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Scotland return to centre stage at last in must-win World Cup opener

An overhead kick from Scott McTominay, a Lewis Ferguson corner that was going in until Lawrence Shankland helped it on its way, a curler to beat all curlers from Kieran Tierney and then a fourth from the other end of the earth – or the halfway line to be precise – from Kenny McLean.

It was the perfect night, a night that further reinforced the bond between these players, which is genuinely tight. That’s always said, but this group is extremely close, a club side in national team colours, a band of brothers who have each other’s back.

There was a collective swoon when news came through on Thursday that McTominay, the totem, had an iffy tummy, but he’s good now. The Napoli midfielder with the Midas Touch probably just waved his hand over his stomach and, hey presto, he was healed.

What’s absolutely fascinating about this game is the options that Clarke has and the way he’s talking about the utilisation of his bench, hinting that he might keep a heavy hitter in reserve.

On more than one occasion he’s suggested that the team that finishes the game might have to be as strong, or stronger, than the one that starts.

It’s inconceivable, for this game, that he’ll go away from his new approach of playing Shankland and Che Adams up front, so one of his star midfielders most probably won’t start.

Scotland are buoyed by the eight goals they scored in their last two games. There were caveats – Curacao had 10 men for much of it at Hampden and fell away to lose 4-1 and Bolivia were, well, not all that good.

But confidence is a valuable thing, no matter how you get it. Clarke, as is his wont, has been talking up the threat of Haiti, referring regularly to their size, their power and their athleticism.

In warm-up games, Haiti hammered New Zealand 4-0 before New Zealand lost just 1-0 to England soon after. That form line makes them a theat.

Haiti are a distant 83rd in the Fifa world rankings, but Clarke has been at pains to point out their strengths. One of those strengths is a mental fortitude that comes with representing a country that is riven by crisis and humanitarian disaster.

The capital, Port-au-Prince, is controlled by armed gangs – instability, hunger, killings, kidnappings and sexual violence is rife. Public services have collapsed. Thousands of schools have closed, 10% of the population have fled. The football team can’t play any games at home. Two years into his role as head coach, Sebastien Migne still hasn’t been able to set foot in Haiti.

That level of hardship could breed some amount of determination. Clarke knows it and you sense that his players know it, too.

Scotland have played 23 matches at World Cups and have won only four, a sobering stat when you set it alongside the memories of nightmares past, the loss to Costa Rica in 1990 chief among them.

So Clarke is taking nothing lightly. This is a must-win given the scale of what’s to come against Morocco and Brazil.

Nobody in Clarke’s camp is hiding from that. They have said repeatedly that they’re here to make history as the first Scotland team to make it through a group.

They have a vast travelling army with them and millions more at home, a strange amalgam of positivity and anxiety, belief and fear. All human emotion on the grandest stage.

Thrilling and terrifying. What a time to be alive.

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Watch the chaotic moment US hitmaker repeatedly slips and stumbles on stage at Summertime Ball as fans voice concern

FANS of a huge US hitmaker have voiced their concern after the star repeatedly slipped and stumbled on stage at the Summertime Ball.

Yesterday, 80,000 revellers descended on Wembley Stadium for Capital’s annual festival – but there was one singer who got everyone talking

Fans were left concerned for Stephen Sanchez after his chaotic Summertime Ball performance Credit: Shutterstock Editorial
The star stepped out on stage and immediately almost fell over Credit: TikTok/ @_floss._

A video of Stephen Sanchez has emerged and shows the star’s chaotic performance at the Summertime Ball.

Taking to the stage the flamboyant star was dressed in a peach suit.

But as The Until I Found You hitmaker started to perform, he was seen slipping and sliding everywhere.

At one point Stephen looked like he was about to fall off the stage, as he tried to regain his balance.

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The singer was seen slipping around on stage Credit: TikTok/ @_floss._
The star almost fell over several times Credit: TikTok/ @_floss._

However, in the end he just ripped off his shoes and carried on dancing.

Sharing the video, TikToker @_floss_ wrote over the top of the clip: “The stage was really out to get Stephen Sanchez.”

Floss’s followers rushed to comment, with one saying: “Honestly at the end when he slid into stairs I just thought he had broken his toes!”

Another added: “Be careful Stephen!”

This one said: “This is a bad health and safety hazard! But he handled it so well.”

Meanwhile, Stephen wasn’t the only one to suffer on stage.

Fellow US star Jason Derulo was left red-faced as he slipped on stairs and fell over during his Capital Summertime Ball performance.

The singer took a stumble on stage when he slipped down some stairs while walking down onto the stage.

However, the US singer-songwriter styled it out in his usual fashion and appeared to be unhurt, telling the crowd: “I survived!”

