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The longest non-stop flight in the world takes 19 hours and covers over 9,500 miles

Singapore Airlines holds the record for the world’s longest flight

The world’s longest flight connects America to Asia, with travellers spending nearly 19 hours in the air. Singapore Airlines currently holds the record for the longest long-haul route, operating between New York’s JFK Airport and Singapore Changi.

Covering an impressive 9,537 miles, the mammoth journey takes 18 hours and 50 minutes and has been running since the airline launched it in 2018. Singapore Airlines deploys its latest Airbus A350-900ULR on the route, an aircraft engineered to remain airborne for more than 20 hours without needing to refuel.

The aircraft achieves these remarkable flight times thanks to an enhanced fuel system, which increases the plane’s total fuel capacity to an extraordinary 24,000 litres.

However, the service isn’t available to all travellers, as Singapore Airlines has removed economy class from this particular route. Instead, the airline offers 67 Business Class seats and 94 Premium Economy Class seats.

Premium Economy travellers can enjoy extra legroom, a footrest, and an adjustable headrest. They’re also given noise-cancelling headphones and WiFi throughout their flight, reports the Express.

Those flying in Business class enjoy maximum privacy, with their seats converting into fully flat beds for a proper sleep whilst airborne. The aircraft features a host of premium amenities including higher ceilings, larger windows and bespoke lighting designed to reduce jetlag.

The carrier maintains that the aircraft’s cutting-edge carbon composite airframe also delivers exceptional air quality.

Those hoping to book a seat will require substantial funds, as fares routinely reach well into five figures. Singapore Airlines’ Chief Executive, Mr Goh Choon Phong, has previously described the new route as the “fastest way” to journey between the two major cities.

He stated: “Singapore Airlines has always taken pride in pushing the boundaries to provide the best possible travel convenience for our customers, and we are pleased to be leading the way with these new non-stop flights using the latest technology, ultra-long-range Airbus A350-900ULR.

“The flights will offer our customers the fastest way to travel between the two cities – in great comfort, together with Singapore Airlines’ legendary service – and will help boost connectivity to and through the Singapore hub.”

Whilst Singapore Airlines’ aircraft is undoubtedly remarkable, the world’s largest plane remains the Antonov An-225 Mriya, capable of transporting “52 mature elephants”.

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Chinese GP qualifying: Antonelli takes pole after Russell issues

Antonelli’s new record – he is 19 years and 212 days old – beat the previous held by Sebastian Vettel, who was 21 years and 72 days old when he took pole at the 2008 Italian Grand Prix.

Antonelli said he was “very happy” but accepted that he might well not have taken pole had Russell had a problem-free qualifying.

He said: “George had an issue, so probably could have been a different story but happy to be on pole for the first time.”

Russell described his second place as “damage limitation” after a litany of problems through qualifying.

The championship leader said: “It was a crazy session. Front wing broke at the end of Q2. The team weren’t sure it had broken but I was sure it had. Then got stranded on track and just made it back out in time. It was more a case of just getting a lap done.

“P2 is better than I was expecting when I started the lap with no battery and tyre temperature. Really happy to be here because I could have been down in 10th.”

In the first session, Leclerc became the first driver to beat Russell in a competitive session this year with a time just under 0.1secs quicker than the Briton.

Then in the second session, Russell ended up third fastest behind Antonelli and Leclerc after he suffered a broken front wing flap.

Heading out for the final session with a new wing, Russell’s car stopped on track on his out lap as the gearbox refused to change gear.

Antonelli drove past his team-mate as he set the fastest time on his first flying lap, 0.3secs quicker than Leclerc.

After frantic work in the garage, Mercedes managed to fix Russell’s car by applying a series of default procedures such as switching the car off and on again and swapping out the steering wheel.

He got just out in time to set a lap but his rushed preparation meant the car was not in its optimum condition as he went for a time.

However, Antonelli had his own problems on his final run – he suffered the same front wing problem has Russell had done in Q2.

Hamilton, who tussled with Russell for the lead in the opening laps of the sprint race earlier on Saturday, was 0.351secs off pole and said he had hopes of challenging the Mercedes again in the grand prix.

“It was a really tough qualifying,” Hamilton said. “A bit harder with the wind. It is so gusty today. So challenging.

“Really happy and grateful to be up here with these guys. Engineers did some great work over the break and managed to get a little closer to these guys.

“It’s still going to be a challenge but I am sure we’re going to have some fun. Learned a lot in the sprint race and our goal is to break the gap to these guys somehow.”

The McLarens were just over 0.1secs behind the Ferraris and Norris said: “We’re happy we’re close to them, gives us a good shot at tomorrow.”

But Verstappen was downcast to be nearly a second off the pace in the Red Bull.

“We change a lot on the car, and it makes zero difference,” the four-time world champion said.

“The whole weekend we’ve been off. The car is completely undriveable. I cannot even put a bit of a reference in. Every lap is like survival.”

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Peaky Blinders star takes lead in harrowing ITV true crime drama

ITV has shared images from its upcoming true crime series about convicted sex offender John Worboys

Broadcaster ITV has released a first look at its new true crime drama Believe Me.

Filmed in Cardiff, the four-part series tells the story of John Worboys – who was dubbed the ‘black cab rapist’ after preying on women under the cover of being a licensed taxi-cab driver.

He was convicted in 2009 for crimes including sexual assault and drugging with intent against 12 women.

His modus operandi was to claim that he’d had a win at a casino or on the lottery, then offer women he’d picked up in his cab after a night out a glass of champagne, which he’d laced with drugs, and which rendered his victims unconscious.

ITV said the drama “tells the story of how the victims of one of the most prolific sex attackers in British history were failed by the system”.

The series focuses on the ordeal of Sarah (played by Peaky Blinders Aimée-Ffion Edwards) and Laila (played by Raised By Wolves’ Aasiya Shah), who reported sexual assaults by Worboys (Daniel Mays), and how their allegations were not thoroughly investigated.

Sarah and Laila – both pseudonyms – joined forces with solicitor Harriet Wistrich, played by Philippa Dunne and barrister Phillippa Kaufmann QC, played by Rachael Stirling, to sue the Metropolitan Police under the Human Rights Act for their failure to properly conduct investigations into their allegations of sexual assault, leading to their being subjected to degrading treatment and contributing to their distress.

