Stewart

Martha Stewart is setting the record straight about her controversial Halloween costume: It wasn’t Craig Melvin’s fault.

The lifestyle magnate stopped by the “Today” show Friday to once again apologize for deciding to dress up as a person experiencing homelessness for Halloween and explain why she threw Melvin under the bus amid the backlash.

“I don’t blame you at all,” Stewart said during her sitdown with the NBC host. “It was a joke when I said I blamed you. It was stupid.”

Stewart posted — then quickly deleted — a photo of herself dressed up in torn and disheveled clothing and holding a makeshift sign that read “I AM HUNGRY HELP ME!!” on Oct. 31. She was photographed on a pristine porch along with her immaculately groomed chow chow and French bulldog. The backlash was swift.

“It was just stupid and I apologize,” the TV personality said Friday, noting that her grandson had warned her even before she shared the photograph on Instagram that it was “tone deaf.” “I was not making fun of anybody or making light of the great problems that face our country.”

According to the ex-convict lifestyle mogul, she had thrown together the outfit last minute because she had been too busy to plan a proper costume to attend a Halloween party.

Stewart had previously apologized for her gaffe. After telling Page Six in a statement that her costume was meant “to bring more awareness” to the issue of homelessness and that she was “distressed” it “offended people,” she posted a since-deleted apology to her Instagram Sunday acknowledging her first statement “didn’t go far enough.”

“Wearing a costume like I did was insensitive and not funny. I am very sorry,” she wrote.

“Today” host Craig Melvin wanted to know why he got pulled into Martha Stewart’s Halloween costume controversy.

(Charles Sykes / Invision / Associated Press)

But Stewart added an extra layer to her story on Tuesday. During a speaking engagement in Orlando, Fla., the TV host blamed her costume on Melvin, who had spilled chocolate on the sweater she wore during her Oct. 30 appearance on “Today.” Stewart had worn a white sweater with an American flag and Olympic rings on the front in the episode to match with Melvin, who had dressed up like Olympics superfan and ambassador Snoop Dogg.

“Why was I dragged into it?” Melvin questioned Stewart during her most recent appearance.

“I was making a joke,” Stewart said. “I was giving a talk and I just made a joke that you had spilled chocolate on me so I couldn’t wear that costume, which I had planned to wear on Halloween night to this party.”

“And that became part of the story,” Melvin said, before confirming that he had apologized for the spilled chocolate when it had happened. “But to be clear, there was no connection to [the spilled chocolate] and the costume later?”

“Oh, no, no, no,” Stewart said. “It wasn’t your fault.”

She added she understood she needed to “pay closer attention to social issues” moving forward.

“I’m aware of all those social issues, as you can imagine, and I care desperately about all the problems facing us,” she said. “But I made a mistake. I mean, I was stupid. … I’m so sorry, and I hope that my followers and my fans and the rest of America forgives me for doing something that was not meant in any way to be a bad thing.”

IT’S Monday lunchtime on London’s Old Bond Street and I’ve been invited to Dolce & Gabbana to hang out with the legend that is Sir Rod Stewart.

As the doors swing open, he walks in with two pairs of trousers under his arm and chirps in his trademark ­Cockney twang, “They’re too long in the leg”, before adding: “And a bottle of perfume for the lady, please.”

With me looking like a ropey Julia Roberts in Pretty Woman, Rod escorts me upstairs and a beautifully gift-wrapped, £280 ­perfume bottle is handed to me en-route.

Turning his attention to a £3,800 silver sequinned jacket, Rod laments: “It’s lovely, but it’s far too heavy for the stage.”

Then, he ushers me to a posh sofa to discuss his last hoorah.

The Final Encore will mark Rod’s retirement from touring after six decades on the road.

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Two extra dates have been added to the almost sold-out UK run thanks to the phenomenal demand for tickets.

Set lists are still being finalised, but fans can expect a spectacular trip down memory lane, with hits from Rod’s incredible back catalogue of 11 No1 albums — which include 25 Top Ten hits.

“At 81, it’s quite remarkable,” he says of the ticket sales for his farewell tour.

“I can’t jump around like I used to when I was 32. But I think the audience knows that, vocally, I’m better now than I’ve ever been.

“A few of the big voices have gone. Paul McCartney’s has gone a bit. I treat my voice like the crown jewels. Pavarotti said, ‘I’m a prisoner of my voice’, and you are. You wake up, you say, ‘Oh, I’ve got an itch. I’m f***ed. I’ve got to cancel’. I’m totally paranoid about runny noses now. “Now, when I go out, I wear white gloves like Michael Jackson. He did it to stop him catching colds and flu.”

Rod puts his remarkable good health down to a strict exercise regime which sees him training like an athlete — and getting lots of sleep.

“When you’re in your 20s and 30s, you don’t even warm up,” Rod laughs.

“You drink whatever you want, do the drugs, get on the stage.

“In the old days, we used to get p***d as farts with [band] FACES. Now, when I go on, I’m absolutely sober, then I’ll have a rum and Coke after the third song or so.

“Plus, I have an hour’s workout before I go on — stretching, cycling, stationary bike, massaging, warming up the voice, just getting yourself in the zone.

“It is like being an athlete.”

Of his regime at home, Rod adds: “Three times a week, I cycle for a mile, lots of uphill stuff, and I do a load of swimming.

“Frank Sinatra told me about that. He said, ‘If you just do underwater swimming as much as you can, holding your breath till you want to burst, because then your lungs will get bigger. And they’ll get used to you holding your breath and singing’.”

Rod’s pipes, I can attest, are back on top form after a scary ­incident this summer in Utah.

At an amphitheatre 4,300ft above sea level, Rod needed oxygen after almost fainting on stage.