Keeping his cool, he took a moment kneeling and put his finger in the air while he gathered his composure.



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7 essential moments from the 2026 Tony Awards

The 79th Tony Awards went off without a hitch at Radio City Music Hall, Sunday. The show, hosted by Pink, ran just over three hours and was relatively unsurprising when it came to the wins it delivered. Although each year it seems more marquee film and television stars appear in the audience as celebrities of a certain caliber continue to flock to the stage in search of a more authentic—and immediate—connection to their audience.

This year viewers could see Adrien Brody, John Lithgow, Laurie Metcalf, Rose Byrne, Daniel Radcliffe, Nathan Lane, Alden Ehrenreich and more. Despite, or perhaps because of the star power, the show stuck to its expected script with “Schmigadoon!” winning best musical, “Ragtime” best musical revival, “Liberation” best play and “Death of a Salesman” best revival.

Still, the night had enough laughs, groans and tender moments to keep things interesting. Here are seven of our favorites.

Vampires as metaphor for what ails America

Ali Louis Bourzgui at the 2026 Tony Awards.

Ali Louis Bourzgui used vampires as a metaphor for American folly in his acceptance speech for performance by an actor in a featured role in a musical at the 2026 Tony Awards.

(Theo Wargo / Getty Images for Tony Awards Productions)

Who knew vampires made such a good metaphor for America’s worst excesses? When 26-year-old Ali Louis Bourzgui took to the stage at Radio City Music Hall after an upset win for performance by an actor in a featured role in a musical, he used the undead to poignantly describe the country’s biggest sociopolitical challenges.

“Vampires represent those who have shunned their own humanity in order to achieve a nonexistent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity,” said Bourzgui, who originated the role of David in the musical adaptation of the cult vampire horror film “The Lost Boys.”

—Jessica Gelt

A Tony trifecta for John Lithgow and Laurie Metcalf

John Lithgow at the 2026 Tony Awards

John Lithgow won the third Tony Award of his career at the 2026 Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

It’s always a good feeling when actors we have known and love get rewarded by a well-deserved win, and so it was on Sunday night when John Lithgow and Laurie Metcalf took back-to-back wins early in the show. The former for performance by an actor in a leading role in a play for his portrayal of the controversial, beloved British author Roald Dahl in Mark Rosenblatt’s drama “Giant.” The latter for featured actress for her portrayal of Willy Loman’s protective wife, Linda, in “Death of a Salesman.” The plays were quite different, but the winners shared a very specific honor: the night marked the third Tony win for each actor.

Lithgow won his previous trophies in 1972 and 2002, and Metcalf in 2017 and 2018.

—Jessica Gelt

Nathan Lane is an ‘American theatrical treasure’

Nathan Lane accepts the best revival of a play award for "Death of a Salesman" at the 2026 Tony Awards.

Nathan Lane accepts the best revival of a play award for “Death of a Salesman” at the 2026 Tony Awards.

(Theo Wargo / Getty Images for Tony Awards Productions)

Unless Nathan Lane gets a crack at playing King Lear, his Willy Loman in Joe Mantello’s production of Arthur Miller’s “Death of a Salesman” will go down as one of the peak challenges of his acting career. Not winning the Tony for his indefatigable performance must sting, but John Lithgow was favored to win for his brave turn as the baleful Roald Dahl of Mark Rosenblatt’s “Giant.” Lane had to have been prepared but a subtle wince of disappointment could be detected when the camera pryingly caught his immediate reaction.

So it was gratifying to see Lane receive his due from Mantello, who upon accepting his award for directing credited Lane with being the inspiration for the production. And when “Salesman” won for best revival, it was only fitting that Lane accepted the award on behalf of the company about a play that, ultimately, he pointed out, is about a family.

It was a point that Laurie Metcalf, who won for her featured performance as Linda Loman, also raised when she thanked Lane, Christopher Abbott (who played Biff) and Ben Ahlers (who played Happy) —her ferocious Loman family— for making her better.

A three-time Tony-winner already, Lane doesn’t need another trophy to assure him that he’s an American theatrical treasure. But this wasn’t just another Broadway outing for him. This was Miller’s masterwork in a production that will be remembered long after the tally of this year’s Tony Awards are long forgotten.

—Charles McNulty

Joshua Henry is a good person, a great actor and everybody loves him

 Joshua Henry at the 2026 Tony Awards.

Joshua Henry won a Tony Award for performance by an actor in a leading role in a musical at the 79th Annual Tony Awards, earning perhaps the most rousing standing ovation of the night.

