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Paramount Skydance Chief Executive David Ellison faces a pivotal decision: Should he uproot his Hollywood studio — the birthplace of such film classics as “Sunset Boulevard,” “The Godfather” and “Beverly Hills Cop”?

Paramount floated shifting its home base to Tennessee or Texas in July, hoping to deter California Atty. Gen. Rob Bonta from waging a legal battle to block Paramount’s $111-billion acquisition of Warner Bros. Discovery.

Bonta rejected the tactic, calling it “blackmail.” His antitrust lawsuit, filed in collaboration with 11 other Democratic state attorneys general, has since stalled the largest Hollywood merger in decades and put Ellison in a jam.

The 43-year-old tech scion — a film aficionado who has spent two decades building his career in Hollywood — has told associates he doesn’t want to leave L.A. But he has signaled that he’s prepared to sell the historic studio lots and move Paramount’s and Warner Bros.’ operations from California if the merger isn’t finalized by next month, according to people familiar with the situation who were not authorized to comment.

The prospect has rattled a region already reeling from steep declines in film production, heavy job losses, empty soundstages and shuttered small businesses.

“It would be devastating,” Assemblymember Rick Chavez Zbur, who represents a district that includes the Melrose Avenue movie lot and neighborhoods near Warner Bros. in Burbank, said of a Paramount move. “We need to do everything we can to protect these important jobs in California’s iconic industry.”

Paramount declined to comment.

Ellison is frustrated after securing approvals from more than 65 regulators worldwide for the mammoth merger that would bring HBO, CNN, CBS, Comedy Central, MTV and TBS under the same roof.

Bonta’s lawsuit stands in the way.

“California is the fourth-largest economy in the world and the best place to do business,” a spokesman from Bonta’s office said. “Strong antitrust enforcement is essential so everyone can benefit from a vibrant economy.”

A federal judge in Oakland temporarily blocked the deal, prompting Paramount to agree not to finalize the acquisition until after a trial or June 1, whichever comes first. Settlement talks collapsed in late August after Bonta accused Paramount of leaking and misrepresenting their discussions.

Paramount has plenty at stake. U.S. District Judge Araceli Martínez-Olguín set the trial for March, but the company urgently needs the valuable Warner assets to better compete against tech behemoths. And beginning Oct. 1, Paramount must increase its payout to Warner Bros. Discovery shareholders by $7 million a day, so-called ticking fees that will heap more debt onto the highly leveraged transaction.

Paramount asked the judge to require California and other plaintiff states, including Nevada, Oregon and New York, along with the Writers Guild of America (which also sued) to post a $1.88-billion bond that could compensate Paramount for ticking fee costs. A hearing is set for Sept. 24.

For weeks, Paramount’s most potent weapon has been its in-the-works plan to leave L.A.

Lobbying has been intense, prompting a parade of politicians led by Gov. Gavin Newsom, L.A. Mayor Karen Bass and gubernatorial nominee Xavier Becerra to urge the two sides to settle the lawsuit.

“It’s a game of chicken,” Kevin Klowden, an economist and managing director at the Melcene Advisory firm, said in an interview. “But I’m not dismissing the threat because it is very real.”

Relocating from Los Angeles would allow Ellison’s cash-hungry media company to qualify for lucrative tax incentives offered by another state. Ellison’s short list includes Tennessee, Texas and Georgia. But leaving its longtime home would be costly for Paramount too, given how much of the talent and deal-making remains concentrated around L.A.

Tennessee’s Department of Economic and Community Development declined to discuss its negotiations with Paramount, but in a statement a spokesperson said the state “remains committed to working with companies across a wide range of industries that are exploring opportunities to invest and grow in Tennessee.”

Early this month, a pro-merger group was set to hold a news conference outside Paramount, but it moved its gathering to a warehouse a few blocks away after anti-merger activists planned a counterprotest.

The pro-merger organization, Neighbors for Strong Communities, was incorporated in Washington, D.C., in June and has lobbed text messages to Californians urging them to press Bonta to drop the case.

Speakers were concerned with just one issue: What would happen should Paramount pull out?

“What are we going to do with all these people who have invested their lives and many generations into building something here?” asked Keyla Wood, who moved from Mexico to L.A. about a decade ago after getting her start in Spanish-language soap operas.

