The Sparks are finally in the win column, but the outcome was in doubt late Friday night.
Behind double-digit scoring from all five starters, the Sparks had by far their best offensive showing of the season, shooting 63.8% during a 99-95 win over the expansion Toronto Tempo.
The Tempo didn’t make things easy, cutting the deficit to two points late and later trailing by just three with 31 seconds remaining and possession of the ball. Marina Mabrey missed a three-point attempt before late Tempo fouls gave the Sparks enough of a cushion to win.
Kelsey Plum nearly claimed a double-double with 27 points and nine assists, while Dearica Hamby had 19 points with seven rebounds and Nneka Ogwumike scored 20 points.
Erica Wheeler, who started in place of Ariel Atkins (concussion), scored 10 points with seven assists and was a plus-16 as the primary ball handler after starting the season two for 16 from the field. That freed up Plum to be in position to score, setting up a much more efficient Sparks offense.
Toronto was shorthanded in the frontcourt without starting center Temi Fagbenle (right shoulder), and the Sparks trio of bigs had a field day with 54 points in the paint.
The Sparks came out firing on Friday, opening with a 17-2 run.
The Tempo went on a 10-0 burst heading into the second quarter but the Sparks countered to maintain momentum and led 46-38 at halftime.
A Wheeler three-pointer early in the third quarter gave the Sparks a 20-point lead. The Tempo cut it to three midway through the fourth while Brittany Sykes (27 points, seven assists) sparked Toronto’s rally. The Tempo put up more shots than the Sparks, 70-58, largely because of a 10-2 offensive-rebounding gap.
Cameron Brink’s 10 points were the only ones provided by the Sparks’ bench, while the Tempo got 42 points from reserves.
Toronto was coming off its first win in franchise history on Wednesday when it defeated Seattle but struggled against a more complete offensive team in the Sparks.
In her return to Los Angeles after winning a national championship with UCLA this spring, Tempo rookie Kiki Rice netted 11 points.
Kate Martin made her Sparks debut as a developmental player with Atkins and Sania Feagin (lower left leg) unavailable and picked up one rebound in six minutes.
The Sparks will face Toronto again on Sunday at Crypto.com Arena.
Hall of Famer Lisa Leslie didn’t expect to ever get a statue outside Crypto.com Arena. After all, it had been 15 years since her jersey retirement and no other Sparks player was featured among the Lakers and Kings heroes outside the area.
After years of hearing from fans that she deserve to be immortalized, Leslie learned she would join Sue Bird in Seattle as the second WNBA player to be honored with a statue at a franchise’s home arena.
“One thing I never had on my bucket list was a statue,” Leslie told The Times on Thursday. “I grew up seeing the statues of some of the amazing Lakers, so I’m just really grateful to be alive and to be one of the first, especially in the WNBA for L.A. Sparks. It means a lot to me, and I’m really hoping that our community will really rally around it.”
The Sparks announced Thursday morning that Leslie will receive a statue to be unveiled during a ceremony on Sept. 20 before a game against the Portland Fire.
During her 12-year career with the Sparks, Leslie won three WNBA titles and league MVP honors. She also won four Olympic gold medals. She was the first player in WNBA history to dunk in a game and her No. 9 jersey was retired in 2010.
She was one of the Sparks’ original players in 1997 and is the franchise’s career leader in points, rebounds, blocks, field goals, free throws, offensive rebounds, defensive rebounds, minutes and games played, and is third in the WNBA in blocks and double-doubles.
“I’ve known Lisa for nearly three decades and believe that she is beyond deserving of this incredible honor,” fellow statue honoree and Lakers great Magic Johnson said in a news release. “She was the driving force behind bringing back-to-back championships to the Los Angeles Sparks franchise in 2000 and 2001, and Lisa’s hard work and commitment has made her one of the best to ever play the game.”
Johnson, who is part the Sparks ownership group, accepted responsibility for the team’s skid two years ago and promised to do more. The Sparks owners, who also own the Dodgers and Lakers, have responded to losing at a boom time in the WNBA by executing a coaching change, breaking ground on a new practice facility and installing the first Sparks statue outside Crypto.com Arena.
