thriller

Netflix fans have claimed they are hooked from the very first scene

Netflix’s latest addition has left fans immediately hooked and binging as many episodes as possible.

An ‘intense’ crime thriller is now available on the streaming giant’s platform. Some have already claimed that it is better than other popular shows such as High Potential and The Rookie.

Dozens of episodes of Will Trent have recently been added to the streamer’s ever changing library. The show is based on a series of novels written by Karin Slaughter. The author penned a dozen books featuring the character as recently as 2024.

Like the original stories, the series follows Special Agent Will Trent who was abandoned at birth and endured a harsh coming-of-age in Atlanta’s overwhelmed foster-care system. This had a lasting effect on him and, despite being dyslexic, he rose the ranks at the Georgia Bureau of Investigation.

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He is highly observant and determined to make sure that nobody else feels as he did. Despite achieving the highest clearance rate of cases in his department, he finds this causes some friction on the team.

While it originally aired in the US back in 2023, the first three seasons of the show are now available on Netflix for UK based subscribers. Even better news is that if users find themselves binge watching it quickly enough, they can find the fourth over on Disney+, with a fifth season expected to release early next year.

Some even suggest that it is superior to similar crime dramas, in particular a few very popular ones considered to be in the more ‘cosy crime’ subgenre. A fan shared on Reddit : “I think most people will agree with this, but I haven’t seen it mentioned before, so… Will Trent gets lumped together with The Rookie and High Potential but I think it’s better, deeper, darker and funnier than the others.”

Another agreed and replied: “I agree with you. I only lump together those other shows with Will Trent because they’re the same kind of procedural drama. I think Will Trent is of a higher calibre, though. Also, as a mother through (private) adoption, I think the foster care angle is very well done, for the most part.”

One fan claimed: “I think Will Trent stands alone. It is truly the most unique show, with the most intense scenes — I feel the same way about them that I do when watching The Pitt.”

Someone else added: “I jumped so hard in the first episode! I was hooked and couldn’t stop! I gobbled up the first three episodes voraciously! I have been binge watching the series since.”

Other viewers have shared their recommendation online stating they were hooked from the first scene. Someone else made a different comparison as they posted: “I love this show it’s like Monk combined with Elementary. Quirky Sherlock type with a bad upbringing and makes it work despite his dyslexia and his on-again-off-again relationship with a fellow cop.”

Will Trent is streaming on Netflix and Disney+

As a nation, we give thanks this month, and readers can, too, since November’s new releases include several kinds of fiction (sci-fi, climate dystopia and thriller, among them) and nonfiction featuring a memoir from a nonagenarian legend, an octogenarian legend and an almost-septuagenarian legend. Happy reading!

FICTION:

Stations: A Novel
By Louise Kennedy
Riverhead Books: 288 pp., $28
(Nov. 3)

Kennedy (who penned the international bestseller “Trespasses”) is Irish and knows that country’s Roman Catholicism well, which means that her latest book’s title signals differences in class and status — but also has that whiff from the church thurible that signals the Stations of the Cross, or the Way of Sorrows. Roisin, a teen in 1982, falls hard for her friend Tina’s upper-class boyfriend, Red Camelin. She’ll undergo her own sorrows when she finds him again, in London, living in a squat.

A Glacier’s Guide to Dying: A Novel
By Michelle Porter
Algonquin Books: 272 pp., $29
(Nov. 3)

Robbie, a young Métis man, thinks the best way to find his missing father is through his Anglo uncle, Doug, who lives in Montana. When Robbie and his mother travel by bus from Alberta, Canada, they part ways for a time before he discovers raging wildfires threaten her location. Meanwhile, Doug has made a confession that haunts the men as they follow a pregnant bison onto an unstable glacier. It’s an unusual, slightly surreal, meditation on climate change.

Monsters of Ohio: A Novel
By John Scalzi
Tor Books: 272 pp., $30
(Nov. 3)

It’s a familiar scenario: A civil servant gets laid off and moves back in with family, far from Washington, D.C. Scalzi’s latest sees Mike Boyd return to Richland, Ohio, where the town’s major employer might be shutting down, and strange things are happening to mammals both two- and four-legged. As Mike teams up with a few pals, a police officer and an events organizer, a funny and remarkably optimistic story of small-town resistance unfolds.

This Impossible Life: A Novel
By Chinelo Okparanta
Mariner Books: 432 pp., $32
(Nov. 10)

Okparanta’s “Under the Udala Trees” was set during the 1960s Biafran War; her new novel takes place in 1993, as siblings Alohan and Ivie, ages 11 and 4, face a family tragedy that eventually leads to their separation. As the brother and sister forge lives, more tragedies occur. However, the author wants readers to see that displacement of many kinds, malignant or benign, can have far-reaching consequences — and sometimes those can be overcome.

27 Knots: A Novel
By Martin J. Smith
Open Road Media: 334 pp., $26
(Nov. 24)

The title refers to knots tied in a U.S. Navy Riverine force beret, each knot symbolizing what the men in those units believe is “an assassination in the name of duty.” Fifty years ago, the teenage Vance was sent to Vietnam and hunted down Viet Cong forces in the Mekong Delta. Today, he’s headed to Washington, D.C., for the funeral of a comrade — but another of his comrades might threaten his carefully constructed life. A thoughtful and riveting thriller.