“It’s been one thing after the other: The pandemic, the strikes and then it was the fires,” said Wood, who has worked as a stand-in for Eva Longoria and Salma Hayek. “So many people never work again.”

David Ellison is deciding whether to leave Hollywood.

(Bloomberg via Getty Images)

L.A.’s very identity is at stake, added Daniela Kelly, an actor and dancer who arrived from Brazil two decades ago.

“Everyone in the world sees Los Angeles and Hollywood as the platform for their dreams,” Kelly said. “Imagine if a huge studio with 100 years of history here just leaves? What will we be?”

Businesses like Kelly’s small Kreashen Studios USA, which provides video and podcasting space in Marina del Rey, depends on the region’s entertainment economy.

“It’s difficult financially right now to keep open,” she said. “So I’m pro having Paramount stay because this is the center, the heart of Hollywood.”

But deal opponents and some experts say the merger would actually worsen L.A.’s already bleak production picture.

Paramount has promised to cut $6 billion in expenses — a figure that doesn’t factor in the cost of ticking fees, which would add $650 million each quarter to the $81 billion that Paramount had anticipated paying Warner shareholders.

“We’ve seen from previous mergers that jobs have been lost,” L.A. City Councilmember Adrin Nazarian said at a City Hall event recently.

Combining Paramount and Warner could result in the elimination of nearly 4,500 positions over three years and put at risk an additional 5,865 jobs within businesses that serve the studios, according to an August report by the Los Angeles County Department of Economic Opportunity.

“When you look at the economic impact, it’s pretty staggering,” Kelly LoBianco, the department director, said in a recent interview. “An estimated $4 billion in economic output lost, and another $550 million lost in tax revenue at the local, state and federal level.”

The merger also could erase $79 million in tax revenue to Los Angeles County even if Paramount stays in L.A., she said.

But state and county tax revenue would plummet further should Paramount dispatch hundreds of its workers to Tennessee or some other state, Klowden said.

“If Ellison moves all the management out and all of the productions out, you’re talking about potentially tens of thousands of jobs,” Klowden said. “That, bluntly, isn’t just devastating to L.A. That becomes devastating to everybody.”

A report commissioned by Paramount from Los Angeles Economic Development Corp. predicted even steeper losses of at least 28,000 jobs should the studio move its entire operation out of state, according to a draft report given to Politico.

Under a less dire scenario, Paramount could shift its corporate headquarters to another state to qualify for incentives but still maintain large staffs in the creative hubs of Los Angeles and New York, where the company has its legal headquarters.

When the Ellison family acquired Paramount from the Sumner Redstone family last year, Ellison shifted operations to L.A., where he and other key executives work on the Melrose Avenue lot.

The threat to pull up stakes has created a disconnect after Ellison has spent more than a year touting how his family’s growing collection of media properties would strengthen traditional Hollywood.

The relocation campaign echoes a tactic used by software giant Oracle Corp., co-founded by Ellison’s billionaire father, Larry Ellison. For three decades, Oracle thrived in Redwood City, Calif., but in 2020, the company moved its headquarters to Austin, Texas, joining other California tech firms leaving in protest of the state’s high taxes.

The elder Ellison announced in 2024 that Oracle would be moving again, this time to Nashville, although that relocation hasn’t been finalized.

Paramount would risk leaving behind a skilled talent pool filled with experienced production workers and entertainment executives, Klowden said.

Fleeing L.A. could prompt “a talent bleed-out,” Klowden said. “Creative types are like: ‘Would I feel comfortable moving there?’ And, ‘What if I move there and something goes wrong? There would be nowhere else for me to go.’”

He pointed to Nissan’s 2006 U.S. headquarters move to the Nashville area from Gardena in L.A.’s South Bay, which dramatically reset the automaker’s workforce as fewer than half of its Southern California employees made the trek to Tennessee.

On Friday, a magistrate judge told both sides to identify dates in late October to meet for court-ordered settlement talks.