“Lisa’s legacy isn’t just measured by championships and accolades, though; it’s defined by the doors she opened and the standard she set for generations to come,” Johnson said in the news release. “More than an athlete, she is a pioneer, a cultural icon and a force who elevated women’s basketball to new heights. This statue celebrates her excellence, her leadership and the future she helped create, and it ensures her impact will forever be part of the fabric of this city.”
Leslie said that she noticed fans lobbying for her to get a statue beginning in 2019, and the timing for her and the Sparks felt right during the 30th anniversary season.
“It couldn’t be better with the new [practice] facility coming, the new CBA, everything is aligning so properly,” she said. “It’s more perfect than it would have been a few years before.”
The statue was created by sculptors Julie Rotblatt Amrany and Omri Amrany and will join 15 others outside of Crypto.com Arena, including Johnson, Wayne Gretzky, Oscar De La Hoya, Chick Hearn, Jerry West, Kareem Abdul-Jabbar, Luc Robitaille, Shaquille O’Neal, Bob Miller, Elgin Baylor, Dustin Brown, Kobe Bryant (2), Gigi Bryant and Pat Riley.
“I hope she looks good,” Leslie said of the statue. “People don’t realize how hard it is to make a statue look good. … They helped me to be super specific about every little thing down to my earlobe and fingernail tip. So I’m excited about all the little details that have been added that people can kind of find on their own as well.”
“It’s so intimidating to walk through here,” says an arena staffer as she scurries under the sight line of a video camera on a tall tripod. It’s a couple of hours before the Sparks’home opener against the Las Vegas Aces on Mother’s Day. None of the photographers or videographers or security guards respond. She says it again. Still they don’t react, but they’re not being rude. They’re just all laser-focused on a 6-foot-4 blond wearing a stunning white Alaïa runway set that happens to be both a perfect ab showcase and an unmistakable style gauntlet thrown.
As every WNBA fashion watcher already knows, the blond can only be Sparks forward Cameron Brink, a Vogue favorite and a staple on LeagueFits, the Instagram account that has amassed a million followers since 2018 with a curated stream of tunnel fits. How do they differ from regular off-court attire? These are highly stylized, high-stakes pregame outfits that many professional athletes wear when arriving at the stadium or arena, capitalizing on the opportunity to get seen on their own terms.
Cameron Brink wears an Alaïa top and skirt and Louboutin shoes.
The popular images share a common visual language: The players show up in outfits so expressive they raise an exhilarating middle finger to the very idea of quiet luxury. The backdrops are always drab; concrete floors and metal doors. The stark contrast between the two, and the suggestion of backstage access, make the photos irresistible to fans.
No one skips the tunnel walk. The Sparks rookies are here early, Ta’Niya Latson first, followed by Ji-Hyun Park and then Chance Gray, all arriving while the last section of sparkly black carpet is still being laid down on the literal tunnel, which is finally emblazoned with the team logo. That’s the one they’ll all walk in uniform to get onto the court. We are in the proverbial tunnel, it is the bustling back-of-house that players must traverse on their way to the locker room, which means that all around us the enormous task of staging a pro ballgame is unfolding in a practiced frenzy.
Less than a month ago, Latson went classic Hollywood at the WNBA draft with a glamour girl dress, meticulously laid spit curl and elbow gloves, but today she comes in sporty and fun, in a Puma top and jeans with a folded-down waistband. It’s her very first league game, and the moment is surreal, joyful. “It doesn’t even feel like I’m here, but I am,” she says.
A team staffer pulls a forgotten wad of blue painter’s tape off the floor. A photographer checks her light levels. Three gaffers rush by with heavy coils of electric cord slung over their shoulders. Park is next to arrive. A basketball star in Korea, she’s new to L.A. but already wearing a sweatshirt from a local brand, Madhappy, and does not seem at all intimidated by the cameras, giving them a playful pose, head cocked and leg kicked out. Not long after, Gray, in a plaid mini, is also posing at the photographers’ request, switching effortlessly between signature Gen Z stances, chin resting atop a bent hand. She, too, showed up at the draft in a flawless gown, but today all three rookies seem to have wisely cast themselves in a sort of spirited younger sibling role.
