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COUNTRY music heartthrob Riley Green furiously kicked a “jealous boyfriend” out of his gig after being hit with a phone that left him with a bloody ear.

Riley needed five stitches to piece his ear back together following the Melbourne show on his Cowboy As It Gets tour.

During the gig, he was struck by a phone pelted from the pit which caused him to stop the performance and take off his guitar.

He then pointed out the offender and directed security to haul him out. Smiling with blood running down his neck, Riley then slung his guitar back on before being cheered by the raucous crowd.

The 37-year-old told them: “Damn, am I bleeding? See how tough I am?”

He then said: “You can get your phones out, and you can turn the flashlight on – but don’t throw them at me.”

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The violent incident certainly did no harm to Riley’s aura. His smitten fans sent messages of support on Instagram.

One said: “My babyyyyyy was bleeding.”

Another wrote: “Brother, don’t hurt my wife’s boyfriend!”

A third said: “He was bleeding but he’s a Bama boy…that’s just a little scratch. He can do anything he wants!”

While on one video, a fan wrote: “PSA to the jealous boyfriends., don’t throw your phones at Riley Green xx.”

Riley had a fun time despite the incident and regretted not being able to play for longer.

He wrote on Instagram: “Ole buddy ’bout ran outta anytime minutes last night… but a hell of a time was had.”

Riley’s become a global phenomenon in recent years.

Heartfelt songs like I Wish Grandpas Never Died, There Was This Girl, and Different ‘Round Here (feat. Luke Combs) have resonated thanks to their honest storytelling and southern drawl.

He supported Morgan Wallen at his BST Hyde Park gig in 2024 but put on a headline-worthy show.

Speaking about his summer in the capital, he told Entertainment Focus: “I wasn’t nervous but I certainly didn’t expect what happened! I thought that there would be, maybe, a handful of folks that knew a couple of my songs but they knew every word to every song.

“To see the size of the crowd……. especially when you go to another country and Canada had been the only other time I had played outside the States….. things are usually gradual in building up a fan base, right? It was shocking to see how passionate people were about country music over here.”

And he returned to these shores last year for some sold out gigs of his own.

BRIDESMAIDS star Wendi McClendon-Covey has revealed why she was missing from the cast reunion at the Oscars saying “I look like a melted candle.”

Fifteen years after its debut, the film‘s main stars gathered onstage at the 2026 awards ceremony for a hilarious reunion.

Kristen Wiig, Melissa McCarthy, Rose Byrne, Maya Rudolph, and Ellie Kemper reunited at the Oscars much to fans delight.

However, some of them wondered why Wendy, who played Rita in Bridesmaids, hadn’t joined them.

After the show, Wendy posted on Instagram to clear up the confusion.

She said: “I had a neck lift last week because I’m tired of looking like a melting candle.

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“So I had to skip the Academy Awards. No drama. Everything is fine.”

A snap showed her lying down with a bandage wrapped around her head.

Fans flocked to comment and one wrote: “Sending some healing energy your way!”

Another added: “Gorgeous before and after.”

A third said: “Love your transparency. F-yeah! Some people can embrace that candle look but others…h*** no. Either way is right as long as it makes you happy. Big healing love!”

While a fourth wrote: “You’re such a sweet, kind, hilarious legend, shine on my friend.”

During the Oscars reunion Kirsten joked: “I cannot believe that it’s been 15 years. Now we are not good with numbers, but we figured out backstage that means we shot this movie in 1883.”

Each of them was then handed a note and claimed it was signed by A-list audience members like Leonardo DiCaprio or Stellan Skarsgard, who spoke about their good looks.

Maya opened hers and said: “Oh, this is strange. Well, mine says, ‘First of all, you ladies look extremely beautiful tonight.’ Thank you. ‘You’re aging well.’ Signed, Stellan Skarsgård.”

Kirsten read a fake note from Benicio Del Toro which said “You guys have been talking for a long time. This bit could have been a lot shorter.

Who won on Hollywood’s biggest night?

One Battle After Another ran away with the night with six Oscars, while Sinners, which was nominated for a record-breaking 16 awards, came away with four. See the full winners list below:

Best Picture: One Battle After Another

Best Actress: Jessie Buckley, Hamnet

Best Actor: Michael B. Jordan, Sinners

Supporting Actress: Amy Madigan, Weapons

Supporting Actor: Sean Penn, One Battle After Another

Directing: One Battle After Another, Paul Thomas Anderson

Adapted Screenplay: One Battle After Another, Paul Thomas Anderson

Original Screenplay: Sinners, Ryan Coogler

Documentary Feature: Mr. Nobody Against Putin

Documentary Short: All the Empty Rooms

Animated Feature: KPop Demon Hunters

Animated Short: The Girl Who Cried Pearls

Cinematography: Sinners, Autumn Durald Arkapaw

Costume Design: Frankenstein, Kate Hawley

Film Editing: One Battle After Another, Andy Jurgensen

International Feature: Sentimental Value – Norway

Life Action Short: 

The Singers (TIED)

Two People Exchanging Saliva (TIED)

Makeup and Hairstyling: Frankenstein, Mike Hill, Jordan Samuel and Cliona Furey

Original Score: Sinners, Ludwig Goransson

Original Song: Golden, KPop Demon Hunters

Production Design: Frankenstein, Tamara Deverell and Shane Vieau

Sound: F1, Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta

Visual Effects: Avatar: Fire and Ash, Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett

Casting: One Battle After Another, Cassandra Kulukundis

“This is really going on and on. You aren’t even talking about score. That’s all. Love ya lots, Benicio Del Toro. Or for those of you who refuse to learn Spanish, it’s Benedict of the Bull.”

Directed by Paul Feig, Bridesmaids was written by Kirsten Wiig and Annie Mumolo, who were nominated for Best Original Screenplay when the film was released in 2011.

Melissa also earned her first Oscar nomination for Best Supporting Actress.

The film gained cult status and went on to gross over $300 million worldwide.

“The Voice of Hind Rajab,” a heartbreaking retelling of the efforts to save a 6-year-old Palestinian girl amid Israel’s attacks on Gaza, will be honored at the 98th Academy Awards on Sunday — without one of its star players.

Actor Motaz Malhees, who stars in the film as Red Crescent dispatcher Omar, confirmed Thursday that he will be absent from the festivities because of President Trump’s travel ban against Palestinians. “I had the honor of playing one of the lead roles in a story the world needed to hear,” Malhees said on Instagram, “but I will not be there.”

“I am not allowed to enter the United States because of my Palestinian citizenship,” he added.

Trump announced his widened travel ban in December, noting his decision to “fully restrict and limit the entry of individuals using travel documents issued or endorsed by the Palestinian Authority,” along with people from countries including South Sudan and Syria. The president issued the order months after he presented his 20-point peace plan for the Gaza strip — efforts that some Palestinians feel have been now brushed aside amid U.S. and Israeli attacks against Iran.

Malhees said in his post that the restriction “hurts” but offered his followers and supporters a kernel of truth: “You can block a passport. You cannot block a voice.”

“The Voice of Hind Rajab,” directed by Tunisian filmmaker Kaouther Ben Hania, is nominated in the international feature category. The film is set in a Red Crescent call center in Ramallah and centers the 70-minute phone recording of Hind’s pleas for help as she waits with her family in a trapped car for emergency responders. She and two medics dispatched to her location were killed in February 2024 in Israeli attacks in Gaza.