They won, and when the Met appealed that judgment to the Supreme Court, they won again.

As these women fought to have their cases heard, looming in the background was Worboys’ first parole hearing. Eight years after he was convicted for his crimes, his victims had to fight again to keep him behind bars.

Sarah, Laila, Harriet and Phillippa were joined by Carrie Symonds (played by Industry’s Miriam Petche), a senior figure in the Conservative Party press team. She put her career on the line to spearhead a huge media and political campaign pushing for an unprecedented judicial review of the Parole Board’s decision. The campaign, with Sarah, Laila and Carrie at the forefront, was successful, and Worboys’ parole was quashed.

Sarah, whose identity has been protected, said: “Believe Me is about the courage of every woman who came forward to help put John Worboys behind bars.

“What happened to me changed my life, but in many ways the hardest part was not being believed for so many years. Without the people who stood by me, Worboys would have been freed and continued to pose a huge risk to women. Seeking justice shouldn’t mean more trauma. We shouldn’t have to fight to be believed or feel like we’re the ones on trial. The shame never belongs to the survivor.”

Believe Me will air on ITV

If you or somebody you know has been affected by this story, contact Victim Support for free, confidential advice on 08 08 16 89 111 or visit their website, http://www.victimsupport.org.uk.

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It takes a village – the pioneering tourism project breathing new life into India’s mountain communities | India holidays

Kathdhara village is a riot of colour as the early evening light turns the clouds the rosy hue of Himalayan salt. Bright red chillies lie drying in front of cornflower blue doorways. The pink of a sari and the orange of marigolds pop against a backdrop of verdant terraced fields, where cabbages grow in perfect rows like a picture from a Peter Rabbit book.

Just 22 families live in this remote hamlet in Binsar Wildlife Sanctuary, in the Kumaon region of Uttarakhand, north-east India. As we stroll with our guide, Deepak, taking in views of the layered hills and soaring, snow-capped Panchachuli peaks beyond, we are welcomed by villagers tending homes and gardens, strings of Diwali fairy lights adding extra sparkle to the scene.

I’m here to explore the foothills of the Himalayas and sample village life on a walking holiday with Village Ways, a pioneer of responsible, community-based tourism in India, which is celebrating its 21st anniversary this year. Dreamed up by Manisha and Himanshu Pande, the couple who run the Khali Estate, a small hotel in the reserve, the goal is to help address urban migration and support traditional rural life through low-impact tourism. Village Ways launched in 2005 with just five villages in the reserve, which guests hike between, and now more than 30 villages are involved in different parts of the country, from Madhya Pradesh to Kerala.

A view of the Kumaon ranges in Uttarakhand. Photograph: Monarch/Balan Madhavan/Alamy

“The idea was to bring the community together to run something collectively, training people in all aspects of business. Everyone has a role to play,” says Manisha. “The Village Ways model has captured the attention of the government, too, and we’re collaborating on various projects in other states now, which is exciting.”

Most accommodation is in small, village-built guesthouses sleeping up to eight, rather than homestays, and money is evenly distributed to everyone from cleaners to porters, with committees making joint decisions. Back at the Kathdhara guesthouse, we join Diwali celebrations, sharing sweets, lighting lamps and praying to the goddess Lakshmi by a makeshift shrine. We feast on a delicious thali – spicy yams, dal, hemp chutney and warm roti – and sleep soundly, cocooned by the silence of the mountains.

The next day brings blue skies, and after breakfast we set out on a gentle walk to the neighbouring Gonap village. Binsar Wildlife Sanctuary was created in 1988, a 47 sq km (18 sq mile) area to help protect the broadleaf oak forest and wildlife. For the people living here, it altered their relationship with the forest, ending tree felling and hunting – tempting many to abandon village life for the cities. Village Ways offered an alternative – former hunters turned guides, sharing knowledge of the land and wildlife with guests, and seeing outsiders’ interest in local customs and traditions renewed their sense of pride.

We hike through pristine pine, oak and rhododendron forests (come in March or April to see the land painted red, pink and white when they bloom). I’m fascinated by the Himalayan oaks, which play a key role in storing and releasing water and stabilising the land with their vast root networks. We see the bright red flowers of wild turmeric and countless medicinal plants, from goat weed (some believe the juice stops bleeding) to Indian tobacco (used for toothache).

Gonap village, in Binsar Wildlife Sanctuary. Photograph: Steve Taylor ARPS/Alamy

Leopards roam here too and, though they remain elusive, we spy footprints and scat, as well as porcupine quills. But the sanctuary is best known for its amazing birdlife – more than 200 species are found here – and we stop frequently as Deepak points out the crested serpent eagle, leaf warbler, black-headed jay and noisy parakeets.

Gonap itself is tiny – home to just seven families today. We’re welcomed to the guesthouse with chai and plates of warm pakora – enjoyed with staggering mountain views as Eurasian griffon vultures float on the thermals. Deepak leads us to a tiny temple, past houses with gardens heaving with jumbo lemons and air potatoes on giant stalks, the sounds of cicadas in the air.

No roads connect the five villages in the Binsar circuit, but the paths between them offer easy walking and there’s plenty of time to rest. A higher-altitude route in the nearby Saryu and Pindar valleys, close to the border with Tibet, offers more challenging hikes. But limited time means we head back to the Khali Estate from Gonap, stopping at Zero Point lookout – the highest vantage spot in the reserve, at 2,500 metres – to gawp at the 360-degree Himalayan panorama, dominated by Nanda Devi, the second highest mountain in India.

Built 150 years ago by a British commissioner, Gen Sir Henry Ramsay, the Khali Estate makes a picturesque base, with accommodation in stone rondavel cabins and a sitting room with roaring fire. During his time in Kumaon, Ramsay is credited with developing local infrastructure, founding a leper colony in the historical capital of the region, Almora, and regulating tree felling. We delve into the estate’s history on a tour with Himanshu, poring over photos and library texts, and learn how it was also a retreat for the Nehru family and an ashram for Mahatma Gandhi. Surrounded by forest, it’s utterly peaceful. Later, I fall asleep to the distant sound of barking deer.

