skin

People visiting these islands could be at risk of high UV levels

People have been urged to take certain precautions as the ultraviolet radiation risk at a popular holiday destination area has been raised to “extreme”. Health officials in the Canary Islands have elevated the UV risk across several of the islands.

According to the Canary Islands Health Department, UV radiation levels are presently classified as “very high” across all islands. And Fuerteventura, Lanzarote and Gran Canaria have reached the highest “extreme” warning category.

Prolonged exposure to ultraviolet radiation can lead to serious health complications, including DNA damage, severe sunburn, allergic skin reactions, eye conditions and a heightened risk of skin cancer, including melanoma. Health experts also caution that UV exposure can suppress the immune system and even trigger the reactivation of viruses such as cold sores.

The alert particularly impacts those who spend lengthy periods outdoors, whether for work or leisure, as well as individuals with fair skin, light eyes or a family history of skin cancer. Children and older adults are also regarded as especially at risk.

As reported by Canarian Weekly on May 21, health authorities are strongly advising people to avoid direct sunlight between 11am and 5pm wherever possible, seek out shaded areas and wear protective clothing, wide-brimmed hats and approved sunglasses with UVA and UVB protection. The application of SPF 50 sunscreen is highly recommended, even on overcast days.

Authorities also issued a reminder to parents that babies under one year old should never be exposed directly to sunlight, as their skin is particularly sensitive and incompatible with most sun creams. The Canary Islands consistently record some of the highest UV radiation levels across Spain throughout the year, owing to their geographical position and climate.

How to apply sunscreen

The NHS warns that most people do not apply enough sunscreen. As a guide, adults should aim to apply around six to eight teaspoons of sunscreen if you’re covering your entire body.

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If sunscreen is applied “too thinly”, the amount of protection it gives is reduced. If you plan to be out in the sun long enough to risk burning, sunscreen needs to be applied twice:

• 30 minutes before going out
• Just before going out

Sunscreen should be applied to all exposed skin, including the face, neck and ears, and head if you have thinning or no hair, but a wide-brimmed hat is better. Sunscreen needs to be reapplied liberally and frequently, and according to the manufacturer’s instructions.

This includes applying it straight after you have been in water, even if it’s “water resistant”, and after towel drying, sweating or when it may have rubbed off. It’s also recommended to reapply sunscreen every two hours, as the sun can dry it off your skin.

Further to this, the NHS recommends you should do the following to stay safe in the sun:

• Spend time in the shade between 11am and 3pm
• Never burn
• Cover up with suitable clothing and sunglasses
• Take extra care with children
• Keep babies under six months out of direct sunlight
• Use at least factor 30 sunscreen – make sure to use enough and re-apply frequently

TIKTOK star Becki Jones has been praised by fans as she showed off her excess loose skin after her huge weight loss.

The social media sensation, 33 took to the platform and shared a video of her dancing up and down to Queen’s hit song, Don’t Stop Me Now.

In the clip, Becki was seen wearing a gym top and shorts and a black cap as she lipsynced to the words.

She wrote over it: “No I’m not embarrassed of my loose skin, I’ve got it it everywhere but it’s a reminder of how far I’ve come.”

Becki captioned the video: “I’m not bothered (as much) by it so you shouldn’t be either.”

Her loyal fans flocked to the comments section to praise her as one person said: “Loose skin is a way to know how far you have come!! You look incredible.”

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Another TikTok user penned: “You’ve done amazing and I hope you never feel any pressure to explain any of your weight loss journey as so many negative comments.

“You are 100% able to naturally lose weight like you have in the time you’ve taken.”

Somebody else commented: “That loose skin is a mark of a warrior. Wear it proudly! You’ve earned it!”

Yet another gushed: “You look amazing Becki, your journey is motivating me to be healthier, thank you hun.”

While a fifth added: “I’m so proud of how far you’ve come!! Seeing you happier is so nice.”

Becki has been at the centre of plenty of speculation about just how she lost her weight, with many people thinking she used fat loss jabs or opted for weight loss surgery.

Whilst Becki has stopped short of saying exactly how she managed to lose the pounds, she has previously alluded to withholding some information regarding her weight journey from public view.

Speaking recently on the Not My Bagg podcast, Becki admitted she would not be divulging any further information but revealed she was still going through something in regards to her weight.

She expressed: “I’ve been through, this is quite upsetting but I’ve been through quite a bad time with food, and I’ve fell out of love with food.

“I’m going through something, still to this day now, that I’m not comfortable talking about anywhere.

“I think people are getting that confused with me, they think I’ve had something done.

“Anything that I’m gatekeeping, as they call it, it’s nothing that would benefit people, it’s nothing that’s a quick fix for them.

“It’s nothing that would bring anything to their life.

“It’s one of the worst things I’ve ever been through.”

Becki gained popularity online thanks to her candid food diaries and lifestyle content.