Ta’Niya Latson wears a Puma top and Louis Vuitton bag.
Jihyun Park arrives for her tunnel walk in a Madhappy sweatshirt and Nike sneakers.
Chance Gray wears a Revolve top and shoes, I.am.Gia. skirt and Ganni bag.
Word spreads that Sparks starter Kelsey Plum will be there soon and everyone straightens up. More team staffers rush by. To play basketball you need only a ball and a basket. To magic a WNBA production into existence, you need so much more. A man bearing a dozen brand new jerseys, designed as a callback to the original 1997 uniform, weaves past a line of people going the other way, carrying orange Gatorade coolers and stacks of branded blankets wrapped in thin plastic. An assistant speeds back and forth, loaded down with pallets of snacks, her long hair streaming behind her.
And then Nneka Ogwumike steps into view. After two seasons in Seattle, her return to L.A. is triumphant. As president of the Women’s National Basketball Players Assn., she helped secure a historic new agreement, signed March 24, with salary numbers that mean real money across the board. And in case there were any lingering doubts about her loyalty, she’s made a pointed clothing choice: a pair of custom tapestry pants constructed from a Lakers logo blanket, created by KA Originals designer and former player Kristine Anigwe. The message is simple. “L.A. for life,” says Ogwumike.
Nneka Ogwumike wears custom KA Originals tapestry pants constructed from a Lakers blanket.
Now the rush begins. As we’re talking to Ogwumike, Sania Feagin slips by in a multicolored knit beanie, smile unmissable, holding a bouquet of Mother’s Day flowers from one of the league’s social media managers. Then Emma Cannon embraces the holiday by pulling her son and twin daughters behind her in a wagon. As the family is photographed, several Aces members come in and pause for a brief hug and coo before ducking quickly out of frame. The energy could not be more different from a boxing weigh-in. No spotlight stealing. No antagonistic peacocking.
It is, indisputably, the home team’s turf. And Plum, next to arrive, treats it like her runway. Willy Chavarria sunglasses on, textured Ferragamo trousers glittering with each camera flash, she strides through without pausing. The look has her signature rebel edge, but the guard is working with a new stylist, Karla Welch, who’s known for transforming actors into fashion darlings — her client Greta Lee (“Past Lives”) is the face of Dior’s latest campaign.
Soon after, we get another speed strut from guard Erica Wheeler, whose giant “EW” initial chain from the GLD Shop is the iced out topper to an outfit that’s a master class in artful layering, composed with the assistance of stylist Miguel Moss. Wheeler dipped into Willy Chavarria’s Adidas collab with both her shorts and a pair of black sneakers with a metal-tooled toe in a floral pattern that the designer named after the Compton Cowboys.
WNBA LA Sparks player Emma Cannon with her three children.
Kelsey Plum wears Ferragamo top and pants, Willy Chavarria sunglasses and Jude boots.
The entire time players are walking through, music has been booming through the hallways. Gradually, it becomes clear that the game DJ and host are also getting ready, running through their playlists and patter. When Rae Burrell enters, the game announcer is rehearsing, exhorting the not-yet-arrived crowd to cheer for their team. Burrell may have worked with a shopper to procure options, but she styled herself in this cheer-worthy outfit — a gray minidress that satisfyingly contrasts with a pair of bright white Moon Boots, all pulled together the night before.
Star stylist Brittany Hampton, who has worked with Brink and Plum, says, “historically, [the players] were told to kind of put themselves in a box … to shrink themselves.” The league had very narrow standards for how women were expected to look. But now, according to Hampton, their fashion choices are a projection of power: “It’s an act of their own ownership.”