The film earned the grand jury prize at the Venice Film Festival.

Though unable to celebrate the film at the Oscars on Sunday, Malhees said he stands “with pride and dignity” and that his “spirit will be with the Voice of Hind Rajab that night.”

“Our story is bigger than any barrier, and it will be heard,” he said.

A representative for the Academy of Motion Picture Arts and Sciences did not immediately respond to a request for comment.

As Malhees publicized his absence, fellow stars including Oscar winner Riz Ahmed and Emmy-nominated “Succession” star Arian Moayed rallied in support.

“Your work in the film and the film itself are both incredible and will live on forever,” Ahmed commented.

“You are brilliant, azizam,” Moayed replied to Malhees. “And this is heartbreaking and unjust.”

Chase Infiniti has only been in the spotlight for two years but she has already brushed shoulders with Hollywood greats like Leonardo DiCaprio and Jake Gyllenhaal

Rising star Chase Infiniti has already become one of Hollywood’s most talked-about stars after just two big roles.

It’s hardly a surprise considering her unique name and stellar leading performance in One Battle After Another alongside industry giant Leonardo DiCaprio.

While Leo and other cast members managed to bag nominations at this year’s Oscars, Chase didn’t receive a nod.

However, she is set to present an award during the ceremony, which airs on ITV1 tonight (Sunday, March 15) at 10.15pm.

As viewers tune into the long-awaited award show, we’re certain many will be curious to learn more about Chase’s background.

How did Chase Infiniti get her name?

The 25-year-old actress was born Chase Infiniti Payne in Indiana, America. Her name was inspired by legendary films Batman Forever and Toy Story.

She shared in an interview with the Today Show that her parents “had watched Batman Forever and they were obsessed with Nicole Kidman as Chase Meridian”. They decided to name their child, whether it would be a boy or girl, Chase.

When the couple were searching for a middle name, they landed on Buzz Lightyear’s iconic catchphrase from the Toy Story series: “To infinity and beyond!”

Chase has reflected on her parents seemingly predicting she would have a career in movies, telling the Today Show: “It’s really crazy. I’m like ‘How did [they] predict that!'”

Are Chase Infiniti’s parents movie stars?

Chase’s parents are not movie stars. However, new fans may be confused by chatter on the internet suggesting that she is Kerry Washington and Tony Goldwyn’s daughter.

It is actually a running joke on the internet that Chase is the love child of Kerry and Tony’s characters in Scandal.

The hit political drama followed Tony as President Fitzgerald Thomas Grant III. He sparks a heated affair with former White House Communications Officer Olivia (played by Kerry), which he is determined to hide from the public.

The online joke came after viewers noticed a striking resemblance between Tony and upcoming actor Tyriq Withers, with others later bringing Chase into the conversation.

It went even more viral when leading star Kerry unexpectedly played into the social media discussion last month, sharing a playful selfie with her ‘Scandal children’.

She tagged her co-star in the caption, writing: “It’s a family reunion at the @naacpimageawards (Missing you @tonygoldwyn).”

What else has Chase Infiniti starred in?

The rising star is building an impressive career, having featured in Apple TV’s Presumed Innocence alongside Jake Gyllenhaal in 2024.

She then appeared in One Battle After Another in 2025, and has been nominated for a BAFTA, Critics Choice Award and Golden Globe for her part as Leo’s on-screen daughter, Willa.

Her recognition throughout awards season left film fans stunned when she didn’t earn an Oscar nominations, with many arguing she was ‘snubbed’.

The Gen Z star is also set to feature in The Handmaid’s Tale sequel, The Testaments, premiering on April 8.

The Oscars will air on ITV1 and ITVX tonight (March 15) at 10.15pm.

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website

In late November, Gabriela Jaquez scored 29 points against Tennessee. It wasn’t her career high; that came when she tallied 30 points two years prior.

But that game, when Tennessee had no answers for a player who was then the UCLA women’s basketball team’s fifth offensive option, felt like Jaquez’s coming-out party after years as a quieter cog in the Bruins’ rotation. It changed the way teams had to defend her. Previously known more for attacking the rim than for shooting from outside, Jaquez showcased a different dimension.

Against the Volunteers, Jaquez made five three-pointers, her most ever.

Suddenly, one of the best teams in the nation had one of the best breakout stars. Entering the NCAA tournament, the 31-1 Big Ten champion Bruins are relying on Jaquez as one of their super seniors to guide them back to the Final Four.

UCLA guard Charlisse Leger-Walker hugs teammate Gabriela Jaquez, who led the Bruins in scoring during a win over Tennessee on Nov. 30 at Pauley Pavilion.

(Luiza Moraes / Getty Images)

“I do think she’s always been that player,” said senior guard Kiki Rice, who has played four seasons with Jaquez. “But I do think she’s had a lot more opportunity to demonstrate that, and you saw that in the beginning of the year. She just started off such a hot shooter, and the way that she’s developed every single year, gotten better and just found a way to impact the team.”

Though she hasn’t reached that same scoring peak again, Jaquez has quietly buoyed UCLA’s dominant run this season as the Bruins have emerged as one of the favorites to win a national title. She ranks second on UCLA (among players with at least 30 attempts) in field-goal percentage at 54.3%, second in three-point shooting at 41.1% and third in scoring.

Jaquez has gotten attention for being part of a family legacy at UCLA and spending an offseason with the Bruins’ softball team. But in the background, even when she hasn’t been the leader for the UCLA women’s basketball team, Jaquez has honed herself into one of just 25 Power Four conference players shooting better than 40% from deep this season.

Jaquez, who tallied her 1,000th career point early this season, is having a career-best season with 13.6 points per game, has added double-digits in 25 of her 31 games this season.

“There’s so much depth to her,” said guard Charlisse Leger-Walker, who often dances alongside Jaquez in videos posted on social media and Leger-Walker’s YouTube video series. “Getting to understand her off the court, I think has really helped our connection on the court, and kind of how her personality is so outgoing. She likes to bring people along. You can see that on the court.”

Jaquez came in as a 5-foot-11 freshman who played primarily as an undersized forward and would crash the net and collect rebounds.

The shooting, though, has been the biggest change this season.

“I think of her as someone who, especially early on, like she doesn’t need to have the ball on hand, she doesn’t need to have plays run for her to impact the game,” Rice said. “But then she’s been shooting so well too.”

Early in the season, teams doubled Lauren Betts, who leads the team with 16.4 points per game as a center, which opened Jaquez to shoot from deep, establishing herself as someone who needed to be keyed on.

UCLA’s Gabriela Jaquez shoots the ball under pressure from Oregon’s Katie Fiso on Dec. 7 at Pauley Pavilion.

(Luke Hales / Getty Images)

Her 107 three-point attempts are a career-high this season, with her shot selection jumping to 32.4% coming from behind the arc. That’s come with a career-high 2.2 assists per game and an 85.2 defensive rating, ranked in the top 20% of the nation.

“She can shoot the ball, she can finish, she defends,” shooting guard Gianna Kneepkens said. “I love playing with Gabs. Sometimes I get caught watching her because she’s just so amazing.”

Now, Jaquez projects as a first-round WNBA pick, in large part because of her versatility on offense. She is listed as a guard on the Bruins’ roster, but often starts at forward, where she can stretch the floor. Her 5.4 rebounds per game are third on the team, thanks in large part because of her ability to fill positions one through five.

