KANSAS CITY, Mo. — NFL rosters must be set in two weeks.
Will defensive tackle Aaron Donald decide in the days ahead if he will return to the Rams?
Rams coach Sean McVay is not putting a hard timeline on it.
“I’m hopeful that it will be sooner than later, but I also want to respect when he does feel like that clarity will come,” McVay said Saturday after the Rams’ 20-12 preseason victory over the Kansas City Chiefs. “I think there’s a chance that we’ll be closer to that than not. But again, I don’t want to say too much or put some sort of invisible deadline on something that doesn’t exist in my mind for him.”
Donald, 35, retired after the 2023 season. But after the Rams traded for two-time defensive player of the year Myles Garrett in June, Donald has contemplated rejoining a Rams team that is favored to win Super Bowl LXI at SoFi Stadium.
During training camp, Donald did a workout in front of defensive line coach Giff Smith and Rams trainers. In videos posted to social media, he also was captured hitting a blocking sled at UCLA, and going through speed and agility drills at the Rams’ facility in Woodland Hills.
If Donald returns, it would impact Rams roster decisions and also have possible implications for players that are in the final years of their rookie contracts and eligible for extensions.
McVay said he has had “great dialogue” with Donald, a three-time NFL defensive player of the year and eight-time All-Pro.
“We’ve had some tentative discussions behind the scenes,” McVay said. “There’s a lot of stuff, without getting to granular with it. … He knows himself in terms of, ‘Am I able to stack back-to- back days? Am I able to do some of the benchmarks’ that he’s set out for himself.
“And what I don’t want to sit here and do is put a timeline on it, and then something comes up where I’ve got to kind of push it back. … We have some loose things where we’ve identified, you know, dates that we’d like to be able to hit. But what I don’t want to have is any sort of unnecessary pressure on him if there’s some unforeseen circumstances.”
McVay emphasized he wants to respect the decision-making process Donald is going through.
“If he’s put himself in a position to be able to say yes or no, I think he’s earned that right to have clarity on that,” McVay said. “We’re not at that point quite yet.”
The Rams will hold a joint practice this week against the New Orleans Saints, and then play the Saints on Saturday at SoFi Stadium. Their final preseason game is Aug. 27 against the Chargers.
The roster must be set three days later.
“I feel great about our football team as it currently stands,” McVay said, “and I know he’ll add value if he decides to come.”
LA28 hopes to raise the bar for the Paralympic movement when the Paralympic Games open in SoFi Stadium on Aug. 15, 2028. The city that already changed the Olympic movement by hosting the most commercially successful Games ever in 1984 could leave an equally indelible mark on the Paralympic movement.
“In the opening ceremony in two years’ time, we will be about to witness the Paralympic Games that can really put our movement in a higher step,” International Paralympic Committee president Andrew Parsons said, “in a higher position as a sport movement.”
While the Olympics were blossoming in L.A. in 1984, the Paralympics that year were hosted in New York and Stoke Mandeville, England in a patchwork plan that came to be known as the “Last-Minute Games” because a U.S.-based organizing committee failed to secure funding to host the Paralympic Games at University of Illinois Urbana-Champaign.
The LA28 Olympics and Paralympics logos are featured on a sign outside an event in 2024.
(Allen J. Schaben/Los Angeles Times)
Forty years later, the Paris Paralympics solidified the movement’s position as one of the largest sporting events in the world. The 2024 Paralympics sold 2.5 million tickets, the most for a Paralympic Games, and had a record 12,941 global broadcast hours. The overall live audience for the Paris Paralympics grew by 40% compared to 2021 and 117% from 2016.
Seeing the Paralympics leaves a lasting impression on fans. A Nielsen Sports study commissioned by the IPC found that 73% of people thought the Paris Paralympic Games positively changed their attitudes toward people with disabilities.
LA28 wants to build on that momentum.
“I really would love to see the change of perception of what people with disabilities can do, but also most importantly see the athletes perform,” said Ileana Rodriguez, the LA28 vice president of Paralympic strategy and relations and a 2012 Paralympic swimmer. “Because oftentimes we forget the sport side of the athletes and put the disability in front, and I really hope that this is reversed in our Games.”