Before she headed to the locker room, Burrell thanked everyone and called out a cheerful invocation, “Successful first game!” That’s the appeal of the tunnel walk. You cannot stay suspended in pure potential. There is always a ticking clock. A game will be played. Someone will win and someone will lose. None of us know yet that the Sparks are about to get trounced by the Aces, losing by 27 points. It might seem like it would be more sensible for this ritual to take place after the game, for the victors to stage a triumphant, high-style parade and for everyone else to slink out, unnoticed. But where’s the glory in that? To be an athlete is to prove yourself constantly, to always be risking your ego and your body. Without these stakes, without the backdrop of the tunnel and the promise of the competition, it would just be a runway.
In the third quarter, as the Aces’ points keep piling up, the Jumbotron lingers on a fan wearing a simple white T-shirt, probably self-made, emblazoned with an iconic 2024 image of Kelsey Plum in black sunglasses and head-to-toe black leather. Plum is braless, her vest open to reveal a shimmery pile of silver chains, her abs on defiant display. It is a potent, and lasting, assertion of self. The fan in the T-shirt smiles as their image, and Plum’s, looms over the arena.
Dearica Hamby poses with her daughter, Amaya, and wears an Ottolinger set, Steve Madden shoes and Balenciaga.
Rae Burrell wears Prada sunglasses and Diesel bag.
Ariel Atkins wears Zara pants, Charles Keith top, Bape shoes and Ganni bag.
Sania Feagin wears Mnml pants and jacket and Supreme beanie.
Head coach Lynne Roberts.
Jade Chang is the author of the novel “What a Time to Be Alive.”
To be the best, you have to beat the best, and the Sparks aren’t quite there.
In their season opener, the Sparks couldn’t build momentum against defending champion Las Vegas and fell 105-78 behind a remarkably efficient shooting day from the Aces.
Las Vegas shot 63% from the floor and the Sparks had few answers. Nneka Ogwumike had 19 points and 10 rebounds in her return to the Sparks, and Kelsey Plum opened her campaign with 27 points. Reigning WNBA MVP A’ja Wilson led the Aces with 19 points and Jackie Young picked up 20 points and nine assists. Chennedy Carter had 22 points in her first WNBA game since 2024.
Plum scored 11 of her points in the fourth quarter, but by then the Aces had opened a 20-plus point lead.
The Aces were coming off a 33-point blowout opening day loss to Phoenix on Saturday but showed no sign of fatigue.
Las Vegas (1-1) pounded the paint early with 26 points in the first half and 14 free throws to seven from the Sparks (0-1). They also shot 68.8% in the opening quarter to lead 29-14.
But the Sparks’ offense also seemed a bit out of sorts, with nine turnovers in the opening half that the Aces turned into 10 points. Las Vegas opened the second quarter on an 18-5 run.
The Sparks narrowed the deficit to one by halftime following an Ogwumike three-pointer and backhand layup late in the second. But mostly, the Sparks’ defense activated, forcing 10 turnovers, led by two steals apiece from Ariel Atkins and Erica Wheeler to fuel the comeback.
The Aces expanded their lead back to nine following a pair of turnovers from Atkins and Plum.
Last season, the Sparks had the worst defense in the WNBA, giving up 88.2 points per game. Defensive woes haunted them once more with 33 points allowed on 73.7% shooting in the third quarter, allowing the Aces to pull away.
Even with 15 offensive rebounds to the Aces’ six, the Sparks’ offense wasn’t efficient enough to compete. The Sparks also only got seven from the bench, with Wheeler shooting one for 11 in 20 minutes.
The Sparks signed guard Kate Martin to a developmental player contract Sunday just hours before their first game of the season. About 45 minutes before tipoff, Martin arrived in Los Angeles.
“It’s been chaotic, but honestly, found a lot of clarity, a lot of confidence, and where I’m at and where the future of my career is heading,” she said. “So honestly, kind of all over the place, but feeling really good and having a lot of clarity right now.”
Martin was a surprising end-of-training camp cut for the Golden State Valkyries after she averaged 6.2 points per game in 42 contests last season. But Golden State was deep at the wing position, making Martin expendable with its other positional needs.
Speaking publicly for the first time since being cut, she was emotional, but excited for the opportunity with the Sparks.
“I chose L.A. because of the way they approached me,” she said. “I just feel honored for the opportunity. And opportunities don’t always come around in this league. And so for the year that I got cut to be the year where there are development spots, I feel very grateful for that.”