During UCLA’s Big Ten semifinal win over Ohio State, Jaquez shot four for 12 but Bruins coach Cori Close noted Jaquez’s importance when her shooting isn’t on target.

“What I liked about that the most is that she struggled a little bit in the middle of the second half,” Close said. “It just showed a lot of her mental toughness that, when we needed her the most, she was going to be there for us on the defensive end and on the rebounding end.”

While all five starters have been mentioned as possible WNBA first-rounders, Jaquez has perhaps made the biggest leap, two WNBA scouts not authorized to publicly discuss prospects said.

UCLA senior Gabriela Jaquez celebrates with the Big Ten tournament trophy after the Bruins beat Iowa in the finals on March 8 in Indianapolis.

(Michael Conroy / Associated Press)

When Rice and Leger-Walker are on the bench, Jaquez has taken on point guard duties.

“She does all those little hustle plays,” Leger-Walker said. “She will score if you need her to, she’ll cut, she’ll rebound, like, she’s so versatile. You know what you’re getting from her, and she’s kind of that person who’s the engine of our team.”

Jaquez hasn’t thought much about what happens after this season. This year’s mantra of joy has resonated after last year’s crushing Final Four loss to Connecticut.

“It’s been fuel,” Jaquez said. “That started [last] spring and into the offseason, knowing exactly what to work on, how to prepare…. But I just love the team aspect of basketball, I love this group of girls specifically and I think having so much fun out there has [been the most important thing] and winning has made it even better.”

The night Jaquez hit five three-pointers against Tennessee may have felt like her arrival. But for the teammates who have watched her develop for four years, it looked less like a breakthrough and more like the rest of the country finally catching up.

The rest of the country may have only noticed this season. But inside UCLA’s locker room, Jaquez has been that player all along.

“Gabs is an extremely confident person, so I feel like if you’d asked her this freshman year, she would have believed that she’d become just the incredible player that she is,” Rice said. “Just the opportunity, her experience at this level these past few years has really helped her develop into what she is.”

A presenter and explorer had to move fast to avoid a potentially dangerous animal encounter

Steve Backshall had a “dangerously close encounter” as he filmed a series about hippos.

The naturalist and explorer got up close to the animals while making Hippo Watch with Steve Backshall, which can be viewed on Channel 5. But a clip shared on Instagram showed some of the hippos getting a bit too interested in the camera crew as they shot scenes in South Africa, with Steve exclaiming: “They’re coming our way!”

The clip, captioned “Dangerously close encounter with hippos”, showed Steve and his crew in the water, filming a group of hippos nearby.

“Even on waters where hippos are familiar with boats and people, beware of hippos who break away from their group,” the voiceover warned.

Looking over at the animals, Steve spotted some movement and told viewers: “Oh, he’s standing up and having a good close look at me. Look at that! Spy hopping right up out of the water.

“OK guys, keep a very close eye on him, yeah? Two of them are splintered off from the pod, and they’re looking right at me. Three. Three of them now. And definitely curious.”

As the hippos started to move through the water, he exclaimed: “I think those two are coming our way. No? Yeah, they are. Look, they’re coming our way!”

Someone in the film crew was then heard telling the team: “OK guys, they’re moving now, come on.”

Steve waded hastily back to the boat, admitting: “We’re getting very close.”

The voiceover noted that it was “definitely time to leave”, continuing: “You can never get complacent around these animals, and should always err on the side of caution.”

The Instagram caption said: “Wrong place. Wrong time. @backshall.steve finds himself dangerously close to a hippo that’s broken from the pack… One wrong move could be fatal.”

The series has gone down a storm with viewers, with one posting on Instagram: “Phenomenal documentary.” “Fantastic, thoroughly enjoyed this,” said someone else, as another said it was “incredible” viewing.

“Very interesting,” posted another impressed viewer. “Steve, you’re quite literally my childhood role model,” commented another fan, adding: “So awesome to see all of this content.”

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Hippo Watch is available on Channel 5.

JUNIOR Andre has made his acting debut alongside his father Peter and an EastEnders star, just days after revealing his secret job.

The young lad, 20, played the role of Johnny in a new coming-of-age drama called Finding My Voice.

Finding My Voice is about a girl called Mel who feels like she has nowhere to go after facing a series of tragedies.

Her family breaks up due to alcoholism following the death of her baby brother, plunging her into deep struggles.

Johnny is a friend who is always there for her when she needs someone to believe in her, which is truly heartwarming.

At the end of the month Finding My Voice will host its first screening as a part of Manchester‘s Film Festival.

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The announcement was made via the film’s Instagram page.

Another Instagram post announced who Junior would be playing, which received a roaring reception from his friends and family.

The post shows a carousel of snaps of Junior featuring in the film, the first of which includes the name “Johnny” over his head in block lettering.

The caption says: “Junior Andre. Johnny is Mel’s school friend and one of the few people who’s always there when she needs someone to believe in her.

“Finding My Voice movie is out on 28th March at Manchester Film Festival. See you there!”

Right at the top of the post’s comments section is Peter, gushing: “Yea my son,” followed by three flame emojis.

Junior’s girlfriend Jasmine Orr added: “Can’t wait for this,” along with three hand emojis forming hearts.

Fans felt the same level of enthusiasm, saying “Wow” and that they “can’t wait to watch” the film.

Peter plays the role of Costas, who more details are yet to be released about.

Meanwhile EastEnders‘ Michelle Ryan stars as Lisa Kendall, a mother.

The news comes just days after Junior revealed he’s been secretly working for the London underground at night.

He said he’s been “grafting, lifting heavy metals, cutting, filing [and] painting.”

Junior revealed the job during an episode of his sister Princess‘ show, The Princess Diaries.

He noted: “You actually have to pay to do music. People don’t really know that.

“I live off myself, I don’t live off Mum and Dad – that’s what people think, that we do.”

Junior’s mother is Katie Price, who got married to Lee Andrews earlier this year in a whirlwind romance.

TIKTOK sensation DJ AG once earned an entire year’s salary in just one month after going viral on the app.

DJ AG, whose given name is Ashley Gordon, is best known for his live-streamed DJ sets outside London King’s Cross station which have attracted some of the biggest stars in the world.

He now performs all over the country and has been joined by the likes of Ed Sheeran, Rita Ora, Will Smith, Skepta, Daniel Bedingfield, Craig David and Idris Elba. Even supermodel Naomi Campbell.

Even former British Vogue editor Edward Enninful dropped by for a surprise visit once.

Now, DJ AG has revealed how much he rakes in every month, but also got real about how much work it takes to be a TikTok star.

“What I’m earning now is circa £4,000 a month if I’m lucky,” he explained during a recent appearance on the In My Opinion podcast.

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“Prior to that I was monetising on TikTok and doing very well,” he continued, and confirmed there were some months when he earned more than £40,000.

“People don’t know how TikTok works, it’s not just posting content. You can go live, you can do co-host battles with people and that’s a call to action, people will support you with gifting.”

DJ AG also earns money on TikTok by doing ‘forfeit challenges,’ where two content creators go head-to-head and the loser has to undertake an intense dare.

“I was bantering and people were enjoying the content so people were gifting, and I earned a good amount of money,” he said.

