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‘Kim’s Convenience’ review: Back onstage with sitcom warmth intact

“Kim’s Convenience” may not win points for originality, but originality isn’t really the point of an immigrant family drama meant to be instantly, one might say universally, recognizable.

The play, which opened Tuesday at the Ahmanson Theatre, was a runaway hit at the 2011 Toronto Fringe Festival. That success led to a larger production at Toronto’s Soulpepper Theatre that brought more attention to the show, paving the way for runs off-Broadway, in London’s West End and Washington, D.C.

But the show’s familiarity has another source. “Kim’s Convenience,” which was turned into a sitcom for Canada’s CBC, found an international audience on Netflix.

The story is set in Toronto, and the Kim family (owners of the titular convenience store) is of Korean background. But immigrants from Ireland, Italy, Latin America, India and Eastern Europe and their more assimilated children won’t have any problems relating to the generational conflicts at the heart of this gentle comedy.

Author Ins Choi, who once played the role of the prodigal son, has matured into the part of Appa, the patriarch who left Korea with his wife, Umma (Esther Chung), to start a new life in Canada. He opened a 7-Eleven-style shop, which he once considered calling 7-12, and has been living above the store with his family in what has been an all-hands operation.

Appa made sacrifices to give his son and daughter a better life — and he’s more than happy to tick off a list of what everyone owes him. He’s a mostly benevolent tyrant, but his crotchety side can get ugly and he’s not always in control of his temper. His son Jung (Ryan Jinn) ran away at 16, absconding with money from the store safe, after one of Appa’s flare-ups sent him to the hospital.

Janet (Kelly Seo), Appa’s 30-year-old unmarried daughter, bears the brunt of being the adult child who remained at home. She still works at the store, though her true calling is photography. Her father considers this just a hobby, a weekend recreation that shouldn’t interfere with her taking over the store one day. But she has other ideas for her future.

Change is coming whether Appa likes it or not. A Walmart is heading to the area, and with this news comes an unexpected offer for the shop that would allow him to comfortably retire. But selling the store is tantamount to discarding his story.

Brandon McKnight, left, and Kelly Seo in "Kim's Convenience."

Brandon McKnight, left, and Kelly Seo in “Kim’s Convenience.”

(Dahlia Katz)

He explains this to Janet, hoping that she’ll continue his legacy. But she’s put her life on hold for too long. Both her parents never let her forget that she still doesn’t have a husband. But how can she get married when her father subjects any man she dates to the third degree?

Alex (Brandon McKnight), the police officer who answers the 911 call Appa had Janet place to report a Japanese car parked illegally by the store (he still hasn’t forgiven Japan for its invasion of Korea), turns out to be a childhood friend of Jung’s — and someone Janet used to have a crush on. The sparks between them are obvious, and Appa, the soul of indiscretion, can’t help meddling in his overbearing way.

Choi isn’t averse to shtick, if the result is an explosion of audience laughter. One comic gimmick involves Appa’s superhuman grip that can subdue even the mightiest of men. A shoplifter (also played by McKnight, who portrays all the customers and passersby) learns the hard way that Appa is not to be underestimated.

Esther Chung, left, and Ins Choi in "Kim's Convenience" at the Ahmanson.

Esther Chung, left, and Ins Choi in “Kim’s Convenience” at the Ahmanson.

(Dahlia Katz)

The scene involves an unsavory routine on how to recognize a shoplifter. Janet challenges Appa’s racist assumptions, but father knows best and no one can convince him otherwise. Janet can’t win with him, but don’t count Appa’s daughter out.

Or his son, for that matter. Jung, who had a stint in rehab, hasn’t had an easy path in life, but he’s stayed in touch with his mother and eventually he and his dad will have their dramatically inevitable reckoning. There’s something determinedly hopeful about “Kim’s Convenience,” which like the store it’s named after, wants its patrons to leave satisfied.