(Theo Wargo / Getty Images for Tony Awards Productions)

The biggest standing ovation of the night came when Joshua Henry won the award for performance by an actor in a leading role in a musical for his critically acclaimed portrayal of Coalhouse Walker Jr. in the revival of “Ragtime.” Wearing a show-stopping black suit with golden flowers, Henry rushed to the stage as the star-studded crowd leapt to its feet to deliver a rousing standing ovation.

Henry first came to the full attention of fans playing Aaron Burr in the 2017 national tour of “Hamilton,” and has since gone on to distinguish himself as one of Broadway’s most charming and relatable stars. His optimism and kindness shine through, as does his fierce love of his art form, which was apparent as he gave his acceptance speech, thanking — in particular — his first vocal coach for believing in him. He also gave a poignant shout-out to the show’s original cast members Brian Stokes Mitchell and Audra McDonald, and sent all the love to his three young sons.

—Jessica Gelt

Pink had fun, but didn’t seem to know why she was there

Neil Patrick Harris and Pink at the 2026 Tony Awards.

Neil Patrick Harris and Pink perform during The 79th Annual Tony Awards at Radio City Music Hall.

(Jenny Anderson / Getty Images for Tony Awards Productions)

Pop star Pink kicked off the show with a wink and a nod to her hit “Lady Marmalade,” and went on to wow the audience with an action-packed opener filled with more than 150 performers and riffs from every Broadway show imaginable, plus a spirited appearance by Megan Thee Stallion. But the line that resonated most came early on when she spun hopelessly on a rope above the stage dressed as Peter Pan and a worried Neil Patrick Harris appeared to ask why she was performing in such an old-fashioned show.

“I just want to show how much I love theater even though I’ve never been on Broadway,” Pink said, still dangling, but nailing a few tricks. “I’m just concerned people might be like, ‘Why’s Pink hosting the Tonys?’”

That wasn’t the first time she seemed to be apologizing to the audience for being there.

—Jessica Gelt

Darren Criss gives happy endings

Darren Criss and Nicole Scherzinger at the 2026 Tony Awards.

Darren Criss and Nicole Scherzinger joked it up during the 79th Annual Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Darren Criss is a Broadway superstar who consistently delivers “Happy endings,” according to co-presenter Nicole Scherzinger.

In what might have been the show’s most racy and deliciously groan-worthy joke, Scherzinger, stood side-by-side with the “Maybe Happy Endings” star to deliver the penultimate awards of the night, and noted, “You gave the world happy endings.”

“I did?” asked Criss, feigning innocence.

“You’re a giver,” said Scherzinger.

The pair took a beat through bubbling titters from the audience before knowingly yelling, “Happy Pride everyone!”

—Jessica Gelt

Leslie Odom Jr. delivers a moving in memoriam

 Leslie Odom Jr. at the 2026 Tony Awards.

Leslie Odom Jr. performs the In Memorium tribute during The 79th Annual Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Tony Award winner Leslie Odom Jr. sang a soulful rendition of “Without You” from “Rent” during the ceremony’s In Memoriam segment, which honored artists who died in 2025 and 2026, including Diane Keaton and Robert Redford. These annual segments are mournful — and tricky — and the “Hamilton” star managed to create an understated atmosphere that set the perfect tone for the somber projection of recently lost greats such as Robert Duvall, Tom Stoppard and Carmen de Lavallade.

—Jessica Gelt

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Tony Awards 2026: John Lithgow, Laurie Metcalf achieve three wins each

The 79th Tony Awards telecast kicked off with a bang by giving out two major awards in the first 30 minutes — and before viewers could blink both John Lithgow and Laurie Metcalf had each won the third Tony Award of their careers.

Lithgow won best performance by an actor in a leading role in a play for his portrayal of the controversial, beloved British author Roald Dahl in Mark Rosenblatt’s poignant drama “Giant,” directed by Nicholas Hytner. Times theater critic Charles McNulty called Lithgow’s performance “at once terrifying and never anything less than human,” and “one of the bravest” of the Broadway season.

Lithogow’s win, however, was far from assured. He was in the running against Nathan Lane in the season’s most talk-about show’s “Death of a Salesman,” and many bets were surely placed on the latter to sweep.

Lithogow is among a cadre of accomplished film and television actors who have a deep love of the stage. His first Tony win came for best featured actor in a play for his 1972 Broadway debut in “The Changing Room.” His second came 30 years later in 2002 when he he won for best actor in a musical for “Sweet Smell of Success.”

Metcalf won best featured actress for her portrayal of Willie Loman’s protective wife, Linda Loman, in “Death of a Salesman.” This is Metcalf’s third win in less than a decade, and was not a surprise as she has inherited “Helen Hayes’ mantle of First Lady of the American Theater,” according to McNulty.