“Maybe in one month, I earned more than a year’s salary.”

He explained he is earning less from TikTok now because he’s only doing the outdoor DJ sets and there’s no “call to action” to encourage people to send monetary gifts.

DJ AG said he was happy to talk about his earnings because he wanted to be honest with up-and-coming content creators, not only about the financial gains, but also the huge amount of work that goes in to being a hip hop star.

“People don’t understand the amount of hours I had to do, like 15 hours a day every day,” he said.

“In my opinion, it’s important to be transparent especially for the youth that are coming through so they understand what the opportunities are.”

People who post on TikTok have the opportunity to join the TikTok Creator Fund, which pays content creators for their views.

To join the program TikTokers must be 18 or older, have a minimum of 10,000 followers, a minimum of 100,000 views within 30 days of uploading the video, and run an account that follows TikTok Community Guidelines.

While it is not a grant or ad revenue program, the Creator Fund provides payment to qualified TikTokers based on a “variety of factors” across their content.

“We want all creators to have the opportunity to earn money doing what they love and turn their passion into a livelihood,” the website continues.

With no limit on the number of qualified TikTokers who can join the fund, payments may increase or decrease at different times throughout one’s run on the platform.

Some factors affecting the funds a qualified TikToker may earn include the number of authentic views per video, the amount of engagement, and whether or not the work falls within the Community Guidelines.

The Apprentice star Kieran McCartney has candidly opened up on his drug addiction, admitting he would spend £400-£500 a week on cocaine

A favourite on The Apprentice has candidly revealed he battled a cocaine addiction and was left with suicidal thoughts. Kieran McCartney opened up on his £500-a-week drug addiction – and the one call that allowed him to change his life.

The TV contestant, who worked as an estate agent, revealed he used his work phone to message dealers in East London during company time – both before and after his time on the BBC show. And he has revealed he “probably wouldn’t be here”if it wasn’t for his mother.

He revealed how his friendship group dwindled as pals grew embarrassed by how he was behaving on drugs or alcohol. But he confessed Lord Alan Sugar’s “you’re fired” catchphrase proved to him that he was able to give it up.

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He admitted he would splurge £400-£500 on cocaine on a weekly basis, spending hours in the pub five times a week. Speaking to The Sun, Kieran said: “It always came if I had a few drinks. I couldn’t drink without doing it. I’d maybe have four pints. Then I might have a little bit. And then have another four pints.”

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He confessed that he would sometimes find himself still up in the early hours despite having work the next day. He admitted he would feel “awful” but would always go to work.

Kieran denies ever using the drug while filming the reality TV show. And he blasted those who said he looked “wired” during the series.

“The Apprentice was an amazing experience — mentally very stressful,” he said. “But I’m in a good place now. It didn’t even cross my mind once. I would have loved a beer, absolutely. It was summertime. It was hot.

“But drugs? No. Definitely not. I had about 200 cigarettes on me when I went into the house. That was it.” And he told those online to stop and “don’t judge a book by its cover”.

Fans of the show are watching as he continues his bid to get the deal with Lord Sugar. Before appearing on the show, the estate agent said he wanted to rehabilitate his profession’s reputation.

To do so, he said he needed Lord Sugar’s investment to help him to branch out on his own. He said at the time: “I know the property game inside out.

“The wins, the pressure, and the graft it takes to succeed. But now it’s time to stop building someone else’s business and start building my own.”

*Frank offers confidential advice about drugs and addiction (email frank@talktofrank.com, message 82111 or call 0300 123 6600) or the NHS has information about getting help.

*If you’re struggling and need to talk, the Samaritans operate a free helpline open 24/7 on 116 123. Alternatively, you can email jo@samaritans.org or visit their site to find your local branch

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STRANGER Things sensation Millie Bobby Brown is one of the top ten highest-paid Hollywood screen stars — aged just 22. 

The Brit actress earned a whopping £19.6million last year, Forbes magazine has revealed. 

Her bumper pay makes her the youngest star to grace the business bible’s annual highest-paid actors list.

It comes after Millie’s hit Netflix sci-fi show ended with its fifth and final series last year — becoming one of the streamer’s most-watched shows of all time. 

Topping Forbes’ 2025 list is US actor Adam Sandler, 59, known for his comedy roles.

He reportedly made £36.2million last year from producing and starring in Happy Gilmore 2, and co- starring in Netflix comedy drama Jay Kelly. 

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Tom Cruise, 63, came in second with a £34.7million payday off the back of Mission: Impossible — The Final Reckoning.

Scarlett Johansson, 41, was fourth and the best-paid woman in the industry, raking in some £32.4million. 

While Hollywood pay is still huge, the combined earnings of the top 20 actors actually fell from 2024’s £551million — down to £445million. 

When Maria Corina Machado comes to town, you expect a lot of emotions. This week in Santiago, millennial bros swooned over her. Young women elbowed each other for a selfie. Cops had to contain throngs of people looking for a hug or a kind word. 

“Do you think I could take a picture with her?” inquired an anxious teenager. “She made me cry,” said an expressive professional woman. “She gives us all hope,” declared a curmudgeonly older gentleman with a trembling voice.

Mind you, this was the reaction from the Chileans.

Witnessing Maria Corina in action, particularly after her Nobel Prize win, is a sociological phenomenon. It’s not about her. It’s the effect she has on others. After a day tagging along to three different events, I felt I was seeing something very special. 

The irony is that these events happened on the same day that the New York Times reported that Trump had asked her not to go back to Venezuela just yet. The most popular figure in the country, the one who can really unite Venezuelans behind a bold new agenda aligned with Washington’s interests … and they want her stored in a cupboard a little longer. 

It’s baffling.

First off, the obvious: her political capital remains intact. If anything, it is bigger and more intense, surrounded by the veneer of real accomplishments and international recognition. The effect this political supernova has on Venezuelans, at least in this part of the world, is as strong as ever. Nobody in the country can conjure up this amount of goodwill. Give it up folks – it’s not even close.

But her aura goes beyond Venezuela. 

One event hosted by a local university brought together a veritable who’s-who of Chilean society – all the politicians, all the businesspeople, many academics … and me, el marido de Katy, lurking in a corner.

Maria Corina made her entrance with Chile’s new President, José Antonio Kast, and his wife Pía. People enthusiastically applauded Kast – which is natural, since he had been inaugurated the day before, won with 60% of the vote, and let’s face it, this was his crowd. 

Until the US realizes what they have, Maria Corina remains an elusive icon, patiently waiting for her time, planning, gaining strength, and keeping hope alive.

But Maria Corina garnered not one, not two, but three standing ovations. Hell, they stood up to applaud her when they announced her name. Kast and all the others were gracious enough to recognize the star power and bask in her aura. María Corina, if anything, seemed a bit embarrassed by it all.

Where does this come from?

It’s easy to reduce Maria Corina’s appeal to her masterful handling of emotions. We all know she talks about families ripped apart, about hugging, about the heroic 2024 campaign. “Mis adorados venezolanos” peppers her speeches.

However, I think it goes beyond that. The key to her connection with people is trust.

As the great Frances Frei explains, trust in leadership depends on three things: empathy, logic, and mastery.

The empathy part we know. Her speeches are tinged with the tragedy that has befallen us all: lost dreams, broken families, violence that belies belief. 

Yet it’s in the logic and the mastery that she brings it home.