For visitors wanting to learn more about the region’s history and the characters who shaped it, Village Ways has launched a new itinerary, Khali in Kumaon. As well as the Binsar walks, it takes in the lakeside hill station of Nainital, where we had stopped on the 270-mile journey from Delhi. Guests will also explore Almora, with its local primary school supported by Village Ways, the museum of the Anglo-Indian hunter turned conservationist Jim Corbett, and the Gandhi trail, heading into the hills to see some of the first looms he established for homespun cotton – a symbol of economic independence and resistance to British rule – at Anasakti ashram.

The Khali Estate. Photograph: Village Ways

But our last day is very much focused on the present, as a stream of villagers arrive at Khali from far and wide to join the anniversary celebrations. Other Village Ways founders – Brits who worked in development and tourism – are here too, and there are talks, feasting and dancing. I learn about the Village Ways charitable trust, which supports healthcare in these remote villages, training local women to run mobile clinics. Since Village Ways’ inception, it has hosted 7,000 guests, benefiting about 5,000 people, from artists to taxi drivers, according to Manisha, and 470 villagers are directly involved in decision-making as members of the village tourism committees in six states.

I buy locally made scarves and handicrafts, and many of the young villagers – now guides, cooks or porters – tell me about the positive impact tourism has had on their lives. “Since I joined as a guide three years ago I’ve learned lots about Binsar and our birds – and my English has really improved,” said 23-year-old Ashirwad Joshi from Dalar village. “I’m very happy to be part of it and share my knowledge with visitors – it makes me proud.”

When we leave the next morning for the long drive to Kathgodam and onward train journey to Delhi, it’s the feeling of mutual respect and warmth that stays with me. The challenges are many, from ageing village populations to a decline in international visitor numbers to the area since Covid, but the Village Ways mission is very much full steam ahead – taking its ethos to other parts of the country. This type of tourism – one that involves communities as partners and is collaborative rather than exploitative – benefits locals and travellers alike. In these times of division, it is to be celebrated more than ever.

The trip was provided by Village Ways, which creates bespoke itineraries, tailored to travellers’ interests. The suggested 10-day Khali in Kumaon itinerary (available until 30 May, and from 15 September to 30 November 2026) costs from £1,315pp, based on a party of four, including transfers, rail travel, accommodation and most meals

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Hollyoaks recast child star after five years as soap newcomer takes over role

Naledi Raptou has joined Channel 4 soap Hollyoaks as Kathleen-Angel McQueen replacing actress Kiara Mellor

A Hollyoaks teenager is set to played by a new actress.

Naledi Raptou has joined the cast of the Channel 4 soap and has been already filming with Jorgie Porter and Danny Mac as she takes on the role of Kathleen-Angel McQueen, the daughter of Theresa McQueen and the late Calvin Valentine.

In the coming weeks, Theresa (Jorgie Porter) will find herself navigating the realities of raising a rapidly maturing teenager when her sixteen-year-old daughter Kathleen-Angel has unprotected sex with her Ant Hutchinson (Brook Debio).

Naledi’s first episode on Hollyoaks will air on Tuesday (March 17). Actress Kiara Mellor had previously played the role since 2021. Theresa also shares a daughter, Myra-Pocahontas, with now boyfriend Dodger Savage (Danny Mac).

Talking about joining Hollyoaks, Naledi said “I’m really grateful for the opportunity to join the cast of Hollyoaks, it’s a great place to work and a very nurturing environment to grow.

“It’s been a pleasure to play Kathleen-Angel as she develops into a young adult. We’re learning new things about her and I’m excited to be able to present a different side of her.”

Naledi has previously appeared in an episode of ITV’s Significant Other as Chloe in 2023.

Hollyoaks spoilers for next week reveal the Hutchinson teens decide to bunk off school for the day in upcoming scenes.

Kathleen-Angel decides to join them but she’s caught sneaking out by Dodger who ends up covering for her.

At the park, Kathleen-Angel tries to find out if Ant still likes classmate Trina (Sadie Williams) but berates him in the process and he leaves.

Back at the flat, Ant is playing computer games when Kathleen-Angel arrives. Tension rises between the teens when they both call out each other’s behaviour. Ant tells Kathleen-Angel to leave if he’s such an awful person but she refuses.

Uncle Dom Reilly (John Pickard), who is looking after the kids while Tony and Diane Hutchinson are in London seeking a second opinion following her cancer diagnosis, later learns the teens have bunked off school.

He finds Ant at home who claims he is unwell and admits Ro and Dee Dee are at the park. As Dom leaves, Kathleen-Angel emerges from the bedroom and it’s revealed the pair discover they have slept together.

The following day, In need of the morning after pill, Kathleen-Angel goes to text Dee Dee Hutchinson (Chloe Atkinson) for help but startled when Ant comes up behind her and she accidentally sends it Dodger.

Not wanting her mum to find out, Kathleen-Angel returns home and tries to delete the text from Dodger’s phone but he catches her and reveals he’s already read the text.

The teen pleads with him not to tell her mum and Dodger says he won’t because she must. Coming into the room, Theresa catches the end of the conversation.

Theresa is devastated to learn that her daughter has slept with someone and Kathleen-Angel pleads with her mum not to make a scene as she really likes Ant.

The mum is horrified to learn who her daughter slept with given his past behaviour but Dodger encourages Theresa to listen to her daughter.

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

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NATO air defense takes down Iranian missile heading toward Turkey

March 4 (UPI) — NATO air and missile defenses intercepted a ballistic missile launched from Iran heading toward Turkish airspace on Wednesday.

The Turkish Ministry of National Defense announced that the ballistic missile had crossed Iraqi and Syrian airspace before being neutralized by NATO air defenses posted in the Mediterranean Sea. There were no casualties or injuries.

“Our resolve and capacity to ensure the security of our country and citizens are at the highest level,” the Ministry of Defense said in a press release translated from Turkish. “While Turkey supports regional stability and peace, it is capable of ensuring the security of its territory and citizens, regardless of who or where the threat comes from.”

