Spider-Man fans have been waiting years for this moment and now it’s almost here
Spider-Man Brand New Day will be released on July 31 (Image: Sony Pictures/Marvel)
Marvel fans have all said the same thing after an iconic character’s long awaited return in the upcoming Spider-Man film.
Just this week, an exciting trailer was released for Spider-Man Brand New Day, which will premier in cinemas on July 31. It has been teased: “The world may have forgotten Peter Parker, but he hasn’t forgotten them.”
The latest instalment takes place shortly after the events of No Way Home – the fourth of Tom Holland’s Spider-Man movies as it follows Peter Parker (Tom Holland) in a world that no longer remembers who he is.
In the clip, it appears that trouble is just around the corner though, as Spider-Man can be heard saying: “What is happening to me?
“I’m losing my mind. I am totally out of control. I’ve got to fix whatever this is right now.”
However, there is one iconic character that has stolen the show as fans were delighted to see the return of Mark Ruffalo – but more excitingly in his savage Hulk form.
The exciting trailer shows Peter seeking out DR Bruce Banner as he says: “You found a way of suppressing mutating DNA right?”
Dr Banner then replied: “If you see me with this off, then run”, showing him the device that prevents him from mutating into the Hulk. However, later scenes show his transformation into the green mutation, right in front of Spider-Man who states: “I didn’t know you could get that big.”
Content cannot be displayed without consent
Seeing savage Hulk return is a delight to Marvel fans who have not seen the character in the MCU for quite some time, somewhat completing Banner’s character arc.
But now, it appears the raging monster has made a return as the trailer teases a tense head to head. Commenting on YouTube, one person wrote: “Seeing Hulk back to his normal self genuinely made me happy.”
Another penned: “no dude literally like hulk back in the original form is like breathing nice fresh air!”
A third added: “I have friends who have had two kids since I’ve been waiting for the real hulk to come back.”
A fourth replied: “Spider-Man is depressed, Hulk is angry and Punisher is itching to tell us something… PEAK.”
A fifth echoed: “Love how Spidey did not know Hulk’s true size. He has only ever encountered Professor Hulk, not OG Savage Hulk. About time we got him back!”
One person said: “Ladies and Gentlemen, It has 8 years 1 month and 22 days since we saw Hulk. Now we’re back Baby!!”
Another commented: “Normal hulk has came .This is what every Marvel fan was wishing for.”
Spider-Man Brand New Day lands in cinemas on July 31
Look, up in the stands — it’s J.K. Simmons and your friendly neighborhood Spider-Man!
The Academy Award-winning actor, who portrayed Daily Bugle chief J. Jonah Jameson in director Sam Raimi’s “Spider-Man” trilogy, was reunited with his onscreen nemesis at the New York Mets game Tuesday.
After a clip from “Spider-Man” was shown on the stadium screen at Citi Field during the Mets game against the Cincinnati Reds, the camera cut to Simmons in the stands. In the row behind him was Jameson’s favorite masked menace, reading a copy of the Daily Bugle.
The “Whiplash” actor played along with the bit, turning around to face Spider-Man and waving his arms to express his displeasure. Channeling his inner Jameson, a spirited Simmons then motioned for Spider-Man to get tossed from the game. Photos and videos of the moment have been shared across social media.
(A devoted Detroit Tigers fan, Simmons repped his favorite team under the Mets jersey he wore at the game.)
The next installment of the webslinging superhero’s adventures is “Spider-Man: Brand New Day,” which hits theaters July 31. Simmons’ involvement has not officially been confirmed.
The endlessly exploitable Spider-Man is back in “Spider-Noir,” a retro tale set in a recognizable New York in an inconsistent 1933 (to judge by a preponderance of cultural referents). There is a comic-book precedent for this version of the character, called simply the Spider, though research tells me that, costume and superpowers aside, he is different in nearly every respect. I don’t suppose that will be an issue for most of you.