The way that she frames the Venezuelan drama makes all the logical sense in the world—it’s about good and evil, about criminal networks controlling the State, and about a regime that has sown division. Fifteen years ago, we at Caracas Chronicles used to dismiss this rhetoric as extreme. It was all true, and now we know, and it all makes sense.

And that is where the mastery part comes in. Her speeches also contain a nod to the learning that has happened in Venezuela. People listening seem to know—now—that freedom is worth fighting for, that there is no free lunch, that respect and decency have a place at the table. Expropiar es robar. Indeed.

Her speech, delivered impeccably, with no teleprompter, links these three elements together in a way that makes both the cynic and the true believer nod in agreement.

How on Earth does the US administration not see that this is a rare political asset that needs to be deployed? 

Mind you, she wasn’t perfect. At that event, I thought she missed an opportunity to talk about the business opportunities a free Venezuela would have for Chilean companies. In her speeches, she does not effectively address the raging xenophobia many Venezuelans abroad face. 

But those are minor things.

Venezuela faces many tough choices in the coming years. Policy decisions will not be easy, and it’s going to take an enormous amount of political skill to see them through. Only someone like Maria Corina can conjure up the trust of the Venezuelan people that can deliver the difficult decisions that lie ahead. 

The US has an ally waiting to work on what needs to be done. Nobody in the country has what she has. She is aligned with you. She gave you her damn medal. She’s right there.

Until the US realizes what they have, Maria Corina remains an elusive icon, patiently waiting for her time, planning, gaining strength, and keeping hope alive. You won’t see these kinds of events in Miami or Houston. It’s not part of her plan. They want her to keep a low profile, for now. That’s a shame. 

She’s a star. Interrupted.

“Beast Mode” started as a phrase people used to describe the running style of former NFL running back Marshawn Lynch.

“I think it was just my relentlessness and my no-back-down type of demeanor when it came to running the ball, like, ‘Boy, that boy a beast,’” Lynch said. “And it’s like, yeah, when I get the ball, that’s what type of mode I’m in — I’m in beast mode.”

Lynch played 12 seasons for the Buffalo Bills, Seattle Seahawks and Oakland Raiders, amassing 10,413 in 2,453 carries with 85 touchdowns. Somewhere along the way, he said, the phrase “Beast Mode” evolved into “this persona bigger than myself.”

“The way that I get approached by kids and fans, like the way that they approach me is almost as if I am like a character so to speak, and I don’t think that I was doing it justice because I’m like, ‘Well s—, I’m just only a man,” the Super Bowl XLVIII champion said.

“But I believe in their mind what they had made up as Beast Mode is this larger-than-life, kind of surreal individual.”

An early look at a page from the upcoming “Beast Mode 510” graphic novel, starring Marshawn Lynch as the title character. Text will be added closer to the Oct. 6 publishing date.

(Art by Denys Cowan / Courtesy of AWA)

Lynch is embracing that perception of himself … and Beast Mode is about to become a literal comic book hero.

On Friday, Arists Writers and Artisans announced the graphic novel “Beast Mode 510,” which is scheduled to be released Oct. 6. Written by NAACP Image Award-nominated author Sheldon Allen and illustrated by Eisner Hall of Fame artist Denys Cowan, the book was “inspired and guided by” Lynch and is a “deeply personal love letter” to his hometown Oakland, according to a news release from AWA.

“At its center is Beast Mode: the 510’s legendary fixer and freelance sleuth whose rough exterior hides a code of loyalty and willingness to deal with problems others won’t touch,” the release reads. “If you’ve got a problem the authorities won’t handle, Beast Mode will. No invoices. No contracts. Just results.”

AWA chief creative officer Axel Alonso said when he was approached by Lynch and his team about possibly working on a project together, the idea of turning Beast Mode into an almost superhuman crime fighter quickly came to mind.

“To use a football analogy, when Marshawn and his people came to me and said, ‘Can you do anything with this, Beast Mode?’ it was like they gave me the ball on the one-yard line and I had to just walk it in — and Pete Carroll wasn’t the coach, so I could just go right in,” Alonso said, referring to an infamous play at the end of Seattle’s loss to New England in Super Bowl XLIX.

“It was as easy as that. I was like, come on, ‘Beast Mode’? So automatically I talked with Marshawn and said, ‘What’s important to you?’”

Lynch’s input has been key every step of the way, Alonso said, with the five-time Pro Bowl selection getting final say on every aspect. Lynch said he appreciates having his voice heard and being able to put his stamp on the project.

“From the start, we just sat down and had a conversation about where it was that we wanted to go, what is the kind of feel, the look that we want, the kind of tone that we want to tell the story,” Lynch said.

Seahawks running back Marshawn Lynch #24 of the Seattle Seahawks runs for a 67-yard touchdown against the New Orleans Saints during an NFC wild-card playoff game Jan. 8, 2011, at Qwest Field.

(Jonathan Ferrey / Getty Images)

An early look at pages from the upcoming “Beast Mode 510” graphic novel starring Super Bowl champion Marshawn Lynch as an underground crime fighter.

(Art by Denys Cowan / Courtesy of AWA)

“I can’t draw or nothing like that, but any type of update or anything Axel will get over to me and, you know what I mean, yea or nay. And then when it comes to like how certain characters would look, certain names, individuals — I would say I’m involved, but I’m not stepping on their toes.”

For Lynch, one of the top priorities was to bring attention to all the unique aspects of his beloved city.

“We kinda have Oakland being a character of its own,” he said. “The personality of what Oakland stands for is something that I would really like to highlight ‘cause I feel that my city gets overlooked. And then the amount of individuals that we have coming out of area, it’s also an opportunity to show a nod to a lot of the Bay Area cultures and icons that we have.”

Even though the book is fiction, Lynch insisted on authenticity in the depictions of the city and the people who live there, including the way they look, act and speak.

“I think the biggest thing will probably be just the way that I speak in general,” Lynch said. “Mother— from where I’m from, we talk with a certain type of a tone, a type of swag.”

An early look at a page from the upcoming “Beast Mode 510” graphic novel. Marshawn Lynch says his character was inspired by the larger-than-life persona fans sometimes associate with him.

(Art by Denys Cowan / Courtesy of AWA.)

And, judging from Lynch’s signature way of talking, a lot of profanity.

None of Lynch’s ideas has been toned down.

“This is an R-rated book,” Alonso said.

“I want this s— to be turned up to the max,” Lynch added, “so if a mother— do pick this up to read, it’s gonna be like, ‘Oh, this some real s—.’ As well as entertaining, as well as insightful and impactful.”

Lynch is used to keeping people entertained, including as the co-host of the “Get Got Pod” with former Seahawks teammate Mike Robinson and as an actor with numerous roles in TV and film (including a breakout performancein 2023’s “Bottoms”).

He said he’s proud of how the project is turning out.

“When you see work and be like, ‘Damn that s— was nice’ and you start thinking about the thought process and how they got to those points, how they got to those things that drew you in, those things that give you that warm feeling,” Lynch said, “I’m feeling like I’m living that as this s— is going.

“Which is crazy as f— because I played in Super Bowls, I walked the red carpet of f—in’ premieres, and this one feels like, out of a lot of s—, this one is capturing that feeling for me. I’m a [Black man] — you know we don’t feel too much. But when we do, we be like, ‘Oh yeah, you know this s— is special.’”