Keen to reassure his fans he’s now fine, the Maggie May singer explains: “I had a bout of illness, which was bad luck. I’d just had bronchitis at the same time as I was playing above altitude. I was in a right state.

“The geezer who worked for me didn’t tell me. I said, ‘Are we above sea level?’. He said, ‘Nah, of course we’re not’.

“So, I ran out and did three fast songs. All of a sudden, I was like, I couldn’t breathe. I got through the show, but it was painful.

“If I’m performing above altitude, you go out and do a mid-tempo one and a slow one, then do a fast one. Not three off the bounce, jumping about.”

Rod, with his electric blonde hair and bronzed skin, could pass for a man 20 years younger.

A decade after being diagnosed with prostate cancer, he is still all-clear from the disease.

Grinning, he says of his health tests: “My PSA levels are at 0.02. You’ve got to keep an eye on it.”

But cackling, he adds of the old-style check for prostate problems: “Finger up the bum, no harm done. That’s what most men don’t like. The old finger up the bum. But just get on with it.”

Like any good musician, Rod has his vices and cannot resist a drink . . . even if his wife Penny Lancaster warns him off it.

“I wish I could curb my drinking, but I love wine with an evening meal,”

Rod explains. “I’ve got a great chef and I can’t drink water with a good meal.

“Penny says, ‘You must cut back, darling’. I only have a couple of glasses. But then, sometimes, I’ll get on the apple martinis and I can really knock those back.

“I have these conversations with my kids. I stress to them that I can have a drink, you know, because it’s show business, I drink whenever I want. Not that I drink a lot. But, you know, one of my sons goes out and gets all pd on a Sunday night and he’s got to go to school the next morning.”

Laughing, he adds: “I’ve let the cat out of the bag there, haven’t I? There’s only one going to school.”

The Final Encore will kick off its UK leg in Glasgow on April 29 at the OVO Hydro, after Rod turned down a farewell gig at his beloved Celtic Park in the city.

“It would have been just, like, 90 minutes and I’d say goodbye,” he explains. “I thought, ‘If I can have it for three nights, I can really get into it and indulge myself in it’.”

By next summer, Rod’s touring days will be over — but he says that, inspired by artists such as Adele, he is planning smaller, residency-style shows in future.

“I made the album [Swing Fever in 2024] with Jools Holland, which got to No1 and, when I do my last show, that’s what I’m going to do. I’ve talked to Jools.

“I don’t know if he wants to do it with me, because I think he’s afraid of losing his identity. If he doesn’t, I’ll form my own big band. I’d like to do the London Palladium for a few nights, then maybe the Albert Hall.”

Rod’s fans also have a top-secret documentary to look forward to next year, after the star confessed he’s just done a tell-all interview with his old foe, Sir Elton John.

The pair, who are now good pals, traded comedy barbs over the years, with Rod admitting to me he was miles better at football than Elton when they trained together at Watford FC.

“I nearly signed for Brentford,” Rod says proudly. “I only finished playing when I was 68.

“But Elton, I was miles better than him when we trained together. The documentary we’ve done should be out at the ­beginning of the year. At the end . . . he kissed me on the lips. And we caught it on film.”

Rod added of Elton’s kids Zachary, 15, and Elijah, 13: “His boys are wonderful. I don’t know whether they were putting it on for me, but they came in from school and went, ‘Daddy, Daddy, oh, Mr Stewart, we are so glad to meet you, Mr ­Stewart’. They are so well spoken.”

Looking back at his six-decade career, Rod knows it won’t be easy to retire from touring.

He says: “Carly Simon found it stressful going on stage. I don’t. I am absolutely raring to go out there. I absolutely love it.”

Stepping back will, however, give Rod more time to focus on Penny and his one other true love — his model train set.

Covering 156 square metres and featuring a 275-metre track that runs through a city landscape, it has kept Rod busy for decades.

“I want to open it to the public and give the money to charity,” he explains.

“I think I’ll be able to get permission. I would like to share it with the world.”

Politics is another keen passion of Rod’s, although he admits he’s more likely to keep his views to himself these days for fear of being misunderstood.

One subject we speak passionately about, however, is the plight of the people of Ukraine — who Rod has publicly supported since Russia invaded in 2022.

“I just hope it’s not too late for Ukraine,” he says.

“They’re going into winter now, and this could be the turning point. It’s scary.

“They’re bombing the fuel and water supplies. Putin is a b*****d.”

Another topic of contention is US president Donald Trump, who Rod has no time for.

“I stand by what I told Kind Charles,” he says.

“I said, ‘Trump’s a pig’. I could tell the King wanted to laugh.”

Rod will, undoubtedly, use his Final Encore shows to urge fans to champion all that’s good in the world — despite still coming to terms with his own global impact.

“I haven’t twisted anybody’s arm or threatened to kill them if they don’t give me money,” he tells me.

“I’ve earned it off my own back.

“I want to thank my public for this. They’ve given me the most glorious, unimaginable lifestyle.

“When I was at school, I never dreamed that when I started singing, it would end up like this.

“Me, performing on stage at 81.

“It’s been the best life and I am so grateful.”

Tributes for Patrick Stewart are flooding social media after the news of the British actor’s death at 86.

Stewart, who played “X-Men” mutant headmaster Professor Charles Xavier across nine Marvel films, died Wednesday at his home in Los Angeles “in the loving care of his beloved wife Sunny, following a brief and poignant journey with Alzheimer’s disease and Lewy body dementia,” his longtime spokesperson Kelly Bush Novak said in a statement.

The acclaimed actor, whose career spanned 60 years in film, television and stage, cemented his place in the hearts of audiences and his peers in the industry.