Perhaps that explains her perfunctory, somewhat rote speech — which still didn’t detract from the joy of her win. Viewers know a towering talent when they see one.

Lithgow, to the contrary, was clearly stunned — and deeply honored.

“I’ve had dozens and dozens of static, ecstatic moments on stage, but I have to tell you right now, this moment has got to be one of the best,” he said as he held his award.

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Luke Evans storms Tony Awards stage in just a jockstrap, corset and high heels for raunchy Rocky Horror Show performance

LUKE Evans caused the Tony Awards audience to blush and sent social media spiraling after performing in a scandalously skimpy Frank-N-Furter costume live on CBS.

The Beauty and the Beast actor left little to the imagination, wearing just a tiny black jockstrap, a leather corset and sky-high heels for Sunday night’s Rocky Horror Show performance. 

Luke Evans performs a number from The Rocky Horror Show during the 79th Tony Awards on Sunday, June 7, 2026 Credit: AP
The actor performed as the iconic cult-classic character, Dr. Frank-N-Furter Credit: Getty

During the 79th Tony Awards held at Radio City Music Hall in New York City, the ceremony paid tribute to the hit Broadway revival of The Rocky Horror Show. 

Luke, 47, emerged through a cloud of smoke to perform his starring role as the iconic Dr. Frank-N-Furter with glam-rock chaos in full force.

He completed the sexy look with fishnet stockings, elbow-length gloves, dramatic stage makeup and the crystal-covered corset before launching into a raunchy rendition of the track Sweet Transvestite alongside the cast.

At one point during the performance, the Welsh actor spun around to flash the crowd in the barely-there costume while grinding across the stage and dramatically whipping off a velvet cape to reveal the jockstrap underneath.

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The raunchy performance instantly sent social media into a meltdown as viewers praised Luke for fully committing to the campy cult-classic character.

“Luke Evans shaking his d**k and a** on stage at the Tony Awards while wearing his slutty Rocky Horror Frank-N-Furter costume…this is what Pride Month is all about!” one fan wrote on X.

Another viewer joked: “I did NOT expect Luke Evans in six-inch heels and a corset at the Tonys but now I never want him to take it off.”

A third person posted: “Broadway Luke Evans might be his most powerful form yet.”

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Luke Evans wore a jockstrap, tights, and a corset for an electrifying performance Credit: AP
Luke dazzled the crowd as Dr. Frank-N-Furter for the Rocky Horror Picture Show performance Credit: Getty

Luke has been starring as Frank-N-Furter in the Broadway revival of The Rocky Horror Show since previews began earlier this spring, with the production officially having its opening back in April at the Hudson Theatre.

The actor previously admitted he spent months preparing physically for the demanding role, which includes elaborate choreography, live vocals and multiple quick-change costume moments throughout the show.

Frank-N-Furter, the provocative alien scientist at the center of Rocky Horror, was originally made famous by Tim Curry in the 1975 cult-classic film adaptation.

Now, Luke has made it his own, putting a darker and more seductive spin on the iconic role.

Luke Evans, pictured here before undergoing his Rocky Horror transformation, poses on the Tonys red carpet Credit: Getty
Luke Evans, left, and Amber Gray perform Time Wrap from Richard O’Brien’s The Rocky Horror Show’ at the Tonys Credit: AP

While Luke may be stirring up conversation on Broadway these days, the actor has spent years building an impressive resume across film, television and theater.

Many fans recognize the star as the villainous Gaston in Disney’s 2017 live-action Beauty and the Beast opposite Emma Watson, where his booming musical vocals and cocky swagger made him a standout.

He also starred as Bard the Bowman in The Hobbit trilogy and played the sinister Owen Shaw in Fast & Furious 6 before later reprising the role in the franchise’s spinoff projects.

On television, Luke has taken on darker dramatic roles in projects including The Alienist, Nine Perfect Strangers and Hulu’s true-crime miniseries Nine Bodies in a Mexican Morgue.

Broadway audiences, meanwhile, have long known Luke for his powerhouse stage vocals. 

Before his Hollywood breakthrough, he starred in major London West End productions including Rent, Miss Saigon, Avenue Q and Piaf.

His turn as Frank-N-Furter in The Rocky Horror Show marks Luke’s splashiest return to the stage in years – and judging by the positive Tony Awards reaction, audiences are fully embracing his comeback.

The actor’s Tony Awards appearance quickly became one of the night’s most viral moments alongside Megan Thee Stallion’s Moulin Rouge-inspired twerking performance and host Pink’s over-the-top opening number.

The 79th Annual Tony Awards aired live Sunday night from Radio City Music Hall in New York City.