The cast members, under the direction of Weyni Mengesha, all deserve high customer ratings. Choi’s Appa is impossible to stay mad at even when he’s said or done something unforgivable. He doesn’t mean to offend, though other people’s feelings are a luxury he has never been able to afford.

Still, his paternal bluntness is not without its infuriating charm, as when he informs his headstrong daughter, “You have to understand, now is desperation time for you. Sudden death, overtime, penalty kick shoot out. Expiration date is over. Take over store is only choice you having.”

Esther Chung and Ryan Jinn in "Kim's Convenience" at the Ahmanson.

Esther Chung and Ryan Jinn in “Kim’s Convenience” at the Ahmanson.

(Dahlia Katz)

Seo’s Janet is as feisty as she is loyal, making it easy to root for her and her quickly budding romance with McKnight’s worthy Alex. Chung’s Umma doesn’t take up a lot of room in the play, but her maternal presence registers sharply nonetheless. Jinn endows Jung with hidden dimensions of pain and regret.

But the most vivid performance might in fact be the convenience store itself, brought to fluorescent, sanitized, colorful life by scenic designer Joanna Yu and lighting designer Wen-Ling Liao. Nicole Eun-Ju Bell’s video and projection designs subtly transpose the setting when, for instance, Umma meets up with her son at church. The production seems right at home at the Ahmanson, a function of both the broad sitcom-friendly style and the warm Korean American reception that was audible at Tuesday’s opening.

“Kim’s Convenience” has an eager-to-please TV sensibility that can seem formulaic at times. But representation, particularly these days, can be a radical act, and there’s something heartening at the sight of the Kim family enjoying their turn in the mainstream spotlight.

‘Kim’s Convenience’

Where: Ahmanson Theatre, 135 N. Grand Ave., L.A.

When: 7:30 p.m. Tuesdays-Thursdays, 8 p.m. Fridays, 2 and 8 p.m. Saturdays, 1 and 7 p.m. Sundays. Ends April 19

Tickets: Start at $40.25

Contact: (213) 628-2772 or centertheatregroup.org

Running time: 1 hour, 20 minutes (no intermission)

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How the UK’s most famous toy store is becoming a top family attraction

TOY stores can often be a place of pure happiness for children – and one of the most famous stores in the UK is making even more reasons to visit.

Hamleys in London is the world’s oldest toy shop, with its first site opening back in 1760 under the name Noah’s Ark.

Hamleys in London is the world’s oldest toy shopCredit: Getty

Originally in High Holburn, the much-loved toy store is now on Regent Street, where it has stood since 1881.

Across seven floors there are thousands of toys to explore and each year the store welcomes around five million visitors.

And now there is even more of a reason to go as the giant toy store is launching lots of new events – and most of them are free.

Keane Herman, Business Head Hamleys UK, said: “As the finest and oldest toy shop in the world, Hamleys has been creating magical moments for
children and families for more than 266 years.

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“By keeping our eye on what’s current, trending and relevant, we continue to elevate the experiences we create in store.

“There is always something happening at our Regent Street flagship.

“From live toy demonstrations and interactive play experiences to dance parties and puppet shows, it is this sense of energy and theatre that makes Hamleys so special.

“We pay close attention to what resonates with children and parents, and to the trends shaping the world of play, so that we can continually offer fresh and memorable experiences.”

Last year, the store launched the Hamleys Bus and Lights Your at Christmas which proved to be such a success that the store is bringing it back for Easter this year.

And the store has already hosted a number of brand pop-ups including one with dessert brand Vnilla, who are well-known for creating banana pudding just like the famous Magnolia Bakery’s in New York.

Herman added: “These events and experiences are a natural extension of our daily in-store theatre, giving children the chance to be even more hands-on and to immerse themselves in the magic of play.

“Our heritage is incredibly important to us, but what keeps Hamleys thriving is our commitment to continually evolving.

“Families come to Hamleys not just to shop, but to make memories together, and that sense of wonder is something we are proud to deliver for every new generation.”

Coming up, there are lots of daily events at Hamleys to enjoy.