ITV has shared images from its upcoming true crime series about convicted sex offender John Worboys

Broadcaster ITV has released a first look at its new true crime drama Believe Me.

Filmed in Cardiff, the four-part series tells the story of John Worboys – who was dubbed the ‘black cab rapist’ after preying on women under the cover of being a licensed taxi-cab driver.

He was convicted in 2009 for crimes including sexual assault and drugging with intent against 12 women.

His modus operandi was to claim that he’d had a win at a casino or on the lottery, then offer women he’d picked up in his cab after a night out a glass of champagne, which he’d laced with drugs, and which rendered his victims unconscious.

ITV said the drama “tells the story of how the victims of one of the most prolific sex attackers in British history were failed by the system”.

The series focuses on the ordeal of Sarah (played by Peaky Blinders‘ Aimée-Ffion Edwards) and Laila (played by Raised By Wolves’ Aasiya Shah), who reported sexual assaults by Worboys (Daniel Mays), and how their allegations were not thoroughly investigated.

Sarah and Laila – both pseudonyms – joined forces with solicitor Harriet Wistrich, played by Philippa Dunne and barrister Phillippa Kaufmann QC, played by Rachael Stirling, to sue the Metropolitan Police under the Human Rights Act for their failure to properly conduct investigations into their allegations of sexual assault, leading to their being subjected to degrading treatment and contributing to their distress.

They won, and when the Met appealed that judgment to the Supreme Court, they won again.

As these women fought to have their cases heard, looming in the background was Worboys’ first parole hearing. Eight years after he was convicted for his crimes, his victims had to fight again to keep him behind bars.

Sarah, Laila, Harriet and Phillippa were joined by Carrie Symonds (played by Industry’s Miriam Petche), a senior figure in the Conservative Party press team. She put her career on the line to spearhead a huge media and political campaign pushing for an unprecedented judicial review of the Parole Board’s decision. The campaign, with Sarah, Laila and Carrie at the forefront, was successful, and Worboys’ parole was quashed.

Sarah, whose identity has been protected, said: “Believe Me is about the courage of every woman who came forward to help put John Worboys behind bars.

“What happened to me changed my life, but in many ways the hardest part was not being believed for so many years. Without the people who stood by me, Worboys would have been freed and continued to pose a huge risk to women. Seeking justice shouldn’t mean more trauma. We shouldn’t have to fight to be believed or feel like we’re the ones on trial. The shame never belongs to the survivor.”

Believe Me will air on ITV

If you or somebody you know has been affected by this story, contact Victim Support for free, confidential advice on 08 08 16 89 111 or visit their website, http://www.victimsupport.org.uk.

Ella Bruccoleri looks unrecognisable from her days at Nonnatus House as she takes on the leading role in new BBC period drama

Call the Midwife star Ella Bruccoleri has landed the leading role in new BBC period drama The Other Bennet Sister.

The 10-episode series, which is based on Janice Hadlow’s novel of the same name, follows the “overlooked” character of Mary Bennet, played by Ella, who looks unrecognisable from her days at Nonnatus House, where she featured as Sister Frances until 2022.

The series begins at Longbourn, where the Bennet family’s five unmarried daughters navigate the rigid expectations of Regency society.

“Her journey sees her leave her family home for the soirées of Regency London and the peaks and vales of the Lake District, all in search of independence, self-love, and reinvention,” the synopsis says.

“The series follows Mary as she steps out of her sisters’ shadows in search of her own identity and purpose, finding herself in the middle of an epic love story along the way,” it goes on.

Fans don’t have long to wait for the show to drop as it had since been confirmed that it will premiere on BBC One at 8pm on Sunday ( March 15) and all episodes will be available to stream on iPlayer.

Speaking to the BBC about her new role, Ella explained: “Mary’s not your typical period drama heroine.

“She lives in a world where, particularly for women, appearance is everything, and she doesn’t understand that value system at all.

“Instead, she turns to literature that offers a different viewpoint. Her favourite book is Fordyce’s Sermons to Young Women, because it argues that women shouldn’t have to be beautiful — they should be intelligent and pious.”

Giving fans further insight on her character, she added: “Mary Bennet has been written off by many members of her family, and as a result she’s written herself off too. When we meet her at the beginning of the series, she’s living with her family in a small village and has never really left that world.

“These are the only people she knows, and she understands herself through the values they impose on her. We know these characters from Pride and Prejudice, but it’s fascinating to see the impact they have on someone like Mary.”

Giving her thoughts on the new adaptation, the star said: “When I read Jane Austen, I’m always struck by how witty it is so witty, with humour in every line.

“Sarah Quintrell really brings that into the scripts, and Janice Hadlow’s book does the same. The novel is very different in style from Austen, but it feels like a genuine extension of Pride and Prejudice.

“Sarah’s scripts tread the line between comedy and drama better than anything I’ve ever read. It feels like a tragicomedy – it doesn’t take itself too seriously, but it’s also not afraid to delve into emotionally weighty material. That feels very true to Jane Austen.”

The Other Bennet Sister debuts on BBC One and iPlayer on Sunday (March 15) at 8pm

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

A Married at First Sight Australia groom made an unexpected joke during his wedding vows

A Married at First Sight Australia star has been left in floods of tears after her groom’s “arrest” speech.

The popular dating programme has made its comeback to E4 for its 13th series, introducing a new batch of brides and grooms seeking romance.

The show tracks singletons from around Australia as they entrust their romantic futures to experts Mel Schilling, John Aiken, and Alessandra Rampolla. Each couple meets for the very first time at the altar, and following their “I do” moment, they’ll find out whether they’re genuinely compatible as they navigate their new relationship.

Over multiple weeks, the newly married couples will go on their honeymoon, before setting up home together and participating in numerous challenges.

Four ceremonies have taken place already, with lots of explosive moments unfolding in the opening two episodes. The most recent episode aired on Wednesday (March 11), with two more couples getting matched by the experts, reports OK!.

The first pair consisted of 35-year-old account manager Bec, who characterised herself as a social butterfly who’s never afraid of commanding attention.

She had previously been engaged, but called it off four months ahead of the ceremony, describing it as the most difficult decision she’d ever made, though she felt proud for leaving a situation that wasn’t suitable.

Bec was paired with 34-year-old businessman Danny, who has called Australia home for 12 years since relocating from the UK. Danny was searching for his “ride or die” partner, a strong woman who ignites passion within him and never fails to make him laugh.

Upon meeting at the altar, Bec and Danny appeared pleased with their pairing, with Bec even sharing a joke with Danny’s stripper best man, Will. However, the atmosphere quickly shifted as Danny began his vows.

Danny started by expressing his devotion to his family and promised Bec he would care for her. He then quipped: “I’m looking for a Bonnie and Clyde type of love. With that being said, if I ever get locked up in prison, I’d like you to bail me out.”

Bec immediately pulled back after hearing Danny’s remark, telling cameras: “He seems like a really lovely guy, but I’m a just bit nervous to be honest with you. I think he may have mentioned in his vows if he gets arrested and what not. I know I can be quite wild and fun, but I really want to settle down and it makes me worried.

“I want to be matched with someone that’s serious about being with their forever person, not someone that’s out getting hammered, acting a fool to the point of getting arrested. I’ve given up everything and you’re mentioning getting arrested in your vows. I wanted to come on here to find love and I don’t know whether or not he wants that.”

