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If you get out to Joshua Tree and the night is clear, look up. You’ll see not just the stars, but a massive swath of the Milky Way. It’s a reminder that the vastness is always present, beyond the city’s bright lights. And once dawn comes, the desert performs the same magic: long horizons, unfamiliar landscapes, the creeping feeling that we are small, short-lived creatures on an immense ancient planet. No wonder some people find it unsettling.

Not the characters in Claire Vaye Watkins’ new novel “Yellow Pine,” who embrace the desert in the extreme. They live at the far side of the Mojave Desert where California meets Nevada. Wherefore the pines, you ask? The book’s title is a wry joke — “Yellow Pine” is not a forest, not a tree. It’s a massive solar array slated to be built nearby in the Nevada desert. A ragtag crew of desert dwellers are hoping to stop it, or at least slow down the grinding wheels of capitalism that see the desert merely as an empty space for the taking.

Primary among them is Rose, a 30-something single mom who lives near the end of a very, very long dirt road in a cabin she calls Nothingness Flats. Rose works for an environmental nonprofit that has gone remote because it’s the pandemic; she often spirals at the state of the world. “Sometimes I think I can feel the planet just hemorrhaging under all this greed. Like it’s tectonic,” she laments.

Rampant environmental destruction notwithstanding, the novel kicks off with the joyous return of Miles, the guy who got away. He is an outdoor person, like Rose; has trouble fitting into societal norms, like Rose; and he is an ideal intellectual partner for her, bantering, well-read and ready to engage. Also, they have great sex.

Lest I portray this as a typical summer beach read, Watkins’ writing is in a special, different mode. Her latest books somehow cut past narrative traditions and portray plot and emotion more directly. Another novel might find Rose, after she decides she loves Miles so much that she wants to get pregnant, going to a doctor, getting tests, worrying about being almost 40 and what that means. Rose does none of that — she just suddenly deeply wants a baby, and that desire is vivid in the text. Overexplained storytelling is set aside for something that’s striking and vivid.

When I reached Watkins via Zoom to talk about the book, I asked her how she does it. “Partly it’s an intuition I have about what makes an interesting story,” Watkins says. “A story requires a lot of improbable decisions. Maybe they’re not great decisions, but the person doesn’t know that at the time.”

In “Yellow Pine,” Miles is not without some red flags. In my reviewer’s copy, I found myself scrawling “bad idea!” in the margin, trying to warn Rose about him. It gives the story some tension, and shows that our heroine isn’t perfect — she’s just doing her best under desert skies.

Rose lives in Tecopa, population 120, among people who’ve chosen the isolation, quietude, natural beauty and brutal conditions on purpose. Of the real-life people in these communities, Watkins says, “It’s really tough. The environment is extreme. There are no amenities. There’s no jobs. … I think there’s a refusenik quality to them.”

Nevertheless, some of them come together to try to forestall the installation of the solar array. They point out that “solar farm” is a misnomer because the land — an alluvial plane with Yucca colonies dating back hundreds of years, creosote rhizomatic rings even longer — will be scraped and fenced. What happens to the endangered desert tortoises is awful. These activists are trying every legal recourse and have set up a tiny camp at the edge of the property. Sweetly, and with little hope, they make a small community of people who understand each other and the desert landscape that others see as a blank space on the map.

“In California most of the biodiversity in the state is in the inland deserts, partly because a lot of the other ecosystems have been totally destroyed, you know? It’s a very alive place,” Watkins explains.

In “Yellow Pine,” Rose’s conviction that she should get pregnant grows to a point where she comes up with a wild scheme to make that happen. It is very funny, outsized and unexpected. It’s a small individual resistance to the impending destruction of the desert.

Watkins is very good at making a humorous turn at the end of thoughts, sentences, books. This is her fourth. Her debut, the short story collection “Battleborn” in 2012, set her on a trajectory of accolades; 2021’s “I Love You But I’ve Chosen Darkness,” was an L.A. Times book prize finalist. She is currently a professor of writing at UC Irvine.

“The thing I love about novels, writing them and reading them, is that it’s private thoughts,” Watkins says. “It’s this cool technology that we’ve come up with to deal with the fact that we don’t know what’s going on in each other’s heads and hearts and how painful that can be.”

She adds that a novelist’s job is to care about the reader. “There’s something really beautiful about, I’m going to do my very best with my part and then I give it to you, and I let it go and I trust you and I respect you,” she says. “I love the world when I’m writing and my books are like acts of love, partly because I really struggle. I’m not walking around loving my fellow man easily.”

When our Zoom began, she apologized for the noises outside — construction, dog walkers, gardeners. I couldn’t hear them at all, but I got the impression that those intrusions and distractions were weighing on her. “I feel like I have a very sensitive instrument,” she says. “I get a little agitated and the pace is really, really different.”

I had been expecting to reach her at an improbable desert outpost, like a Death Valley library with Wi-Fi, but instead reached her in Orange County. It’s for her job, and also as a part-time parent, much easier for amenities. It’s a busy town where there are lots of people, lots of businesses, lots of traffic, the hectic pace of modern life — but still, the desert has its pull. She splits her time between the two locales.