The ministry did not say what it believed the intended target of the missile to be.

The Iranian missile is the first fired toward NATO territory since the conflict began. It followed a warning from Tehran that European countries supporting the United States and Israel would face retaliation from Iran.

Iran has launched missiles and drones toward countries in the Middle East that have a U.S. military presence in response to the U.S. and Israeli strikes on Iran.

“NATO stands firmly with all allies, including Turkey, as Iran continues its indiscriminate attacks across the region,” Allison Hart, NATO spokeswoman, said in a statement. “Our deterrence and defense posture remains strong across all domains, including when it comes to air and missile defense.”

After being intercepted, debris from the missile fell in the Turkish province Hatay in south-central Turkey near the Syrian border.

Turkish President Recep Tayyip Erdogan said in a social media post on Tuesday that he wishes to see a diplomatic solution to the ongoing conflict.

“We do not wish to witness conflict, war, tension and massacre right next door,” Erdogan said. “Our stance on the illegal attacks targeting Iran is also in this direction.

Former South African president Nelson Mandela speaks to reporters outside of the White House in Washington on October 21, 1999. Mandela was famously released from prison in South Africa on February 11, 1990. Photo by Joel Rennich/UPI | License Photo

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Sierra Canyon takes 2026 Open Division title in boys basketball

There are All-Star teams. Then there’s Sierra Canyon’s boys’ basketball team, made up of two McDonald’s All-Americans, a former Trinity League MVP, a star guard from North Carolina and several other newcomers that complete a nine-man rotation that no one in Southern California has been able to beat.

Coach Andre Chevalier pushes the buttons and has so much depth that it gives him the kind of options any coach would welcome. About the only question regarding the Trailblazers has been with so many top players, would they be unselfish enough to share the ball with teammates?

The answer is a resounding yes. The Trailblazers (27-1) won their first Southern Section Open Division title since the pandemic season of 2020 on Saturday night, defeating Mission League rival Harvard-Westlake 59-53 at Toyota Arena in Ontario.

Maxi Adams of Sierra Canyon celebrates the Open Division championship.

Maxi Adams of Sierra Canyon celebrates the Open Division championship.

(Steve Galluzzo)

Harvard-Westlake kept battling despite trailing by 11 points at halftime. They trailed 56-53 with 19 seconds left after a three by Joe Sterling. The Trailblazers were able to clinch victory thanks to one free throw from JJ Sati-Grier and two from Brannon Martinsen. Martinsen finished with 18 points, Brandon McCoy had 13 points and Maxi Adams had 12 points.

“This group has been amazing,” Chevalier said. “It’s been one of the best seasons, maybe ever.”

Said Harvard-Westlake coach David Rebibo: “I thought they made some big shots in big moments, but I’m incredibly proud of our fight.”

No opponent had finished within 13 points of Sierra Canyon over the last month, and Chevalier gave credit to Rebibo and the Wolverines for taking them to the brink.

“David Rebibo is a heck of a coach,” he said. “No matter what roster we have, he always manages to have an elite team every year.”

Sterling finished with 18 points and Pierce Thompson scored 15 points.

Sierra Canyon has reached peak form. One curiosity was seeing how well the Trailblazers would fare leaving their comfortable home court in Chatsworth to play in an arena setting. But there was little difference.

More important is Sierra Canyon’s depth, which was put on display with seven minutes left in the fourth quarter after McDonald’s All-American McCoy picked up his fourth foul and went to the bench with a 45-39 lead. Over the next 2½ minutes, Sierra Canyon’s lead expanded to 12 points, aided by threes from Sati-Grier, a sophomore guard from North Carolina, and Martinsen, who was the Trinity League MVP two years ago at Mater Dei. That’s the challenge in trying to topple the Trailblazers — there’s always someone ready to step forward to deliver.

Now the Trailblazers can get ready to be the No. 1 seed in the Southern California Open Division regional playoffs, with an opportunity to advance to the state championship game in Sacramento in two weeks. The team looks focused, and even if one or two top players are off their games, the magic of being nine deep is knowing there’s always someone ready to come to the rescue.

Chevalier, though, wondered, “Can we stay hungry?”

McCoy answered that he’s “starving” for a state championship in the postgame news conference, which made his coach smile.

It’s been pretty clear for more than a month that Sierra Canyon has separated itself, and it will take a major upset to halt the Trailblazers’ clear path to Sacramento.

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David Beckham’s best friend Dave Gardner takes swipe at Brooklyn as he poses with Marc Anthony for Cruz birthday tribute

DAVID Beckham’s close pal Dave Gardner appears to have confirmed which team he’s on when it comes to the Brooklyn Beckham family feud.

The football star’s best friend and former agent shared a photo to mark Cruz Beckham‘s 21st birthday – and seems to have taken aim at the other side.

David Gardner appears to have taken a sly swipe at Brooklyn to mark Cruz’s 21stCredit: Instagram
Award-winning Marc Anthony was at the centre of the Beckham wedding feudCredit: Getty

The sports agent, 49, shared the photo on social media standing with a suited-and-booted Cruz and Marc Anthony.

The long-time family friend wrote: “Have a great day mate. Love ya Cruzie.”

Latino star Marc Anthony was at the heart of the Beckham wedding drama where he is said to have called Victoria Beckham, 51, to the dancefloor, rather than Nicola, 31, for the first dance.

He allegedly referred to the mother-of-the-groom as “the most beautiful woman in the room”, which left the bride ‘in tears’.

MOVING ON

Beckhams celebrate Cruz’s 21st birthday as Brooklyn hosts food festival amid feud


GOLDEN CRAWLS

Brooklyn & Nicola ‘plan to adopt child’ in fresh heartache for Beckhams

He recently broke his silence on the allegations which played a part in “ruining” Brooklyn and wife Nicola Peltz’s wedding.

Brooklyn, 26, accused his mum of “hijacking” his and Nicola‘s special moment and claimed she danced “inappropriately” leaving him “embarrassed”.

Marc has been a long-time family friend of the Beckhams, meeting David when he played for Real Madrid around 2005.

Four-time Grammy winner Marc, who is one of Jennifer Lopez’s exes, had offered to perform at the wedding as a gift to the couple.