The Sparks had one developmental spot left after signing Louisville graduate Laura Ziegler during training camp.
Martin will be available to be on the active roster for 12 games, while receiving a weekly stipend of $750 in addition to a pro-rated minimum salary of $6,000. She has the most experience of any player signed to a developmental contract across the league with two full seasons under her belt.
“(Martin is) great in the locker room, great teammate, super hard worker,” said Las Vegas Aces coach Becky Hammon, who coached Martin in her rookie season. “She’s somebody who came in with pro habits and a lot of times from college, that’s hard to do, but she came in and was a nice piece for us.”
The 25-year-old was a fan favorite with the Valkyries and had the third highest-selling jersey in the WNBA last season despite coming off the bench for Golden State.
Martin first went viral during the 2024 draft when she was selected 18th overall by Las Vegas and was in the room to support her Iowa teammate, Caitlin Clark. She averaged 2.6 points per game in 34 games as a rookie with the Aces before being selected by the Valkyries in the expansion draft in December 2025.
“Now my expectations for myself are to buy into being an L.A. Spark,” Martin said. “I know that roles are ever changing throughout the season, but right now, I’m gonna be where my feet are, and I’m going to buy into this role as a development player. I’m going to learn, I’m going to grow, and I’m just going to make the most of this opportunity.”
It’s unclear how much Martin will play with the Sparks, but she might have a path because they lack wing depth. The Sparks are backcourt heavy, then have three bigs in Nneka Ogwumike, Cameron Brink and Dearica Hamby. Rae Burrell and Sania Feagin fill that role, but Martin could bring a three-point shot and energy off the bench.
“It’s a great fit for us,” Sparks coach Lynne Roberts said. “Thrilled how that worked out. It’s no secret, I love shooters. I think it’s a great add. And I think this gives her a chance in the developmental spot to just kind of settle and really pour into the player development. Her work ethic is unbelievable.”
On a rare off day in Los Angeles, Sparks guard Kelsey Plum settles into a quieter rhythm. She brings a book to a dog park near her home, finds a spot, and reads. But even here, the stillness is partial at best. Her mind keeps working, circling the same question that has followed her through every stage of her career. What does greatness actually require?
Right now, Plum is reading “The Talent Code,” a book that digs into the tension between nature and nurture. It’s not exactly light reading for a day off, but then again, she isn’t really wired for off days.
“Talent,” she says, “takes countless hours of practice. Sure, you have some natural ability, but you have to train it. You look at like a Russian tennis player, why are they good? Is it random? The similarity with greatness is practice.”
That idea, practice as the great equalizer, shapes how Plum sees her career now, in a moment that demands more from her than ever before.
Sparks guard Kelsey Plum moved to L.A. because she wanted to play a bigger role than she did on the Las Vegas Aces title-winning teams.
(Jason Armond/Los Angeles Times)
In the week before the WNBA season, she’s no longer in the calm of the park but inside the controlled chaos of media day at El Camino College’s gym. Between photo shoots, she sits on a green room couch in a makeshift makeup area, the morning already filled with obligations: a news conference, cameras, questions about what comes next. Beside her earlier was Ariel Atkins, one of the veterans she helped bring to Los Angeles, a signal that this next chapter is meant to be different.
“Have you ever driven a really expensive car, but didn’t have good insurance?” Plum asked. “When you have great coverage, you can relax a little bit. That’s what it feels like now, there’s so many people paddling in the boat with me.”
That sense of shared momentum didn’t come immediately. Not long ago, there was doubt.
Until a few weeks ago, Plum wasn’t entirely sure she had made the right decision to join the Sparks. After being traded from the Aces in 2025, she knew she wanted more responsibility, more ownership and the chance to be the face of a team. But belief in a vision is one thing; living through the roughest stretches of the transformation is another.
The Sparks went 21-23 last season, finishing two wins short of reaching the postseason. There were flashes, particularly late in the year when Cameron Brink, the No. 2 overall pick in 2024, returned from injury. Still, the result was familiar in L.A.: another year without a playoff berth.