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Women’s Giro d’Italia 2026: Demi Vollering wins shortened queen stage on day eight

Demi Vollering claimed victory on a shortened queen stage of the women’s Giro d’Italia on Saturday but admitted it was the “weirdest finish line of my life”.

A summit finish in Sestriere had been scheduled for the eighth and penultimate stage, but organisers reduced the route by 28 kilometres as an unstable slab of ice was threatening to fall on to the route.

Ice had already been cleared from an avalanche shortly before the riders passed through the Italian Alps.

Instead the line was hastily moved to one kilometre below the Colle delle Finestre, where Vollering, of FDJ United–Suez, prevailed in a four-way sprint finish.

The pre-race favourite edged out Isabella Holmgren, Antonia Niedermaier and fellow Dutch rider Anna van der Breggen to claim her second stage win of this year’s race.

“It was strange because the Finestre was suddenly the final climb,” said the 29-year-old Vollering. “It was the weirdest finish line of my life, but I’m very happy to take the win.”

Team SD Worx–Protime rider Van der Breggen retains the pink jersey for the final stage, over 145km around Saluzzo at the foot of the Alps, with Vollering having cut the four-time winner’s lead slightly to 49 seconds.

“We hoped that we could get closer to the maglia rosa today,” said Vollering. “Tomorrow’s stage is not as hard as today’s, but we will make a plan and think about how to try to win the Giro.”

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The White House as a stage: Trump’s hosting streak meets America’s 250th birthday and the World Cup

When nearly all the scheduled musical performers pulled out of a concert series marking America’s 250th anniversary — fearing the event had become too closely tied to President Trump — he responded by making it official.

Trump announced he’d now be the headlining act of the Great American State Fair.

That put to rest any possible scenario where a president who has built his personal and political persona on seizing the spotlight might cede the stage to avoid overshadowing a national celebration bigger than himself. It also offered a peek into how the president is likely to approach hosting the upcoming World Cup.

From his reality shows before becoming a politician, to hours spent entertaining at events in ways planned and impromptu, to proudly showing off his various properties and efforts to overhaul the White House, the president relishes hosting. Last year he even jokingly mused about leaving the presidency to do it again full time on TV.

Trump can be a gracious, personable and highly watchable master of ceremonies — but he’s also one who tends to make every event about himself.

“The president has an outsized personality,” said Timothy Naftali, former director of Richard Nixon’s presidential library and professor at Columbia University’s School of International and Public Affairs. “There’s a predictability to the way in which the president frames his actions — or any actions around any event associated with him — and that’s just part of who he is, and his makeup and his professional background.”

Exhibit A is the fair, which begins June 25 and was supposed to feature concerts but now will be kicked off by a Trump rally. That will follow a UFC bout at the White House on June 14. Trump is a longtime cage match fan and the event marks his 80th birthday, but the president has sought to bill it as part of the anniversary festivities.

Many presidents relished hosting — but not like this

Andrew Jackson threw open the White House for an 1829 Inauguration Day bash so unruly that staff eventually dispersed the crowd by moving tubs of whiskey and ice cream to the lawn. Franklin D. Roosevelt mixed pre-dinner cocktails for friends and aides at White House gatherings he playfully dubbed “The Children’s Hour.” Audrey Hepburn was among the luminaries Ronald Reagan hosted at the White House.

Trump frequently had first-term dinners with business leaders but has more fully embraced the role since returning to the White House. He built a patio area similar to one at his Mar-a-Lago estate and frequently travels to Florida and his properties in Bedminster, New Jersey, and Sterling, Virginia, to headline fundraisers and other swanky gatherings.

Asked if Trump might overshadow events meant to bring the country and the world together, White House spokesman Davis Ingle pointed to the president’s efforts to lead extensive renovations at the White House and around Washington. He said in a statement that the “historic beautification” gives the city “the glory it deserves during our nation’s historic semiquincentennial celebration — something everyone should celebrate.”

Still, Trump has found unprecedented ways to inject himself into the anniversary.

The State Department is issuing passports with the president’s picture and officials have designed a new $250 bill with his likeness. The Trump Organization, being run by Trump’s children while he’s president, applied to trademark “Trump 250” logos and other merchandise.

The U.S. Mint is also producing a 24-karat gold commemorative coin with Trump’s face, though that recalls a half-dollar silver coin bearing the likeness of President Calvin Coolidge to help mark America’s 150th anniversary in 1926.

Past presidents had starring anniversary roles

Ulysses S. Grant opened a Centennial Exposition in Philadelphia to mark the 100th anniversary of the signing of the Declaration of Independence in 1876. Richard Nixon, in 1971, inaugurated a five-year “Bicentennial Era” ahead of the 200-year mark, though he resigned before the big day arrived.