NONFICTION:

Just a Shot Away: Martin Scorsese’s Life in Film
By Mark Binelli
Metropolitan Books: 544 pp., $36
(Nov. 3)

“As far back as I can remember, I always wanted to be a gangster,” says Henry Hill in “Goodfellas,” and what better way to be a gangster than to create your own? In this hefty biography of director Martin Scorsese, long-time journalist Binelli leaves no reel unturned as he chronicles his subject’s Little Italy origins, years as a “functioning cokehead,” and rise to fame through films including “Taxi Driver,” “Raging Bull” and “The Departed.”

Take My Word for It: A Memoir
By LeVar Burton
Random House: 352 pp., $32
(Nov. 10)

Burton’s multifaceted roles as Kunta Kinte in “Roots,” as Geordi La Forge in “Star Trek: The Next Generation” and as the host of “Reading Rainbow” have affected his life deeply. As he explains in his lovely memoir, Kunta Kinte allowed him to understand Blackness as a cultural phenomenon, while Geordi LaForge lived in a future where Blackness was no longer an issue — and his passion for liberation led to encouraging kids to “Take a look, it’s in a book.”

China Whisperers: The Voices that Have Shaped America’s Views of Its Chief Geopolitical Rival
By Robert D. Kaplan
Scribner: 448 pp., $32
(Nov. 10)

While we watch shows like “The Diplomat” and “Black Doves” focusing on our country’s European allies, another global power deserves attention. As longtime political expert Kaplan explains, our understanding of China has been filtered through the perspectives of groups that include today’s technophiles and linguists, who help our government negotiate a land of great progress and huge differences. Perhaps we should send Jack Reacher to Beijing?

The Last Leaf: Reflections on Late-Life Creativity — and My Longest Love Affair
By Willie Nelson
Penguin Press: 208 pp., $30
(Nov. 10)

Leave it to the tireless singer-songwriter and ganja connoisseur to give his new book such a punny title (and one that also references his song “Last Leaf on the Tree”). Nelson claims he’s slowing down in his old age, but given his prolific touring and recording, plenty of young musicians want what he’s having. His focus on living in the present, his decades-long marriage to wife Annie, and memories of true friends all show Nelson’s wisdom.

Secrets: A Reporter’s Memoir
By Bob Woodward
Simon & Schuster: 592 pp., $35
(Nov. 24)

Since, along with his colleague Carl Bernstein, Woodward once held that most secret of secrets — the identity of the Watergate informant known as “Deep Throat” — it’s fitting for him to use it as the title for this engrossing memoir. He’s covered everything from the White House to the Pentagon; expect a long list of source names, some of whom, Woodward says, permitted him to do so, while others are now a matter of public record.

Patrick is a freelance critic and author of the memoir “Life B.”

With its gridlocked terminals, infuriating delays and long lines for everything from security checks to coffee, LAX might be where patience goes to die. It’s a place most dream of escaping; instead L.A.-born novelist Alexander Maksik takes readers inside the airport to witness both the unease and shared humanity of people passing through.

Longlisted for the 2026 National Book Award in fiction, Maksik’s new novel, “Passengers,” unfolds within the airport’s sprawling concourses. The story centers on Ivan and Nina, a distant father and daughter meeting up for a flight to Paris. For 75-year-old Ivan, it’s a chance to show his daughter where he once lived. For 29-year-old Nina, it’s a free trip and an opportunity to finally understand a parent she barely knows. When their flight is delayed, and then delayed again, frustration shifts from the departure boards to the fault lines between them.

Maksik, speaking via video conference from his Parisian apartment, always planned that the book would be about a father-daughter pair. “When my daughter was born, like many new parents, I found I could only think in clichés, and I didn’t try to resist them,” he says. “But as time went by, I started to toy with the idea of writing a novel about a father and daughter in which the battle against cliché would become central, would take on huge, even life-saving, importance.”

The author also plays with the idea of nostalgia. “Nostalgia brings you close to the edge of real feeling without forcing you to confront the weight, power and terror of real feeling. It’s too easy to keep yourself wrapped up in the false ease of the past.” One of the things that airports remind us of, he says, is change. Restaurants and boutiques close and open regularly. In one era, people sought out bookstores; in another, they’re looking for headphones and portable chargers.

“For a long time, airports felt to me like places of civility,” says Maksik. “I remember having real conversations with strangers at a bar or in various waiting areas. There was promise and possibility and warmth in such interactions. Now an airport is just one more place to look at your phone.”

As Ivan and Nina walk, talk, do tequila shots and observe their fellow travelers, those travelers are also observing them. One of the most powerful conceits in the book occurs when the two leave an airport venue and readers get the perspective of a person who served or overheard them. For example, one character, “an elegant woman, long gray hair in a braid” thinks about her dead husband when she notices Ivan and Nina: “It was impossible for the woman to see two people together, really any two people, and not feel his absence.” There’s another man who thinks he can tell that father and daughter “were the kind always looking for a way around the rules, who think waiting is for suckers like him.” Each underscores the fact that strangers affect and can even change one another (like our own offspring do).