American Alexandra Truwit competes during the women’s 400-meter freestyle during the Paralympics on Sept. 5, 2024, in Nanterre, France.
(Adam Pretty / Getty Images)
It didn’t take long for Ali Truwit to see the Paralympic standard. The former Yale swimmer had always respected Paralympians for their grit, courage and strength, but after she lost the lower part of her left leg in a shark attack in 2023, Truwit had her own Paralympic awakening.
She realized that to even make the U.S. team for Paris, she needed to swim faster with one leg than she did with two.
“A lot of people would come up and say, like, “Oh well you could do the Paralympics,’” said Truwit, who had 15 months between having her leg amputated on her 23rd birthday and the opening ceremony of the Paris Paralympics. “I’m like, ‘Well, you can’t just do the Paralympics actually!’ It’s elite and it’s fast.”
Her American record time of 1 minute, 8.98 seconds seconds in the S10 100-meter backstroke at the 2024 U.S. Paralympic swimming trials was faster than the times she was putting up to be recruited for Division I schools. Also the U.S. record holder in the S10 400-meter freestyle (4:31.39), Truwit won silver medals in both races in her first Paralympic Games.
But as she starts training for 2028, Truwit knows even her national record times might not be enough to get on the podium in L.A.
In Paris, 175 world and 218 Paralympic records were broken across 22 sports. The quality of the performances are better than ever, Parsons, the Paralympic president, pointed out. Athletes have become more refined with their training techniques.
“If you raise the expectations for what high performance is, for what an athlete is, then gosh, that’s just going to open up so many more opportunities,” said Brent Hardin, an associate professor of kinesiology at the University of Alabama and director of Alabama Adapted Athletics. “The Paralympics has the ability to do that like no other sporting event in the world for athletes with disabilities.”
The last time the Summer Paralympics were in the United States, in 1996, the event was run by a separate committee from the Olympic organizers. Disorganized and under-publicized, the event was underwhelming, Hardin said. Since 2002, organizing committees have been required to put together joint bids to host both the Olympic and Paralympic Games, using the same venues, facilities and infrastructure.
LA28 will rely on mostly existing venues for both the Olympics and Paralympics, relieving many of the biggest headaches that have plagued previous organizing committees. But hosting 4,480 Paralympians in one village is an especially unique challenge.
UCLA students walk up and down stairs on a campus that features many hills. The school is scheduled to host the athletes’ village for the 2028 Paralympics.
(Al Seib/For The Times)
LA28 will host the Olympic and Paralympic villages at UCLA. While renowned for its red brick buildings and lush green lawns, UCLA’s campus is also notorious for its steep hills. In 2025, two students who used wheelchairs sued the university and the UC Board of Regents for discrimination, citing, in part, elevators that are often out of service, insufficient signage and dangerous conditions in pedestrian paths of travel.
Rodriquez recognized the campus’ geographical challenges that organizers can’t change. LA28 said in a statement it is focused on building upon UCLA’s existing accessibility foundation while exploring additional modifications and services to support Paralympic athletes and team officials, such as temporary ramps and modified restrooms. Construction is expected to begin this year, trying to minimize impact on normal campus activities.
“One solution is not going to solve it for everyone, but a system of different ones hopefully will for most of them,” said Rodriguez, an architect consulted on previous Games before working with LA28. “We’re aiming, of course, for 100% of the users, but it doesn’t mean that there might be challenges in some points.”
The Games will also need to accommodate millions of fans traveling around Southern California. The FIFA World Cup tested the transportation system and it was largely a success, but it presented problems for some fans.
Kate Scott, founder of Only Everywhere, a directory providing accessibility information about more than 400 venues in California, heard from fans who paid hundreds of extra dollars for accessible parking and a shuttle to the stadium only to learn later that a free shuttle option was available. Fans struggled to secure wheelchair accessible seats, especially after they were sold at astronomical resale values, and couldn’t get clear answers about what accommodations would be available in the stadium.
Fans pack SoFi Stadium during a World Cup match between the United States and Paraguay on June 12.