Nixon’s successor, Gerald Ford, then in the midst of an ultimately unsuccessful reelection campaign, began the week of July 4, 1976, by inaugurating the Smithsonian Institution’s National Air and Space Museum and attending a Kennedy Center event featuring Bob Hope, OJ Simpson and others reading patriotic texts.

On Independence Day, Ford spoke at historic Valley Forge, then traveled to Philadelphia’s Independence Hall, declaring, “Liberty is a living flame to be fed, not dead ashes to be revered.“ He also went to New York Harbor for a tall ship parade, presided over naturalization ceremonies at Thomas Jefferson’s Monticello estate and hosted a state dinner for Britain’s Queen Elizabeth II.

Still, “while Ford certainly hoped to use the bicentennial to promote his reelection campaign, he didn’t do it in such a self-aggrandizing, self-centered, narcissistic way,” said Marc Stein, a history professor at San Francisco State University and author of “Bicentennial: A Revolutionary History of the 1970s.”

Ford, added Naftali, “knew when to step out of the limelight and make sure the focus was on what mattered, which was the United States of America and the Declaration of Independence.”

Trump, by contrast, “generally has contempt for norms” and rarely mentions “the great sweep of history,” Naftali said.

Dueling anniversary planners as Trump pushes to revise history

Congress charged a national organization, America250, with planning commemorative events. Ahead of the 2024 election, the group drafted a memo asking whomever the incoming president was to mobilize federal agencies and welcoming presidential involvement in events and initiatives.

Asked about Trump, America250 Chair Rosie Rios said the group “has had a very supportive and collaborative relationship with the organizations planning initiatives on behalf of the president.”

But Rios’ organization is separate from Freedom 250, a mix of public and private partnerships which the Trump administration established to fund and prepare anniversary events — which has caused confusion.

America250 aims to “inspire our fellow Americans to reflect on our past, strengthen our love of country, and renew our commitment to the ideals of democracy through programs that educate, engage, and unite us as a nation.”

That might seem a departure from the “Restoring Truth and Sanity to American History” executive order Trump signed last year. It sought to beat back a “revisionist movement” responsible for “replacing objective facts with a distorted narrative driven by ideology rather than truth.”

Stein, now serving a one-year term as president of the Organization of American Historians, is helping organize “We Want More History,” a push to coordinate local events celebrating the public’s love for the subject in fact-based ways.

He said Trump’s version of history is “closer to propaganda, and it’s closer to cheerleading.”

World Cup gives Trump another platform to play host

The president has similarly taken his exceeding-normal-limits approach to the soccer tournament the U.S. is co-hosting with Mexico and Canada.

He created a federal World Cup task force, and leads it. He collected a peace prize from soccer’s governing body, FIFA, and said he’d be on stage to present the tournament’s golden trophy to the winning team.

Trump even oversaw the tournament’s draw at the Kennedy Center, which he’s sought to rename for himself, sparking legal challenges.

He returned to the same building to headline December’s Kennedy Center Honors, noting, “We never had a president hosting the awards before.” He later posted on social media, “Would you like me to leave the Presidency in order to make ‘hosting’ a full time job?”

Naftali noted, “Whatever filters there were in the first term — and there weren’t many — are gone.”

“It’s undiluted Donald Trump.”

Weissert writes for the Associated Press.

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California to play big role in fight for Congress. Tuesday’s primary sets the stage

California’s decision to redraw its congressional map to flip as many as five House seats to Democrats in November is poised to play a big and potentially decisive role in the nation’s broader, bare-knuckle fight for control of Congress.

Tuesday’s primary races — where the top two candidates will advance to November runoffs — won’t determine which Republicans are ousted in most cases, but they will provide an important first look at voter sentiment and bring the fall’s most crucial head-to-head contests into focus.

“There will be some real cues and signals about what to expect,” said Christian Grose, a redistricting scholar and political science professor at USC. “We’re going to know how strong the Democrats’ chances are going to be based on who advances.”

As one example, Grose pointed to the redrawn 22nd Congressional District in the Central Valley, where incumbent Rep. David Valadao (R-Hanford) is facing challenges from moderate Assemblymember Jasmeet Kaur Bains (D-Delano) and progressive college professor Randy Villegas.

Grose said Bains is probably a stronger challenger than Villegas in a district that’s still a reach for Democrats — even if “either one could probably beat Valadao if 2026 is a big Democratic wave.”

Grose will also be closely watching the race between incumbent Reps. Young Kim (R-Anaheim Hills) and Ken Calvert (R-Corona) in the redrawn Congressional District 40, which covers a swath of inland Orange County and portions of San Bernardino and Riverside counties, including parts of Kim’s and Calvert’s current districts.