For a player like Plum, that kind of outcome lingers.
Sparks guard Kelsey Plum feared she might have made a mistakes during some difficult moments early in her tenure in L.A., but free agents’ decision to join her boosted her confidence.
(Jason Armond/Los Angeles Times)
“I don’t think that last year I realized how big of a decision I made,” she said. “Obviously there’s a you don’t understand the gravity of it till you’re in it. I think when Nneka [Ogwumike] signed this year, I was like, ‘OK, I’m not crazy. They’re seeing the vision I am seeing.’”
That validation mattered. It reframed the risk as something shared.
The Sparks leaned into the direction Plum believed in during the offseason. Some of that came directly from her influence and some of it came from the example she set.
“KP came here because she wanted to test herself on how she impacts winning,” said Sparks general manager Raegan Pebley. “And there’s a lot of things that go into impacting winning. It’s on the [score]board, but it’s also, are you a leader? Can you influence other people to come along with you? And she’s been able to do that. She’s been a great, great person to partner with.”
Plum understands that distinction well. She’s been on championship teams before with back-to-back titles in Las Vegas in 2022 and 2023, but this is different. In Los Angeles, she’s helping define what the organization will become.
The franchise hasn’t reached the postseason since 2020, the longest active drought in the WNBA. For a team in a major market, the absence has been noticeable, even as individual pieces hinted at potential.
Plum, in her first season away from the franchise that drafted her No. 1 overall in 2017 after her record-setting run at Washington, produced immediately: 19.5 points and 5.7 assists per game. But numbers alone weren’t the point.
“I felt like I can be the connector,” she said. “When you’re part of a championship culture, you get to see what goes into it. And it’s way more than just basketball. It’s like the business, the operations of it all. They all work together. Obviously, what Mark Davis has done is tremendous in Las Vegas, and really investing in that team. So, yeah, coming here definitely, I learned a lot more than basketball, right? About what goes into building a championship team, a roster, what goes into investing in players and making it feel like a destination where players are like, ‘Ooh, I want to go play there.’”
Sparks guard Kelsey Plum accepted a lower salary so that the team could pursue key free agents capable of helping win a championship.
(Jason Armond/Los Angeles Times)
That perspective shaped her decisions this offseason in tangible ways. Despite being eligible for a $1.4 million supermax contract after her core designation, Plum chose to sign at a lower number, giving the Sparks flexibility to build around her.
They used that space to add Ogwumike and Erica Wheeler, while still leaving $1,468,650 in cap space for a potential in-season move. They also traded for Atkins from Chicago, parting with 2024 first-round pick Rickea Jackson to ease the pressure in the backcourt.
“I want to really help transform an organization,” Plum said. “As a player, you don’t really know how good you are, or how much you can handle, capacity wise, until put in a situation that’s maybe a little over your head.”
Belief, in this case, became contagious. Plum helped recruit Wheeler. Ogwumike, already familiar with the franchise, pointed to broader changes as part of her decision to return.
With key pieces in play, Sparks guard Kelsey Plum said the team must embrace high expectations. “We’re no longer the cute, young tadpole team,” she said. “We have to win.”
(Jason Armond/Los Angeles Times)
“The last couple years have strategically been very, very focused with our ownership and improving the player experience,” Pebley said. “We’ve got a practice facility that is being built. … Players are experiencing a much more consistent and high level, just player experience. And I think they can now look at their peers eye to eye and say, ‘This is where you need to be. you’re going to be treated really well here.’”
All of it builds toward a simple, unavoidable truth: this version of the Sparks can’t afford to linger in potential.
Plum’s legacy in Los Angeles will hinge on whether this reset becomes a turning point or just another chapter in a long rebuild. The expectations have shifted, internally and externally.
“Last year was tough,” Plum said. “We were right there at the end. But I think this year is different. Obviously, with all the free agency acquisitions, this is very exciting. We’re no longer the cute, young tadpole team. We have to win.”
Video from Gaza City shows flames rising after an Israeli strike targeted a group of civilians near Al-Jalaa Roundabout in the Al-Oyoun area in northern Gaza City.