New events include slime workshops
But kids can also meet the famous bear every dayCredit: Alamy

For example, every day at 10am (or 12pm on Sundays) when the store opens, there is an opening ceremony with Hamley Bear, who you can also meet at 1pm and 2:30pm each day.

At the weekends, the Hamleys Beary Grand Parade takes place at 4pm each day with dancing and singing.

This is followed by Mr Monkey’s Puppet Show at 4:30pm, where Mr Monkey is searching for his next big adventure.

And then at 5:30pm there is the Hamleys Dance Medley, where magical moments from the toy store’s history are brought back to life, including a princess’s first ball and a pirate’s first adventure.

Between March 28 and April 12 (the Easter school holidays), there are loads of events on as well.

For example, you could watch Chef Choco’s Chocolatiers Puppet Show, where you can learn about the secrets of sweet making and even become a sweet maker yourself.

The show will be on every day throughout the period, at 4:30pm.

On March 28, catch Midnight in the Toyshop come to life at Hamleys, with Ballerina and Rebel Racer giving a live performance.

There are lots of experiences on throughout the Easter holidays tooCredit: Alamy

Performances will be at 11am, 12pm, 1pm, 2pm, 3pm and 4pm.

If your kids love slime, then make sure to head to the Hamleys Regent Street Basement from March 24 to April 12 for a Gootopia Experience Zone, where kids can create their own slime and take home a ‘gooey masterpiece’.

The experience will cost £15.99 per person.

Every day at 4pm between March 28 and April 12 there will also be a Hamleys Rainbow Ribbons Parade across every floor of the store.

Also, over the Easter school holidays there will be Hamleys Storytime, with tales of Peter Rabbit and Charlie and the Chocolate Factory every day at 12pm, 1pm, 2pm and 3pm.

Towards the end of the Easter holidays on April 6, families can meet the Playmobil Pirates at 12pm, 1pm, 2pm, 3pm and 4pm.

And last but not least, each day at 1pm and 2:30pm there will be a Hamley and Hattie Easter meet and greet.

And the toy store has a wealth of events on, with more coming in the futureCredit: Getty

Officially launching on March 17, there will also be a new Pokémon destination on the Regent Street store’s fourth floor.

The new Pokémon area will feature interactive experiences such as character appearances, and on March 21, a launch event will be held with Pokémon-themed candy floss and activities for visitors.

Later in early April, a Tubbz zone will open inside the Regent Street store in the basement.

In the zone, visitors will be able to grab iconic pop culture characters that have been transformed into cosplaying ducks.

For more things to do with kids, these are London’s best free indoor attractions for families – perfect for rainy days.

Plus, the best UK family days out from £10 to completely free in the Easter holidays.

New features of the store include a Pokemon area, where there will be character experiencesCredit: Getty

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Jaylen Brown, Beverly Hills police and video stoking racial bias claim

Boston Celtics star Jaylen Brown was in the middle of a brand event at a Beverly Hills mansion on Valentine’s Day when police showed up.

It was 7 p.m., and the music for the event — an invite-only gathering for his 741 Performance brand — had long been silent. Brown came down to talk to an officer, expressing confusion at why police had been called.

“We’re just trying to have an event — a panel talking about culture, talking about future, talking about leadership, and for whatever reason I feel like we’re being targeted,” Brown said in a video of the encounter posted on social media.

He asked the officer why the city was shutting it down. “It’s beyond my pay grade,” the officer replied. “They want it shut down.”

The video immediately went viral, with many questioning why the city shut down what appeared to be a calm event. The debate was framed by a series of incidents in recent years in which the local Police Department was accused of profiling Black people.

Beverly Hills officials issued a statement defending their actions. But it didn’t take long for the city to reverse course, issuing an apology to the NBA star and the owner of the home that hosted the event, Oakley founder James Jannard, for initially putting out inaccurate information.

Brown told ESPN he is considering legal action against the city, saying the episode tarnished his and his brand’s image.

“I feel offended by it,” he said. “It’s hard to say that you were not being targeted.”