Each has motivations to settle — including avoiding a years-long court fight. Bonta has said Paramount must be willing to part with assets to alleviate market concentration, which could lead to a sale of Warner’s New Line Cinema, which has rights to “The Lord of the Rings” and “The Conjuring” franchises, and potentially cable channels such as CNN, Food Network or Cartoon Network.

Paramount, as part of a settlement, could abandon plans to leave L.A.

“All of the parties need to understand what this [issue] means to workers and small businesses,” Zbur, the local Assembly member, said. “I’m hopeful for a settlement that assures that Paramount and Warner Bros. will maintain their operations and remain a significant economic and employment force in Los Angeles.”

Times staff writer Cerys Davies contributed to this report.

Dolly Parton may have been a worldwide musical icon, but she shared a special connection with her home state.

Parton died last week at age 80 after a brief battle with cancer. And now the University of Tennessee will honor that special relationship with the singing superstar with a helmet decal to be worn by Volunteers players all season.

Coach Josh Heupel announced the tribute Monday while talking to reporters ahead of his No. 20-ranked team’s opener against Furman this weekend.

“I’d be remiss if I didn’t also talk about the passing of Dolly Parton — all that she’s meant across the world, this country, and certainly, the queen of East Tennessee and a lady that was extremely proud of her roots,” Heupel said.

“You look at her impact, you know, just her ability to give back, make an impact to people, certainly here in East Tennessee — she means a lot to people across this country but certainly here inside the state of Tennessee, too, so we’ll be wearing a sticker patch on the back of our helmet to recognize her, her accomplishments and everything that she’s meant.”

The sticker will feature a butterfly — an image that Parton had long used in her logos — with the singer’s first name in her handwriting in the middle, all in Tennessee orange and white.

Parton grew up in Sevierville, Tenn., roughly 30 miles east of the university’s Knoxville campus.

While she did not attend college, Parton was presented with an honorary doctorate of humane and musical letters from Tennessee in 2009 following her commencement address to the graduating class of that year. She also received an honorary doctorate degree of letters from Carson-Newman University in Jefferson City, Tenn., in 1990.

In 2023, Parton was escorted onto the field by legendary Tennessee quarterback Peyton Manning to lead the crowd in singing “Rocky Top” following the first quarter of the Volunteers’ game against the Georgia Bulldogs. The Pro Football Hall of Fame quarterback paid tribute to Parton following her Aug. 25 death.

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“There was only one Dolly and I feel lucky to have known her,” Manning wrote in an Instagram post that also included a photo of the two of them at the 2023 event. “We’ll miss you, Dolly. Tennessee won’t be the same without her!”

Last week, Middle Tennessee State University announced its football team would wear a patch honoring Parton during its home opener against Murray State on Saturday. In addition, the Blue Raiders will display QR codes on the scoreboard screen for donations to Parton’s book-gifting program, the Imagination Library.

Aug. 29 (UPI) — Tennessee Gov. Bill Lee on Friday said he wants to rename Nashville International Airport in honor of Dolly Parton.

Lee said he wants to create a lasting tribute to the “indelible legacy” of the country music legend, who died on Tuesday at the age of 80.

“Dolly Parton’s extraordinary life is forever woven into the fabric of our state,” Lee said in a statement. “From her rural mountain home in East Tennessee to global stages, Dolly carried the Volunteer Spirit with her.

“At a place where Tennessee welcomes the world, it is fitting that Nashville International Airport would bear the name of our state’s favorite daughter and greet travelers with the enduring legacy of Dolly’s music, generosity, faith, and kindness.”

Lee said Parton’s team was “touched by the idea.” The 11-time Grammy winner had lived in Nashville since the 60s.

The proposal will be discussed by the Metro Nashville Airport Authority at its next meeting on Sept. 17.

Parton died after “bravely facing a brief battle with cancer,” her publicist said. Her career spanned more than six decades.

Alongside her Grammy Awards, she earned three Emmy Awards, an honorary Academy Award and a star on the Hollywood Walk of Fame.

Her many hits included “Jolene,” “9 to 5” and “I Will Always Love You,” which was famously covered by Whitney Houston.

Tennessee was home to Dolly Parton for most of her life, from her humble beginnings in a tiny, one-room log cabin in the Great Smoky Mountains of East Tennessee to the vast private estate in Brentwood

Such was the power of Dolly Parton’s music and magnetism as a star, in the wake of her death many of her fans will be travelling to to the icon’s home state of Tennessee in a bid to trace her story and to feel closer to her.