Teams have had a little more than a week to prepare their training camp rosters between free agency, the league’s primary draft and an expansion draft. The Sparks have one of the more notable roster transformations in the league, adding Nneka Ogwumike, Erica Wheeler and Ariel Atkins.
On Sunday at the start of training camp in San Diego, Wheeler said Sparks returning guard Kelsey Plum sold her on the vision of the organization, and Ogwumike’s signing cemented it.
“KP played a big role in having me here,” she said, describing a lunch last season when Plum told Wheeler she wanted her to sign with the Sparks. “I think Nneka just was like the tip of the iceberg, like it was a no brainer. Once Nneka decides she wants to come here, because, as you know, president [of the WNBPA], life is always easier around her.
“We want to win the championship.”
Ogwumike’s return to Los Angeles was just one indicator that the Sparks are, as Wheeler put it, “going for gold.”
This year’s Sparks roster looks a lot more intentional than a couple of years ago. General manager Raegan Pebley said Atkins’ addition helps establish a deeper offense, while Rae Burrell playing at the three gives them more versatility.
There are still question marks. They don’t have a ton of ball-handling depth or much true-center play after Cameron Brink.
But Ogwumike has seen the changes internally and from afar, and she thinks the Sparks are ready to compete now.
“I didn’t actually want to leave, but I felt like I needed to, considering the growth that we wanted to see further in the organization, and I really wanted to come back,” she said. “… The timeline of a lot of things [in the offseason] accelerated, me narrowing down certain organizations, but L.A. was in the mix not because, not just because of the time that I’ve had here, but because of the amazing progress that I’ve seen in just the two years in my absence.”
Ogwumike said part of that was the investment in a practice facility, set to debut in 2027, and that the front office, led by Pebley, had a plan to build a winning team.
But the most important thing in bringing in the veteran trio was that the Sparks had a plan on the court, too.
“It’s really exciting when you can be in a place where everybody has the main thing being the main thing,” Atkins said. “And that’s not to say it wasn’t like that in the past, but it’s different when you have older players and vets around you that have done it before, because the way that they walk in, the way that they talk, there’s no uncertainty there, right? It’s like, this is how we need to get through, this is what we need to do, get it done so it really just be on us.”
Wheeler has only played in the WNBA postseason a handful of times between Indiana and Seattle and at 36 years old, she joined the Sparks led by coach Lynne Roberts with the intention of playing for a winner.
“I tell people all the time, I’m a businesswoman,” she said. “I have money. … So money don’t move me, [there] was a lot more money out there for me to go after. But I felt like Lynne is building a championship rock, and I want to be a part of that.”
Atkins was traded from Chicago for Rickea Jackson, a controversial move that shipped one of the best young players in the game away from the Sparks. On draft night, Pebley said the move helped them win games now and she reiterated that on Sunday.
“We were really aware of is that we were missing another counter punch with KP, she needed some support in terms of somebody that can take some pressure off of her, to have to score it, or to have to create for someone else to score it, that was a big reason of why Ariel, we feel, is a great fit,” she said. “And then Erica Wheeler is just a winner, and she’s going to bring some toughness and leadership there. So I think with those three at the one-two spot, we’re super excited about that.”
Atkins adds a defensive layer alongside Ogwumike for a team that was dead last in the WNBA in defensive points per game last season, and that’s one of those intentional, win-now kind of moves that has everyone in the organization excited.
The Sparks finished just two games out of a playoff spot last season. This year, expectations are far more than just finishing as a playoff team, and that messaging brought in one of the most cohesive rosters in the WNBA.
“I always say that the killer combination is investment and engagement, and so I’m seeing both at very high levels, and it permeates every aspect of the organization,” Ogwumike said. “Whether it’s basketball ops, front office, player experience, practice facility, it’s just something that I’ve always believed was our standard, and not only have we matched what our expectations were, but we’re now exceeding it in a timeline that I think is much faster than I ever expected.”
At a Monday event during which six Bruins were drafted among the first 18 picks — a WNBA record — the Sparks didn’t have their first pick until No. 20 in the second round.