Something else Ivan and Nina share is physical labor. Ivan spent decades as a building contractor, while Nina is a masseuse who goes to clients’ homes, not liking “the idea of going to the same place again and again. She wanted to travel, to peer inside different lives.” Maksik himself held service positions for many years, experience that gave him a different outlook than some of his colleagues at the renowned Iowa Writers Workshop, which he entered at the relatively senior age of 38.

“At Iowa, I was drawn to those who were writing about worlds that were far away from literature and academia,” he says. “Maybe that’s because I’ve worked so many different jobs. I washed dishes. I was a bartender. I cooked. I delivered pizza. Those experiences were vivid and interesting and at least as formative to me as a writer as anything I learned in the classroom. To write well about work is something I admire a great deal.”

Of course, Maksik is writing fiction, and can write about any sort of life, including that of a teacher, as he did in his critically acclaimed 2011 novel “You Deserve Nothing,” about an affair between an American teacher and his French high school student. As he knows, there’s a shadow over that book because one of his students alleged that the story was about Maksik’s affair with her when she was 17 years old.

“I will aways have to acknowledge my own history, and how I came to write that novel,” he says. “And there will always exist people to whom this acknowledgment means nothing. Perhaps this is as it should be. I’m certainly not proud of that period of my life, and, frankly, I’m no longer particularly proud of the novel either. Nevertheless, it will always be part and parcel of my history, and I have no intention of pretending otherwise.”

As Ivan and Nina wrestle with their own emotional truths, which range from her mother Nora’s departure from their lives to Ivan’s clumsy recitations of Nina’s childhood antics, something alarming is afoot. Nina can’t make or receive calls on her phone. The pair notices that others can’t make calls, either; a restaurant loses its checkout interface; and everyone is snaking cords around to keep devices charged for the moment when service returns.

Something is definitely wrong, and no one seems to know what it is. Soon Nina sees that her father is tired and weak, despite a meal and plenty of water; she becomes convinced that he needs fresh air. When they try to exit the airport, they find barriers set up and armed soldiers who say no one is allowed to leave.

The sense of unease Maksik creates mirrors the sense of disconnection between all of the people stranded, from a brusque young woman in bunny slippers and giant headphones to an older couple huddled beneath racks of merchandise: “We’re trying to sleep … Can’t you see that?” one of them says. This LAX, unlike the island of civility and good manners Maksik remembers from childhood, fosters alienation and dread.

The author laughs ruefully when accused of his own version of nostalgia, admitting that the version of the airport he’s created feels closer to our present-day reality. As it happens, Maksik himself will be taking a flight soon, from France to Florida, taking part in his fellow author Lauren Groff’s First Editions Book Club. How does he feel about that?

“Our daughter was born in late 2019, and then there was the pandemic. Each day since then seems more dangerous than the previous one. I wouldn’t at all be surprised to find myself trapped in an airport, whether as a result of climate change, AI, or one of the many petulant maniacs who run the world.”

Patrick is a freelance critic and author of the memoir “Life B.”

SAN FRANCISCO — Gabby Williams scored her team’s final 11 points of the third quarter and dazzled through the fourth on the way to 30 points, and the Golden State Valkyries captured a championship in just their second season by beating the Atlanta Dream 68-63 in a sensational first WNBA Finals Game 7 on Saturday night.

Jordin Canada scored 18 points, Allisha Gray 16 and Angel Reese had eight points and 12 rebounds for the Dream, denied another championship in the franchise’s fourth try.

Gray made two free throws with 11 seconds left then Atlanta forced a jump ball — Gray against Williams — and Veronica Burton corralled it and converted two free throws with 5.1 seconds to go.

“I’m just so blessed, this is insane!” said Burton, cut by Dallas two years ago.

Rhyne Howard’s layup tied it at 57 with 2:41 left only for Williams to answer once more with a clutch three-pointer. She converted two free throws with 1:40 remaining, then Kiah Stokes scored a late basket. Stokes pulled down 13 rebounds and blocked two more shots to cap her spectacular postseason.

Williams left Seattle with a great feeling about joining Golden State and its close-knit culture, returning to the Bay Area where she played youth basketball to build something special with the Valkyries — and she’s now done that. Fans chanted “Gabby! Gabby!” throughout the fourth quarter.

“All it took was good people,” she said. “All we heard last year was we don’t have no stars. We don’t have no talent. Yeah right! We got good people. We got good people. We got winners. We got people who are ready to put their bodies on the floor to win a game.”

When the final buzzer sounded, the violet-clad sellout crowd at Chase Center went into a frenzy as players sprinted onto the floor to hug and celebrate as confetti fell from the rafters.

“Ballhalla” had become “Boohalla” for this far-but-haunted Halloween night in the raucous arena. Now, with a women’s championship to its name right alongside the one earned by the Golden State Warriors in 2022.

“We gotta build a bigger trophy case,” co-owner Peter Guber said.

The team that led at halftime in the first six matchups had won every game so far, and the Dream were ahead 30-24 at the break. Atlanta also had been 16-0 this season when Reese made at least one 3. The Dream’s DeWanna Bonner became the first player in WNBA history to reach 600 career postseason defensive rebounds.