Shot in “authentic” black and white, the eight-episode series, which premieres Monday on MGM+ channel and streams Wednesday on Prime Video, is something of a stunt, but one that offers a reasonable, (imperfectly) period-appropriate approach to the material. (Stylistically, it belongs to a later decade.) An available colorized version, which seems primarily a sop to younger viewers who refuse to watch anything in black and white, works less well, flattening and softening the image, making the special effects look less special, the expressionist photography less expressive and ordinary scenes more artificial. You can probably tell which I’d choose, but you do you.
Nicolas Cage, in his first live-action television role, plays Ben Reilly, a down-at-the-heels private eye, spiking his morning coffee with whiskey helpfully provided by his knowing secretary, Janet (Karen Rodriguez), and barely scraping by on the occasional divorce case. Five years earlier, as the Spider, he was a super-powered guardian of the people; but he gave it up after the love of his life was murdered on the Spider’s account. In this variation, she’s the one who told him that with great power comes great responsibility, that well-worn Marvel homily, quoted in this world as if it were the work of Abraham Lincoln and not Stan Lee. But Reilly, who calls himself a coward and claims to be no hero, regards his mutant abilities as “a part of me I wish never existed. With no power, there’s no responsibility.”
Naturally, in the Spider’s absence, things have gone to pot in Gotham. “The city’s a mess,” says Reilly’s best and only friend, unemployed reporter Joe “Robbie” Robertson (national treasure Lamorne Morris, keeping it real, relatively speaking). “The people could use a hero.”
“Well, I hope they find someone,” says Ben.
Robbie Robertson (Lamorne Morris) is a journalist and Ben Reilly’s best friend.
(Aaron Epstein/Prime)
Nevertheless, you will not be surprised that, much against his will, Reilly will fall into a web, tee-hee, of intrigue; involving the city’s bootlegging crime boss, Silvermane (Brendan Gleeson, serving a full Irish breakfast), whose superpower is that he has very nice hair; Silvermane’s sort-of mistress, femme fatale nightclub singer Cat Hardy (Li Jun Li), a bird in a gilded cage; and Cat’s bodyguard, Flint (Jack Huston), who has gone missing. Nor will it shock you to learn that other super-powered entities will turn up, to give our hero — who soon enough will be swinging through town, somehow never losing the fedora perched atop his masked head — someone his own size to pick on him.
To coin a phrase, some are born super-powered, some become super-powered and some have superpowers thrust upon them, and in every case this comes with a serving of tragedy and trauma, for heroes and villains alike. If there’s a theme to “Spider-Noir,” beyond “make another Spider-Man show,” it’s this, and there’s a spine of sadness that runs through the series, its best and most depressing feature (and, taking “noir” at is word, fitting to the genre).
The photography and production design, achieved through whatever combination of backlot shoots, dressed locations, digital environments and black magic, work better and worse (though never bad) from shot to shot, but Alfred Hitchcock used background projections and model trains, and it’s nice to see Manhattan before those pencil-thin supertowers began polluting the skyline. (It’s the city as King Kong first knew it.)
The pacing can drag at times. The music goes everywhere but the represented period and characters quote lines from movies yet to be released. The writing and the acting boldly flirt with cliche and caricature, which, as the show is about 100% pastiche, drawn from films more than three-quarters of a century old, could scarcely be avoided and isn’t really a problem. (In a way, it’s the point.) You may spot a scene pinched from Orson Welles’ “The Lady From Shanghai,” narrative echoes of “Casablanca,” a line playing off James Cagney’s final words in “White Heat,” just off the top of my head.) But the overall what and why of the story is clever and the conclusion satisfying.
Cage, who voiced a different version of the “Spider-Noir” character in the animated “Spider-Man: Into the Spider-Verse,” is a good choice for the weary gumshoe. (The series is about 75% detective story, 25% superhero) Metafictionally, he’ll bust out an Edward G. Robinson imitation, mouth Cagney dialogue sitting alone at the movies. But the main model is Humphrey Bogart, whose looks Cage’s recall more than a little; Bogart played Sam Spade and Philip Marlowe in the films most associated with those characters, whose mordant humor creator-writer Oren Uziel seeks to replicate here, with fair success. One can forget that Cage, who finds a middle way between doing a bit and playing a person, is a good comic actor, and not merely a weirdo.