Bec then broke down in tears, adding: “I just want something serious. I don’t want to be with anyone that gets arrested.”

She later confided in a producer: “I can just feel it, it’s not going to work. He’s not my husband, no way.” After seeing a different side to Danny during the reception, Bec later apologised to her new husband, with the couple sharing a passionate kiss.

Married at First Sight Australia airs Monday to Thursday on E4 at 7.30pm

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BROOKS Nader has stripped off into a daring bubble outfit with her reality show star sisters after landing a part in the Baywatch reboot.

The family show, Love Thy Nader, follows the four Louisiana sisters as they trade their small-town roots for high fashion, high drama, and the hustle of New York City.

Brooks, Mary Holland, Grace Ann and Sarah Jane have now been snapped wearing incredibly sexy bubble ensembles.

Holding hands, they walked the streets of New York flashing their sensational abs.

The barely-there bubbles left little to the imagination as the telly stars smiled for the camera.

Blonde bombshell Brooks put on a leggy display as she twirled around nearly flashing her bum.

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The sisters wore slightly different versions of the tiny bubble outfits but wore matching nude stilettos.

Mary, Brooks and Grace were seen with bouncy curled locks while Sarah had her hair styled in a chic slick-back ponytail.

Brooks sizzled in the nearly-nude ensemble, which has certainly sent pulses racing.

This comes as the star has been announced as the latest actress to join the cast of Fox’s Baywatch reboot.

The Sport Illustrated model has already been compared to the original show’s standout Pamela Anderson.

Hulu star Brooks is joining the cast alongside Suits LA star Stephen Amell.

Stunning Brooks will play Selene, captain of the Zuma Beach lifeguards, who regularly butts heads with Stephen’s character, Hobie Buchannon, the son of Mitch, played by David Hasselhoff in the original series.

Selene and Mitch are set to clash over their drastically different approaches to the job.

Fans have gone crazy over Brooks casting as she becomes one of the latest stars destined to put on the famous red swimsuit.

They have likened the Love Thy Nader star to blonde beauty Pamela Anderson, given their similar career paths.

“So, they want Brooks to be the next Pamela Anderson but there’s only one Pam,” one Instagram user said about the casting.

Welsh actress Eve Myles stars in ITV’s Gone as Detective Annie Cassidy, and if you’ve already binged the six-part drama then fans recommend her thriller from 2017

From The Guest and Coldwater to The Hack, Eve Myles has featured in many of the latest big TV dramas during the last few months.

Now the Welsh actress can be seen in another prominent role, portraying Detective Annie Cassidy in ITV’s Gone. Alongside Sherwood’s David Morrissey, the six-part series follows Annie as she works to unravel the puzzling disappearance of a woman.

Whilst it’s broadcasting on ITV1 on Sundays and Mondays over the coming weeks, fans can also watch all six episodes on ITVX. And if you’ve already devoured the drama in a few sessions, you might want to consider binge-watching another hard-hitting series featuring Eve.

The 47-year-old took the lead in the Welsh noir thriller Keeping Faith, which was filmed in both Welsh and English, debuting on Welsh language channel S4C in 2017 (as Un Bore Mercher) before the English language version aired on BBC Wales.

The series stars Eve as Faith Howells, a solicitor working at a family law practice whose husband, Evan (portrayed by her real-life spouse Bradley Freegard), vanishes whilst she’s on maternity leave after giving birth to their third child, reports Wales Online.

The programme proved enormously successful in Wales, attracting an average of 300,000 viewers per episode, becoming the most-watched show on BBC Wales in over 25 years and, with more than 8.5 million downloads by May 2018, the most downloaded non-network programme on BBC iPlayer.

All three series of Keeping Faith remain available on BBC iPlayer and fans have been flocking to Rotten Tomatoes to share their views, with one describing it as a “gem”.

They said: “A well acted gem. Real locations, even the kids in the series we believable and put in great performances. We are USA based and it beat almost anything locally made here.”

Another viewer enthused: “Eve Myles was spectacular in this. Definitely one of the best series and thrillers I have seen. Everything from the story the acting screenplay and the shots was fantastic. Even the music was absolutely captivating. If you haven’t seen it I definitely advise you do.”

A third remarked: “Gripping without the glitz. Faith’s problems make everyone else’s problems seem insignificant. Closer to real life than Hollywood.”

One viewer praised: “This is a slow-burner but keeps you gripped with beautiful cinematography, suspense, and Eve Myles’ award-worthy acting.”

Though not everyone was convinced, with one viewer confessing to feeling “very underwhelmed” whilst another noted: “The first episode is so good that the rest of the season struggles to deliver on its promise.”

Keeping Faith is available to watch on BBC iPlayer and Gone is on ITV1 and ITVX

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

A PRIEST has supported a controversial devil-horned bench tribute to Prodigy star Keith Flint — despite it being placed in a graveyard.

The wooden seat was carved with horns in honour of the Firestarter singer’s spiky green haircut.

Some residents feel that the Satanic detail on the bench is inappropriate in a Christian churchyard.

However, the Very Rev Rod Reid, the dean of St Mary’s Church in Bocking, insisted the Essex-based band and Flint’s family had been “very respectful” of its setting.

Mr Reid presided over Flint’s funeral at the church near Braintree in 2019, after the star was found dead at home aged 49.

He said: “The band and the family wanted something fitting for the churchyard. They were very respectful and very aware of the setting.”

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Prodigy manager John Fairs and founder Liam Howlett helped to design the tribute, which was signed off by Flint’s family.

Mr Reid said people were amazed by the bench “and what it means to have it here”.

He went on: “For local people here in Braintree and around, this means an awful lot. They remember seeing Flint and Liam on the dance floors in Braintree. They have followed them all the way through and they are proud.”

Electro-punk pioneers Prodigy enjoyed a string of hits in the 1990s, including their 1996 chart-topper Firestarter.

Its video featured demon-like imagery and a demented dance from wild-eyed Flint which attracted thousands of complaints from BBC viewers.

More than 5,000 people attended his funeral. A post-mortem found traces of cocaine, alcohol and codeine in his body when he died.

Essex coroner Caroline Beasley-Murray recorded an open verdict at the inquest.

She said: “We will never quite know what was going on in his mind on that date.”

CORTINA D’AMPEZZO, Italy — Patrick Halgren, the self-proclaimed “rock star” of the Milan Cortina Paralympics, said he could feel the presence of his late twin brother in his silver medal-winning Para alpine ski run on Monday.

“He made this happen for real. He is the ski god and he has blessed me with speed today,” Halgren said of his brother Lucas Sven Halgren.

Lucas Sven died in a motorcycle accident in New Zealand in 2016, three years after Patrick nearly died and lost most of his left leg in another motorcycle accident.

Patrick has been plastering blue-and-yellow stickers that read “ SvendIt ” around Cortina d’Ampezzo, a play on “send-it,” which is Patrick’s mantra on life and a reference to his brother who went by Sven.

“He’s the reason I’m here. I’m just a vessel to cram love and combat hate down your throats. He inspired me to live life, but life is fragile. You can die,” Patrick said. “It’s all for him. It’s for my family. It’s for the people that have struggled. He’s dead. I’m here living, talking to you guys. I’m going to have who knows how many women and champagne after this. He liked that, too, but he doesn’t get that, and I do. I recognize that.”