Hugh Jackman, who played Wolverine in more than 10 Marvel films, penned a tribute on Instagram.

“We lost one of the greats of stage and screen today,” Jackman wrote. “And, in my book, a tremendous friend and man. I learned so much from him. I will miss you, Patrick Stewart, all of my days.”

“Logan” and “The Wolverine” director James Mangold emailed The Times a statement, writing, “A generous and kind man, Patrick was very dear to me but also a towering, magnificent talent. There is no ‘Logan’ without his brave portrayal of Charles Xavier. He is the beating heart of our film and our collaboration will be a cherished gift in my life.”

Stewart’s co-star in the “Star Trek” universe, Jonathan Frakes, wrote in an emailed statement to The Times, “There’s no one on this planet that I have acted with or directed more often than my late great friend Patrick Stewart. He will be with me forever. May he rest in Peace.” Frakes played Cmdr. William T. Riker opposite Stewart’s Capt. Jean-Luc Picard in the series “Star Trek: The Next Generation” and “Star Trek: Picard” and four “Star Trek” films.

William Shatner, who played Capt. James T. Kirk in “Star Trek: The Original Series” and its subsequent films and who lost another former co-star in the “Star Trek” franchise, Walter Koenig, this week, posted a photo of an embrace with Stewart alongside a tribute.

“What a heartbreaking week it has been,” Shatner wrote. “Sir Patrick Stewart was a friend, a colleague, and a magnificent actor. From the stage to the bridge of the Enterprise, he brought intelligence, grace, and a deep sense of humanity to everything he did. Captain Picard stood for the best of us, and so did the man who played him. I was filled with affection and admiration for him and his work.

“My heart goes out to Sunny and his family. He will be deeply missed.”

Rebecca Romijn, who starred in both “X-Men” and “Star Trek” films alongside Stewart, posted a video on Instagram memorializing the actor. “Heard the very sad news about the passing of my dear friend Patrick Stewart,” she said.

“I feel so grateful to have known him for the last 25 years … both as a fellow mutant and as a fellow member of Starfleet. He was positively delicious, hilarious, naughty, incredible sense of humor, and that booming voice of his that always spoke to the very back of the room, as every classically trained Shakespearean great needs to master. … Rest in peace, Patrick.”

Minnie Driver, who acted alongside Stewart in the 2017 romantic comedy film “The Wilde Wedding,” posted on Instagram, “Is this year some kind of portal to a much, much better place that all the greatest people know about and so have gently made their exits? Dearest Patrick. Who always had the best advice, the funniest story, the patience to listen. I’m just bereft. All love to your family, and you, in my heart forever.”

Stewart also starred in the AIDS-era 1995 romantic comedy film “Jeffrey” alongside actor Bryan Batt.

“Heartbroken at the news of Sir Patrick’s passing,” Batt wrote on Facebook. “He was one of the most talented, kindest, and generous actors I’ve ever had the honor of working with. I was lucky to play his lover in the film of Paul Rudnick’s JEFFREY. Even though I created the role on stage, it was my 1st film and needless to say I [was] a bit anxious. Patrick took me under his wing and guided me along, teaching me so much. A wonderful giving actor and true gentleman of the theatre. Flights of angels sing thee to thy rest.”

Rock star and author Patti Smith also commented on the announcement of Stewart’s death on Instagram, writing “Tears of love.”

Marvel’s Kevin Feige told The Times in a statement, “I’ll never forget the first time I saw Sir Patrick Stewart on the set of the first X-Men. After years of knowing him as the inimitable Captain Picard, I was in awe — and he turned out to be everything I had seen on screen and more: brilliant, charming, warm, generous, with a quiet strength and gravitas. Away from the cameras, he was even more remarkable, with a wonderfully sharp sense of humor.

“It was a true privilege to know him and to work with him. His legacy lives on not only in decades of extraordinary work, but in the many, many people he mentored. He will be deeply missed.”

Marvel also posted a tribute to Stewart, who was held dear by audiences who saw themselves in the mutants cared for and protected by Stewart’s Charles Xavier.

“All of us at Marvel Studios are deeply saddened by the passing of Sir Patrick Stewart,” Marvel wrote on social media. “Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from X-Men to Logan to Avengers: Doomsday. He was a singular talent, a generous collaborator, and a true gentleman. Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art.”

Unless you’re writing for a major national magazine or shooting video for Architectural Digest, it’s rare for a reporter to be invited into a celebrity subject’s home. More likely, it’ll be some neutral space like a publicist’s office, or coffee shop, or hotel room; even more likely, over the phone or Zoom. But Patrick Stewart, when I interviewed him in 2023 at the end of “Star Trek: Picard,” the “The Next Generation” sequel series in which he starred, asked to meet at his house.

Stewart, who died Wednesday at 86, was 82 then, friendly and dapper and emanating a youthful sense of wonder and readiness. He spoke of wanting to learn to play the piano and speak French — ironic for an actor perhaps best known as Jean-Luc Picard. He had written a memoir, “Make It So,” titled for a Picard catchphrase. And he was excited about the house, located on a leafy, McMansion-free, comparatively modest street in what real estate agents would call Hancock Park, where he’d been living with his wife, Sunny Ozell, since just before the COVID-19 pandemic shutdown.

“We were safe,” Stewart said of the COVID days. “We felt protected here. It was just a walk that way or a walk that way to some shops. I walk to a little post office and my pharmacy is on 3rd Street, and I always take the backstreets. It’s a fabulous neighborhood, it really is. No two houses are the same. I mean, I never thought I’d live in a house that had just got archways everywhere — no doors! Sitting here, you see one, two, three, four, five, six archways.”

