once were?

Not at all. Throughout the entire process of making this film, I was bloodthirsty. I was thirsting for blood. I have another script written already.

And maybe now it’ll go faster because there won’t be a pandemic. Are you hoping that this movie is going to have an impact on the Korean film industry?

It’s not my place to say that. I’m not sure. I want things to be freer.

Would it be a mistake to read this film as an allegory for what’s happening now in the world? Is it a plea for understanding?

I don’t regard it as a plea for understanding. Rather, let’s hope people will be able to relate to it and be empathetic about the story and realize for themselves, understand for themselves. Maybe there’s something more to it, but you take away what you will from that.

Your dark humor flares on occasion. Did you make it a point to try to preserve that?

Well, you can’t just do something like this without having that. It’s not fun.

This doesn’t feel like an “Avatar”-style film. There’s an openness to it, a sense of exploration. Do you believe in heroes?

I do believe in heroes, but, as I tell in the story, anyone can be a hero.

A Death in Paradise star has given fans a major career update.

A Death in Paradise favourite is teaming up with a Strictly star for a sinister mystery drama.

Ralf Little joined BBC‘s Death in Paradise in January 2020 as the anxious DI Neville Parker, whose romantic life was rather unlucky.

However, when he bid farewell in 2024, Neville departed hand-in-hand with DS Florence Cassell (Josephine Jobert), sailing towards a happy ending.

Two years following his exit, Little is preparing to feature in Channel 4‘s forthcoming psychological thriller, Hunting Alice Bell, described as a “whodunnit with shades of family drama and social satire”.

Based on its official synopsis, the six-episode drama promises to be considerably darker than what Death in Paradise viewers have come to expect from Little.

Hunting Alice Bell centres on the eponymous character, a former nurse and the romantic partner and accomplice of a “notorious anesthetist serial killer”.

She now resides in the UK under a fresh identity, but when Fran Da Silva is accused online of being Alice Bell, “her happy family life implodes into a wave of mob hate”.

The synopsis adds: “Then she discovers she’s not the only woman to suffer this fate. Fran and the other accused women band together to fight back and clear their names.

“But as they battle to prove their innocence, what if one of the group is lying – and is the real Alice Bell?”

Few details are known about Graham Hunter, the character Little will play, with additional information about his involvement in the Channel 4 series remaining under wraps.

He’ll be accompanied by Nightsleeper’s Alexandra Roach as Fran, Sherlock and Strictly Come Dancing favourite Amanda Abbington as Julie, Mobland’s Emily Barber as Vanessa, and Shaun of the Dead legend Simon Pegg as Dr Jason Nash.

Hunting Alice Bell, which will explore the “devastating effects” of rumours, is scheduled to broadcast later this year, though no specific release date has been announced.

Co-creator David Baddiel remarked, “Technology has created a whole new spin on the idea of mistaken identity.

“We are told that in the present culture, anyone can be who they want to be. But that also means that anyone can have who they are taken away from them: the hive mind can decide who you are.

“This happens to the five women in Hunting Alice Bell: in a world where identity is very fluid, they have lost control of theirs.”

Death in Paradise is available to stream on BBC iPlayer.

Netflix’s ‘micro-series’ has already creeped its way into the UK’s top 10

Fans of a “saucy” drama can binge-watch this one in just an afternoon.

Binge-watching is how most TV fanatics view their favourite shows nowadays with Netflix dropping the perfect “micro-series” for its subscribers.

Mexican thriller Between Father and Son has arrived with the 20-part series focussed on well-respected lawyer Barbara (played by Pamela Almanza) whose life changes after “just a few suspenseful minutes”.

She visits the house of her fiance Alvaro (Erick Elias) before getting married but unexpectedly finds herself attracted to her future step-son Iker (Graco Sendel).

On top of the forbidden sexual tension, there’s also the mystery around what happened to Alvaro’s first wife and Iker’s mum Fernanda who went missing.

Between Father and Son is perfect for those wanting to quickly binge their way through a series.

Each of the 20 episodes have a running time of 10 minutes or less, with seven instalments just seven minutes long.

So Netflix subscribers could binge-watch the entire boxset of Between Father and Son in under four hours if watched back-to-back.

However, while fans have been “hooked” by the Mexican drama, some have complained of a technical issue.

From episode four onwards, fans are currently unable to hear the dialogue in Between Father and Son.

Taking to X, a viewer questioned: “Why’s there no sound?”, as another on Reddit stated: “It doesn’t have any dialogue audio after episode three.”

They went on to add: “I am already hooked though and patiently waiting for the issue to be fixed!”

But others have shared that their audio is working fine, including the English dubbed version of the series.

Between Father and Son is available to watch on Netflix.