Valkyries coach Natalie Nakase changed her starting lineup in a move that paid huge dividends after Golden State fell behind 2-1, inserting Kaila Charles and Tiffany Hayes and bringing Kayla Thornton and Cecilia Zandalasini off the bench.

The 37-year-old Hayes, who came out of retirement two years ago and spent 10 seasons with the Dream, scored 11 points in the winner-take-all Game 7 and brought energy all series that made Nakase want to win for the veteran guard as much as anybody.

Valkyries owner Joe Lacob guaranteed a championship within the first five years for this franchise three years ago when the Bay Area was granted an expansion team, and in improbable, joyful fashion, his team accomplished it in Year 2. That after becoming the first expansion organization to reach the playoffs in its inaugural year in 2025.

During the victory ceremony, Lacob shouted out the team and its leaders, while Nakase, general manager Ohemma Nyanin and president Jess Smith hugged. And Lacob thanked the fans who have sold out Chase Center for every game since Day 1.

“Ballhalla!” Lacob hollered.

LeBron James scored 20 points, including a late tip-in, to help seal the Philadelphia 76ers’ 98-93 victory over the NBA champions New York Knicks on Friday.

The 76ers notched their second win of the young season over the Knicks after spoiling their championship banner-raising with a victory at Madison Square Garden on opening night.

The win had a double edge as Friday’s games marked the start of the fourth edition of the NBA Cup, the NBA in-season tournament won by the Knicks before they went on to beat the San Antonio Spurs in the NBA Finals for their first championship since 1973.

Group-stage Cup games will be played throughout November, all counting in the regular-season standings. Quarterfinals will be played December 4-5 and semifinals December 8-9 before the final on December 11 at Hinkle Fieldhouse in Indianapolis, Indiana.

Tyrese Maxey scored 27 points to lead the Sixers, who took control early against the sloppy Knicks.

They led by 14 in the third quarter and weathered a late Knicks surge.

Jalen Brunson’s step-back three-pointer put New York up 90-89 with 1:32 remaining.

James, the NBA’s all-time leading scorer, answered with a basket that put Philadelphia back in front and pushed the lead to 96-91 with a tip-in off a Maxey miss with 11.9 seconds left.

LeBron’s ‘best game’

James, 41, added nine rebounds, eight assists, one steal and a vintage chase-down block in what 76ers coach Nick Nurse called his best game since joining as a free agent in July.

“I thought he was really good all the way through,” Nurse said. “When we got some downhill stuff, he used his size and knocked them around a little bit for some layups … kind of pushed and organised it.

“He’s been good, but that was his best game, for sure.”

Brunson led New York with 24 points, and Karl-Anthony Towns added 22 points and 12 rebounds for the Knicks, who fell to 2-4.

The Dallas Mavericks, fuelled by 35 points from Kyrie Irving and 33 from Cooper Flagg, rallied to hand the Houston Rockets their first defeat of the season, 116-111.

The Rockets had emerged from a back-and-forth first half with a 51-44 lead, pushing the advantage to as many as 11 before taking an eight-point lead into the final frame.

Irving’s three-pointer with 7:01 remaining put Dallas back in front, and they wouldn’t trail again, the Mavs finding an answer when Houston twice pulled level in the final stretch.

“It felt good,” Irving said. “We came in at halftime, we weren’t proud of our effort. We looked each other in the eye, and we were just like, we’ve got to do better.

“We didn’t bring it in the first half, but the second half we definitely brought it.”

Curry climbs scoring list

Golden State star Stephen Curry scored 31 points to lead the Warriors to a 112-95 victory over the Los Angeles Lakers in a rollercoaster contest in San Francisco.

The Lakers outscored the Warriors 38-15 in the first quarter, the Warriors erasing the 23-point deficit by outscoring Los Angeles 38-15 in the second to knot it 53-53 at halftime.

Luka Doncic scored 37 points for the Lakers. The night’s abiding image was of him crashing to the floor as he was wrong-footed by Curry – who fired over him for a three-pointer.

Curry took his career points tally to 26,674, surpassing Dominique Wilkins (26,668) for 18th on the all-time scoring list.

In Miami, Giannis Antetokounmpo delivered a triple-double of 31 points, 18 rebounds and 10 assists to propel the Heat to a 145-125 victory over the Indiana Pacers.

In Boston, the Celtics romped to a 125-111 victory over the Chicago Bulls. Payton Pritchard scored 30 points off the bench, and Jayson Tatum scored 26 for the Celtics, who led by as many as 32 points.

Orlando’s Desmond Bane scored 28 points, Franz Wagner added 26 and Wendell Carter chipped in 20 as the Magic fended off a late challenge to beat the Raptors 121-114 in Toronto.

The Magic drained 18 three-pointers and withstood a career-high 41-point performance from Toronto’s Scottie Barnes.

Detroit shook off a slow start to hand the winless Nets a fifth straight defeat in Brooklyn, where Cade Cunningham scored 20 points, and Ron Holland added 18 off the bench in a 110-94 Pistons victory.