From sheer weight of screen time and franchise muscle, “Star Trek: TNG” — which ran for seven seasons (on first-run syndication, a dynamic format that no longer exists), plus four films — and the “X-Men” movies have dominated coverage of Stewart’s death. (Confession: I have possibly seen one “X-Men” movie, though long before there were “X-Men” movies, I read the comics — so I am familiar with Professor Charles Xavier, a part for which Stewart did not need to shave his head, as well as his nemesis Magneto, played by Stewart’s good pal Ian McKellen.) But there’s more to the story.

Patrick Stewart’s Picard comes face-to-face with Alice Krige’s Borg Queen in the 1996 film “Star Trek: First Contact.”

(Elliott Marks / Paramount Pictures)

Stewart’s 70-year career does neatly divide into BST and AST — before and after “Star Trek,” which arrived in 1987 at its chronological midpoint. The first half is dominated by theater. He joined the Royal Shakespeare Company in 1968, after a decade on regional stages, and was a core member until 1982. “So that was my daily experience,” he told me. “Shakespeare and his contemporaries and other great 19th century, 20th century playwrights. It was home to me.” In 1982, he took part alongside fellow RSC members, including David Suchet, Ben Kingsley, Judi Dench and McKellen, in director John Barton’s illuminating series “Playing Shakespeare,” demonstrating the relation of text and performance. You can find it all on YouTube from the Shakespeare Network and really should.

American audiences might have gotten a look at him in David Lynch’s “Dune” or PBS-imported British TV productions like “I, Claudius” and “Tinker Tailor Soldier Spy,” or as Claudius opposite Derek Jacobi in BBC’s “Hamlet” — but for many Stewart appeared new and fully formed in September 1987 on the bridge of the USS Enterprise. (This paper, reporting on his casting, apparently called him “an unknown British Shakespearean actor,” a fact you will see printed many times over in the wake of his death, and which Stewart liked to repeat.) With a handsome, sculpted head unencumbered by hair and a rich musical baritone, he exuded compassionate authority. You felt you could trust him, not just because it was in the script. With his classical training, he could make the most mundane line sing as if it were written in iambic pentameter, and do it without sounding hammy. He was a fit 47 when the show premiered. And he rocked his body-hugging Starfleet uniform.

After “Star Trek” made him Hollywood-famous, making way for his “X-Men” role — which he reprised for his final film, “Avengers: Doomsday,” coming in December — other projects followed. As an established personality there were opportunities for self-mockery and oddball choices. In Ricky Gervais’ “Extras,” playing himself, he describes a screenplay he’s writing in which his character has the power to make women’s clothes fall off (“and I’ve seen everything”). In Riz Ahmed’s “Bait,” which premiered earlier this year, he was the hallucinated voice of “Pigtrick,” a decapitated pig’s head that is somehow also Patrick Stewart. He donned a bad wig to portray John Oliver on “The Daily Show” and was a regular voice on “American Dad!” More traditionally, he played Captain Ahab, Ebenezer Scrooge and Captain Nemo.

Patrick Stewart as Macbeth and Kate Fleetwood as Lady Macbeth in “Macbeth,” the film version of Rupert Goold’s production.

(Manuel Harlan / Illuminations TV)

Did success on the screen boost his stage career? Or was it just a different route to the same place? With McKellen he starred in Samuel Beckett’s “Waiting for Godot” and Harold Pinter’s “No Man’s Land” in repertory. He adapted Charles Dickens’ “A Christmas Carol” into a one-man show and played George in “Who’s Afraid of Virginia Woolf?” But it always came back to Shakespeare. Returning to the RSC, he played the Ghost and Claudius to David Tennant’s “Hamlet” and the lead in “Macbeth” (both were filmed and broadcast) as well as Prospero in “The Tempest.” He stayed busy as he aged, if not always as busy as he would have liked — the actor’s lot — and when the pandemic killed regular work, he went onto social media and spoke directly to the people in the language he loved so well, reading and commenting on all of Shakespeare’s 154 sonnets — “A Sonnet a Day” — from March to October 2020 (they’re available on CD).

“We play this game often,” he told me. “I played it when I was a kid: If you could go back in time, where would you go? And I’ve worked on my answer to that question — I want to be in the audience at the very first performance of ‘Hamlet, Prince of Denmark,’ that’s all, because I know Shakespeare would be there.”

Ian McKellen is saying goodbye to his dear friend Patrick Stewart.

Stewart, the storied actor whose performances spanned comic book films, Shakespearean stage productions and sci-fi TV, died Wednesday at his home in Los Angeles after a battle with Alzheimer’s disease and Lewy body dementia. He was 86. While tributes from former co-stars across the “X-Men” films and “Star Trek” franchise poured in, fans of Stewart were keeping a close eye out for McKellen’s remarks, as the two had a famously close friendship, often on full display with red-carpet smooches and pally interviews.

On Thursday, McKellen posted a tribute to Stewart.

“Before everything else, Patrick was defined by being born and bred in Yorkshire, the proud county in the north of England which he loved to the end,” McKellen’s statement began. “You could hear it in his accented voice and in the stern honesty with which he told you what he thought and felt. Yorkshiremen have no truck with half-truths or avoidance of big issues. He wore his heart on his sleeve, which made him a man to rely on, to admire and in my case, love.”

Although the two had known each other since they were young actors with the Royal Shakespeare Company in the 1970s, Stewart said he initially was too shy to approach McKellen, but was “impressed.” Stewart said the two had “X-Men” to thank for their close bond. On set, the two had trailers that were next door to each other, and with time to kill between filming, they would head next door and chat for hours.