Two years earlier, they had traded away their first-round pick for the rights to draft the exciting Rickea Jackson.
Whom they recently traded to Chicago for somebody named Ariel Atkins.
You can see where we’re going with this…
One of the WNBA’s founding franchises, the failure-ridden Sparks enter the league’s 30th season attempting to break a five-year playoff drought with an understandable yet unremarkable game plan.
They’re going old. They don’t have a choice. Five years of lottery missteps have produced exactly one current Sparks player, Cameron Brink, a social media star who’s been an injured basketball bust.
While the national champion Bruins spent Monday dancing across the league from Toronto to Chicago, the Sparks didn’t get a chance to acquire any of them, and wound up with three late picks who will raise no eyebrows and play few minutes.
So, yeah, old.
When the Sparks open the season by hosting defending champion Las Vegas May 10, their fans are going to say, “Oh yeah!” followed by a resounding chorus of, “Oh no!”
Oh yeah, they’re bringing back longtime Sparks star Nneka Ogwumike, a bruising inside force for 14 seasons. She played well for Seattle last year, but, oh no, she’ll be 36 during the season, and one wonders when the physicality will take its toll.
Oh yeah, they’re bringing back Erica Wheeler, who played strong minutes here several years ago. But, oh no, she played for three teams in the last four years and will be 35 during the season.
Oh yeah, they’re bringing in Atkins, who once won a WNBA championship with the Washington Mystics. But, oh no, that was seven years ago, and she’s bounced around with six international teams and two WNBA teams since.
Those three veterans will be joining a team with two returning starters — Kelsey Plum and Dearica Hamby — but little else.
The league’s celebrated new CBA made all these players rich, but did little for the Sparks, who were unable to make a dent in the league-wide free agent market and were out of decent draft picks and so must survive for one more season before getting a shot at JuJu Watkins.
So they should tank? No! Not yet! I’ve got season tickets! But you’ve got to wonder. And if this aging band gets off to a slow start, you’ve got to wonder if they’re wondering.
“I’m super excited about the roster we have,” said coach Lynne Roberts on a Zoom call Monday night. “We brought in some tremendous leadership.”
But they also lost some tremendous youth by giving up on Jackson, who averaged nearly 15 points last season and provided much-needed energy to another deadly dull squad. While the Sparks made nice with her publicly, one can read between the lines on the following Zoom quote from general manager Raegan Pebley.
”Loved having her here … she’ll be successful wherever she goes,” said Pebley of Jackson. “But we’re focused on winning a championship and finding that fit and balance and getting all those pieces locked in with each other.”
Here’s guessing Jackson, an independent spirit, was never quite locked in. And now she’s locked out of a new culture that will be solid and steady… but will they be any good?
“You have to have that balance of youth and experience and I think our roster has nailed that,” said Pebley.
Who knows? Will Brink stop trying to be an influencer long enough to be an inside presence? Will Rae Burrell take another step in her fifth season? Can the new veterans stay healthy enough to inspire the kids, who could include draft picks Ta’Niya Latson, Chance Gray and Amelia Hassett? Can Roberts, a relative WNBA newcomer who lost more than half of her games in her debut last season, actually coach?
They’ve already had one win with the ongoing construction of an $150-million El Segundo practice facility, which should open next year and serve to attract the type of stars that a Los Angeles team deserves.
They have another steady win with a Crypto.com Arena fan-friendly game experience that ranks among the best in this city’s sports landscape.
Now they just need wins on the scoreboard, lots of them, enough to restore faith in what was once one of this city’s shining basketball operations.
The odds aren’t good — going old usually means going home early — but what else can they do? No Bruins are walking through that door. For at least one more year, the Sparks have to marinate in their past mistakes and hope that their veterans can somehow lay a foundation for their future..
“This isn’t a slow roll,” said Roberts. “We want to do it.”
The rest of the league, which has greatly benefited from five years of Sparks’ bad basketball decisions, will be waiting.
Their passionate fans, who have loyally kept showing up for the last five years to watch the lousy basketball those decisions have wrought, will be wanting.