CLAYFACE

(18) 108mins

★★★★☆

YOU don’t need to be a DC Universe superfan to have heard of many of Batman’s nemeses.

The Joker, The Penguin and Catwoman have each been cultural references for decades.

But even the most ardent Detective Comics devotee may not have heard of Clayface, who first popped up in 1940 drawings.

In 1992, a two-part Batman TV series introduced Matt Hagen, a disfigured actor dependent on an experimental cream that restored his appearance — but this turned him into a shape-shifting monster.

Now, 34 years later, this brilliantly terrifying origin story shows us exactly why Clayface is who he is.

DULCIE PEARCE

Austin Abrams turned a tough gig into a compelling story with Whalefall

DULCIE PEARCE

One Night Only has huge plot holes & a flat ending that become a turn-off

Handsome actor Matt Hagen (Tom Rhys Harries) has risen from Gotham’s streets to become one of the world’s most sought-after stars.

We meet him at the height of his career — working non-stop, featured on the cover of every glossy magazine, and even nominated for an Oscar.

On top of that, he seems like a decent bloke who looks out for his mates and treats everyone with respect.

But soon, a sexy run-in at a nightclub leads to him having his face horrifically disfigured by a Gotham gangland boss, who puts out a smear campaign on his character.

With his career collapsing and his reputation in tatters, Matt turns to experimental scientist Dr Caitlyn Corr (Naomi Ackie), who is practising with various AI treatments to put right such disfigurements.

While she explains her research is in its early, undeveloped stages, Matt feels he has nothing to lose — and so they give it a try, naturally.

It restores said good looks, but it also begins to affect Matt other ways, giving him mind and face-altering abilities. Quite the combination for someone hell-bent on revenge for those who betrayed him.

This thrilling horror has experience at the helm, with Speak No Evil’s James Watkins directing and The Haunting Of Hill House’s Mike Flanagan writing the screenplay, along with Hossein Amini.

With a bevy of British talent playing Americans in the supporting cast — including Eddie Marsan as a dodgy lawyer and Max Minghella as a good cop trying his best in a corrupt city — this is a high-quality psychological thriller that often feels grittier than anything DC has done before.

Not to mention it’s also a superb introduction to a new DC character, who makes a great nemesis.

GHOSTS: THE POSSESSION OF BUTTON HOUSE

(PG) 97mins  

★★★★☆

IT’S three years since BBC sitcom Ghosts shut the dusty doors on Button House and its crazy residents after five series of the show, which originated with the comedy troupe that created Horrible Histories.

This film sees series director Simon Hynd bringing back the spirited company of characters including disgraced Tory MP Julian (Simon Farnaby), Edwardian matriarch Fanny (Martha Howe-Douglas) and World War Two captain James (Ben Willbond).

The gang bicker and reminisce about the former living residents, Alison (Charlotte Ritchie) and Mike (Kiell Smith-Bynoe), who they miss dreadfully. So bored are the friendly ghosts that they learned a takeaway menu that was pushed through the door.

But soon a new crew enters their home – kids who want to play Ouija.

This kicks off an outer-and-inner-body adventure for the ghosts, who seek out Alison and Mike to help them keep their abode.

There’s gentle thrills and some rubbish local-cop car chases. Watch for funny cameos from great British comedians and nods to coming-of-age shows like Stranger Things.

Fun for the whole family.

ALI G: WHO IZ I?

(15) 89mins

★★★☆☆

ON hearing that Ali G creator Sacha Baron Cohen was revisiting the character to make a film, I did a sharp intake of breath.

It feels like a dangerous climate for a white actor to play a character who claims to be black.

But the film addresses this early, with Slough-born Ali discussing cultural appropriation in the only way he can.

He reflects that many of his haters claimed he wasn’t black, and decides to head to America with his eight-months pregnant girlfriend, Julie (Morgana Robinson), to get back in the spotlight.

This brings together a fascinating, hilarious cast of characters who, like the successful original comedy show, are not in on the gag.

Having given them a good kicking in his Borat films, Baron Cohen again makes the endlessly ridiculous and terrifying right-wing Americans his targets, as well as the ultra-woke liberals.

And while I laughed out loud many times, some jokes felt tired. But the stunt at the end works brilliantly, and this formerly much-loved character just about gets away with it.

It’s in cinemas this weekend only.

Luke Evans and Tom Cullen’s ITV drama The Party is set to be replaced in the televisions schedule with a new “scandalous” and “provocative” drama starring Dominic Cooper and Romola Garai

ITV’s gripping drama starring Luke Evans and Tom Cullen ends this evening.

The Party is a five-part series based on the acclaimed novel by Elizabeth Day, starring Evans as Martin Gilmour, a journalist shaped by his lifelong friendship with the wealthy and charismatic politician Ben Fitzmaurice, played by Cullen.

Raised alone by his working-class mum, Sylvia Gilmour, played by BAFTA award-winning Joanna Scanlan, Martin wins a scholarship to an elite boarding school, where he first meets Ben. They forge an unbreakable bond, as Ben and the Fitzmaurice’s give Martin the sense of belonging he has always craved.