Halgren celebrated in front of his parents, Peter and Kathy, which he said was “pretty cool.”

“But also, it sucks not having Sven here, so ups and downs,” the 33-year-old Halgren said after winning his first medal in his second Paralympics appearance.

“They went to Tijuana, Mexico, for their honeymoon 50 years ago. They picked up their dead kid in New Zealand, and they’ve watched me win the Paralympics at the most beautiful ski valley in the world,” Halgren told the Olympics website. “This is a surreal moment for them. This is an experience that will create a memory lasting a lifetime and such a good moment.”

Halgren said it was Sven who steered him to Para alpine skiing after the 2013 crash that nearly killed him and resulted in the above-the-knee amputation of his left leg.

“I died myself. I was in a coma for a month. I died four times,” he said. “They used a defibrillator to start my heart. Blood transfusion. I get it, and I’m lucky that I have that because I know what it’s like. Not many people do.”

Now it’s hard not to miss Halgren, and not only because of his long braids that are dyed red, white and blue. Always entertaining and joking with those around him, the outspoken American has taken on a showman personality at the Games.

At the podium ceremony, he performed an air guitar solo using his crutch. He said it was just “another Monday” for him.

“I am a rock star,” he added. “I always wanted to be this guy, Jim Brown, he was my idol. He was a professional football player, played lacrosse at Syracuse. I did both those sports, and he retired at the peak of his career and became basically the first Black action movie star. I always wanted to be him, and now I am him.”

Halgren said he “learned to be un-irritable, un-embarrassable.”

“It’s about being vulnerable in this life. It’s about trying things and failing. It’s OK to be embarrassed. It’s OK to look weird.”

As he talked to the media, Halgren was congratulated by nearly every rival that passed by. He was second to Switzerland’s Robin Cuche in the men’s super-G standing.

“Medals don’t mean anything to me. The love from all the people supporting me is what means anything to me,” he said. “I can feel, I can literally feel all the people who have ever given me well wishes and ‘Thanks’ and ‘Good lucks.’ I can feel them loving me and they’re the reason I won.

“You celebrate the victories the same as the defeats. I’ve been blessed to have to develop my character over the last 11 years, losing my leg and could either roll over and die, or I could become the greatest Patrick Halgren on Earth, and that’s what you’re seeing.”

His future plans?

“I would like to dominate the Earth in every category with one leg.”

Anything else? “My horse is thirsty, I’m out.”

Jonathan Ross’ new Channel 4 show Handcuffed: Last Pair Standing has gripped the nation.

Emotions were at an all-time high during an episode of Channel 4’s Handcuffed: Last Pair Standing.

The new social experiment, with his hosted by Jonathan Ross, sees nine strangers put into pairs and compete against one another to win a £100,000 prize.

During an upcoming episode of the Channel 4 show, millionaire businessman Anthony Saxon Kearsley had an eye-opening experience with a homeless man.

Anthony has been partnered with 37-year-old Tilly, a North London barmaid who works three jobs and is involved with giving meals to the homeless through her charity.

While prepping meals, the wealthy contestant shared some out-of-touch opinions on those without a home, suggesting some people ‘don’t want to help themselves’.

He also compared homelessness to ‘camping’, however, Anthony quickly changed his tune when handing out meals himself.

When giving a McDonald’s to one homeless man, who had recently come out of prison, Anthony learnt the man was struggling to secure a job without an address.

He explained: “I’ve been out of jail for a while, I just feel like going back, I can’t stand it.”

For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Sharing the hope that things worked out for him, it was clear Anthony was moved by the interaction with the homeless man.

While speaking to the camera, he confessed: “I am a bit [overwhelmed]. He wants to go back to prison because he can’t cope with life. It’s appalling.

“It’s really shocking. I was wrong to say some people don’t want help. It’s appalling, dreadful. Thank you [Tilly] for showing me. I won’t be as flippant again.”

As Tilly revealed that it was a small percentage of what she sees day in and day out, Anthony was in awe.

While getting choked up, he replied: “I’m amazed that you’re so positive and I’m amazed that you’ve survived this intact. Anyway, God love you. Terrible isn’t it. I’m quite cut up about it to be honest.”

Handcuffed: Last Pair Standing is available to watch or stream on Channel 4

Naledi Raptou has joined Channel 4 soap Hollyoaks as Kathleen-Angel McQueen replacing actress Kiara Mellor

A Hollyoaks teenager is set to played by a new actress.

Naledi Raptou has joined the cast of the Channel 4 soap and has been already filming with Jorgie Porter and Danny Mac as she takes on the role of Kathleen-Angel McQueen, the daughter of Theresa McQueen and the late Calvin Valentine.

In the coming weeks, Theresa (Jorgie Porter) will find herself navigating the realities of raising a rapidly maturing teenager when her sixteen-year-old daughter Kathleen-Angel has unprotected sex with her Ant Hutchinson (Brook Debio).

Naledi’s first episode on Hollyoaks will air on Tuesday (March 17). Actress Kiara Mellor had previously played the role since 2021. Theresa also shares a daughter, Myra-Pocahontas, with now boyfriend Dodger Savage (Danny Mac).

Talking about joining Hollyoaks, Naledi said “I’m really grateful for the opportunity to join the cast of Hollyoaks, it’s a great place to work and a very nurturing environment to grow.

“It’s been a pleasure to play Kathleen-Angel as she develops into a young adult. We’re learning new things about her and I’m excited to be able to present a different side of her.”

Naledi has previously appeared in an episode of ITV’s Significant Other as Chloe in 2023.

Hollyoaks spoilers for next week reveal the Hutchinson teens decide to bunk off school for the day in upcoming scenes.

Kathleen-Angel decides to join them but she’s caught sneaking out by Dodger who ends up covering for her.

At the park, Kathleen-Angel tries to find out if Ant still likes classmate Trina (Sadie Williams) but berates him in the process and he leaves.

Back at the flat, Ant is playing computer games when Kathleen-Angel arrives. Tension rises between the teens when they both call out each other’s behaviour. Ant tells Kathleen-Angel to leave if he’s such an awful person but she refuses.

Uncle Dom Reilly (John Pickard), who is looking after the kids while Tony and Diane Hutchinson are in London seeking a second opinion following her cancer diagnosis, later learns the teens have bunked off school.

He finds Ant at home who claims he is unwell and admits Ro and Dee Dee are at the park. As Dom leaves, Kathleen-Angel emerges from the bedroom and it’s revealed the pair discover they have slept together.

The following day, In need of the morning after pill, Kathleen-Angel goes to text Dee Dee Hutchinson (Chloe Atkinson) for help but startled when Ant comes up behind her and she accidentally sends it Dodger.

Not wanting her mum to find out, Kathleen-Angel returns home and tries to delete the text from Dodger’s phone but he catches her and reveals he’s already read the text.

The teen pleads with him not to tell her mum and Dodger says he won’t because she must. Coming into the room, Theresa catches the end of the conversation.

Theresa is devastated to learn that her daughter has slept with someone and Kathleen-Angel pleads with her mum not to make a scene as she really likes Ant.

The mum is horrified to learn who her daughter slept with given his past behaviour but Dodger encourages Theresa to listen to her daughter.

Hollyoaks airs Monday to Wednesday on E4 at 7pm and first look episodes can be streamed Channel 4 from 7am

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