“It was a delight for me to find that the enthusiasms and passions that I’d had all my life were shared by Ian,” the late actor said in a 2014 interview. When asked to write a hashtag that summed up their bromance, Stewart wrote #Aren’twelucky, and McKellen wrote #eternal.

In addition to playing rivals across multiple “X-Men” films, Patrick and McKellen starred together in “Waiting for Godot” and “No Man’s Land” on Broadway and London’s West End.

“We first met as ambitious young actors with the Royal Shakespeare Company half a century ago but we weren’t in the same productions,” McKellen’s tribute continued. “My first strong memory was a few years later, meeting him in the street in central London when he told me about an offer to take over a leading part in ‘Star Trek.’”

McKellen recalled saying, “But Patrick think of your stage career in the UK. Do you really want to risk—getting lost in Hollywood for years and years?”

“Well, he took the risk and thank goodness for us all that he did for not just his devoted Trekkies but film and theatre audiences, who marvelled at his using international celebrity to star in a string of cinema successes (‘X-Men’ of course) and in great classical plays by Shakespeare, Ibsen, Arthur Miller, Peter Shaffer, Pinter and Beckett at Stratford-upon-Avon, in London’s West End and on Broadway.”

In 2014, Stewart admitted to Broadway.com that he was envious of McKellen for both his university education and his hair.

“Ian knows and he thinks I’m foolish to feel this way,” he said. “Ian went to Cambridge and my formal schooling ended when I was 15. I envy that, but I also envy your head of hair. If only because in the two plays you don’t wear a wig and yet you manage to make your hairstyle look completely different … I envy that whereas I have to stick on a wig.”

McKellen responded by telling Stewart that he was gorgeous with and without the wig.

In 2013, Stewart married longtime girlfriend Sunny Ozell in a Lake Tahoe ceremony that McKellen officiated.

“America was his adopted home, where he met his adored Sunny who has cared for him through sickness and health, through thick and thin. But he never forsook his origins: and the proudest achievement of the most respected and beloved actor of his generation on either side of the Atlantic, was his appointment as Chancellor of Huddersfield University in Yorkshire.”

McKellen and Stewart star together again in the forthcoming “Avengers: Doomsday,” which hits theaters Dec. 18.

As Star Trek captain Jean-Luc Picard and X-Men leader Professor Charles Xavier, he was the epitome of calm leadership under pressure.

But actor Sir Patrick Stewart, who has passed away aged 86 after a secret health battle with Alzheimer’s, spent his life fighting his own personal demons, coming to terms with his abusive childhood.

His father Alf was one of the last men evacuated from Dunkirk and then parachuted into Italy to fight in the brutal Battle of Monte Cassino where 54,000 Allied troops were killed or injured.

Back home in Mirfield, Huddersfield, he subjected the seven-year-old’s mother to brutal beatings.

Often, the young child would stand between his father’s fists and his mother in a desperate attempt to shield her.

“As a child I witnessed his repeated violence against my mother, and the terror and misery he caused was such that, if I felt I could have succeeded, I would have killed him,” he said. “If my mother had attempted it, I would have held him down.

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“For those who struggle to comprehend these feelings in a child, imagine living in an environment of emotional unpredictability, danger and humiliation week after week, year after year, from the age of seven.

“My childish instinct was to protect my mother, but the man hurting her was my father, whom I respected, admired and feared.”

It was on stage where he found a way to break free from his home life and forge his own path.

“I managed to find my own refuge in acting,” he said. “The stage was a far safer place for me than anything I had to live through at home – it offered escape.

“I could be someone else, in another place, in another time.

“However, whenever the role called for anger, fury, or the expression of murderous impulses, I was always afraid of what I might unleash if I surrendered myself to those feelings.”

Born on July 13, 1940, in Mirfield, near Huddersfield, life was bliss until his father Alf returned home from war with what would now be called post-traumatic stress disorder.

He said: ”My parents’ bedroom had a partition built into it, which is where my old brother Trevor and I slept. No hot water, no cooking facilities, no toilet, bathroom. Just an open fire and a gas ring.

“I’d never known anything else.”

Reflecting the violence at home, Stewart’s own anger was close to the surface and he struggled to contain it at school.

He said: “I was beaten with a cane by my headmaster when I was 14, when I was innocent of what he was accusing me of.

“It was one of the hardest moments ever, because I wanted to attack him. I would have killed him.

“If I’d actually got my hands on him, I don’t think he’d have made it out.”

His salvation came in the form of English teacher Cecil Dormand who put a copy of Shakespeare in his hands and encouraged him to perform.

It was the Mirfield Secondary Modern School drama club that gave him a glimpse of something beyond the confines of his terraced home and violent abuse.

He said: “The first moment that I walked onto the school stage I felt safe — it was the safest place I’d ever been.

“For one thing I wasn’t Patrick Stewart because I didn’t like Patrick Stewart very much.

“And it was a different world, it wasn’t my world — because I didn’t like that very much either.”

He got another dreaded summons to his headmaster’s office. But this time instead of a caning he saw Mr Dormand and someone from the West Riding County Council who offered him an eight-day residential drama course.

It was there he met a young Brian Blessed, who he would later perform with in the classic TV drama I, Claudius.

Years later they bumped into each other together at a glitzy awards ceremony in Los Angeles:

“There we were: two working-class boys from Yorkshire, walking down the red carpet.”

He left school at 15 and got a job as a junior reporter on his local paper the Mirfield & District while dedicating every moment to acting, much to the annoyance of his editor.

He said: “There were about a dozen amateur dramatic societies in my community. Every church, every chapel had one — even if it only meant doing a pantomime once a year.

“The editor eventually said ‘You’ve got to give it all up, this acting business, and learn to be a journalist. If you don’t, you can get off my paper.’

“So I went upstairs, packed up my typewriter and left.”