(Kelvin Kuo/Los Angeles Times)
SoFi Stadium aced the physical infrastructure with working elevators, wheelchair escorts and accessible seating with clear sightlines on every level. It was mostly an information gap that left fans wanting.
“It’s not a problem if you say there’s no way to get to the cafe on the second floor. It is a problem if they find that out at the bottom of the stairs,” Scott said. “They can plan ahead if you just give them the information. It’s not about perfection. It’s about telling people what to expect.”
Of the 400 California venues Scott has added to Only Everywhere’s directory, more than half don’t publish anything online about accessibility. Only 7% cover accommodations for mobility limitation, hearing disability, vision impairment and sensory disabilities.
Disability advocates hope the Paralympics can lead to improved access to social services and structures for people with disabilities during and after the Games.
“Not just a one-in-every-four-years kind of event,” said Juliann Anesi, an associate professor of gender studies at UCLA and an affiliate faculty member with the disabilities studies department.
After the 1984 Olympics helped fund youth sports in L.A. for decades with a $230-million surplus, the 2028 Games have already jump-started adaptive sports opportunities as part of the PlayLA program.
Hunter Woodhall from the U.S. wins the men’s 400-meter T62 final at the 2024 Paralympics on Sept. 6, 2024, in Paris.
(Thibault Camus / Associated Press)
The program is run by L.A. Department of Recreation and Parks and will have 12 adaptive sports (adaptive archery, athletics, kayaking, skateboarding, lacrosse, pickleball, para swimming, blind soccer, goalball, para surfing, wheelchair basketball and wheelchair tennis) for the 2026-27 season. The program is on track to reach 5,000 total adaptive sports program enrollments in 2027, LA28 said.
“LA28 is an opportunity not only to think about people with disabilities as part of [society], but instead to really reshape the conversation around disability, especially in sport,” Truwit said. “… We don’t look at Paralympians as an inspiration or as something where they’re overcoming a limitation, but rather as just part of human diversity and potential.”
At the halfway mark of the Olympic quadrennial, Truwit is already dreaming about L.A. The Connecticut native can picture the opening ceremony in SoFi Stadium, where she will be flanked by her fellow American Paralympians. That group could even include several athletes who received grants from her nonprofit Stronger Than You Think, which helps provide prosthetics to girls and women experiencing limb loss. Being at the Paralympics together would be a dream, Truwit said.
Parsons will open what will be the final Paralympic Games of his IPC presidency. He envisions going out on a high note.
“The best Paralympic Games,” Parsons said of his 2028 expectations, “ever.”
On Friday night at the SoFi Stadium, there was nothing random about the songs that played just before Karol G took the stage for the first of three evenings at the venue. We can safely assume that the Colombian superstar selected the cuts herself — the perfect tropicoqueta mix to set up the mood.
First, a shadowy “Bésame Mucho”; Elvis Crespo’s merengue smash “Suavemente”; the Afro-Cuban nugget “El Manisero”; and two life-affirming hits by the Queen of Salsa herself, Celia Cruz: “La Vida Es Un Carnaval” and “La Negra Tiene Tumbao.”
These carefully curated gems share a common element: They managed to transcend the stylistic contours of their respective genres and become something bigger — the kind of irresistible, it-takes-a-village anthems that will lure everyone to the dance floor, even if they don’t understand the lyrics.
And that is exactly what Karol G — la bichota, the South American Cleopatra, the woman with the billion-dollar smile — has been doing for global pop since the release of “Tusa,” her imperial duet with Nicki Minaj, back in 2019.
(Jill Connelly / For De Los)
Karol is currently the 42nd-most-streamed artist on Spotify, and her albums “Mañana Será Bonito” (2023) and “Tropicoqueta” (2025) helped reinvent the sound of contemporary Latin. She emerged from the reggaeton thunderstorm that hijacked the planet, but then guided it smoothly into a different aesthetic territory, far away from the movement’s misogynistic toxicity. Her ongoing collaboration with producer Ovy On The Drums — they’re the same age, 35, both from Medellín — was transformative, combining clanging, tribal beats with liquid textures and a refined, champagne-like lightness.