In turn, Martin remains unflinchingly loyal to Ben through even the greatest crises. Three decades on, Martin is invited to Ben’s lavish birthday party at the Fitzmaurice’s country pile. The news of the Conservative leader’s resignation threatens to derail Ben’s party as he considers announcing his intention to stand.

Martin fears the publicity that Ben’s bid would bring, dredging up the secrets of their past with tragic consequences. The drama moves between the shocking events of the party and the police investigation that follows, with flashbacks to Martin and Ben’s lives at school, university and London party days.

What unfolds is a gripping exploration of identity, privilege and devotion, combined with a tender ode to anyone who has fought to live authentically.

The synopsis for the fifth and final episode which airs tonight (Monday, October 19) reads: “Martin confronts Ben with a gun in his hand. Years of pain andanger spill out. But Ben grabs the gun and reveals the depths of his own despair. A gunshot rings out.

Serena discovers Martin covered in Ben’s blood and tells the police she saw Martin with the gun. Martin once again finds himself in custody. With the evidence mounting against Martin,Ben fights for his life in hospital.

In the chaos of the party aftermath at Denby Hall, Jarvis’s stash of cocaine is found by the police and he is arrested. Only Ben can save Martin, but will he recover? And will he tell the truth?”

It yet to be confirmed f The Party will return for a second series but cast member Lydia Leonard, who plays Serena Fitzmaurice, has hinted that it could be on the cards.

When asked how viewers will react to watching the series, she previously told ITV: “I hope it will have people saying to their friends, ‘Have you seen this amazing drama?’.

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“I think it’s gripping and suspenseful and surprising. I hope it will leave audiences wanting to know what happens to these characters next. I mean, Elizabeth has written a sequel that is just waiting to be adapted for television.”

The Party will be replaced in the schedule with a new “scandalous” and “provocative” drama titled Adultery starring Dominic Cooper and Romola Garai as Tom Kirkman and Beth Brookes, who meet after a chance encounter and get involved in a heady affair that risks tearing apart both of their families.

Episode one will air this Sunday (October 25) at 9pm and the second instalment with follow on Monday (October 26) at 9pm.

The full series of The Party is available to watch on ITVX

Thriller fans might have just found their next obsession

Netflix viewers addicted to new mystery thriller Below should watch this ‘gripping’ drama next.

For those who have yet to tune in, Below is a fresh supernatural series that landed on the streaming platform last week, and has since climbed to the top of the most-watched chart. Starring Josh Hartnett, the drama is set in a remote town called Snook’s Arm.

When the tight-knit community is terrorised by a mysterious sea creature, a dedicated fisherman and father (Hartnett) must find a way to protect his children and fellow neighbours.

Many fans are already hunting for their next obsession after binge-watching the entire six-episode drama in a matter of days. A 2018 series titled The Terror might just be the what viewers are looking for, and it’s available to stream on NOW.

The supernatural horror series is named after Dan Simmons’ 2007 book of the same title, which also provides the story for the first season. It tells a fictionalised version of the real lost expedition of British Royal Navy Officer Captain Sir John Franklin in 1845.

After leaving England on a mission to explore uncharted waters, two ships find themselves frozen and trapped in ice. Those onboard must fight for survival all while being stalked by a mysterious entity.

A synopsis for the show reveals: “As things worsen and civilized behaviour disintegrates in favour of survival at any cost, the crew must simultaneously battle the elements, the supernatural, and eventually themselves.”

The thriller has three seasons in total, but each series takes on a different story. While the other instalments captivated some viewers, season one is better suited for fans of Below.

And it is ‘even better’ than the Netflix series, according to Rotten Tomatoes scores. The Terror has a rare 94% score, while Below has a less impressive 87% rating.

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Viewers have also shared glowing reviews for the series, with many hailing it as one of the best thrillers to come out in recent years. “One of The Top Twenty Television Shows not only this decade: but indeed this Century so-far,” shared one fan.

Someone else raved: “The show draws you in immediately. After only two episodes it’s the only thing on right now, for me, that’s a must-watch. The characters are well-written and multi-dimensional. The story is intriguing.”

A third viewer shared their own verdict, commenting: “Grim, grisly & utterly gripping,” while a fourth added: “I binge-watched Season One, couldn’t stop. Amazing performances.”

While a final fan agreed with the high praise, saying: “One of those series which will have an impact on you for ever. A masterpiece!!!”

The Terror is available to stream NOW

For his part, Gary Haveron was left disappointed as his side let a two-goal lead slip on home turf and described the defending from his players as “pathetic”.

Before Friday’s game, Larne had only conceded three goals in their opening seven league matches.

But Coleraine’s fightback – led by Cooper, Shevlin and Doherty – meant that tally doubled in a devastating 21-minute burst.

Despite that, Haveron dismissed any notion of it being a statement win for the Bannsiders.

“We’ve still got to play them down there,” Haveron said.

“We drew the first one, they’ve won this one. There’s still a lot of games for us to play against them, and there’s lots of football between now and the end of the season.”

Larne, missing influential midfielder Chris Gallagher, will have to lick their wounds, and quickly, when they welcome fellow title challengers Linfield to Inver Park on Tuesday.