“Yellow Pine” is a testament to her beloved remote corner of the Mojave, its beauties, hardships and endangerments. The place has been an essential part of her creative process and project. “What we do for fun in Tecopa is like, watch the sky. That’s our entertainment, you know?” she says, reflecting on the long moments of silence that stretch out over the evenings. “And it’s like, ‘wow.’”

The California Science Center (CSC) in Los Angeles gave a sneak peek today of its long-awaited, much anticipated attraction — the towering Space Shuttle Endeavour in its ‘full stack’ configuration. The spacecraft was the last of five orbiters ever built and the most advanced. After a long wait, the public will soon be able to view it in all its glory inside its purpose-built permanent display building.

Endeavour is the centerpiece of The Samuel Oschin Air and Space Center. It is a 200,000-square-foot expansion of the museum and will be “the only place in the world to see a complete, authentic space shuttle system, displayed in a 20-story launch position,” CSC said in a media release on Wednesday.

The exhibit is set to open on Nov. 13, 2026.

Endeavor was born out of the tragic loss of Challenger on January 28, 1986.  NASA had to figure out how to replace the doomed orbiter. It looked at several options.

Feb. 1, 2003: Space shuttle Columbia disaster

The first shuttle, Enterprise, was built as a developmental test vehicle and made its first independent flight from the back of the converted 747 Shuttle Carrier Aircraft (SCA) on Aug. 12, 1977. Enterprise was also used for fit checks on the launch pad and many other engineering and testing activities, but it was not built to fly into space. Although it was available for modification and could feasibly be altered for full duty, NASA decided converting it for orbital work was not the best move. Instead, the all new orbiter that would be named Endeavor was authorized for construction in 1987.

Endeavour lifted off on its maiden voyage on May 7, 1992, and flew 25 times, with its final flight coming in May 2011. As the last of its breed, it incorporated new features and upgrades, including being the first shuttle to carry a Station-Shuttle Power Transfer System (SSPTS), according to Space.com. Endeavour also had “the first fully activated Advanced Health Management System to watch over the shuttle’s three main engines during launch, as well as a three-string global positioning system (GPS) for pinpoint navigation during landings,” the publication added. In addition, the last of the orbiters was built with the most advanced avionics, with glass displays, when it entered service.

Space Shuttle Enterprise – Free flight Test – ABC News – 8/12/1977

During its time in space, Endeavour performed a variety of tasks, including helping to construct and sustain the International Space Station. Throughout its career, it spent 299 days in space, orbiting the Earth nearly 4,700 times and logging close to 123 million miles, according to NASA.

“Among Endeavour’s missions was the first to include four spacewalks, and then the first to include five,” the space agency added. “Its STS-67 mission set a length record almost two full days longer than any shuttle mission before it. Its airlock is the only one to have seen three spacewalkers exit through it for a single spacewalk. And in its cargo bay, the first two pieces of the International Space Station were joined together.”

It also flew the first mission to service the Hubble Space Telescope.

During an 11-day mission in 2000, the astronauts “used the radar instruments in Endeavour’s payload bay to obtain elevation data on a near global scale,” NASA noted about the mission with a military connection. “The data produced the most complete, high-resolution digital elevation model of the Earth. The SRTM comprised a cooperative effort among NASA with the Jet Propulsion Laboratory (JPL) in Pasadena, California, managing the project, the Department of Defense’s National Imagery and Mapping Agency [now the National Geospatial Intelligence Agency], the German space agency, and the Italian space agency. Prior to SRTM, scientists had a more detailed topographic map of Venus than of the Earth, thanks to the Magellan radar mapping mission.”

Endeavour, like the rest of the orbiters, always captured the public’s imagination. In December 2008 the spacecraft made its voyage back to Kennedy Space Center in Florida after landing at Edwards AFB. A photo of that trip, taken from an F/A-18B Hornet flying overhead, was once described by TWZ as “Arguably The Most Spectacular Photo Of NASA’s Shuttle Carrier Aircraft Ever.” You can read more about that picture and the flight in our story from the time here.

On September 21^st, 2012, NASA delivered Endeavour to Los Angeles, noted AmericaSpace.com. “Over the course of four days in October, the orbiter gradually crept her way through the city’s narrow streets.” The move captured a huge amount of attention.

While plans had been in the works for a while to house Endeavour in a purpose-built exhibit, a major issue developed.

“An earthquake-resistant building large enough to house a 184-foot-tall Shuttle stack had a staggering cost estimate of $400 million,” AmericaSpace.com explained. “The California Science Center was unable to raise enough money to build the facility prior to Endeavour’s arrival. The museum still needed to protect the orbiter from the elements, so it built a metal hangar to temporarily house the spacecraft. The more aspirational exhibit would be conducted at a later date.”

That later date will be in November, as we noted earlier. 

Space shuttle Endeavour’s trek across LA: Timelapse

The CSC is one of four locations where the surviving shuttle fleet is being displayed.

Shuttle Atlantis is located at the Kennedy Space Center Visitor Complex; Discovery at the Steven F. Udvar-Hazy Center and Enterprise at the Intrepid Sea, Air & Space Museum. While each display is unique, and Kennedy Space Center’s is very dramatic, showing the orbiter as it would look in orbit, nothing compares to how CSC is displaying the full Shuttle Launch System (SLS) with its boosters and fuel tank in the vertical orientation, looking like it’s about to blast off one more time.

Contact the author: howard@twz.com