The district race wasn’t designed to deliver Democrats a seat, but will produce “one of the first casualties for Republicans from the new map” — months before other expected ousters — if Kim and Calvert don’t both advance.

The national picture

The redistricting war was prompted by President Trump’s unprecedented pressuring of Republican-controlled states to redraw their maps mid-decade for partisan advantage in order to retain control of Congress, given his sinking approval ratings and a history of midterm voters punishing the president’s party.

After Texas Republicans heeded Trump’s call to redraw five districts in their party’s favor, California Democrats responded with Proposition 50, a ballot measure passed by voters in November to sideline the state’s independent redistricting committee and allow Democrats to redraw five congressional districts in their favor.

The war ratcheted up — with more Republican states suddenly considering map changes — after a U.S. Supreme Court decision in April that weakened the 1965 Voting Rights Act and its long-standing protections for majority-Black districts in the South.

Republicans have now acted to redraw congressional maps in Alabama, Florida, Louisiana, Missouri, North Carolina, Ohio and Tennessee, with varying degrees of success, while a battle in Utah could add a single additional Democratic seat there. Attempts in other states have failed, including by the GOP in South Carolina and Democrats in Virginia.

Experts say the net result from the flurry of redistricting will probably be a gain of a handful or more seats for Republicans — but in a year when Democrats are expected to make gains more broadly, leaving control of the House up for grabs. California’s new map is “a huge deal” precisely because that math is so close, said David Wasserman, senior editor and elections analyst for the independent, nonpartisan Cook Political Report.

“Democrats are modest favorites for House control based on the political environment, but also because of California,” Wasserman said in an interview with The Times. “Picking up these four or five seats is a prerequisite to Democrats getting the majority.”

California seats in play

California has 52 seats in the U.S. House of Representatives, by far the most of any state. With their new map, California Democrats are hoping to increase their 43 House seats to 48. That would leave just four seats represented by members of the GOP despite Republicans accounting for a quarter of the state electorate.

But that outcome isn’t guaranteed.

Paul Mitchell, a Democratic redistricting expert who devised California’s new map, said the reconfigured congressional districts had to create a pathway for new Democrats to win additional seats without undermining incumbent Democrats’ reelection. And the result is a map with three pretty safe pickups for Democrats, and two districts that are “100% on the table, ready for Democrats to win,” but will nonetheless “require shoe-leather and grit.”

The redrawn congressional district boundaries enacted by Proposition 50 promise to shake up at least three seats, experts said.

Congressional District 1: Held by the late Rep. Doug LaMalfa (R-Richvale) for 13 years until his death in January, the district is currently rural and conservative, stretching from the Sacramento outskirts through Redding to the Oregon border and California’s northeastern corner. Under the state’s new congressional district map, it loses some of its rural reaches and picks up liberal coastal communities, and favors a Democrat such as state Sen. Mike McGuire, who is one of the leading candidates.

Congressional District 3: The seat is currently held by Rep. Kevin Kiley (I-Rocklin) and stretches from the Sacramento suburbs through Lake Tahoe and south along the Nevada border. Under the new map, it holds more tightly to the Sacramento suburbs, favoring a Democrat.

The changes were enough to convince an incumbent Democrat, Rep. Ami Bera (D-Elk Grove), to leave his current district — Congressional District 6, which includes the city of Sacramento and the suburbs of Roseville and Rocklin in Placer County — and run in District 3 instead.

Meanwhile, Kiley did the reverse. He quit the Republican Party, became an independent and announced he would be leaving District 3 and running instead in District 6 — the one Bera is leaving — against a slate of new Democratic challengers.

Congressional District 41. The seat is now held by Calvert, a 17-term incumbent, and currently stretches from Corona to the Coachella Valley. The new map made the district more liberal, losing voters in Riverside County and gaining them in Los Angeles County, and Calvert decided to run instead in Kim’s redrawn but still Republican-leaning Congressional District 40 that is just to the west.

The two toughest flips for Democrats, experts said, are Congressional District 22, Valadao’s heavily Latino district in the Central Valley, followed by Congressional District 48 in San Diego and Riverside counties, where Rep. Darrell Issa (R-Bonsall) decided to retire rather than run for reelection.

Valadao is viewed as especially vulnerable because of his recent support for Medicaid cuts, but he has proved resilient in the past. Meanwhile, his two leading Democratic challengers, Bains and Villegas, are in a bitter fight, with Bains receiving Democratic establishment support and Villegas winning endorsements from prominent progressives.

In Issa’s district, moderate Republican San Diego County Supervisor Jim Desmond is running against several infighting Democrats, including San Diego Councilwoman Marni von Wilpert and former Obama labor official Ammar Campa-Najjar.