The Volunteer State was home to Dolly for most of her life, from her humble beginnings in a tiny, one-room log cabin in the Great Smoky Mountains of East Tennessee to the vast private estate in Brentwood, a suburb near Nashville, where she spent her final days.

We asked TN Vacation, the tourist board for Tennessee, for its ultimate Dolly itinerary for those making a pilgrimage there following her death at the age of 80. This is what they told us.

Sevierville – A small East Tennessee town in the foothills of the Smokies, this is Dolly’s official birthplace and the natural starting point for any fan pilgrimage. It’s also home to her childhood church roots and several early landmarks tied to her family.

Locust Ridge – The rural community just outside Sevierville where Dolly actually grew up, made famous by her song “My Tennessee Mountain Home.” The area remains largely undeveloped, giving visitors a real sense of the humble setting she often describes in interviews.

Dolly Parton statue, Sevier County Courthouse – Unveiled in 1987, this bronze statue captures a young, barefoot Dolly perched on a rock with her guitar. It sits on the courthouse lawn and has become one of the most-photographed spots in downtown Sevierville.

Pigeon Forge – The tourist hub just north of the Smokies that Dolly’s fame helped transform from a sleepy mill town into a major attraction. It’s built almost entirely around family entertainment, much of it directly tied to Dolly’s brand.

Dollywood – Co-owned by Dolly since 1986, this is arguably the go-to place for Dolly fans. The theme park blends Appalachian culture, music, and thrill rides across the Smoky Mountain foothills. It regularly ranks among the top theme parks in the US for guest satisfaction and is, by all accounts, an incredible place to visit.

The Dolly Parton Experience – A dedicated museum-style attraction inside Dollywood tracing her rise from a poor Appalachian childhood to global superstardom. It houses genuine stage costumes, awards, and personal memorabilia rarely seen elsewhere.

Dollywood Express – A pair of authentic 1943 steam locomotives that once ran in Mexico before being restored for the park. The 5-mile route loops through forest and along the Little Pigeon River for classic mountain views.

HeartSong Lodge and Resort – Dollywood’s newest on-site hotel, opened in 2023, designed around Appalachian craftsmanship and music heritage. Its acoustic-inspired music room and mountain-view suites make it a favorite for fans wanting to stay immersed in the theme.

Great Smoky Mountains – America’s most-visited national park, straddling the Tennessee-North Carolina border with over 800 miles of trails. The misty ridgelines and rich biodiversity are the literal backdrop to Dolly’s music and mythology. Fans of her music will take a great deal from being in the environment that so inspired her.

Nashville – Tennessee’s capital and the undisputed heart of the country music industry, often called Music City. Dolly called it home for decades and it’s where her professional career took shape.

Country Music Hall of Fame and Museum – One of the world’s largest museums dedicated to a music genre, holding decades of country music artifacts and recordings. Its current “Dolly Parton: Journey of a Seeker” exhibition runs through September 30, 2026.

Grand Ole Opry – The legendary weekly radio show and live venue that helped launch and sustain generations of country stars. Dolly became a member in 1969 and performed there as recently as 2019. Dolly first took the Grand Ole Opry stage at the young age of 13 on July 25, 1959, performing with her uncle Bill Owens.

Ryman Auditorium – Built in 1892 as a religious tabernacle, it later became the Opry’s original home from 1943 to 1974. Its near-perfect acoustics and historic pews make it one of the most atmospheric venues Dolly ever played early in her career.

RCA Studio B – A modest brick building on Nashville’s Music Row where countless country classics were recorded starting in the 1950s. Dolly famously crashed her car into its wall while rushing to her very first recording session there in 1967.

SongTeller Hotel – Dolly’s new music-themed hotel in downtown Nashville, opening this month with reservations starting September 14, 2026. The 12-story building features a guitar-shaped entryway and a “Listening Lobby” with gilded ceilings where Dolly’s songs play every hour.

White Limozeen – A rooftop bar named after Dolly’s 1989 album, known for its playful pink decor and skyline views over Nashville. It’s become a go-to spot for fans wanting a stylish nod to her music catalog.