He got a scholarship to the Bristol Old Vic Theatre School, and in 1966 joined the Royal Shakespeare Company, a relationship that would last for nearly three decades.

He went on to win two supporting actor Olivier Awards for his Shakespeare performances, for Antony and Cleopatra in 1979 and Hamlet in 2009.

He was awarded a knighthood for services to drama in 2009 and was knighted by the late Queen in 2010.

The stage was his true love despite one appearance on Coronation Street in 1966 and playing John Le Carre’s Russian spy Karla in Tinker, Tailor, Soldier, Spy and Smiley’s People.

But in 1987 he was tempted by what he thought would be a quick Hollywood cash grab and be back home on the stage in a few months.

But Star Trek: The Next Generation became a global smash and his cultured, thoughtful Picard became an iconic role.

The sci-fi TV series ran for seven years, with Sir Patrick starring in Star Trek Generations in 1994, Star Trek: First Contact in 1996 and Star Trek: Insurrection in 1998 and Star Trek: Nemesis (2002).

He said: “I was contemptuous. I knew of the original Star Trek, of course… I thought, ‘This is not what I do. I’m a classical actor.’

“I thought I’d just go to California for a year, get a tan and earn some money.

“I came to love Jean-Luc Picard and to admire him, and he has had an effect on me. Some of his qualities, I believe, have rubbed off on me.

“The sense of responsibility, the sense of duty, the determination that you will not be compromised.”

In 2000, he was cast as powerful telepath Professor Charles Xavier in the film adaptation of Marvel‘s X-Men comics.

He would come back to the series in 2014’s X-Men: Days Of Future Past, 2017’s Logan, 2022’s Doctor Strange In The Multiverse of Madness and 2024’s Deadpool & Wolverine.

Again, his thoughtful, nurturing persona and his rivalry with old friend Sir Ian McKellen’s Magneto became cinema legend.

He said: “I love him deeply. So does my wife. He married us — he performed the ceremony in a Mexican restaurant.”

Singer-songwriter Sunny Ozell was Stewart’s third wife and eyebrows were raised at their 38-year age gap.

He had two children, Daniel, 59, and Sophie, 54, with his first wife Sheila Falconer who he married in 1966 and divorced 24 years later.

He was briefly married to producer Wendy Neuss in 2000 then he met and married Sunny in 2013.

The couples’ fun Instagram posts of the Shakespearean actor in hilarious situations, like being dressed as a lobster, burst his rather serious Shakespearean public face.

Making home in Los Angeles, where he watched every game of his beloved Huddersfield Town, he started having weekly therapy sessions to deal with his traumatic childhood.

Stewart said: “It wasn’t until I came to California and people would say, ‘You’re not in therapy? Let me recommend somebody.’ I was introduced to a brilliant woman with whom I did therapy weekly for about six years.

“It was thanks to her that all this stuff came out and I realised that acting was an escape for me.”

In 2006 a routine check up discovered an 85 per cent blockage in his heart and he underwent emergency surgery to fix it by having a stent inserted.

He said: “I was diagnosed very unexpectedly during my annual physical by my cardiologist, who said ‘What are you doing this afternoon?’

“To which I said ‘Well actually, I’m going for lunch.’ And he said, ‘I’d rather you didn’t.’

“And in five minutes I was on a gurney giving details of my next of kin and so it was rather dramatic.

“I didn’t have time to brood on it, but what I did know was that I was in the best possible hands I could’ve been in and I was going to be taken care of whatever the outcome.

His mother Gladys died in 1977, three years before Alfred. After turning 80 in 2020 and with the pandemic and lockdown in full swing he began to think about his own mortality.

He said: “When my father was living alone, I believe he missed her badly.

“And perhaps he might even have regretted aspects of their married life.

“I was already older than both my parents when they died, but I think it was the coronavirus. It did something to me.

“It made me feel so vulnerable.”

In a final video posted on Instagram before his death, Sir Patrick reflected on love and the emotions evoked by his performances of Shakespeare’s sonnets.

He said: “I hope it has brought pleasure and curiosity but more than anything else I want it to have communicated all the multiple features that love might have.”

British actor Patrick Stewart died Wednesday at 86. His spokesperson said Thursday that he died from Alzheimer’s disease and Lewy body dementia.

The two conditions often occur together, said UCLA neurology professor Dr. Keith Vossel, and when that happens, the individual’s decline may be faster.

Lewy body dementia is the second-most-common form of degenerative dementia, behind Alzheimer’s disease, Vossel said. It occurs when a protein called alpha-synuclein aggregates in clumps inside the brain. The condition is under-recognized and under-diagnosed in part because its symptoms can overlap with those of Alzheimer’s.

Other celebrities who suffered from the condition include Robin Williams, who took his own life at 63, and Casey Kasem.

The condition is named after Friedrich H. Lewy, the neurologist who discovered the brain abnormalities in the early 1900s, according to the Alzheimer’s Assn. website.

“Essentially the only way to really diagnose these conditions together is after an autopsy and to see the hallmark features of the diseases under the microscope,” Vossel said.

Lewy body dementia symptoms tend to start with rapid eye movement sleep behavior disorder, such as screaming or kicking during sleep. A sufferer may have rigidity or tremors in one of their arms or legs. And they may experience slowness of movement.

A patient may be diagnosed with Lewy body dementia after also experiencing cognitive symptoms within one year of motor symptoms. Cognitive symptoms could include illusions or hallucinations — some patients report sensing a shadowy figure nearby — and difficulties with problem solving and navigation. The condition is also marked by dramatic fluctuations in alertness that occur within hours of the same day.

Another early feature of Lewy body dementia is anxiety, Vossel said.