The family, minus Brooklyn, celebrated Cruz’s birthday last week at The Maine Mayfair in London.

He was joined by his parents as well as siblings Romeo, 23 and Harper, 14, as well as his girlfriend Jackie Apostel, 30 and Romeo’s partner, Kim Turnball, 24.

Meanwhile Brooklyn was busy hosting his very own food festival in Miami, Florida.

Proud dad David appeared to take a swipe at Brooklyn as he praised his youngest son Cruz as “fiercely loyal to family” in a birthday tribute.

The 50-year-old took to Instagram to share an adorable video of some of Cruz’s best moments over the years.

Proud dad David shared a heartfelt caption for his boy as he began: “Happy 21st birthday to my little boy – not so little anymore but the proudest thing that I am of you is the person and the man that you have become.

Seemingly taking a dig at Brooklyn, he continued: “You are kind, considerate and fiercely loyal to your family, friends and everyone around you which makes you a very special person.”

Picture-posting Dave‘s exes include actress Liv Tyler and former Hollyoaks star Davinia Taylorwho he both shares children with.

He recently attended David’s swanky 50th birthday celebrations with his partner, Victoria’s Secret model Jessica Clarke.

Dave met his pal David during his stint at Manchester United Youth Club and the pair have been close from the age of 14.

The footie star was also best man at his wedding in 2003 and made godfather to his son.

Marc previously told The Hollywood Reporter: “They’re a wonderful, wonderful family. I’ve known them since before the kids were born. I’m godfather to Cruz.

“I’m really close to the family. But I have nothing to say about what happened there. It’s extremely unfortunate how it’s playing out — but (how it’s playing out) is hardly the truth.”

Brooklyn appeared on stage in Miami and did not attend Cruz’s birthdayCredit: AP
Brooklyn vowed to ‘forever protect’ his wife Nicola in a Valentine’s Day tributeCredit: Instagram
David wished his son Cruz a happy 21st with family snaps featuring BrooklynCredit: Instagram
The Beckham family were seen at Paris Fashion Week amidst the Brooklyn dramaCredit: Splash
The Beckham clan have appeared strong during the family feudCredit: Instagram

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Oscars: Menswear takes center stage in costume design race

A one-size-fits-all sartorial approach is out of the question for the showmen of “Sinners,” “Hamnet,” “Frankenstein” and “Marty Supreme.” But whether the arena is theater, music, science or sports, all wear garments that accentuate their emotional states and prodigious talents — and leave an enduring mark. Here, Oscar-nominated costume designers Ruth E. Carter (“Sinners”), Malgosia Turzanska (“Hamnet”), Kate Hawley (“Frankenstein”) and Miyako Bellizzi (“Marty Supreme”) discuss defining menswear statements with The Envelope.

In Carter’s third collaboration with Ryan Coogler, Michael B. Jordan’s sharply dressed twins Smoke and Stack return to the Mississippi Delta in 1932 to open a juke joint, tapping their gifted blues musician cousin, Sammie (Miles Caton), to perform. “You see this style that [old blues players] embodied, whether it’s two-tone shoes, the hat, vest, shirts; all of that was laced into the storytelling,” says Carter. He might be a preacher’s son, but Sammie wears his passion on his blues-infused clothing in the record-breaking “Sinners.” “The vest is patched to show the wear from the guitar strap.”

Before the night goes to vampire hell, all eyes are on Sammie in earthy and gold tones as he sings “I Lied to You.” Artists spanning centuries and continents (including an electric-guitar-playing rocker and a Zaouli dancer) add to the mesmerizing sequence before returning to Sammie. “When we come back to him, we’re coming back to his own force and look,” Carter says.

A sketch of Sammie's bluesman-inspired costume in "Sinners."

A sketch of Sammie’s bluesman-inspired costume in “Sinners.”

(Ruth E. Carter)

A final scene set in 1992 shows Sammie (played by musician Buddy Guy) still beguiling audiences. Carter incorporates Guy’s real-life signature polka dots to highlight “this is a real story of the blues, and this is a real bluesman.” Stack’s authentic Coogi sweater (a nod to Biggie Smalls) contrasts with Sammie’s classic tailoring, which doubles as a memorial to his other cousin: “The color blue was an homage to Smoke and the flat cap.”

Clothing is also for remembrance in Chloé Zhao’s “Hamnet,” in which a grieving William Shakespeare (Paul Mescal) turns to a meaningful shade in paying tribute to his son during the inaugural run of “Hamlet” at the Globe Theatre in London. “Will, in my head, was imagining, remembering and holding on to the memory of Hamnet,” Turzanska says. “And in a super crude, simplified way, putting the paint and the colors that he remembered onto Hamlet’s character with those brushstrokes.”

Turzanska constructed the players’ costumes from raw linen, using slightly enlarged, period-accurate shapes combined with contemporary latex paint. Using this stage language, Hamlet’s (Noah Jupe) jerkin is “quilted and painted flat,” to conjure Hamnet (Jacobi Jupe): “It was a memory of the vertical stripes.”

Costume sketch for William Shakespeare by costume designer Malgosia Turzanska HAMNET.

There are echoes among the costumes for William Shakespeare, Hamlet and Hamnet in Malgosia Turzanska’s costumes for “Hamnet.”

(Malgosia Turzanska)

Offstage, growing slashes in Will’s leather doublets depict “emotional turmoil.” Still, his turn as Hamlet’s murdered father (the Ghost) is the most overt example. The off-white cloak caked in clay is deliberately drained of all color. Turzanska tested the symbolic shroud (“You put this little harness on”) to ensure Mescal could move freely. Catharsis comes after Will exits the play: “The clay is cracking and falling off. Finally, when he washes it off, we see him break down for the first time and actually cry.”

Not every stage has a paying audience. In Guillermo del Toro’s “Frankenstein,” Victor Frankenstein (Oscar Isaac) reanimates a corpse during a disciplinary hearing demonstration. Clad in red, white and black, the renegade scientist’s sartorial inspiration is not bound to a single era.