The Butterfly Bar, Assembly Food Hall – A themed bar inside Nashville’s large multi-vendor food hall, drawing on Dolly’s signature butterfly imagery. It’s a casual, colorful stop that fits well alongside a day of exploring the food hall’s other vendors.

Dolly mural, Strong Alley (Knoxville) – A large-scale street art tribute located in Knoxville’s downtown alleyway art district. It’s a popular photo stop for fans exploring East Tennessee beyond the immediate Sevierville-Pigeon Forge corridor.

Tennessee Aquarium Butterfly Garden (Chattanooga) – A living butterfly habitat that connects thematically to Dolly’s lifelong butterfly symbol, tied to her early performing days. It’s an unconventional but fitting stop for fans wanting to explore Dolly’s imagery beyond the standard sites.

Cornersville – A small town just off I-65 in central Tennessee offering Southern comfort food and Dolly-themed hospitality touches. Its general store and live music nights give it the feel of a genuine roadside discovery rather than a polished attraction.

The Pines (Sevierville) – The modest venue where Dolly played her first-ever paid gig as a young performer. It remains a low-key but meaningful stop for fans tracing the very earliest steps of her career.

Nico Iamaleava became a household name among college football fans.

Not because of his five-star, blue-chip status, leaving Warren High as the second-ranked prospect in the 2023 class and top-ranked recruit out of California.

Not for leading Tennessee to its first-ever College Football Playoff appearance and a 10-3 record — tying for the Volunteers’ second-best finish since 2001.

Instead, Iamaleava is remembered for his tumultuous exit from Knoxville, a parting characterized by head coach Josh Heupel that the program would move on without its starting signal-caller, leading the Long Beach product to UCLA.

More than one year removed after his departure, Iamaleava reflected at preseason media day on his time with the Volunteers, the effect last season had on his mental health and his mindset heading into 2026.

“In Tennessee, I was in a rough mental state as far as being far from home, but that’s what came with me growing and maturing,” Iamaleava said Wednesday. “So coming back home has been a great transition, and I can’t wait to play this year.”

While returning to Southern California brought the Bruins’ starting quarterback closer to his roots and family, the social media ridicule chased him cross-country, targeting not just him, but his parents too.

To combat the animosity centered on his family, Iamaleava focused on his support system, leaning on those around him and strengthening relationships with the people that he loved.

“Mental health is huge, and having a great support system with you definitely helps. I’ve had that with my parents, going to them whenever I need something,” Iamaleava said. “I have brothers that I can go and rely on, and coming back home to my family has been easy. I don’t really focus on the outside noise.”

While the majority of Iamaleava’s criticism stemmed from his departure from Knoxville, it reignited after UCLA started out the season 0-4 and finished the 2025 campaign 3-9 — a program worst since 2018.

Iamaleava could have allowed the disparagement to compound, but the starting signal-caller is using it as fuel for a 2026 season where many have the Bruins painted as a potential dark horse.

“Everybody counted us out. Last year wasn’t a great year for us, so we’re not on anybody’s radar,” Iamaleava said. “That fuels us, and really playing for each other is going to be the main thing.”

Being one of the few returning starters, Iamaleava has embraced a “vet” role, and has subsequently taken the mantle and burden of being the team’s leader.

And despite all of the negative sentiment surrounding Iamaleava and his time at Tennessee, it was with the Volunteers when he learned how to effectively lead and cultivate camaraderie.

“I learned a lot of that in Tennessee. I had a great vet in Joe Milton. He was a great quarterback,” Iamaleava said. “He’s at the Cowboys now, so learning under him, and then my whole O-line from Tennessee, I love them boys, and they helped me a lot too.”

Iamaleava is building on everything — the good and the bad — he learned from his time in Knoxville and his first year in Westwood entering the new season.

And as he enters his senior season with professional football aspirations on the horizon, Iamaleava has learned to not let external voices interfere with his internal confidence.

“I like to let people assume. Not a lot of people know me on a personal level, so it’s kind of hard to really focus on what they have to say,” Iamaleava said. “Those who know me in this locker room, those who know me in the building, those are the people I care about.”