By contrast, Alzheimer’s disease typically is associated with memory and language loss, and is more associated with apathy and depression than with anxiety. The course of Alzheimer’s disease is slightly slower than that of Lewy body dementia, according to Vossel.

Lewy body dementia is more common in men than in women. Anyone over the age of 60 is at higher risk of having a degenerative condition. Lewy body dementia is most common in people in their 70s to 80s, he said.

There is currently no cure for Lewy body dementia, which is terminal and progressive. After a diagnosis, people can typically expect to live six to eight years before they need 24-hour care, Vossel said.

But medication can help manage symptoms. Clinical studies have found that cardiovascular fitness can slow the rate of decline, Vossel said.

Those who suspect they have Lewy body dementia symptoms should contact a neurologist or a clinician trained in either geriatric medicine or geriatric psychiatry for an evaluation, Vossel said.

Patrick Stewart, the acclaimed British actor who played Captain Jean-Luc Picard in “Star Trek” and Professor Charles Xavier in the “X-Men” films, has died. He was 86.

Stewart died on Wednesday in Los Angeles following “a brief and poignant journey” with Alzheimer’s disease and Lewy body dementia, spokesperson Kelly Bush Novak said in a statement on Thursday.

Although best known for his film and television roles, Stewart spent much of his career onstage, performing Shakespeare and other classics.

His career included performances as Claudius and Macbeth, a one-man adaptation of “A Christmas Carol”, and West End and Broadway productions of Harold Pinter’s “No Man’s Land” and Samuel Beckett’s “Waiting for Godot” alongside longtime friend Ian McKellen.

Stewart earned some of the best reviews of his career for his 2007 portrayal of Macbeth, including his only Tony Award nomination. The Times of London described his Macbeth performance as “an enthralling creation of frailty, appetite, egotism and grim humour”.

“Nearly 50 years I’ve waited,” Stewart told the Associated Press news agency in 2008. “I learned it when I was 14. I memorized all the soliloquies just because I thought they were great. And they stuck, so I didn’t have to learn those bits of the play, which is a blessing, because learning lines has now become the one curse of this job.”

From working-class Yorkshire to Shakespeare

Raised in Mirfield, West Yorkshire, a working-class corner of northern England, the future 24th-century commander of a starship grew up without a bathroom in his house.

He joined an amateur drama group at 12 and, as a teenager, memorised Shakespeare for fun. A scholarship to the Bristol Old Vic Theatre School helped launch his acting career.

Stewart, who developed alopecia at a young age, had been bald since he was 19.

His childhood was also marked by domestic violence. His father, a former regimental sergeant major in the British Army, was prone to outbursts of “repeated violence against my mother,” as Stewart wrote in a newspaper piece. “Violence is always a choice a man makes and he alone is responsible for it.”

Stewart later became a patron of Refuge, a charity supporting survivors of domestic abuse.

From Shakespeare to Captain Picard

Stewart spent 14 years with the Royal Shakespeare Company, playing everyone from Mark Antony and Henry IV to Shylock and Oberon.

“People who were not in the company would say to me, ‘Give it a break. Why don’t you go somewhere else?’ And I would say, ‘To do what?’” he told the AP. “Telly?”

He eventually left and appeared in the 1981 film “Excalibur”. In 1987, shortly after performing in “Who’s Afraid of Virginia Woolf?”, he was offered a role in a science fiction series.

“I found myself in Hollywood shooting a syndicated science fiction series, which I was assured would fail,” he said.

But “Star Trek: The Next Generation” ran for seven seasons and 178 episodes. Stewart became known worldwide as Captain Jean-Luc Picard, whose command, “Make it so”, became one of the show’s best-known lines.

Stewart also played Professor Charles Xavier, the leader of the X-Men, beginning with the 2000 film “X-Men”. He returned to the role in several sequels, including 2017’s “Logan”, alongside Hugh Jackman as Wolverine.

Stewart died just days after Walter Koenig, who played Ensign Pavel Chekov in the original “Star Trek” series, which aired from 1966 to 1969.

Queen Elizabeth II knighted Stewart in June 2010. He also served as an ambassador for the International Rescue Committee.

SIR Patrick Stewart secretly battled Alzheimer’s and dementia before his death aged 86.

The acting legend, best known for starring in X-Men and Star Trek, sadly passed away at his home in Los Angeles, it was revealed.

The exact timeline of his diagnosis was kept private and his secret health battle has left fans around the world devastated.

His family and spokesperson described his experience with Alzheimer’s Disease and Lewy Body Dementia as a “brief and poignant journey” and a “brief battle” before his passing.

Sir Patrick died at his home in Los Angeles on Wednesday.

He was said to be “in the loving care of his beloved wife Sunny”.

A post on the actor’s Instagram account added: “He has been held in the warm embrace of family and friends, surrounded by live music, prayer, tears, laughter, and the kind of profound emotion that only he could inspire after a lifetime of devotion to us all.

“We will forever cherish the peaceful ease and reflection on his face, an enduring reminder of his invincible grace.

“A son of Mirfield in the West Riding of Yorkshire, he travelled from the Royal Shakespeare Company to an equally acclaimed career spanning six decades on Broadway, the silver screen and television.”

Earlier in his career, Stewart portrayed a retired intelligence agent suffering from early-stage Alzheimer’s in the 1998 independent thriller Safe House.

In his last post on Instagram around six months ago, he appeared to have a raspy voice.

Sir Patrick’s illustrious career on stage and screen spanned over 60 years.

He received numerous accolades including two Olivier Awards and a Grammy Award and was knighted by Queen Elizabeth II for services to drama in 2010.