“That was the first note from Guillermo [about Victor]. He goes, ‘Dandy, rock star. Look at David Bowie. Look at Prince,” says Hawley. “When we started talking with Oscar, he came in with his Prince stuff. When you look at his performance, you see all those subtleties, the physicality, the swagger.” Piping on the waistcoat is “a kick” to stand out against judges in black.

Hawley embraces “wonderful peacock” 1850s menswear shapes: Victor’s puffed-out chest accentuates the “wasp waist” likening him to a matador. An exaggerated period heel adds flair. “Shoes are what root the actor to the ground and their character,” Hawley says. “It elevates every gesture from there.”

Victor Frankenstein's costumes in "Frankenstein" were inspired by musicians like David Bowie.

Victor Frankenstein’s costumes in “Frankenstein” were inspired by musicians like David Bowie.

(Kate Hawley)

“Marty Supreme’s” Bellizzi is equally mindful of footwear. Bellizzi “worked with Keds to find the shape” resembling a narrow 1950s sneaker for Timothée Chalamet to wear as ambitious table tennis player Marty Mauser. “When he was training, I would give him a few different sneakers to see what looked good but also what felt good,” says Bellizzi. “Because he had to wear them all day and play in them.”

Marty switches from a sedate black polo shirt and high-waisted wool pants while playing at Wembley in London to an eye-catching pink satin set on tour with the Harlem Globetrotters during a lighthearted interlude in Josh Safdie’s propulsive comedy-drama. “We overexaggerated the pants and the sleeves in the body so it is big and flowy,” says Bellizzi.

By the time Marty arrives in Japan, his everyday suit “has been through the wringer.” Luckily, a rigged ping-pong exhibition match allows Marty to embrace his theatrical talents. “It was an opportunity to show him as someone else. He’s undercover,” says Bellizzi. “He has the cap and the jumper.” Ever the showman, Marty relishes ditching the pretense and his wardrobe onstage, embracing his competitive streak. “He turns it into a bigger situation than it should have been, and maybe part of the surprise is that he’s derobing,” Bellizzi says. “It shows how much passion comes out.” Across venues and centuries, each man’s attire is ovation-worthy.

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Michael McIntyre’s famous guest fights back tears as BBC show takes emotional turn

The former England player appeared on Michael McIntyre’s Big Show on Saturday night

Michael McIntyre’s Big Show took an emotional turn on Saturday night, leaving a famous footballer fighting back tears.

The beloved family series returned on February 21 with famous faces, including Peter Crouch and Abbey Clancy, who took on the Remember Me segment. The couple was tasked with identifying people from their past whom they haven’t seen in years.

Everyone from their wedding singer to Peter’s childhood crush made an appearance. But it was the former England footballer’s first professional coach, Barry Quinn, who left him utterly stunned.

Upon hearing Barry’s voice, Peter immediately became emotional, and Abbey quickly noticed, pointing out, “He’s crying.”

Although the sports star didn’t break down into tears, the surprise left him teary-eyed.

Speaking of his close bond with the coach, he said, “I’ll never forget him. When I was a kid, I genuinely believed that my technique came from the grounding I had with Barry Quinn.”

The duo knew each other when Peter was finding his feet in the sport at around 10 years old.

The footballer went on to add: “I just think at that time, at that age, it’s such a time for you to develop. I was so lucky to have a coach like Barry, who I felt got me to the next level, really. And I know that grounding was what shaped the player I became.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Barry also opened up about their relationship, praising the striker: “He had a fantastic attitude.

“He had natural talent but always wanted to progress, always wanted to get better. Worked harder than everybody else and had great family support. So he was an absolute coach’s dream.”

The 45-year-old striker played for the likes of Liverpool, Stoke City, Tottenham Hotspur, and Burnley throughout his impressive career.

Michael McIntyre’s Big Show is available to stream on BBC iPlayer

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‘Love Story’ takes us back to the ’90s to reevaluate a relationship

Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.

On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.

If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.

Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”

ICYMI

Must-read stories you might have missed

A young woman and man pose for a photo in the back of a car

Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.

(Dutch Doscher / For The Times)

On ‘Tell Me Lies,’ Grace Van Patten and Jackson White’s toxic (onscreen) relationship ends: After three seasons, “Tell Me Lies” comes to an end. Creator Meaghan Oppenheimer unpacks the series finale alongside stars Grace Van Patten and Jackson White.

Missed ‘Scrubs’? They did too, and now they’re back making the rounds: Donald Faison, Zach Braff and Sarah Chalke spoke about reuniting for the revival of the beloved medical comedy created by Bill Lawrence and now helmed by Aseem Batra.

‘Baywatch’ casting call brings back ’90s with in-person auditions, red suits and ripped bods: About 2,000 people flocked to Marina del Rey on Wednesday in hopes of landing a role in the upcoming “Baywatch” reboot, which the production hopes will be a boon for Hollywood.

How ‘The Pitt’ portrayed a rape kit exam sensitively with the help of experts: To portray the exam shown in Episode 7 accurately, the show’s writers and actors consulted with experts from the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape.

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Recommendations from the film and TV experts at The Times

A woman in a monochromatic baby blue ensemble holds an ice cream cone in front of two women seated at a table

Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”

(Christopher Barr / Netflix)

“How to Get to Heaven From Belfast” (Netflix)

Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd

A group of women pose for a photo

A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”

(Courtesy of Netflix)

“Reality Check: America’s Next Top Model” (Netflix)

“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia

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A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

A man embraces a woman from behind

Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”

(FX)

The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal

You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?

My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.

Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?

We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.

The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?

They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.

You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?

I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.

What have you watched recently that you are recommending to everyone you know?

“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.

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2026 Winter Olympics: Jordan Stolz takes silver in 1,500 meters

Jordan Stolz’s run for the speedskating triple crown came up short in the 1,500 meters Thursday, with the American settling for silver behind China’s Ning Zhongyan at the Milan-Cortina Games.

Ning set an Olympic record, blazing the oval at Milano Speed Skating Stadium in 1 minute and 41.98 seconds. Stolz, who won gold in the 500 and 1,000 meters to become the first U.S. man to win in both distances in the same Olympic Games since 1980, had the fastest finishing kick of the top eight skaters, but reached for the line 0.77 of a second behind Ning at 1:42.75.