Not new, or over

Jeff Wice, a New York Law School professor who was involved in California redistricting efforts in 2010, said the state “has long played hardball politics on redistricting,” including when then-Rep. Phil Burton, a powerful San Francisco Democrat, bragged more than 40 years ago that the complex congressional boundaries he’d crafted for Democrats were his “contribution to modern art.”

But in five decades studying redistricting, Wice said he has never seen such “politically driven, partisan politics” as are occurring now across the nation, which he said have “no root in law, reason or fairness” — and are only likely to continue.

“This state-by-state war is far from over, and may continue all the way through 2030,” he said. “A lot of it depends on the outcome of this November’s election.”

Wasserman said the country has “entered an era of no-holds-barred redistricting,” and he also sees redistricting efforts continuing — including in California, where they would present a distinct threat to the state’s few remaining Republicans.

Michael Li, senior counsel in the Democracy Program at the Brennan Center for Justice at NYU Law, said California is a “big part of the story” this election cycle, thanks to Proposition 50. “Democrats in California proved to be very determined and resourceful and managed to get that done, and right now California is the big offset to Republican gerrymandering around the country,” he said.

But what will come of it all — in California and across the country — is still to be determined.

“When you’re gerrymandering, you’re making a bet that you know what the politics of the future will look like, and it’s hard to predict,” he said. “It’s a high-risk, high-reward venture.”

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Giro d’Italia: Jonas Vingegaard on verge of victory after winning stage 20

Overall leader Jonas Vingegaard launched an attack during the tough final climb to clinch victory in Saturday’s stage 20 of the Giro d’Italia.

It ensures the 29-year-old from Denmark will win the race as long as he safely finishes Sunday’s final stage in Rome and become just the eighth man to complete the triple crown of road cycling’s three-week showpieces.

The two-time Tour de France winner, who also won last year’s Vuelta a Espana, is making his first appearance in the Giro.

He started the penultimate stage covering 200km from Gemona del Friuli to Piancavallo four minutes three seconds ahead of second-placed Felix Gall of Austria in the general classification.

Vingegaard was happy to ride safely in the peloton for the first two-thirds of the stage between two Visma-Lease a Bike team-mates, before launching his attack in the final 10km.

Gall tried to chase him down during the attack, but the Dane pulled more than a minute ahead going into the final 5km to secure a sensational solo victory, one minute 15 seconds ahead of second-placed Gall with local favourite Giulio Ciccone completing the podium.

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Olivia Rodrigo slams babydoll disses, says it normalizes pedophilia

Some are calling the controversy over Olivia Rodrigo’s recent outfit choices babydoll-dress-gate, Olivia Rodrigo calls it “weird.”

The dress debacle kicked up in early May when Rodrigo released the music video for “Drop Dead,” in which she runs through the Palace of Versailles wearing a pink-and-blue ruffled babydoll set while singing about the intensity of a crush. Then on May 8, she wore a cottage-core pink-and-white floral babydoll dress with knee-high Dr. Martens during a live performance in Barcelona.

Rodrigo was drawing from subversive feminist and punk fashion of yore, but internet critics were quick to slam the “deja vu” singer, saying the ensemble was sexualizing child-like imagery. In an hour-and-a-half interview with the New York Times Popcast that dropped on Thursday, Rodrigo staunchly defended the dress and called the criticism disturbing.

“I have worn outfits that are maybe revealing on stage, like I’ve been on stage in a sparkly bra and little shorts — which is my right — that’s fun,” she said. “I felt cool and comfortable in that, and that wasn’t inappropriate, but me fully covered up in a dress that people deemed to be, like, childlike was inappropriate, and I think it shows how we really normalize pedophilia in our culture.”

Rodrigo further decried the criticism as rhetoric that girls are fed from a young age, “which is ‘don’t wear that, because then a man is going to sexualize your body, and it’s your fault’ — it’s so weird.”

Rodrigo said she didn’t think she looked “sexy” in the babydoll dress; she was going for a cool look à la Kathleen Hannah or like Courtney Love, musicians whom the pop star said are her heroes. Love appeared to defend Rodrigo on social media by resharing posts defending the singer-songwriter in since-expired Instagram stories.

“I just think if we start dressing in a way that’s like, ‘Oh, I don’t want some f— freak to think that I am sexy like a baby’ or some crazy thing like that, I think it’s losing the plot a little bit,” she said. “I’m very protective of younger women and girls, and I don’t ever want them to be fed that rhetoric. You shouldn’t be responsible for some guy sexualizing you in a way that was never your intention.”

Rodrigo’s third studio album, “You Seem Pretty Sad for a Girl So in Love,” which features hit singles “Drop Dead” and “The Cure,” will be released June 12.

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