Beverly Hills officials insist the city did not unfairly single out Brown and stressed the incident was a code-enforcement matter, not one involving policing issues.

The police’s presence at the event on Trousdale Place was prompted by a resident reporting “excessive vehicles on the street,” Beverly Hills Deputy City Manger Keith Sterling said in an email to The Times. A traffic control officer then found “high vehicular traffic, numerous parking violations (including a vehicle blocking a driveway and several vehicles parked in the wrong direction) and numerous people congregating in the driveway.”

“Code enforcement was on site for several hours and observed what they believed to be well in excess of 50 people congregating for an event, which would require a public assembly permit for the safety of event attendees,” he added.

There was also the sound of a generator, which would require a permit, a check-in table, a metal detector and a temporary wall with branding, Sterling said.

Brown’s function occurred during the NBA’s All-Star Weekend in Los Angeles. Sterling noted there were six other NBA-related events in the city at that time.

“The City was aware that the event was timed to coincide with NBA All-Star Weekend but did not have details on who was sponsoring or participating in the event,” Sterling wrote. “The event was shut down for safety reasons alone without regard to the event sponsor or participants.”

Still, the incident revived questions of policing in Beverly Hills — a majority white city in which Black residents make up about 2% of the population.

Some advocates called on Atty. Gen. Rob Bonta to investigate allegations of racial profiling in Beverly Hills. Bonta’s office declined to comment.

In 2020, the Beverly Hills Police Department launched a special detail — the Rodeo Drive Team — amid complaints over what residents and shop owners said was a “criminal element” along the famed shopping corridor. Officers were tasked with combating what officials said was a rise in thefts, people spending money obtained by defrauding the state’s unemployment system and quality of life issues like loud music and the smell of marijuana drifting into stores, according to a 2021 Times investigation. One document The Times reviewed that year showed about 90% of those arrested by the task force were Black.

The task force was disbanded after just two months.

Attorneys Bradley Gage and Benjamin Crump filed a class-action lawsuit against the city in 2021 that remains ongoing. The lawsuit claims none of the arrests led to convictions and some were never prosecuted because police lacked probable cause to make the initial arrest.

The department has denied allegations that it targeted Black shoppers, saying in a statement in 2021 that officers are “committed to keeping our community safe while enforcing the law with respect and dignity for all.”

Shortly after the task force was disbanded, Salehe Bembury, then the vice president of sneakers and men’s footwear for Versace, was carrying a Versace shopping bag and crossing Rodeo Drive next to the luxury store when police stopped him for jaywalking, told him to put his hands behind his back and searched him for weapons.

Body camera footage showed Bembury repeatedly said he was uncomfortable and thought the pat-down was “excessive,” adding he’d designed the shoes inside the bag he was carrying. He started recording on his cellphone.

“I’m getting f— searched for shopping at the store I work for and just being Black,” Bembury said in the recording, holding up the Versace bag. One of the officers involved in the stop disagreed, saying Bembury was changing “the narrative.”

“It’s a very dangerous, scary situation for people of color, and one that we want to remedy so everyone is treated fairly. I don’t know why that’s such a novel idea, but it seems to be a foreign concept for a lot of folks,” Gage said.

In his clients’ lawsuit against the city, two plaintiffs say they were arrested for riding a scooter on the sidewalk. Another allegedly was jailed for three days after officers pulled him and his friend over on their way to the beach for stopping about three inches over the limit line at an intersection. He never was charged with a crime, according to the complaint.

Mike Asfall, president of Beverly Hills/Hollywood Branch of the NAACP, said he’s been working behind the scenes with city officials and the police chief over issues of race and policing. Asfall was honored in February by the Beverly Hills City Council in recognition of Black History Month.

“I do know that we’ve had obstacles,” he said. “We shouldn’t have to walk on eggshells or tiptoe around things just because of the color of our skin. But what I’m not going to do is create more of a rift to give us a problem that’s going to create drama for us.”

Staff writer Cierra Morgan contributed to this report.



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