Stolz was the top-ranked racer in the 1,500-meter distance and raced in the final pair. Watching the speedskating superstar, Ning clasped his hands in prayer during the final race. When the final time flashed across the screen, his coach held Ning’s hands in the air. He began to sob. The 26-year-old earned his first Olympic gold medal after earning bronze in the 1,000 and the team pursuit.

Hoping to win four gold medals in Milan, Stolz still has an opportunity to add a third in the mass start on Saturday.

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Pussycat Doll takes fresh swipe at Nicole, Ashley and Kimberly as trio reunite for world tour

A FORMER Pussycat Doll has taken a scathing fresh swipe at Nicole Scherzinger, Ashley Roberts and Kimberly Wyatt after it was revealed the three of them are reuniting for a world tour.

The Sun confirmed last week that Nicole, 47, Ashley and Kimberly, both 44, will be hitting the road again – four years on from when their comeback plans fell apart.

Ashley Roberts, Kimberly Wyatt, Melody Thornton, Nicole Scherzinger, Carmit Bachar, and Jessica Sutta of The Pussycat Dolls posed up in 2006 as they won Best Dance Video for ‘Buttons’Credit: Getty
Carmit Bachar now seems to having taken a scathing swipe at her former girl groupCredit: Getty
The star reposted a video to the song I’m Letting Go Of The B******t by Nick HustlesCredit: Instagram

But, one of the original members of the hit girl group, who isn’t returning for the tour, doesn’t seem to be taking the news well.

Taking to Instagram, Carmit Bachar, 51, appeared to take a harsh swipe at her former group.

Carmit reposted a clip of a woman singing along to the song I’m Letting Go Of The B******t by Nick Hustles.

In the video, the woman can be seen saying the lyrics, ” F*** anything that don’t help me grow, fake friends, shiesty h**s letting all that b******t go.”

Read more on Pussycat Dolls

IT’S PURRSONAL

PCD’s Carmit Bachar blames Nicole Scherzinger for vicious online trolling


claws out

Former Pussycat Dolls star takes swipe at ex bandmates after reunion is revealed

The clip was captioned: “My 2026 anthem.”

Carmit is one of three stars not returning for the world tour.

Jessica Sutta and Melody Thornton are also not part of the exciting new plans.

The tour was originally set to kick off in 2020 but was pushed back a year due to the pandemic before later being shelved altogether over a disagreement between Nicole and the group’s founder Robin Antin which was eventually settled out of court.

But it’s full steam ahead now for Nicole, Ashley and Kimberley who were seen at dinner together in London’s Mayfair a few weeks ago.

They were said to be ironing out the final details of the tour deal as they enjoyed a lavish meal.

Nicole, Ashley and Kimberly met up in Mayfair a few weeks ago to iron out their tour plansCredit: SMART PICTURES

When the Pussycat Dolls tour was first announced, Carmit seemed to take a cryptic swipe at the trio on social media as she celebrated one of the group’s most iconic hits reaching 100 million streams on Spotify. 

She shared a clip from the Beep music video, seemingly making clear she will always be part of the Pussycat Dolls’ legacy.

Carmit wrote: “20 years of BEEP music video and here we are, still feeling the love. 

“100 millions streams on @spotify is a reminder that music really does live beyond the moment it’s created. Thank you to every @pussycatdolls fan who’s listened, danced, remembered and shared!”

Fans were quick to share the disappointment over the iconic singer not being part of the new plans for the group.

One wrote: “Sad you aren’t going on tour, but I totally get it.”

And another said: “If you’re not returning with the band I will not be there to support.”

Nicole, Ashley and Kimberly quietly signed to top touring agency CAA in December to help guide their huge comeback.

At the end of last year, Nicole hinted at plans for 2026 as she shared an old video of the group.

A source told The Sun: “Nicole and the girls have been talking about getting Pussycat Dolls back together for months now.

“Covid scuppered the original plan and then disagreements behind the scenes meant it all fell apart.

“But Nicole, Ashley and Kimberly are a solid unit and they’re raring to go.”

The Pussycat Dolls burst onto the music scene in April 2005 with their single Don’t Cha.

The legendary girl group burst onto the music scene with their hit Don’t ChaCredit: Getty

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Clinton Takes a Different Road to Reach Black Voters

Before a Mt. Rushmore-like painting of seven revered and deceased black heroes, a tuxedoed Bill Clinton stood in a darkened hall recently to describe himself to an audience of black Americans.

The 10-minute speech by the Democratic presidential nominee to the Congressional Black Caucus Foundation Dinner in Washington expressed a simple, direct and unspoken–though clearly understood–contrast to the last 12 years. Clinton did not have to spell out a course of action to win their support.

Rather, he swore to the 4,000 black diners that if they helped him fulfill his quest to win the presidency, he would provide “full participation, full partnership” in a Clinton White House.

“If I change my address, I will only be a tenant there,” he said. “You still own the place, and I want you to act like it.”

For Clinton, the moment was special only because it occurred in the harsh glare of a spotlighted public gathering. More typical of his efforts to court black support was the private, closed-door fundraiser held hours earlier and a few blocks away at a downtown Washington art museum. That reception, hosted by some 60 affluent black American business owners, produced $600,000 for the Arkansas governor.

“This was a historic event,” Rodney Slater, one of Clinton’s top black aides, said immediately after the fund-raiser. “This represents the fact that African-Americans want to be key players in the Clinton Administration. When they can raise that kind of money–that’s more than African-Americans have ever raised for anybody–you can bet the candidate will pay attention to them.”

Like all contemporary Democratic presidential candidates, Clinton is counting on overwhelming support from the nation’s black voters to propel him to victory. But to achieve that, he has taken a significantly different approach than the party’s previous nominees.

Clinton has avoided offering himself as a benefactor of black Americans through dramatic, highly publicized appeals to them or by proposing a host of social programs. Rather, the Arkansas governor has conducted an almost stealth-like campaign within black communities, quietly collecting chits from influential leaders and middle-class blacks while limiting efforts directed at poor, ghetto-dwelling African-Americans. And in targeting middle-class blacks, he has tried to blend their political and economic concerns into the same mix of issues aimed at attracting the highly coveted white suburban voting bloc.