Paying tribute, Marvel Studios posted on X: “Sir Patrick brought Professor Charles Xavier to life with extraordinary grace, intelligence, and humanity, defining the character for generations of fans, from X- Men to Logan to Avengers: Doomsday.

“He was a singular talent, a generous collaborator, and a true gentleman.

“Our hearts go out to his wife Sunny, his children, his friends, and the countless fans around the world whose lives he touched with his art.”

Born in Mirfield, West Riding of Yorkshire, in 1940, his early years were defined by working-class hardship.

A young Patrick secured a grant to attend the Bristol Old Vic Theatre School before joining the prestigious Royal Shakespeare Company in 1966.

For decades, he was a respected but largely unheralded stage actor, mastering the works of the Bard and establishing himself as a formidable theatrical talent in the UK.

Sir Patrick’s career trajectory shifted dramatically in 1987 when he was cast as Captain Jean-Luc Picard in “Star Trek: The Next Generation”.

Initially sceptical about the show’s prospects, Stewart famously admitted he refused to unpack his bags for weeks, fully expecting the American sci-fi venture to fail and send him straight back to the London stage.

Instead, Picard became his defining television role.

He commanded the Starship Enterprise for seven highly successful seasons and four feature films.

Stewart conquered a second massive franchise as the telepathic mutant Professor Charles Xavier in the highly lucrative “X-Men” films.

Despite his immense Hollywood success, Stewart never abandoned his classical roots, frequently returning to the West End and Broadway to star in celebrated productions like “Macbeth” and “Waiting for Godot”.

His monumental contribution to drama was officially recognised in 2010 when he was knighted by Queen Elizabeth II at Buckingham Palace.

He was last pictured watching his beloved football club as the team pay tribute to “hero” supporter.

Jon Stewart has signed a new deal that will keep the comedian at his weekly perch on Comedy Central’s “The Daily Show” through 2028.

Skydance Television, which owns Comedy Central, announced Monday that Stewart will remain as a once-a-week host and serve as executive producer in a deal that takes him through the 2028 presidential election.

“Jon Stewart is a generational talent and The Daily Show continues to be one of the most influential franchises on television and a cornerstone of Comedy Central,” George Cheeks, Co-Chair and Chief Content Officer, Skydance TV, said in a statement. “We are excited to continue our partnership with Jon and his award winning news team.”

Tuesdays through Thursdays will continue to be handled by “Daily Show” regulars Ronny Chieng, Josh Johnson, Jordan Klepper, Michael Kosta, and Desi Lydic.

Stewart is a signature talent for Comedy Central, which also the home of the long-running animated series “South Park.” The channel needed to retain its biggest names to keep the channel valuable to cable and satellite TV providers who pay to carry it.

Stewart first became “Daily Show” host in 1999, and tuned the satirical news program into an important voice in the national discourse. He stepped away in 2015 when he was among the highest-paid performers in the TV business.

Stewart had a production deal with HBO and hosted a series for Apple TV, “The Problem with Jon Stewart,” before rejoining “The Daily Show” in 2024 to host on Monday nights. He signed a second one-year deal in November that was set to expire at the end of this year.

While President Trump has attacked network late-night hosts who are critical of him, he has never gone after Stewart in any of his social media rants during his second term. Comedy Central is a cable network not subject to Federal Communications Commission authority, unlike Stewart’s late-night cohort Jimmy Kimmel, who appears on ABC. Both Trump and FCC Chairman Brendan Carr have threatened to pull Kimmel off the air.

Late-night TV is struggling overall as a genre due to younger viewers moving away from traditional TV to streaming, “The Daily Show” has continued to have a strong following. The program hit an eight-year high in viewing during the third quarter of 2026 according to Nielsen data. Comedy Central said the program has accrued 1.6 billion views across social media in 2026.

Skydance got out of the broadcast network late night business when it cancelled “The Late Show with Stephen Colbert.” The company said the program was losing $40 million a year. It replaced with “Comics Unleashed,” a non-topical comedy show from media mogul Byron Allen, who leases the late night hours from the network.

Ulster hooker Tom Stewart admits “I don’t think I’ve come to the party well enough” and says the squad must have “honest conversations” after an underwhelming start to the season.

Successive draws with Glasgow and Munster after a loss to Edinburgh leaves Ulster winless in the United Rugby Championship before starting their Challenge Cup campaign away to Zebre next week.

Head coach Richie Murphy said he was “bitterly disappointed” after his side were forced to fight back for a 26-26 draw with Munster, while Stewart questioned his own contributions to the game in Belfast.

“From a personal point of view, I’m not happy with my performances about it. I don’t think I’ve come to the party well enough, I don’t know if it’s my preparation or the mental side to the game,” said Stewart, who captained Ulster against Glasgow and Munster in the injured Iain Henderson’s absence.

“It’s something I really need to have a look at and plan better or whatever it is, but I need to start understanding why that is the case.”

Stewart, who marked his seventh Ireland cap with a try against Japan over the summer, added: “From my own point of view, I need to properly watch back my intent in some of the collisions and my actual process around what I’m doing.

“Then I think we need to have some honest conversations this week within ourselves, with the team, players and coaches to see where we’re at.”

Ulster travel to Zebre on Saturday (15:15 BST) before travelling to South Africa for difficult URC assignments against the Bulls and Stormers.

For Stewart, Ulster “can’t shy away” from the shortcomings in their performances as they strive to kick-start their season.

“It’s hard, when you have a game like that you don’t want to watch it back,” added the 25-year-old.

“You don’t want to review yourself properly, you don’t want to look at the hard stuff, the nitty-gritty that you haven’t done well, but that’s where you find the fixes, the learnings.

“The hardest stuff you watch will be the most impactful stuff going forward.”