She went viral in 2020 after posting a video of herself making a slow-cooker hot chocolate, which quickly amassed over 900,000 views.

Though Jarred Vanderbilt suffered a gruesome dislocated right pinky injury during the Lakers’ loss in Game 1 against the Thunder on Tuesday, coach JJ Redick said his forward has been listed as day-to-day for the second-round series.

Vanderbilt, who is left-handed, was injured in the second quarter trying to block a dunk by Oklahoma City’s Chet Holmgren, but his hand hit the backboard. Vanderbilt immediately doubled over in pain, as the bone broke through the skin and had to be put back in place.

“They were able to put his finger back together and it’s splinted and he’s day-to-day,” Redick said Wednesday.

The Lakers and Thunder play Game 2 here Thursday night at Paycom Center.

Redick said it was a “reduction” for Vanderbilt, meaning it was a procedure to restore his dislocated finger.

Vanderbilt had his finger taped and had a splint on the finger after the game.

“Yeah. I mean, he’s obviously a tough-minded player and person,” Redick said. “It just, he had a full dislocation. So they just put the stuff back together. You know, he’ll be day-to-day.”

Redick was asked if it’ll be a pain tolerance issue for his defensive-minded forward.

“Certainly the pain is involved,” Redick said. “From my understanding, it’s basically making sure basically the tissue is healed enough. We’re obviously going to splint him, but making sure the tissue is healed enough to protect his skin barrier.”

Jaxson Hayes called Vanderbilt’s finger injury “disgusting” because the “whole bone was out of his skin.”

“Obviously, you never want to see one of your teammates go down,” Hayes said. “But, I mean, that was gross. That was really gross.”

How’s Lee Cronin doing? Fine. You know, still making movies. This one’s his third feature. Somebody — perhaps it was Lee Cronin himself, probably not — wanted us to know that his latest project, “Lee Cronin’s The Mummy,” was no mere mummy movie. Certainly not the one you have in mind: bandaged dead guy, ominous hieroglyphics, maybe Brendan Fraser. This is not that mummy movie. This is “Lee Cronin’s The Mummy.”

As for what that possessive credit means, we’re still in a haze. Cronin’s previous outing was “Evil Dead Rise,” a sequel heavily devoted to the gooey game plan mapped out by Fede Alvarez’s 2013 rethink of Sam Raimi’s gross-out comedies. In our current moment, when horror seems to be mining an especially rich vein (we’ve even seen an Oscar go to an unforgettable witch in “Weapons”), Lee Cronin represents the safe old ways of dutiful stewardship, getting the job done for a generic night out.

There are worse sins in the world. And sometimes the best way to introduce an ancient Egyptian curse is via a prologue that’s tonally very much like the one in “The Exorcist.” Who is the spooky, smiling woman beckoning to a young girl at the edge of her garden? No matter. The kid goes missing and, eight years later, her American family, since relocated to suburban New Mexico, is still feeling the loss: TV reporter Charlie (Jack Reynor), his haunted wife Larissa (Laia Costa) and their two semi-surly children, Maud (Billie Roy) and Sebastián (Shylo Molina).

When their precious Katie (a game Natalie Grace) is somehow returned to them, though, nearly catatonic with wrinkled, desiccated skin and gnarly toenails that would make a pedi technician shriek, it’s hard to blame them for feeling euphoric. Working from his own screenplay, Cronin barrels over the gaping plot holes — a doctor might have some thoughts here — and gets to the good stuff with the family at home in squirm-inducing close quarters, a live-in demon resting in her bedroom.

“Lee Cronin’s The Mummy” works best as a variation on Ari Aster’s career-making “Hereditary,” slicker and less guilt-ridden, with Grace’s Katie prone to jaw-snapping clicks and faraway looks, a spin on Milly Shapiro’s hypnotic turn as a doomed host. Eventually, things get more obvious: a levitating wheelchair, some skittering around on the ceiling. If Cronin does have a signature — more of a penchant, really — it’s for juicy gore, Katie’s skin peeling off in sheets. She goes to town on her own teeth.

All these moments are good for audience groans and there’s an enjoyable bad movie here for the seizing — that is when Cronin isn’t steering the action back to Egypt for an underpowered mystery thread involving a one-dimensional Cairo detective (May Calamawy) pursuing the root of the trouble. Why deploy a plummy archaeology professor (Mark Mitchinson) if you’re only going to give him a single scene to cut loose? He’s the kind of character who usually makes it to the big finale.

The film is tangled in its mess of references: a possession thriller that also wants to dish out some grainy video footage à la “The Ring” or “Bring Her Back” along with the expected mouth-to-mouth vomiting. Ironically, an honest-to-goodness mummy movie consumed with exotica (the first one from 1932 was released in the wake of the global mania over King Tut’s tomb) makes a lot of sense right now, with America straying into foreign deserts.

Was that in mind at any point? You’d have to ask Lee Cronin. It’s his movie and these are his mummy issues.