He has done this in order to claim a larger share of the white vote–especially suburban white males, who polls have suggested viewed previous Democratic presidential candidates as too eager to genuflect to black demands. No Democrat since Lyndon B. Johnson in 1964 has won a majority of the white vote, a major reason the party has lost all but one presidential election since then.

With this strategy, Clinton sought to give his campaign an inclusive middle-class cast, effectively defusing race as an issue and avoiding the need to reassure white voters that he would not unduly bend toward poor and needy blacks.

Surprisingly, as Clinton has pursued this strategy, polls have shown he has garnered increasingly enthusiastic support from black voters. A recent survey of 850 blacks by the Washington-based Joint Center for Political and Economic Studies showed more than 80% giving Clinton highly favorable marks on questions of knowledge, fairness and leadership.

In fact, if there has been any genius–or luck–to Clinton’s handling of black voters, it has stemmed from amplifying the hard-edged pragmatism with which many black political leaders and their constituents approached the 1992 campaign. Minimizing conflict within their ranks, they have kept their eyes fixed on the prize: returning a Democrat to the White House. And Clinton appears to have been the beneficiary of this growing political maturity among black voters.

“We’re smart,” Rep. Maxine Waters (D-Los Angeles), one of Clinton’s earliest and most important black backers, said recently. “We know where our best interest lies. Even if it means that we campaign a little bit differently and not in the ways that we have before, we are out to win, and we can win with Bill Clinton.”

Overall, blacks make up about 1-in-6 of Clinton’s voters, according to recent polls. In the final Times national pre-election poll, released last week, he was favored by 78% of black voters, with President Bush and independent candidate Ross Perot each backed by 9%.

Many of these voters are the legacy of the Rev. Jesse Jackson’s unsuccessful 1984 and 1988 campaigns for the Democratic presidential nomination, which excited political passions among blacks and swelled voter registration rolls within their communities.

Democratic nominees Walter F. Mondale in 1984 and Michael S. Dukakis in 1988 each publicly enlisted Jackson to their cause in hopes of gaining the allegiance of his followers. But while both Mondale and Dukakis harvested the vast majority of black votes cast in their respective races, neither was able to generate a huge turnout by African-Americans. That was especially apparent four years ago, when the failure of blacks to turn out in large numbers was seen as a major reason Dukakis lost close races to then-Vice President Bush in several states, including Illinois, Pennsylvania, Maryland and Missouri.

Clinton, during most of his campaign, took the alternative approach of keeping Jackson at arm’s length while beckoning an aspiring breed of black leaders to supplant him as a link to black voters.

Among the first black officials to join the Clinton cause early in the primary season–at a time when Jackson’s disdain for the Arkansas governor was undistinguished–were Reps. John Lewis of Georgia, Mike Espy of Mississippi and William J. Jefferson of Louisiana.

These three, like others, are not especially well-known nationally. But for the Clinton camp, what counts is that each commands strong and favorable name identification among blacks in their home states. And while in large measure these politicians offered their early support based on their association with Clinton as a fellow Southerner, it also reflected the new pragmatism among them.

Waters, a national co-chairwoman of the Clinton campaign, most vividly illustrates this phenomenon, given her past close ties to Jackson. Echoing countless other black elected officials, she makes clear that winning the White House is what matters to her this year, not the strategy the candidate employs to get there.

“I don’t question it at this point,” she said. “I want George Bush out of the White House so bad, I’ll buy (Clinton’s) strategy.”

Like Waters, Rep. Craig Washington (D-Texas) is unconcerned about Clinton’s primary focus on white, middle-class, suburban voters.

“He needs to go where he can get votes that I can’t get for him,” Washington said. “The fact that he doesn’t come into black churches every Sunday and that he doesn’t campaign in black communities (to avoid) turning off Joe Willie Six-Pack doesn’t bother me. He doesn’t want to send them back to help the Republicans.”

Linda Faye Williams, associate professor of government and politics at the University of Maryland, said statements like those from black elected leaders–most of whom were faithful Jackson supporters in the past–reveals the “12 years of pent-up leadership hopes” among black leaders.

She also said that “many black elected officials chafed during the last two (presidential) elections over their own roles as leaders because Jesse was always the one out front. Clinton has answered their prayers by giving them room to maneuver.”

Ironically, in the campaign’s final hours, Clinton finds himself more dependent on black votes in some key states than many of his advisers anticipated. As many polls have shown the race tightening, the Arkansas governor’s fate appears increasingly tied to a heavy turnout among traditional Democratic constituencies, including blacks.

That’s especially true in two key regions. It appears Clinton needs a high black turnout in the Midwestern battleground states of Michigan and Ohio–where blacks cast 8% and 12%, respectively, of the votes four years ago–and in such hotly contested Southern states as Georgia and Louisiana, where blacks constituted about a fifth of the vote in 1988.

These political realities have helped lead to a rapprochement between Clinton’s campaign and Jackson. The campaign is hoping Jackson can help spur a big turnout among blacks for the Democratic ticket. And the civil rights leader, for his part, is quietly cooperating in hopes of gaining clout.

Meanwhile, some blacks have remained lukewarm toward Clinton, worrying that his campaign strategy will serve only to get him elected without demonstrating a real commitment to helping poor blacks. These leaders were distressed that the well-publicized bus tours that helped define the Clinton campaign immediately after the summer’s Democratic National Convention focused on small towns and rural America, where the crowds were made up mostly of white faces.

“We’re going to have to put a lot of pressure on Brother Clinton once he gets in the White House,” said Cornell West, director of Afro-American studies at Princeton University. “I hope he wins, but I recognize he’s not a true warrior for our cause.”

After a flurry of complaints that the campaign was avoiding black voters and ignoring their issues, Clinton’s staff squeezed in time for him to campaign a few weeks ago with a delegation of black congressional leaders as they barnstormed several Southern states in a get-out-the-vote effort sponsored by the Democratic National Committee.

Still, the bus trip failed to quell all of the concerns. Even some of those who joined in the journey dubbed it “The Back of the Bus Tour.”

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