Friday’s defeat marks a disappointing week for Larne after they lost on penalties to Championship side Dundela in a penalty shooutout in the County Antrim Shield, after conceding a controversial injury-time penalty at Wilgar Park.

“It’s a great opportunity for us to bounce back from what is a disappointing week,” Haveron said about the trip to Linfield.

“I’m not bothered about Tuesday night [against Dundela], truth be told, I don’t have anything else to say about that.

“But today was bitterly disappointing because we had that game won and we should have killed it off.”

Paris Saint-Germain score three first-half goals, but Erling Haaland brace nearly drags Manchester City back in UCL.

Paris Saint-Germain further soured the mood at the Etihad Stadium as Manchester City’s first home game since the guilty verdict on widespread flouting of Premier League financial rules ended in a 4-2 Champions League defeat on Wednesday.

The European champions turned on the style to strike three times inside the opening 35 minutes through Desire Doue, Ousmane Dembele and Vitinha.

But City stormed back in the second half as Erling Haaland scored twice on either side of Maghnes Akliouche’s strike, which briefly restored PSG’s three-goal cushion.

The 10-time English champions face swingeing sanctions unless they can successfully appeal last month’s ruling by an independent commission, which found the club guilty on more than 100 charges of financial impropriety.

City shrugged off the uncertainty over their future to win 3-0 at Liverpool on Sunday and remain top of the Premier League, but PSG showed why they are the favourites to win this competition for a third consecutive season.

Former City manager Pep Guardiola returned to the Etihad for the first time since his departure in May, sitting behind the club’s embattled chairman Khaldoon Al Mubarak and CEO, Ferran Soriano, in a show of solidarity.

City made passing reference to the guilty verdict with a lengthy pre-match video detailing the club’s historic moments of celebration both before and after an Abu Dhabi-backed takeover in 2008 that transformed their fortunes.

Behind one end, supporters unfurled a giant banner reading: “I’m City till I die.”

Yet the fighting talk in the stands didn’t match the on-field action as City were blown away by a scintillating first 45 minutes from the visitors.

Luis Enrique’s decision to leave Khvicha Kvaratskhelia on the bench proved inspired, as it meant Doue started wide on the left.

Gianluigi Donnarumma had a point to prove after the Italian goalkeeper was let go by the PSG coach just months after helping deliver the club’s first Champions League title in 2025.

However, it turned out to be a night to forget for the giant Italian.

Donnarumma was caught out at his near post by Doue’s outside-the-box effort after a lightning counter-attack to open the scoring.

The move for the second goal two minutes later was even more impressive, as Doue and Dembele exchanged an elaborate one-two before the latter headed in at the far post.

Achraf Hakimi hit the post before Vitinha rattled in PSG’s third from the edge of the box.

Maresca responded with a triple substitution at half-time and managed to salvage some pride, even if the deficit proved too much to overturn.

Antoine Semenyo and Enzo Fernandez missed glaring chances to pull a goal back even before Haaland glanced home a header from Iliman Ndiaye’s cross.

Yet City were hit by a sucker punch when Donnarumma got a hand to Akliouche’s effort, but the ball looped high and spun back into the net.

Nuno Mendes made a brilliant clearance off his own line, and Haaland hit the bar before the Norwegian slotted home his second of the night.

Donnarumma saved a late Ferran Torres penalty, denying the French champions a fifth goal.

But in the battle between two state-backed projects that have reshaped European football, Qatar-owned PSG are the top dogs right now as City face a scandal that puts their trophy haul over the past 15 years in question.

The neo-noir crime classic has an almost perfect rating on Rotten Tomatoes and fans say it is one of the greatest films ever made

It was a film which cemented the blossoming careers of two of the world’s biggest actors, has a near perfect rating on Rotten Tomatoes and was nominated for a huge nine Oscars – and now it’s airing on Film4 tonight.

LA Confidential is a noir crime thriller starring Kim Basinger, Kevin Spacey, Danny DeVito and Australian actors, Guy Pierce and Russell Crowe, in what would become a breakthrough role for both of them.

Based on James Ellroy’s novel, the film was directed by Curtis Hanson, who also co-wrote the script with Brian Helgeland. Set in the Los Angeles that gives the movie its title LA Confidential is the story of a group of police officers in the 1950s and deals with corruption and the world of Hollywood celebrity.

LA Confidential was nominated for Best Picture, Best Director, Best Supporting Actress, Best Screenplay, Best Cinematography, Best Original Score, Best Sound and Best Film Editing at the Academy Awards and walked away with Oscars for Kim Basinger for Best Supporting Actress and Best Screenplay. It is often cited as one of the best films to have lost the Best Picture Oscar.

The film also has an incredibly rare, almost perfect rating on the film review website, Rotten Tomatoes, standing at a 99 percent approval rating.

One critic said: “Writer-director Curtis Hanson’s adaptation of the James Ellroy novel wasn’t merely one of the two or three greatest movies of the 1990s; it stands as a masterpiece for the ages.”

Another added: “The flawless ensemble…, the masterfully written story, the vibrant yet gritty vision of 1950s LA – most everything clicks in this fittingly cynical and undeniably seductive period crime thriller that still maintains its style and sizzle.”