Part of the massive “Viajando Por El Mundo Tropitour,” Friday’s performance confirmed the singer’s stature as one of the most vital and charismatic Latin artists of the 21st century. More than a conventional concert, it felt like a stark, delirious fantasia, a relentless cinematic mosaic of decadent dance numbers and hyper-popped fragmentation presented in five acts, unified by a tropical visual motif: lush vegetation; a blue lagoon where cleansing erotic rituals take place; plumes of purifying fire to expiate the aftertaste of all those failed romances.
(Jill Connelly / For De Los)
Beginning with the wicked reggaeton beat of “Latina Foreva” — an existential jam about curves and pleasure, the freedom of the flesh — Karol ignited a deafening roar of adoration from the full-capacity crowd. For a moment, I got a taste of what Beatlemania must have sounded like in the 1960s.
As the cameras followed her closely, projecting every playful grimace and flirtatious wink onto the giant video screens, the complexity of her artistic persona became increasingly transparent: an indomitable woman who is deeply connected with primal joy and sensuality, but also vulnerable enough to get her heart broken on the way to the red carpet (and still embrace the experience). In the world of Karol G, what doesn’t kill you makes for an international hit.
Admittedly, it was the aggressive, in-your-face numbers that worked best. Karol sounds even better when surrounded by half-naked dancers — “Gatúbela” and “Ojos Ferrari” were highlights in that respect — and the choreography evoked the sweaty rapture of a full-blown Roman orgy.
(Jill Connelly / For De Los)
But she’s also smart enough to alternate the futurism of neo-reggaeton (the cutting-edge territory where her work with producers like Ovy On The Drums and Tainy has given us some astonishing records) with an affectionate nod to the past glories of Afro-Caribbean lore: the 20th century cultural bubble where Colombian families listened to the “14 Cañonazos Bailables” compilations during the Christmas season.
On the title track of “Tropicoqueta,” she draws an imaginary line that connects her current sexual emancipation to the frisky downbeats of 1950s mambo and the early 2000s movement that jazzed up the Afro-Caribbean classics with a digital bounce. On Friday, she salsified “Provenza” and added the riff of Willie Colón’s “La Murga” as an intro to “Tusa.” Her visual recreation of the “Tropicoqueta” album cover onstage was one of the show’s wittiest moments.
At one point after the success of “Mañana Será Bonito,” Karol must have realized that her newly acquired diva status gave her the chance to voice some valuable thoughts on the merits of Latin American culture.
In between songs, Karol spoke with compassion about the recent earthquakes affecting Colombia and Venezuela — the latter of which is where her poised opening act, Elena Rose, also hails from — but her pan-Latino ideology seeped into the music as well. Her face was covered in tears after she performed “Ese Hombre Es Malo” backed by female mariachi players. At the end of the show, a stunning reading of “Si Antes Te Hubiera Conocido” revealed the instinctive ease with which she can navigate the sweet, syncopated phrasing of Dominican merengue.
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Elena Rose opens for Karol G at SoFi. (Jill Connelly/For De Los)
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Inglewood, CA., Aug. 14, 2026. – Opener Elena Rose performs during the first of Karol G’s three nights headlining the SoFi Stadium for her Viajando Por El Mundo Tropitour. (Jill Connelly / For De Los) (Jill Connelly/For De Los)
A few tracks from her recently released sixth studio album,”No Me Arrepiento De Sentir Tanto,” displayed a more introspective side. On the dreamy ballad “Después de Ti,” she was joined on guitar by Greg Gonzalez of Cigarettes After Sex, reenacting their performance together from April, when Karol headlined Coachella.
The deafening volume at SoFi was the only aspect of the show that got in the way. The sound stage felt bludgeoned into submission throughout, as the intense distortion of bass, percussion and guitars made the instrument separation within the mix almost inaudible.
That said, the overall experience transcended the sonic elements, as Karol is clearly using the Tropitour as a good reason to celebrate her extraordinary achievements with the fans (she even hugged a security guard).
Somewhere in the venue, a young Latina girl must have been dazzled by this extravagant spectacle and perhaps dreamed of one day following in the footsteps of Carolina Giraldo Navarro: a gifted singer and composer, a woman intelligent enough to cherish the emotional value of dancing the night away.
