skin

Though Jarred Vanderbilt suffered a gruesome dislocated right pinky injury during the Lakers’ loss in Game 1 against the Thunder on Tuesday, coach JJ Redick said his forward has been listed as day-to-day for the second-round series.

Vanderbilt, who is left-handed, was injured in the second quarter trying to block a dunk by Oklahoma City’s Chet Holmgren, but his hand hit the backboard. Vanderbilt immediately doubled over in pain, as the bone broke through the skin and had to be put back in place.

“They were able to put his finger back together and it’s splinted and he’s day-to-day,” Redick said Wednesday.

The Lakers and Thunder play Game 2 here Thursday night at Paycom Center.

Redick said it was a “reduction” for Vanderbilt, meaning it was a procedure to restore his dislocated finger.

Vanderbilt had his finger taped and had a splint on the finger after the game.

“Yeah. I mean, he’s obviously a tough-minded player and person,” Redick said. “It just, he had a full dislocation. So they just put the stuff back together. You know, he’ll be day-to-day.”

Redick was asked if it’ll be a pain tolerance issue for his defensive-minded forward.

“Certainly the pain is involved,” Redick said. “From my understanding, it’s basically making sure basically the tissue is healed enough. We’re obviously going to splint him, but making sure the tissue is healed enough to protect his skin barrier.”

Jaxson Hayes called Vanderbilt’s finger injury “disgusting” because the “whole bone was out of his skin.”

“Obviously, you never want to see one of your teammates go down,” Hayes said. “But, I mean, that was gross. That was really gross.”

How’s Lee Cronin doing? Fine. You know, still making movies. This one’s his third feature. Somebody — perhaps it was Lee Cronin himself, probably not — wanted us to know that his latest project, “Lee Cronin’s The Mummy,” was no mere mummy movie. Certainly not the one you have in mind: bandaged dead guy, ominous hieroglyphics, maybe Brendan Fraser. This is not that mummy movie. This is “Lee Cronin’s The Mummy.”

As for what that possessive credit means, we’re still in a haze. Cronin’s previous outing was “Evil Dead Rise,” a sequel heavily devoted to the gooey game plan mapped out by Fede Alvarez’s 2013 rethink of Sam Raimi’s gross-out comedies. In our current moment, when horror seems to be mining an especially rich vein (we’ve even seen an Oscar go to an unforgettable witch in “Weapons”), Lee Cronin represents the safe old ways of dutiful stewardship, getting the job done for a generic night out.

There are worse sins in the world. And sometimes the best way to introduce an ancient Egyptian curse is via a prologue that’s tonally very much like the one in “The Exorcist.” Who is the spooky, smiling woman beckoning to a young girl at the edge of her garden? No matter. The kid goes missing and, eight years later, her American family, since relocated to suburban New Mexico, is still feeling the loss: TV reporter Charlie (Jack Reynor), his haunted wife Larissa (Laia Costa) and their two semi-surly children, Maud (Billie Roy) and Sebastián (Shylo Molina).

When their precious Katie (a game Natalie Grace) is somehow returned to them, though, nearly catatonic with wrinkled, desiccated skin and gnarly toenails that would make a pedi technician shriek, it’s hard to blame them for feeling euphoric. Working from his own screenplay, Cronin barrels over the gaping plot holes — a doctor might have some thoughts here — and gets to the good stuff with the family at home in squirm-inducing close quarters, a live-in demon resting in her bedroom.

“Lee Cronin’s The Mummy” works best as a variation on Ari Aster’s career-making “Hereditary,” slicker and less guilt-ridden, with Grace’s Katie prone to jaw-snapping clicks and faraway looks, a spin on Milly Shapiro’s hypnotic turn as a doomed host. Eventually, things get more obvious: a levitating wheelchair, some skittering around on the ceiling. If Cronin does have a signature — more of a penchant, really — it’s for juicy gore, Katie’s skin peeling off in sheets. She goes to town on her own teeth.

All these moments are good for audience groans and there’s an enjoyable bad movie here for the seizing — that is when Cronin isn’t steering the action back to Egypt for an underpowered mystery thread involving a one-dimensional Cairo detective (May Calamawy) pursuing the root of the trouble. Why deploy a plummy archaeology professor (Mark Mitchinson) if you’re only going to give him a single scene to cut loose? He’s the kind of character who usually makes it to the big finale.

The film is tangled in its mess of references: a possession thriller that also wants to dish out some grainy video footage à la “The Ring” or “Bring Her Back” along with the expected mouth-to-mouth vomiting. Ironically, an honest-to-goodness mummy movie consumed with exotica (the first one from 1932 was released in the wake of the global mania over King Tut’s tomb) makes a lot of sense right now, with America straying into foreign deserts.

Was that in mind at any point? You’d have to ask Lee Cronin. It’s his movie and these are his mummy issues.

LOVE Island’s Lucinda Strafford has been praised for showing off her natural skin as she gets her lips injected with filler in a new video.

The villa star, who is in a relationship with Sean Stone, popped into Jessica Rose Aesthetics for a couple of treatments.

She was makeup-free for the beauty session which included filler in her nose and 1ml of Revolax pumped into her lips.

Her eyes caught the attention of viewers as did her spots, with viewers pleased to see her proudly displaying them and urging her to represent brands that treat them.

Lucinda commented on the post: “The most humbling tiktok to ever see tbh xxx.”

She needn’t have felt self-conscious as all the comments were positive.

CITY OF LOVE

Love Island’s Lucinda jets off with Sean for a romantic trip to Paris

steady on

Lucinda and Sean accused of ‘moving too fast’ as she tries on WEDDING DRESSES

One follower posted: “She deffo needs to be on as many acne brands as she can, because this girl would be a role model for so many young women. You can be beautiful and have spots!”

Another said “She makes acne look hottt! Beautiful girl inside and out.”

A third shared: “She’s so gorgeous it’s crazy.”

A fourth commented: “Her eyes are insane.”

In the video, Lucinda did her best to stay still, only flinching slightly as the needle pierced her lips.

It comes amid her trip to Paris with Sean Stone, their first holiday as a couple.

In one sunny snap in front of the magic castle, Lucinda wore Minnie Mouse ears and captioned it: “Living our fairytale…”

They also visited the Eiffel Tower with Lucinda looking incredible in a tiny polka dot skirt.

The trip to the French capital saw the couple get off to an early start, and Lucinda struggled with her bulging suitcase.

The pair checked in for an EasyJet flight at 6.50am.

After weighing their cases, the couple grabbed breakfast in the airport before boarding.

Lucinda tucked into eggs Benedict while Sean appeared slightly flustered, keeping an eye on the time.

Things quickly turned chaotic as the pair were seen sprinting through the terminal in a last-minute dash for their flight.

Lucinda admitted she had no idea where they were staying, teasing fans that the hotel was a surprise.

The couple were then seen arriving at luxury accommodation before heading out to enjoy a romantic lunch.

Gushing over the glam getaway, Lucinda declared: “This is going to be the best holiday ever!”