While a third wrote: “Adapted from a novel said to be unadaptable and set in a genre that has seemed increasingly played out, it brings clarity and life to its art and to life. That’s a pretty good definition of a masterpiece, isn’t it?”

Fans of the film were equally as lavish in their praise from the movie. One wrote: “A masterclass in crime noir. L.A. Confidential is one of those movies that reminds you why people love cinema. The cast is phenomenal, the acting is excellent, and the production design makes every scene feel authentic. The writing, dialogue, editing, and score all come together to create a gripping crime noir that never loses momentum.”

Another said: “A mystery thriller that moves like few others. The twists and turns will be obvious to any average movie goer, but the plot was never the focus. This is a clear cut character piece and here, few can rival the masterclass work on display. The cast is flawless, the script is magnificent and Hanson’s directing somehow weaves all of it together so it’s not only (structurally) a marvel, but wildly entertaining.”

While a third added: “L.A. Confidential is, without a doubt, the best film of the ’90s, and one of the best films ever made. Curtis Hanson was a much better director than Speilberg or Tarantino. Great script, the story is riveting, the dialogue is smart and funny, and the characters are written in three if not four dimensions. One can almost forgive the casting of DeVito, who did a good job. There should have been several sequels.”

LA Confidential is on Film 4 at 12.45am this morning.

FANS of Michael Jackson will be looking at the competition and hoping to beat it when his latest memorabilia goes under the hammer. 

The late King of Pop’s original Thriller jacket and Motown 25 glove are being put up for Auction in Abu Dhabi.

On December 7, the iconic garments will headline Julien’s Auctions’ Fashion Legacy Evening Sale.

Created by Deborah Nadoolman Landis, the red leather jacket was one of two created for Michael’s 1983 video – with the other shredded for the zombie scenes and now on display at the Rock and Roll Hall of Fame.

Estimates for the jacket up for auction are only available upon request by interested bidders. It last sold in 2011 for almost £1.4million.

Michael wore the white rhinestone glove, tipped to fetch £700,000, the same year at the taping of Motown 25: Yesterday, Today, Forever.

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In 2022, a massive collection of Michael Jackson memorabilia was being auctioned with an estimated value of £2.5million.

The 32,000 items linked with the King of Pop were being sold as a single lot in a private online auction on behalf of an anonymous owner.

The collection was originally intended for a museum in Los Angeles, but plans fell through and it was auctioned through House of Consultants.

The owner said: “This is a rare opportunity to buy cultural heritage from the most influential artist of the century.”

The unpredictable crime drama follows the puzzling deaths of four guests at a dinner party

MobLand star Emmett J. Scanlan is starring in a new murder mystery alongside Celebrity Traitors’ Sharon Rooney.

Channel 5 has released a first look at their upcoming thriller, An Impossible Way to Die, which follows two detectives who are tasked with uncovering the mysterious deaths of four guests at a dinner party.

The six-part series has been described as “gripping” by the broadcaster, and follows Sharon Rooney’s character, DS Katie Salter, whose quiet local policing life is upended when she is thrust into a high-pressure murder investigation with DI Niall Conway, played by Emmett J Scanlon.

Described as a character-driven, unpredictable drama exploring identity, protection, power, and corruption, the story will see DS Katie Salter “happily solving everyday crimes until fate drags her into an impossible murder mystery”.

The synopsis continues: “Four people sat around a table seemingly set for a dinner party – except they are all dead. The only clue is a scorpion crawling out of one of the victim’s mouths.”

It continues: “Salter is not your stereotypical damaged and tormented TV detective. Smart, diligent, and committed to her family, tensions quickly surface when Salter is partnered with DI Niall Conway, lead investigator on the case. Salter’s measured, grounded approach clashes with Conway’s all-consuming dedication to the job.

“At first, the two detectives appear fundamentally incompatible. Yet, as the investigation deepens and the pressure intensifies, Conway begins to recognise the value of Salter’s empathy, optimism, and instinctive understanding of people.”

The synopsis adds: “As the case grows increasingly impossible, secrets are unearthed and conspiracies emerge, lives are put at risk as the detectives race against time to connect seemingly disparate cases and unmask a killer before it’s too late.”

DS Katie Salter actress Sharon Rooney is best known for playing Rae Earl in My Mad Fat Diary and was recently seen competing in the latest series of The Celebrity Traitors. While Emmett J. Scanlan is famed for portraying Paul O’Donnell in Paramount+ crime series MobLand, his other recent roles include A Working Man, Gangs of London, and How to Get to Heaven from Belfast.

Coldwater and Vigil star Lois Chimimba will star alongside Rooney and Scanlan, and will be joined by Black Mirror’s Jonny Lavelle and This Country’s Ashley McGuire.

The crime series is scheduled to air in 2027 and has been penned by Death is Paradise’s Jillian Mannion, alongside Ciara Conway, David Persiva, Robin Ganderton, and Rowena Johnson.

Adam Wimpenny serves as director for the thriller, which is executive produced by Clapperboard’s Mike Benson and Myf Hopkins. Amber Howorth also serves as producer

An Impossible Way to Die will air on Channel 5 in 2027